Podcasts about do-ho suh

South Korean artist Do Ho Suh discusses his ongoing fabric-architecture series and the laborious process of producing these structures. Plus: a recap of Romanian Design Week. See omnystudio.com/listener for privacy information.

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

The National Galleries of Scotland host free art sessions on the third Wednesday of every month as part of their Visually Impaired Programme.   This month at the ‘Modern One' they hosted AD Tour and Workshop of the Tracing time exhibition by contemporary artist Do Ho Suh. Art-lover, Reader and Whistler Cleodie told Amelia about attending the VI Programme for 20 years and the VI community in Edinburgh. Learn more about the National Galleries of Scotland visually impaired programme on their website www.nationalgalleries.org/learn/visual-impairment The next event in the Visually Impaired Programme is Online and Before and After Coal: Images and Voices from Scotland's Mining Communities Hosted online via Zoom on Wednesday 21 August from 2-3.30pm.   Image shows RNIB Connect Radio logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'Connect Radio' underneath.

The National Galleries of Scotland host free art sessions on the third Wednesday of every month as part of their Visually Impaired Programme.   This month at the ‘Modern One' they hosted AD Tour and Workshop of the Tracing time exhibition by contemporary artist Do Ho Suh. Artist, Poet, Campaigner and Storyteller Anne Dignan told Amelia about her work and experiences of Dual Sensory Loss. Learn more about Anne's fringe performance on the Scottish Storytelling Website www.scottishstorytellingcentre.com   Learn more about the National Galleries of Scotland visually impaired programme on their website www.nationalgalleries.org/learn/visual-impairment The next event in the Visually Impaired Programme is Online and Before and After Coal: Images and Voices from Scotland's Mining Communities Hosted online via Zoom on Wednesday 21 August from 2-3.30pm  Image shows RNIB Connect Radio logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'Connect Radio' underneath.

The National Galleries of Scotland host free art sessions on the third Wednesday of every month as part of their Visually Impaired Programme.   This month at the ‘Modern One' they hosted AD Tour and Workshop of the Tracing time exhibition by contemporary artist Do Ho Suh. Amelia spoke to attendee Cat about the exhibition, experiencing live AD and technology   Learn more about the National Galleries of Scotland visually impaired programme on their website www.nationalgalleries.org/learn/visual-impairment The next event in the Visually Impaired Programme is Online and Before and After Coal: Images and Voices from Scotland's Mining Communities  Hosted online via Zoom on Wednesday 21 August from 2-3.30pm   Image shows RNIB Connect Radio logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'Connect Radio' underneath.

The National Galleries of Scotland host free art sessions on the third Wednesday of every month as part of their Visually Impaired Programme.    This month at the ‘Modern One' they hosted AD Tour and Workshop of the Tracing time exhibition by contemporary artist Do Ho Suh. Actor, Playwright, Disability Consultant and Visually Impaired Creators Scotland (VICS) Founder Kirin Saeed helped to develop and deliver the AD for the event. She told Amelia about her process and VICS in the Edinburgh Fringe. Learn more about VICS on their website www.visuallyimpairedcreatorsscotland.co.uk/ Learn more about the National Galleries of Scotland visually impaired programme on their website www.nationalgalleries.org/learn/visual-impairment The next event in the Visually Impaired Programme is Online and Before and After Coal: Images and Voices from Scotland's Mining Communities  Hosted online via Zoom on Wednesday 21 August from 2-3.30pm   Image shows RNIB Connect Radio logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'Connect Radio' underneath.

In the final week of our Housing in the City series, we share some of the big themes and possible steps forward individually and corporately. Although the series is complete, we invite our community to continue the conversation in prayer and discernment throughout the summer. Note: John showed the Korean American artist, Do Ho Suh's work around the theme of home. You can see some of his artwork here (https://www.nationalgalleries.org/exhibition/do-ho-suh-tracing-time) and here (https://www.theguardian.com/artanddesign/2024/mar/10/do-ho-suh-tracing-time-review-scottish-national-gallery-of-modern-art-modern-one-edinburgh). Recorded June 9, 2024.

