Podcasts about Kenan

Heute sind Kenan & Léo im Streaming unterwegs, insbesondere bei AppleTV+. Vom Apfeldienst wird die neue Sport-Dramedy „Stick“ mit Owen Wilson als ehemaligen Golfprofi, der wieder versucht Fuß zu fassen. Und auf filmischer Ebene besprechen sie den neuesten Apple-Film „Echo Valley“ mit Juliane Moore und Sydney Sweeney als Mutter-Tochter-Gespann. Darüber hinaus erklärt Kenan, wieso sich „Predator: Killer of Killers“ bei Disney+ wirklich lohnt. Das und viel mehr bei einer neuen Folge von Bleibende Schäden!

Sanki Yusuf (A.S.) idim, Kenan ilinde Meczubleyin gezen, halkın dilindeOradan oraya, koşan kendince Güyâ bir eğlence nefsin elinde.Hangi Yusuf düşmez, dipsiz kuyuyaHepsine rast gelmiş, birer eşkıyaOradan çıkartıp, bir kaç parayaHangisi satılmaz, o gün saraya.Yusuf bir değildir, dünya'ya gelen Hayırla yâd ettik, hayırla el'anHazreti Yusuf'a (A.S.), buradan selâm Diğer Yusuf'lara, dahi vesselâm.Kul Ahmed'in burda, hâlin arz ederAllah vermesin hiç, acıyla kederOturmuş şurada, Hakk'ı seyrederDiğer Yusuf'larla, anda beraber.Yusuf'un (A.S.) duası, edildi kabulDiğer dualarla, sayıldı makbulO'nun duasını, okuyan her kulErdi muradına, hem usul usul.

Tunç Berkman'ın hazırlayıp sunduğu Tunç Berkman ile CXO Talks programına Mükellef & Workhy Co-Founder & CEO Kenan Açıkelli konuk oldu.

Tunç Berkman'ın hazırlayıp sunduğu Tunç Berkman ile CXO Talks programına Mükellef & Workhy Co-Founder & CEO Kenan Açıkelli konuk oldu.

Nicht nur hat Wes Anderson mit seinem neuesten Film einen Meisterstreich vollzogen, sondern auch die Cannes-Filmfestspiele 2025 haben ihren Ausklang gefunden. Kenan & Léo blicken auf das Festival zurück und berichten, welche Filme für das restliche Jahr spannend sein können. Unter anderem auch der angesprochene „Der phönizische Meisterstreich“, der von Cannes direkt auf die deutsche Leinwand wandern durfte. Außerdem: Das große Finale von The Last of Us wird besprochen und die entscheidenden Vergleiche zum Spiel und der Serie werden mitgegeben. Das alles bei einer weiteren Folge von Bleibende Schäden. Viel Spaß beim Zuhören!

Is there a board game theme we can all agree on? We're discussing games with largely inoffensive epicurean themes. Kenan takes us on a pleasant stroll through the rapidly changing landscape of board game subject matter while Alba cooks up a spicy quiz show. Kenan reports back on the many strange sights and inhabitants of Dice Tower West in Las Vegas. Then it's time to chomp on some appetizing food-based games. Discussed: Wingspan, Dro Polter, Downfall of Pompeii, SETI, Ostia, Trajan, Bohnanza, Babylonia, The Quest for El Dorado, Cacao, Sushi Go!, Viticulture, Fromage, Tzolk'in, Hungry Hungry Hippos, Coffee Rush, Nusfjord, Clank!, Everdell, On Mars, Vinhos, Evolution/Oceans, interface design, themes that lighten the load, themes that catfish you, games that are invitations, and how to talk to your Zoomer intern. Bon Appétit. Hosted on Acast. See acast.com/privacy for more information.

Bu Fikir Tutar'da yeni bölüm zamanı, Bu bölümümüzde, dünya ticaretinde yön bulmanın zorlaştığı bir dönemde, KOBİ'lerin operasyonel yüklerini azaltıp stratejiye odaklanabilmelerini sağlayan dijital çözümleri ele alıyoruz. Sunucu: Begüm Nur Alkış

In recent months, Adam has committed the crime of scheming. Can Aaron help him come to terms with his new shadow by coercing with other sitcoms? We discuss reboot rumors, the passing of a member of the Good Burger family, and a fledgling Kenan & Kel community.Kel's 90s Con Panel: https://www.youtube.com/watch?v=u81U_QUUOysJoe is Hungry: https://www.youtube.com/watch?v=1Rm1YR8Rn_Ehttps://www.reddit.com/r/Kenanandkel/Email us at: kenankelpodcast@gmail.comCheck out our T-Shirts: https://www.teepublic.com/user/kenan-kel-podcastAnd our Website: https://linktr.ee/kenankelpodcastTwitter/Instagram/TikTok: @kenankelpodcast

Kenan Layden of AgMarket.net joins Mark Magnuson for today's midday market podcast.

Mit Mission Impossible: The Final Reckoning will Tom Cruise die Action-Messlatte wieder ein Stück höher legen. Doch kann der (jetzt inoffizielle) zweite Teil zu Dead Reckoning Erfolge feiern, nachdem die Reihe erstmals Verschleißerscheinungen an den Kinokassen gezeigt hatte?Kenan und unser Gast Patrick Suite vom Podcast Die Filmische Begegnung liefern darauf ebenso Antworten wie auf die Frage, ob The Last Reckoning denn nun wirklich den Abschluss der Mission: Impossible-Reihe bilden wird. Hört rein bei einer neuen Episode unseres Filmpodcasts!---Instagram: https://www.instagram.com/filmfruehstueck/

Diese folgende Zusammenfassung löscht sich in fünf Sekunden: Es ist soweit! Das große Finale des "Mission Impossible"-Franchise steht kurz vor dem Kinostart. Kenan & Léo haben sich in die Preview gesetzt und geben einen frischen Ersteindruck auf das Grande Finale von Ethan Hunt. des Weiteren diskutieren sie diverse Serien wie Andor und The Studio auf den Streamingdiensten und dazu noch den Kinostart von "Black Bag" von Steven Soderbergh. Wir wünschen viel Spaß beim Zuhören!

I detta avsnitt av serien Samhällspulsen möter vi Kenan Ek, Affärsområdeschef och Kvalitets-chef på Job by Instep, en av Sveriges största aktörer inom Rusta och matcha-programmet. Kenan berättar hur deras arbete hjälper människor att hitta rätt väg till jobb, varför de lyckats bli störst i Stockholm, och hur individanpassat stöd gör verklig skillnad. Ett inspirerande och insiktsfullt samtal om att rusta, matcha och möjligt göra nya chanser på arbetsmarknaden. Programledare: Rachid El Mounacifi

Nach 14 Jahren Abstinenz kehrt das beliebte „Final Destination“-Franchise wieder zurück auf die große Leinwand! Mit „Final Destination: Bloodlines“ hat sich die Marketing-Abteilung die größte Mühe gemacht, um neue und alte Fans ins Boot zu holen. Patrick und Kenan nutzen die Gelegenheit, um die gesamte Franchise Revue passieren zu lassen. Was sind ihre Gedanken zu jedem einzelnen Film? Was sind die denkwürdigsten Kills? Wie gut hat sich das Vermächtnis der Filme gehalten? Und natürlich wird Kenan auch seinen ersten Eindruck zum neuen Teil liefern. Ebenso präsentieren die beiden ihr finales Ranking. Wir wünschen viel Spaß beim Zuhören!---Instagram: https://www.instagram.com/filmfruehstueck/

In this episode of the Warner Brothas Podcast, Kyle and Kenan discuss the ongoing NBA playoffs, focusing on the thrilling matchups between the Nuggets and Thunder and the Cavs and Pacers. They reflect on memorable moments, analyze game performances, and share predictions for upcoming games. The conversation highlights the importance of depth, defense, and the impact of key players in determining the outcomes of these playoff series. In this episode, the hosts analyze the ongoing NBA playoffs, focusing on the performances of key players like Jimmy Butler and Draymond Green, as well as the strategies employed by the Warriors and Celtics. They discuss the implications of these games on future matchups and speculate on offseason moves, highlighting the depth and dynamics of the teams involved.   0:00 Introduction and Mother's Day Memories 2:43 Playoff Analysis: Nuggets vs. Thunder Game 4 24:38 Cavs vs. Pacers: Series Overview 31:52 Warriors vs. Timberwolves: A Clash of Titans 51:13 Celtics' Playoff Performance and Strategy 01:07:29 Offseason Speculations and Player Movements   FOLLOW THE BROTHAS ON Instagram -https://www.instagram.com/warnerbrothaspodcast/ TikTok - https://www.tiktok.com/@thewarnerbrothaspodcast Facebook - https://www.facebook.com/warnerbrothaspodcast X - https://x.com/warnerbrospod

Mükellef Kurucu Ortağı ve CEO'su Kenan Açıkelli konuğumuzdu.

