Podcast appearances and mentions of Rodrigo Prieto

On our latest roundtable, we host a conversation between Nosferatu director Robert Eggers and the film's cinematographer, Jarin Blaschke. Moderated by one of our fav's, Rodrigo Prieto. The three begin by discussing their approach to visual storytelling, focusing on blocking, shot design, and the level of precision required to craft Nosferatu's haunting imagery. Rodrigo leads a thoughtful exploration of Robert and Jarin's long-standing creative partnership, tracing its evolution from their early collaborations to their latest work.The conversation delves into the balance between control and spontaneity, in their filmmaking process, as well as the discipline needed to achieve striking, meticulously composed visuals. Highlights include reflections on their shared cinematic influences, the interplay of light and shadow in shaping mood, and the technical and artistic decisions that brought some of the film's most memorable moments to life.Enjoy!!Check out this conversation wherever you listen to your podcasts and also available to watch on our YouTube Channel.

What do you get when one of the greatest cinematographers of all time takes a turn in the directors chair to adapt one of the most important pieces of Mexican literature? Guti, Ismael, and Ron find out when we discuss Rodrigo Prieto's 2024 magical realist drama Pedro Páramo. Links to Reel Latinos social media and Letterboxd accounts.

Retrouvez la PEAKILIST ICIDemande de partenariat : peakcinemalepodcast@gmail.comSoutenez nous sur Patreon Forfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs C'est l'histoire d'un mec un poil trop ambitieux qui profite du système capitaliste à son maximum pour vivre à pleine balle le Rêve Américain en arnaquant des gens avec des titres en bourse surcoté. Un égomaniaque parti de rien devenu accro à l'argent et au pouvoir et qui va chuter lamentablement. Cette histoire c'est avant tout l'histoire vraie de Jordan Belfort adaptée en film dans Le Loup de Wall Street. Un film qui fait encore débat aujourd'hui puisque un nombre inconséquent de blaireaux ultra libéraux le prennent comme si c'était la règle à suivre et un objectif de vie alors que si on regarde bien, on est en face d'un film à charge extrêmement bien foutu Il est en 53ème Position du TOP de Marvin mais où va-t-il arriver dans la Peaklist ? Produit par Red Granit Pictures, Martin Scorsese et Leonardo Dicaprio avec un budget de 100 Millions de dollars. Réalisé par Martin Scorsese épaulé à la photo par Rodrigo Prieto qui mettra en lumière par la suite Silence, The Irishman et Killers of the flower moon. Le script est écrit par Terence Winter, scénariste connu pour avoir bossé sur la série Les Sopranos, basé sur les mémoires de Jordan Belfort publié en 2007 sur son expérience absolument effroyable dans l'univers des traders de Wall Street. Montage encore et toujours par la grande Thelma Schoonmaker. Soutenez nous sur Patreon Forfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Abonnez vous sur Peakgaming pour les streams jeu vidéo Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtubeChroniqueur.e.es : Marvin MONTES, Wonder VESPER, Emmanuel.le PEUDON, Mathieu BONTEMPS et présenté par Luc LE GONIDECHost : Luc LE GONIDECMusique Jean Baptise BLAIS Direction Artistique : Guillaume BrindonMontage et mixage son : Luc LE GONIDEC Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Elvis welcomes Golden Globe nominee Colman Domingo who’s starring in the film Sing Sing. Then, cinematographer-turned-director Rodrigo Prieto stops by to talk about his first feature, Pedro Páramo, based on the novel by Juan Rulfo. And on The Treat, writer Carrie Courogen talks about a singer-songwriter who didn’t play by the music industry’s rules.

We were incredibly saddened by the loss of 1st Assistant Director and producer, Adam Somner. You can hear his fantastic energy, enthusiasm and entertaining storytelling as a guest on The Cinematography Podcast. Here we have re-posted his 2021 episode in memorial and tribute to his blockbuster career. He will be greatly missed. The job of the assistant director is to work in concert with the director and the DP to get everything done on a movie set. As a 1st AD, Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group, persuading people to do things on the schedule and timeline needed to complete the job. Adam's father, Basil Somner, worked for MGM Studios in England, and through him, Adam got a job as a runner/production assistant at age 17. He began working on movies in the late '80's, like Indiana Jones and the Last Crusade, Superman IV, and Who Framed Roger Rabbit? He worked under many assistant directors, observed how they took charge on set, and decided he was really interested in becoming an AD. Adam has worked on eight Ridley Scott films to date, as well as several of the late Tony Scott's films. He was first hired on a Ridley Scott film as a third assistant director on 1492: Conquest of Paradise and White Squall, then moved up to second assistant director on Gladiator, (with DP John Mathieson) where he learned how to manage a huge crew of extras and background action from the 1st AD, Terry Needham. On Black Hawk Down, Adam was promoted to first assistant director for the second unit. Black Hawk Down was shooting in Morocco, and the second unit was responsible for most of the helicopter sequences, with lots of moving parts and extras, involving real Black Hawk helicopters and real U.S. military soldiers. After Black Hawk Down, Adam got the call to begin working with Steven Spielberg on War of the Worlds, where he quickly learned to read Spielberg's mind and keep an eye on the details. He's worked with Spielberg on ten films now, including Munich, Lincoln, and Ready Player One. A 1st AD is responsible for coordinating most of the background action. Adam's ability to work on big sets with lots of action, extras and special effects led director Paul Thomas Anderson to hire him for There Will Be Blood, and Anderson has since become a personal friend. Adam finds Anderson's on-set approach to be very thoughtful and measured. Unlike the action-heavy films Adam has worked on, he knew it was important to keep the crew and background actors quiet and subdued on Anderson's films with heavy dialog, such as The Master and Phantom Thread. For The Wolf of Wall Street, Adam was thrilled to work with director Martin Scorsese. Scorsese and cinematographer Rodrigo Prieto had Adam sit in during their preproduction shotlisting process, so they were all thoroughly prepared. Scorsese loves shooting scenes with complex background action, and Adam delivered. He carefully rehearsed all the extras in different stages of panic as the brokers watched the stock market crash. For the famous in-flight orgy scene, Adam wasn't totally sure how he wanted to deal with not just one sex scene, which is hard enough, but several at once. So he decided to hire a choreographer to help rehearse and plan all the action, making sure each background player knew exactly what they were doing and taking care that everyone was comfortable with their role in front of the camera. Adam was excited to work with Alejandro González Iñárritu on some of Birdman, and as the 1st AD on one of the may units shooting The Revenant, where Iñárritu and the DP Emmanuel Lubezki “Chivo” wanted everything shot and rehearsed during magic hour. Rehearsals were incredibly important on both Birdman and The Revenant...

En este episodio, analizamos dos grandes estrenos: el realismo mágico de Pedro Páramo (Netflix), el debut como director de Rodrigo Prieto, y el épico regreso a Roma con Gladiador 2 de Ridley Scott. 🏛️⚔️ ¿Vieron ambas películas? 🤔 ¡Dale play, escucha nuestras opiniones y cuéntanos qué te parecieron estas historias llenas de magia y épica! 🎥🍿 #PodcastDeCine #Cinetoscopio #PedroPáramo #Gladiador2 #RidleyScott #RodrigoPrieto #CineDeÉpoca #RealismoMágico

Sostengo que Pedro Páramo es infilmable y que Rodrigo Prieto es un gran cineasta.

Pedro Páramo es una obra de culto en la literatura latinoamericana y se entiende bien porqué tiene tan alta estima. Es una obra única en estilo e inspiró a grandes autores. Sin embargo, la versión de Netflix queda sumamente corta al quizás querer ser demasiado fiel al libro. Aquí hacemos una reflexión de esta película que a Rodrigo Prieto le quedó grande.----Echados Viendo Tele es un programa para expresar, de forma personal, espontánea y concienzuda, opiniones de películas o series.Disclaimer: La voz de mujer que se escucha en este podcast es creada con IA. PATROCINIO¿Buscando una prenda que te haga destacar? Visitá Kitsune Nicaragua, sublimación, estampado y todo estilo de impresiones en camisetas, hoodies, tazas, jarras, pósters y artículos personalizados.Enlace a la tienda: https://www.instagram.com/kitsune_nic Nada mejor que salir de la rutina que con una buena experiencia el cine, y la mejor que hay en Nicaragua es a través de Cinemark.No te perdás los mejores estrenos y la mejor calidad de ambiente en las salas de Cinemark.- Cartelera: https://www.cinemarkca.com/nicaragua/cineSeguinos en redes socialesFacebook: https://bit.ly/2G8n2kaInstagram: https://www.instagram.com/echadosviendotvY escuchá este capítulo también enSpotify: https://spoti.fi/2OYJ9MXApple Podcast http://bit.ly/evt1rafYouTube: http://bit.ly/youtevtCopyright de MúsicaInspiring Advertising by Rafael KruxLink: https://filmmusic.io/song/5515-inspiring-advertising-License: https://filmmusic.io/standard-licenseJoseph McDade: https://josephmcdade.com/music Hosted on Acast. See acast.com/privacy for more information.

Vine a Política Ficción porque me dijeron que acá hablaron de mi padre, un tal Pedro Páramo. En esta ocasión aprovechamos el debut de Rodrigo Prieto como director para hablar de México a la luz de la obra de Juan Rulfo.

Rogelio y Vladimir discuten sobre la canción "Con Calma" de Daddy Yankee y la reciente visita de Katy Perry en el programa "Venga la Alegría" de TV Azteca para anunciar su gira de conciertos en México, con fechas en Ciudad de México, Monterrey y Guadalajara. Luego, conversan sobre la nueva película de Netflix "Pedro Páramo", basada en la novela homónima de Juan Rulfo, dirigida por Rodrigo Prieto y protagonizada por Manuel García Rulfo y Tenoch Huerta. La película narra la historia de un hombre que busca a su padre en un pueblo fantasma llamado Comala, descubriendo secretos sobre su pasado. Rogelio y Vladimir discutieron la película "We Live in Time", dirigida por John Crowley y protagonizada por Andrew Garfield y Florence Pugh. Vladimir explicó que la película no sigue una narrativa lineal, sino que presenta fragmentos de la historia en diferentes momentos del tiempo. Rogelio y Vladimir discuten la serie mexicana "Somos Oro", disponible en Prime Video, protagonizada por Michelle Rodríguez y Diana Bovio. La serie narra la historia de dos mujeres que enfrentan dificultades económicas y deciden crear su propia estafa piramidal vendiendo champú.

Manuel Garcia-Rulfo stars in the Netflix series THE LINCOLN LAWYER. He will next be seen starring as the title character in PEDRO PARAMO, the directorial debut of Rodrigo Prieto based on the iconic book by Juan Rulfo, and was recently cast in a lead role in JURASSIC WORLD 4 opposite Scarlett Johansson. In THE LINCOLN LAWYER, Manuel plays lawyer Mickey Haller, who works in the back of his Lincoln Navigator as he takes on cases in Los Angeles while balancing a private life that includes being a father and having two ex-wives. In this interview, we talk about early influences and moving to L.A., the changing landscape for Latino actors in the industry, his series THE LINCOLN LAWYER, JURASSIC WORLD 4, and more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

El robot favorito de todos nosotros ya tiene que ir al proctólogo: #TheTerminator cumple 40 años.Hoy es fin de semana de puros estrenos mexas: #LaCocina, la nueva de Alonso Ruizpalacios (si, el mismo de #Gueros) y la polémica adaptación de #PEdroParamo dirigida por Rodrigo Prieto.Eso y más hoy en Filmsteria. Hosted on Acast. See acast.com/privacy for more information.

