Podcast appearances and mentions of Jane Morris

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

Green Left's Suzanne James talks to president of Dying With Dignity Victoria, Jane Morris about defending the important human right of end-of-life choice through Voluntary Assisted Dying (VAD) now legal Australia wide except in the Northern Territory. They discuss the October 2024 international Right To Die Societies conference in Dublin, November's Australia New Zealand VAD conference in Brisbane and the recent vote in the UK in favour of VAD by a traditionally conservative Westminster Parliament. It also covers the 50th Birthday of Dying With Dignity NSW and their first year of the legislation's operation, the five year VAD review in Victoria, and the renewed push to restore VAD rights in the Northern Territory. VAD is restricted worldwide to terminally ill people who have a medically certified diagnosis of imminent death. Advocates and activists continue to fight to protect the right to medical autonomy and to campaign against those who seek to undo it for political and religious gain. You can watch this as a video online: https://www.greenleft.org.au/video/video-dying-dignity-update We acknowledge that this was produced on stolen Aboriginal land. We express solidarity with ongoing struggles for justice for First Nations people and pay our respects to Elders past and present. If you like our work, become a supporter: https://www.greenleft.org.au/support Support Green Left on Patreon: https://www.patreon.com/greenleft Green Left online: https://www.greenleft.org.au/ Facebook: https://www.facebook.com/GreenLeftOnline/ Twitter: https://twitter.com/greenleftonline YouTube: https://www.youtube.com/greenleftonline TikTok: https://www.tiktok.com/@greenleftonline Instagram: https://www.instagram.com/greenleftonline/ Podbean: https://greenleftonline.podbean.com/ Telegram: https://t.me/greenleftonline Podcast also available on Spotify, Apple Podcasts, Antennapod, Itunes and PodcastAddict.

After descending on London last week, the art world arrived in Paris this week, with the main attraction being the Art Basel Paris art fair—now staged in the renovated Belle Epoque masterpiece, the Grand Palais. An editor-at-large at The Art Newspaper, Jane Morris, was at the VIP opening and tells us more. As always, alongside the fair are a number of eye-catching museum shows and projects. Among them is Chapelle, a new in-situ work for the Musée Picasso by the Argentinian artist Guillermo Kuitca. Ben Luke talks to Kuitca about the piece. And this episode's Work of the Week is June (2022) by Małgorzata Mirga-Tas, a work from a series in which the Polish-born Romani artist reimagines astrologically themed frescoes at the Palazzo Schifanoia in Ferrara in order to explore the history and contemporary life of the Roma people. Our associate digital editor, Alexander Morrison, talks to Mirga-Tas about the work, as it goes on display at Tate St Ives in the UK.Art Basel Paris, Grand Palais, until Sunday, 20 October.Chapelle by Guillermo Kuitca, Musée Picasso, Paris, until 31 December 2027.Małgorzata Mirga-Tas, Tate St Ives, UK, 19 October-5 January 2025Subscription offer: you can get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

The biography show where famous guests picks someone they admire or love. Jane Morris was the wife of William Morris and muse of Gabriel Dante Rossetti. Anneka Rice believes her contribution to nineteenth century art and culture has been largely overlooked.I'm not a big fan of needle point, she says, but we cannot ignore what she brings to art history. Plus she comes from absolutely NOWHERE to marry Morris and have an affair with Rossetti. Joining Anneka in the discussion is Suzanne Fagence Cooper, the author of How We Might Live: At Home with Jane and William Morris. The presenter is Matthew Parris.

Hilma af Klint (1862-1944) was barely known during her lifetime but an exhibition of her work at the Guggenheim Museum in 2018 shattered attendance records. it was called Paintings for the Future, and the giant abstract work astounded visitors who had not heard of her before. Joining journalist Zing Tsjeng in studio to discuss her life is Jennifer Higgie who wrote in her book, The Other Side: A Journey into Women, Art and The Spirit World, "For Hilma af Klint, the very air throbbed with unseen energies. The question was - how to interpret them? How to give them shape?" The artist often used seances for inspiration. If curious about where creativity begins, this is a story you may want bto hear. Zing Tsjeng is a former editor-in-chief of Vice UK and presenter of Good Bad Billionaire. She is author of the Forgotten Women series of books.The producer for BBC Studios in Bristol is Miles WardeFuture programmes include Anneka Rice on Jane Morris, wife of William Morris; Jo Brand on blues singer, Bessie Smith; and Conn Iggulden on the emperor Nero.

Should a terminal illness be the only reason to access voluntary assisted dying or is there a case to make for those who feel they have a 'completed life'? 

An open and honest conversation looking at living with schizophrenia. Hosted by Dr Jane Morris, with guest Graham Morgan.

We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice. The Art Newspaper's contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations. And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world's great centres for art. So for this episode's Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian's painting.The Venice Biennale, 20 April-24 November. Listen to the interview with Adriano Pedrosa in the episode of this podcast from 2 February.The website that Giulio Bono mentions, which will present the findings of the conservation of Titian's Assunta in detail, will go online later this year.Save Venice, savevenice.org.Subscription offer: subscribe to The Art Newspaper for as little as 50p per week for digital and £1 per week for print or the equivalent in your currency. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Jane Morris is the queen of improv comedy! Her story is as unique as she is!. Co-founder at Second City ETC, she has done more to advance the art of Improv than anyone else in the universe - and that's not hyperbole! She has performed and taught all over the world and currently teaches at The Fanatic Salon Theater in Culver City, California. The Fanatic has hosted many comic legends such as Conan O'Brien and Wayne Brady. Jane is a writer, director and a beloved member of the Improv community. Jane has so many movie and TV credits as an actor I can't possibly list them all. Her first film was "Nothing in Common" with Tom Hanks and Jackie Gleason. And in 2019 she was in "The Laundromat" with Meryl Streep and her husband, Jeff Michalski, who made a guest appearance on this show. She had a recurring role on "The Drew Carey Show". I was so fortunate to meet Jane in person this year and she is a warm and generous person. I know you'll enjoy getting to know here in this podcast. Websites and social links http://heavenhelpus.etsy.com/ http://ohmababy.etsy.com/ http://asksistermarymartha.blogspot.com/ https://twitter.com/janefmorris?lang=en Visit my website where I speak to today's leading innovators of improv. My guests are improvisers and therapists from all over the world who share their stories and offer insight into the unique ways they use improv. margotescott.com/podcast/

We are delighted to welcome the wonderful Margje Bijl to the podcast to talk about her upcoming exhibition 'Looking for Janey'. Margje, an amazing multi-medium artist and creator, has been fascinated and inspired by Jane Morris' life and striking appearance in portraits and photographs for many years. She shares her unique story, research and artistic approaches with us today.  'Looking for Janey' opens at the Pulchri Studio in The Hague on February 24th   You can find out more information on Margje Bijl here: https://www.reflectionsonjanemorris.com/  Please follow Margje on Instagram: https://www.instagram.com/janemorrismuseum/   For more information and to subscribe to the Pre-Raphaelite Society, please visit www.pre-raphaelitesociety.org    All donations towards the maintenance of this podcast are gratefully received: https://gofund.me/60a58f68 