From Napoli taking a huge step towards Scudetto after MVP candidate Scott McTominay scores a brace against Torino, Inter Milan risk Zeru Tituli, Matias Soulé continues to shine for incredible Roma, backstory of sad passing of Lecce physio, Atalanta closer to securing Champions League amid Gian Piero Gasperini's future unclear, to Kenan Yildiz stupid red card could cost Juventus top 4 spot, and AC Milan cap off wonderful week with win over Venezia and preview of the Champions League and Conference League semifinal leg 1 against Barcelona + Real Betus, as well as this week's Baggio, Serie ASS and Premface of the week plus much, much more when Nima and guest host Patrick Kendrick break down all the main talking points from Match Day 34 of the 2024/2025 Serie A season.Timestamps:00:00 Intro03:38 Napoli - Huge Step Towards Scudetto: Is Scott McTominay The League MVP?21:55 Inter Milan - Is Zeru Tituli A Reality & How Big Of A Failure Is It?45:44 Roma - Special Matias Soulé The Hero In Top 4 Race: Did Juventus Make A Mistake Selling Him?56:38 Lecce - The Sad Passing Of Physiotherapist Graziano Fiorita & Backstory Of What Happened01:05:31 Atalanta - All But Secure Champions League Football As Gian Piero Gasperini's Future Remains Unclear01:09:27 Juventus - Will Kenan Yildiz Stupid Red Card Cost Juve A Champions League Spot?01:14:26 Fiorentina - Beat Empoli To Keep Pressure In Top 4 Race Ahead Of Conference League Semi Final Against Real Betis01:16:15 AC Milan - Good Week Winning Derby & Beating Venezia: How Do We Rate Sergio Conceicao & Rossoneri's Season If They Win Coppa Italia?01:23:25 Barcelona Vs Inter Milan Champions League Semi-Final Leg 1 Preview - How Do Nerazzurri Stop Lamine Yamal?01:39:43 Baggio, Premface & Serie ASS Of The WeekListeners in the UK & Ireland: Click here to watch Serie A LIVE on OneFootball.If you want to support The Italian Football Podcast and get every episode, simply become a member on Patreon.com/TIFP OR Spotify OR YouTube Memberships. Your support makes The Italian Football Podcast possible.Follow us: Twitter, Facebook, Instagram, YouTube Hosted on Acast. See acast.com/privacy for more information.

The first half against the worst team in Serie A was going pretty well ... until Juventus' No. 10 was sent off on the cusp of halftime. Because of it, Juve will now be without one of their best and most talented players entering a huge matchup to begin the month of May. You can follow us — or send us questions — on Bluesky ⁠@bwrao.bsky.social⁠, Twitter ⁠@JuventusNation⁠ or ⁠on Facebook⁠ as well as the Fans First Sports Network ⁠@FansFirstSN⁠ on Twitter. You can also follow us on ⁠our Instagram page⁠, too! Get all of our match coverage, transfer rumors and much more at our website, ⁠blackwhitereadallover.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In den USA schlägt Ryan Cooglers Horror-Western Blood & Sinners große Wellen. Nun startet der neue Film des Black Panther-Regisseurs auch in Deutschland. Kritiken und Publikum überschlagen sich, aber unsere Podcaster Kenan und Luca wären ja nicht Kenan und Luca, wenn sie dem Hype einfach blind folgen würden. Frisch aus dem Kino erzählen euch die beiden ihre Gedanken zu der Bluesmusik-Schlachtplatte, die sich unter anderem Stephen King, die Coen-Brüder und From Dusk Till Dawn zum Vorbild nimmt. Dabei reden die beiden über College-Mitbewohner, irische Volkstänze und die bisherige Szene des Jahres 2025. Kann Blood & Sinners halten, was die Vorschusslorbeeren versprechen, oder verbirgt sich hinter dem Hype nur viel heiße Luft?---Instagram: https://www.instagram.com/filmfruehstueck/

Kara Kenan is the founder & CEO of the Cancer Wellness Institute, where she trains and certifies cancer coaches globally. A passionate advocate for cancer survivorship, Kara has developed evidence-based programs that empower patients, survivors, and health professionals. She also serves as the Executive Director for Going Beyond the Pink, a North Carolina-based breast cancer support nonprofit, and Marketing & Communications Manager at the National Coalition for Cancer Survivorship (NCCS). Kara is actively involved in cancer policy and advocacy with NCCS and the Society for Integrative Oncology, and has been a treatment guideline reviewer with American Society for Clinical Oncology (ASCO). Leveraging AI, she has scaled her online courses, enhancing accessibility and support for cancer coaches worldwide. With over a decade of experience in coaching, advocacy, and curriculum development, Kara is dedicated to bridging gaps in survivorship care through education, innovation, and policy work.

Cet épisode est un extrait du podcast publié lundi dernier. En moins de 10 minutes, il te permettra de capter les plus beaux messages de l'épisode avec Galitt Kenan.Un extrait qui je l'espère, remplacera Instagram pendant ta pause de 10mn, se retrouvera dans tes oreilles avant de t'endormir, ou à ton réveil pour commencer ta journée dans la joie. Si ce passage te plait et que tu as envie d'en connaître plus sur mon invitée de la semaine, l'épisode en entier t'attend chaudement sur Nouvel Œil.

