The Film Programme

Francine Stock and Antonia Quirke co-present the final edition of The Film Programme. They discuss the future of cinema in the age of streaming, and hear from David Oyelowo, Matt Damon, Rebecca O'Brien and Sally Potter. They also reveal their favourite last scenes in the history of the movies.

With Antonia Quirke Oscar winning cinematographer and director Chris Menges takes us behind the scenes of Local Hero, The Mission and Kes, and reveals how he ended up in a Zanzibar prison with Michael Parkinson. Bait director Mark Jenkin records his last audio diary about the making of his horror movie, Enys Men, which was delayed by a year because of lockdown and was filmed during the pandemic. Listeners nominate their favourite final scenes and composer Neil Brand chooses his two favourite end pieces: Close Encounters Of The Third Kind and Cabaret. Sweetheart director Marley Morrison nominates her favourite final scene - the brief encounter in Andrew Haigh's debut Weekend. And thank you to all of you who nominated your favourite final scene. We didn't have time to mention them all on air, so here is the complete list: Algiers Animal House Being There Be Kind, Rewind Big Night Billy Elliot Bright Star Capernaum Casablanca Chinatown Cinderella Cold War Death In Venice Empire Of The Sun Ex Machina 400 Blows Genevieve Gloria Goodbye Mr Chips Ice Cold In Alex James And The Giant Peach Local Hero Los Silensios Michael Clayton Midnight Run Monsoon Wedding Nostalgia Of Gods And Men O Lucky Man ! On The Waterfront Orlando Pan's Labyrinth Pepe Le Moko Rocks Sideways Some Like It Hot Stalker System Crasher The Apartment The Battle Of Algiers The Deer Hunter The Leopard The Lives Of Others The Long Good Friday The Mermaid The Mission The Purple Rose Of Cairo The Seventh Seal The Silence Of The Lambs The Taking Of Pelham 1-2-3 The Third Man The Usual Suspects This Is Spinal Tap Tunes Of Glory Un Coeur En Hiver Withnail And I Witness

With Antonia Quirke Producer Emma Thomas reveals the conversation she had with partner Christopher Nolan that led to the making of Batman Begins, the film the changed the course of the superhero movie. Robert Shaw's son Ian takes us behind some of the scenes in Jaws that form the basis of his new play The Shark Is Broken, and explains why the famous Indianapolis speech had to be filmed twice In his last ever diary entry before the programme ends on September 30th, cinema owner Kevin Markwick explains why Bond movies have always been important to the survival of The Uckfield Picturehouse; this year more than ever before.

Mark Gatiss tells Antonia Quirke what it was like to work with his hero Anthony Hopkins on The Father, and how he persuaded him to reprise a famous scene from one of his classic films as a birthday present for fellow League Of Gentleman member Reece Shearsmith. Sean Barton reveals some secrets from the editing suite and how he made the audience gasp in a famous scene from Jagged Edge. Annette director Leos Carax explains why the star of his film about a two year old singing sensation is played by a puppet.

With Antonia Quirke You might think that fewer movies would be made during a pandemic, with continual testing and all the restrictions on social distancing. In fact, the British film industry has never been busier, and production designer Maria Djurkovic explains why that's the case. Script supervisor Angela Allen reveals all the unpaid jobs she did during her five decades in the film industry, from second unit director to editorial consultant to Katherine Hepburn's double in The African Queen. The directors of Shorta, Frederik Louis Hviid and Anders Olholm, tell Antonia why their thriller about a riot in a housing estate is very different from the typical Danish movie.

In the final edition of Moving Image, Francine Stock talks to Hossein Amini about the film that has obsessed him since the first time he saw it in 1995. Heat was the first film to bring Robert De Niro and Al Pacino together in the same scene and it's had an influence on the writer of Drive, The Wings Of A Dove and McMafia ever since.

Jude Law talks about his latest release The Nest, a suspenseful family drama set in Surrey in the 1980s, what he really likes about making movies and what acting in Contagion taught him about pandemics. Egyptian director Ayten Amin describes working with non-professional actors in her feature film Souad about young girls and their relation with social media. Mark Jenkin's filmmaking audio diary continues with his experiences shooting smoking chimneys and mantlepieces. Presenter: Antonia Quirke Producer: Harry Parker

With Antonia Quirke 94 year old director Alvin Rakoff talks about giving Sean Connery his big break, why his friend Peter Sellers wired his home for sound and what it was like directing Laurence Olivier in A Voyage Around My Father Author Anna Cale and historian Matthew Sweet talk about the phenomenon that was Diana Dors and reveal how her life would have changed if she had only married Bob Monkhouse.

