Podcasts about Christian rock

Welcome to this ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vaults.Today, we pay tribute to filmmaker Brian Lindstrom, who sadly passed away recently, with this incredible discussion about the film he co-directed, LOST ANGEL: THE GENIUS OF JUDEE SILL, with his co-director Andy Brown & Aquarium Drunkard's Jason P. Woodbury. Anyone who had the pleasure of knowing or working with Brian will tell you he was one of the kindest, wisest, and big-hearted people ever, and his filmmaking absolutely reflected that. If you haven't seen his films Lost Angel, Mothering Inside, or Alien Boy yet, please take the time to spend with these incredibly powerful films. He will be missed.(Episode 39 originally aired on June 6th, 2024).This week, I'm joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill's gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill's disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject's life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill's vulnerability and ego in her diary writings and drawings, how they chose to animate Sill's artwork and found her voice, Sill's influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill's life didn't fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records.So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week's Revolutions Per Movie.WATCH LOST ANGEL: THE GENIUS OF JUDEE SILLhttps://greenwichentertainment.com/film/JASON P. WOODBURY:https://jasonpwoodbury.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Christian Rock!

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

Christian Rock!

Christian Rock!

Christian Rock!

From Hawk Nelson to Rock Bottom & Back: Jason Dunn on Prodigals, Deconstruction, and Starting Over Former Hawk Nelson frontman Jason Dunn joins Josiah and Micah Kennealy to share his powerful prodigal story—from Christian rock fame, burnout, and blowing all his money in New York… to moving back in with his parents at 30, meeting his wife Neve, and rediscovering Jesus. Jason opens up about deconstruction, doubt, and calling, and why he believes young adult years are so critical. He also shares the heart behind his new solo album “Formerly Known As” and his passion to make music that reaches everybody, not just Christians. Order Jason Dunn's New Music and See Tour Dates: https://jasondunn.bandcamp.com/album/formerly-known-as Follow Jason Dunn Music on Instagram: https://www.instagram.com/jason.dunn.music/ More about us: www.youngadults.today Resources & Action Steps: Sign up for the FREE June 2026 DIGITAL CONFERENCE: www.youngadults.today/digital-conference Give to the mission of youngadultstoday: https://tithe.ly/give?c=5350133 Resources: Free eBook "10 Steps to Starting a Successful Young Adult Ministry: https://www.youngadults.today/book/starting-a-successful-young-adult-ministry Join our FaceBook Group Community with 2500+ leaders: https://www.facebook.com/groups/796270437396021 Follow us on Instagram: https://www.instagram.com/youngadults.today/ 

Christian Rock!

Christian Rock!

Coming up May 14th at 6 PM PST (9 PM EST)

Christian Rock!

My special guest today is Christian Rock pioneer David Huff of David & the Giants. We will be discussing his illustrious career as a writer and producer of much of the music that has become the soundtrack of our lives.   David Huff's journey started early, picking up a guitar at 11 and chasing a lifelong calling to make music. From country roots to fronting the rock band Little David & the Giants, he built a career that led to national stages and major record deals.But after a series of hard setbacks, everything changed. What followed was a turning point that reshaped not just his life—but the music itself.That story of struggle, redemption, and renewal is still being written in every song.We are also debuting my new single, "Letter From Nowhere," featuring David Huff, which will be released on May 15, 2026, on all digital streaming platforms.   For more information, visit https://davidhuff.comSponsorsThis podcast is brought to you in part by Big D's Q. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

This episode originally aired on June 9, 2025. Mike and Ken release another Best of Did You Knows. The Did You Know segments of Jesus Changes People is the time in the show when the guys share facts about the Bible, Christian History, and Christian Oddities. The Did You Knows in this volume are all focused on Christian rock music and comedy. Join Ken and Mike, as they share these facts with us again. The 6 Did You Knows came from these 6 episodes:Season 1 - Episode 33 - August 15, 2022 - Keeping His CommandsSeason 1 - Episode 38 - September 19, 2022 - Trial and DenialSeason 1 - Episode 42 - October 17. 2022 - Putting It Into Practice | John 16:1-20:18Season 4 - Episode 78 - June 26, 2023 - An Unlikely KingSeason 5 - Episode 86 - August 21, 2023 - Ruth Meets BoazSeason 5 - Episode 89 - September 11, 2023 - Wrap Up: RuthSupport the show

Christian Rock!