They weren't going to hire me for EDC anyway1- not based off of that mix! But it had been a long week, and a long day, and of all the excuses in the world o had to make, the greatest excuse was this: it just wasn't my best mix( I simply wasn't ready. In fact, my entry was more like a spoof— I hadn't any pictures on my laptop and instead included a photo of my logo; my entry included a bio that was short and direct, vague and said more about my invisible cat than I did me. I didn't include a soundcloud, because I didn't have one, and when it came down to it, I wasn't a fan of the mix; it didn't sound as well as I knew I could do, or even as good as some of my past entries. I was going off the top of my head, with no tracks analyzed to sync—which meant I was wasting valuable playtime selecting tracks, and pitchyhingbthen manually to be exact, which made my mix not sound like me at all. I sounded like an amatur/- and with this being my first on-camera appearance, I certainly was an amatuer. The top of the line technology was foreign to me— and I knew EDC was at a loss; I hadn't handed in my best work or even looked my best, not understanding how fat the camera would make me look. Still, I hadn't even given them the video, and with every bit of my might leading up to the very deadline, I still made a ridiculous effort to hand in something— because it was some thing. I was already on somebody's radar in the DJ world for a very long time— this was my way of showing I was still doing as much as I could to actually catch up to speed with the kids, the hot girl DJ's, and the prostitots who at least could figure out how to analyze and sync their pre-recorded sets and press play on time. My set was janky, and it made it look like I couldn't even do that. But I could. As I had learned by spending that amount of time at the decks, I had actually become quite the technical DJ— little use of effects by choice means that I had precision focused in speed and ability— how many tracks can I get up and down and to stay in line? It was harder than ever without the ability to use sync at all, but I was learning by hand a skill enough DJ's didn't have to make it a skill worth having. Then, there was more I needed not just to learn, but for it to become second nature. For it to be easy to do not just in a room myself, but potentially in front of hundreds and thousands of people. I didn't want to be the average disc jokey. I wanted to play EDC— and not on a little controller on a side stage at 3:30 PM; I was sure I would one day start there, but this year was a wash. I had been thrown off by trying and failing to record the mixed I needed to enter the contest on my birthday and then all that accumulated in the pressure of anxiety, disappointment, and movements I hadn't made in months under the circumstances— for about four days in a row it seemed unlikely that it would happen at all, and when it did, it was at the very last moment, at the literal deadline, with a mix I wasn't particularly proud of and a track which was technically unreleased without using “unlicensed content”— I had selected it in hopes that the judge of the contest, SLANDER might hear something from it. A bass music DJ— and this was bass music, however, with somewhat outdated samples and a rare and very unique technique, I would hope that someone would listen to the track before the mix— and hear something special in it. It was a special song, at least to me— but these people were hard to impress to say the least, still I wanted to at least be on the radar, and I had an Insomniac tattoo that pleaded with me at times to just do whatever it takes. Besides, they had opened up another contest, which meant I had four tracks to present in total— three more tracks and three more mixes, and I was determined that with each passing day I would do better. For now, I was recovering from being out in New York on a rolling basis; my collected self confidence and poise from isolation had dwindled into the rotting core of depression of just being “just another poor black girl in Brooklyn” not an identity I wore on me at all times, but something like a badge that was placed on me by location, and the color of my skin. I hated my apartment, and I hated everything about my circumstances— because it separated me from the other DJs and producers. I wasn't safe, supported, popular, pretty, or well-to-do— and I didn't have the access to thentechnology on a whim, through a friend, or with privelege. Everything I did in the DJ world was a fight, a push, a breakthrough from a world that had no such luxuries— and for the most part, what wasn't going into my music, was going into my mouth. When I wasn't excersising, I was working, and when I wasn't working, I still was. I spent my time writing, and reading, and there was no such thing as a waste of time when I was learning about my predecessors— J.K. Rowling, George Lucas, and even Jim Henson, who I'd learned had made the very first muppet from scratch and by hand! Besides the play on words, I wasn't just a DJ; I was a writer, and a filmmaker, and I was trying to figure out how somehow also I was this strange puppeteer man, coming to the conclusion with the fact that I was also sort of always just obsessed with TV and wanted something to do with it. But I was stamping my foot, and heavily— I didn't just want to be an actor! I didn't just want to be a comedian. And certainly, because it sometimes seemed as if anybody could do it and with the sync button and pre-recorded mixes in mind, any bikini clad hot girl or basic bitch Chad boy could and were very most often DJs—I certainly did not want to nor did I have the choice of being just a DJ, or JUST a producer— because it seemed nothing made sense without being any of the others. But the problem remained that I was still not making any money from anything really worthwhile, and I was sick of subsisting, with the limited choices I had for nutrition and vitamins because of my government subsidies; the foods I wanted were out of reach— the energy sustaining, clean and organically sourced best foods and vitamins were just simply unavailable to people with food stamps, and even on the days I should have felt happiest, I became depressed. How was I going to escape the system— and why was no strawberry flavored vegan protein available to people on EBT?! I was almost a comedian, but lately too depressed to perform. All I wanted was my music world to be real— and it was real— I was doing just about as much as anyone else in the industry was, despite my limitations, and just not getting paid for it. My neighbors banged on the walls when I played music and slammed doors even even I didn't— and when I sang or rapped it sounded like they were slamming things around like they were throwing tantrums and fits. It might have been easy to look past if I were inebriated in some sort of way like most rappers, singers, and performers— but I was stone cold sober. Even in ear plugs, I heard every slam, every bang, every boom— and not to mention the motorcycles and the rest of the idiots outside. It seemed like I was being trapped by an energy that just simply never wanted me to make the best music I knew I could make, and so the best music I knew I could make wasn't going to be in this place. But how would I escape it? IT STARTS NOW. Agh. I promised myself that on my next Instacart subscription I would brush up on my Saturday a Night Live and whatever Which included but wasn't exactly limited to— Seth Meyers, 30 Rock, And almost dreadedly The Tonight Show, starring . Oh look. There he is. What was that dude's name again? Fixed it, You're welcome. What was wrong with it. Just needed some adjustments. Uhh. Wow, I never saw that before. A very strange man has appears to have affixed a giant pair of television antennas to his oddly specific television-shaped house. Hm. Aha, I see… I told you before, Marty. I don't like you hanging out with that old man. He is— — he's strange, Marty! He's strange, Well, maybe I'm strange. I don't think so! Remember this? LORRAINE points at a picture on the refrigerator; Her son, MARTY is clean cut, smiling and well dressed— almost the opposite of his newly adopted Whatever, I just got bored. But mom, he's a genius! Genius my patatootie! Let's not— [The Festival Project ™] Ugh, Mom! —say, “patootie” alright? Especially when I'm watching TV! I can say patootie all I want, especially if it's my patootie! Eww, mom!! Patatootie, patootie, patootie! Alright. I only got two weeks to learn everything I can about Saturday night Live… For whatever reason. WHY! I don't know. WHY! I don't know. WHYYYYYYYYYY?! I don't know, Kenan, shut the fuck up! Woah woah woah. Hold the phone. KENAN cries out into the universe inconsolably about his newly entirely totaled Beamer. KEL can't seem to console him, but doesn't really try. He seems preoccupied with twisting up the perfect blunt, licking it from the sidewalk as KENAN, hunched over the crumpled hood and completely totaled vehicle cries out once more, WHYYYYYYYYYYYYYY?! There appears to have been a hit-and-run. L E G E N D S Earlier: Well, for… Wait who did I write Flowers for? Bill Hader. That's right. I never found Bill Hader. I was trying to avoid— Oh look, a penny. Aurumph. —oddly enough, I also promised myself a Rick and Morty marathon. Oh, that's right; it was Was I right? I can bet. CHRIS PARNELL seems to have awakened from a very deep sleep. As he lie on his back in the middle of the floor in an unknown room, the location becomes familiar ; he appears to be at Rockerfeller Center— however, not in a usual setting. PARNELL Oh, Jesus Christ… I don't know how I had him and sudakis mixed up. I don't even think they were on the same cast. Also, explain to me why. EXPLAIN TO ME WHY THIS DUDE: [Apparently Rob Riggle] SHOT ME. Shot— yo, wait. And you said— I'm waiting. He was wearing some kind of cloak . A cloak of invisibility. Everything was hidden besides— whatever he was drinking. He was drinking something . Yes, that is correct, apparently! “Apparently” Apparently! “Apparently” Do you remember what he was drinking. Ah, yes. I remember exactly…apparently. Apparently? Yes, exactly—apparently. It appeared to be a strawberry milkshake. A—a strawberry milkshake . A strawberry milkshake! Exactly! Not apparently? Exactly, apparently! Alright… thanks. -_- Now, where were we with the actual celebrities ! I thought this was a Star-studded cast! We are star studded. Where are they then. The who?! The stars ! The what! The people! You said this movie had real star power! It does! Where! Right here, see ?! At some point I had seen all I thought that I could of one man's price — The thing to pay in response to one great, cosmic ask; And then, like nothing ; I dissappeared, and went away with it all, into my cavern, trapped like a madman; To know so much and yet, nothing at all. Shh. K. Take this. *sighs, but almost silently* Shh. *sighs even more deeply, but even more silently* The Legend of Ascencia Yo. Yo what. Yo what the fuck. What the fuck. What the fuck. It's Skrillex. No, I'm not. Dont tell me— Idiot . You look confused. Do it again. I am— confused. Mortals. Where's deadmau5. I'm not playing deadmau5; These speakers are loud. Play the deadmau5 No, not that. There is it. Aha. See, I found it. —noo. That's better. I'll take it from here. From where. I don't see anything. I don't feel. I don't know anything. I don't say. I lost focus. I go home drunk. I think I called the wrong number. I think I caught a cold on the tour bus. I think I brought the whole road back with me. I think I got more starstruck not watching. I think I ran out of luck— On a four leaf clover. I think I woke up to Conan at Four in the morning Like “top of the morning to ya” And it was too much It was too much. It was too much. Smile. Camera one Camera 3 Run a mile Smile Admire on in 1, 2– Why are we counting up? Somehow my whole world backwards Backend, black tights, Black dress That's right But I don't like rice and my fritters is fried I am fried I am High I guess High I guess High I guess High I guess Hi, I guess. I like his eyes, I guess. Starting to cry I guess, Will ferrel is wild, I guess But why Don't look at the thigh meat I'm high as a kite I guess I just smiled and sung my goodbyes And just stopped trying to try I guess I wasted all my good years On a poor fat boy I wasted all my goo ears on bad songs that Still blow my mind Subliminal messages And as high as I am I still see tides, I guess Whole worlds of oceans and Starting to fly, I guess Yess I'm a bird Fuck this bird All I wanted was water A kite I guess Look, mom, I still cry I guess I digest life by the light and the smiles I get Almost none of them, Retreat to the forest Where I don't see none of them To go downstairs, No hair No make up Ugly girl Black girl Broke girl New York Going downstairs Undressed, Not made up Ugly girl Black girl Nappy girl Fat girl New York Scowl like you mean it Scowl like you mean it Nobody loves be because I'm not famous And no, I don't want you Because you're not famous And no, I don't want you Because you got famous And now I don't want you Because you're too famous Yes Do wah diddy Down by the boardwalk Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