SEASON 2 - EPISODE 114 - PEDRO PÁRAMO - with Rodrigo Prieto On this special episode of the Team Deakins Podcast, our friend and former guest Rodrigo Prieto (Season 1, Episode 112) joins us to discuss his directorial debut, PEDRO PÁRAMO, an adaptation of the eponymous and iconic Mexican novel written by venerated author Juan Rulfo. The focus of our conversation centers around Rodrigo's experiences as a first-time director, and we cover the lifetime of the film's journey from prep to release. Rodrigo starts by sharing how he came to direct the project in the first place, and he reveals why he felt he could be the one to tell this story today. We later discuss the novel's legacy within Mexico and Latin America, and we learn how the themes of the complex story informed many of Rodrigo's creative choices, from retooling the script to casting the appropriate actors. Rodrigo also shares what his biggest surprise was as a first-time director, and he reflects on the naturalistic direction of his telling of the story while discussing the 1967 adaptation of the novel. We also discuss the leniency with light enabled by modern digital cameras, and Rodrigo reveals how an added budgetary pressure can lead many to avoid spending money on lighting packages of any kind. Throughout the episode, Rodrigo reflects on his love for the magic trick that is cinema, and we learn if and how often he plans to direct again!   PEDRO PÁRAMO is available worldwide on Netflix. - Recommended Reading: Pedro Páramo by Juan Rulfo  - Recommended Viewing: PEDRO PÁRAMO - This episode is sponsored by Aputure

Del libro a la pantalla grande llega la tan esperada película “Pedro Páramo” con la que se estrena Rodrigo Prieto como director y les contamos en este episodio todo lo que sucedió en la premiere en el Festival de cine de Toronto. Además 3 contenidos basados en la vida real: “Nadie quiere esto” de Netflix, “Los 43 de Ayotzinapa” documental de MAX y “Maldad verdadera” la verdad detrás de la serie “Un amigo de la familia” sobre la historia de abuso a Jan Broberg en Universal+.

0:00✅Trump, el nuevo presidente de EU 0:12✅Rafael ya es huracán de categoría 2 0:23✅Sheinbaum pide no preocuparse 0:32✅Nintendo advierte por fraudes 0:42✅Rodrigo Prieto presenta “Pedro Páramo”

El renombrado cinematógrafo mexicano Rodrigo Prieto se estrena como director con Pedro Páramo (2024), una ambiciosa adaptación de la clásica novela homónima publicada por Juan Rulfo en 1955 donde seguimos a un hombre que llega al extraño y decadente pueblo de Comala en busca de su padre y aprende sobre su pasado gracias a los misteriosos habitantes que se topa conforme explora el fantasmagórico lugar. Se encuentra disponible en Netflix a partir del 6 de noviembre de 2024. Hosted on Acast. See acast.com/privacy for more information.

Pedro Páramo. Una plática con su director Rodrigo Prieto. Pedro Páramo, una de las mejores novelas escritas en español, tiene una nueva adaptación al cine. Después de las versiones de Carlos Velo en 1967 y de José Bolaños en 1977, las palabras del gran Juan Rulfo llegan a la pantalla ahora bajo la dirección de Rodrigo Prieto. Rodrigo es fotógrafo de cine y entre sus trabajos encontramos colaboraciones con Martin Scorsese como Los asesinos de la Luna, El irlandés, El lobo de Wall Street, con Pedro Almodóvar con Los abrazos rotos, con Ang Lee con Brokeback Mountain y lo hecho con Alejandro González Iñárritu en Amores perros y 21 gramos. Ahora, ese fotógrafo se lanza a dirigir una novela que, lo que son las cosas, es tremendamente visual y visualmente discursiva. ¿En este Pedro Páramo dominó el fotógrafo o se da a conocer un muy buen director? ¿Qué nos dicen las imágenes del Pedro Páramo personal de Rodrigo Prieto? Para hablar de este ambicioso proyecto, de sus procesos y de las decisiones para dejarlo así, listo para el México y el mundo del siglo XXI, es que en este podcast hablamos con Rodrigo Prieto, tanto el director como el fotógrafo. Rodrigo Prieto es el invitado a este podcast Cinegarage. Learn more about your ad choices. Visit megaphone.fm/adchoices

En Hoy es Risco del martes 22 de octubre, Javier Risco analizó con Olivia Zerón en el Meollo del Asunto el montaje de la fiscalía de Sinaloa sobre la muerte Héctor Melesio Cuén, exrector de la Universidad Autónoma de Sinaloa perpetrado el 25 de julio. La FGR desmintió todas las versiones dadas a conocer y cada vez más, se confirma la versión de Ismael “El Mayo” Zambada sobre que fue raptado por Joaquín Guzmán López para entregarlo al gobierno de Estados Unidos y que Cuén fue asesinado en el mismo lugar, como lo reveló en una carta dada a conocer el 10 de agosto. En la sección “No voy a pedirle a nadie que lea” con Juan Pablo Villalobos habló de la importancia de las librerías de viejo, a donde asistimos con más apertura a ver qué nos encontramos. También hablaron de las obras de Leonardo Sciascia. En el estudio platicó con el elenco de la película Pedro Páramo, Ilse Salas, Manuel García Rulfo y con el director Rodrigo Prieto. El libro de Juan Rulfo es un símbolo patrio para los mexicanos.

Prime Video reveló la fecha de estreno de la temporada 3 de Invincible. Netflix compartio el tráiler oficial de Pedro Páramo. Se reveló un avance de Wallace y Gromit: La venganza se sirve con plumas.

⁠⁠Ruys⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  y ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kbri⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  presentan los estrenos más destacados de la semana. En cines: James McAvoy se pone loco en un thriller de gente malvada que hace sufrir a gente amable, No hables con extraños; llega la historia de origen de Optimus Prime y Megatron en Transformers Uno; Rodrigo Prieto entrega su ópera prima, la ambiciosa Pedro Páramo de Netflix; La Sustancia, un filme independiente de body horror con Demi Moore, probablemente la peli que sí deberían ver este fin de semana.  En streaming: The Old Man, finísimo "dad porn" con Jeff Bridges y John Lithgow; Technoboys, el nuevo filme de nostalgia de Netflix sobre una boy band que envejeció; Los Chávez, un reality de Disney+ con el máximo pugilista que ha conocido este país (y su familia): JC Chávez. (Casi) todos los jueves en la mañana el HYP3 tiene para ti los estrenos de la semana. Y por las noches, nuestro tradicional stream en vivo por ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Velo o escúchalo en Spotify o Apple Podcasts ⁠haciendo clic aquí⁠. Más feeds de audio, contenido extra en Patreon y más: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paiki.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Hay amores que matan, amores caninos, a perros de pelea, perros callejeros, perros de compañía. Algunos perros apestan más que otros, igual que los seres humanos, que les hacen enfrentarse a dentelladas hasta la muerte, les deja morir bajo el parqué barato de un apartamento, también hay sicarios que salvan la vida de perros malheridos. Tres historias conectadas por un accidente mortal inician la trilogía de Iñárritu, completada con “21 gramos” y “Babel”. El sucio dinero conecta las miserias de estas gentes que pueblan los barrios de México DF, la confluencia de sus peripecias rodeadas por la violencia. Suciedad, sangre derramada, uñas negras, el desorden de la casa del antiguo guerrillero, las peleas clandestinas de perros, a través de las imágenes brumosas de Rodrigo Prieto. Gentes de diferentes estratos sociales, los habitantes del lumpen que sobreviven día a día, la modelo televisiva de piernas largas y mohínes pijos, o el Chivo, el misterioso mendigo rodeado de chuchos, que camina recogiendo lo que la gente tira, sin hacerse notar. Con un dinámico guion de Guillermo Arriaga y la música, importante en la obra de Iñarritu, compuesta por Gustavo Santaolalla, con canciones añadidas como la lucha de gigantes, original de Nacha Pop, que suena en una de las secuencias más recordadas de un film intenso. Octavio y Susana hacen el amor en secreto, el placer adúltero mientras apalizan al hermano abusador, paliza instigada por el que observa su reflejo en el espejo y se pregunta si es Caín o Abel. Esta noche curamos las heridas de un perro adiestrado para matar... Salvador Limón, Zacarías Cotán, Raúl Gallego y Chari Medina

Jala is joined by Rachel (Screen Snark) and J to discuss the 2023 Barbie movie. SPOILER WALL: 00:31:58 Articles: * Is Barbie a Feminist Movie? (https://www.feminists.co/discover/is-barbie-a-feminist-movie?rq=Barbie) * Inspiration for Barbie: Bild Lilli (https://www.instagram.com/p/CvAmCBQRDcw/?igshid=YzcxN2Q2NzY0OA==) * Bild-Lilli.com (https://bild-lilli.com) * Bild Lilli Wikipedia (https://en.m.wikipedia.org/wiki/Bild_Lilli_doll) * How Barbie Came to Life (https://time.com/6289864/barbie-time-cover-story/) * Barbie's Pink es Rosa Mexicano Thanks to Rodrigo Prieto (https://wearemitu.com/wearemitu/entertainment/latino-cinematographer-rodrigo-prieto-rosa-mexicano-barbie/) * Not funny now and never will be - Indigenous people are calling out the smallpox line in ‘Barbie' (https://www.dailydot.com/irl/barbie-smallpox-indigenous-joke/) Additional link: CHARLES STUNNING VS CPA (https://m.youtube.com/watch?v=MICGJuZLZy8&t=189s&ab_channel=T2TBrooklyn) Swag Shop (https://www.teepublic.com/user/fireheartmedia) now open! Support this show via Ko-fi! Just like Patreon, there are subscription tiers (with bonus content!) in addition to the ability to drop us a one-time donation. Every little bit helps us put out better quality content and keep the lights on, and gets a shout out in a future episode. Check out ko-fi.com/fireheartmedia (https://ko-fi.com/fireheartmedia) for the details! Don't forget to rate & review us on your podcasting platform of choice~ Jala Prendes - Bluesky - @jalachan (https://bsky.app/profile/jalachan.bsky.social), Bluesky - @fireheartmedia (https://bsky.app/profile/fireheartmedia.bsky.social) Twitter (https://twitter.com/jalachan) The Level (https://thelevelpodcast.com/hosts/jala) Rachel - Instagram (https://www.instagram.com/iamrachelquirky) Linktree (https://linktr.ee/iamrachelquirky) Screen Snark (https://screensnark.libsyn.com) Special Guest: Rachel.

Oscar-nominated cinematographer Rodrigo Prieto talks about working with Martin Scorsese on "Killers of the Flower Moon" and  going from that project right to "Barbie." Songwriter Diane Warren chats about her Oscar-nominated song "The Fire Inside" and what it means to her to receive a 15th nomination. Finally, writer-director Justine Triet discusses her film "Anatomy of a Fall."

With our continuing Oscars coverage, today we are joined by Academy Award®-nominated cinematographer Rodrigo Prieto, ASC, AMC. He discusses how he got his start in the film business, working with legendary director Martin Scorsese, the challenges of shooting “Killers of the Flower Moon,” as well as how his research into Osage traditions and rituals became directly woven into his photography for the film.“A lot of it I remember was based on the sun and the sun position. And even the rituals. For example, a burial happens when the sun is at the zenith. So okay, that's usually a time of day you don't want to shoot as a cinematographer. You want to avoid it. But I thought it was important to respect that. And so we decided to have the sun in frame in those moments. And that's why precisely there's a scene of Mollie's mother's burial and the camera's looking straight up at the sky. These are shots that aren't meant to be cool. We're honoring, hopefully, the way they themselves honor the sun.”—Rodrigo Prieto, ASC, AMC, Director of Photography, “Killers of the Flower Moon”Be sure to check out “Killers of the Flower Moon” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th!Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This week on the #WatchTowerFilmPodcast we continue our Previous Oscar Winners series! This episode we focus on cinematography and discuss the career, craft, and cinematic candor of one of the greatest living cinematographers, Rodrigo Prieto. We zone in on his ability to tell stories through images via Alejandro G. Iñárritu's Oscar Winning revenge tale, “The Revenant”. Join us as we deep dive on “token” Oscars, cinematography at its peak, and all of the challenges a filmmaker goes through from a conventional situation to one with harsh conditions. This and much more on this week's episode! Please help us by SUBSCRIBING, LIKING, COMMENTING, and SHARING. #WatchTowerFilmPodcast #FilmPodcast #Cinema #IndieFilm #Film #Movies #MoviePodcast #TheRevenant

Ang Lee gets together with the bois Heath Ledger, Jake Gyllenhaal, Gustavo Santolalla and Rodrigo Prieto to make one of the most heartbreakingly beautiful and sad lovestories of all time. Support the show on https://www.patreon.com/DontMakeAScene and get access to hundreds of hours of exclusive content, including exclusive episodes, commentary tracks and exclusive videos. Support independent podcasting! MORE LINKS HERE: https://linktr.ee/Pleasedontmakeascene

