Podcast appearances and mentions of brooke erin duffy

While extensions are masculine coded and deal with tools that extend what human beings already do, containers offer a different and more feminine concept of media: something that selects, stores, and processes information. Containers primarily allow for preservation, but this goes far beyond things like food, water, or other materials. They also determine cultural and intellectual production. For a primer on how to think about the way objects around us select, store, and process information, we're going to consider one of America's most iconic objects of containment: Tupperware. Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming. Guests in this episode include professors Brooke Erin Duffy and Jeremy Packer.

In this episode of The Influence Factor, Alessandro Bogliari, CEO and Co-Founder of The Influencer Marketing Factory, chats with Brooke Duffy, Associate Professor at Cornell, about the evolving creator economy, career sustainability, and the challenges of digital success. They explore compensation gaps, visibility struggles, and the future of social media entrepreneurship.

Georgia talks to Cliff Lampe, Professor of Information at the UMich School of Information about how Find My has become indispensable technology of friendship in a hypergamified social-media landscape. Then, Hans talks with Dr. Brooke Erin Duffy, associate professor in the Department of Communication at Cornell University, about the need to be vulnerable as an influencer. And also: [REDACTED]–Become a Never Post member at https://www.neverpo.st/ for access to extended and bonus segments, and our side shows like “Slow Post”, “Posts from the Field” and “Never Watch”–Call us at 651 615 5007 to leave a voice mailDrop us a voice memo via airtableOr email us at theneverpost at gmail dot comSee what interstitials we need submissions forand tell us about POSTS THAT CHANGED YOUR LIFE–Intro LinksElon Musk's X blinks in standoff with Brazil – Yahoo.comElon Musk's X Backs Down in Brazil – NYTLionsgate Inks Deal With AI Firm to Mine Its Massive Film and TV Library – Hollywood ReporterRunway Partners with Lionsgate – runwayml dot comThree Mile Island to Host New Disaster in Exclusive Deal to Power Microsoft AI – Splinter.comMicrosoft deal would reopen Three Mile Island nuclear plant to power AI – WaPoAfter CEO's arrest, Telegram says it will now turn some bad actors' data over to law enforcement – CNNRead Oldster!Find me on Something Rotten talking about Spec Ops: The LineJacob Geller's Swordstream 2024 AnnouncementFind me on Jay Springett's Experience.Computer on Sept. 26th–Find My Friend SurveillanceFind Cliff on Google Scholar Gamification and Social Media –VulnerablepostingThe politics of vulnerability in the influencer economy – SagepubFind Brooke @ brookeduffy.com–Never Post's producers are Audrey Evans, Georgia Hampton and The Mysterious Dr. Firstname Lastname. Our senior producer is Hans Buetow. Our executive producer is Jason Oberholtzer. The show's host is Mike Rugnetta. Now I promise the shriek that the pressure of days, the pressure of days will be weapon. We drive and we drive, we blare music, we go on. On the highway of our lost intentions, all signs are strident, all exits goodbye.Except of [Now I promise…] by Karen VolkmanNever Post is a production of Charts & Leisure ★ Support this podcast ★

In this episode, Elizabeth chats with digital communication strategist and experienced political campaigner, Nate Lubin about social media content creators in politics. Nate draws on his experience with the Better Internet Initiative which helps influencers make educational content related to progressive issues as well as his past experience as Director of the Office of Digital Strategy at the White House and Director of Digital Marketing at Obama for America. They talk about what constitutes a political influencer, how content creators engage in politics, and different models of influencer engagement.Additional Resources:Elizabeth relies on Brooke Erin Duffy's article, Social Media Influencers to define the term.Check out the Better Internet Initiative, a program that Nate mentions throughout the episode. Elizabeth mentions Political influencers in Canadian election laws, as defined by Elections Canada in their interpretation note on partisan and election advertising on the internet.For more context on what “political speech” means in the American context, here is an article by de Gregorio and Goanta, which touches on how political speech is a constitutionally protected form of speech in the US.Nate mentions his Berkman Klein Centre's Project, Accountability Infrastructure in Public Health. Throughout the episode Elizabeth and Nate talk about different models of engaging social media influencers in politics. Check out the article Social Media Influencers and the 2020 U.S. Election: Paying ‘Regular People' for Digital Campaign Communication, for more from an American perspective. Check out www.polcommtech.ca for annotated transcripts of this episode in English and French.