Juliet Stevenson revisits a moving and tearful scene from Truly, Madly, Deeply which broke new ground in the portrayal of grief. Matt Damon and director Tom McCarthy talk about researching for Damon's role as an oil rig worker in their new film Stillwater. Mark Jenkin continues his movie making audio diary as he tries, with difficulty, to film pick-up shots to be cut into the production after the main photography has been completed. Presenter: Antonia Quirke Producer: Harry Parker

My Beautiful Laundrette, written by Hanif Kureishi and directed by Stephen Frears, was one of the early films produced for Channel 4. First screened in 1985, it tells the story of a young British Pakistani, Omar, played by Gordon Warnecke, who is given a failing laundrette to run by his entrepreneurial uncle. Omar recruits an old school friend Johnny (Daniel Day-Lewis) to help him turn the business round and a gay relationship between them develops. Francis Lee, director of God's Own Country and Ammonite, tells Francine Stock about the impact it had on him as young gay man, the sexual and social issues in the film and his own encounter with Stephen Frears. Producer: Harry Parker

With Antonia Quirke Antonia reveals the favourite phone box scenes as chosen by Film Programme listeners and talks to writer/director Bruce Robinson about the phone box in Withnail And I that has now become a shrine for fans of the movie. A phone box in Uist is one of the stars of Limbo, a new drama about an asylum seeker who has to wait on one of the islands while he finds out if he can stay in this country. Director Ben Sharrock and producer Irune Gurtubai reveal what is like filming in gale force winds and dangerously high tides. Death In Venice has been described by its star Bjorn Andresen as the film that destroyed his life. Kristina Lindstrom and Kristian Petri, the directors of The Most Beautiful Boy In The World, reveal why the film still haunts the actor 50 years after he made it.

With Antonia Quirke Director Carol Morley asked Film Programme listeners if any of them knew Muriel Box, Britain's most prolific female director and arguably most neglected. And she heard from Muriel's daughter, grandson and family friend. Carol tells Antonia why she believes Muriel deserves more recognition for her ground-breaking work. Antonia is on a mission this summer to tell people how much she loves their work, to take the opportunity while she can. This week, she tells Jude Law how much she's always wanted to talk to him about The Talented Mr Ripley and how one scene, in particular, has never left her. Barbara Sukowa has worked with some mercurial directors often known for giving actors a hard time. She tells Antonia why nobody has dared to give her a hard time on set, and about Two Of Us, a powerful drama about two women in their 70s who have been lovers for years, without their families knowing.

With Antonia Quirke Actor and producer David Oyelowo reveals how he made his directorial debut, The Water Man, almost by accident. And why, thanks to raw data, streaming has lead to greater diversity of content and changed the minds of white film executives. Gosford Park turns 20 this year. Robert Altman's whodunnit was like a who's who of British acting talent - Maggie Smith, Alan Bates, Michael Gambon, Kristin Scott-Thomas, Eileen Atkins, Derek Jacobi and Tom Hollander. The Rev star takes us behind the scenes of this modern classic, which had its own whodunnit.

With Antonia Quirke Festen director Thomas Vinterberg discusses the personal tragedy behind his latest film, Another Round. Friendship's Death is a 1987 movie about a journalist and an alien who meet in a hotel room in Jordan and discuss art, ethics and artificial intelligence. Its producer Rebecca O'Brien reveals how she got the film made for £180,000 and whether or not that kind of avant-garde work would get financed today.

With Francine Stock What was it like working behind the Iron Curtain, when every dot and comma of a script had to be passed by the censor. Francine delves into the archives and hears from Milos Forman, Andrzej Wajda, Agnieszka Holland, Miklos Jancso, Jerzy Skolimowski, Krzysztof Zanussi, Jiri Menzel and Andrei Konchalovsky.