El Tribunal Constitucional de Alemania decidió prohibir todos los fondos públicos para la financiación del partido político de extrema derecha abiertamente neonazi, Die Heimat, por seis años. Según explicó la jueza Doris König, vicepresidenta del Tribunal, Die Heimat es un partido “racista, particularmente antimusulmán, antisemita y antigitano; además de tener una actitud negativa contra las minorías como la gente transgénero”. Aunque este partido tiene muy poco peso político, la decisión puede afectar a grupos más grandes como Alternativa para Alemania, conocido como AfD.La Academia de Ciencias y Artes Cinematográficas de Estados Unidos presentó su lista de nominados a los Oscar 2024. La gran favorita es “Oppenheimer”, compitiendo en 13 categorías. “Poor Things” de Yorgos Lanthimos le sigue con 11 nominaciones. El talento mexa se hizo presente en la categoría de Mejor Fotografía y Rodrigo Prieto busca el Oscar por su trabajo en “Killers of the Flower Moon”. Y no podemos olvidar “La Sociedad de la Nieve” del español Jota Bayona, que competirá por dos estatuillas doradas.Además… Los votantes de New Hampshire se lanzaron a las urnas en las primeras primarias de este proceso electoral en Estados Unidos, donde Donald Trump se llevó la victoria del lado republicano; Rusia lanzó un bombardeo simultáneo de misiles balísticos y de crucero a tres ciudades ucranianas; tras un laaaargo viaje desde Ciudad Juárez, Benito, la jirafa más famosa de México, finalmente llegó a su nuevo hogar en Africam Safari; y tras 45 años, el Gran Premio de España regresa a Madrid a partir del 2026.Y para #ElVasoMedioLleno…Hand in Hand, una escuela en Jerusalén, está construyendo puentes de entendimiento entre niños árabes y judíos. Esto es inusual en ciertas comunidades de Israel, donde la segregación de sistemas educativos es cada vez más común.Para enterarte de más noticias como estas, síguenos en nuestras redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

En otras notas, se desploma avioneta en Nayarit; llevaba a familiares de funcionario de Morena, en información de los espectáculos, Premios Oscar 2024: el mexicano Rodrigo Prieto obtiene su cuarta nominación, y en notas internacionales, mueren 21 soldados israelíes en Gaza en el ataque más letal de la guerra contra el ejército Hosted on Acast. See acast.com/privacy for more information.

El Presidente Andres Manuel López Obrador acusó al Poder Judicial de hacerlo quedar mal luego de la liberación de los 8 militares involucrados en el caso Ayotzinapa, pues considera que con esta acción se está desprestigiando al ejército; El fotógrafo Rodrigo Prieto está nominado a los premios Oscar por "Mejor Fotografía". Hosted on Acast. See acast.com/privacy for more information.

El cineasta Rodrigo Prieto tomó distancia unos minutos de la producción de Pedro Páramo, largometraje que marcará su debut como director, para conectarse a la ceremonia de nominaciones de los Premios Oscar, donde su trabajo en Killers of the Flower Moon de Martin Scorsese le valió su cuarta nominación a la estatuilla.

El Presidente Andres Manuel López Obrador acusó al Poder Judicial de hacerlo quedar mal luego de la liberación de los 8 militares involucrados en el caso Ayotzinapa, pues considera que con esta acción se está desprestigiando al ejército; El fotógrafo Rodrigo Prieto está nominado a los premios Oscar por "Mejor Fotografía". Hosted on Acast. See acast.com/privacy for more information.

La Fiscalía de Guanajuato informó la detención de dos hombres presuntamente vinculados con el secuestro de la madre buscadora Lorenza Cano y los asesinatos de su esposo e hijo, historia que les narré ayer… En otros temas… El Consejo de la Judicatura reveló que la Fiscalía General de la República no interpuso ningún recurso contra el fallo en favor de los 8 militares que fueron liberados por el caso Ayotzinapa… En el escenario político… Una delegación de congresistas de Texas, tanto republicanos como demócratas, y el embajador Ken Salazar se reunieron con Claudia Sheinbaum y Xóchitl Gálvez… En tanto, Luis Donaldo Colosio, Alcalde de Monterrey, anunció que aceptó la invitación de Movimiento Ciudadano para contender por el Senado… En información internacional… Una Corte de apelaciones de Estados Unidos falló a favor de México y ordenó revisar la demanda contra 8 fabricantes de armas que interpuso el gobierno de nuestro país… En los otros temas… El mexicano Rodrigo Prieto es nominado a Mejor Fotografía en los Premios Oscar 2024 por la película “Killers of the Flower Moon” de Martin Scorsese… Sarah Ferguson, la duquesa de York, tiene cáncer de piel… Y Madrid será sede del Gran Premio de España de la Fórmula 1 desde 2026 y hasta 2035 en un circuito nuevo que tendrá tramos urbanos… De esto y mucho más hablaremos esta mañana.

La Fiscalía de Guanajuato informó la detención de dos hombres presuntamente vinculados con el secuestro de la madre buscadora Lorenza Cano y los asesinatos de su esposo e hijo, historia que les narré ayer… En otros temas… El Consejo de la Judicatura reveló que la Fiscalía General de la República no interpuso ningún recurso contra el fallo en favor de los 8 militares que fueron liberados por el caso Ayotzinapa… En el escenario político… Una delegación de congresistas de Texas, tanto republicanos como demócratas, y el embajador Ken Salazar se reunieron con Claudia Sheinbaum y Xóchitl Gálvez… En tanto, Luis Donaldo Colosio, Alcalde de Monterrey, anunció que aceptó la invitación de Movimiento Ciudadano para contender por el Senado… En información internacional… Una Corte de apelaciones de Estados Unidos falló a favor de México y ordenó revisar la demanda contra 8 fabricantes de armas que interpuso el gobierno de nuestro país… En los otros temas… El mexicano Rodrigo Prieto es nominado a Mejor Fotografía en los Premios Oscar 2024 por la película “Killers of the Flower Moon” de Martin Scorsese… Sarah Ferguson, la duquesa de York, tiene cáncer de piel… Y Madrid será sede del Gran Premio de España de la Fórmula 1 desde 2026 y hasta 2035 en un circuito nuevo que tendrá tramos urbanos… De esto y mucho más hablaremos esta mañana.

In this episode, Azed & Tom delve into the captivating world of acclaimed filmmaker Martin Scorsese and the resounding critical acclaim surrounding his latest masterpiece, "Killers of the Flower Moon." In this episode, we explore the widespread praise and recognition that this film has garnered, exploring its profound impact on both critics and audiences. "Killers of the Flower Moon" has captivated viewers and critics alike, provoking widespread acclaim for its compelling storytelling, breathtaking cinematography, and outstanding performances. Starring Leonardo DiCaprio, Robert De Niro and the wonderful Lily Gladstone, the film transports audiences to the 1920s, immersing them in the chilling true story of the Osage Nation murders. Critics have lauded Scorsese's impeccable direction, praising his ability to create an immersive and unsettling atmosphere. The film's evocative cinematography, helmed by acclaimed cinematographer Rodrigo Prieto, captures the era's social and cultural context with stunning precision, enhancing the narrative's tense and mysterious elements. Azed & Tom also take a deep dive into Scorsese's illustrious career, discussing his unique style, thematic preoccupations, and his knack for creating mesmerizing cinematic experiences.With a career spanning over five decades, Martin Scorsese has cemented himself as one of the most influential and celebrated directors in the history of cinema. Known for his visceral storytelling and impeccable attention to detail, Scorsese has crafted an impressive portfolio of timeless classics, including "Taxi Driver," "Goodfellas," and "Raging Bull".

The Critics Choice Association (CCA) has announced the film category nominees for the 29th annual Critics Choice Awards. The winners will be revealed at the star-studded gala hosted by Chelsea Handler, which will broadcast LIVE on The CW on Sunday, January 14, 2024 (7:00 - 10:00 pm ET - delayed PT, check local listings). "Barbie" leads this year's film contenders, earning 18 nominations overall. In addition to Best Picture, Best Comedy, and Best Hair and Makeup nods, the film racked up several acting nominations including Best Actress for Margot Robbie, Best Supporting Actor for Ryan Gosling and Best Supporting Actress for America Ferrera. Ariana Greenblatt is also up for Best Young Actor/Actress, and the cast garnered a Best Acting Ensemble nomination. Greta Gerwig earned a nod for Best Director and both Gerwig and Noah Baumbach are contenders for Best Original Screenplay. Rodrigo Prieto was nominated for Best Cinematography while Sarah Greenwood and Katie Spencer are up for Best Production Design, along with Nick Houy for Best Editing and Jacqueline Durran for Best Costume Design. Several of the film's hit songs received nominations as well including "Dance the Night," "I'm Just Ken," and "What Was I Made For," while Mark Ronson and Andrew Wyatt were nominated for Best Score.

The Critics Choice Association (CCA) has announced the film category nominees for the 29th annual Critics Choice Awards. The winners will be revealed at the star-studded gala hosted by Chelsea Handler, which will broadcast LIVE on The CW on Sunday, January 14, 2024 (7:00 - 10:00 pm ET - delayed PT, check local listings). "Barbie" leads this year's film contenders, earning 18 nominations overall. In addition to Best Picture, Best Comedy, and Best Hair and Makeup nods, the film racked up several acting nominations including Best Actress for Margot Robbie, Best Supporting Actor for Ryan Gosling and Best Supporting Actress for America Ferrera. Ariana Greenblatt is also up for Best Young Actor/Actress, and the cast garnered a Best Acting Ensemble nomination. Greta Gerwig earned a nod for Best Director and both Gerwig and Noah Baumbach are contenders for Best Original Screenplay. Rodrigo Prieto was nominated for Best Cinematography while Sarah Greenwood and Katie Spencer are up for Best Production Design, along with Nick Houy for Best Editing and Jacqueline Durran for Best Costume Design. Several of the film's hit songs received nominations as well including "Dance the Night," "I'm Just Ken," and "What Was I Made For," while Mark Ronson and Andrew Wyatt were nominated for Best Score.

On this last episode of 2023, step into the captivating world of Yves François Wilson, a multidisciplinary visual artist whose work transcends the boundaries of traditional art forms. Hailing from Strasbourg, France, Yves is a master of lens-based works on paper and sculptural pieces created from found objects. His artistic journey is a testament to the power of storytelling, lineage, and the creation of new visual histories.  At the heart of Yves' artistic vision lies a profound commitment to exploring the visual narratives of forgotten histories. His creations serve as a bridge between past and present, weaving together elements of traditional photography, printmaking, and repurposed found objects. Through his art, Yves opens a dialogue between the subjects within his works and the audience, inviting viewers to engage with shared experiences and rediscover the past.  Yves' artistic evolution has been enriched by a diverse range of experiences. He worked as a camera assistant alongside renowned studio cinematographers such as Gordon Parks, Rodrigo Prieto, and Bradford Young, honing his technical skills and visual storytelling prowess. Fine art assistantships at esteemed institutions like Deitch Projects (NYC), The Aldrich Museum of Contemporary Art, and Parsons School of Design's Gallery further refined his artistic eye, enabling him to distill his ideas into works of profound expression.  The cultural depth and breadth of Yves' work are palpable, reflecting a deep reservoir of knowledge and a rich vocabulary. His art serves as a brief exchange of shared experiences, an invitation to engage, and a representation of a new history. It's a visual journey that transcends borders and time, resonating with audiences far and wide.  Join us in this podcast as we explore the intricate layers of Yves' artistry. From his formative years at Parsons School of Design and the Royal Melbourne Institute of Design to his accolades as a Sundance Director's Lab participant and Mayor's Neighborhood Arts & Heritage Award recipient, Yves' story is one of creative evolution and cultural resonance. Tune in to unravel the tapestry of an artist who unearths the lost, celebrates the forgotten, and crafts new legacies through the language of art. Yves François Wilson's Website: https://www.yveswilson.com/Yves François Wilson's Instagram: https://www.instagram.com/yvesisaliveYves François Wilson's IMDB: https://www.imdb.com/name/nm2838479Yves François Wilson's Twitter: https://twitter.com/wilsonrepsVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Velkommen til Filmfeber - podcasten som dekker alt av ulike sjangere og epoker i filmhistorien. Levende legende Martin Scorsese har endelig lansert sin nye film 'Killers of the Flower Moon' på norske kinoer, og vi måtte se denne så fort som mulig og dele våre inntrykk. I panelet er Pål Gundersen, Tommy Larsson og Hedvig Rokseth Holmsen. Vil du sende inn spørsmål kan du enten gjøre det på instagram: Filmfeber eller mail: filmfeberpod@gmail.com. God lytting!

