Podcast appearances and mentions of alison peirse

Today's episode features an interview with Lucy Fife Donaldson, Colleen Laird, Dayna McLeod and Alison Peirse on their ongoing series of collaborations and methodological practices, "Ways of Doing." They are interviewed by Kevin B. Lee. This episode is the seventh in an ongoing collaboration between The Video Essay Podcast and "The Video Essay: Memories, Ecologies, Bodies," a three-year research project on video essays led by Kevin B. Lee, Locarno Film Festival Professor for the Future of Cinema at USI University of Lugano, with Johannes Binotto and Evelyn Kreutzer, and funded by the Swiss National Science Foundation. For more on Ways of Doing, visit their website. Learn more about the Scholarship in Sound & Image Workshop here. Listen to the previous episode with Evelyn Kreutzer and Alan O'Leary, and read a response from Miklós Kiss. Follow the show on ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠. Learn more at the pod's ⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠. Get the ⁠⁠⁠⁠⁠⁠⁠⁠free newsletter⁠⁠⁠⁠⁠⁠⁠⁠. Music by Ketsa.

Today's episode is the first in a series of conversations on videos created as part of the project, Doing Women's (Global) (Horror) Film History (DWGHFH), a year-long video essay mentoring and training program that culminated in a videographic special issue of MAI: Feminism & Visual Culture.  Led by Alison Peirse, DWGHFH features the work of thirty contributors on "women horror filmmakers in non-anglophone countries, with a particular focus on filmmakers from the Global Majority." This episode features a conversation with Krista Calvo, the creator of "Dos Hermanas: Uncanny Femininity, Grief & Childhood in Carillo's Animations," and Colleen Laird, creator of "Kūki." Support the podcast on ⁠⁠⁠Patreon⁠⁠⁠. Follow the show on ⁠⁠⁠Twitter⁠⁠⁠. Learn more at the pod's ⁠⁠⁠website⁠⁠⁠. Get the ⁠⁠⁠free newsletter⁠⁠⁠. Subscribe on ⁠⁠YouTube⁠⁠. Will DiGravio hosted, edited and produced this episode. Emily Su Bin Ko is the show's associate producer. ⁠⁠⁠⁠Music by Ketsa⁠⁠⁠⁠ and _HEAVYLEG.

Today's episode features a conversation with Alison Peirse, a horror film scholar and professor at the University of Leeds. Alison led the project Doing Women's (Global) (Horror) Film History (DWGHFH), a year-long video essay mentoring and training program that culminated in a videographic special issue of MAI: Feminism & Visual Culture. DWGHFH features the work of thirty contributors working on "women horror filmmakers in non-anglophone countries, with a particular focus on filmmakers from the Global Majority." Alison and Will discuss the origins of the project, the contributors and mentors who worked on DWGHFH, how the video essays exist into existing scholarship on women horror filmmakers, and much more.  Support the podcast on ⁠⁠⁠Patreon⁠⁠⁠. Follow the show on ⁠⁠⁠Twitter⁠⁠⁠. Learn more at the pod's ⁠⁠⁠website⁠⁠⁠. Get the ⁠⁠⁠free newsletter⁠⁠⁠. Subscribe on ⁠⁠YouTube⁠⁠. Will DiGravio hosted, edited and produced this episode. Emily Su Bin Ko is the show's associate producer. ⁠⁠⁠Music by Ketsa⁠⁠⁠: "Live It," "Anvil," and "Refraining."