They weren't going to hire me for EDC anyway1- not based off of that mix! But it had been a long week, and a long day, and of all the excuses in the world o had to make, the greatest excuse was this: it just wasn't my best mix( I simply wasn't ready. In fact, my entry was more like a spoof— I hadn't any pictures on my laptop and instead included a photo of my logo; my entry included a bio that was short and direct, vague and said more about my invisible cat than I did me. I didn't include a soundcloud, because I didn't have one, and when it came down to it, I wasn't a fan of the mix; it didn't sound as well as I knew I could do, or even as good as some of my past entries. I was going off the top of my head, with no tracks analyzed to sync—which meant I was wasting valuable playtime selecting tracks, and pitchyhingbthen manually to be exact, which made my mix not sound like me at all. I sounded like an amatur/- and with this being my first on-camera appearance, I certainly was an amatuer. The top of the line technology was foreign to me— and I knew EDC was at a loss; I hadn't handed in my best work or even looked my best, not understanding how fat the camera would make me look. Still, I hadn't even given them the video, and with every bit of my might leading up to the very deadline, I still made a ridiculous effort to hand in something— because it was some thing. I was already on somebody's radar in the DJ world for a very long time— this was my way of showing I was still doing as much as I could to actually catch up to speed with the kids, the hot girl DJ's, and the prostitots who at least could figure out how to analyze and sync their pre-recorded sets and press play on time. My set was janky, and it made it look like I couldn't even do that. But I could. As I had learned by spending that amount of time at the decks, I had actually become quite the technical DJ— little use of effects by choice means that I had precision focused in speed and ability— how many tracks can I get up and down and to stay in line? It was harder than ever without the ability to use sync at all, but I was learning by hand a skill enough DJ's didn't have to make it a skill worth having. Then, there was more I needed not just to learn, but for it to become second nature. For it to be easy to do not just in a room myself, but potentially in front of hundreds and thousands of people. I didn't want to be the average disc jokey. I wanted to play EDC— and not on a little controller on a side stage at 3:30 PM; I was sure I would one day start there, but this year was a wash. I had been thrown off by trying and failing to record the mixed I needed to enter the contest on my birthday and then all that accumulated in the pressure of anxiety, disappointment, and movements I hadn't made in months under the circumstances— for about four days in a row it seemed unlikely that it would happen at all, and when it did, it was at the very last moment, at the literal deadline, with a mix I wasn't particularly proud of and a track which was technically unreleased without using “unlicensed content”— I had selected it in hopes that the judge of the contest, SLANDER might hear something from it. A bass music DJ— and this was bass music, however, with somewhat outdated samples and a rare and very unique technique, I would hope that someone would listen to the track before the mix— and hear something special in it. It was a special song, at least to me— but these people were hard to impress to say the least, still I wanted to at least be on the radar, and I had an Insomniac tattoo that pleaded with me at times to just do whatever it takes. Besides, they had opened up another contest, which meant I had four tracks to present in total— three more tracks and three more mixes, and I was determined that with each passing day I would do better. For now, I was recovering from being out in New York on a rolling basis; my collected self confidence and poise from isolation had dwindled into the rotting core of depression of just being “just another poor black girl in Brooklyn” not an identity I wore on me at all times, but something like a badge that was placed on me by location, and the color of my skin. I hated my apartment, and I hated everything about my circumstances— because it separated me from the other DJs and producers. I wasn't safe, supported, popular, pretty, or well-to-do— and I didn't have the access to thentechnology on a whim, through a friend, or with privelege. Everything I did in the DJ world was a fight, a push, a breakthrough from a world that had no such luxuries— and for the most part, what wasn't going into my music, was going into my mouth. When I wasn't excersising, I was working, and when I wasn't working, I still was. I spent my time writing, and reading, and there was no such thing as a waste of time when I was learning about my predecessors— J.K. Rowling, George Lucas, and even Jim Henson, who I'd learned had made the very first muppet from scratch and by hand! Besides the play on words, I wasn't just a DJ; I was a writer, and a filmmaker, and I was trying to figure out how somehow also I was this strange puppeteer man, coming to the conclusion with the fact that I was also sort of always just obsessed with TV and wanted something to do with it. But I was stamping my foot, and heavily— I didn't just want to be an actor! I didn't just want to be a comedian. And certainly, because it sometimes seemed as if anybody could do it and with the sync button and pre-recorded mixes in mind, any bikini clad hot girl or basic bitch Chad boy could and were very most often DJs—I certainly did not want to nor did I have the choice of being just a DJ, or JUST a producer— because it seemed nothing made sense without being any of the others. But the problem remained that I was still not making any money from anything really worthwhile, and I was sick of subsisting, with the limited choices I had for nutrition and vitamins because of my government subsidies; the foods I wanted were out of reach— the energy sustaining, clean and organically sourced best foods and vitamins were just simply unavailable to people with food stamps, and even on the days I should have felt happiest, I became depressed. How was I going to escape the system— and why was no strawberry flavored vegan protein available to people on EBT?! I was almost a comedian, but lately too depressed to perform. All I wanted was my music world to be real— and it was real— I was doing just about as much as anyone else in the industry was, despite my limitations, and just not getting paid for it. My neighbors banged on the walls when I played music and slammed doors even even I didn't— and when I sang or rapped it sounded like they were slamming things around like they were throwing tantrums and fits. It might have been easy to look past if I were inebriated in some sort of way like most rappers, singers, and performers— but I was stone cold sober. Even in ear plugs, I heard every slam, every bang, every boom— and not to mention the motorcycles and the rest of the idiots outside. It seemed like I was being trapped by an energy that just simply never wanted me to make the best music I knew I could make, and so the best music I knew I could make wasn't going to be in this place. But how would I escape it? IT STARTS NOW. Agh. I promised myself that on my next Instacart subscription I would brush up on my Saturday a Night Live and whatever Which included but wasn't exactly limited to— Seth Meyers, 30 Rock, And almost dreadedly The Tonight Show, starring . Oh look. There he is. What was that dude's name again? Fixed it, You're welcome. What was wrong with it. Just needed some adjustments. Uhh. Wow, I never saw that before. A very strange man has appears to have affixed a giant pair of television antennas to his oddly specific television-shaped house. Hm. Aha, I see… I told you before, Marty. I don't like you hanging out with that old man. He is— — he's strange, Marty! He's strange, Well, maybe I'm strange. I don't think so! Remember this? LORRAINE points at a picture on the refrigerator; Her son, MARTY is clean cut, smiling and well dressed— almost the opposite of his newly adopted Whatever, I just got bored. But mom, he's a genius! Genius my patatootie! Let's not— [The Festival Project ™] Ugh, Mom! —say, “patootie” alright? Especially when I'm watching TV! I can say patootie all I want, especially if it's my patootie! Eww, mom!! Patatootie, patootie, patootie! Alright. I only got two weeks to learn everything I can about Saturday night Live… For whatever reason. WHY! I don't know. WHY! I don't know. WHYYYYYYYYYY?! I don't know, Kenan, shut the fuck up! Woah woah woah. Hold the phone. KENAN cries out into the universe inconsolably about his newly entirely totaled Beamer. KEL can't seem to console him, but doesn't really try. He seems preoccupied with twisting up the perfect blunt, licking it from the sidewalk as KENAN, hunched over the crumpled hood and completely totaled vehicle cries out once more, WHYYYYYYYYYYYYYY?! There appears to have been a hit-and-run. L E G E N D S Earlier: Well, for… Wait who did I write Flowers for? Bill Hader. That's right. I never found Bill Hader. I was trying to avoid— Oh look, a penny. Aurumph. —oddly enough, I also promised myself a Rick and Morty marathon. Oh, that's right; it was Was I right? I can bet. CHRIS PARNELL seems to have awakened from a very deep sleep. As he lie on his back in the middle of the floor in an unknown room, the location becomes familiar ; he appears to be at Rockerfeller Center— however, not in a usual setting. PARNELL Oh, Jesus Christ… I don't know how I had him and sudakis mixed up. I don't even think they were on the same cast. Also, explain to me why. EXPLAIN TO ME WHY THIS DUDE: [Apparently Rob Riggle] SHOT ME. Shot— yo, wait. And you said— I'm waiting. He was wearing some kind of cloak . A cloak of invisibility. Everything was hidden besides— whatever he was drinking. He was drinking something . Yes, that is correct, apparently! “Apparently” Apparently! “Apparently” Do you remember what he was drinking. Ah, yes. I remember exactly…apparently. Apparently? Yes, exactly—apparently. It appeared to be a strawberry milkshake. A—a strawberry milkshake . A strawberry milkshake! Exactly! Not apparently? Exactly, apparently! Alright… thanks. -_- Now, where were we with the actual celebrities ! I thought this was a Star-studded cast! We are star studded. Where are they then. The who?! The stars ! The what! The people! You said this movie had real star power! It does! Where! Right here, see ?! At some point I had seen all I thought that I could of one man's price — The thing to pay in response to one great, cosmic ask; And then, like nothing ; I dissappeared, and went away with it all, into my cavern, trapped like a madman; To know so much and yet, nothing at all. Shh. K. Take this. *sighs, but almost silently* Shh. *sighs even more deeply, but even more silently* The Legend of Ascencia Yo. Yo what. Yo what the fuck. What the fuck. What the fuck. It's Skrillex. No, I'm not. Dont tell me— Idiot . You look confused. Do it again. I am— confused. Mortals. Where's deadmau5. I'm not playing deadmau5; These speakers are loud. Play the deadmau5 No, not that. There is it. Aha. See, I found it. —noo. That's better. I'll take it from here. From where. I don't see anything. I don't feel. I don't know anything. I don't say. I lost focus. I go home drunk. I think I called the wrong number. I think I caught a cold on the tour bus. I think I brought the whole road back with me. I think I got more starstruck not watching. I think I ran out of luck— On a four leaf clover. I think I woke up to Conan at Four in the morning Like “top of the morning to ya” And it was too much It was too much. It was too much. Smile. Camera one Camera 3 Run a mile Smile Admire on in 1, 2– Why are we counting up? Somehow my whole world backwards Backend, black tights, Black dress That's right But I don't like rice and my fritters is fried I am fried I am High I guess High I guess High I guess High I guess Hi, I guess. I like his eyes, I guess. Starting to cry I guess, Will ferrel is wild, I guess But why Don't look at the thigh meat I'm high as a kite I guess I just smiled and sung my goodbyes And just stopped trying to try I guess I wasted all my good years On a poor fat boy I wasted all my goo ears on bad songs that Still blow my mind Subliminal messages And as high as I am I still see tides, I guess Whole worlds of oceans and Starting to fly, I guess Yess I'm a bird Fuck this bird All I wanted was water A kite I guess Look, mom, I still cry I guess I digest life by the light and the smiles I get Almost none of them, Retreat to the forest Where I don't see none of them To go downstairs, No hair No make up Ugly girl Black girl Broke girl New York Going downstairs Undressed, Not made up Ugly girl Black girl Nappy girl Fat girl New York Scowl like you mean it Scowl like you mean it Nobody loves be because I'm not famous And no, I don't want you Because you're not famous And no, I don't want you Because you got famous And now I don't want you Because you're too famous Yes Do wah diddy Down by the boardwalk Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