"Killers Of The Flower Moon" had its highly anticipated world premiere at the Cannes Film Festival, where it received universal acclaim for its story, performances, and technical craftsmanship, all under the direction of legendary filmmaker Martin Scorsese. Two of his collaborators on the film were kind enough to spend some time talking with us about their exemplary work, Academy Award-nominated cinematographer Rodrigo Prieto and Academy Award-nominated production designer Jack Fisk. Please be sure to check out the film, which is now playing in theaters nationwide from Paramount Pictures and Apple. Thank you, and enjoy! Check out more on NextBestPicture.com For more about Regal Unlimited and the Slasher Sale - https://regmovies.onelink.me/4207629222/bjs99t0x New subscribers can use code REGALNBP23 for 10% off of Regal Unlimited for the first 3 months Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

En el episodio de hoy los llevaremos de recorrido por la magia del cine a través de la lente de renombrados cinematógrafos mexicanos como Emmanuel Lubezki y Rodrigo Prieto. Descubre cómo Guillermo Arriaga y Gabriel Figueroa, entre otros, han plasmado la esencia de México en la pantalla grande. ¡Acompáñanos en este viaje visual y celebremos juntos la riqueza de la cinematografía mexicana! Producción: Amper Radio Amper es una estación de la Universidad Latinoamericana Los comentarios y opiniones vertidos en este programa, son de exclusiva responsabilidad de quien los emite, y puede no reflejar la opinión de la institución.

Writer, Director Greta Gerwig joins the show to discuss her new film Barbie (starring Margot Robbie, Ryan Gosling). We learn about the F-bomb removed from the film featuring Helen Mirren and historical figure Marie Curie (naturally), working with cinematographer Rodrigo Prieto, America Ferrera's brilliant monologue, and more. After the interview, we give our spoiler-free review of the film, as well as Christopher Nolan's Oppenheimer. ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:00:00 - Intro00:05:03 - Greta Gerwig Interview | Barbie, Kubrick & More00:42:33 - ‘Barbie' Review (Spoiler-Free)00:54:44 - ‘Oppenheimer' Review (Spoiler-Free)01:08:29 - ‘Oppenheimer'01:21:26 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"It's all about that creative spark that births a new visual language or idea that maybe could live on its own."

"It's all about that creative spark that births a new visual language or idea that maybe could live on its own."

Bienvenido a Lo mejor de la semana de máspormás, el podcast donde encontrarás lo mejor de la web en un solo lugar. - Rodrigo Prieto dirigirá película basada en el libro de Juan Ruflo - Ecobici pone en marcha 700 nuevas bicicletas - IPN abre convocatoria para becas - Piden no lanzar peluches del Dr. Simi en concierto de Rammstein - Selección femenil sub 20 avanza a cuartos de final - CFE ofrecerá internet y telefonía móvil desde $30 Síguenos en redes sociales: Facebook

Edgar Estrada nos cuenta todo sobre el mundo del entretenimiento; espectáculos, cultura, cine, televisión, teatro y muchas recomendaciones a tu alcance. ¡Estamos "Del Tingo al Tango"!Una producción original de Audio Centro

Eugenia Kuzmina is a Russian-American actress, comedian, and model. Her father was a renowned nuclear physicist, who was one of the first responders to the Chernobyl disaster.  At age 15 she was noticed by a scout at Nathalie Models Europe. She signed a contract and moved to Paris at 15 to work with such brands as Cartier, Dior, Armani, Hermes, Loreal, Vogue among many others... After Ford Models, then IMG resigned her contract and moved her to the US, she was noticed by Rodrigo Prieto (cinematographer "Wolf Of Wall Street," "Babel") to appear in his directorial debut opposite Elle Fanning "Likeness." The movie was screened at Tribeca Film Festival and received excellent reviews. John Turturro cast Eugenia to play opposite him in a film with Woody Allen "Fading Gigolo." Recently Eugenia worked opposite Bill Murray in "Rock The Kasbah", Milla Kunis and Christina Applegate in "Bad Moms ", Guy Ritchie's " The Gentlemen ". Eugenia's Tv credits include " Spy City ", "True Blood," "New Girl," "Castle," "The Comeback," "Lady Dynamite"," Tour De Pharmacy ", etc Eugenia is very passionate about comedy and writes and performs Stand Up regularly at The Comedy Store and The Laugh Factory. Her other hobbies include motorcycles, doing her own stunts, languages (French, Portuguese) , and supporting environmental causes around the world.

The job of the assistant director is to work in concert with the director and the DP to get everything done on a movie set. As a 1st AD, Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group, persuading people to do things on the schedule and timeline needed to complete the job. Adam's father, Basil Somner, worked for MGM Studios in England, and through him, Adam got a job as a runner/production assistant at age 17. He began working on movies in the late '80's, like Indiana Jones and the Last Crusade, Superman IV, and Who Framed Roger Rabbit? He worked under many assistant directors, observed how they took charge on set, and decided he was really interested in becoming an AD. Adam has worked on eight Ridley Scott films to date, as well as several of the late Tony Scott's films. He was first hired on a Ridley Scott film as a third assistant director on 1492: Conquest of Paradise and White Squall, then moved up to second assistant director on Gladiator, where he learned how to manage a huge crew of extras and background action from the 1st AD, Terry Needham. On Black Hawk Down, Adam was promoted to first assistant director for the second unit. Black Hawk Down was shooting in Morocco, and the second unit was responsible for most of the helicopter sequences, with lots of moving parts and extras, involving real Black Hawk helicopters and real U.S. military soldiers. After Black Hawk Down, Adam got the call to begin working with Steven Spielberg on War of the Worlds, where he quickly learned to read Spielberg's mind and keep an eye on the details. He's worked with Spielberg on ten films now, including Munich, Lincoln, and Ready Player One. A 1st AD is responsible for coordinating most of the background action. Adam's ability to work on big sets with lots of action, extras and special effects led director Paul Thomas Anderson to hire him for There Will Be Blood, and Anderson has since become a personal friend. Adam finds Anderson's on-set approach to be very thoughtful and measured. Unlike the action-heavy films Adam has worked on, he knew it was important to keep the crew and background actors quiet and subdued on Anderson's films with heavy dialog, such as The Master and Phantom Thread. For The Wolf of Wall Street, Adam was thrilled to work with director Martin Scorsese. Scorsese and cinematographer Rodrigo Prieto had Adam sit in during their preproduction shotlisting process, so they were all thoroughly prepared. Scorsese loves shooting scenes with complex background action, and Adam delivered. He carefully rehearsed all the extras in different stages of panic as the brokers watched the stock market crash. For the famous in-flight orgy scene, Adam wasn't totally sure how he wanted to deal with not just one sex scene, which is hard enough, but several at once. So he decided to hire a choreographer to help rehearse and plan all the action, making sure each background player knew exactly what they were doing and taking care that everyone was comfortable with their role in front of the camera. Adam was excited to work with Alejandro González Iñárritu on some of Birdman, and as the 1st AD on one of the may units shooting The Revenant, where Iñárritu and the DP Emmanuel Lubezki “Chivo” wanted everything shot and rehearsed during magic hour. Rehearsals were incredibly important on both Birdman and The Revenant, since Iñárritu and Chivo shot many scenes in one single shot. Adam is currently working on Killers of the Flower Moon with director Martin Scorsese. Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep125/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Aputure: https://www.

EPISODE 112 -RODRIGO PRIETO - Cinematographer Team Deakins has a great conversation with talented cinematographer, Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is a lover of the trickery of moviemaking and also haunted mansions! A frequent collaborator of Martin Scorsese, he shares his experiences on their various films. We talk about working with multiple cameras and the importance of taking that into account when designing the sets. He speaks of his start in Mexico, his move to LA, the importance of developing your own taste and style, and how simplicity can be so powerful. He also tells us of his collaborations with Julie Taymor, Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on VFX. You won’t want to miss the eloquent thoughts of Rodrigo!

#AcércateAlCineMexicano con la información que abordamos en este episodio: 1. Hay tres mexicanos nominados al Oscar 2021. 2. El actor Diego Calva, participará en cinta hollywoodense al lado de Brad Pitt y Margot Robbie. 3. El cinefotógrafo Rodrigo Prieto recibe el premio Vilcek. 4. La actriz francesa Juliette Binoche filma película en Yucatán. 5. Liberan a Cesareo Quesadas “Pulgarcito” tras 20 años en prisión. 6. Publican lineamientos de fomento al cine mexicano que suple a fideicomisos. 7. Empresas critican reforma del Senado que obliga a proyectar cine mexicano. 8. Ana de la Reguera, Cecilia Suárez e Irene Azuela serán ‘Las Damas de los Pinos': serie que se filmará a finales de este año. 9. ‘Sin hijos', la nueva película de Roberto Fiesco se estrena en Netflix. --- Support this podcast: https://podcasters.spotify.com/pod/show/close-up-mx/support

Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing.This career path allowed him to light films and learn from some of the most talented DP's in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”.In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts.Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively.In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.W: http://robbybaumgartner.com/about/Like to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby

In this conversation, we dive into Rodrigo and Nico's roles in Julie Taymor's film "The Glorias," as Cinematographer and 2nd Unit DP respectively. We also hear some intimate stories from their respective careers. 

Habla sobre la nueva canción de Britney Spears con los Backstreet Boys. Las Kardashians no se retiran de las cámaras. Taylor Swift vuelve a trabajar con Rodrigo Prieto en su nuevo disco "Evermore"

When Rodrigo Prieto meets with a director, he comes with a clean slate and a present state of mind to hear their vision. Rodrigo first met Julie Taymor in New York to talk about filming Frida. He had just finished shooting Amores Perros with director Alejandro González Iñárritu and decided to move to Los Angeles from Mexico City. For Rodrigo, Frida Kahlo's work was very influential, and he was eager to work on a film about her life. He found that Julie Taymor loves collaborating with her team on her movies and is open to other's input, but knows what she wants and pushes for it. Working with a theatrical director means her ideas tend to be more representative and symbolic, rather than the naturalistic realism seen in most movies. For The Glorias, Rodrigo and Julie had to determine how realistically they wanted to portray some of the events in Gloria Steinem's life. In one scene, Rodrigo and the crew had to recreate the tornado from The Wizard of Oz, with the four Glorias as the witches on brooms. The crew built a 70's era TV studio, rigged lights and a green screen with a camera on a crane and the actresses on wires on brooms. They also decided early on to shoot the bus scenes in black and white, with color sequences showing outside the windows. You can watch The Glorias streaming on Amazon Prime. A new color timed version of Amores Perros will be coming out from Criterion Collection. Find Rodrigo Prieto, Instagram: @rpstam Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep94/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

The incredibly talented Julie Taymor is nearly an EGOT- she's won an Emmy, a Grammy, multiple Tony awards, and was Oscar-nominated for her work. She is a playwright, director, songwriter, and costume designer for both the stage and film. Julie is a rare thing- a theater director who can also helm amazing films. She thinks this is because most theater directors are really not very visual- they focus more on acting and dialog. When directing her films, Julie feels it's important to be selective and understand what you can achieve with a camera such as with lenses and lighting, vs. what can be done on a stage like The Lion King with giant set pieces, puppets, props and costumes. Julie's latest film, The Glorias, is a biopic about women's rights activist and feminist icon, Gloria Steinem. Julie worked with cinematographer Rodrigo Prieto and many visual effects artists to create several surrealist fantasy sequences in The Glorias. The film has a very imaginative and creative way of telling Gloria's story, through multiple actors playing Steinem at different ages, who speak and interact with each other. In some scenes, the Glorias ride a Greyhound bus together to depict Steinem's interior landscape through the stages of her life. Julie decided to use several different color motifs, working with red shoes as a wardrobe choice and sometimes black and white to help get her themes across. She took a similar approach in the film Frida, which used vibrant colors and specific materials such as chrome and steel to depict the different locations where Frida Kahlo traveled and worked. You can watch The Glorias streaming on Amazon Prime September 30. Find Julie Taymor: http://grandlarge.tv/directors/julie-taymor/ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep93/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com WIN a Sony A7SIII, Gitzo tripod and $100 Hot Rod Cameras gift card! Worth over $4,000, for one lucky winner! Follow us on Instagram @thecinepod and click on the link in bio to enter by September 29, 2020. Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

These two friends discuss their career paths as they migrated to the US and how this move affected both their careers and their family life. It's an intimate conversation in Spanish about risks, goals, and perseverance.