coolstuff.nyc is a weekly design-forward newsletter by Anna Brettschneider & Garrett Albury dedicated to sharing cool stuff in New York City and beyond. That's it, that's the Tweet but it's not on Twitter it's in your Inbox, a newsletter every Friday and dropping gems on Instagram. We've been to the same art shows and crossed paths maybe at Kathleen Ryan's Giant Daisy Chain and can't forget about that giant pumpkin suitable for this time. Do Ho Suh's exhibition in Chelsea. Hilma Af Klint at Guggenheim a few years back. Who knows? Cool Stuff has bopped to our favorites such as Leisure Centre, Thai Diner, Land to Sea, Edy's Grocer, Beverly's and of course our favorite, Homecoming. Cool Stuff has cool people they interview but I'm not dropping names to single anyone out but they're cool. Cool Stuff has all the Best stuff you've been looking for such as Best Places to Shop, Best Brooklyn Music Venues, Best Fries in NYC, Best Places to Watch Live Music, Best Bakeries, Best Diners, Best Plant Shops, Best Places to Work on a Side Project … that sounds perfect for this podcast. There's not one cool thing that Cool Stuff hasn't mentioned except for Blank Street but they've got all your favorite coffee, bars, restaurants, groceries, produce, book stores, you name it, they got it. Please welcome Anna Brettschneider & Garrett Albury of coolstuff.nyc to Wear Many Hats. instagram.com/coolstuff.nyc instagram.com/hello_anna_b instagram.com/alburynyc instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com

Do Ho Suh's work explores the notions of home, cultural displacement, one's perception of space and how one builds a memory of it. What is home, after all? A place? An idea? A sentiment? A memory? A small cottage has been picked up, as if by some mysterious force, and “landed” atop Jacobs Hall at UC San Diego, where it sits crookedly on one corner, cantilevered out over the ground seven stories below. A lush roof garden of vines, flowers and vegetables, frequented by birds and bees, is a small gathering place with panoramic views of the campus and beyond. Upon entering the house it becomes apparent that the floor and the house itself are at different angles, causing a sense of dislocation – some would say vertigo. One must adjust both physically and mentally in order to accommodate a whole new view of the world. The surroundings are familiar but the feeling is not. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37823]

Do Ho Suh's work explores the notions of home, cultural displacement, one's perception of space and how one builds a memory of it. What is home, after all? A place? An idea? A sentiment? A memory? A small cottage has been picked up, as if by some mysterious force, and “landed” atop Jacobs Hall at UC San Diego, where it sits crookedly on one corner, cantilevered out over the ground seven stories below. A lush roof garden of vines, flowers and vegetables, frequented by birds and bees, is a small gathering place with panoramic views of the campus and beyond. Upon entering the house it becomes apparent that the floor and the house itself are at different angles, causing a sense of dislocation – some would say vertigo. One must adjust both physically and mentally in order to accommodate a whole new view of the world. The surroundings are familiar but the feeling is not. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37823]

Do Ho Suh's work explores the notions of home, cultural displacement, one's perception of space and how one builds a memory of it. What is home, after all? A place? An idea? A sentiment? A memory? A small cottage has been picked up, as if by some mysterious force, and “landed” atop Jacobs Hall at UC San Diego, where it sits crookedly on one corner, cantilevered out over the ground seven stories below. A lush roof garden of vines, flowers and vegetables, frequented by birds and bees, is a small gathering place with panoramic views of the campus and beyond. Upon entering the house it becomes apparent that the floor and the house itself are at different angles, causing a sense of dislocation – some would say vertigo. One must adjust both physically and mentally in order to accommodate a whole new view of the world. The surroundings are familiar but the feeling is not. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37823]

Ben Luke talks to the Seoul-born, London-based artist Do Ho Suh about his influences and life-changing cultural experiences. They discuss his recreations of his various homes in coloured fabric and how his early work in South Korea has been ignored by curators and critics. Do Ho reveals that, influenced by a painting of fish and shellfish in his family home, he wanted to be a marine biologist, and that he only switched to art when he realised his maths was not good enough. He reflects on the influence of the Chinese artists Qi Baishi and Bada Shanren and discusses the contemporary artists he admires, from Felix Gonzalez-Torres to Rachel Whiteread. And, as with all the guests on the A brush with... podcast, he names the writers and musicians he admires, ponders his studio rituals and answers the ultimate question: what is art for? See acast.com/privacy for privacy and opt-out information.