They weren't going to hire me for EDC anyway1- not based off of that mix! But it had been a long week, and a long day, and of all the excuses in the world o had to make, the greatest excuse was this: it just wasn't my best mix( I simply wasn't ready. In fact, my entry was more like a spoof— I hadn't any pictures on my laptop and instead included a photo of my logo; my entry included a bio that was short and direct, vague and said more about my invisible cat than I did me. I didn't include a soundcloud, because I didn't have one, and when it came down to it, I wasn't a fan of the mix; it didn't sound as well as I knew I could do, or even as good as some of my past entries. I was going off the top of my head, with no tracks analyzed to sync—which meant I was wasting valuable playtime selecting tracks, and pitchyhingbthen manually to be exact, which made my mix not sound like me at all. I sounded like an amatur/- and with this being my first on-camera appearance, I certainly was an amatuer. The top of the line technology was foreign to me— and I knew EDC was at a loss; I hadn't handed in my best work or even looked my best, not understanding how fat the camera would make me look. Still, I hadn't even given them the video, and with every bit of my might leading up to the very deadline, I still made a ridiculous effort to hand in something— because it was some thing. I was already on somebody's radar in the DJ world for a very long time— this was my way of showing I was still doing as much as I could to actually catch up to speed with the kids, the hot girl DJ's, and the prostitots who at least could figure out how to analyze and sync their pre-recorded sets and press play on time. My set was janky, and it made it look like I couldn't even do that. But I could. As I had learned by spending that amount of time at the decks, I had actually become quite the technical DJ— little use of effects by choice means that I had precision focused in speed and ability— how many tracks can I get up and down and to stay in line? It was harder than ever without the ability to use sync at all, but I was learning by hand a skill enough DJ's didn't have to make it a skill worth having. Then, there was more I needed not just to learn, but for it to become second nature. For it to be easy to do not just in a room myself, but potentially in front of hundreds and thousands of people. I didn't want to be the average disc jokey. I wanted to play EDC— and not on a little controller on a side stage at 3:30 PM; I was sure I would one day start there, but this year was a wash. I had been thrown off by trying and failing to record the mixed I needed to enter the contest on my birthday and then all that accumulated in the pressure of anxiety, disappointment, and movements I hadn't made in months under the circumstances— for about four days in a row it seemed unlikely that it would happen at all, and when it did, it was at the very last moment, at the literal deadline, with a mix I wasn't particularly proud of and a track which was technically unreleased without using “unlicensed content”— I had selected it in hopes that the judge of the contest, SLANDER might hear something from it. A bass music DJ— and this was bass music, however, with somewhat outdated samples and a rare and very unique technique, I would hope that someone would listen to the track before the mix— and hear something special in it. It was a special song, at least to me— but these people were hard to impress to say the least, still I wanted to at least be on the radar, and I had an Insomniac tattoo that pleaded with me at times to just do whatever it takes. Besides, they had opened up another contest, which meant I had four tracks to present in total— three more tracks and three more mixes, and I was determined that with each passing day I would do better. For now, I was recovering from being out in New York on a rolling basis; my collected self confidence and poise from isolation had dwindled into the rotting core of depression of just being “just another poor black girl in Brooklyn” not an identity I wore on me at all times, but something like a badge that was placed on me by location, and the color of my skin. I hated my apartment, and I hated everything about my circumstances— because it separated me from the other DJs and producers. I wasn't safe, supported, popular, pretty, or well-to-do— and I didn't have the access to thentechnology on a whim, through a friend, or with privelege. Everything I did in the DJ world was a fight, a push, a breakthrough from a world that had no such luxuries— and for the most part, what wasn't going into my music, was going into my mouth. When I wasn't excersising, I was working, and when I wasn't working, I still was. I spent my time writing, and reading, and there was no such thing as a waste of time when I was learning about my predecessors— J.K. Rowling, George Lucas, and even Jim Henson, who I'd learned had made the very first muppet from scratch and by hand! Besides the play on words, I wasn't just a DJ; I was a writer, and a filmmaker, and I was trying to figure out how somehow also I was this strange puppeteer man, coming to the conclusion with the fact that I was also sort of always just obsessed with TV and wanted something to do with it. But I was stamping my foot, and heavily— I didn't just want to be an actor! I didn't just want to be a comedian. And certainly, because it sometimes seemed as if anybody could do it and with the sync button and pre-recorded mixes in mind, any bikini clad hot girl or basic bitch Chad boy could and were very most often DJs—I certainly did not want to nor did I have the choice of being just a DJ, or JUST a producer— because it seemed nothing made sense without being any of the others. But the problem remained that I was still not making any money from anything really worthwhile, and I was sick of subsisting, with the limited choices I had for nutrition and vitamins because of my government subsidies; the foods I wanted were out of reach— the energy sustaining, clean and organically sourced best foods and vitamins were just simply unavailable to people with food stamps, and even on the days I should have felt happiest, I became depressed. How was I going to escape the system— and why was no strawberry flavored vegan protein available to people on EBT?! I was almost a comedian, but lately too depressed to perform. All I wanted was my music world to be real— and it was real— I was doing just about as much as anyone else in the industry was, despite my limitations, and just not getting paid for it. My neighbors banged on the walls when I played music and slammed doors even even I didn't— and when I sang or rapped it sounded like they were slamming things around like they were throwing tantrums and fits. It might have been easy to look past if I were inebriated in some sort of way like most rappers, singers, and performers— but I