Podcasts about black sitcoms

In this episode of Black Sitcom History, Shannon and Summer delve into the evolving portrayals of Black families on television, from idealized nuclear families to more complex, relatable dynamics. The conversation highlights iconic shows like The Cosby Show, Good Times, The Jeffersons, Family Matters, and Everybody Hates Chris, examining how each depicted different aspects of Black family life—from wealth and success to the challenges of poverty and community resilience.They explore the criticism surrounding the portrayal of perfect families, questioning whether such portrayals are unrealistic or aspirational. The hosts discuss how these shows impacted their own family dynamics, drawing lessons on parenting, communication, and values. They also touch on more modern sitcoms like Black-ish and The Proud Family, emphasizing the importance of showing a wide range of Black experiences, including blended and extended families.The episode reflects on how media shapes perceptions of family and tackles whether TV should prioritize realism or offer an escape through idealized portrayals. Summer and Shannon argue for the necessity of diversity in Black representation, highlighting that no one depiction can capture the vast experiences of Black families.00:00 - Idealized Black Families on TV00:58 - The Influence of Television Families04:18 - Black Sitcoms and Family Dynamics06:37 - Portrayal of Family Dynamics09:57 - Actor Departure and Show Dynamics11:16 - Nostalgia and TV Classics12:53 - Family Dynamics in TV Shows14:58 - Multi-Generational Family Dynamics15:50 - Extended Family Dynamics in TV Shows17:26 - Blended and Nuclear Family Dynamics18:59 - Sitcom Chaos: Katie's Pet Dilemma21:14 - Family Dynamics on TV Shows23:27 - Generational Dynamics in TV Shows24:56 - Diverse Black Family Representations27:49 - Realistic Family Portrayals30:30 - Movie Preferences and Dislikes31:38 - Choosing the Right Path33:12 - Imperfect Families on TV35:41 - Reality TV: A Mirror to Life37:45 - Reality TV and Celebrity Appeal

Exploring the Impact of Amos ‘n' Andy and Evolving Black Representation in SitcomsIn this episode of Black Sitcom History, we revisit the origins of Black sitcoms, starting with the groundbreaking yet controversial Amos ‘n' Andy, which first aired in the 1950s. This show marked the birth of Black representation on television, but it also faced significant criticism, particularly from the NAACP, which ultimately influenced its cancellation after a few seasons. We explore the dynamics of the show, its portrayal of Black friendships, and the broader implications of its visual representation on audiences and activists of the time.We then examine the evolution of Black representation, discussing how Amos ‘n' Andy paved the way for subsequent shows like Julia, which showcased a more progressive portrayal of Black life. This shift reflected a growing demand for diverse and authentic depictions of the Black experience.Drawing personal connections, we reflect on the cultural significance of later shows like The Cosby Show, which presented an aspirational image of a successful, educated Black family. For many viewers, including those who didn't grow up in similar environments, these portrayals offered inspiration and reshaped perceptions of what was possible.This episode underscores the importance of analyzing early Black sitcoms not only for their faults but also for their contributions to the cultural and social shifts in television history. While shows like Amos ‘n' Andy were imperfect, they opened the door to more nuanced and empowering representations that continue to influence audiences today.Tune in as we discuss the milestones and lessons from Black sitcom history, reflecting on how these portrayals have shaped perceptions of identity, success, and representation. --- Support this podcast: https://podcasters.spotify.com/pod/show/blacksitcomhistory/support

On Radio Boston today, Candice Springer, assistant director of WBUR's CitySpace, speaks about The Front Porch Arts Collective's "Holiday Feast" and Ayodele Casel's "Diary of a Tap Dancer."

In this episode we discuss Black Sitcoms, we also discuss that after Diddy it's up for Brandy! Enjoy!

Black artist appearing on Black sitcoms. --- Support this podcast: https://podcasters.spotify.com/pod/show/manuel-hicks/support

On this episode of Recap Kickback, host Chappell (@Chappells_Show) and longtime cohost Mari Forth (@MariTalks2Much) tackle their FINAL segment of Top 5 February. Joined by Jason Reed (@JayR1085).This week they are discussing the TOP 5 Greatest Black Sitcoms!