With Antonia Quirke Stanley Tucci reveals how his latest film Supernova is the story of a long-lasting friendship, both on and off screen. He's been friends with his co-star Colin Firth for over twenty years, and Stanley reveals how he asked Colin to be in the film without the director's knowledge. The Reason I Jump is a documentary that focuses on the experiences of non-speaking autistic people and director Jerry Rothwell explains how he used sound to immerse the viewer in a different perspective on the world. It's been a month since the easing of restrictions resulted in the re-opening of cinemas. But as the full easing has been postponed by 4 weeks, cinema owner Kevin Marwick reveals how his business will be affected by only operating on 50% capacity. Antonia visits the Phoenix Cinema in Oban and talks to general manager Jenny Larnie about the reasons they are starting a streaming service There are more love letters to the cinema from listeners, and we hear from the Kremer family as they return to their favourite picture house and their favourite seats.

With Antonia Quirke. Ousmane Sembene has been called the father of African Film, single-handedly starting a movie industry in Senegal. As his 1968 film Mandabi is re-released, Samba Gadjigo and Jason Silverman, who saved the print from destitution, reveal how a life-threatening injury as a dock worker changed the course of Sembene's life. The Godfather changed the course of film history, its huge success helped to usher in a new generation of directors, the so-called Movie Brats, like Steven Spielberg and George Lucas. But what if Francis Ford Coppola had never made the movie, which was a distinct possibility, as he was not the first film-maker to be approached by the studio. Originally they wanted Lewis Gilbert, the director of Alife, to helm the most American of crime sagas. From the archives, he reveals why this was an offer that he could resist. Nick Woollage is an award winning music producer, mixer and engineer. He shares some secrets from the mixing desk, letting us behind the scenes of scores for Atonement, Paddington 2 and How To Train Your Dragon: The Hidden World. How did an aristocratic calypso singer from Denmark end up as the star of Robert Altman's The Long Goodbye ? Writer Nat Segnit investigates the case of Nina Van Pallandt. Ousmane Sembene photo credit: Thomas Jacob.

With Antonia Quirke Ben Whishaw reveals why he went up to complete strangers on Tottenham High Road for his latest film Surge, and why nobody seemed to recognise him. After Love is the story of a Muslim convert who discovers that her husband was leading a double life. Writer/director Aleem Khan reveals how much of the story is autobiographical, and how much isn't.

With Francine Stock Actor and writer Toby Jones discusses the film that still resonates with him almost 30 years after he first saw it, In The Soup. Alexandre Rockwell's comedy beat Reservoir Dogs to the Grand Jury Prize at the Sundance Festival in 1992, but while Quentin Tarantino's movie went on to box office glory, In The Soup was so badly forgotten that within a decade only one battered copy remained. Toby reveals the part he played in helping Rockwell's movie survive.

With Antonia Quirke As cinemas opened for the first time in 5 months, have concerns about the so-called Indian variant made people think twice about visiting their local picture palace ? Antonia takes a mini-tour of London cinemas and hears from Kevin Markwick, owner of the Uckfield Picture House, and from listeners who went to the flicks on opening day: Simon Barraclough, Ruby Phelan, Pamela Hutchinson and Michael O'Kelly.

With Antonia Quirke. As cinemas are set to re-open on May 17th, Antonia Quirke visits The Uckfield Picture House that has been run by the same family for over six decades. She talks to its owner Kevin Markwick about a year that has seen his business shut for 70% of the time, and discovers why he is optimistic about the future. Sound Of Metal director Darius Marder reveals the reasons why he distorted the hearing of his star Riz Ahmed with the help of a ear piece and an app. Director Chloe Zhao discusses the influence of John Wayne on her Oscar winner Nomadland. If you are going to your local cinema on May 17th, we'd like to hear about your experience. You can write or record your thoughts and email them to thefilmprogramme@bbc.co.uk

With Antonia Quirke Director Brett Harvey reveals how he made a feature film Long Way Back just after he had been diagnosed with Parkinson's Disease. And how he managed to direct the movie suffering the effects of the insomnia caused by the illness, and why he made a short film called Hand about his condition. Lisa Immordino Vreeland, the director of Truman And Tennessee: An Intimate Conversation, talks about what she discovered about the friendship and rivalry between Truman Capote and Tennessee Williams How many world famous composers does it take to make a film score ? At least half a dozen, if that film is Lawrence Of Arabia. Neil Brand reveals why so many legends of 20th century classical music were hired to write the score for David Lean's epic, only for the job to go to a relative unknown called Maurice Jarre.

With Francine Stock Francine considers the changing role of the actress in Hollywood and European cinema, from muse to producer. She hears from Judi Dench, Nicole Kidman, Sandra Bullock, Kristin Scott-Thomas, Cate Blanchett, Fanny Ardant and Anna Karina.