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

In this episode, Logan and Evan go deep into another exciting conversation with Jane Morris. We're delighted to welcome Jane back after a year, this time, shedding light on her journey with TO THE MARKET. Jane gives a comprehensive update on the fascinating strides her supply chain software has been making in the ethical and sustainable procurement space. Gain insights on TO THE MARKET's innovative approach, understand how their ethical supply chain differentiates from everyday logistics, and learn about the stakes in ethical and sustainable. Visit us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MiddleTech.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow Us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Logan's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Evan's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Middle Tech is proud to be supported by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠KY Innovation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bolt Marketing⁠⁠

A note from Amy Sailer for MQR's Fall 2023 issue "Transversions": I started writing about William and Jane Morris just before getting engaged. Their marriage has given me a rich vocabulary to imagine my own. They built a beautiful home together, Red House, which they intended as an artist's utopia, where they, their family, and their community of friends could create the home's medieval-inspired interior decoration, but the experiment fell apart within a few years, in part because Jane fell in love with their friend and fellow Pre-Raphaelite, Dante Gabriel Rossetti. When I visited Red House, the tour guide called it “a house of indecision.” They had so many unfulfilled projects—I could feel their high expectations and the stress it must have caused them. I had the opportunity to work on the project at Winterthur Museum, Garden & Library, where I learned that Morris & Company revolutionized nineteenth-century embroidery. The first half of the century was dominated by Berlin crewel work, a style that employs cross-stitch to fill out predetermined grid patterns. Morris & Company popularized “art embroidery,” a more creative technique, using a variety of stitches to create more organic designs. Both styles of embroidery lead to repetition and redundancy, but to my eyes, repetitive cross-stitches look monotonous and mechanical, while the repetitive patterns in a piece of art embroidery like Jane and Jenny Morris's “Honeysuckle” look joyful. John Ruskin argues in his essay “The Nature of the Gothic” that redundancy is a sign of pleasure—when we enjoy our work, we keep making more of it. Although we don't know the names of the women who created so much embroidery, I like to think that redundancy serves as a kind of signature.

Once known as the Harriet Tubman of comedy, (due to all the comics she shepherded into Los Angeles from Chicago), actor-director-writer-improviser (and co-founder of Second City Etc.) Jane Morris joins Kath and Jan in the studio as a last-minute, showbiz clutch replacement for a guest who was sick. We talk about her Mom's upbringing in an orphanage run by sadistic nuns and how when she married Jane's Dad, she created a magical life for her children, including food. We talk about Jane's favorite recipes and Jan lasers in on Mexican lasagna that will haunt her dreams. Kath talks about Jane's famous chicken pot pie recipe and Jane reveals she has to cook a little differently for her husband now. Also this: if you are an actor or a writer or an improviser or someone who wants to be any/all of those things, please check out their website: www.fanaticsalon.com You will immersed in a creative atmosphere like no other! We were so grateful Jane came over at the 11th hour for a chat – a great conversation – listen in!

In the first episode of the year, we look ahead at the next 12 months. Anny Shaw, the acting art market editor at The Art Newspaper, peers into her crystal ball and tries to predict the fortunes of the art market this year. Then, Jane Morris, one of our editors-at-large, José da Silva, our exhibitions editor, and host Ben Luke select the museum projects, biennales and exhibitions that they are most looking forward to in 2023.Events discussed:The Grand Egyptian Museum: no confirmed opening date. https://www.theartnewspaper.com/keywords/grand-egyptian-museumThe National Portrait Gallery reopens on 22 June. https://www.npg.org.uk/Factory International, Manchester, also opens in June. Yayoi Kusama's You Me and the Balloons opens there on 29 June, as does the Manchester International Festival. https://factoryinternational.org/The Sharjah Biennial: Thinking Historically in the Present opens on 7 February. https://sharjahart.org/biennial-15The Gwangju Biennial: Soft and Weak Like Water opens on 7 April. https://www.gwangjubiennale.org/gb/intro.doCelebration Picasso 1973-2023 https://celebracionpicasso.es/en/calendarioVermeer opens at the Rijksmuseum, Amsterdam, on 10 February. https://www.rijksmuseum.nl/en/stories/themes/vermeerManet/Degas opens at the at the Musée d'Orsay, Paris, on 28 March and then at the Metropolitan Museum, New York, on 24 September https://www.musee-orsay.fr/en/whats-on/exhibitions/manet-degasJuan de Pareja: Afro-Hispanic Painter, opens at the Met on 3 April https://www.metmuseum.org/exhibitions/listings/2023/juan-de-parejaSimone Leigh opens at the ICA, Boston, on 6 April, then at the Hirshhorn Museum and Sculpture Garden, Washington D.C., on 3 November before travelling to the Los Angeles County Museum of Art and the Californian African American Museum in 2024 https://www.icaboston.org/exhibitions/simone-leighBarkley Hendricks: Portraits at the Frick opens at Frick Madison, New York, on 21 September https://www.frick.org/sites/default/files/pdf/press/2022/Hendricks_Release_Final_07_13_22.pdfAlma Thomas: Composing Colour is at the Smithsonian American Art Museum, in D.C., from 15 September https://americanart.si.edu/exhibitions/alma-thomasThe Culture: Hip Hop and Contemporary Art in the 21st Century opens at the Baltimore Museum of Art on 5 April and the Saint Louis Art Museum on 25 August https://artbma.org/about/press/release/baltimore-museum-of-art-and-saint-louis-art-museum-co-organize-monumental-exhibition-exploring-the-global-significance-and-impact-of-hip-hopJaune Quick-to-See Smith opens at the Whitney Museum, New York, on 19 April https://whitney.org/exhibitions/jaune-quick-to-see-smithRemedios Varo: Science Fictions is at the Art Institute of Chicago from 29 July Hilma af Klint and Piet Mondrian: Forms of Life opens at Tate Modern in London on 20 April https://www.tate.org.uk/press/press-releases/hilma-af-klint-piet-mondrian-forms-of-lifeMarina Abramovic is at the Royal Academy in London from 23 September https://www.royalacademy.org.uk/exhibition/marina-abramovic Hosted on Acast. See acast.com/privacy for more information.

Sheri and Ester are joined by Suzanne Fagence Cooper whose latest work 'How We Might Live: At Home With Jane and William Morris' explores the enormous legacies of the Morris family. In this episode, Suzanne explains to us why the stories, works and lives of Jane Morris, Effie Gray and John Ruskin matter! 