This week we had the pleasure of talking with Magdalene Rose about her musical journey so far, being a woman in a male dominated industry, and the Christian Rock scene. Magdalene Rose has such a refreshingly bright personality and so much talent. This is one you don't want to miss!Find the music and artists referenced this week here: https://open.spotify.com/playlist/4eWHesJuxgJVhKj9Am4VAg?si=81bdb76d3c74485cFind Magdalene Rose here: @officialmagdaleneroseWatch the Music Video Discussed here:https://www.youtube.com/watch?v=kRDVXnACx7YPlease send concert/event stories and questions to girlsattherockshowpod@gmail.comPlease follow us on IG, Facebook, and TikTok @girlsattherockshowpod*Note: We plan to read concert/event stories and questions on the podcast so if you would like to remain anonymous, please let us know. Hosted on Acast. See acast.com/privacy for more information.

The assassination attempt and Homeland Security funding, the Southern Poverty Law Center's methods and credibility, Iran nuclear talks and internal divisions, and Arsenio Orteza on The 77s new album. Plus, Denny Burk calling for repentance, an unplanned backyard landing, and the Tuesday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from St. Dunstan's, inviting young men into the building arts and the adventure of holiness on a Blue Ridge Mountains farm... stdunstansacademy.orgAnd from Moody Publishers and Dr. Kathy Koch's book Resolve Conflict and Find Peace and Hope with Adult Children which offers biblical wisdom for parents navigating challenging relationships with their grown kids. With practical insight and compassionate guidance, the book helps parents pursue peace while maintaining healthy boundaries and hope for the future. Order here.

Christian Rock!

Hello music fans! Thank you for joining me for episode 23. We have a first of sorts this time out…a return visit from a BOTR alumnus. Josh Gillespie joined me in April of 2023 to discuss his solo project. This time around, Josh has put together a band and now we are joined by Josh Gillespie and The Nomad Collective. The band is:Josh Gillespie - Lead vocal, rhythm guitarCarl Hartmann - Lead and rhythm guitars, backing vocalsSteve Martz - Bass, backing vocalTim Birkel - DrumsThey have a new EP set for release on May 8th entitled The Camera: Dear Exile Part 1. The night before on May 7th, they have a CD release show at the Melody Inn in Indianapolis…so if you are in the Indy area, be sure to catch that show at that historic venue. The Camera EP is a thematic collection that examines authenticity, deception, and moral compromise in modern life — targeting media figures, public personas, and individuals who trade their integrity for power, fame, or approval. This collection has well crafted songs with good energy and great playing. The guys brought their gear with them and after we wrapped up our conversation, they played a couple of the new tracks. So be sure to check those out!Songs: "Urgency of Now" 55:25; "Soul for Sale" 59:30You can follow the band on facebook and instagram at @joshgillespiemusic and also on Bandcamp and YouTube Thanks again for spending time checking out the podcast! Much appreciated! Until next time, keep those antennas up for this bands on the radar!Bands On The RadarInstagram: @bandsontheradarFacebook: @bandsontheradarYouTube: @bandsontheradarGmail: bandsontheradar@gmail.com