This week Elizabeth chats with tech culture reporter and Washington Post columnist, Taylor Lorenz about influencers and the influencer industry. Taylor takes us from Ce-web-reties to influencers to content creators, telling us a bit about the history of folks who monetize their online presence. The two chat about the influencer industry beyond social media influencer marketing, the unique dynamics of political campaigning, smaller scale content creators as opinion leaders, and the ways in which having a perspective in the content you create meshes with expectations for authenticity and objectivity.Additional Resources:Check out Taylor's book Extremely Online : The Untold Story of Fame, Influence, and Power on the Internet.Elizabeth introduces a definition of influencer by Brooke Erin Duffy, you might also want to check out Brooke's book: (Not) Getting Paid to Do What you Love.Elizabeth adds to that definition to talk about political influencers building from an article by Martin Riedl, Josephine Lukito and Samuel Woolley.Taylor mentions White House efforts to rely on influencers during the COVID-19 pandemic and Elizabeth mentions a similar strategy by the Quebec government. If you are interested in the influencer industry The Influencer Industry by Emily Hund and Internet Celebrity by Crystal Abidin are two great books to check out.Find Taylor on TikTok and YouTube.Taylor Lorenz's social media info: Instagram (@taylorlorenz)Facebook (Taylor P Lorenz) X (Formerly Twitter) (@TaylorLorenz) Threads (@taylorlorenz)Youtube (@TaylorLorenz)Tiktok (@taylorlorenz) Check out www.polcommtech.ca for annotated transcripts of this episode in English and French.

Meta - the owner of Facebook - has launched Threads, a text-based social media app. Tech Life's correspondent in San Francisco tells us about the launch. And we look at the development of social media with Brooke Erin Duffy, an associate professor in the Department of Communications at Cornell University in the United States. Also in Tech Life, we hear from the chief executive of Nextdoor, who has global ambitions. Where does technology and the law meet ? A question being discussed in Nairobi, Kenya. And artificial intelligence reaches lawn tennis at Wimbledon. PHOTO CREDIT: Dado Ruvić, Reuters.

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Hello, world! This is the Global Media & Communication podcast series. In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy. You'll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the book Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE. Authors: Thomas Poell is Professor of Data, Culture & Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures. David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information. Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty. Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer: Jing Wang Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the programme this week, Brooke Erin Duffy of Cornell University returns to give her assessment of Twitter's new owner. The MEP Arba Kokalari explains the new tougher approach Europe is taking to regulating tech. And wine drinkers see if they can tell the difference between a real sommelier and an AI one.

Na semana em que a Agência Pública revelou o trabalho sujo do iFood em sabotar o movimento dos entregadores que demandam melhores condições de trabalho, Jacqueline Lafloufa e Rodrigo Ghedin recebem o pesquisador Rafael Grohmann, professor da Unisinos, diretor do laboratório de pesquisas Digilabour e coordenador da Fairwork no Brasil, para falar de trabalho plataformizado. É possível que as plataformas ofereçam trabalhos decentes? Quais alternativas temos às comerciais? E o que nós, pessoas preocupadas com essa deteriorização da condição trabalhista, podemos fazer para ajudar? Apoie o Manual pelo preço de um cafezinho Nesta semana, o Manual do Usuário ganhou 15 novos apoiadores: Lucas Schutz, Thiago Corrêa, Eduardo Souza, Erivan Filho, Filipe Marques Sathler Guimarães, Flavio Bragança, Amanda Calazans, Pedro Saliba, Raquel Ritter Longhi, William Cesar Braga, José Eduardo de Oliveira Silva, Rafael Tanaka, Tamires Carvalho, Daniel de Azevedo Gimigliano e um que pediu para permanecer anônimo. Obrigado! Gosta do podcast? Toque aqui e torne-se um(a) apoiador(a). A partir do plano II (R$ 16/mês), você acompanha as gravações ao vivo e ganha outros mimos. Indicações culturais Grohmann: A série Years and years [HBO Max], de Russell T. Davies; o livro Platform socialism: How to reclaim our digital future from big tech [Amazon]1, de James Muldoon; e o livro Platforms and Cultural Production [Amazon]1, de Thomas Poell, David B Nieborg e Brooke Erin Duffy. Jacque: O livro Fumaça e espelhos: Contos e ilusões, de Neil Gaiman. Ghedin: A série Hilda Furacão [Globoplay], de Glória Perez. Recados Quer mandar seu alô para nós? Escreva para podcast@manualdousuario.net. O Guia Prático é editado pelo estúdio Tumpats. Links citados na conversa A máquina oculta de propaganda do iFood, na Agência Pública. Trabalho em plataformas digitais está longe de ser justo no Brasil. Ao comprar por estes links, o Manual do Usuário recebe uma pequena comissão das lojas. O preço final para você não muda. ↩