Artstory prináša minisériu podcastov Osudy slávnych modeliek. Predstavíme vám v nich ženy, ktoré pózovali známym umelcom ako modelky a dokázali ich očariť natoľko, že sa stali ich múzami. Povieme si, ako ich umelci našli a prečo nimi boli fascinovaní.  Jane Morris bola múzou pre celé umelecké hnutie (pre-rafaeliáni), žila v milostnom trojuholníku s dvoma maliarmi, ktorí sa nevedeli nabažiť jej netradičného vzhľadu a aury tajomnosti, ktorú okolo seba mala. Poďte nahliadnuť do osudov modeliek a múz slávnych umelcov, spolu s vašou sprievodkyňou a kurátorkou do ucha, Michaelou Šimonovou a návštevníčku virtuálnej galérie Artstory Tatianou Poliakovou.    Fotografia Jane Morris, r. 1865 https://en.wikipedia.org/wiki/Jane_Morris#/media/File:Jane_Morris_(1865)_Detail.jpg   Dante Gabriel Rossetti: Jane Morris: Study for "Mariana", r. 1868 https://upload.wikimedia.org/wikipedia/commons/9/98/Jane_Morris-_Study_for_%22Mariana%22_MET_SFRossetti1.jpg   Dante Gabriel Rossetti: Proserpine, r. 1874, Tate https://www.tate.org.uk/art/artworks/rossetti-proserpine-n05064   Dante Gabriel Rossetti: Portrait of Jane Morris, r. okolo 1870 https://upload.wikimedia.org/wikipedia/commons/e/ed/Dante_Gabriel_Rossetti_-_Portrait_of_Jane_Morris_%281870_circa%29.jpg   Sledujte nás aj na našom FB, kde zdieľame novinky a zaujímavosti zo sveta umenia: https://www.facebook.com/ArtStoryPodcast , na našej IG stránke: https://www.instagram.com/artstory_podcast/  a na našom webe: https://artstory.sk/

For over 30 years the Second City ETC (Experimental Theater Company) has been pumping out hilarious shows in Pipers Alley, right next door to its older sibling, the Chicago mainstage. In that time the ETC has produced as much quality comedy as any Second City stage. Today we are delighted to have the three actors who were the driving force behind the creation of the ETC. Jane Morris, Jeff Michalski, and Bill Applebaum were members of the touring company who wanted to put up an original show in the empty theater behind the Main Stage. The obstacles they had to overcome and the pushback the received from ownership made the eventual success of their show that much sweeter. These Second Citizens join us to tell their own personal stories and for the first time, they share their collective memories about the creation of the ETC theater. As you might guess, there are some memories that it takes all three plus our host to put together. After all it was a looooooong time ago. This is a must listen for comedy history buffs! Other buffs too!Don't forget how much we love it when you Subscribe, Rate & Review!

As art institutions and commercial galleries shut their doors to the public, we speak to critics Ben Luke and Jane Morris about what effect closures will have on audiences and businesses. Plus: we speak to Art Basel director Marc Spiegler about its brave new online world.See omnystudio.com/listener for privacy information.

We review Olafur Eliasson's show ‘In Real Life' – an immersive retrospective of the artist's career to date. Tom Edwards is joined by Francesca Gavin and Jane Morris to discuss what's behind the smoke and mirrors.See omnystudio.com/listener for privacy information.

Improv Intrviews Jane Morris by Margot Escott

This week: our associate editor, Kabir Jhala, and editor-at-large, Jane Morris, have been in Kassel, Germany, to see Documenta, the quinquennial international art exhibition. They review the show and respond to the escalation of a long-running row over antisemitism and broader racism, which has resulted in a work being removed from the exhibition. Virginia Rutledge, an art historian and lawyer, discusses the dispute over Andy Warhol's appropriation of a photograph by Lynn Goldsmith of the pop icon Prince. The case will be heard in the US Supreme Court this autumn and has potentially huge implications for artistic freedom. And this episode's Work of the Week is An Outpost of Progress (1992), a drawing by the late Spanish artist Juan Muñoz, inspired by Joseph Conrad's short story of the same name.Documenta 15, Kassel, Germany, until 25 September.Juan Muñoz: Drawings 1982-2000, Centro Botín, Santander, Spain, 25 June-16 October. See acast.com/privacy for privacy and opt-out information.

6% of today's corporations have complete supply chain visibility, making it nearly impossible for enterprise companies to source ethical manufacturers and ensure retail sustainability. To The Market is providing an incredible untapped production capacity around the world, particularly in the artisan industry. It's the second-largest economy in the developing world, behind agriculture, but is largely disconnected from the supply chains of traditional retailers and corporations. Through To The Market's work with consumers and makers, they take steps toward protecting our planet, empowering people through the dignity of work via sustainable, transparent, and ethical production. In addition, their proprietary data and inventory of suppliers ensure big players can provide a more sustainable supply chain. In this episode, Jane Morris, Founder, and CEO of To The Market shares how their clients like Bloomingdales, Target, Macy's, and Mastercard have bought into the mission of a sustainable supply chain. It's not just a nice to have but a need to have. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/endeavornorthamerica/message Support this podcast: https://anchor.fm/endeavornorthamerica/support

A Venice Biennale special: we give you a flavour of the 59th edition of the Biennale which, as ever, brings a deluge of contemporary art to the historic Italian city. We talk to four artists in the national pavilions – Francis Alÿs in the Belgian Pavilion, Sonia Boyce in the British pavilion, Shubigi Rao in the Singapore pavilion and Na Chainkua Reindorf in the Ghana pavilion – about their presentations and how, if at all, they relate to the idea of nationhood. Louisa Buck and Jane Morris join host Ben Luke to review the main exhibition, The Milk of Dreams, curated by Cecilia Alemani, and pick their highlights of the Biennale so far. And while most visitors to Venice this week are immersed in contemporary art, for this episode's Work of the Week, we take a look at a masterpiece that remains exactly where it was intended to hang. The art historian Ben Street joins Ben Luke in San Giovanni Crisostomo, a church near Venice's Rialto bridge, to look at Saints Christopher, Jerome and Louis of Toulouse, a late painting by the Venetian Renaissance artist Giovanni Bellini.Venice Biennale, 23 April-27 November.Ben Street, How to Enjoy Art: A Guide for Everyone, Yale University Press, £14.99/$20. See acast.com/privacy for privacy and opt-out information.

It's the final episode of 2021 and so, as always, it's our review of the year. Joining Ben Luke to look at 2021's biggest stories are three members of The Art Newspaper team: Martin Bailey, a correspondent in London, Anna Brady, art market editor, and Jane Morris, editor-at-large. See acast.com/privacy for privacy and opt-out information.