The new episode of the podcast sees Alison Peirse, now Professor of Film Studies at University of Leeds, return to the show to update us on her work in videographic scholarship and Global Women's Horror Film studies. The episode follows the recent release of a stunning special issue of the vital MAI: Feminism and Visual Culture Journal, edited by Alison, featuring a trove of video essays looking at the role of women in Global Horror filmmaking, which serves as an output of a larger-funded project.  The conversation covers some of the essays in detail, but more depth is paid to the process of making creative academic practice work that is inclusive, radical and disruptive, to feminist anti-patriarchal practices, the wonder of Sara Ahmed and the intricacies of being a newly minted Prof! Talk also covers Alison's much-missed newsletter The Losers' Club (which she promises will be back soon) and the feminist practice collective space Ways of Doing. Thanks to Alison for coming back to the show and for such an engaging and enlightening conversation. ---- You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. ---- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

In this episode, Ariel & Rabia have the delight of sitting down with horror scholar Alison Peirse to discuss Mattie Do's Dearest Sister, a horrific treat from Laos, available on Shudder now. Subscribe to Alison's fabulous newsletter, The Losers' Club here: https://www.alisonpeirse.com/newsletterSupport the show

**old lady voice** "Get off the TikTok!" This week your favorite ghouls discuss American Psycho (2000)! CW: Roe v Wade overturned, rape, assault, MAGA and Republicans, Trump, Reagan, Dissociative Identity Disorder, mention of child death and abuse, verbal and physical violence against women, POC, and someone who is homeless, and animal cruelty. Thanks to Lily Leblanc for our theme song! Support BLM: https://blacklivesmatters.carrd.co/ Support Trans Lifeline: https://translifeline.org/about/ Support Abortion Funds: https://abortionfunds.org/ Support GMN: https://www.patreon.com/GoodMourningNancy Resources for this episode: Women Make Horror (2020). Edited by Alison Peirse. The Ending of American Psycho Finally Explained by Xandra Harbet & Adam James: https://www.looper.com/80476/ending-american-psycho-explained/

On today's episode I'm joined by Dr Alison Peirse; associate professor of film at the University of Leeds, writer, playwright, filmmaker and creator of the greatest newsletter around - seriously, there's nothing Alison can't do. Alison threw me a real challenge by choosing trickiest FFO I've ever had: knitting, the ocean, cats. I'm sorry to say that I did not find anything that matched all three, so I definitely need to do my homework. The film we chose though is very ocean-focused and features some fabulous knitwear - join us as we dissect Robert Egger's 2019 bro-buddy comedy, THE LIGHTHOUSE. Follow Alison on Instagram: @alisonpeirse Visit her website for all Alison's latest events and news, and to subscribe to the iconic LOSER'S CLUB newsletter: www.alisonpeirse.com HBF Cover art: @tbombadil Music: @birdengine

