Podcasts about Blaschke

Blaschke, Bjön www.deutschlandfunk.de, Informationen am Abend

Blaschke, Bjön www.deutschlandfunk.de, Informationen am Abend

Blaschke, Björn www.deutschlandfunk.de, Informationen am Abend

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Björn www.deutschlandfunk.de, Informationen am Mittag

Blaschke, Björn www.deutschlandfunk.de, Informationen am Abend

Blaschke, Ronny www.deutschlandfunkkultur.de, Nachspiel. Feature

Blaschke, Ronny www.deutschlandfunk.de, Sport am Samstag

Blaschke, Ronny www.deutschlandfunk.de, Sport am Samstag

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Ronny www.deutschlandfunkkultur.de, Zeitfragen

Blaschke, Ronny www.deutschlandfunk.de, Sport am Sonntag

Blaschke, Ronny www.deutschlandfunk.de, Sport am Sonntag

In this episode, Oliver Hartwich interviews the New Zealand Initiative's newest recruit, Benno Blaschke, exploring his extraordinary journey from his Austrian upbringing to becoming passionate about urban economics and housing affordability in New Zealand. They discuss Benno's unique background spanning contemplative practice, academic study, and public service roles before joining the Initiative to contribute to solving housing challenges through economic frameworks rather than continuing in the bureaucracy.

Blaschke, Ronny www.deutschlandfunkkultur.de, Nachspiel. Feature

Blaschke, Ronny www.deutschlandfunk.de, Sport am Sonntag

Blaschke, Ronny www.deutschlandfunk.de, Sport am Sonntag

Blaschke, Ronny www.deutschlandfunk.de, Sport am Samstag

Blaschke, Ronny www.deutschlandfunk.de, Sport am Samstag

Statt einer sofortigen Waffenruhe haben sich die Präsidenten der USA und Russlands auf einen Minimalkompromiss geeinigt. Korrespondent Björn Blaschke fasst die russischen Reaktionen zusammen.

Tagesschauposts mit den meisten Interaktionen: (00:00:54) Femizide und Gewalt gegen Frauen Tattoo-Tinte ist ungesund Weltweit Proteste zum Frauenkampftag Gesundheits-Update vom Papst Ukrainische Drohnenangriffe auf Moskau - Ukraine-Update: Kommt es nach den Verhandlungen in Saudi-Arabien zu einer Waffenruhe? (00:06:32) Mit Björn Blaschke, ARD-Studio Moskau (derzeit in Tiflis) - Sondierungsgespräche zwischen Union und SPD: Update mit Lennart Glaser von „DIE DA OBEN!“ (00:11:20) Das Politik-Format "DIE OBEN!" von funk findet ihr bei YouTube: https://www.youtube.com/channel/UCfb7LAYCeJJiT3gyquv7V5Q - Neue Kämpfe in Syrien: Mutmaßliche Massaker gegen Alawiten (00:25:46) Mit Nina Amin, ARD-Studio Kairo - US-Wirtschaft im Trump-Chaos: Was bedeutet das für ETFs? (00:28:47) Mit Hermann-Josef Tenhagen, Finanztip - Kurzkurznews (00:32:53) Washington D.C.: „Black Lives Matter“-Schriftzug entfernt Twitch-Streamer Trymacs wird „geswattet” Grönland hat ein neues Parlament gewählt - Ausblick (00:36:30) Finanz-Showdown in Bundestag und Bundesrat - Feedback und Fragen könnt ihr uns immer per DM auf Insta schicken: https://instagram.com/funk - Unsere Quellen findet ihr hier: https://docs.google.com/document/d/1Wna-GQqINrh77uDpod0rjovk3zmylVUadMd0pVbVNd4/edit?usp=sharing - Moderation: Leo Braun, David Schöne Redaktion: Nora Scharmberg, Anne Römer, Justin Andreae, Mia Holland, Leo Braun Redaktion funk: Magdalena Stefely, Helen Schulte Ton: Stanley Baldauf, Tim Schmutzler Produktion: Skip Intro im Auftrag von funk - Redaktionsschluss: Freitag, 14. März, 9:30 Uhr

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Björn www.deutschlandfunk.de, Informationen am Mittag

Blaschke, Björn www.deutschlandfunk.de, Informationen am Morgen

Blaschke, Björn www.deutschlandfunk.de, Informationen am Abend

Blaschke, Björn www.deutschlandfunk.de, Informationen am Abend

Blaschke, Björn www.deutschlandfunk.de, Informationen am Abend

Katrin Aue und Thomas Bimesdörfer sprechen mit dem ARD-Korrespondenten Björn Blaschke über die erschwerte Arbeit von Auslandsmedien in Russland, die Zukunft des Studios in Moskau und wie dennoch eine Berichterstattung z.B. von Georgien aus gelingen kann.