Getting either Jane or Jeff on individually would have been incredible (and will eventually have to be done) but to get them both on at the same time was an unbelievable treat and a fascinating trip through their history in comedy/improv and the acting world.   Almost all of late 20th century comedy came through them. And to say they've worked with everyone is an understatement. Al Pacino, Meryl Streep, Tom Hanks, Jackie Gleason, Amy Sedaris, Chris Farley, Stephen Colbert, Drew Carey, Gary Marshall - I'll stop there because it is harder to find someone in comedy who isn't connected to Jeff ands Jane and I'm truly happy to call them friends and to have had them on my show. Enjoy!

With Lia and Suz MIA, Lenses takes to the airwaves. Be ready. Be listening. And do not be afraid. This is Radio Elusia. Twitter https://twitter.com/radioelusia (@radioelusia) #radioelusia Website: https://www.radioelusia.com/ (radioelusia.com) Patreon: https://my.captivate.fm/patreon.com/boundlesstheatre (patreon.com/boundlesstheatre) Episode transcript: https://boundlesstheatre.sharepoint.com/:b:/g/EfDCeGq8l4FLusFeXlH1avUBkYGFtAzGQ5JxgpgBLWVO2Q?e=QPTqQN (Radio Elusia Live transcript) Episode Credits: You've been listening to Radio Elusia, a Boundless podcast production. This episode was recorded live at the London Podcast Festival on September 5th 2021. The episode was written by Nina Cassells, Jack Donaghue, Kc Gardener, Jane Morris, Sadhana Narayanen and James Nash The episode was directed by Rob Drummer and Robert Awosusi Original music and sound design by FATHER. Additional music by Aminita Francis In this episode you were listening to:  Aminita Francis as Lenses Mary Malone as Epoch  Valerie Vansovica as Lia Chantelle Amon as Suz  Megan Jarvie as Joni Richard McIver as Albert  Joseph Adelakun as Raphael and Pip Williams as the Voice of Elusia Producer Ine Van Riet If you're a fan of the show, check out https://twitter.com/radioelusia (@radioelusia) on social. Follow Boundless Theatre https://twitter.com/boundlessabound (@boundlessabound) and learn more about the company by visiting https://linkprotect.cudasvc.com/url?a=http%3a%2f%2fboundlesstheatre.org.uk&c=E,1,zdpWC4UZXB7bmkqzrjIuKS2tdUJqbAW-tPoh9G4ZMMmMhcCg-XSaZlqwX2axStbi5F3-LI_vPyZXS5QoQLISDgT9rlw03yUPvQ7qfASIihatmSE,&typo=1 (boundlesstheatre.org.uk)  Radio Elusia is part of Welcome To Elusia, an Extended Universe project co-funded by the creative Europe programme of the European union.  This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp Support this podcast

 “Buying art is a little bit like buying property in Knightsbridge…if you buy a blue-chip artist who's dead and sit on it long enough then you probably will make money, but that means you need to be able to afford to sit on it for something like 30 or 40 years.“Art is a very difficult asset class generally, it's felt that if you have a wide portfolio then art is something interesting to put your money into, but you certainly wouldn't do it as your primary source of investment. It's also very easy to lose money.”Jane Morris is the editor-at-large of CultureShock Media, an arts and culture content agency that delivers print, digital, film and social media strategies for leading arts businesses, museums and galleries. Jane went to Central St Martins, where she studied fine art before studying journalism and has managed to establish a career which combines her fascination with both. She has written for The Art Newspaper, Monocle, the Economist, Artnet and the Guardian and has built teams of international writers covering news, investigative, data-driven reporting, analysis and long form features about the art world. We talk about investing in art, how to spot a trend (as well as what's best to avoid), THAT famous Banksy shredding moment and Non Fungible Tokens (NFTs). “There has been a view, I would say coming more from the investment world, that one of the reasons people don't buy digital art is because it's easily copied. I suspect that it's because it's not seen as as attractive as a painting on the wall.” We also talk about: The challenges and continuing effect of coronavirus on the art worldCurrent trends and ones to watch in the market Ring bidding in the upper echelons of the art worldThe risky game of trading art as an investmentThe lack of diversity in the art world and what museums are doing to rectify itYou can follow Jane on Twitter @MaryJaneMorris. About The Nicole Bremner Podcast: Nicole Bremner is an investor, speaker, writer, and podcaster. After a successful decade building a multi-million property portfolio in London, Nicole was forced by a number of external obstacles to stop, take stock and figure out what really matters in life.  Following a period of healing and reflection, she discovered that what doesn't kill you makes you stronger and, so very often, setback is followed by real success. On The Nicole Bremner Podcast, she speaks to others who have triumphed in the face of adversity and explores the lessons they have learned along the way. To find out who's coming up next on The Nicole Bremner Podcast, follow Nicole on Instagram @nsbremner and facebook or subscribe to her YouTube channel. You can also support the show here.  Disclaimer The views and opinions expressed in this podcast belong solely to the host and guest speakers. The view and opinions of the guest speakers do not represent that of the host. Always do your own research. Support the show (https://www.buymeacoffee.com/NicoleBremner)Support the show (https://www.buymeacoffee.com/NicoleBremner)

Special Guest, Sara Robinson, joins your hosts Dustin Melbardis and Chad Robinson for the Retro Movie Roundtable as they revisit Runaway Bride (1999) [PG] Genre: Rom-Com, Romance, Comedy   Starring: Julia Roberts, Richard Gere, Joan Cusack, Hector Elizondo, Rita Wilson, Paul Dooley, Christopher Meloni, Donal Logue, Reg Rogers, Yul Vazquez, Jane Morris, Lisa, Roberts Gillan, Kathleen Marshall, Jean Schertler, Tom Hines   Director: Garry Marshall Recoded on 2021-09-19

This week: the Art Basel fair has opened in Switzerland, but are the collectors back and are they buying? We talk to Jane Morris, an editor-at-large at The Art Newspaper, about the art on show and whether the galleries' jitters ahead of the fair have proved founded. Also, we hear from the classicist Mary Beard about her new book, Twelve Caesars, looking at representations of power across 2,000 years of art history, from Roman coins and busts, to 18th-century fakes, lost Titian masterpieces and Tudor tapestries. And in this episode's Work of the Week, we focus on Christo and Jeanne-Claude's L'Arc de Triomphe, Wrapped—the last ever wrapping project by the late duo. Vladimir Yavachev, Christo's nephew, who has overseen the final stages of the project in Paris, describes the technical challenges of cloaking one of Paris's most famous monuments. See acast.com/privacy for privacy and opt-out information.

Chatting with Jane Morris of Freedom and Ease about how she supports people in reducing pain and developing a greater connection with and understanding of their body through the Alexander Technique.