We're talking some of our favorite black sitcoms and how they shaped our lives! Tap in and have some fun!! #blerdseyeview #sitcom #avatarthelastairbender #comedy #reaction #comicbooknerd #gamingcommunity

We're talking some of our favorite black sitcoms and how they shaped our lives! Tap in and have some fun!! #blerdseyeview #sitcom #avatarthelastairbender #comedy #reaction #comicbooknerd #gamingcommunity

In honor of the A Different World cast touring around to various HBCUs, CJ and Mike share their favorite black sitcoms. They also talk about the injury to Davius Richard in the HBCU Legacy Bowl, share their thoughts on Robert Covington going into the Tennessee State Hall of Fame and more.

Topics discussed: Star Wars Hazbin Hotel Ghost Bride Perfect Marriage Revenge Honey & Spice --- Support this podcast: https://podcasters.spotify.com/pod/show/soju-chronicles/support

We sit down with Harvey and Kendra, and they are doing their 104 Black sitcoms bracket. Check out this episode for what they think is the best black sitcom. If you want to do your tournament, please get in touch with us, and we will set it up. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

We are drafting the best movie cameos and building out black sitcoms. Let us know who has the best rosters. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

This episode, we're talking about one of my favorite TV shows of all time: Sanford & Son! We'll also get into Good Times and a little into The Jeffersons. All 3 of these shows are 1970s Black sitcoms under Tandem Productions. These shows were a window into the reality of Black life like nothing before them. Yet, what often gets overlooked in discussing these shows is the work that Black actors and writers did behind the scenes to demand respect for themselves and authentic depictions of Black people on screen. Enter my guest Dr. Adrian Sebro, author of Scratchin' and Survivin' Hustle Economics and the Black Sitcoms of Tandem Productions, to tell us some of these behind the scenes stories.Music CreditPeaceLoveSoul by Jeris (c) copyright 2012 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/VJ_Memes/35859 Ft: KungFu (KungFuFrijters)

KrisCross Corner is the exclusive Detroit-based podcast with Kris Canty and the Great Debaterz. Join the crew as they talk about interesting topics, current events, and more! Kris will also try to get your brains working with some Top 10 Lists of Random topics. Watch the podcast on YouTube! Support the podcast here: anchor.fm/kriscrosscorner/support  Watch the podcast here: www.youtube.com/@kriscrosscorner  Listen to the podcast here: https:// open.spotify.com/show/21S54f6JNK3mxkVkVgGAxH --- Send in a voice message: https://podcasters.spotify.com/pod/show/kriscrosscorner/message Support this podcast: https://podcasters.spotify.com/pod/show/kriscrosscorner/support

Black Sitcoms

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade's notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem's complex legacy, including its hit racially mixed sitcom Diff'rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This episode Kyle of the @12KylePodcast and I have a 5 round draft of the best/ our favorite Black SitcomsWe went back and forth pick for pick, who had the best draft?You decide on Twitter, IG, and Facebook via vote later on Twitter and IG Live Listen. Comment. Share Also available on YouTube!#SitcomDraft #FantasyDraftPodcast

Ashley Blaine Featherson-Jenkins (aka ABFJ) grew up relating to Breanna Barnes, the main character of UPN's sitcom One on One. But she wanted to be living the life of its star, Kyla Pratt. When reality (and Ashley's parents) pushed her acting dreams to post-college, Ashley went to Howard University...but not before bingeing A Different World in hopes of seeing what an HBCU might be like. Now an actor in a college show of her own (and the host of an OWN Podcast), Ashley shares her own trials-to-triumphs tale -- a story full of connections, coincidences...and a lot of hard work. Trials to Triumphs is in its second season!***With Jordan Crucchiola and Ashley Blaine Featherson-Jenkins

We drafted movie one-liners and black sitcoms. Please let us know who has the better roster. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

This week in episode #66, Cj and Dee and joined by special guest "Chris" as they debate which 2000's Black Sitcom was the best.