In this episode of the Straight White American Jesus Sunday Interview, host Leah Payne speaks with journalist Sam Kestenbaum about his reporting on celebrity pastor culture and the rise of the “hype priest.” The conversation centers on Kestenbaum's widely discussed profile of Judah Smith, a “pastor-to-the-stars” connected to figures like Justin Bieber, and expands into a broader analysis of how millennial pastors have fused evangelical preaching with aesthetics, branding, and media performance. Sam Kestenbaum is a journalist who covers religion in America, known for his deeply reported and stylistically distinctive profiles of contemporary spiritual figures. Based in Los Angeles, his work has appeared in The New York Times, Harper's Magazine, Rolling Stone, and beyond, where he examines the intersections of faith, politics, and culture. Together, Payne and Kestenbaum explore the Churchome experience in Los Angeles, pop-up worship in rented theaters, a creative-class audience, and a ministry shaped as much by production value and performance as by theology. They discuss how presentation - from clothing to sermon delivery - functions as a form of religious communication, as well as how figures like Judah Smith navigate political polarization by shifting toward a more therapeutic, individualized message. The conversation also maps a wider ecosystem of charismatic influencers, including those who lean more explicitly into conservative politics, and situates today's media-savvy pastors within a longer lineage of charismatic power brokers shaping American public life. In This Episode Sam Kestenbaum's profile of Judah Smith and the rise of the “hype priest” The Churchome model: pop-up churches, celebrity culture, and Los Angeles creatives Aesthetics, authenticity, and performance in contemporary evangelical preaching The influence of Black Pentecostal styles on white charismatic leaders Why some celebrity pastors avoid overt political alignment The next generation: influencers, revival tours, and conservative media ecosystems Figures like Greg Laurie and Bryce Crawford in the broader charismatic landscape The enduring influence of leaders like Che Ahn and the question of political power Links: Sam Kestenbaum's website: https://samkestenbaum.com/ “The Hype Priest Who Rode the Bieber Wave: Judah Smith's message of grace earned him many famous followers. Is he out of step with other Evangelicals?” (Vulture / New York Magazine): https://www.vulture.com/article/judah-smith-church-pastor-justin-bieber.html  “The Demon Slayers: the New Age of American Exorcisms” (on Greg Locke, Harper's Magazine): https://harpers.org/archive/2024/08/the-demon-slayers-sam-kestenbaum-exorcisms/  “‘I Think All the Christians Get Slaughtered': Inside the MAGA Road Show Barnstorming America” (on Clay Clark, Rolling Stone): https://www.rollingstone.com/culture/culture-features/clay-clark-reawaken-america-maga-tour-trump-1234594574/  Find Sam Kestenbaum at https://samkestenbaum.com/ Find Dr. Leah Payne at drleahpayne.com , subscribe on Substack, follow her on most social media platforms at @drleahpayne, listen along at Spirit & Power: Charismatics & Politics in American Life and Rock that Doesn't Roll: The Story of Christian Rock, and read along: God Gave Rock and Roll to You: A History of Contemporary Christian Music. Subscribe for $3.65: ⁠https://axismundi.supercast.com/⁠ Subscribe to our free newsletter: ⁠https://swaj.substack.com/⁠ Order American Caesar by Brad Onishi: ⁠https://static.macmillan.com/static/essentials/american-caesar-9781250427922/⁠ Donate to SWAJ: https://axismundi.supercast.com/donations/new Learn more about your ad choices. Visit megaphone.fm/adchoices

Christian Rock!

Christian Rock bands are fighting with churches, and Slim is confused by influencers. Lazlo would shoot SlimFast if he was drafted into war. “Secretary of War,” is not a cool title at all. Lazlo is the original founder of the manosphere, and the guys talk to Vern. Hegseth quoted our opening intro. Stream The Church of Lazlo podcast on Apple Podcasts, Spotify, or wherever you get your podcasts!

Christian Rock!

Christian Rock!

Christian Rock!

Hello friends! For Episode 1554, I've partnered with Hobart Rowland of the MAGNET Classics podcast series for a special South by Southwest chat with Kylie Gaspard and Jo Perillo of the fast-rising indie-rock band Cashier. Slinking out of Lafayette, Louisiana, three years ago, they've already raised plenty of eyebrows with their grunge-inspired take on emo and shoegaze. Now touring behind their debut EP, The Weight, Cashier played no less than 16 shows at last week's music conference in Austin. We have a great conversation about How they got into music, growing up listening to Christian Rock, the indie-rock scene in Lafayette, making their EP, The Weight (available now), playing SXSW, and much more. I had a great time getting to know these fine folks. I'm sure you will too. Let's get down! Find Cashier HERE Find MAGNET Classics Podcast on Spotify, Apple Podcasts, or wherever you pod. Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Christian Rock!