Born in Russia Eugenia Kuzmina didn't expect to become a model, actress, or comedian. Her dream was to become an astronaut. But none of these things seem possible or even expected. Early creative ideas caught her scientist's parents and her early teachers by surprise like the time she made bikinis out of soviet uniforms or snuck into a screening of “Terminator 2“ at five. And then came modeling. It’s not something you can pursue, just the look you have and the Russian designer Slava Zaitzev thought she had a look for his brand and a few others, like M&Ms, RC Cola, and magazines like Vogue and Elle. Then, at 15, came contracts for Dior, L’Oreal, Hermes to travel to France, Tokyo, London, New York. She would wake up in the Amazon Jungle to Shanghai, to the Sahara to New York. Then at 23, she gave it all up to have a baby with a man she fell in love with. It was a big leap of faith. Everyone around her was telling her that her career would be over and that she was making a mistake. But she believed life has its magical ways and things would work out. Not long after Rodrigo Prieto was looking for a model character in a short film, he wanted to direct with Elle Fanning. He was looking for someone who could portray decadence, vanity, and extreme neurosis. Who knew you can share all the dark sides of being human on camera! From then on life has been a rollercoaster of discoveries and stories, like playing a girl of the oldest profession with John Turturro and Woody Allen on the streets on NY, making Zoe Deschanel act even more awkward on “New Girl”, playing an FBI agent with Stana Katic on Castle, being a mean night club host with Danny McBride, Scott Caan and Bill Murray and improvising with Lisa Kudrow on The Comeback, cold killing the main character on ” The Spy City ” with Dominic Cooper and so on. Currently, Eugenia is doing stand up shows at The Comedy Store, Laugh Factory, Flappers in LA, and on tour with a group ” The Nobodies ” @nobodiesfunnytour across the US and later the world. Today's episode is sponsored by SendInBlue. Sendinblue is an all-in-one marketing solution that lets you create beautiful email campaigns. They are offering one month free on their premium plan to the first 100 jumbleThink Listeners who sign up. Sign Up today at http://go.thoughtleaders.io/1897320200805

Born in Russia Eugenia Kuzmina didn't expect to become a model, actress, or comedian. Her dream was to become an astronaut. But none of these things seem possible or even expected. Early creative ideas caught her scientist's parents and her early teachers by surprise like the time she made bikinis out of soviet uniforms or snuck into a screening of “Terminator 2“ at five. And then came modeling. It’s not something you can pursue, just the look you have and the Russian designer Slava Zaitzev thought she had a look for his brand and a few others, like M&Ms, RC Cola, and magazines like Vogue and Elle. Then, at 15, came contracts for Dior, L’Oreal, Hermes to travel to France, Tokyo, London, New York. She would wake up in the Amazon Jungle to Shanghai, to the Sahara to New York. Then at 23, she gave it all up to have a baby with a man she fell in love with. It was a big leap of faith. Everyone around her was telling her that her career would be over and that she was making a mistake. But she believed life has its magical ways and things would work out.Not long after Rodrigo Prieto was looking for a model character in a short film, he wanted to direct with Elle Fanning. He was looking for someone who could portray decadence, vanity, and extreme neurosis. Who knew you can share all the dark sides of being human on camera! From then on life has been a rollercoaster of discoveries and stories, like playing a girl of the oldest profession with John Turturro and Woody Allen on the streets on NY, making Zoe Deschanel act even more awkward on “New Girl”, playing an FBI agent with Stana Katic on Castle, being a mean night club host with Danny McBride, Scott Caan and Bill Murray and improvising with Lisa Kudrow on The Comeback, cold killing the main character on ” The Spy City ” with Dominic Cooper and so on.Currently, Eugenia is doing stand up shows at The Comedy Store, Laugh Factory, Flappers in LA, and on tour with a group ” The Nobodies ” @nobodiesfunnytour across the US and later the world. LinksWebsite: http://www.eugenia-kuzmina.comInstagram: https://www.instagram.com/EUGENIAKUZMINA/Today's episode is sponsored by SendInBlue. Sendinblue is an all-in-one marketing solution that lets you create beautiful email campaigns. They are offering one month free on their premium plan to the first 100 jumbleThink Listeners who sign up. Sign Up today at http://go.thoughtleaders.io/1897320200805

Veteran script supervisor Ana Maria Quintana talks about building trust with directors, actors, and department heads. The key, she says, is learning what to say, when to say it, and how to say it. Over her 40+ years in the industry, she’s worked side by side with Steven Spielberg, Cameron Crowe, Ridley Scott, Clint Eastwood, Rodrigo Prieto, and many more. No matter what department you’re in, you’ll learn how to strengthen relationships and maximize your contributions on set. Show notes from this episode: -BONUS SEGMENT, Supervising Multiple Monitors At Once - Ana Maria Island: www.callsheetshow.com/bonus -Ana Maria Quintana on Imdb: https://www.imdb.com/name/nm0704088/?ref_=fn_al_nm_1 -Send us questions and comments for future episodes: callsheetpodcast@gmail.com -Follow Call Sheet on Social: @callsheetshow -Who’ll Stop the Rain, directed by Karel Reisz: https://www.imdb.com/title/tt0078490/?ref_=nm_flmg_dr_6 -Golden Age of Mexican Cinema, article in NY Times: https://www.nytimes.com/2019/10/22/movies/golden-age-of-mexican-cinema.html -Duties of Script Supervisor on Studio Binder: https://www.studiobinder.com/blog/script-supervisor-forms-template/ www.callsheetshow.com

The Cinematography Podcast Episode 80: Xavier Grobet Mexican-born DP Xavier Grobet grew up surrounded by visual images. His mother was a professional photographer, and from an early age, Xavier made his own Super 8 movies every summer with his cousins and family members. He started out going to architecture school, but soon decided his passion was film. Xavier's generation of fellow Mexican filmmakers, “Chivo” Emmanuel Lubezki, Rodrigo Prieto, and Alfonso Cuarón were also attending film school at one of the two main colleges in Mexico City. One of Xavier's early experiences was operating the third camera on a French film, Les Pyramides Bleues, with Alfonso Cuarón as the assistant director. Many American productions were shooting in Mexico at the time, so Xavier was able to work on huge movies like Tony Scott's Revenge and Total Recall starring Arnold Schwarzenegger. Once he moved to America, it took awhile to get established again, but he got a big break shooting the Julian Schnabel film Before Night Falls and the series Deadwood. Xavier Grobet's most recent work has been on HBO's phenomenal series Watchmen, on episodes three, five, and seven. Going into the world of Watchmen proved to be a huge challenge, because each episode works as its own separate piece, but required a familiarity with the script for the entire series to ensure the consistency and look of the story. He always found ways to shoot from different angles, and used blue lighting selectively to suggest and reveal Dr. Manhattan. It was daunting working within the framework of the show's look and following its guidelines, but Xavier embraced it and made it his. See Watchmen on HBO: https://www.hbo.com/watchmen Find Xavier Grobet: http://xmexdp.com/ Instagram: @xmexdp Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep80/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

My two favorite words are adventure and fun. I’m not a typical Capricorn and I don’t have a normal birthday, it’s on Dec 25. I’ve always been one of those kids who doesn’t fit in the box. Early creative ideas caught my scientist parents and my early teachers by surprise, like the time I made bikinis out of soviet uniforms or snuck into a screening of “Terminator 2“ at five. In fact, I was so blown away by it, I had to sneak in twice in a row. Let’s just say I’ve been feeling much happier pursuing professional ice skating than sitting at a school desk. Who cares about everyday training in -22F when you can feel that excitement of doing a live show on ice like “Red Riding Hood“, “Snow White“ . …The smell of freshly cleaned ice, the lights, the music bursting… And then came modeling. It’s not something you can pursue, just the look you have and the Russian designer Slava Zaitzev thought I had a look for his brand and a few others, like M&Ms (who doesn’t love chocolate) RC Cola (we went through 50 bottles shooting the commercial) and magazines like Vogue and Elle. Then, at 15, came contracts for Dior, L’Oreal, Hermes to travel to France, Tokyo, London, New York. I would wake up in the planes from the Amazon Jungle to Shanghai, to the Sahara to New York. That was the most gypsy time of my life! Then at 23, I gave it all up to have a baby with a man I fell in love with. It was a big leap of faith and I believe life has its magical ways. Not long after Rodrigo Prieto was looking for a model character in a short film, he wanted to direct with Elle Fanning. He was looking for someone who could portray decadence, vanity, and extreme neurosis. Who knew you can share all the dark sides of being human on camera! From then on life has been a rollercoaster of discoveries and stories, like playing a girl of the oldest profession with John Turturro and Woody Allen on the streets on NY, making Zoe Deschanel act even more awkward on “New Girl”, playing an FBI agent with Stana Katic on Castle, being a mean night club host with Danny McBride, Scott Caan and Bill Murray and improvising with Lisa Kudrow on The Comeback, cold killing the main character on ” The Spy City ” with Dominic Cooper and so on. I’m incredibly grateful for being part of the creative process and working with such incredible artists. Currently, I’m doing stand up shows at The Comedy Store, Laugh Factory, Flappers in la, and on tour with a group ” The Nobodies ” @nobodiesfunnytour across the US and later the world. I fell in love, just being in a room with total strangers sharing life at its most unexpected and unpredictable moments.

" My two favorite words are adventure and fun. I’m not a typical Capricorn and I don’t have a normal birthday, it’s on Dec 25. I’ve always been one of those kids who doesn’t fit in the box. Early creative ideas caught my scientist parents and my early teachers by surprise, like the time I made bikinis out of soviet uniforms or snuck into a screening of “Terminator 2“ at five. In fact I was so blown away by it, I had to sneak in twice in a row. Let’s just say I’ve been feeling much happier pursuing professional ice skating than sitting at a school desk. Who cares about everyday training in -22F when you can feel that excitement of doing a live show on ice like “Red Riding Hood“, “Snow White“ . …The smell of freshly cleaned ice, the lights, the music bursting… And then came modeling. It’s not something you can pursue, just the look you have and the Russian designer Slava Zaitzev thought I had a look for his brand and a few others, like M&Ms (love chocolate) RC Cola (we went through 50 bottles shooting the commercial) and magazines like Vogue and Elle. Then, at 15, came contracts for Dior, L’Oreal, Hermes to travel to France, Tokyo, London, New York. I would wake up in the planes from the Amazon Jungle to Shanghai, to the Sahara to New York. That was the most gypsy time of my life! I gave it all up to have a baby with a man I fell in love with. It was a big leap of faith and I believe life has its magical ways . Not long after Rodrigo Prieto was looking for a model character in a short film, he wanted to direct with Elle Fanning. He was looking for someone who could portray decadence, vanity and extreme neurosis. Who new you can share all the dark sides of being human on camera! The past three years have been a rollercoaster of discoveries and stories, like playing a girl of an oldest profession with John Turturro and Woody Allen on the streets on NY, making Zoe Deschanel act even more awkward on “New Girl”, playing an FBI agent with Stana Katic on Castle , being a mean night club host with Danny McBride, Scott Caan and Bill Murray and improvising with Lisa Kudrow on The Comeback . I’m incredibly grateful for being part of the creative process and working with such incredible artists. Recently I’ve decided to get back doing live shows and found Stand Up! And I fell in love, just being in a room with total strangers sharing life at its most unexpected moments brings me a lot of joy. " Reels and links : https://www.youtube.com/watch?v=jMZMy1q1FyY&t=76sWebsites : http://www.eugenia-kuzmina.com/http://www.modelmom.tv/ 

episode notesCinematographer Style Volume 1 and 2 - Jon FauerInterviews with some of the best DPs like Roger Deakins, Bill Pope, Nancy Schreiber, John Seale, Haskell Wexler, Gordon Willis, and many more.The 5 Cs of Cinematography - Joseph V. MascelliCamera angle, continuity, cutting, close-up, and compositionCinematography: Theory and Practice - Blaine BrownMaster Shots - Christopher KenworthyGreat examples for setting up scenes with camera angles and blockingLighting for Cinematography - David LandauFilm Lighting: Talks with Hollywood's Cinematographers and Gaffers - Kris MalkiewiczInterviews with Janusz Kaminski, Matthew Libatique, Rodrigo Prieto, Harris Savides, and many more.