Jarin Blaschke is an acclaimed cinematographer best known for his work with director Robert Eggers. His striking, atmospheric visuals define films like THE WITCH, THE NORTHMAN, and THE LIGHTHOUSE which earned him an Academy Award nomination. His latest work NOSFERATU, follows a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake. In this interview, we talk about his relationship with Robert Eggers, storyboarding and pre-production, how they approach camera movement, lighting, and other technical aspects during filming, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Jarin Blaschke is an acclaimed cinematographer best known for his work with director Robert Eggers. His striking, atmospheric visuals define films like THE WITCH, THE NORTHMAN, and THE LIGHTHOUSE which earned him an Academy Award nomination. His latest work NOSFERATU, follows a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake. In this interview, we talk about his relationship with Robert Eggers, storyboarding and pre-production, how they approach camera movement, lighting, and other technical aspects during filming, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

In deze nieuwe aflevering van Nerd Culture duiken we diep in de wereld van films, series, games en everything nerdy! We bespreken deze week onder andere The Rookie, de 9-1-1 Lonestar finale, Severance, Castlevania Nocturne en My Friendly Neighbourhood Spider-Man. Verder werpen we een blik op de nieuwste trailers, waaronder die van Jurassic World Rebirth en Fantastic Four, en bespreken we opvallende nieuwtjes zoals de mogelijke komst van Miles Morales als dé nieuwe Spider-Man en de kritiek van Deadpool-maker Rob Liefeld op Marvel. Dat en meer in episode 195!Fantastic Four trailer breekt recordsDe eerste trailer van The Fantastic Four: First Steps heeft in de eerste 24 uur 202 miljoen weergaven behaald, waarmee het een van de best bekeken Marvel-trailers is, alleen overtroffen door Deadpool & Wolverine.De cast, waaronder Pedro Pascal en Vanessa Kirby, onthulde de trailer bij het U.S. Space and Rocket Center in Alabama. Dit evenement brak records als de meest bekeken Marvel YouTube-livestream en werd de meest trending video op YouTube en X. De trailer hint naar een retro-futuristische wereld en introduceert Galactus als de grote villain. Met een release in juli 2025 is de hype voor Marvel's langverwachte Fantastic Four-reboot enorm.Robert Eggers volgt Nosferatu op met WerwulfCinematograaf Jarin Blaschke bevestigt dat hij en regisseur Robert Eggers werken aan de visuele stijl van hun middeleeuwse weerwolffilm Werwulf, die op 25 december 2026 uitkomt. Hij hint erop dat de film een unieke visuele benadering krijgt die nog nooit eerder is gedaan, maar blijft geheimzinnig over de details.Blaschke en Eggers, bekend om hun historische precisie, werkten eerder samen aan Nosferatu, The Lighthouse en The Northman. Hun kenmerkende stijl omvat symmetrische, grafische composities en een donkere, atmosferische uitstraling. Werwulf zal deze traditie voortzetten met een visueel indrukwekkende, authentieke historische aanpak.Timestamps:00:00:00 Intro00:03:11 Wat hebben we gekeken/gelezen/geluisterd?00:14:15 The Rookie00:18:13 9-1-1 Lonestar Finale00:24:40 Severance00:26:33 Castlevania Nocturne00:28:39 My Neighbourhood Spider-Man00:31:51 Jurassic World Rebirth Trailer00:38:34 Zijn Ghostbusters sneakers iets voor jou?00:41:22 Robert Eggers Werwulf gaat grenzen verleggen00:47:45 Bob Gale geeft een update over Back to the Future sequel00:50:38 Magic the Gathering Cinematic Universe in de maak00:55:24 Henry Cavill's screentest voor James Bond: Casino Royale gelekt00:58:28 Fantastic Four Trailer01:01:22 Fan theorie over Fantastic Four01:06:55 Rob Liefeld haalt uit naar Marvel's Kevin Feige01:09:49 Armor Wars lijkt opnieuw in de ijskast te verdwijnen01:11:14 Miles Morales de nieuwe Spider-Man lead na Secret Wars?01:15:00 Sinners Trailer

On our latest roundtable, we host a conversation between Nosferatu director Robert Eggers and the film's cinematographer, Jarin Blaschke. Moderated by one of our fav's, Rodrigo Prieto. The three begin by discussing their approach to visual storytelling, focusing on blocking, shot design, and the level of precision required to craft Nosferatu's haunting imagery. Rodrigo leads a thoughtful exploration of Robert and Jarin's long-standing creative partnership, tracing its evolution from their early collaborations to their latest work.The conversation delves into the balance between control and spontaneity, in their filmmaking process, as well as the discipline needed to achieve striking, meticulously composed visuals. Highlights include reflections on their shared cinematic influences, the interplay of light and shadow in shaping mood, and the technical and artistic decisions that brought some of the film's most memorable moments to life.Enjoy!!Check out this conversation wherever you listen to your podcasts and also available to watch on our YouTube Channel.

