Podcasts about director robert eggers

Director Robert Eggers is right at the top of arguments for the MVP of film making right now. His four films have near been impeccable. This remake of the original 1920's classic is very different from what I'd been led to believe - it's by far the most fun and actually funny (at times) of his often challenging filmography. If it doesn't have the substance of previous works, the cinematography, production design and soundtrack are outstanding.

In this Report, Richard reviews Director Robert Eggers' latest film Nosferatu based on Bram Stoker's famous Dracula. The Unshackled Links:Website: https://www.theunshackled.netFacebook: https://www.facebook.com/TUnshackledTwitter: https://twitter.com/Un_shackledGab: https://gab.com/theunshackledMinds: https://www.minds.com/The_Unshackled/Telegram: https://t.me/theunshackledMeWe: https://mewe.com/p/theunshackledInstagram: https://www.instagram.com/the_unshackledBitchute: https://www.bitchute.com/channel/theunshackled/Free eBook: http://theunshackledbattlefield.net/ Unshackled Productions:WilmsFront: http://www.timwilms.comTrad Tasman Talk: https://www.theunshackled.net/ttt/The Report from Tiger Mountain: http://reportfromtigermountain.com/ Support Our Work: Membership: http://www.theunshackled.net/membershipDonate: https://www.theunshackled.net/donate/Paypal: https://www.paypal.me/TheUnshackledStore: https://www.theunshackled.net/store/See omnystudio.com/listener for privacy information.

On our latest roundtable, we host a conversation between Nosferatu director Robert Eggers and the film's cinematographer, Jarin Blaschke. Moderated by one of our fav's, Rodrigo Prieto. The three begin by discussing their approach to visual storytelling, focusing on blocking, shot design, and the level of precision required to craft Nosferatu's haunting imagery. Rodrigo leads a thoughtful exploration of Robert and Jarin's long-standing creative partnership, tracing its evolution from their early collaborations to their latest work.The conversation delves into the balance between control and spontaneity, in their filmmaking process, as well as the discipline needed to achieve striking, meticulously composed visuals. Highlights include reflections on their shared cinematic influences, the interplay of light and shadow in shaping mood, and the technical and artistic decisions that brought some of the film's most memorable moments to life.Enjoy!!Check out this conversation wherever you listen to your podcasts and also available to watch on our YouTube Channel.

Director Robert Eggers is known for his dedication to historical accuracy in his films. Production designer Craig Lathrop has been working with Eggers since his first film, "The Witch," and is now Oscar nominated for his work on the horror film "Nosferatu." He joins us to discuss bringing 19th century Germany to life as part of our series The Big Picture, featuring conversations with Oscar nominees who worked behind the camera to create the best movies of the year. 

We are joined by Director of Photography and first-time Academy Award® nominee Jarin Blaschke, as well as Director Robert Eggers, to discuss the stunning cinematography of “Nosferatu.” Together, the frequent collaborators delivered a gothic masterpiece, blending German romanticism and chilling horror into stunning, painterly visuals. In this conversation, Eggers and Blaschke discuss the meticulous development of the film's look, the challenges of shooting with practical lighting, and their shared love for highly composed one-take shots. From the fog-drenched crossroads to the eerie interiors of Orlok's castle, the pair reveal the painstaking care and simple, practical ingenuity that brought this cinematic fever dream to life.“I'm just trying to curate life… What kind of optics just feel right? The little flare around the windows. What is the lens that just feels nice? Let's just look at a bunch of those. Let's have lenses made. We're very privileged in that we can do that now and see what that looks like.”—Jarin Blaschke, Director of Photography, “Nosferatu”This conversation was a live webinar as part of Dolby Creator Lab's partnership with Sundance Collab, the digital platform from the Sundance Institute designed for filmmakers, with exclusive webinars, curated resources, and free educational videos.Be sure to check out “Nosferatu” in Dolby Vision® and Dolby Atmos®, in select theaters.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Our previous episode with Robert Eggers and Sound Designer Damian Volpe, discussing the sound of "Nosferatu,” is now on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Harry and Josh discuss Director Robert Eggers' most recently released film, Nosferatu.