was stone cold sober. Even in ear plugs, I heard every slam, every bang, every boom— and not to mention the motorcycles and the rest of the idiots outside. It seemed like I was being trapped by an energy that just simply never wanted me to make the best music I knew I could make, and so the best music I knew I could make wasn't going to be in this place. But how would I escape it? IT STARTS NOW. Agh. I promised myself that on my next Instacart subscription I would brush up on my Saturday a Night Live and whatever Which included but wasn't exactly limited to— Seth Meyers, 30 Rock, And almost dreadedly The Tonight Show, starring . Oh look. There he is. What was that dude's name again? Fixed it, You're welcome. What was wrong with it. Just needed some adjustments. Uhh. Wow, I never saw that before. A very strange man has appears to have affixed a giant pair of television antennas to his oddly specific television-shaped house. Hm. Aha, I see… I told you before, Marty. I don't like you hanging out with that old man. He is— — he's strange, Marty! He's strange, Well, maybe I'm strange. I don't think so! Remember this? LORRAINE points at a picture on the refrigerator; Her son, MARTY is clean cut, smiling and well dressed— almost the opposite of his newly adopted Whatever, I just got bored. But mom, he's a genius! Genius my patatootie! Let's not— [The Festival Project ™] Ugh, Mom! —say, “patootie” alright? Especially when I'm watching TV! I can say patootie all I want, especially if it's my patootie! Eww, mom!! Patatootie, patootie, patootie! Alright. I only got two weeks to learn everything I can about Saturday night Live… For whatever reason. WHY! I don't know. WHY! I don't know. WHYYYYYYYYYY?! I don't know, Kenan, shut the fuck up! Woah woah woah. Hold the phone. KENAN cries out into the universe inconsolably about his newly entirely totaled Beamer. KEL can't seem to console him, but doesn't really try. He seems preoccupied with twisting up the perfect blunt, licking it from the sidewalk as KENAN, hunched over the crumpled hood and completely totaled vehicle cries out once more, WHYYYYYYYYYYYYYY?! There appears to have been a hit-and-run. L E G E N D S Earlier: Well, for… Wait who did I write Flowers for? Bill Hader. That's right. I never found Bill Hader. I was trying to avoid— Oh look, a penny. Aurumph. —oddly enough, I also promised myself a Rick and Morty marathon. Oh, that's right; it was Was I right? I can bet. CHRIS PARNELL seems to have awakened from a very deep sleep. As he lie on his back in the middle of the floor in an unknown room, the location becomes familiar ; he appears to be at Rockerfeller Center— however, not in a usual setting. PARNELL Oh, Jesus Christ… I don't know how I had him and sudakis mixed up. I don't even think they were on the same cast. Also, explain to me why. EXPLAIN TO ME WHY THIS DUDE: [Apparently Rob Riggle] SHOT ME. Shot— yo, wait. And you said— I'm waiting. He was wearing some kind of cloak . A cloak of invisibility. Everything was hidden besides— whatever he was drinking. He was drinking something . Yes, that is correct, apparently! “Apparently” Apparently! “Apparently” Do you remember what he was drinking. Ah, yes. I remember exactly…apparently. Apparently? Yes, exactly—apparently. It appeared to be a strawberry milkshake. A—a strawberry milkshake . A strawberry milkshake! Exactly! Not apparently? Exactly, apparently! Alright… thanks. -_- Now, where were we with the actual celebrities ! I thought this was a Star-studded cast! We are star studded. Where are they then. The who?! The stars ! The what! The people! You said this movie had real star power! It does! Where! Right here, see ?! At some point I had seen all I thought that I could of one man's price — The thing to pay in response to one great, cosmic ask; And then, like nothing ; I dissappeared, and went away with it all, into my cavern, trapped like a madman; To know so much and yet, nothing at all. Shh. K. Take this. *sighs, but almost silently* Shh. *sighs even more deeply, but even more silently* The Legend of Ascencia Yo. Yo what. Yo what the fuck. What the fuck. What the fuck. It's Skrillex. No, I'm not. Dont tell me— Idiot . You look confused. Do it again. I am— confused. Mortals. Where's deadmau5. I'm not playing deadmau5; These speakers are loud. Play the deadmau5 No, not that. There is it. Aha. See, I found it. —noo. That's better. I'll take it from here. From where. I don't see anything. I don't feel. I don't know anything. I don't say. I lost focus. I go home drunk. I think I called the wrong number. I think I caught a cold on the tour bus. I think I brought the whole road back with me. I think I got more starstruck not watching. I think I ran out of luck— On a four leaf clover. I think I woke up to Conan at Four in the morning Like “top of the morning to ya” And it was too much It was too much. It was too much. Smile. Camera one Camera 3 Run a mile Smile Admire on in 1, 2– Why are we counting up? Somehow my whole world backwards Backend, black tights, Black dress That's right But I don't like rice and my fritters is fried I am fried I am High I guess High I guess High I guess High I guess Hi, I guess. I like his eyes, I guess. Starting to cry I guess, Will ferrel is wild, I guess But why Don't look at the thigh meat I'm high as a kite I guess I just smiled and sung my goodbyes And just stopped trying to try I guess I wasted all my good years On a poor fat boy I wasted all my goo ears on bad songs that Still blow my mind Subliminal messages And as high as I am I still see tides, I guess Whole worlds of oceans and Starting to fly, I guess Yess I'm a bird Fuck this bird All I wanted was water A kite I guess Look, mom, I still cry I guess I digest life by the light and the smiles I get Almost none of them, Retreat to the forest Where I don't see none of them To go downstairs, No hair No make up Ugly girl Black girl Broke girl New York Going downstairs Undressed, Not made up Ugly girl Black girl Nappy girl Fat girl New York Scowl like you mean it Scowl like you mean it Nobody loves be because I'm not famous And no, I don't want you Because you're not famous And no, I don't want you Because you got famous And now I don't want you Because you're too famous Yes Do wah diddy Down by the boardwalk Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Qu'est-ce que l'espoir pour Galitt Kenan ? Elle nous partage sa vision dans cet épisode.Ce passage est un extrait du podcast publié lundi dernier - l'épisode en entier t'attend chaudement sur Nouvel Œil.   Belle écoute ! ☀️ ---Cette saison de podcasts est soutenue par Nouveau Monde, un fonds de dotation qui facilite l'accès à la méditation et à la pleine conscience, en France.Pour découvrir le documentaire "Kogis, ensemble pour soigner la terre" le 06 mai.Si tu as aimé cet épisode, tu peux le partager, écrire un commentaire dans la description et laisser des étoiles sur ta plateforme d'écoute ! ---