At the heart of the political debate around voluntary assisted dying lies palliative care. On one side sits the argument that it can effectively deal with all pain and suffering, and that it should be made available to everyone before Assisted Dying is made legal. On the other, a recognition that – for all its benefits – palliative care cannot help everyone, and that those beyond its help should not be left to suffer, or – as some do – take their own lives. But beyond the political debate, within palliative care lies a much deeper argument. One about values. Palliative care’s background is as a provider of Christian care; more than half of Australia’s palliative care is supplied by The Catholic Church. According to The Vatican, assisting someone to die is ‘intrinsically evil.’ By papal decree, any request by a person for help to end their life is not to be taken as genuine, but is to be understood instead as ‘an anguished plea for help and love.’ But some palliative care clinicians have a different set of values. They see that their primary purpose is to act in response to what their patient wants and needs.  It’s called person-centred care, a way of practising medicine that has been thrown into the sharpest focus imaginable by a law allowing doctors to help their patients to die. Palliative care clinician, and death and dying expert Molly Carlile AM. Photo: supplied   ‘The bottom line for me is, you can choose whether you want to stop having chemo or anything else that you consider as futile treatment. And we are the defenders of those people. So how can we say, in the same breath, “Yes, you can make your choices, so long as it's not voluntary assisted dying?”’ Palliative care clinician, Molly Carlile AM For more Visit Go Gentle Australia gogentleaustralia.org.au Video: Clive Deverall talk Freedom of Choice WA Launch – YouTube, 5 February 2017 Article: Everyone Has the Right to Die Well – Molly Carlile, November 10, 2015 Brochure: To Love to the End – Life, Marriage and Family Office, The Catholic Archdiocese of Melbourne, 2011 Dr Greg Mewett. ‘It's not for me to say how much someone's suffering and whether we can do more. It should be up to the individual.’ Photo: Juliet Lamont In this episode In order of appearance Jaala Pulford, Molly Carlile, Greg Mewett, Michael Ashby, Roger Hunt, Andrew Sloane, Anthony Fisher, Megan Best, John Flader, Tim Harris, Natasha Michael, Stephen Parnis, Jane Morris, Clive Deverall, Lisa Hogg, Alex Broom, Jan Kelly Credits Better Off Dead season two is produced by the Wheeler Centre and Go Gentle Australia Writer, Co-Producer and Host: Andrew Denton (Go Gentle Australia) Series Co-Producer and Script Editor: Bethany Atkinson-Quinton (The Wheeler Centre) Associate Producers: Kiki Paul and Steve Offner (Go Gentle Australia) Audio Editor and Engineer: Martin Peralta, with assistance from Adam Rothwell Production Assistant: Alex Gow (The Wheeler Centre)Marketing: Emily Harms (The Wheeler Centre), Steve Offner and Frankie Bennett (Go Gentle Australia)  Publicity: Debbie McInnes (DMCPR Media) Episode Pages: Mia McAuslan (The Wheeler Centre) Episode Artwork: Megan HerbertTranscript: Alice BoyleCommissioning Editors: Kiki Paul (Go Gentle Australia) and Caro Llewellyn (The Wheeler Centre)Theme music: ‘Loydie’s Angel’, written and performed by Jordan LaserMusic: Jon Murphy, Brendan John Warner, Simon Kindt, Aaron Gleeson Special thanks to our interviewees Molly Carlile, Greg Mewett, Michael Ashby and Roger Hunt for their time for this episode. Footage supplied courtesy of Seven Network. All rights reserved. © Your stories If you're suffering, or someone you love has died badly – in a hospital, in palliative care, in a nursing home, or at home – or if you’ve had an experience with Voluntary Assisted Dying, we would love to hear from you. Tell your story here. Subscribe via iTunes or your favourite podcast app. #betteroffdeadpod Transcript  Download a transcript of this episode in PDF format. 

Dr Jane Morris hears a young man discuss his binge eating disorder and reflects on the feelings of powerlessness, guilt and shame surrounding eating disorders. And a mother tells us about her experience of anorexia nervosa during pregnancy, how health services responded, and what life is like now.

ARTRIBUNE PODCAST ALLA GALLERIA NAZIONALE DI ROMACon le sue 20mila opere, la Galleria Nazionale di Roma custodisce un'importante collezione di arte italiana e straniera dall'Ottocento a oggi, toccando così i principali autori, linguaggi e correnti degli ultimi due secoli: neoclassicismo, impressionismo, avanguardie storiche, arte del secondo Dopoguerra, le ultime tendenze. Ludovico Pratesi si immerge tra le sale del museo soffermandosi e raccontando per noi alcune delle sue opere più celebri e significative per gli sviluppi e gli esiti dell'arte contemporanea – come il Grande Rosso di Alberto Burri –, illustrando anche alcuni particolari dialoghi tra opere diverse per cronologia e medium: tra tutti, quello tra il Ritratto di Jane Morris di Dante Gabriel Rossetti e un ritratto fotografico di Vanessa Beecroft.

Is an American teenager who graduated from high school during the Corona virus Quarantine in Washington D.C. Robbed of her prom, graduation parties and an in person graduation, Emma I talk about what it means to graduate in these Unprecedented times. Emma is also a young activist, and we discuss the importance of taking an active role in Black Lives Matter and becoming anti-racist. Her mother, Julie Asher ( my friend ) Also joins us for this conversation.

Jane Morris is an actor, improviser and director. She is the Johnny Appleseed of comedy clubs, having opened the Chicago Comedy Showcase and the Second City e.t.c. in Chicago and the Upfront Comedy and the Comedy Underground in Santa Monica, CA. She currently manages the Fanatic Salon in Culver City, CA. Jane has a reputation for doing incredible character work, both on stage and screen. Jimmy talks to her about how she physically uses "Yes And..." in developing her characters, why she loves running comedy clubs and why she doesn't believe in the level system when it comes to teaching improv.

As art institutions and commercial galleries shut their doors to the public, we speak to critics Ben Luke and Jane Morris about what effect closures will have on audiences and businesses. Plus: we speak to Art Basel director Marc Spiegler about its brave new online world.

Ian Abramson, Valerie Breiman, Tony Camin, Shulie Cowan, Jimmy Dore, Al Ducharme, Mark Fite, Dana Gould, Chris Hobbs, Jackie Kashian, Brian Kiley, Karen Kilgariff, Cathy Ladman, Wendy Liebman, Alyssa Limperis, Ron Lynch, Jane Morris, Martin Olson, Suzy Nakamura, Rick Overton, Bernadette Pauley, Eddie Pepitone, Ken Rogerson, Chuck Sklar, Mike Timpson, Jim Turner, David Waterman, Will Weldon, Steven Wright and Stefane Zamorano join Paul Kozlowski at his court ordered home confinement party.