Rodrigo Prieto is the Oscar-nominated cinematographer behind films such as “25th Hour,” “Brokeback Mountain” and “Argo.” In recent years he has worked with filmmaker Martin Scorsese on projects like “The Wolf of Wall Street” and “Silence.” This year they have “The Irishman,” which, on a technical level, was an absolute beast to tackle. On this episode of “The Call Sheet” you’ll learn about the R&D that went into developing a proprietary camera rig to allow visual effects artists to “de-age” the film’s stars to play through a series of decades. Prieto also discusses his game plan for visually representing the three distinct time periods of this mammoth 3-and-a-half hour opus.

Ouça os destaques do Caderno 2 desta segunda-feira (20/01/20)See omnystudio.com/listener for privacy information.

En este episodio de RCN Digital hablamos de los nominados a la canción del año en los premios Brit Awards de 2020. Andrea Cardona nos explicó cómo será la ciudad del futuro que quiere construir Toyota en Japón y el novedoso Smartphone circular que lanzaron recientemente. La Copello nos trajo el instagram de Rodrigo Prieto, uno de los fotógrafos nominados a los premios Oscar y las pérdidas de Netflix a raíz de las cuentas compartidas entre usuarios. Finalmente, Juan Vicente Reyes nos habló sobre el videojuego de la década para los usuarios de Play Station 4. Esto y más en este episodio de RCN Digital.

For its critical success, awards buzz, and technical breakthroughs revolving around the unique use of brand-new digital de-aging techniques on lead actors for extended sequences, it might be easy to forget Martin Scorsese’s new Netflix financed-and-streamed gangster epic The Irishman is largely a classically shot film. At least that’s the point of view of the film’s […] The post Cinematographer Rodrigo Prieto, ASC, AMC, Gives The Irishman His All appeared first on Studio Daily.

Rodrigo Prieto, el Loco Abreu mexicano

Rodrigo Prieto is the Oscar-nominated cinematographer behind films such as “25th Hour,” “Brokeback Mountain” and “Argo.” In recent years he has worked with filmmaker Martin Scorsese on projects like “The Wolf of Wall Street” and “Silence.” This year they have “The Irishman,” which, on a technical level, was an absolute beast to tackle. On this episode of “The Call Sheet” you’ll learn about the R&D that went into developing a proprietary camera rig to allow visual effects artists to “de-age” the film’s stars to play through a series of decades. Prieto also discusses his game plan for visually representing the three distinct time periods of this mammoth 3-and-a-half hour opus.

Luis Pablo Beauregard y Trino Camacho invitan a la especialista Fernanda Solórzano para hablar de unos de los títulos más esperados del año: The Irishman, la nueva película de Martin Scorsese producida por Netflix y protagonizada por Robert De Niro, Al Pacino y Joe Pesci y un amplio elenco que incluye a Ray Romano, Harvey Keitel, Anna Paquin, Jesse Plemons y Dasha Polanco entre otros. Escrita por Steven Zaillian, editada por Thelma Schoonmaker, musicalizada por Robbie Robertson y fotografiada por el mexicano Rodrigo Prieto.Una conversación de sobremesa que se adentra en los personajes, las actuaciones, las tecnologías de rejuvenecimiento y el lugar que ocupa esta película en la filmografía de Scorsese. Para completar, Ricardo López profundiza sobre el libro I Heard You Paint Houses, escrito por Charles Brandt, en el cual se basó el guión de la película. 

Rodrigo Prieto has shot many different movies with numerous looks and feelings. The Irishman is Rodrigo's third collaboration with Martin Scorsese, who has always been a huge inspiration for him, and it was also an amazing experience working with such skilled actors on the film.

È un vero piacere poter condividere questa chiacchierata con Paolo Carnera. Lo abbiamo incontrato per la prima volta al Microsalon di Roma di due anni fa, da allora abbiamo provato a inviare messaggi e a organizzare un incontro ma tali erano i suoi impegni lavorativi che non si è mai riuscito. Un giorno è successo che andando a conoscere Massimo Proietti di Panalight, Paolo stava facendo dei provini su ottiche e camere, e ne abbiamo approfittato per richiedere nuovamente un appuntamento per l'intervista.Da lì a breve sarebbe partito per l'India quindi siamo scesi a Roma dopo pochi giorni e ci ha ospitato per una birra.Aiuta il nostro progetto: https://www.produzionidalbasso.com/pr...Seguono gli argomenti che abbiamo trattato: 00:00:01 intro00:00:36 l’incontro da Panalight00:01:05 i provini di camere e ottiche00:01:34 provini per il film “White Tiger” di Ramin Bahrani00:01:55 99 homes di Ramin Bahrani 00:02:00 Man push cart di Ramin Bahrani 00:02:01 Chop Shop di Ramin Bahrani 00:02:05 Goodby Solo di Ramin Bahrani 00:02:12 la lista tecnica per “White Tiger” 00:02:54 la LF Mini 00:03:43 ho testato la Venice00:03:53 il 4K commerciale e del risultato00:04:57 profondità colore, toni di grigio, comportamento sensore00:05:34 la Venice ha buone caratteristiche00:06:04 ho portato ai limiti l’Alexa 00:06:46 la proposta di Massimo Proietti 00:07:13 le Master Prime e il digitale con Gomorra00:08:13 la situazione sulla pellicola 00:08:44 Gomorra e gli Ultra Prime00:09:02 Suburra, i Master Prime, f 1.3 e grandi focus puller00:10:14 Lussuria: seduzione e tradimento con la Fotografia di Rodrigo Prieto https://www.youtube.com/watch?v=V1aQ0...00:11:54 secondo Les Zellan il LF tra 10 anni non coprirà più del 20% delle produzioni00:12:51 adesso comandano le piattaforme00:13:29 adesso abbiamo la possibilità di essere visti in tutto il mondo00:13:44 perché si è arrivati al LF: 2 motivi00:15:01 la richiesta del mercato00:15:20 il cinema solitario di casa propria00:15:48 finalmente ci sono i film in lingua00:17:13 Gomorra è stato una rottura00:17:58 per i doppiatori sarà una bella sfida nei prossimi anni00:18:30 con Gomorra hai “rischiato di più”00:18:59 gli autori della fotografia di oggi sono “abituati a vedere”00:19:55 D’Attanasio diceva nell’intervista che con la pellicola il DoP era come un Demiurgo00:21:00 ho sempre apprezzato la sincerità00:21:49 parlando di “Sangue Vivo”00:22:29 con il digitale “è più facile rischiare”00:23:48 su Romanzo Criminale girato tutto a mano 00:24:22 è sempre una scommessa “stupire”00:25:27 dal rischiare a essere coerenti con il racconto00:26:17 l’importanza delle immagini evocative00:26: 34 arte classica, antica, contemporanea e tanto cinema00:27:03 innegabilmente racconto qualcosa di me quando faccio un film00:29:00 ti spiego con degli esempi cosa intendo per “rischio”00:29:13 delegare il meno possibile ai VFX00:30:36 il rischio più grande00:31:32 faccio anche cose che non mi piacciono e anche film che non mi piacciono00:32:13 ti arrabbi più spesso sul set?00:34:05 I focus puller sono dei mostri con quello che fanno00:34:36 I focus puller vanno a istinto o con gli strumenti?00:35:06 la violenza di alcune scene ti arriva oppure no?00:36:18 il vero dramma di Gomorra00:37:02 uno sguardo amorevole e i personaggi di Gomorra00:40:11 dovevo emozionarmi 00:41:08 in Gomorra raccontiamo un’umanità senza morale00:41:37 il mio approccio alla scena e all’ambiente in Gomorra00:42:32 illuminare l’ambiente almeno all’80% aiuta tutti a fare un lavoro migliore00:44:07 rubo dalla realtà per amplificarla00:47:47 il cinema italiano: Sorrentino, Garrone, Crialese00:48:04 il cinema di Edoardo De Angelis e la fotografia di Ferran Paredes Rubio 00:48:55 Dampyr e Chemello: bisogna rischiare 00:50:26 adesso si possono produrre film con meno budget: si e no 00:52:02 è giusto fare un cinema a bassissimo costo da cui attingere 00:52:27 la terra dell’abbastanza, RAI ha rischiato e ha fatto bene00:53:24 e poi serve più budget per combattere a livello internazionale00:53:51 non puoi fare un colossal senza budget00:54:19 come vedi il cinema da qui a 10 anni00:54:57 il 3D è morto00:55:26 il futuro è la qualità della narrazione00:56:10 quando vedo un film di Roger Deakins00:56:41 Uccellacci e uccellini00:57:09 dobbiamo essere trasversalmente colti00:57:54 su Antonioni: la lentezza e il silenzio00:59:42 noi lavoriamo tra la forma d’arte e l’intrattenimento--------Intervento di Paolo Carnera al Microsalon: https://www.youtube.com/watch?v=SVtz5...--------99 homes di Ramin Bahrani:https://www.youtube.com/watch?v=Vh0pi...Man push cart:https://www.youtube.com/watch?v=weDMI...Chop Shop:https://www.youtube.com/watch?v=ZFwDs...Goodby Solo: mhttps://www.youtube.com/watch?v=U5IGC...--------https://www.recdistrikt.com

Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing. This career path allowed him to light films and learn from some of the most talented DP’s in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”. In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts. Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively. In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.

On Day 3 of our New York Film Festival daily podcast, we're exploring the craft of cinematography. In the introduction Eugene Hernandez, FLC Deputy Director and Co-Publisher of Film Comment, is joined by programmer Dan Sullivan to discuss NYFF's Retrospective selections this year, dedicated to the American Society of Cinematographers's centennial. We pay tribute to the society with a selection of historically significant and brilliantly photographed films shot by some of its most notable members past and present. Sullivan and Hernandez also dive into the Revivals lineup, featuring brand-new restorations of rarities and classics.  Then, we feature our first NYFF Live talk: Cinematography Now. In this show-and-tell session, some of the greatest working cinematographers discussed their craft, offering an insider’s view of the field today. The special guests are Rodrigo Prieto, whose credits include Martin Scorsese’s The Irishman, Silence, and The Wolf of Wall Street, as well as Brokeback Mountain and Amores Perros; Ashley Connor, one of the best emerging cinematographers, whose films include Josephine Decker’s Madeline’s Madeline, Thou Wast Mild and Lovely, and Butter on the Latch, and Sundance-winner The Miseducation of Cameron Post; and Chris Teague, whose work includes the TV series Russian Doll, GLOW, and Broad City, and the independent films The Mend and Obvious Child. Moderated by David Schwartz, former Chief Curator, Museum of the Moving Image. The 57th NYFF continues through October 13! See all available tickets at filmlinc.org/nyff This podcast is brought to you by Film at Lincoln Center.