We are joined by Director of Photography and first-time Academy Award® nominee Jarin Blaschke, as well as Director Robert Eggers, to discuss the stunning cinematography of “Nosferatu.” Together, the frequent collaborators delivered a gothic masterpiece, blending German romanticism and chilling horror into stunning, painterly visuals. In this conversation, Eggers and Blaschke discuss the meticulous development of the film's look, the challenges of shooting with practical lighting, and their shared love for highly composed one-take shots. From the fog-drenched crossroads to the eerie interiors of Orlok's castle, the pair reveal the painstaking care and simple, practical ingenuity that brought this cinematic fever dream to life.“I'm just trying to curate life… What kind of optics just feel right? The little flare around the windows. What is the lens that just feels nice? Let's just look at a bunch of those. Let's have lenses made. We're very privileged in that we can do that now and see what that looks like.”—Jarin Blaschke, Director of Photography, “Nosferatu”This conversation was a live webinar as part of Dolby Creator Lab's partnership with Sundance Collab, the digital platform from the Sundance Institute designed for filmmakers, with exclusive webinars, curated resources, and free educational videos.Be sure to check out “Nosferatu” in Dolby Vision® and Dolby Atmos®, in select theaters.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Our previous episode with Robert Eggers and Sound Designer Damian Volpe, discussing the sound of "Nosferatu,” is now on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Trotz Razzien und Strafverfahren setzt die Opposition in Georgiens Hauptstadt Tiflis ihren Widerstand fort: mit dezentralen Kundgebungen, ohne Führungsfiguren. Doch die Hoffnung auf einen Kollaps des Staatsapparats erfüllte sich bisher nicht. Von THomas Franke, Björn Blaschke, Margarete Wohlan www.deutschlandfunkkultur.de, Weltzeit

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Nosferatu is a gothic tale of obsession, about a young woman, Ellen, who faces a terrifying supernatural entity after her husband travels to Transylvania to conduct business with the enigmatic Count Orlok. As Orlok arrives in her town, he brings a plague of death and terror, forcing Ellen to confront the monstrous vampire and the darkness within herself. Cinematographer Jarin Blaschke wanted to create a visually distinct and unsettling experience for Nosferatu, drawing inspiration from F.W. Murnau's 1922 classic, while developing his own unique look. Both he and director Robert Eggers chose a more romantic approach to the film, with a palette of blue and black. Shooting on film with candlelight and moonlight added to the haunting atmosphere. Jarin tested several lenses and the film scanning process to get the grain and color just right. He wanted Nosferatu to feel very composed and controlled. “If it feels claustrophobic, we lean into that,” he says. “How you pan, when you pan, what's the feeling of it, and how you guide the camera operator to execute that pan, all contributes to the overall feeling.” Jared has collaborated with Eggers on all of his films, beginning with the short film, The Tell Tale Heart, The Witch, The Lighthouse and The Northman. The two share a love of fairy tales and the golden age of illustration. As with most of their films, the two had several months to prep for Nosferatu. They talked through the scenes and shotlisted the movie, while Jarin drew small storyboard thumbnails as a draft for the storyboard artist. “I love the luxury of a long prep time,” says Jarin. “The ideas that you come up with over the course of four months, as opposed to four minutes, are much, much better, you know? Like if I'm just reacting to stuff in the moment, I'm going to go for the easiest thing. But if I have time to come up with an idea and think about how to surprise people, that's a lot more fun.” This meticulous approach extends to post-production, where Jarin even directed the lighting for visual effects. "I enjoy being an obsessive perfectionist," he admits. You can see Nosferatu in theaters and on VOD January 21. Find Jarin Blaschke: https://www.luxartists.net/artists/jarin-blaschke Flickr: https://www.flickr.com/photos/18192666@N00/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Welcome to Season 5 of Frame & Reference! To kick things off we've got Jarin Blaschke joining us to talk about his work on the new Robert Eggers joint Nosferatu. His work also includes Robert's other filmsThe Lighthouse, The Northman, and The Witch, as well as the recent film Knock at the Cabin. Enjoy! F&R Online ► https://www.frameandrefpod.com Support F&R ► https://www.patreon.com/FrameAndRefPod Watch this Podcast ► https://www.YouTube.com/@FrameAndReference Produced by Kenny McMillan Website ► https://www.kennymcmillan.com Instagram ► https://www.instagram.com/kwmcmillan

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

In Kasachstan sind am Mittwoch 38 Menschen beim Absturz eines Passagierflugzeugs ums Leben gekommen. Und in der Ostsee hat es an den Weihnachtsfeiertagen erneut Schäden an Datenkabeln gegeben. In beiden Fällen gibt es Hinweise, dass Russland beteiligt sein könnte. Unsere Korrespondenten Björn Blaschke und Julia Wäschenbach fassen zusammen. Moderation: Florian Haas.

Blaschke, Björn www.deutschlandfunk.de, @mediasres

Blaschke, Björn www.deutschlandfunk.de, Europa heute

Blaschke, Björn www.deutschlandfunkkultur.de, Studio 9

Blaschke, Björn www.deutschlandfunk.de, Europa heute

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Ronny www.deutschlandfunkkultur.de, Studio 9

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag

Blaschke, Björn www.deutschlandfunk.de, Das war der Tag