This week we are joined Jane Morris. Her comedy resume is too long to list, she's practically an improv comedy legend. We talk to her about how she got in to comedy in chicago, why she won't ever stop doing improv, and what it was like doing comedy in a church! Her hot take is about how everyone should chill out on the "Ok, boomer" stuff. She makes the case that the boomers where the hippies, the people fighting for change. The generation we should actually be mad it is Gen X! It was a wild time! Please Like and subscribe on iTunes and write us a review. It really helps out the show! apple.co/34Y3rNL We have shirts! Get your Finger Guns swag here! (Designated clapper shirt coming soon)
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Paul throws the kind of holiday party that makes you want to jump off a bridge in a snowstorm. Featuring Ian Abramson, Mark Brazill, Valerie Breiman, Tony Camin, Shulie Cowen, Ed Crasnick, Jimmy Dore, Al Ducharme, Mark Fite, Dana Gould, Chris Hobbs, Jackie Kashian, Jill Kenny, Tom Kenny, Brian Kiley, Karen Kilgariff, Paul Kozlowski, Leah Krinsky, Cathy Ladman, Wendy Liebman, Alyssa Limperis, Ron Lynch, Jeff Michalski, Jane Morris, Martin Olson, Suzy Nakamura, Rick Overton, Bernadette Pauley, Eddie Pepitone, Ken Rogerson, Chuck Sklar, Dan Spencer, Mike Timpson, Jim Turner, David Waterman, Will Weldon, Steven Wright and Stefane Zamorano

Paul throws an election night victory party. It's a landslide of laughs when he loses his race for third ward Alderman to Suzy Nakamura. Featuring Ian Abramson, Mark Brazill, Tony Camin, Shulie Cowen, Jimmy Dore, Mark Fite, Dana Gould, Chris Hobbs, Jackie Kashian, Jill Talley Kenny, Tom Kenny, Brian Kiley, Karen Kilgariff, Paul Kozlowski, Leah Krinsky, Cathy Ladman, Wendy Liebman, Alyssa Limperis, Ron Lynch, Jeff Michalski, Jane Morris, Suzy Nakamura, Martin Olson, Rick Overton, Bernadette Pauley, Eddie Pepitone, Ken Rogerson, Chuck Sklar, Dan Spencer, Mike Timpson, Jim Turner, David Waterman, Will Weldon, Steven Wright and Stefane Zamorano

Jeff Michalski is an actor, director, improvisor, teacher, mentor and so much more. He worked in comedy clubs across the country with the Original Comedy Ranger and was a member of the Groundling in Los Angeles before settling with the Chicago Second City in 1980. During his years with the Second City, Jeff studied with Paul Sills and his historic Story Theatre. While traveling the country with Second City’s National Touring Company he continued training with Second City founder Paul Sills, and artistic directors Del Close, Fred Kaz and Bernie Sahlins. In 1984 Michalski and his wife, Jane Morris, founded theSecond City ETC. His directorial debut , “Cows on Ice” made the ETC an instant hit and was followed by the even larger success of “Mirrors at the Border”. His achievements brought him to the Second City Toronto where he was nominated for a Dora Award for his direction of “Who’s Tory Now?” Michalski continued as director and Artistic Director of the ETC until 1988 when his success in Chicago led him to be chosen as director of the premiere production of the Second City in Santa Monica, also a critical success. While still in Chicago with the ETC, Michalski also helped found the Second City Training Center, a comprehensive training program from which the next generation of Second City players are chosen. He also founded the Second City Training Program in Santa Monica. Mr. Michalski and Ms. Morris founded the Upfront Comedy Showcase in 1990, and The Comedy Underground in Santa Monica in 1998. He is currently teaching people from all walks of life to improvise at the fanaticSalon in Culver City. As a producer, director and performer, he has worked with Dan Castellaneta, Chris Farley, Amy Sedaris, Mike Meyer, Steven Colbert, Ryan Stiles, and many more. Jeff can be seen in the upcoming film The Laundromat with Meryl Streep.

A blinding snowstorm, a manor house cut off from the outside world, a desperate, violent act... A perfect recipe for danger? Perhaps. But those strangers who just came in the door, are they really newlyweds John and Jane Morris, or has a certain masked duo come calling? And will even The Red Panda and The Flying Squirrel be enough to prevent... A Midwinter's Murder?

A blinding snowstorm, a manor house cut off from the outside world, a desperate, violent act... A perfect recipe for danger? Perhaps. But those strangers who just came in the door, are they really newlyweds John and Jane Morris, or has a certain masked duo come calling? And will even The Red Panda and The Flying Squirrel be enough to prevent... A Midwinter's Murder? Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wondered who helped actors like Stephen Colbert, Chris Farley, Amy Sedaris, and Paul Dinello to hone their comedy chops when they were starting their careers? Our guests, Jeff Michalski and Jane Morris, have directed, taught, and worked with these and countless other improvisers and writers, encouraging their originality and unique comedy voices. Through their theater, Fanatic Salon in Culver City, CA, Jeff and Jane bring the skills they developed at Second City in Chicago to new generations of improvisers and writers in Los Angeles and beyond. Jeff and Jane discuss working with and learning from improv legends Del Close and Paul Sills, taking acting classes from fellow Chicagoan David Mamet, watching Chris Farley audition for Second City by performing a belly flop on stage, and getting serious with Jim Jeffries. They also discuss their monthly improv performances with the Immediate Theater, led by Dan Castellaneta (aka the voice of Homer Simpson and Krusty the Klown), staged at the Fanatic Salon. Jeff and Jane provide invaluable insights into all aspects of performance and writing.

In the latest podcast featuring highlights from our first 200 interviews on The Art Newspaper podcast, we feature three conversations about May You Live in Interesting Times, the main event at this year's Venice Biennale, curated by Ralph Rugoff. Jane Morris and Ben Luke review the exhibition, Dominique Gonzalez-Foerster discusses her virtual reality work for the show, and Rugoff describes the thinking behind the show, its major themes, and the playful nature of much of the work. See acast.com/privacy for privacy and opt-out information.

We review Olafur Eliasson’s show ‘In Real Life’ – an immersive retrospective of the artist’s career to date. Tom Edwards is joined by Francesca Gavin and Jane Morris to discuss what’s behind the smoke and mirrors.