Succumb to the darkness with us as we sit down with one of our favorite directors to discuss his provocative vampire movie 'Nosferatu.' Eggers discusses the intense physical performance from Lily-Rose Depp, his trademark meticulous period reconstruction, and what it meant to complete this remake he has beed dreaming about for decades. Learn more about your ad choices. Visit megaphone.fm/adchoices

“As someone who's been obsessed with vampires since I was a little kid, I don't totally know [why we love vampire movies so much]. Obviously, sex and death are always interesting and in vampire stories, including the very earliest accounts of folk vampirism in Eastern Europe, that connection has always been there. Some of these early folkloric vampires didn't drink blood but fornicated with their widows until they died. And then, being undead, rising from the grave, you know Dracula and Jesus have had the most movies made about them of any popular characters in Western cultures, so there must be something to that as well,” says Robert Eggers, writer/director of Nosferatu, starring Lily Rose Depp, Nicholas Hoult and Bill Skarsgård.  In this episode, Eggers talks about the play-version of Nosferatu that he wrote and directed when he was in high school, writing the Ellen character (Depp) as a woman at war with herself, and making Orlok (Skarsgård) the villain without making him too arch or campy.  “[Orlok] has a sense of humor and he has a sense of poetry. He's a well-learned man so that's enjoyable. It's fun to write dialogue for someone who had their heyday in the the 16th century and English was like their 17th language, that's fun,” says Eggers.  We also asked Eggers about telling an old story but making it relevant to today. He says that while he doesn't worry about making a film with a specific message, “I don't live in a vacuum. So even if I'm not trying to write a film with a message, whatever is happening around me is coming out. Also, it's interesting that the movie didn't get made until when it did. The original Nosferatu came out a couple of years after the Spanish flu. This is coming out a couple of years after the pandemic. And I wrote all that stuff before the pandemic. In fact, they had face coverings originally, and I took them away because it felt too much on the nose. So, I think it's all there for the taking,” he says.  To hear more about the power of vampires and Egger's writing process, listen to the podcast.   

Writer/Director Robert Eggers (The Lighthouse, The Witch, The Northman, Nosferatu) discusses a few of {@text|Pronoun@} favorite films with hosts Josh Olson and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

They used real life rats in his latest movie 'Nosferatu'.Dave was joined by Willem Dafoe, Aaron Taylor-Johnson, Lily-Rose Depp and the Director Robert Eggers to chat about Nosferatu.

Visionary director Robert Eggers joins forces with acclaimed sound artist Damian Volpe to deliver a stunning reimagining of the classic vampire tale “Nosferatu.” In this episode, Eggers and Volpe take us behind the scenes to discuss how they used cutting-edge sound design and Dolby Atmos® to create a truly terrifying and immersive experience. From the spectral sounds of Count Orlok's castle to the brilliant use of silence and dynamic range, this conversation unpacks the intricate audio techniques that make the film so unforgettable.“I mean, it begins even before [the first scene] with the quote-unquote logo animations. [We] recreated silent film-style logos… with audio analog hiss and some wind, which morph into each other. You know, I think these horror film cold openings that end with a jump scare, when they're done successfully… keep you on edge of your seat for the rest of the film because… you know that anything's possible.”—Robert Eggers - Director, Writer, and Producer, “Nosferatu”Joining today's conversation: - Damian Volpe - Sound Designer, Supervising Sound Editor, and Re-recording Mixer - Robert Eggers - Director, Writer, and ProducerDamian Volpe also wanted to thank his fellow team members: - Steve Little - Sound Supervisor - David Giammarco - Re-recording Mixer - Michael Fentum - Sound Designer - Heikki Kossi - Foley Artist - Shelley Rodin - Foley Artist - Joel Raabe - Foley Editor/Mixer - Grace Wong - Assistant Sound Editor - Tim Hands - ADR Editor - Samir Foco - Sound Effects EditorBe sure to check out “Nosferatu” in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®, when it premieres in the U.S. on December 25th.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