Thank you for tuning in!  In today's episode, we will look back at four additional (and notable) sitcoms from the 80s and 90s that featured a predominately black cast.  We will discuss the Cosby Show, A Different World, The Fresh Prince of Bel-Air, and Family Matters.  You'll learn some behind-the-scenes information about the various cast members and some fun facts!  This is one of my all-time favorite sitcom moments where Carlton dances to the Oprah theme song:  https://www.youtube.com/watch?v=ISkDEDkq2_EOn the show I mentioned that People Magazine did an excellent retrospective on Family Matters, here is a link to that:  https://www.youtube.com/watch?v=rl1QBN8SUFMAre you interested in having early access to episodes and receiving an exclusive episode each month?  Consider becoming a subscriber to support the show!  You can find more information here:  https://www.buzzsprout.com/1114817/subscribeVisit: https://www.popcultureretrospective.com/ for all things Pop Culture Retrospective!

On this quick episode Amy (@amys22cents) Kee (@bosslady819) and B-Eazy (preacher_bp) discuss their top 5 BLACK 90's sitcoms. This was a quick one due to time constraints. We hope you still enjoy. Email: djblazeshow@gmail.com

The Nerdz discuss the recent events of all star weekend. They also dissect a list of the top black tv sitcoms of all time. --- Send in a voice message: https://podcasters.spotify.com/pod/show/marv69/message Support this podcast: https://podcasters.spotify.com/pod/show/marv69/support

Episode Summary For the last day of Black History Month we've got part 2 of our black sitcom series. This episode covered some underrated gems like Sister, Sister, Kenan & Kel, Cousin Skeeter, and more. Check back soon for part 3 and check out part 2 here! Don't forget to check out Nicole's podcast "Friends in High Places." Click here to listen. About Nerding with Friends — Beat by Mal (Twitter- @malphroditee904 & IG – @mallycyrus904) Follow C.Ro$$ on Twitter and IG at @c_ross321 and Codename: Comet on IG at @_codenamecomet and Twitter at @ codename_comet. — This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app Send in a voice message | Support this podcast | Rate and Review on PodChaser Follow Us! Anchor – https://anchor.fm/nerdingwithfriends Apple Podcasts- https://podcasts.apple.com/podcast/id1517157602 Spotify- https://open.spotify.com/show/3hJ8reOF4BhW04ObSNY2FR Facebook- https://www.facebook.com/nerdingwithfriends Twitter- https://twitter.com/nerdingwfriends Instagram- https://www.instagram.com/nerdingwithfriends1/ YouTube – https://www.youtube.com/channel/UCUHIBQ3JwMoqaSWvGJYAt3g --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nerdingwithfriends/message Support this podcast: https://anchor.fm/nerdingwithfriends/support

Episode Summary Black History Month isn't over yet. We're wrapping up this month with the start of a new series on black sitcoms. This episode covered greats like Wayans Bros. Martin, My Wife and Kids, Smart Guy, and more. Come back next week for part 2 and don't forget to check out Nicole's podcast "Friends in High Places." Click here to listen. About Nerding with Friends — Beat by Mal (Twitter- @malphroditee904 & IG – @mallycyrus904) Follow C.Ro$$ on Twitter and IG at @c_ross321 and Codename: Comet on IG at @_codenamecomet and Twitter at @ codename_comet. — This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app Send in a voice message | Support this podcast | Rate and Review on PodChaser Follow Us! Anchor – https://anchor.fm/nerdingwithfriends Apple Podcasts- https://podcasts.apple.com/podcast/id1517157602 Spotify- https://open.spotify.com/show/3hJ8reOF4BhW04ObSNY2FR Facebook- https://www.facebook.com/nerdingwithfriends Twitter- https://twitter.com/nerdingwfriends Instagram- https://www.instagram.com/nerdingwithfriends1/ YouTube – https://www.youtube.com/channel/UCUHIBQ3JwMoqaSWvGJYAt3g --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nerdingwithfriends/message Support this podcast: https://anchor.fm/nerdingwithfriends/support