Who is Jane Morris: Jane Morris is the Johnny Appleseed of comedy clubs, having opened the Chicago Comedy Showcase, the Second City ETC, Upfront Comedy, the Comedy Underground and currently managing the fanaticSalon in Culver City. She's has most recently been seen in Brooklyn Nine-Nine, Shameless, I Am the Night and will soon be seen opposite Meryl Streep in The Laudromat. She teaches a writing for performance workshop at the fanticSalon every Wednesday evening and performs live at the venue of a very regular basis. Write Work with Jane Morris. Who is God: God is the supreme or ultimate reality: such as. a: the Being perfect in power, wisdom, and goodness who is worshipped as creator and ruler of the universe... to some people.   How to show love to Project Woo Woo: Click here to buy Lisa a cup of joe.   This episode was also supported by Amazon. Click on this link --> Amazon any time you need to make an Amazon purchase. A small percentage of your purchase will support the show (no extra cost to you).  I receive an affiliate commission from some of the links above. Go get your free be happier than all your friends morning routine over here --> Project Woo Woo Listen to Lisa's other podcasts at Love Bites & Honestly Lisa  

Jane Morris has improvised, written, performed, and directed shows around the world. Beginning in Chicago, where she helped found the Second City ETC with her husband Jeff Michalski, and later from her own theaters in Los Angeles, no one has done more to advance the art of improvisation than Jane. As an actress with over 58 credits to her name she is best known for her roles in Raising Helen, True Lies, Frankie and Johnny and recently in Veep. As a director Jane was nominated for a 1988 Joseph Jefferson Award for Director of a Revue for "Channel This" at the Second City Theatre in Chicago, Illinois. Jane conducts a solo performance workshop that takes original work from idea to staging, to performing. The class works with actors and writers at any level of the process, whether they are just getting started, or almost ready to mount a whole solo show. Her workshop has produced 9 original shows and every participant has finished work. http://scholarsy.blogspot.com/2017/04/jane-morris-explains-improvisation-and.html https://www.imdb.com/name/nm0606623/ http://janemorriswritework.blogspot.com/

Emma Jane Morris joins Optimistically Depressed to discuss trauma and how it affects us at different stages in our lives. Listen: Spotify: https://spoti.fi/2Yi8bhw iTunes: https://apple.co/2J3WFhN Connect with Optimistically Depressed: Instagram: https://www.instagram.com/optimisticallydepressed Facebook: https://www.facebook.com/optimisticallydepressed Twitter: https://twitter.com/optmlydepressed About Ruth: Ruth McMullen is the creator and host of Optimistically Depressed, a podcast where mental health, hurt, life philosophies and anything in between can be discussed without shame. Ruth is an advocate for mental health and has openly shared her journey with depression.

主播 蒋璐阳、申舶良 访谈嘉宾 Jane Morris：资深媒体人 BoomEar艺术播客的第十期节目，我们在巴塞尔艺博会（Art Basel）现场采访了资深媒体人Jane Morris，从她对Art Basel多年的观察与报道经验出发，为听众朋友带来一期信息量巨大的艺博会新手入门攻略，包含艺博会初级与进阶购买指南、如何在艺博会与画廊交谈并询价、如何建立在艺术圈的network、如何提高艺术品位与修养、巴塞尔美食与艺博会装备等实用性话题。 ``` ``` 在本期节目中，你将听到以下内容 00:41 本期节目选题缘起及嘉宾简介 06:05 巴塞尔艺博会(Art Basel)简介 07:09 巴塞尔艺博会的今昔变化 08:49 巴塞尔艺博会的参观路线 11:15 艺博会vip请柬使用攻略 14:22 如何在艺博会与画廊交谈 17:28 艺博会初级购买指南: 从询价开始 21:06 如何迅速在艺术圈建立network 22:33 如何学习提高艺术品位与修养 25:03 谁为艺博会上的大体量作品买单 27:46 艺博会与双年展的区别与联系 29:13 Jane给媒体人的艺博会报道指南 32:05 艺博会进阶购买指南：何为“blue chip” 37:39 巴塞尔艺博会美食与装备指南 41:22 结束语 ``` ``` https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/A5ZyClh0.jpg 蒋璐阳与Jane Morris在采访现场 https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/20RW6YVP.jpg 蒋璐阳与Jane Morris在Art Basel现场 ``` ``` 本期节目中提到的艺博会、美术馆与展览 Art Basel https://www.artbasel.com LISTE https://www.liste.ch Tate https://www.tate.org.uk MASS MoCA https://massmoca.org 贝耶勒基金会“The Young Picasso - Blue and Rose Periods” https://www.fondationbeyeler.ch/en/picasso/ 威尼斯双年展 https://www.mutualart.com 卡塞尔文献展 https://www.documenta.de/en/ 明斯特雕塑展 https://www.skulptur-projekte-archiv.de ``` ``` https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/Nn9sdHY2.jpg David Zwirner画廊带来的Gerhard Richter作品《Versammlung》(1966)以2,000万美元的价格成交（图片来源：David Zwirner画廊） https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/5pHyl0Ia.jpg Gagosian画廊展位上的Jeff Koons作品《Sacred Heart (Magenta/Gold)》(1994–2007) ``` ``` 本期节目中提到的国际画廊 David Zwirner https://www.davidzwirner.com Gagosian https://gagosian.com Hauser & Wirth https://www.hauserwirth.com Pace Gallery https://www.pacegallery.com Marian Goodman Gallery https://www.mariangoodman.com Gladstone Gallery https://gladstonegallery.com Jack Shainman Gallery https://www.jackshainman.com ``` ``` https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/1IlIagGq.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/W-1OZCFG.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/vnYoVif9.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/NhtEKLij.jpg Art Basel 2019 现场（图片来源：Art Basel） ``` ``` 本期节目中提到的艺术品价格数据库 artnet Price Database https://www.artnet.com/price-database/ Artprice https://www.artprice.com/search MutualArt https://www.mutualart.com ``` ``` 本期节目中提到的艺术家与美术馆长 Gerhard Richter https://en.wikipedia.org/wiki/Gerhard_Richter Jeff Koons https://en.wikipedia.org/wiki/Jeff_Koons Georg Baselitz https://en.wikipedia.org/wiki/Georg_Baselitz Nicholas Serota https://en.wikipedia.org/wiki/Nicholas_Serota ``` ``` https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/-L7f3t4P.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/7Rv1FUqp.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/sUHtZTLr.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/6J-4sN_0.jpg Art Basel 2019 "Unlimited" 单元现场（图片来源：Art Basel） ``` ``` 本期节目中提到的媒体 Financial Times https://www.ft.com The Art Newspaper https://www.theartnewspaper.com artnet http://www.artnet.com Artsy https://www.artsy.net Artforum https://www.artforum.com Art Review https://artreview.com Frieze https://frieze.com ``` ``` https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/EJdNnZ-j.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/ncVl81N5.jpg https://files.fireside.fm/file/fireside-uploads/images/6/65f629fe-233a-4538-9207-055bb64b0ba9/J9Wt83ix.jpg 巴塞尔城市与美食一瞥（摄影：蒋璐阳） ``` ``` Jane Morris推荐的巴塞尔美食 Zur Harmonie http://www.harmonie-basel.ch/ Jane Morris推荐的艺术类书籍 《Seven Days in the Art World》 https://www.amazon.com/gp/product/039333712X/ref=dbsadefrwtbiblvppii0 《How to Write About Contemporary Art》 https://www.amazon.com/How-Write-About-Contemporary-Art/dp/0500291578 《Art Since 1900》 https://www.amazon.com/Art-Since-1900-Antimodernism-Postmodernism/dp/0500238189 ``` ``` BoomEar特邀音乐创作：陈少琪 BoomEar 网站：www.boomear.fm FT中文网BoomEar频道： http://www.ftchinese.com/channel/boomear 亦可在iTunes Store、喜马拉雅fm上搜索“BoomEar”订阅 Special Guest: Jane Morris.