Galitt Kenan, c'est une femme qu'on entend peu, ou pas assez. Et qui mérite tant que ses paroles soient portées au monde. Depuis 2018, elle dirige le Jane Goodall Institute France - une organisation mondiale de conservation fondée par Jane Goodall. Son quotidien, c'est de créer le lien entre les humains, et de réfléchir à notre rapport au vivant. L'espoir, pour être durable, demande à la fois réflexion et action concrète. Alors avec Galitt aujourd'hui, on réfléchit un peu, on se pose des questions, on partage nos idéaux et nos tracas. Et il y a une question en particulier qui nous a reliées : est-ce que la naïveté nous protège de la brutalité du monde ? Avec Galitt dans cet épisode, on parle de volonté, de respect et d'espoir.J'espère que cette écoute t'invitera à renouer avec l'espoir.Belle écoute ! ☀️ ---Cette saison de podcasts est soutenue par Nouveau Monde, un fonds de dotation qui facilite l'accès à la méditation et à la pleine conscience, en France.Pour découvrir le documentaire "Kogis, ensemble pour soigner la terre" le 06 mai.Si tu as aimé cet épisode, tu peux le partager, écrire un commentaire dans la description et laisser des étoiles sur ta plateforme d'écoute ! ---

Today's Social Media Advice: This is from Kenan in Elmhurst: "I thought I found the perfect woman and maybe I have, but I need to get your opinion first. Our first date was a prom at the high school where she teaches. I was her escort and it was a lot of fun and I got to see how much the students love her. Our second date was mind blowing and out of character for her. We went to see the Marvel movie and mid-way through the movie, she came on very strong and was ready to get down in the theater. She said she wore a dress for easy access. I wasn’t ready for that and she said she came prepared with condoms. I was with it 100% but I wanted to respect her so I told her no. Easy girls aren’t hard to find. I had hoped this one was a keeper. Should I judge her by her actions?"Steve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

In this episode of Loud and Clear, host Francisco Cárdenas interviews Cairo Kenan Marsh, an experienced advertising professional and founder of the agency relativ*. The conversation covers Cairo's journey from working at major agencies like DDB and FCB to starting his own agency in Japan. They discuss the allure of the advertising industry, the competitive nature of pitching for new business, and the need for more love and respect within the industry. The discussion also delves into the evolving agency model, the importance of building long-term consumer relationships, and the potential future of value-based pricing in advertising. Cairo emphasizes the significance of understanding and solving fundamental business and human problems rather than chasing the latest trends. This episode is a deep dive into the complexities and opportunities within the advertising world.Guest:⁠⁠ Cairo Kenan Marsh, Founder & Executive Partner at relativ*Producer:⁠⁠Rolf Ruiz⁠⁠, Digital Strategist, Creative Technologist & Agricultor at ⁠⁠LERMA/⁠⁠Host:⁠⁠Francisco Cardenas⁠⁠, Principal of Digital and Social Strategy at ⁠⁠LERMA/⁠⁠Music: Rolf Ruiz

Tonight will bring a ton of tariff news for the markets to react to tomorrow. As for today, the grains saw mixed action while the livestock climbed higher. Riley Smith talks with Kenan Layden of AgMarket.Net.

It's time for The Truth!Today, Sam and Dougie are looking at Juventus - who are currently one point off the Champions League places in Serie A, and have lost three league games all year, but who have just sacked manager Thiago Motta around 300 games into his tenure. Very few teams have drawn as many games as Juve this year, and coupled with decisive losses to Fiorentina and Atalanta in Serie A, coupled with disappointing exits to both PSV and Empoli in the Champions League and Coppa Italia respectively, the Bianconeri board have decided to abandon the project and turn to someone a little closer to home in Igor Tudor. But was this the right decision? Should they have tried to make a project last a little bit longer than three-quarters of a year? Are things going to go back to the Juventus DNA of Allegri? And is there someone else (Cristiano Guintoli) who should be taking a little bit more of the blame than he currently is? Well, The Truth is somewhere in the middle... And remember, if you'd like more from the Rank Squad, including extra podcasts every Monday and Friday (including our weekly Postbox taking a look at the whole weekend of football) and access to our brilliant Discord community, then why not join us here on Patreon?

Kenan Chan is one of the 1,000 NPS Park Rangers that were recently wrongfully terminated. Kenan was a Biological Science Technician at Channel Islands National Park that focused on long term monitoring of kelp forests and intertidal ecosystems. Kenan's work with the NPS was incredibly impactful for visitors and the ecosystems within the park. In our podcast together, Kenan and I chatted about his journey, the current challenges that the National Park Service is facing, how rangers were terminated and what visitors can do to support the parks. Here is Kenan's website: https://www.kenanchanphotography.com/New-site/About/AboutThe full podcast will also be available on YouTube. ___Follow us on social!Instagram: https://www.instagram.com/safetravelspodTikTok: https://www.tiktok.com/@safetravelspodYouTube: youtube.com/@safetravelspodSafetravelspod.com  

KENAN YILDIZ

Captain Kenan Schalkes Anführer & bei den Knappen nicht mehr wegzudenken. Allerdings war das nicht immer so. Eine Episode über laute Kabinenansprachen, das türkische Nationaltrikot & eine Jugend im TSG-Internat. Von Sven Pistor /Kenan Karaman /Constantin Kleine.

Kenan Layden of AgMarket.net joins Mark Magnuson for today's midday market podcast.

Kenan alongside his brother, started Acorn Bluff Farms, where they raised an interesting and hairy breed of pig, Mangalica. We covered what this breed of pig is and why those chose it, the massive problems we face in the pig industry, and how they fit well into the farming ecosystem.Acorn Bluff Farms WebsiteAcorn Bluff Farms IGAcorn Bluff Farms Twitter

love snl

Steve Bartle, Utah Utes insider for KSL Sports, joins the program to break down how the Utah Basketball program continues to navigate the Big 12 Basketball waters, Kenan Johson entering the transfer portal, and what ESPN early projections mean for this Utah Football program.

Hour 2 of JJ & Alex with Jeremiah Jensen and Alex Kirry. Steve Bartle, Utah Utes insider for KSL Sports JJ's TV Guide: AFC Title game rating Rockets get a win over Celtics. Blueprints for rebuild have been set

JJ & Alex with Jeremiah Jensen and Alex Kirry on January 28, 2025. BYU games come in 9, 10, 11 in top 100 games of the season Cody Benjamin, NFL writer for CBS Sports Would You Rather? Steve Bartle, Utah Utes insider for KSL Sports JJ's TV Guide: AFC Title game rating Rockets get a win over Celtics. Blueprints for rebuild have been set Jake Scott, Utah Jazz Pre and Postgame host, Host of Jake & Ben NFL Blitz: Pro Bowl Replacements Best and Worst of the Day

Everyone needs a good laugh now and then, and this episode is sure to deliver! Mark and Kyle sit down with Ura Hershberger, Kenan Mylander, and Zac Hawkins to discuss what it takes to be a great crew member and support the team. Of course, with this group, you can expect plenty of comic relief along the way. Tune in and enjoy!Thank you to our sponsors of Episode #115!Shipshewana Harness & Supplies Glenwood Snacks Pennwoods Equine Products INC. The Draft Horse Journal Saginaw Valley Equine ClinicMcGee LLCDo you have suggestions for future episodes? Do you have ideas of someone we should have join us? Please send us any comments or questions to the Rinehold Tack & Western Wear mailbag at podcast@naclassicseries.com!

The soybean markets are reacting poorly to Trump's energy policies. Riley Smith talks with Kenan Layden of AgMarket.Net.