Hey film buds,There are a few things we love here at The Film Buds Podcast. First, we love Horror. Second, we love bringing new films and filmmakers to y'all's attention. Third, we love having Friends of the Show. This week, we got all three.As our final episode for Women in Film, to commemorate Women's History Month, the Buds alongside Dr. Alison Peirse are jumping back 32 years to 1990 with the cult-classics Mirror, Mirror and Pale Blood.Mirror, Mirror is a fun Teen Horror film with some nasty violence, demonic possession, and best of all, friendship. The straight-to-video gem is the daring directorial debut of Marina Sargenti, and uses its influences to proudly make a fun, twisted little horror film that does a lot with a limited budget. We discuss the themes, the movie's oral fixation, and much more.Second is the Vampire Thriller, Pale Blood, directed by V.V. Dachin Hsu. Less influenced by particular films and instead by the zeitgeist of the music and films of the time. The Buds talk about production techniques, the differences in style between the two films, and their similarities.Be sure to check out more of Dr. Alison Perise's work by following her Instagram or visiting her website, and be sure to check out her book Women Make Horror. If you haven't already, be sure to also check out last week's episode, our first episode of our new, candid show Buds Being Buds, and our review of the HBO Max Original One Perfect Shot.I also wanted to thank all our guests that helped make Women in Film such a fantastic and informative month, including Austin and Tori from The Third Impact Anime Podcast and writer Madelaine Davis. We hope y'all enjoyed the episodes and we look forward to continuing on with a new theme next month.Thanks y'all,The BudsEpisode GuideDoes a Horror Film Have to be Scary - 00:00Introduction - 04:13Mirror, Mirror Review and Discussion - 18:06Pale Blood Review and Discussion - 01:07:13.5Does a Horror Film Have to be Scary, Women in Film Round-Up, and More - 01:47:34Total Runtime - 02:09:46Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds,There are a few things we love here at The Film Buds Podcast. First, we love Horror. Second, we love bringing new films and filmmakers to y'all's attention. Third, we love having Friends of the Show. This week, we got all three.As our final episode for Women in Film, to commemorate Women's History Month, the Buds alongside Dr. Alison Peirse are jumping back 32 years to 1990 with the cult-classics Mirror, Mirror and Pale Blood.Mirror, Mirror is a fun Teen Horror film with some nasty violence, demonic possession, and best of all, friendship. The straight-to-video gem is the daring directorial debut of Marina Sargenti, and uses its influences to proudly make a fun, twisted little horror film that does a lot with a limited budget. We discuss the themes, the movie's oral fixation, and much more.Second is the Vampire Thriller, Pale Blood, directed by V.V. Dachin Hsu. Less influenced by particular films and instead by the zeitgeist of the music and films of the time. The Buds talk about production techniques, the differences in style between the two films, and their similarities.Be sure to check out more of Dr. Alison Perise's work by following her Instagram or visiting her website, and be sure to check out her book Women Make Horror. If you haven't already, be sure to also check out last week's episode, our first episode of our new, candid show Buds Being Buds, and our review of the HBO Max Original One Perfect Shot.I also wanted to thank all our guests that helped make Women in Film such a fantastic and informative month, including Austin and Tori from The Third Impact Anime Podcast and writer Madelaine Davis. We hope y'all enjoyed the episodes and we look forward to continuing on with a new theme next month.Thanks y'all,The BudsEpisode GuideDoes a Horror Film Have to be Scary - 00:00Introduction - 04:13Mirror, Mirror Review and Discussion - 18:06Pale Blood Review and Discussion - 01:07:13.5Does a Horror Film Have to be Scary, Women in Film Round-Up, and More - 01:47:34Total Runtime - 02:09:46Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds,There are a few things we love here at The Film Buds Podcast. First, we love Horror. Second, we love bringing new films and filmmakers to y'all's attention. Third, we love having Friends of the Show. This week, we got all three.As our final episode for Women in Film, to commemorate Women's History Month, the Buds alongside Dr. Alison Peirse are jumping back 32 years to 1990 with the cult-classics Mirror, Mirror and Pale Blood.Mirror, Mirror is a fun Teen Horror film with some nasty violence, demonic possession, and best of all, friendship. The straight-to-video gem is the daring directorial debut of Marina Sargenti, and uses its influences to proudly make a fun, twisted little horror film that does a lot with a limited budget. We discuss the themes, the movie's oral fixation, and much more.Second is the Vampire Thriller, Pale Blood, directed by V.V. Dachin Hsu. Less influenced by particular films and instead by the zeitgeist of the music and films of the time. The Buds talk about production techniques, the differences in style between the two films, and their similarities.Be sure to check out more of Dr. Alison Perise's work by following her Instagram or visiting her website, and be sure to check out her book Women Make Horror. If you haven't already, be sure to also check out last week's episode, our first episode of our new, candid show Buds Being Buds, and our review of the HBO Max Original One Perfect Shot. I also wanted to thank all our guests that helped make Women in Film such a fantastic and informative month, including Austin and Tori from The Third Impact Anime Podcast and writer Madelaine Davis. We hope y'all enjoyed the episodes and we look forward to continuing on with a new theme next month.Thanks y'all,The BudsEpisode GuideDoes a Horror Film Have to be Scary - 00:00Introduction - 04:13Mirror, Mirror Review and Discussion - 18:06Pale Blood Review and Discussion - 01:07:13.5Does a Horror Film Have to be Scary, Women in Film Round-Up, and More - 01:47:34Total Runtime - 02:09:46Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds,There are a few things we love here at The Film Buds Podcast. First, we love Horror. Second, we love bringing new films and filmmakers to y'all's attention. Third, we love having Friends of the Show. This week, we got all three.As our final episode for Women in Film, to commemorate Women's History Month, the Buds alongside Dr. Alison Peirse are jumping back 32 years to 1990 with the cult-classics Mirror, Mirror and Pale Blood.Mirror, Mirror is a fun Teen Horror film with some nasty violence, demonic possession, and best of all, friendship. The straight-to-video gem is the daring directorial debut of Marina Sargenti, and uses its influences to proudly make a fun, twisted little horror film that does a lot with a limited budget. We discuss the themes, the movie's oral fixation, and much more.Second is the Vampire Thriller, Pale Blood, directed by V.V. Dachin Hsu. Less influenced by particular films and instead by the zeitgeist of the music and films of the time. The Buds talk about production techniques, the differences in style between the two films, and their similarities.Be sure to check out more of Dr. Alison Perise's work by following her Instagram or visiting her website, and be sure to check out her book Women Make Horror. If you haven't already, be sure to also check out last week's episode, our first episode of our new, candid show Buds Being Buds, and our review of the HBO Max Original One Perfect Shot.I also wanted to thank all our guests that helped make Women in Film such a fantastic and informative month, including Austin and Tori from The Third Impact Anime Podcast and writer Madelaine Davis. We hope y'all enjoyed the episodes and we look forward to continuing on with a new theme next month.Thanks y'all,The BudsEpisode GuideDoes a Horror Film Have to be Scary - 00:00Introduction - 04:13Mirror, Mirror Review and Discussion - 18:06Pale Blood Review and Discussion - 01:07:13.5Does a Horror Film Have to be Scary, Women in Film Round-Up, and More - 01:47:34Total Runtime - 02:09:46Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Writer and horror academic Dr. Alison Peirse returns to the pod to talk about the under-seen teen slasher starring Brittany Murphy, Cherry Falls (2000). We touch on how it upends slasher tropes with a killer that targets virgins, its troubled production history, the fashion and fringe choices (a lot of pleather) and its indirect influence on Malignant.  Produced and presented by Anna Bogutskaya***Music: "Slasher" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism, founded by Anna Bogutskaya and Olivia Howe.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter, Instagram and Facebook.→ Support us on Patreon.→ Subscribe to our weekly newsletter for curated horror treats and original writing on horror.