Ben Luke and Jane Morris review the main exhibition and we speak to the artists Laure Prouvost and Dominique Gonzalez-Foerster about their works in the show. Plus, we talk about climate change and the challenges Venice is facing as the surrounding waters rise. See acast.com/privacy for privacy and opt-out information.

Emma returns to Optimistically Depressed to talk about her personal experience with anorexia and also share the medical side of the eating disorder. Listen: Spotify: https://spoti.fi/2Yi8bhw iTunes: https://apple.co/2J3WFhN Connect with Optimistically Depressed: Instagram: https://www.instagram.com/optimisticallydepressed Facebook: https://www.facebook.com/optimisticallydepressed Twitter: https://twitter.com/optmlydepressed About Ruth: Ruth McMullen is the creator and host of Optimistically Depressed, a podcast where mental health, hurt, life philosophies and anything in between can be discussed without shame. Ruth is an advocate for mental health and has openly shared her journey with depression.

Emma Jane joins Optimistically Depressed to discuss depression, anxiety, self-harm, elective mutism and much more. Listen: Spotify: https://spoti.fi/2Yi8bhw iTunes: https://apple.co/2J3WFhN Connect with Optimistically Depressed: Instagram: https://www.instagram.com/optimisticallydepressed Facebook: https://www.facebook.com/optimisticallydepressed Twitter: https://twitter.com/optmlydepressed About Ruth: Ruth McMullen is the creator and host of Optimistically Depressed, a podcast where mental health, hurt, life philosophies and anything in between can be discussed without shame. Ruth is an advocate for mental health and has openly shared her journey with depression.

A bumper podcast featuring two roundtable discussions. First, art market specialist Georgina Adam ponders the current situation in the market and considers its future with Victoria Siddall, the director of the Frieze fairs, Francis Outred, the former head of postwar and contemporary art at Christie’s, and the art dealer Thaddaeus Ropac. Then, our correspondents Louisa Buck and Jane Morris join our host Ben Luke to look ahead at the museum openings, biennials, anniversaries and exhibitions coming up this year. See acast.com/privacy for privacy and opt-out information.

The Academy’s £56m project opens, with subtle additions and revamps by the British architect. Chipperfield talks about the subtleties of architecture, the RA’s chief executive Charles Saumarez Smith discusses funding and the quirks of the institution and we review the buildings and its displays with Jane Morris. See acast.com/privacy for privacy and opt-out information.

This week we’re joined by Jane Morris and Jeff Michalski, founders of The Second City ETC and the self-described Johnny Appleseeds of comedy clubs. We talk about history, the future and their current comedy home, the Fanatic Salon.

Film critic Jason Solomons reviews this week’s film releases and Jane Morris, editor at large of the ‘Art Newspaper’, talks London art exhibitions with Monocle’s Ben Rylan. Plus: we meet artist Celia Hempton in Rome.

In Episode 18, we are interviewing educator, author & Instagrammer, Jane Morris who wrote the amazingly successful book,  "Teacher Misery: Helicopter Parents, Special Snowflakes, and Other Bullsh*t." Jane also is the mastermind behind the hilarious Instagram account @TeacherMisery.  Throughout this episode Jane answers questions from her Instagram followers that will make you both laugh and cry (possibly at the same time.) Jane candidly discusses what it's like to be a teacher in America while giving thoughtful perspective on topics we don't often get to hear educators talk about. This episode is filled with lots of laughter & camaraderie! Enjoy!  Say hi to us on Social Media!  Follow today's guest, Jane Morris on Instagram @TeacherMisery  Deanna @HilariousHumanitarian Frances @ShutupSkippy The show! @HHumanitariansPodcast Email us! HHumanitariansPodcast@gmail.com  Fan mail (we love postcards): Deanna Silverman, P.O. Box 3254 Ventura, CA 93006. 

Chris Lord is joined in the studio by Jane Morris, editor at large of ‘The Art Newspaper’, and John Mitchinson, publisher at Unbound, to talk about this month’s art and books. Plus: we speak to Pete Naughton about the podcasts he’s listening to this week and head to Italy for the global countdown.

Film critic Jason Solomons rounds up what's on at the cinema this week, while art critic Jane Morris fills us in on the highlights of the Venice Biennale and Damien Hirst's gargantuan new exhibition. Plus: the Photo London art fair, political cartoonist Willem and what's at number one in the Norwegian music charts.

We get this week’s film, podcast and art picks from critics Tim Robey, Pete Naughton and Jane Morris, and we head to Austin, Texas, to find out the music acts to watch at this year’s SXSW showcase.

We hear from art dealer and adviser Kathlene Fox-Davies, and writer and editor Jane Morris, about the exhibitions worth making a trip for this year.

We round up the best of London’s art this week, with visits to the Gagosian, the White Cube gallery and Condo, the art festival that is bringing international galleries to the UK capital.

Jane Morris, editor at large of ‘The Art Newspaper’, tells us about the art exhibitions that she’s looking forward to in 2017.

Former Smith Publicity client Jane Morris, author of "Teacher Misery" discusses some amazing things she did to self-promote her book. Find out the great things she did to augment her book marketing and book publicity campaign.As always, for more book marketing and book publicity tips, please visit www.smithpublicity.com, Smith Publicity on Facebook, and @smithpublicity on Twitter and Instagram.Host/Producer: Andrea Kiliany Thatcher

Philip Dodd is joined by art historian Devika Singh to consider the art of Bhupen Khakhar and the subjects he explored including class difference; desire and homosexuality; and his personal battle with cancer.Also, Saskia Sassen, Jane Morris, David Anderson and Pat Kane discuss the emergence of London as a global city and what the economic and cultural ramifications might be for the rest of the UK.Bhupen Khakhar is on show at Tate Modern from June 1st to September 6th.Producer: Torquil MacLeod

Jeff Michalski. Jeff is stage and film director, and an alumni of The Second City, where he was fundamental in building their famous Second City etc theater. Jeff is also a teacher and writer, and, with his wife Jane Morris run Los Angeles’ “Fanatic Salon."

Jane Morris has been in "Behind the Candelabra," "Frankie and Johnny," "United States of Tara," "For Your Consideration," and "The Drew Carey Show." Jane is also an alum of The Second City, and, with her husband Jeff Michalski, started Second City's etc. theater.

A blinding snowstorm, a manor house cut off from the outside world, a desperate, violent act... A perfect recipe for danger? Perhaps. But those strangers who just came in the door, are they really newlyweds John and Jane Morris, or has a certain masked duo come calling? And will even The Red Panda and The Flying Squirrel be enough to prevent... A Midwinter's Murder?