We discussed: - paper as a cultural touchstone - find something you like to do and figure out how to make a living at it - paper as an artistic medium - the definition of paper - pulp paint - paper making residency - Fellowships - being safe in the studio during covid - concerns about post covid art funding - the benefits of webinars - how to float paper works in a frame - paper as a sculptural medium - rubber molds and laminate casting - new technologies in paper making - watermarks - ecological concerns of paper production - toilet paper is very good at what it does   People + Places mentioned: University of Iowa Center for the Book - https://book.grad.uiowa.edu/ Timothy Barrett - https://magazine.foriowa.org/story.php?ed=true&storyid=990 Kris Philipps - https://www.sarahlawrence.edu/news-events/news/2018-05-31-three-beloved-sarah-lawrence-faculty-members-retire-nr.html Fritzi Huber - https://wisefoolpod.com/handmade-paper-artist-fritzi-huber-wilmington-nc-usa/ Tom Balbo - https://wisefoolpod.com/paper-artist-founder-artistic-director-of-the-morgan-conservatory-tom-balbo-cleveland-ohio-usa/ Gretchen Schermerhorn - https://wisefoolpod.com/artistic-director-at-pyramid-atlantic-art-center-gretchen-schermerhorn-hyattsville-md-usa/ Amy Jacobs - http://www.amyelizabethjacobs.com/ Do Ho Suh - https://www.lehmannmaupin.com/artists/do-ho-suh Nari Ward - https://www.nariwardstudio.com/ Brian Queen - https://handpapermaking.org/ Magnolia Paper - https://www.magnoliapaper.com/ Steve Kostell - https://www.uvm.edu/cals/cdae/profiles/steve-kostell Helen Hiebert - https://helenhiebertstudio.com   People that inspire her: Lina Puerta - https://www.linapuerta.net Tricia Wright - https://triciawright.com/dieu-donn-projects/1 Jarrod Beck - http://jarrodcharlesbeck.com/THE%20MOON.html   https://www.dieudonne.org http://tatianaginsberg.org   Hosted by Matthew Dols http://www.matthewdols.com    

We discussed: - paper as a cultural touchstone - find something you like to do and figure out how to make a living at it - paper as an artistic medium - the definition of paper - pulp paint - paper making residency - Fellowships - being safe in the studio during covid - concerns about post covid art funding - the benefits of webinars - how to float paper works in a frame - paper as a sculptural medium - rubber molds and laminate casting - new technologies in paper making - watermarks - ecological concerns of paper production - toilet paper is very good at what it does   People + Places mentioned: University of Iowa Center for the Book - https://book.grad.uiowa.edu/ Timothy Barrett - https://magazine.foriowa.org/story.php?ed=true&storyid=990 Kris Philipps - https://www.sarahlawrence.edu/news-events/news/2018-05-31-three-beloved-sarah-lawrence-faculty-members-retire-nr.html Fritzi Huber - http://wisefoolpod.com/handmade-paper-artist-fritzi-huber-wilmington-nc-usa/ Tom Balbo - http://wisefoolpod.com/paper-artist-founder-artistic-director-of-the-morgan-conservatory-tom-balbo-cleveland-ohio-usa/ Gretchen Schermerhorn - http://wisefoolpod.com/artistic-director-at-pyramid-atlantic-art-center-gretchen-schermerhorn-hyattsville-md-usa/ Amy Jacobs - http://www.amyelizabethjacobs.com/ Do Ho Suh - https://www.lehmannmaupin.com/artists/do-ho-suh Nari Ward - https://www.nariwardstudio.com/ Brian Queen - https://handpapermaking.org/ Magnolia Paper - https://www.magnoliapaper.com/ Steve Kostell - https://www.uvm.edu/cals/cdae/profiles/steve-kostell Helen Hiebert - https://helenhiebertstudio.com   People that inspire her: Lina Puerta - https://www.linapuerta.net Tricia Wright - https://triciawright.com/dieu-donn-projects/1 Jarrod Beck - http://jarrodcharlesbeck.com/THE%20MOON.html   https://www.dieudonne.org http://tatianaginsberg.org   Hosted by Matthew Dols http://www.matthewdols.com    