Horror film expert and author, Alison Peirse helps us cover a spooky Peggie Castle film with a fascinating screenwriter. Alison's most recent book: WOMEN MAKE HORROR MHP's LONE STAR LARCENY John's OLD FEARS - 40th Anniversary Edition

Welcome to our final episode of 2021! We're leaving this year with a bang, ghouls. Candace and Ariel are joined by writer Alison Peirse for our most British double feature ever: Kate Shenton's independent dark meta horror comedy about the nightmares of filmmaking, Egomaniac (2016), and Prano Bailey-Bond's fever dream of art, unresolved trauma, and video nasties, Censor (2021). This is one of those film pairings that seem to have nothing in common until you watch them together, otherwise known as our favorite kind. If you love to see a sympathetic (if not necessarily relatable) character struggle to force the world into the shape she wants it to be, the dark recesses of the inner mind explored, corpses arranged into little tableaus, and/or descents into madness, look no further. We also talk about Tim Curry playing a terrifying demon creature in Legend (1985), so if you don't like any of the aforementioned things, at least stay for that. Alison Peirse is a multi-award-winning horror writer and Associate Professor of Film. Her latest book is Women Make Horror: Filmmaking, Feminism, Genre. She also runs a horror film newsletter, The Losers' Club, which she thinks you might like. A proud part of the Morbidly Beautiful Podcast Network. Our drive for intersectionality aligns well with the Morbidly Beautiful ethos. We love that MB is a nonprofit that gives back to the horror community, and are thrilled to be a part of the network! Show now also streaming on morbidlybeautiful.com! Movies Discussed: Egomaniac (2016) Censor (2021) Links: IG- instagram.com/nyfgpod Twitter- twitter.com/nyfgpod FB- facebook.com/nyfgpodcast/ Pod merch- https://society6.com/nyfgpod I am Not Your Final Girl by Claire C. Holland- https://www.amazon.com/Am-Not-Your-Final-Girl/dp/0692966633 Bandcamp- arieldyer.bandcamp.com Show art by Brian Demarest: instagram.com/evilflynn