Thank you for tuning in!  On today's episode, we will be taking a look back at the rise of the black sitcom in the 80s and 90s.  This was an important period of time because for once, people of color could see themselves through the actors in various sitcoms such as Diff'rent Strokes, Gimmie a Break, 227, and Amen.  These are the shows we will look at today and part II will cover the Cosby Show, a Different World, the Fresh Prince of Bel-Air, and Family Matters.  Please consider becoming a subscriber to the show!  Launching on March 1st, subscribers will get an exclusive episode each month, early access to shows, and more!  Learn more and sign up here:  https://www.buzzsprout.com/1114817/subscribeIn the show, I referenced a beautiful acapella version of some of the most well-known sitcoms led by black actors.  Here is the video: https://www.youtube.com/watch?v=AbOggOe57eI&list=WL&index=1Check out my website access to all episodes, blog, and merch and you can also leave reviews here, too!  Visit:   https://www.popcultureretrospective.com/Visit: https://www.popcultureretrospective.com/ for all things Pop Culture Retrospective!

BIRPod Ep.67 #BadBoys #SuperBowl #DamarHamilin #Jacket #Black #Sitcoms #Accountability #Toxicity Follow and Subscribe YouTube @ https://www.youtube.com/c/DGNVizhen Linktree - https://linktr.ee/dgnvizhen Intro Music by DGN Vizhen – Tonight https://ditto.fm/gottinstrumentals-vol-1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dgnvizhen/message Support this podcast: https://podcasters.spotify.com/pod/show/dgnvizhen/support

This week we discuss lessons we learned through black sitcoms and the importance of them through the years.

Actor & artist Malcolm-Jamal Warner sits down with Ebro in the Morning to discuss his band, his acting career, and his Grammy nominated spoken-word project. He discussed the legacy of The Cosby Show especially following the controversies surrounding Bill Cosby, the impact the show made on the culture, reactions to comments he had made in the past, and more about that chapter in his career. Warner also discussed his art as a bass player and how he got into it, including the bands he is apart of, one being an A Tribe Called Quest cover band. Other topics include his time on Malcolm & Eddie, other shows he has acted in, his thought on Black television today, growing up as a child actor, and more! His Grammy nominated album 'Hiding In Plain View' is available now.See omnystudio.com/listener for privacy information.

A year ago our network, Period, held an online fundraiser. Each show did a segment and this is ours.

My next guest is Virginia rapper-producer Koncept Jack$on. We spoke about the Avatar movies, reality TV, Black sitcoms of the 90s, Lovecraft Country, coming up on Big L, Kool G Rap, and early 2000s freestyles, the importance of video game soundtracks, perfecting his flows, the art of stretching a rhyme scheme to its breaking point, and the creative process behind his latest project HTR Vol. 1: The Legend of Tawny Tone.HTR Vol. 1: The Legend of Tawny Tone is available wherever music is sold, streamed, or stolen. Consider copping from his Bandcamp page here. Follow Koncept on Instagram (@konceptxjackson) and Twitter (@konceptjackson_)Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)  Support the show

1. Getting Old 2. Top 5 Black Sitcoms  3. F*ck Rapping, Invent Something    #LetsParle 

Following the success of The Cosby Show and its spinoff A Different World in the 1980s,TV networks were eager to include more Black programming.    In particular they wanted more Black sitcoms and that eventually lead to a flood of new shows.  Some were on the big three networks but many more on new upstarts, FOX, UPN and The WB.  On this episode of History of the 90s, host Kathy Kenzora continues looks back at some of the best Black sitcoms from the golden era of Black television.   Guest:  Kristal Brent Zook:  author of Color By Fox:  The Fox Network and the Revolution in Black Television  www.kristalbrentzook.com  Patreon subscribers can hear Kristal's entire interview at:  www.patreon.com/historyofthe90s  Show Contact Info:    Twitter: @1990shistory  Facebook: @1990shistory  Instagram: @that90spodcast  Email:  90s@curiouscast.ca  For exclusive bonus content subscribe to History of the 90s Patreon page.: https://patreon.com/historyofthe90sSee omnystudio.com/listener for privacy information.

Lance does a T5 DOA on underrated Black Sitcoms...