About This Episode:Eugenia Kuzmina's first entertainment gig was at 13 years old when she was pulled out from a group of kids in her school to appear in a Russian version of SNL " Eralash". She was then cast to appear in Chuck Noris film, but couldn't leave the country due to visa issues. After appearing in commercials for Coca Cola, Loreal and Wrigleys in Moscow she was noticed by a scout at Nathalie Models Europe. She signed a contract and moved to Paris at 15 to work with such brands as Cartier, Dior, Armani, Hermes, Loreal, Vogue among many others... After Ford Models, then IMG resigned her contract and moved her to the US , she was noticed by Rodrigo Prieto ( cinematographer " Wolf Of Wall Street ", " Babel " ) to appear in his directorial debut opposite Elle Fanning " Likeness". The movie was screened at Tribeca and received excellent reviews. John Turturro cast Eugenia to play opposite him in a film with Woody Allen " Fading Gigolo". Recently Eugenia worked opposite Bill Murray in " Rock The Kasbah " and opposite Milla Kunis and Christina Applegate in " Bad Moms and upcoming Guy Ritchie movie " Bush " . " Eugenia's Tv credits include " True Blood"," New Girl", " Castle", " The Comeback", ' Lady Dynamite " ... Eugenia is very passionate about atrial marts and comedy and writes and performs Stand Up regularly at THE COMEDY STORE and LAUGH FACTORY . Her other hobbies include motorcycles, languages (French, Portuguese), and supporting environmental issues around the world. Find out more about Eugenia at:  http://www.eugenia-kuzmina.com/ See the Show Notes: www.jeremyryanslate.com/569 Sponsors:Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading "Steve Jobs," by Walter Isaacson head over to www.jeremyryanslate.com/book  Command Your Brand Media: Looking to grow your brand as a guest on top rated podcasts? Visit www.commandyourbrand.media

About This Episode:Eugenia Kuzmina's first entertainment gig was at 13 years old when she was pulled out from a group of kids in her school to appear in a Russian version of SNL " Eralash". She was then cast to appear in Chuck Noris film, but couldn't leave the country due to visa issues. After appearing in commercials for Coca Cola, Loreal and Wrigleys in Moscow she was noticed by a scout at Nathalie Models Europe. She signed a contract and moved to Paris at 15 to work with such brands as Cartier, Dior, Armani, Hermes, Loreal, Vogue among many others... After Ford Models, then IMG resigned her contract and moved her to the US , she was noticed by Rodrigo Prieto ( cinematographer " Wolf Of Wall Street ", " Babel " ) to appear in his directorial debut opposite Elle Fanning " Likeness". The movie was screened at Tribeca and received excellent reviews. John Turturro cast Eugenia to play opposite him in a film with Woody Allen " Fading Gigolo". Recently Eugenia worked opposite Bill Murray in " Rock The Kasbah " and opposite Milla Kunis and Christina Applegate in " Bad Moms and upcoming Guy Ritchie movie " Bush " . " Eugenia's Tv credits include " True Blood"," New Girl", " Castle", " The Comeback", ' Lady Dynamite " ... Eugenia is very passionate about atrial marts and comedy and writes and performs Stand Up regularly at THE COMEDY STORE and LAUGH FACTORY . Her other hobbies include motorcycles, languages (French, Portuguese), and supporting environmental issues around the world. Find out more about Eugenia at:  http://www.eugenia-kuzmina.com/ See the Show Notes: www.jeremyryanslate.com/569 Sponsors:Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading "Steve Jobs," by Walter Isaacson head over to www.jeremyryanslate.com/book  Command Your Brand Media: Looking to grow your brand as a guest on top rated podcasts? Visit www.commandyourbrand.media

Celiana Cárdenas AMC, Apertura, nos habla de su experiencia al emigrar a otro país (Canadá) para filmar y las diferencias en las maneras de trabajo entre países.Celiana es una directora de fotografía Mexicana trabajando y viviendo en Canadá. Vamos a platicar sobre emigrar a otro país y el cómo comprender y adaptarse a otras reglas, a otras maneras de trabajo, a otro tipo de luz.Celiana estudió Dirección de Fotografía en el CCC Centro de Capacitación Cinematográfica en México y tiene una maestría en la Universidad de California (UCLA). Ella ha trabajado con directores d fotografía, como Emmanuel Lubezki, Rodrigo Prieto, Xavier Pérez Grobet, para citar solo algunos. Vive desde el 2010 en Toronto, Canadá en donde ha filmado 8 largometrajes, 3 documentales y 3 cortos.Sus películas han estado en números festivales que incluyen el TIFF o Festival Internacional de Cine de Toronto y el Festival Internacional de Guadalajara.Este año estrenó “Diggstown” su primera serie de TV para CBC para el horario estelar. Celiana también es miembro de la AMC y de Apertura.Para los que no conocen Apertura, es una asociación mexicana de mujeres cinefotógrafas, su objetivo es dar a conocer el trabajo de mujeres talentosas mexicanas y extranjeras trabajando en Mexico.Algunos han considerado que Celiana es la primera directora de fotografía mexicana, aunque elle dice que más bien es la primera mujer egresada como directora de fotografía del CCC

¡Hola Crononautas! El drama y el romance también tienen su hueco en CronoCine, por lo que hemos querido comenzar este ciclo de cine dramático con una de las mejores películas románticas de comienzos de siglo, tanto por su calidad cinematográfico como por su repercusión y significado fuera de las salas. Hoy hablamos de la magnífica Brokeback Mountain (Secreto en la montaña) del maestro de la variedad, Ang Lee. Apoyado en un inmenso pero muy joven reparto con Jake Gyllenhaal, Heath Ledger, Michelle Williams y Anne Hathaway, Lee mejora esta historia de amor basada en el corto homónimo publicado en The New Yorker por Annie Proulx. En los dos primeros bloques SIN SPOILERS tendremos nuestra sección Detrás de la Claqueta, en la que Mario Wire comparara el relato corto y el largometraje. También hablaremos de las polémicas que suscitó el film en su llegada a salas, la cinematografía de Rodrigo Prieto, la producción, el reparto y no olvidaremos hacer un repaso a la multigenérica carrera de su director. En el tercer y último bloque llegará la alerta SPOILER y desmenuzaremos en detalle la trama analizándola escena a escena.  En este episodio suena la BSO de CronoCine compuesta por el artista musical El Arias (podéis encontrar su música en Facebook y Soundcloud). Además, suenan los temas American Dream de Scomber, y Little Candle y A White Dream de Stefan Kartenberg(todas bajo licencias Cretive Commons 3.0). 

¡Hola Crononautas! El drama y el romance también tienen su hueco en CronoCine, por lo que hemos querido comenzar este ciclo de cine dramático con una de las mejores películas románticas de comienzos de siglo, tanto por su calidad cinematográfico como por su repercusión y significado fuera de las salas. Hoy hablamos de la magnífica Brokeback Mountain (Secreto en la montaña) del maestro de la variedad, Ang Lee. Apoyado en un inmenso pero muy joven reparto con Jake Gyllenhaal, Heath Ledger, Michelle Williams y Anne Hathaway, Lee mejora esta historia de amor basada en el corto homónimo publicado en The New Yorker por Annie Proulx. En los dos primeros bloques SIN SPOILERS tendremos nuestra sección Detrás de la Claqueta, en la que Mario Wire comparara el relato corto y el largometraje. También hablaremos de las polémicas que suscitó el film en su llegada a salas, la cinematografía de Rodrigo Prieto, la producción, el reparto y no olvidaremos hacer un repaso a la multigenérica carrera de su director. En el tercer y último bloque llegará la alerta SPOILER y desmenuzaremos en detalle la trama analizándola escena a escena.  En este episodio suena la BSO de CronoCine compuesta por el artista musical El Arias (podéis encontrar su música en Facebook y Soundcloud). Además, suenan los temas American Dream de Scomber, y Little Candle y A White Dream de Stefan Kartenberg(todas bajo licencias Cretive Commons 3.0). 

In this week's episode of Shot for Shot, Perry and Geoff talk about the perfect shots within Martin Scorsese's Silence. Then Geoff sits down to speak with DP Rodrigo Prieto about Silence, working in multiple genres, and honing his craft. View this week's Shots in the companion post: http://buff.ly/2o3PRpi Be sure to follow us on Twitter (@OnePerfectPod) and Facebook (facebook.com/oneperfectshot). Subscribe in iTunes, Stitcher, on TuneIn, or wherever you get your podcasts. You can also follow hosts H. Perry Horton (@hperryhorton) and Geoff Todd (@TheGeoffTodd). We'd very much appreciate your feedback, as well. Leave us a review on iTunes or email us: pod@filmschoolrejects.com. Thanks for listening!

¿Por qué la más reciente película de Martin Scorsese no alcanza a conectar con la audiencia? La teoría de Miguel Cane y su invitado, Carlos Iniesta, tiene que ver con la belleza del trabajo del cinefotógrafo mexicano Rodrigo Prieto. Pero compruébenlo ustedes, aprovechando que es uno de los estrenos de la semana: el otro es la elegante biopic de Jackie Kennedy post-JFK. Además, hablan de los Oscares, noticias como el inicio de la filmación de la nueva de Star Wars, una recomendación doméstica bastante aburridona y el clásico de la semana, que ahora es la siempre sorprendente Viridiana de Buñuel. See acast.com/privacy for privacy and opt-out information.

Edición numero 124 de La Gran Evasión, 14/2/2017. Deuda de Honor (The Homesman), esta noche nos visita una terrible, vasta e inmensa soledad, soledad que te aniquila, una promesa y una deuda de honor que hay que cumplir. Tommy Lee Jones agarraba en 2014 ésta historia de Glendon Swarthout con una mano firme y segura, pero extremadamente delicada, para regalarnos un Western lleno de lirismo, o un No-Western, un viaje de retorno de tres chicas desquiciadas al este, un reconocimiento a las mujeres de ese mítico mundo, mujeres fuertes, sufridoras, el sostén de la familia, de la comunidad, el apoyo constante, que labraron con sangre y sudor la tierra, y por ende, el inicio de la civilización del salvaje oeste... Duele la soledad, arrasa, hasta que la locura se apodera de ti, hasta que abandonas este mundo cruel y tu mente desconecta, la película es un viaje hacia una promesa, un grito feminista, una extraordinaria historia tan desoladora como bellamente filmada, la fotografía de Rodrigo Prieto es excepcional, con planos de la llanura inmensa, la carreta de los locos, con la ropa tendida, el viento, el horizonte, inolvidable, la naturaleza inflexible, el calor del día, el frío de la noche....un mar de tierra por el que si te extravíes, estas muerto. Ecos en la mirada del maestro Eastwood, este viejo Briggs puede ser el desalmado Munny de Sin Perdón, también es una odisea de redención, Tommy Lee Jones nos golpea con la sombra de John Ford, la loa a la figura materna, a la mujer por excelencia, si Centauros del desierto, la obra maestra de John Ford, es la fotografía, esta historia y esta película puede ser el negativo, el trasfondo del mito Fordiano, del núcleo familiar compacto y unido que es capaz de hacer frente a todo los avatares que Dios le mande, pero ese tono idealista se topa de bruces con la realidad en esta obra, la llorada Marta Edwars, encarna ese prototipo, pero aquí, está desprovisto de amor, aniquilado por esa realidad descarnada y dura, no dista mucho de lo que realmente tuvo que ser esa vida para las mujeres de la época, que eran mercancía, una necesidad para perpetuar un apellido, para traer niños que ayuden en la granja en ese inhóspito paraje, mulas de carga...., por eso duele tanto ver a estas chicas y esos flashbacks terribles, comparándolos con el mito Fordiano, aquí están destruidas por una tierra sin amor, por unos compañeros superados por las circunstancias, su única salida es abandonarse a la locura.....cruzar la frontera definitiva, esas miradas se clavan en los espectadores, el llanto del niño arrojado a la letrina no te abandona..... Hilary Swank, Mary Bee Cuddy es fuerte y está sola, casi desesperada por encontrar un compañero, casi asqueada de existir, una actuación fabulosa de Swank, de esa mujer que se aferra a su educación, a sus modales, a sus recuerdos, a su deseo, a un sueño que se desvanece, cuando se mira en el espejo, se cepilla el pelo, y su mirada nos traspasa, intenta hacer lo correcto, devolver a la vida a estas tres niñas, las tres gracias, trastornadas por una realidad cruel, por una comunidad cerrada, por una tierra sin Dios, por una vida sin amor.... Incendiamos la torre de Radiopolis esta noche, contertulios, Cristina Abad, Raúl Gallego, Gervi Navío, a la dirección José Miguel Moreno.....suya es la venganza, con una antorcha en la mano, prendiendo fuego al cine con parsimonia y esmero.....nuestro crítico César Bardés. Gervasio Navío Flores.