With Antonia Quirke The Film Programme has exclusive behind the scenes access to some of the most exciting and innovative film-makers in this country. For the past year, Mark Jenkin has been recording audio diaries for us, as he follows up his award-winning hit Bait with the supernatural tale Enys Men, a film that has been delayed and re-imagined during the pandemic. Father and daughter artists Andrew and Eden Kötting have just finished a new animation called Diseased And Disorderly, also made during lockdown, and they describe how their unique collaboration works.

With Antonia Quirke Nomadland won the BAFTA and Golden Globe for Best Film and is hotly tipped to win the Best Picture Oscar too. Director Chloe Zhao reveals how she cast many of her actors on a road trip across the American West. Zhao's previous film The Rider was The Film Programme's film of the year in 2018, and Antonia revisits her interview with its star Brady Jandreau, a real life rodeo rider and horse whisperer. Mark Jenkin is recording an exclusive audio diary for The Film Programme as he begins to shoot Enys Men, his follow-up to his BAFTA winner Bait. As the first day of principal photography approaches, Mark is beginning to lose sleep.

With Antonia Quirke The Power is set in a spooky hospital during the electrical blackouts of the early 70s. Antonia visits the set, itself a spooky old hospital, and meets director Corinna Faith and producer Rob Watson, who reveals that the set itself might be haunted Maria Djurkovic, the production designer who re-created the Anglo-Saxon mounds in Sutton Hoo for The Dig, reveals exactly where she was when she discovered that she had been nominated for a BAFTA at this weekend's ceremony. Cinema owner Kevin Markwick looks forward to the films that will be released, when (hopefully) cinemas will re-open from May 17th Woody Strode was one of the first Black Americans to play in the NFL after World War II and went on to become a Hollywood actor in films like Spartacus and Sergeant Rutledge. Writer Nat Segnit tells the story of his life.

Antonia Quirke considers the phenomenon and future of the so called film junket, the movie publicity process whereby film stars are serially interviewed in expensive hotels by a succession of film journalists and presenters. She looks back at the promotional encounters she's had with a cast of big Hollywood names including (in order of appearance) Gal Gadot, Ben Affleck, Bradley Cooper, Annette Benning, Willem Dafoe, Glen Close, Timothee Chalamet, Jeff Bridges and Greta Gerwig. Producer: Harry Parker

Francine Stock talks to Christopher Plummer, Warren Beatty, Michael Caine, Morgan Freeman, Jack Nicholson and Peter O'Toole about their long careers in the movies and how a maverick attitude has helped. They reflect on their approaches to acting, how they adapted over the years and the changes they've seen in the film industry.

Antonia Quirke talks to Francis Lee, director of Ammonite, starring Kate Winslet, about the palaeontologist Mary Anning. They discuss his controversial imagining of a lesbian relationship for Anning, the importance of sound in cinema and why he has never seen his own film on the big screen. Antonia also looks at the work of MIMC, a film makers' collective in the Scottish borders and discovers the part it plays in its members' lives both socially and cinematographically. And director Mark Jenkin continues his audio diary and reveals why going on holiday just before shooting commences might not be a bad thing. Producer: Harry Parker

With Antonia Quirke Mark Jenkin takes us on a scouting trip for his new film, Enys Men, going deep into an abandoned mine in Cornwall. Production designer Suzie Davies explains how she re-created the Cold War in Crouch End Town Hall for the new Benedict Cumberbatch thriller The Courier. The last thing you might expect to survive lockdown would be a video shop. And yet Twentieth Century Flicks in Bristol is still hanging on in there. Co-owner Dave Taylor reveals his survival tactics and his new found love for Tom Hanks movies.

With Antonia Quirke Antonia presents a guide to the universe of The Coen Brothers with help from the siblings themselves. From Film Programme interviews over the last twenty years, Joel and Ethan discuss old Hollywood movies, haircuts and communism.