Ep. 101 Evolution Of Black Sitcoms by Dee N Antonio

We always here people talk about how great the 90s music was and how much they miss it, but what about the tv shows? Did you know that we had over 25 different black sitcoms in the 90s? Crazy to think about know when it seems like black sitcoms are so few and far between. To show our love & appreciation for 90s black tv we are diving right into the topic today. Join us as we talk about whether we prefer sho now or back then, how different shows are now & even how we can support our black creators. Hear about all of this and more right now on The People's Podcast!!!Don't Forget to Follow Us Online:Facebook & Youtube: Black 2 the Basics PodcastInstagram & Twitter: @B2B_PodcastFor all booking inquires email: black2thebasicspodcast@gmail.com 

T.H.A.T Life Podcast was created to discuss topics affecting every area of life (spirituality, relationships, career and educational goals, pop culture and everything in between) in a real, entertaining and transformative way. The goal is to help individuals and families overcome obstacles and transition through life's challenges. The hosts, Hiram & Gina, are passionate about seeing individuals, couples and families happy, whole, fulfilled and living their best lives. Please like, subscribe and follow us on social media. Click the link to access our social media pages: https://linktr.ee/LiveThatLifeNowGod bless you, stay safe and Live T.H.A.T Life now!The views and opinions of the hosts are their own and do not reflect that of any other person or entity affiliated with the hosts. We do not own the rights to the music played on this podcast.

Ever wonder why black sitcoms are not as popular as they used to be back in the 90s and early 2000s? Well if so, this episode is definitely for you!

Ahhh!! SEASON 6 PREMIERE, AND WE'RE HERE! Hey familyyyyy!!! Well we're starting off the season a little different, we're doing a series within a season. So this series is called 'Nothin' But the 90s' where I'll be focusing on all things 90s culture. I will first start with sitcoms, but the rest you would have to tap in. Y'all know I'm a sucker for the 90s so of course this was soon to come...tap in...let's get real!

This time around on The Friends Podcast, we talked about great Black sitcoms, Bape and Supreme oreos, Soulja Boy, and niches. From jump, we broke down a specific quote from a recent interview where Donald Glover interviewed himself. Is it good to be “niche”? Then we spoke about how branding of hip hop artists has evolved throughout the years (Diddy, we need the Ciroc sponsorship). We follow that conversation by talking about sitcoms ranging from Sanford & Son to Wayans Bros to The Carmichael Show - What is the state of Black sitcoms right now? As always, we end with our Love and Hate game and our highlights for this episode. Time Stamps Donald Glover Interview/Niche convo [02:55] Branding for Artists [14:00] Black Sitcoms from A to Z [31:20] Love and Hate game [01:02:00] Highlights [01:15:05] Links Linktree: https://linktr.ee/thefriendspodcast Follow us on Instagram!: @thefriendspod http://instagram.com/thefriendspod Subscribe to our Youtube!: https://www.youtube.com/channel/UCT1mr5u3GWstsecxHvRwJ7g Reach out via email: Friendspodcastshow@gmail.com Rod's highlight: 42 Dugg and EST Gee - Free The Shiners album Matt's highlight: Alex Isley and Jack Dine - Marigold Donald Glover Interviews Donald Glover via Interview Magazine: https://www.interviewmagazine.com/culture/donald-glover-interviews-donald-glover

This week we gave our music appreciation to the great Alicia Keys! We started the episode with our NBA Lays and then we discussed the Clown of The Week: Florida! Then we get into our NFL Lays and finished the episode discussing our Top 5 Black Sitcoms. Thanks for listening!

Welcome Back ReelTalk Family we are back with yet another dope topic. Today we talked Black Sitcoms. We dive into what makes a sitcom and some of our favorite sitcoms from as early as 50's to present day! So tap in with us have a seat get your popcorn and lets TALK!!Make sure you Like, Share, Subscribe, and tell us your favorite Black Sitcom!!

Episode 41: “What is The GOAT of Black Sitcoms?” This Episode the guys jumped into their top 20 black sitcoms (everybody had 20 except for one person who had to be difficult)! After the inappropriate jokes the guys jumped into their list!!! Topics Discussed: Tony's List (3:20) Will's List (4:40) Al's List (6:45) The guys then jumped into a breakdown of their list (8:30)! The guys ended the podcast with discussing their top 5 FAVORITE MOVIES! (27:50) Intro Song - “Living Single” Theme Song Outro Song - It was suppose to be the Boondocks Theme song! --- Send in a voice message: https://anchor.fm/albert-bailey-jr/message