In this fascinating interview and Q&A session, we dive deep into the making of the critically acclaimed horror film, The Witch, with three of its key players: Anya Taylor-Joy, Ralph Ineson, and Robert Eggers. Anya Taylor-Joy, who plays the lead character Thomasin in the movie, takes us on a journey through her experience of embodying a character who is torn between her family and her own desires, amidst the eerie and unsettling atmosphere of the 17th-century New England wilderness. Ralph Ineson, who portrays Thomasin's father, William, shares his insights on the film's exploration of the intersection of religious fanaticism and family dynamics, as well as his experiences working with goats, who play a crucial role in the movie's haunting imagery. Director Robert Eggers provides a rare glimpse into his creative process and how he crafted the film's tense and unsettling atmosphere, drawing inspiration from real historical accounts of witchcraft and meticulously researching and recreating the details of a bygone era. Together, the trio provides an intriguing and thought-provoking look into the making of a modern horror classic that has captivated audiences and critics alike. From the psychological depths of the characters to the intricacies of the film's production, this interview and Q&A has it all, and is not to be missed by fans of the genre. Support the archive: patreon.com/topicarchives ko-fi.com/topicarchives paypal.me/albertchessaofficial youtube.com/@topicarchives

This is the Northman Film Review with occult and esoteric analysis of the symbolism in the film. Warning this review contains spoilers. From the Raven's of Odin to the enlightenment of Amleth via the dark path. This is a fantastic film that is historically very accurate by the new up and coming Director Robert Eggers who seems to be a modern day Stanley Kubrick in the making. This Northman movie was extremely well done, a lot of the film seems like a painting due to the quality of the film work and scene design. Highly recommend watching the Northman before seeing our review. Patreon: https://www.patreon.com/uncensoredcinefiles

Director Robert Eggers followed the sleeper horror hit THE WITCH with his 2019 sophomore effort THE LIGHTHOUSE, an unsettling and claustrophobic Willem Dafoe/Robert Pattinson tale. It was intended to be “small and easy”, but proved to be quite the opposite thanks to experimental acting, merciless weather and outdated filmmaking techniques. Order the lobster and find out “WTF Happened to THE LIGHTHOUSE!”

Director Robert Eggers and cinematographer Jarin Blaschke return to the Go Creative Show to discuss THE NORTHMAN. Listen as Robert and Jarin boldly and honestly share their struggles and victories while making the film. Robert, Jarin, and Go Creative Show host, Ben Consoli, break down the film's fluid camera movement, how to expose for low light scenes, pros vs cons of large film crews, challenging actors with the raw elements of nature, multiple approaches to filming night exterior scenes, and more! Subscribe Now! What you will learn in this episode How Robert and Jarin's careers have progressed since THE WITCH (01:14) Why there's lots of camera movement (05:31) Can historical accuracy hinder a project? (12:01) Challenges of the firey raid sequence (16:41) How to expose for low light scenes (20:53) Working through complex setups on set (23:06) Why larger crews can be more frustrating (31:25) How a "clean" look was achieved (34:06) Different ways of approaching night scenes (39:54) Working with actors in the raw elements outdoors (47:03) Filming with smoke and fire on set (51:18) Different ways of incorporating visual effects (52:50) Biggest lessons learned filming THE NORTHMAN (55:52) And more! Go Creative Show is supported by: Shot Lister - The Best Shot List App Email gocreativeshow@shotlister.com to claim your free gift   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links THE NORTHMAN IMDb THE NORTHMAN on Apple TV Follow Our Guest Robert Eggers' Instagram Robert Eggers' IMDb Jarin Blaschke's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram Follow Dave Siegel (sound mixer) Dave Siegel's website

Director Robert Eggers goes full Viking with his third feature film The Northman (2022). Jason Furie and Adam Roth share their thoughts and may or may not go on a ton of random tangents that may or may not be about Buzz Lightyear. A-listers Alexander Skarsgård, Nicole Kidman, and Anya Taylor-Joy star, but was that enough to capture our attention?Pizza Enamel Pinz by Jason Furie | Crowdfunding starting June 1stVisit Website | Join Newsletter | Support | Facebook | Instagram