Grab your skateboard and sharpen your fangs, girls and ghouls! Today, we're rocking out to Ana Lily Amirpour's 2014 Iranian vampire western, A Girl Walks Home Alone at Night.  If you wanna deep dive into the article Natalie references, you can find "The Transnational Gaze in A Girl Walks Home Alone at Night" by Alison Peirse and Lindsey Decker in the book Women Make Horror. Also! Please help us continue to grow by subscribing and reviewing the show on your podcatcher of choice. If you've already done so, thank you! Help us spread the word by sharing our episodes with any other horror minded folk like us. 

A Tale of Two Sisters, 2003, Editor Lee Hyeon-mi In this episode, Neil talks to one of Horror Cinema's leading scholars and all-round creative force of nature, Dr. Alison Peirse. Alison teaches film at Leeds (and is an old colleague of Dario's!) where she is an associate professor. She writes a brilliant newsletter called The Losers Club and is finding success on the film festival circuit with her debut video essay Three Ways to Dine Well. Alongside monographs on 1930s and Korean horror, Alison is the editor of the recent publication Women Make Horror which is a groundbreaking piece of scholarship in form and focus, and she contributes an intellectually provocative and exhilarating piece that explodes the previous limits of not only Horror scholarship but cinema scholarship more broadly. It's a great book. It was a pleasure to welcome Alison to the podcast and you can learn more about her work (and sign up for her newsletter) on her terrific website here. Elsewhere on the show Neil and Dario discuss their evolving and crystallised thoughts on academic practice growing out of the conversation with Alison and also extol the virtues of Alexandre Rockwell's new film Sweet Thing (Neil) and the documentary Jodorowsky's Dune (Dario).   It's also worth hanging around and signing up for the bonus episode where Neil and Dario get deeper into questions about film academia and purge some negative feelings that have built up over time. ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.   ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

It's a long journey this one, and I am going to give you the time codes below so if you don't want spoilers then please, avert your eyes.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.Below are the timecodes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there & I'll see you next month.0.00 - Introduction8.25- The Worst of the 1920s & the 1930s16.17 - Also Rans (Part 1)27.01 - The Hunchback Of Notre Dame (1939) w/ James Davies50.07 - White Zombie (1932) w/ James Davies1.10.14 - Island Of Lost Souls (1932) w/ Alison Peirse1.44.27 - M (1931)1.50.12 - A Page Of Madness (1926) w/ Marc Canale2.31.46 - The Hound Of the Baskervilles (1939) w/ Benjamin Bowles

Halloween Movie Month:This week's movie monster is Aliens!This week the TML Duo discusses the groundbreaking Korean Sci-Fi Horror film Save the Green Planet! Has David picked a Horror film that Izzi will like? Or is this film not in her wheelhouse? The Duo discusses the film's unreliable protagonist and if his story in this genre-bending film qualifies as a Black Comedy.  They also talk about the history of Korean Horror films and the place this film has among them.Visit us at tmlajourneythroughcinema.comFollow us on:Instagram @tmlajourneythroughcinemaTwitter - @tmlajourneyFacebook - @TheMovieLog1Note: The TML duo's source for this episode was Korean Horror Cinema, written by Alison Peirse and Daniel Martin for the Edinburgh University Press. Click here for info about the book.