Faith is a difficult concept to explain to non-believers. I was never raised religiously, or even with any sort of a belief in a god. As such, I generally struggle to connect to stories of faith and to characters who so strongly experience faith, and it takes something special to make me truly understand what these people are going through. But Martin Scorsese, with his latest film Silence, has managed to do just that. Himself a lapsed Catholic, he may just be in the best position to convey the intricacies of faith. Silence is the story of two Portuguese Christian missionaries in Japan in the 17th century, a time when Christianity was forbidden and severely persecuted. It’s based on a novel of the same name by Shusaku Endo, a Japanese Christian author, which in turn is based on a real set of historical events. The two missionaries, Rodrigues and Garupe (Andrew Garfield and Adam Driver), travel to Japan in pursuit of another priest by the name of Ferreira (Liam Neeson) who had gone to Japan many years earlier and of whom all traces had been lost. Over the course of the film, the priests hide in small Japanese villages and attempt, unsuccessfully, to evade the authorities who are determined to make the priests apostatise, to renounce their religion, and who aim to stamp out the roots of Christianity in Japan. The more the priests persist in their attempts to find Ferreira and to hold on to their dogma, the more ruthless the Japanese officials become, not just towards them but also towards the villagers who hide them. For the most part, the narrative is centred on Rodrigues, and the themes of wavering faith, the silence of god and the point of missionary work in general, are all explored through him. Rodrigues is so deeply embedded in his religious system and indoctrinated role as a missionary that he fails to realise that true faith is in one’s heart, not one’s church. There’s a moment in the middle of the film where Rodrigues hands out religious artefacts to the church-starved locals and observes that these people seem more obsessed with the symbolism of religion than religion itself. It’s a thought that Rodrigues himself does not seem to fully grasp in relation to the manifestations of his own faith: repeatedly, the officials try to make him renounce his faith by placing his foot on an image of Christ, and repeatedly he refuses, as indeed do the persecuted villagers. He too, then, like the villagers, is more interested with preserving his status as an emissary of the church and of god than of accepting true belief, and as a result cannot bring himself to reject a physical symbol. To add to his inner turmoil and the difficulty he faces, the longer he takes to reject his status as a priest in front of authorities, the more the Japanese civilians are tormented and tortured. Even the officials continually state that the act of apostasy is a pure formality, that they would be satisfied with the simple gesture of stamping on the engraving, and even though this statement comes from a place of heartless bureaucracy, it nevertheless encapsulates the very lesson that Rodrigues is destined to learn. Most of these narrative twists, thematic ideas and religious dilemmas come, of course, from Endo’s original novel, not from Scorsese or his co-screenwriter Jay Cocks, so I can’t pretend that they’re specific to this film. Having said that, the novel doesn’t really work for me. It seems to presume a basic personal understanding of the problems faced by people of faith and in doing so alienates someone like me who does not necessarily appreciate the faithful mindset. Endo almost relies on the (albeit intriguing) philosophical and ethical questions to be the start and endpoint of the narrative and as a result the narrative itself falls flat. There was even another adaptation of the novel filmed in 1971 by Masahiro Shindo, co-written by Endo himself, and even that felt very unengaging, though technically well-made. Scorsese’s adaptation, however, succeeds in constructing a deeply personal and affecting portrayal of the young priest and took me on a journey alongside him, allowing me to empathise with the weight of his doubts. Ironically, it seems that he has achieved this by toning down the first-person perspective in comparison to the original, though we do get a voiceover in several sections of the film, and consequently the film becomes more subtle and more balanced as a depiction. On top of this, Scorsese pays a great deal more attention to the Japanese villagers and their suffering, the very suffering that is at the core of the moral quandary facing Rodrigues. It all makes for very engrossing and moving viewing. In other words, while Scorsese hasn’t come up with the seeds of the story and themes, it’s the way he expresses them that is significant here. On a technical level, too, Silence is astoundingly well-put-together. The majority of the film is shot with striking cold, foggy tones, echoing the harshness of the political environment which the priests are thrust into. Yet there are several notable moments that seem surprisingly warmly-coloured, made even more notable by the overall coldness of the film. These warm moments predominantly seem to have some connection to faith, such as a night-time prayer session in a tiny hut. It’s almost as if to emphasise the extent of the meaning people derive from their faith and the intimacy of their beliefs. I should note that cinematographer Rodrigo Prieto has been nominated for an Academy Award for Silence, and it’s very much well-earned. Scorsese’s longtime collaborator and film editor Thelma Schoonmaker, too, continues her masterful work, as does legendary set and art designer Dante Ferretti. The period detail is meticulous, even in scenes we barely see. And even though superficially this film mightn’t appear to shout “Scorsese”, there’s enough of his familiar camera movements to divulge his directorial presence. Several startling zooms and pans, particularly in the prison sequences, still stick in my mind and are well and truly characteristic of Scorsese’s work. Not to mention the stark and brutal imagery that has become synonymous with his reputation. Excellent, fascinating and absorbing, a story about faith that even non-religious people like me can get into. All that’s left to say, I suppose, is that Martin Scorsese’s Silence is golden. Silence is out in cinemas on February 16th. Written by Ben VolchokSee omnystudio.com/listener for privacy information.

Faith is a difficult concept to explain to non-believers. I was never raised religiously, or even with any sort of a belief in a god. As such, I generally struggle to connect to stories of faith and to characters who so strongly experience faith, and it takes something special to make me truly understand what these people are going through. But Martin Scorsese, with his latest film Silence, has managed to do just that. Himself a lapsed Catholic, he may just be in the best position to convey the intricacies of faith. Silence is the story of two Portuguese Christian missionaries in Japan in the 17th century, a time when Christianity was forbidden and severely persecuted. It’s based on a novel of the same name by Shusaku Endo, a Japanese Christian author, which in turn is based on a real set of historical events. The two missionaries, Rodrigues and Garupe (Andrew Garfield and Adam Driver), travel to Japan in pursuit of another priest by the name of Ferreira (Liam Neeson) who had gone to Japan many years earlier and of whom all traces had been lost. Over the course of the film, the priests hide in small Japanese villages and attempt, unsuccessfully, to evade the authorities who are determined to make the priests apostatise, to renounce their religion, and who aim to stamp out the roots of Christianity in Japan. The more the priests persist in their attempts to find Ferreira and to hold on to their dogma, the more ruthless the Japanese officials become, not just towards them but also towards the villagers who hide them. For the most part, the narrative is centred on Rodrigues, and the themes of wavering faith, the silence of god and the point of missionary work in general, are all explored through him. Rodrigues is so deeply embedded in his religious system and indoctrinated role as a missionary that he fails to realise that true faith is in one’s heart, not one’s church. There’s a moment in the middle of the film where Rodrigues hands out religious artefacts to the church-starved locals and observes that these people seem more obsessed with the symbolism of religion than religion itself. It’s a thought that Rodrigues himself does not seem to fully grasp in relation to the manifestations of his own faith: repeatedly, the officials try to make him renounce his faith by placing his foot on an image of Christ, and repeatedly he refuses, as indeed do the persecuted villagers. He too, then, like the villagers, is more interested with preserving his status as an emissary of the church and of god than of accepting true belief, and as a result cannot bring himself to reject a physical symbol. To add to his inner turmoil and the difficulty he faces, the longer he takes to reject his status as a priest in front of authorities, the more the Japanese civilians are tormented and tortured. Even the officials continually state that the act of apostasy is a pure formality, that they would be satisfied with the simple gesture of stamping on the engraving, and even though this statement comes from a place of heartless bureaucracy, it nevertheless encapsulates the very lesson that Rodrigues is destined to learn. Most of these narrative twists, thematic ideas and religious dilemmas come, of course, from Endo’s original novel, not from Scorsese or his co-screenwriter Jay Cocks, so I can’t pretend that they’re specific to this film. Having said that, the novel doesn’t really work for me. It seems to presume a basic personal understanding of the problems faced by people of faith and in doing so alienates someone like me who does not necessarily appreciate the faithful mindset. Endo almost relies on the (albeit intriguing) philosophical and ethical questions to be the start and endpoint of the narrative and as a result the narrative itself falls flat. There was even another adaptation of the novel filmed in 1971 by Masahiro Shindo, co-written by Endo himself, and even that felt very unengaging, though technically well-made. Scorsese’s adaptation, however, succeeds in constructing a deeply personal and affecting portrayal of the young priest and took me on a journey alongside him, allowing me to empathise with the weight of his doubts. Ironically, it seems that he has achieved this by toning down the first-person perspective in comparison to the original, though we do get a voiceover in several sections of the film, and consequently the film becomes more subtle and more balanced as a depiction. On top of this, Scorsese pays a great deal more attention to the Japanese villagers and their suffering, the very suffering that is at the core of the moral quandary facing Rodrigues. It all makes for very engrossing and moving viewing. In other words, while Scorsese hasn’t come up with the seeds of the story and themes, it’s the way he expresses them that is significant here. On a technical level, too, Silence is astoundingly well-put-together. The majority of the film is shot with striking cold, foggy tones, echoing the harshness of the political environment which the priests are thrust into. Yet there are several notable moments that seem surprisingly warmly-coloured, made even more notable by the overall coldness of the film. These warm moments predominantly seem to have some connection to faith, such as a night-time prayer session in a tiny hut. It’s almost as if to emphasise the extent of the meaning people derive from their faith and the intimacy of their beliefs. I should note that cinematographer Rodrigo Prieto has been nominated for an Academy Award for Silence, and it’s very much well-earned. Scorsese’s longtime collaborator and film editor Thelma Schoonmaker, too, continues her masterful work, as does legendary set and art designer Dante Ferretti. The period detail is meticulous, even in scenes we barely see. And even though superficially this film mightn’t appear to shout “Scorsese”, there’s enough of his familiar camera movements to divulge his directorial presence. Several startling zooms and pans, particularly in the prison sequences, still stick in my mind and are well and truly characteristic of Scorsese’s work. Not to mention the stark and brutal imagery that has become synonymous with his reputation. Excellent, fascinating and absorbing, a story about faith that even non-religious people like me can get into. All that’s left to say, I suppose, is that Martin Scorsese’s Silence is golden. Silence is out in cinemas on February 16th.   Written by Ben Volchok

Esta semana hablamos sobre los Prieto, la familia del cinefotógrafo Rodrigo, y del próximo Encuentro Nacional de Yoga. Para hablar de esta dinastía, invitamos al editor de Reportajes, Mario Villagrán, quien entrevistó a Rodrigo Prieto, quien muy posiblmente esté nominado al Oscar por sus trabajos con Scorsese ('Silence') y Morten Tyldum ('Passengers'). ¿Por qué este cinefotógrafo se quiere hacer director de cine? También recibimos a Ana Paula Domínguez, directora del Instituto Mexicano de Yoga, para hablar de yoga, el encuentro y la expo que se realizará este fin de semana. Hay actividades hasta para niños y gratis. Además: – Conoce el arte chicano – El Comedy fest hará que te ahogues de la risa – Conoce a las Bellas de noche – La chilena Ana Tijoux en el Teatro de la Ciudad – Toulousse Lautrec dice adiós a los chilangos Comentarios, abrazos, felicitaciones y mentadas en el hashtag #PodcastChilango. Subimos un episodio nuevo cada martes después del mediodía.

Antes del inicio de la quinta edición de Los Cabos International Film Festival, su director Alonso Aguilar Castillo vino a darnos todos los detalles en un episodio que invita a estar y disfrutar a uno de los festivales más propositivos en México. Hablamos de los invitados especiales, Rodrigo Prieto (cinefotógrafo), Oliver Stone (director) y Monica Belucci (actriz) así como de su programación y Selección Oficial. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antes del inicio de la quinta edición de Los Cabos International Film Festival, su director Alonso Aguilar Castillo vino a darnos todos los detalles en un episodio que invita a estar y disfrutar a uno de los festivales más propositivos en México. Hablamos de los invitados especiales, Rodrigo Prieto (cinefotógrafo), Oliver Stone (director) y Monica Belucci (actriz) así como de su programación y Selección Oficial.

Programa de Necaxa Radio correspondiente al 4 de Febrero de 2016 con la entrevista a Rodrigo Prieto.