Kenan & Kel summit the tallest building in the country in pursuit of love and Brian. Adam & Aaron check in on their life goals set in January. Email us at: kenankelpodcast@gmail.com Check out our T-Shirts: https://www.teepublic.com/user/kenan-kel-podcast And our Website: https://linktr.ee/kenankelpodcast Twitter/Instagram/TikTok: @kenankelpodcast

Most reruns of the Kenan & Kel TV movie, Two Heads are Better Than None, air without the bookending curtain scenes that the show is known for. In March 2022 we found the opening scene for our review. Now after delving through the annals of DailyMotion, Adam & Aaron have uncovered the ending scene aka the true ending of Kenan & Kel. Also, we read your mail. The Final Scene From Kenan & Kel: https://www.dailymotion.com/video/k1CBND12V4E7jEwJQB2  Aaron's Charity: https://waterislifekenya.org/ Email us at: kenankelpodcast@gmail.com Check out our T-Shirts: https://www.teepublic.com/user/kenan-kel-podcast And our Website: https://linktr.ee/kenankelpodcast Twitter/Instagram/TikTok: @kenankelpodcast

IN CLEAR FOCUS: Cairo Kenan Marsh, founder of Tokyo-based marketing consultancy relativ*, explores evolving consumer loyalty trends and relationship-driven marketing strategies. Drawing from his experience with Fortune 500 companies and independent brands, Cairo discusses the shift from transactional marketing to authentic brand relationships. He shares insights on balancing data science with creativity and demonstrates how relationship-focused strategies drive successful outcomes.  

Send us a textEver wondered how stand-up comedy has transformed over the years? Join us as La Josh Preston, a humorous force from Southwest Virginia, takes us through his comedic journey from 1993 to now. La Josh has seen it all—from the bustling stages of Roanoke to the exhilarating experience of performing for Kenan Thompson. He talks about the evolution of comedy, highlighting how inclusivity has reshaped the field, urging comedians to abandon outdated norms like racism and bullying. Let La Josh's unique perspective enlighten you on the perseverance and authenticity required to thrive in the comedy world.Get ready for a hilarious and heartwarming anecdote about La Josh's unforgettable opportunity to perform with Kenan Thompson's Funniest Comics. Discover how a video clip with Kenan became his personal badge of honor, convincing his family that his trip wasn't just about gambling in Atlantic City. La Josh shares how his distinctive jokes drew the attention of producers and audiences alike, proving that originality can set you apart even among comedy legends. He also reflects on the profound influence of comedy icons like DL Hughley and Bernie Mac, whose ability to unite diverse audiences continues to inspire his work.Aspiring comedians, take note: La Josh brings valuable insights into the comedy grind, emphasizing the crucial role of open mics in honing one's skills. He shares tales of long drives for precious minutes of stage time and the relentless hustle to keep evolving as a comic. The Roanoke comedy scene, filled with challenges and camaraderie, has taught him the importance of staying true to oneself amidst competition and negativity. Join us to learn from La Josh's experiences and gather tips on making your mark in the ever-changing landscape of stand-up comedy.Support the show

The 'Bout Business "Sneak Teep" podcast presents listeners with positions of advantage after reviewing early lines. Check out exclusive 'Bout Business Podcast membership access to Lou's picks at GAMBLOU.COM, where you can sign up for a full year of picks for under $5 per card! After yet another win last week, Lou's Sneak Teep FREE releases are now tracking to a record of 20-12-2 (64%) and +8.4 Units of profit on the year! Here are this week's fights where we have identified value in early line movement ahead of UFC Macau: Xiao (-120) vs Le (+100) Hernandez (-205) vs Tumendemberel (+175) Ulberg (-240) vs Oezdemir (+205) Salikhov (-170) vs Kenan (+145) Xiaonan (-200) vs Ricci (+170) Yan (-350) vs Figueiredo (+285) Follow us on Twitter @GambLou @greenrollmedia and visit www.gamblou.com & www.greenrollmedia.com Gambling Problem? Call 1-800-GAMBLERSee omnystudio.com/listener for privacy information.

Is Toprak's WorldSBK title the most unexpected in the history of the series? Steve and Gordo look back at the final round of the 2024 campaign and Toprak Razgalioglu's confirmation as the Superbike World Champion for the second time. The Turkish rider is now unquestionably the best rider on the grid but what makes him special? We grabbed Phil Marron and Kenan Sofuglu to talk about when they believed they could win the title and the mentality of Toprak. Kenan's insight is very interesting as he talks about positivity rather than aggression being the key to winning in motorcycle racing. Steve also reminds Gordo of what we expected from Toprak back in January when they went to the the Spanish venue for pre-season testing.   With Nicolo Bulega winning two races and Alvaro Bautista suffering another crash the future of Ducati is also a talking point. Who's the team leader for the red bikes in 2025? Alex Lowes' successful campaign is discussed as is the toughest season of Jonathan Rea's career. The show wraps up with title talk in WorldSSP, WorldSSP300 and the WorldWCR series

We have an incredible guest this week, The legendary Kenan Thompson! In this episode, I talk to Kenan about his remarkable career in comedy and entertainment, from his early days to becoming the longest-running cast member on Saturday Night Live. Kenan also shares what it was like to work on the set of All That, The Mighty Ducks, Good Burger and much more.   Kenan shares valuable lessons from working in sketch comedy, what it's like being part of the iconic SNL family, and how the comedy world has evolved over the years. We also talk about the creative process behind some of his most memorable characters, the ups and downs of showbiz, and the importance of staying grounded in an ever changing industry.   Whether you're an aspiring comedian, a long-time fan of Kenan, or just curious about life behind the scenes of SNL, this episode is full of laughs, insights, and inspiration! Don't forget to like, subscribe, and leave your questions in the comments for future episodes!

It was a stunning a disappointing Saturday in Kenan as Carolina fell flat versus JMU (4:41)Mack Brown press conference audio (28:28)Geoff Collins press conference audio (33:04)Tar Heel basketball practice began on Monday as Carolina prepares for the 2024-25 season (36:40)Former Tar Heel wrestling coach Bill Lam joins to talk his book, his tenure in Chapel Hill and lessons learned in life (46:45)Plus: script for Smith Center Christmas (1:22:00) and a generous donation in honor of Big Grits (1:23:47)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello Rank Squad!You heard the music, and we're back in Champions League mode as the newest era of the competition gets underway with the new Swiss League stage replacing the old group stages. The first day brought us plenty of goals, and plenty of talking points, and Jack and Dean are here to discuss all of them with you after the first six games of this matchweek. We start with Liverpool's trip to Milan, where Arne Slot's Reds were able to put the ghosts of Nottingham Forest behind them on the way to what was a comprehensive and important win at San Siro; before moving onwards to discuss the 9-2 hammering that Bayern Munich handed out to Dinamo Zagreb,  and the game between Sporting CP and Lille OSC in Lisbon. In Part Two, we start with Real Madrid's 3-1 victory over VfB Stuttgart, which was very much not as easy on the Bernabeu pitch as it looked on paper, before discussing Aston Villa's successful trip to Bern, where they beat Young Boys 3-0 despite an artificial surface, and Juventus' crucial 3-1 win over PSV Eindhoven, which might have been the best performance of the season yet from Thiago Motta's new-look Bianconeri! We'll be back on Thursday to wrap up the action from the next two days of UCL action, so we'll see you very soon. It's Ranks!  And remember, if you'd like more from the Rank Squad, including extra podcasts every Monday and Friday (including our weekly Postbox taking a look at the whole weekend of football) and access to our brilliant Discord community, then why not join us here on Patreon?

During this year's DNC, President Biden reflected on numerous accomplishments and discussed his track record. One of the signature pieces of legislation of the Biden presidency, and of Democrats in this era, is the Inflation Reduction Act, also known as the IRA. This August marked the 2-year anniversary of the landmark federal law. Our guest this week teamed up with his students to track the cumulative effects of the implementation of the IRA. Jay Turner is the Wiliam R. Kenan, Jr. Professor of Environmental Studies at Wellesley College. He's also a historian, author on U.S. environmental politics and wrote “Charged: A History of Batteries and Lessons for a Clean Energy Future.” He joins WITHpod to discuss progress made, developments in batteries and electric energy sources, possible paths forward to reach ambitious goals and more.