Happy Halloween! This month, our CFFC movie selections are, of course, going to be two women-led horror films. And as a little treat to you tricksters, this week we are giving you a rerun of our 2020 Halloween special with Women *Make Horror author and expert: Dr. Alison Peirse! Enjoy, and we will see you next week with the first part of our October talk! Here's the release schedule: October 11th: Midsommar (2019, dir. Ari Aster) | Available on Netflix UK, Prime US October 18th: A Girl Walks Home Alone at Night (2014, dir. Ana Lily Amirpour) | Available on Amazon Video Prime (sub & rent) October 25th: Listener discussion! Send us your thoughts on these movies and we'll talk about them. Link at the bottom of the shownotes Get your copy of Women Make Horror here. --- Send in a voice message: https://anchor.fm/makingitwomeninfilm/message

TW: Talk of Sexual Assault, timestamp 00.00-30.00 Welcome to the second edition of the Chick Flix Film Club! A programme presented by She Sources and Making It: Women in Film, airing the first Monday of every month. This month, we discuss Karyn Kusama's 2009 horror-comedy, "Jennifer's Body," starring Megan Fox, and Cathy Yan's 2020 superhero-action film, "Harley Quinn: Birds of Prey," with Margot Robbie in the lead. These movies were considered commercial flops, and "Jennifer's Body" was especially received with harsh and scathing reviews. Was this a result of poor marketing, the gender imbalance in film criticism, the disproportional scrutiny filmmakers of marginalised backgrounds face, or the ingrained possessive entitlement of the male gaze (and audience)? Let's discuss! Timestamps: Jennifer's Body | 00.00 - 30.00 Watch The Take's commentary video on the film's female gaze here Listen to "#16 Horror Films and Feminism" with horror film professor Alison Peirse for more about women's history and future in the genre, wherever you're listening! Birds of Prey | 30.00 - 1.00.00 Listen to "#18 Empowering Costumes and Superhero(ine)s" with BOP costume designer Helen Huang wherever you're listening! Read our article on the sexualisation of women's action costumes here: "Women in Fantasy Aren't Your Fantasies." This episode was made by Emma Stern (She Sources, co-host), Lauren Piskothy (She Sources, co-host), and Malin Evita (MIWIF, co-host and editor.) Follow us on Instagram at @ChickFlixFilmClub and write to us through chickflixfilmclub@gmail.com! --- Send in a voice message: https://anchor.fm/makingitwomeninfilm/message

A SPOILERIFIC deep dive into the second part of the Netflix horror trilogy, Fear Street 1978 with Isaura Barbé-Brown and Dr. Alison Peirse exploring all the things that make the trilogy work, everything that makes Nick Goode  such a douchebag, and the queer love story that underpins the horror trilogy.  Listen to the Fear Street 1994 deep dive HERE. Listen to our Fear Street 1978 deep dive HERE.Listen to our interview with director Leigh Janiak HERE. Produced and presented by Anna Bogutskaya.***The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism, founded by Anna Bogutskaya and Olivia Howe.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter, Instagram and Facebook.→ Support us on Patreon.→ Subscribe to our weekly newsletter for curated horror treats and original writing on horror.

A SPOILERIFIC deep dive into the second part of the Netflix horror trilogy, Fear Street 1978 with Dr. Alison Peirse going over the difference between classic and nineties slashers, the updated Final Girl, and the unexpected nastiness of the film. Listen to the Fear Street 1994 deep dive HERE.  Produced and presented by Anna Bogutskaya.***The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism, founded by Anna Bogutskaya and Olivia Howe.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter, Instagram and Facebook.→ Support us on Patreon.→ Subscribe to our weekly newsletter for curated horror treats and original writing on horror.

Originality is a rare beast nowadays, which is why we're super proud of the Fear Street trilogy, or should we say thrill-ogy!Three incredible full-length feature horror films released weekly? Crazy right? Not only that but it has interweaved characters, plot-lines and oh... starts in 1994 and ends in 1666 and is written by a master of his craft - Goosebumps creator RL Stine.He dropped by to speak to the ladies , who are so pathetic when it comes to horror, we got Alison Peirse, and actual academic expert in horror films to come and calm them down.Then, to see how much they've been paying attention, Producer Jamie put them through their paces with a special quiz. Horror? Some of Tolly's answers will give you the heebeegeebies!As well as ‘Fear Street' the girls also recommended these titles, available to watch now:Sweet ToothThe CraftSuspiriaThis is PopSex/LifeEach week join hosts and IRL friends Tolani Shoneye (of The Receipts podcast fame) and Gena-mour Barrett (who works for Netflix) as they discuss what they're watching, and what they think * you * should be watching. Produced by Daft Doris and Netflix UKShow Less