Give yourself compassion to learn who you are and make sure that you dream Some pretty great advice from this amazing conversation with mathematician turned independent curator & writer Fatoş Üstek. Her list of accolades is HUGE and this is just a small preview: listed in the celebratory Apollo 40 under 40 Thinkers section in 2018 ; included in Evening Standard's Progress 1000 London's most influential people in 2018 and 2017; Artlyst Power 100 list 2018, and 2017; Artsy The Top 20 Most Influential Young Curators in Europe and nominated for ICI Gerrit Lansing Independent Curatorial Vision Award in 2016. She was Director of Liverpool Biennial (2019-20), a jury member for Turner Prize Bursaries 2020, Arts Foundation Futures Award 2021, Scotland in Venice 2022, Dutch Pavilion 2022, and as an external member of the acquisitions committee for the Arts Council Collection (2018-2020). She is the curator of Do Ho Suh's largest UK commission (2018-2020). She was formerly Director and Chief Curator of DRAF (David Roberts Art Foundation), curated miart Talks 2018; Art Night, East London, 2017 and fig-2 50 exhibitions in 50 weeks, ICA, 2015. She acted as Associate Curator for the 10th Gwangju Biennale, 2014. Ustek is a contributing editor to Extra Extra Magazine, a founding member of the Association of Women in the Arts (AWITA); trustee of Art Night; board member of Urbane Kunste Ruhr; advisory panel for Jan van Eyck Academie; member of the International Association of Art Critics (AICA) UK; and an ICI alumni. Recently, Ustek delivered keynote lectures at London City Hall, Tate Modern, Leicester University and presented papers in conferences held in the UK, Europe, and South America. She publishes regularly in exhibition catalogues and art magazines and was the co-founding Editor of Nowiswere (2008-12a). Find out more here. I LIKE NETWORKING is the mentoring and networking program for womxn and non-binary people in the creative industries. Please share, leave a review and subscribe if you enjoyed it to make sure you don't miss any episodes and to give us a BOOST! Some of the links mentioned in this episode: MUBI Stefan Zweig The Queen's Gambit Leviathan The Riddle of the Labyrinth Joni Mitchell

Jellie Brouwer wordt rondgeleid in Museum Voorlinden door oprichter en kunstverzamelaar Joop van Caldenborgh. Zijn Caldic Collectie behoort tot een van de grootste particuliere collecties van Nederland. Sinds 2016 heeft Caldenborgh zijn eigen museum waardoor hij zijn collectie met het grote publiek kan delen. Vanaf 18 mei is daar een nieuwe tentoonstelling te zien van de Zuid-Koreaanse kunstenaar Do Ho Suh. Presentatie: Jellie Brouwer

Ksenia Zemtsova is the co-founder of Art Night, a hugely ambitious free contemporary art festival that takes place in dedicated parts of London over one summer weekend. Art Night is growing year by year, and recently completed its third and most ambitious festival—attracting some 70,000 visitors to 50 sites to experience 150 artists. It’s dedicated to widening audiences for contemporary art and offering them the opportunity to present bold new work outside the gallery walls. Ksenia and her small but ambitious team have bold plans for 2019 which, for now, are under wraps. “I studied Political Science, but I was always interested in cultural policies and how we can bridge the cultural sector of the arts with the public urban realm.” [5:15] The idea behind Art Night is to have the festival running as late as possible, so some of the projects will run as late as 6 a.m. One of the goals is to explore unusual venues, secret locations, and re purpose heritage sites and public spaces. However, Art Night isn’t just about visual art—Ksenia has made sure that different disciplines are all included. Performance, dance, music, video installations, and Virtual Reality exhibits are also extremely popular. “I think it’s really striking when you walk in the city and suddenly you see this house that seems like it has fallen from somewhere like the wizard of oz” [15:00] South Korean artist Do Ho Suh was commissioned to create a striking work of art—recreating his childhood home on top a pedestrian bridge spanning Wormwood Street, an instillation called Bridging Home, London. The house itself is stunning, a traditional Korean abode looking as if it could lean and topple over to the street at any moment. Of course this was commissioned to go along with the theme of this particular Art Night: Home. [22:30] The British Interplanetary Society was re purposed as well, for a full week, to house an instillation called Space Refugee. The building itself acts as a think tank for interplanetary scientists and it houses a menagerie of space faring relics and memorabilia. Going again with the theme of home, Space Refugee is about the first Syrian cosmonaut in space, and his subsequent joining of the resistance during the Syrian War. The project follows his idea that the only place that would host refugees at some point would be space. Again, Art Night seems to be growing by the year—but Ksenia wants to focus more on the quality of the art than funneling more people through it. At 70,000 participants that’s very understandable. The goal is to continue to experiment and explore these spaces in London, bringing on new artists such as Liv Wynter (a previous guest on the podcast) and having her host a spoken word marathon at the Garden Museum, drawing a crowd the museum had likely never seen before. It’s this spirit of discovery and juxtaposition that is sure to keep Art Night one of the most exciting events London has to offer for years to come.   Links Art Night London (http://2018.artnight.london/) @artnightldn (https://www.instagram.com/artnightldn/) Support this podcast

Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]

Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]

Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]

Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]

A rare opportunity to hear Hans Haacke, Do Ho Suh, Sheela Gowda, Camille Henrot and Roman Ondák talk about the relevance and personal importance of biennials for their work, sharing a connection as past or future participants of the Gwangju Biennale

Carmon Colanglo discusses On the Margins to provide context and commentary on selected works in the spring 2008 exhibition.