Director Robert Eggers

Director Robert Eggers is back with his bloody Shakespearean revenge Viking film, The Northman (2022). Jeff Frumess and Nathan Ludwig of the Genreblast Film Festival discuss this modern masterpiece. More about Genreblast www.genreblast.com Reel 96 Podcast https://anchor.fm/nathan-ludwig0 WATCH MORE ON THE YOUTUBE CHANNEL - www.youtube.com/frumess JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess

Director Robert Eggers returns with the Viking revenge tale, The Northman. Lots of blood and Alexander Skarsgard's abs only add to a story that is worth a watch in theaters. If you haven't already, become a “Reel Friend” and follow us on Twitter, @reelgay and Instagram, @reelgaymovieshow and like our page on Facebook. Also, wherever you listen from, please subscribe and give us some feedback. You can also send questions or comments to reelgaymovieshow@gmail.comWe have merch! Go to http://tee.pub/lic/reelgaymovieshow and pick up something today!

The Noisy Boys are back and the biggest episode yet. The episode 69th special. Sean took a break to go to the island of Hawaii and during is stay did not realize the Amber Heard v Johnny Depp trial was going on. But that is not where the story ends. While Amber heard and Johnny Depp off the Pirates of the Caribean franchise decide who is a big turd. Netflix took a big hit in the stock market. We did our best to pitch our best ideas to Netlfix but in the end...we could not save them. Netflix passed on all shows but we saved some of those pitches to you. Shows that we would all be familiar with like Netflix's Is it Cake, The Great British Bake off, and Shark Tank? To bring it all home we talk about Elon Musk (previous lover of Amber Heard) buying the app Twitter for 44 billion dollars. Whoever works for Elon Musk just got really lucky. Depending on what Elon Musk does we may decide to return to Twitter and bring some of the Noisy Business back online.And to end the podcast at a good 69 minutes we squeese in a fun conversation about the movie The Northman. Director Robert Eggers new movie The Northman had us thinking and considering were we would go if we were Vikings.  It was a very fun episode from Amber Heard to Vikings. This episode is CRAZY and the Noisiest we have been. Follow us on TIKTOK, Twitter, Instagram, Facebook and  YouTube.

The guys sail away to the far ends of the northern Atlantic in search for Valhalla as they review the newest movie from Director Robert Eggers, The Northman.

RB and Dom review Director Robert Eggers third film The Northman. Tune in to find out our thoughts on the new Viking film and come back next week for our review of Fantastic Beasts: Secrets of Dumbledore!If you like our content, give RB and Dom a follow on twitter where they will be posting the links to new episodes as soon as they release as well as keeping everyone up-to-date on the latest film & TV news!Dom's Twitter @domgonzales48: https://twitter.com/domgonzales48RB's Twitter @rbwiththecall: https://twitter.com/rbwiththecallThanks for listening!

From visionary directorRobert Eggers comes The Northman, an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder. The Northman stars Alexander Skarsgard, Nicole Kidman, Ethan Hawke, Anya Taylor-Joy and Claes Bang. We have interviews and movie clips. 

The medieval Viking legend of Amleth, the inspiration for Shakespeare’s “Hamlet,” becomes a dark big screen extravaganza in “The Northman.” Alexander Skarsgård takes the title role of a prince who spends years seeking revenge on his uncle who killed his father, married his mother, and stole his kingdom. Director Robert Eggers lacks Shakespeare’s depth and poetry but […] The post FREEZE FRAME: “The Northman” (R), “Everything, Everywhere, All At Once” (R), “The Bad Guys” (PG) appeared first on KKFI.