This week, your favorite ghouls discuss the gonzo, 80's horror flick: Blood Diner! Guest starring Alison Peirse, author of the books After Dracula, Korean Horror Cinema, and Women Make Horror! --- Thanks to Lily LeBlanc for our theme song: www.lilythecomposer.com --- BLM: https://blacklivesmatters.carrd.co/ TLM: https://translifeline.org/ ---- Research: https://www.google.com/amp/s/swampflix.com/2017/02/11/blood-diner-1987/amp/ https://en.m.wikipedia.org/wiki/Blood_Diner https://www.google.com/amp/s/birthmoviesdeath.com/2016/10/03/the-savage-stack-blood-diner-1987/amp https://www.youtube.com/watch?v=fGjE1todHOE https://www.google.com/amp/s/www.cbr.com/blood-diner-cult-classic-dark-comedy-halloween/amp/. https://366weirdmovies.com/14-blood-diner-1987/ https://www.google.com/amp/s/cineccentric.com/2020/10/08/blood-diner-and-the-american-art-of-excess/amp/ http://ecofilmmediaenvironment.blogspot.com/2020/07/blood-diner-1987-and-jennifers-body.html?m=1 https://www.screenslate.com/articles/meat-movie-dirty-lookss-bradford-nordeen-blood-diner https://otherworldlyoracle.com/dark-goddesses-list-descriptions/ https://femalevillains.fandom.com/wiki/Sheetar_(Blood_Diner) https://bloody-disgusting.com/editorials/3445809/celebrating-sheetar-30-years-blood-diner/ https://www.google.com/amp/s/qz.com/1768545/hinduisms-kali-is-the-feminist-icon-the-world-desperately-needs/amp/ https://en.m.wikipedia.org/wiki/Dali_(goddess) https://www.thoughtco.com/what-were-mythological-cannibals-119920 https://deep-focus.com/blood-diner/

We sit down with Dr. Alison Peirse to discuss her fascinating new book, Women Make Horror, plus Stephen King's Pet Sematary (1989) and the state of modern horror. Below the show schedule is a promo code for Women Make Horror, available for all listeners. Thanks again to Alison for taking the time! 0:00 - Intro6:21 - Interview: Alison Peirse1:02:56 - Review: Pet Sematary (1989)1:19:07 - Discussion: The State of Modern Horror1:44:00 - Outro Follow Alison Peirse:Website: AlisonPeirse.comInstagram: @AlisonPeirse Women Make Horror Promo Codes:30% OFF + free shippingrutgersuniversitypress.org or 1 800 621 2736US orders only • Code: RFLR19 In Canada:20% OFF • Code: RUTGERS20Free shipping online with orders over $40ubcpress.ca/rutgers or 1 800 565 9523In UK / Europe and the rest of the world:20% OFF • Code: RutFriendsFamily Free shipping worldwideeurospanbookstore.comor UK: 0845 474 4572 International:+44 (0)20 3286 2420info@eurospanbookstore.com Follow The Film Buds:Patreon: Patreon.com/TheBudsWebsite: TheFilmBuds.comBonus Shows: Thefilmbuds.bandcamp.comEmail: Thefilmbudspodcast@gmail.comTwitter: @filmbudsLetterboxd: @HenryFahertyInstagram: @thefilmbudspodcastThe Music Buds: TheMusicBuds.com