In this episode of the Straight White American Jesus Sunday Interview, host Leah Payne speaks with award-winning journalist and historian Caleb Gayle about his acclaimed book Black Moses: A Saga of Ambition and the Fight for a Black State. Caleb Gayle is an award-winning journalist and professor at Northeastern University. He is the author of We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power and a contributing writer at The New York Times Magazine. His work has also appeared in The Atlantic, TIME, The Guardian, Guernica, The New Republic, and The Boston Globe. Longlisted for the National Book Award for Nonfiction, named one of The Washington Post's Best Nonfiction Books of the Year, and selected as a New York Times Editors' Choice, Black Moses tells the remarkable story of Edward McCabe, a Black political leader who nearly succeeded in founding a Black-governed state in the Oklahoma Territory at the turn of the twentieth century. Together, Payne and Gayle explore McCabe's ambitious political vision, the racial politics of the American West, and the broader historical context of Reconstruction, westward expansion, and Indigenous displacement. The conversation also reflects on how forgotten stories like McCabe's challenge familiar narratives about American democracy, race, and political imagination. In this episode: The cinematic structure of Black Moses and how Gayle and his editor shaped the narrative Who Edward McCabe was and why his story has largely disappeared from mainstream American history McCabe's audacious plan to create a Black state in the Oklahoma Territory The Reconstruction-era search for Black self-determination and how McCabe's vision differed from projects in Liberia or Haiti The American West as a site of competing dreams—and conflicts—among Black settlers, white settlers, and Indigenous nations McCabe's political strategy: organizing, coalition building, and attracting Black migration to Oklahoma Why Oklahoma ultimately aligned itself with Jim Crow politics during statehood The unfinished project of American democracy and the importance of political imagination Black Moses: A Saga of Ambition and the Fight for a Black State by Caleb Gayle Can the Rodeo Save a Historic Black Town? One woman's quest to rescue Boley, Oklahoma, The Atlantic, by Caleb Gayle In This EpisodeLinks: We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power by Caleb GayleFind Professor Gayle at www.calebgayle.com, Instagram: @calebgayle, Twitter: @gaylecalebFind Dr. Leah Payne at drleahpayne.com, subscribe on Substack, follow her on most social media platforms at @drleahpayne, listen along at Spirit & Power: Charismatics & Politics in American Life & Rock that Doesn't Roll: the Story of Christian Rock, and read along: God Gave Rock and Roll to You: A History of Contemporary Christian Music. Subscribe for $3.65: ⁠https://axismundi.supercast.com/⁠ Subscribe to our free newsletter: ⁠https://swaj.substack.com/⁠ Order American Caesar by Brad Onishi: ⁠https://static.macmillan.com/static/essentials/american-caesar-9781250427922/⁠ Donate to SWAJ: https://axismundi.supercast.com/donations/new Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy Alder is a comedian who mines his life as a homeschooled youth group kid growing up in Texas for jokes that will probably be very relatable for our audience. We talk with Jeremy about his special, Purity Pants, his album, Almost A Grown Man, and his failed Christian rock band, Nineveh (or 9veh if Jeremy has his way). Jeremy also is a seminary graduate, a former preacher and creator of the series "Christians Who Don't Suck" on his Instagram. ---Do you have a Christian rock story to tell? Want to respond to this episode? Want to contribute to our Christmas Special? Leave us a message at ‪(629) 204-4264‬.If Rock That Doesn't Roll is important to you, support us on Patreon. https://www.patreon.com/rtdr (join via the website, not the iOS app for a 30% discount)Or make a one-time donation: https://coff.ee/rtdrIf you can't afford a donation, please tell five friends about the show.You can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!

In this last episode of 2025, Steve and Britt discuss their top ten cover songs from the 80s and early 90s. Featuring covers of the Beatles, Rolling Stones, The Who, Led Zeppelin, and more! Merry Christmas! Links:  www.geeksrockcast.com  Merch: https://geeksrockcast.threadless.com/ IG: https://www.instagram.com/geeksrockcast FB: https://fb.com/christiangeeksrockcast geeksrockcast@gmail.com 

Christian Rock!

Christian Rock!

Christian Rock!

Christian Rock!