With Francine Stock Director Kevin Macdonald reveals the influence of The Battle Of Algiers on his latest drama, The Mauritanian, the true story of Mohamedou Ould Salahi, who was held at Guantanamo Bay detention camp for 14 years without charge. Photo credit: Tatiana Lund

With Antonia Quirke Cinematographer Seamus McGarvey has had an eventful 12 months, from being told to pack his bags overnight and get a flight to America to work on a major Hollywood movie, to catching Covid in Los Angeles, and then working on an entirely different movie in Sicily. He recounts it all in an exclusive audio diary for The Film Programme. 1917 was the biggest hit in British cinemas last year, and it belongs to a long tradition of films that appear to be shot in one take. Antonia looks at the history of one shot movies, and hears from 1917 cinematographer Roger Deakins, Victoria director Sebastian Schipper, Utoya: July 22 film-maker Eric Poppe, and Birdman star Michael Keaton. Production designer Maria Djurkovic reveals some trade secrets and explains how she built a Greek village in a British studio for the ABBA musical Mamma Mia.

With Antonia Quirke This year sees the 20th anniversary of The Lord Of The Rings trilogy. To mark the occasion, Antonia revisits her encounter with Christopher Lee in 2001 and hears from London Voices, the choir who sang Elvish on the soundtrack. Bait director Mark Jenkin continues his exclusive series of audio diaries as he prepares to make a film in lockdown. This week, he begins to scout locations for his supernatural drama Enys Men. There's another Scene Stealer from writer Nat Segnit: the actor who rarely made it to the final reel, Elisha Cook Jr.

Script supervisor Angela Allen on what it was really like to work with Marilyn Monroe, Orson Welles and John Huston, and why Monroe believed she was having an affair with husband Arthur Miller. With Antonia Quirke.

With Francine Stock Francine reflects on the career of Leslie Caron, who is 90 this year, and hears about her adventures in La La Land with Gene Kelly, Fred Astaire and Cary Grant.

With Antonia Quirke The Dig production Designer Maria Djurkovic reveals how she re-created the famous burial mounds in Sutton Hoo in a field just outside Guildford. Director Mark Jenkin reveals what it's like to make a film in lockdown. He's currently in pre-production on Enys Men, but has to use online maps to do a recce, had to cut out a scene involving 200 extras because of social distancing rules, and must wait for an actor to get their vaccine before he can shoot a crucial scene. What's it like to let a film crew in your home and return it to its 19th century glory ? Antonia visited a house in the south of Watford that doubled as William Turner's Chelsea residence for the film Mr Turner, with the production designer Suzie Davies.

With Antonia Quirke Brothers Bill and Turner Ross discuss their film Bloody Nose, Empty Pockets, set in the last night of a bar on the outskirts of Los Angeles, that resides somewhere between fiction and documentary Neil Brand reveals how a little known movie called Chappaqua changed the course of contemporary classical music Kenneth More was one of the most popular actors in Britain in the 1950's, but he's never been the subject of a biography. So, Nick Pourgourides decided to do something about it. The result, More, Please has just been published.

With Antonia Quirke. Legendary actress Ellen Burstyn talks about Pieces Of A Woman, the film that might make her the oldest person to be nominated for an Academy Award in the history of the Oscars. Deepa Mehta, the director of the Earth, Fire and Water trilogy discusses her new drama Funny Boy, set around the time of Black July, the outburst of sectarian violence that led to civil war in Sri Lanka.

With Francine Stock Francine rifles through The Film Programme archives to hear from director Richard Lester about working with The Beatles on A Hard Day's Night and Help ! And why he didn't work for several years after the 60s had ended.

With Antonia Quirke Director Christopher Nolan and author Tom Shone discuss Tom's book The Nolan Variations, and the influence of artists Escher and Francis Bacon on movies like Inception and The Dark Knight Rises. And Nolan reveals why he has a favourite glacier. Photograph: Oliver Nolan

With Antonia Quirke Lesley Manville reveals how her Oscar nomination for Phantom Thread led to her latest role as a psychotic American matriarch in Let Him Go A tale of two Picturehouses over one year: Kevin Marckwick, the owner of the Uckfield Picture House and Clare Binns, Joint MD of the Picturehouse chain, discuss their contrasting fortunes over the past twelve months and reveal why the future for cinema is still bright, despite rumours to the contrary. Photograph: Rachell Smith

With Antonia Quirke David Byrne discusses the film version of his Broadway musical American Utopia which was directed by Spike Lee. And he reveals why he's a changed man since his last concert movie Stop Making Sense. Bait director Mark Jenkin is about to return to the film he had to abandon in March because of lockdown, Enys Men. But, thanks to social distancing rules, the film is very different from the one he had originally planned, with no crowd scenes, for instance, and a tighter budget. That's quite difficult for a horror movie with a cast of 200. Andrew Kotting, the director of Gallivant and The Whalebone Box, has to leave the studio he has worked in for the last 15 years, packing up his paintings, his books, his work shed and his straw bear costume. He says goodbye to his studio in a plaintive series of audio diaries.