We sit down with Dr. Alison Peirse to discuss her fascinating new book, Women Make Horror, plus Stephen King's Pet Sematary (1989) and the state of modern horror. Below the show schedule is a promo code for Women Make Horror, available for all listeners. Thanks again to Alison for taking the time! 0:00 - Intro6:21 - Interview: Alison Peirse1:02:56 - Review: Pet Sematary (1989)1:19:07 - Discussion: The State of Modern Horror1:44:00 - Outro Follow Alison Peirse:Website: AlisonPeirse.comInstagram: @AlisonPeirse Women Make Horror Promo Codes:30% OFF + free shippingrutgersuniversitypress.org or 1 800 621 2736US orders only • Code: RFLR19 In Canada:20% OFF • Code: RUTGERS20Free shipping online with orders over $40ubcpress.ca/rutgers or 1 800 565 9523In UK / Europe and the rest of the world:20% OFF • Code: RutFriendsFamily Free shipping worldwideeurospanbookstore.comor UK: 0845 474 4572 International:+44 (0)20 3286 2420info@eurospanbookstore.com Follow The Film Buds:Patreon: Patreon.com/TheBudsWebsite: TheFilmBuds.comBonus Shows: Thefilmbuds.bandcamp.comEmail: Thefilmbudspodcast@gmail.comTwitter: @filmbudsLetterboxd: @HenryFahertyInstagram: @thefilmbudspodcastThe Music Buds: TheMusicBuds.com

We sit down with Dr. Alison Peirse to discuss her fascinating new book, Women Make Horror, plus Stephen King's Pet Sematary (1989) and the state of modern horror. Below the show schedule is a promo code for Women Make Horror, available for all listeners. Thanks again to Alison for taking the time!   0:00 - Intro 6:21 - Interview: Alison Peirse 1:02:56 - Review: Pet Sematary (1989) 1:19:07 - Discussion: The State of Modern Horror 1:44:00 - Outro   Follow Alison Peirse: Website: AlisonPeirse.com Instagram: @AlisonPeirse   Women Make Horror Promo Codes: 30% OFF + free shipping rutgersuniversitypress.org or 1 800 621 2736 US orders only • Code: RFLR19   In Canada: 20% OFF • Code: RUTGERS20 Free shipping online with orders over $40 ubcpress.ca/rutgers or 1 800 565 9523 In UK / Europe and the rest of the world: 20% OFF • Code: RutFriendsFamily   Free shipping worldwide eurospanbookstore.com or UK: 0845 474 4572   International: +44 (0)20 3286 2420 info@eurospanbookstore.com   Follow The Film Buds: Patreon: Patreon.com/TheBuds Website: TheFilmBuds.com Bonus Shows: Thefilmbuds.bandcamp.com Email: Thefilmbudspodcast@gmail.com Twitter: @filmbuds Letterboxd: @HenryFaherty Instagram: @thefilmbudspodcast The Music Buds: TheMusicBuds.com

Part of our new series devoted to exploring the vampire in horror cinema, we reach peak 80s with the most iconic vampire film from the decade, The Lost Boys (1987). Joel Schumacher's influential teen-vampire film follows divorcée Lucy who, along with her two sons, Michael and Sam, moves to a small town in California. Soon, the two boys are sucked into the mysterious and dangerous world of bikers, punk vampires and teen monster hunters.Joining us in this episode is Dr. Alison Peirse to dig into the themes of the film, the true story behind the shiny saxophonist, horror fandom, the origins and the influence of The Lost Boys on vampire films.  This season is made possible with the support of Arrow Video. This week's pick from their vast catalogue another acerbic teen classic, Heathers. Produced and presented by Anna Bogutskaya. ***The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism.Find out more about our projects here: thefinalgirls.co.ukFollow us on Twitter, Instagram and Facebook. Support us on Patreon for bonus episodes. Subscribe to our newsletter for a weekly dose of curated horror treats.Follow Anna on @annabdemented and Olivia is on @livihowe 

In the first episode of our new season all about monsters, we talk about The Island of lost Souls (1932) and Cat People (1942). These two films make for a wicked double bill of cat-themed horror. I'm joined in this episode by Dr. Alison Peirse, author and professor specialised in horror cinema, to discuss Panther Women, cat-themed horror and how these films tackle female sexuality. *** The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism. Find out more about our projects here: thefinalgirls.co.uk Follow us on Twitter, Instagram and Facebook. Support us on Patreon. The illustration of the cover is by Yas Aybar. Follow Anna on @annabdemented and Olivia is on @livihowe