Director Robert Eggers discusses his new film The Northman, set in Iceland at the turn of the 10th century. A Nordic prince sets out on a mission of revenge after his father is murdered. The plot, which is an old Nordic story, is allegedly the basis for the plot of Hamlet. The film stars Alexander Skarsgård, Anya Taylor-Joy, Björk, Willem Dafoe and Ethan Hawke. The Olivier Awards recently returned to The Royal Albert Hall for a glittering ceremony, following a pandemic hiatus. They're widely regarded as honouring a who's who of great British theatre but critic David Benedict believes they aren't truly representative. He joins Samira to make the case for shaking up the Oliviers. Artist and writer Oliver Jeffers discusses Our Place in Space, a 10km sculpture trail representing the solar system which is part of Unboxed, a celebration of creativity, taking place across England, Northern Ireland, Scotland, Wales and online from March to October. We remember Sir Harrison Birtwistle, one of the most significant British composers of the last century, whose death at the age of 87 was announced yesterday. Presenter Samira Ahmed Producer Jerome Weatherald

Robs Daniel & Wallis tap into some Norse code for episode 145, hopping aboard a longboat to see The Northman. Director Robert Eggers follows up The Witch and The Lighthouse with another definite article-titled feast for the brain and the senses, and for the first time brings action chops along. Alexander Skarsgård is the titular bloke not from down south, a Viking prince looking to avenge his father's death and reclaim his kingdom birthright from his treacherous uncle. A starry cast also includes Nicole Kidman, Anya Taylor-Joy, Claes Bang, and Willem Dafoe, plus Björk as a strikingly garbed Seer. The Robs journey far and wide in their discussion, bringing in comparisons to Shakespeare, disturbing World War 2 movies, The Godfather, incest in this movie and Star Wars, and a question posed by Gareth in The Office. The Northman is a trippy film, so we had to go kinda out there in some of our chat. But, it all makes sense... If you like what you hear or have any feedback, why not rate and review us wherever you listen to your podcasts? To follow the Robs on Twitter head to: https://twitter.com/rob_a_daniel https://twitter.com/robertmwallis To follow the podcast, head to: https://twitter.com/MovieRobcast To read Rob D's writing go to: https://www.electric-shadows.com/ To read Rob W's writing go to: http://ofallthefilmsites.com/ Also, check out our sister podcast, Another Time, MacLeod!, which goes through the 1986 movie Highlander scene by glorious scene. Click here for links: https://anchor.fm/macleodtime Follow Another Time, MacLeod on Twitter here: https://twitter.com/MacleodTime Rob D also wrote a book about Martin Scorsese's Cape Fear. If you want to check that out, click here: https://www.liverpooluniversitypress.co.uk/books/id/55707/ Use the code LUP30 at checkout to get 30% off!

After winning high praise for his series Please Like Me, Josh Thomas is back with a quirky American black comedy called Everything's Gonna Be Okay.Director Robert Eggers talks about the inspiration behind his moody thriller The Lighthouse, and a look at Benedict Andrews' Seberg in which Kristen Stewart takes centre stage as French New Wave actress Jean Seberg.

After winning high praise for his series Please Like Me, Josh Thomas is back with a quirky American black comedy called Everything's Gonna Be Okay. Director Robert Eggers talks about the inspiration behind his moody thriller The Lighthouse, and a look at Benedict Andrews' Seberg in which Kristen Stewart takes centre stage as French New Wave actress Jean Seberg.

After winning high praise for his series Please Like Me, Josh Thomas is back with a quirky American black comedy called Everything's Gonna Be Okay. Director Robert Eggers talks about the inspiration behind his moody thriller The Lighthouse, and a look at Benedict Andrews' Seberg in which Kristen Stewart takes centre stage as French New Wave actress Jean Seberg.

After winning high praise for his series Please Like Me, Josh Thomas is back with a quirky American black comedy called Everything's Gonna Be Okay.Director Robert Eggers talks about the inspiration behind his moody thriller The Lighthouse, and a look at Benedict Andrews' Seberg in which Kristen Stewart takes centre stage as French New Wave actress Jean Seberg.

With Antonia Quirke. Charlie Kaufman and Duke Johnson discuss their stop-motion comedy Anomalisa, how they made a love scene with puppets and why it took 6 months. Cinematographer Billy Williams recalls the tensions behind the scenes of the notorious naked wrestling bout between Oliver Reed and Alan Bates in Women In Love. Director Robert Eggers reveals the difficulties of working with a goat on his supernatural horror The Witch, and why ravens are better actors.