With Antonia Quirke Actor Tom Burke reveals how he perfected the voice of Orson Welles for his new film Mank, about the making of Citizen Kane. Rob Savage explains how he made a horror movie called Host, when every member of the cast and crew were locked down in their homes and he directed them in his pyjamas and dressing gown. Critic Pamela Hutchinson, the curator of a new season of Marlene Dietrich movies, picks her favourite Marlene moment.

With Francine Stock Heaven's Gate is a symbol of Hollywood excess and financial mismanagement. One of the biggest disasters in film history, Michael Cimino's epic is said to have killed the studio that produced it, United Artists. Francine scours through the archives to hear from two its chief protagonists, head of production Steven Bach and director Michael Cimino.

With Antonia Quirke. Ron Howard talks about the challenges of making films about real people, and what it was like to act opposite John Wayne and discovering the secret of his famously laconic acting style. Film-maker Carol Morley makes the case for Muriel Box, Britain's most prolific female director and arguably most neglected. Artist and film-maker Andrew Kotting has to leave his studio after working there for 15 years. In that time, he has amassed a treasure trove of film props, paintings, costumes and memorabilia. It's not just going to be a huge removal job but a trawl through memories of films, friends, family and the departed.

With Francine Stock In this month's edition of Moving Image, director Sarah Gavron talks about the unlikely film that influenced Rocks, her realistic drama about the life of a teenager in East London. The film is After Life, a Japanese fantasy about the recently deceased having to choose a memory that will be re-enacted and filmed, which they then can take to the afterlife with them. Gavron explains why Hirokazu Koreeda's award-winning movie is a source of constant inspiration.

With Antonia Quirke. When Fred Scott began his documentary on the making of Roy Andersson's About Endlessness, he had no idea about the drama behind the scenes that he was about to uncover. When Marion Stokes died, she left behind 70,000 VHS tapes of American television that she'd been recording 24 hours a day for 30 years. Director Matt Wolf describes the long and arduous process of sifting through those tapes to make his documentary Recorder: The Marion Stokes Project Cathy Schulman, the Oscar winning producer of Crash, reveals what life was like in Hollywood before and after the pandemic struck.

With Antonia Quirke. Steve James, the director of Hoop Dreams, looks back at his ground-breaking documentary about the lives of two African-American teenagers as they try to realise their dreams of becoming professional basketball players. To celebrate the sixtieth anniversary of Jean Luc Godard's A Bout De Souffle, Antonia rifles through the Film Programme archives to hear from some of the directors who have been influenced by this Nouvelle Vague masterpiece - Bernardo Bertolucci, Agnes Varda, Mike Hodges and Claire Denis. As his cinema is forced to shut down for a second time this year, Kevin Markwick, the owner of The Uckfield Picture House, reflects on his next move to save the family business. Nat Segnit continues his series on Scene Stealers with the tale of Fred Dalton Thompson, a Republican senator and sometime Hollywood actor.

With Antonia Quirke Antonia continues her look at women and horror with directors Josephine Decker and Natalie Erika James. Relic was inspired by Natalie's experience of looking after her grandmother who had been diagnosed with dementia. Shirley is the story of Shirley Jackson, the author of The Haunting Of Hill House, but is not a conventional bio-pic, instead it treats an episode in her life as if it was the subject of one of her own Gothic novels. Writer Nat Segnit starts a new series on Scene Stealers, the memorable bit-part actors whose faces you recognise but whose names you can't quite remember. Nat's first subject is The Godfather alumnus and former oil baron, G.D. Spradlin.

With Antonia Quirke. This month sees the release of six horror movies directed by women. And there are many more in production and waiting release. One of them is Amulet, directed by Romola Garai. Last year, Antonia visited her on set and found out why she wanted to make her directorial debut with a horror movie. As filming starts again in Britain and America, Antonia talks to two producers, Charles Collier and Matt Kaplan, about what it's like to film in the middle of a global pandemic. The classic Ealing comedy The Ladykillers is released in cinemas again, and Antonia talks to fellow fan Matthew Sweet and hears from one of the film's stars, Herbert Lom, from the Film Programme archive.