Après la musique et les médias dans les années 2000, ce fut au tour du cinéma d'être bousculé par de nouveaux acteurs, les plateformes, qui proposent aux spectateurs des centaines de séries et de films par abonnement. Au point que de très nombreux commentateurs prédisent régulièrement la mort de pans de l'industrie culturelle. Ces prophéties se sont-elles réalisées ? Comment les acteurs installés résistent-ils ou non à ces changements ? Quel impact pour les artistes et les créateurs ? Retrouvez ci-dessous tous les articles cités dans cet épisode du Mémo :Une consommation culturelle fracturée (Le Monde)L'enquête pratiques culturelles (ministère de la Culture)Platform Studies and Digital Cultural Industries, Paolo Magaudda et Marco Solaroli (Sociologica)Thom Yorke calls Spotify 'the last desperate fart of a dying corpse' (The Guardian)“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation, Tiziano Bonini, Alessandro Gandini (Sage Journals)We Asked 13 Artists How Spotify's 'Tip Jar' Is Working Out for Them (Vice)Quelle est la Rémunération des artistes sur Spotify ? – Loud & Clear (Groover Blog)Pay who you play (deezer)PNL : la recette du nouveau phénomène musical (les échos)PNL sont les artistes les plus indépendants du rap français ! (Ventes Rap)Taylor Swift's Rerecording of ‘Red' is reshaping the Music Industry (Wall Street Journal)Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship, Brooke Erin Duffy, Thomas Poell, David B. Nieborg (Sage Journals) Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this episode, I speak with Dr. Brooke Duffy about the structure of digital labor. We talk about Instagram influencers and the people who love to hate them, the double bind that women online face in presenting themselves as both "authentic" and  "relatable," and the problem with the advice we so often get, to "do what we love." Dr. Brooke Erin Duffy is an Associate Professor at Cornell University, where she holds appointments in the Department of Communication and the Program in Feminist, Gender & Sexuality Studies. Her work spans the topics of social media, gender, identity and inequality, digital labor, and promotional culture. She's the author of two monographs on gender and cultural production, including (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work (Yale University Press, in 2017), which draws upon research with fashion bloggers, YouTubers, and Instagram influencers to explore the culture and politics of the digital labor. Wired named it one of the "Top Tech Books of 2017." Dr. Duffy's first monograph, Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013), examined the rapidly changing technologies and political economies of media production through an analysis of the magazine industry. Duffy's third book, Platforms and Cultural Production with Thomas Poell and David Nieborg, is forthcoming with Polity in 2021. She is also the co-editor of Key Readings in Media Today: Mass Communication in Contexts with Joseph Turow (Routledge press, in 2009).  Dr. Duffy's research has been published in a wide variety of academic journals, and she is also a public scholar, whose work has appeared in The Atlantic, Vox, Times Higher Education, Wired, and Quartz. Her commentary has been featured in The New York Times, The Guardian, the BBC, Vox, The Washington Post, The USA Today, and Vice, among others. This episode was produced by Matt Perry. Art by Desi Aleman.

The "Myth Busters Series"   In this episode we are busting a myth about how pervasive the beauty industry is and how it can impact our relationship with our bodies and our self worth. We do a lot of episodes on busting myths about diets or food rules, but what about all those fancy words like “wellness industry?” and “but it’s a lifestyle change?” as well as all the products we are constantly being sold to change our appearance. So this week we are busting the myth that “we are not selling beauty products, we are selling a lifestyle change!”   While the diet industry can be easy to spot due to its primary focus being weight loss, the wellness or lifestyle industry is extremely varied: it includes lotions, face products, makeup, fitness clothes, vitamins, supplements, and the list goes on. As we navigate people’s MLM pitches, influencer’s product advertisements, or pop up ads on social media, with the underlying message that using their products will buy you a level of health and wellbeing, the difficult part to discern is what is true and what is not? What is fake advertising, what is new found science, and do we even need any of these products? Is the bottom line messaging of the wellness industry the same as the diet industry in that we live in a culture obsessed with beauty, bodies, sexuality, and appearance and whether it’s a diet or a face cream, they are all selling the same thing: change your body, feel better. We are excited to be taking a closer look at this entire industry with the host of the “Your Body, Your Brand” podcast Kai Prins and ponder whether or not the wellness and beauty industry are really all that different from the diet industry? LINKS: “(Not) Getting Paid to Do What You Love” by Brooke Erin Duffy https://www.brookeduffy.com/books   Connect with Kai: www.kaiprins.com www.bodybrandpod.com Social media: @performingwoman   For full episode information and links discussed in the episode, please go to www.momgenesthepodcast.com. To connect with the Mom Genes community, check out our Instagram @momgenesthepodcast or Facebook group: Mom Genes The Podcast. Please email us your questions or thoughts for future episodes at momgenesthepodcast@gmail.com If you enjoyed the episode, be sure to take a screenshot and share it out on Instagram and tag @momgenesthepodcast. We will be sure to share your comments and re-posts in our Instagram stories! In order to not miss a single episode, SUBSCRIBE and please give us a RATING and REVIEW on iTunes! The information presented in this podcast does not replace individual therapy or nutrition recommendations.

When professional brand takes over personal life, performing your branded self can feel like a life-or-death proposition.In this episode, we continue our look at the pitfalls of engaging in what Brooke Erin Duffy calls “aspirational labor,” and we examine the factors that keep us trapped in a performance of success, even when it leads to failure. See acast.com/privacy for privacy and opt-out information.

Ryan Heard through the grape vine that Evan and some friends were talking about the trashcast and what authenticity is. He doesnt like being left out of the loop so he called Evan Rodgers to get the scoop. They talk about: Youtube, Casey Neistat, Logan Paul, google glass, snapchat, flavor of love season 2, podcasts, mansplaining, radiolab, explainers, Brooke Erin Duffy, Wendy Chun, fore-giveness, Chuck Klosterman, simulacra simulacrum, the real world, 4chan, robert scoble, Every frame a painting, beme, The Verge, The samsung note 9, blockchain social networks, twitter, good mythical morning, digital meritocracy, and moree!!! (reminder: this was recorded on anchor so it's an unedited phone call. i hope u can appreciate us just spit balling, please practice "fore-giveness") Also here's a link to that chuck klosterman essay :https://miniaci.files.wordpress.com/2014/10/klosterman.pdf thankss for listening ! --- Send in a voice message: https://anchor.fm/thats-all-folks/message Support this podcast: https://anchor.fm/thats-all-folks/support

At the height of their career, YouTube stars can make millions of dollars. But it’s a rough road to the top for social media stars, if they can get there at all. We talk with author Brooke Erin Duffy and YouTuber Gaby Dunn about the aspirational economy, and how success can take a toll on our personal life.

The road to social media stardom is difficult and rarely pays well. Brooke Erin Duffy shares stories of success and offers advice and a warning for those looking to make it big.

The road to social media stardom is difficult and rarely pays well. Brooke Erin Duffy shares stories of success and offers advice and a warning for those looking to make it big.

This week on Innovation Hub we’ll take a look at the science of popularity, the hard work that goes into making a living online, and the reason why we always say we’re busy.

Turns out, being famous online doesn’t always translate into a stable income. Author Brooke Erin Duffy and Youtuber Gaby Dunn explain.

What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy's Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women's magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University's School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women's magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women's magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers' coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry's attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine--now reimagined as a brand--across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy’s Remake, Remodel: Women’s Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women’s magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University’s School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women’s magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women’s magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers’ coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry’s attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine–now reimagined as a brand–across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy's Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women's magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University's School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women's magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women's magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers' coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry's attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine--now reimagined as a brand--across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Brooke Erin Duffy’s Remake, Remodel: Women’s Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women’s magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University’s School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women’s magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women’s magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers’ coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry’s attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine–now reimagined as a brand–across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy’s Remake, Remodel: Women’s Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women’s magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University’s School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women’s magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women’s magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers’ coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry’s attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine–now reimagined as a brand–across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy's Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women's magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University's School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women's magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women's magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers' coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry's attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine--now reimagined as a brand--across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism