Podcasts about big shows

What it do, y'all?! Tap in! Your boy Bubba Dub is back and I'm on one today. I've been off the air for a week and the world has officially lost its mind. From the music game feeling dry to the NBA playoffs heating up, we've got a lot to get off our chest.In this episode, we're keeping it 100% real—grown man talk only.Inside This Episode:The "We Need Drake" Emergency: I'm telling y'all why the mood is off in every lounge and household right now. We need that yellow-beige boy to drop an album ASAP. I love Kendrick, but he ain't making the women vibe like Jersey Drake.The Rap GOAT Debate: We're breaking down the resumes. Is Lil Wayne still the GOAT? Why Biggie might not have enough on the books. And why 2Pac is still sitting at that #1 spot.NBA Playoff Breakdown: * Lakers vs. Rockets: LeBron at 41... if he pulls this off with Brony and the squad, the debate is officially OVER.Nuggets vs. Timberwolves: Ant-Man vs. The Joker. I'm calling it—this one is going to 7 games!Knicks vs. Hawks: Why the New York rats are canceling their flights for the playoffs.Real Talk & Growth: I'm opening up about why I'm done pulling my brothers down. We're talking about leading by example, respecting the legends, and why life is too short for gang banging and negativity in 2026.Personal Updates: Is Bubba getting lipo?!

We sit down with Catherine Batavick, Acting Director of the Maryland Film Office, to explore what it really takes to attract and support major film and television projects at the state level. Catherine shares how a film office operates behind the scenes, connecting producers with locations, crew, permitting agencies, and community partners, and what makes a region competitive in today's incentive-driven landscape.Over the years, the state incentive program she oversees has helped generate more than $1 billion in economic impact through projects such as House of Cards, VEEP, We Own This City, Lady in the Lake, and Special Ops: Lioness. In this conversation, Catherine walks through the practical realities of producing in Maryland: permitting timelines, local crew depth, location diversity, and how the tax credit actually works in real-world scenarios. She outlines an ideal application timeline for independent features in the $1–$10 million range, explains how the state supports both large-scale series and Maryland-based independent films, and details how productions can monetize tax credits to fund post-production. She also shares how Maryland balances limited incentive funds to support both major studio projects and homegrown filmmakers.Beyond logistics, the episode explores the broader shift in the unscripted and independent production landscape, and how Maryland positions itself as an efficient, collaborative, and cost-effective alternative to larger production hubs.ABOUT WRAPBOOKWrapbook is the AI platform for production finance.Built for today's fast-moving production landscape, Wrapbook brings payroll, spend, and accounting into one AI-powered system—giving production teams the tools they need to do more, faster.Built for features, TV, or commercials—Wrapbook helps the industry's biggest production companies stay compliant, track every dollar in real time, and eliminate the paper-chasing that slows everything down. AI handles the busywork—reading invoices, flagging issues, syncing data—so your team can focus on the work that really matters.But software is only half the story. Wrapbook pairs powerful automation with concierge support from industry experts who've worked on set and know what's at stake. It's how the best production teams scale smarter, protect their budgets, and keep their crews happy.See how Wrapbook is a force multiplier for production finance teams at www.wrapbook.com.

We sit down with Brittini Oolman who is 1/4 of Gold Rush Champions HYB to talk about running on the national level and their upcoming run at Spring X. Hope you enjoy the listen!

Back with Rob Comiskey from the Comiskey Group for a behind-the-curtain look at what really goes on when world-famous artists hit Australian venues.Rob shares the Marilyn Manson story you won't believe - insane green room demands, “don't look at him” rules, and an elevator meltdown that turned into a 45-minute standoff… all because he refused to walk a short set of stairs.We also get into the wildest security briefing Rob's ever heard, how venues handle extreme performers, and why respect for staff matters - especially when you're dealing with security teams on the front line.Then it flips to legendary: Ice Cube's rider might be the best of all time - two buckets of KFC and a bottle of bourbon - and yes, they had to keep KFC open late to make it happen. Rob also talks Cypress Hill nights where the crowd was a full-blown smoke cloud, plus what “artist riders” really cost and why most of it never even gets touched.To wrap it up, Rob breaks down what makes a concert truly successful: the punter experience, constant improvements, and building venues and events that people walk away from singing.If you love Australian hospitality stories, backstage chaos, music industry insights, and proper true yarns, this one's for you.#propertrueyarn Hosted on Acast. See acast.com/privacy for more information.

It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick our exhibition highlights.All of the events discussed and many more are featured in The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events. Visit theartnewspapershop.com. £14.99 or the equivalent in your currency.Events discussed:ART FAIRS: Art Basel Qatar, Doha, Qatar, 5-7 Feb; Frieze Abu Dhabi, 17-22 Nov; MUSEUM OPENINGS: Guggenheim Abu Dhabi, date tbc; V&A East, opens 18 Apr; Los Angeles County Museum of Art (Lacma), opens Apr; Lucas Museum of Narrative Art, opens 22 Sep; Dataland, Los Angeles, opens spring; New Museum, New York, date tbc. BIENNIALS: Venice Biennale, In Minor Keys, 9 May-22 Nov; Arthur Jafa and Richard Prince: Helter Skelter, Fondazione Prada, Venice, 9 May-22 Nov; Marina Abramović: Transforming Energy, Gallerie dell'Accademia, Venice, 6 May-19 Oct; Whitney Biennial, opens 8 Mar; Greater New York 2026, MoMA PS1, 16 Apr-17 Aug; EXHIBITIONS: Gainsborough: The Fashion of Portraiture, Frick Collection, 12 Feb-11 May; Raphael: Sublime Poetry, Metropolitan Museum of Art, New York, 29 Mar-28 Jun; Zurbarán, National Gallery, London, 2 May-23 Aug; Michaelina Wautier, Royal Academy of Arts, 27 Mar-21 Jun; James McNeill Whistler, Tate Britain, 21 May-27 Sep, Van Gogh Museum, Amsterdam, 16 Oct-10 Jan 2027; Seurat and the Sea, Courtauld Gallery, ​​13 Feb-17 May; Peggy Guggenheim in London: The Making of a Collector, Peggy Guggenheim Collection, Venice, 25 Apr-19 Oct; Royal Academy, London, 21 Nov-14 Mar 2027, Cezanne, Fondation Beyeler, Basel, 25 Jan-25 May; Leonor Fini, Schirn Kunsthalle, Frankfurt, 22 Oct-28 Feb 2027; Hilma af Klint, Grand Palais, 6 May-30 Aug, Matisse 1941-1954, Grand Palais, Paris, 24 Mar-26 Jul; Chez Matisse: The Legacy of a New Painting, Caixa Forum, Barcelona, 27 Mar-16 Aug; Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, 11 Mar-6 Sep; Matisse's Femme au Chapeau: A Modern Scandal, SFMOMA, San Francisco, 16 May-7 Sep; Marcel Duchamp, MoMA, New York, 12 Apr-22 Aug; Mary Cassatt: An American in Paris, National Gallery of Art, Washington, DC, 14 Feb-30 Aug; Mary Cassatt: After Impressionism, Art Institute of Chicago, 6 Sep-3 Jan 2027; Modern Iran and the Avant-Gardes, 1948-78, Vancouver Art Gallery, 11 Dec-2 May 2027; Spectrosynthesis Seoul, Art Sonje Center, Seoul, 20 Mar-28 Jun; Carol Bove, Solomon R. Guggenheim Museum, New York, 5 Mar-2 Aug; New Humans: Memories of the Future, New Museum, New York, opens early 2026; Hurvin Anderson, Tate Britain, 26 Mar-23 Aug; Tracey Emin: A Second Life, 26 Feb-31 Aug; Ana Mendieta, Tate Modern, London, 9 Jul-10 Jan 2027. Hosted on Acast. See acast.com/privacy for more information.

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Ian Hamilton returns to the Euro Clutch for a quick catch-up, casting a look at the recent announcements of Big London Shows from Pro Wrestling EVE and Rev Pro - and a quick look at this weekend's Rev Pro Uprising and wXw's 25th Anniversary shows.Track: Midnight - Next Route [Audio Library Release]Music provided by Audio Library PlusFree Download / Stream: https://alplus.io/midnight-nrAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this #amwriting podcast episode, Jennie Nash talks about what it means to “play big” on the page. Using Ian McEwan's choice to write his latest novel without research as an example, she shows how true impact comes when a writer fully owns their story and brings it to life with depth and intention. She encourages listeners to think about their own top five most powerful reads, notice what made those books unforgettable, and aim to create that same sense of bigness in their own writingTranscript Below!#AmWriting: A Groupstack is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber.SPONSORSHIP MESSAGEHey, it's Jess Lahey. If you've been listening to the Hashtag AmWriting Podcast for any length of time, you know that yes, I am a writer—but my true love, my deepest love, is combining writing with speaking. I get to go into schools, community organizations, nonprofits, and businesses, and do everything from lunch-and-learns to community reads to just teaching about the topics that I'm an expert in—from the topics in The Gift of Failure: engagement, learning, learning in the brain, cognitive development, getting kids motivated—and, yes, the topic of overparenting and what that does to kids' learning. Two topics around The Addiction Inoculation are substance use prevention in kids, and—what I've been doing lately that's the most fun for me, frankly—is combining the two. It makes the topic of substance use prevention more approachable, less scary, when we're talking about it in the context of learning, motivation, self-efficacy, competence, and—yes—cognitive development. So if you have any interest in bringing me into your school, your nonprofit, your business—I would love to come. You can go to JessicaLahey.com. Look under the menu option “Speaking,” and go down to “Speaking Inquiry.” There's also a lot of information on my website about what I do—there are videos there about how I do it. Please feel free to get in touch, and I hope I get to come to your community. If you put in the speaking inquiry that you are a Hashtag AmWriting listener, we can talk about a discount—so that can be one of the bonuses for being a loyal and long-term listener to the Hashtag AmWriting Podcast.Hope to hear from you.EPISODE TRANSCRIPTHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters.Today we're talking about how writing big shows up on the page—how you know when somebody else has done it, when a writer has really wrestled with their material, when they've really thought about what matters about it and why it matters, and how they want their readers to feel. They've done all the work of making the choices that deliver an experience to their reader. You can feel it—and you want it.Just before Ian McEwan's new novel came out—which is called What We Can Know—I read an interview with him in The Wall Street Journal, and the interviewer, whose name is Jon Mooallem, asked McEwan this: “You seem to savor research for your books. To write about a brain surgeon, in Saturday, you observed brain surgeries. Here you're writing about a future that's so plausible-seeming and specific but diverges dramatically from all the well-worn dystopian tropes. How do you go about researching the future?” And McEwan answers, “I didn't do any research for this novel.” The interviewer says, “Amazing—none?” And McEwan says, “I could have written it from a prison cell. I mean, there are factoids I looked up on the internet in 30 seconds, but as I approach 80, I'd rather revel in taking a walk through my own mind.”I don't normally read dystopian fiction, but when I heard that answer, I went and pre-ordered the book. I've read some of McEwan's other books and have adored them—especially Atonement. So he's on my radar as a writer that I like to read, and a writer that is worth my time. But I pass up a lot of books by writers whose previous work I've liked, so it's not a foregone conclusion that I would have read this one. But that idea—that he did no research for a sci-fi dystopian novel—and those words about how “I'd rather revel in taking a walk through my own mind”—that tells me that this is a book in which he's playing big, and that's a book that I want to read.It's not that there's anything wrong with research, obviously. People who are writing nonfiction are going to need to do a lot of research, and people writing historical fiction or maybe memoir, and people writing sci-fi or fantasy who are making up worlds that have new technologies or thinking about future systems of government or transportation or food delivery or any of that, are going to need to do research. It's not that I'm knocking that. What I heard, though, was this idea of a writer who was just owning this story—who had it alive in their head and was bringing it to life on the page. And that's what I always am looking for, and I suspect it's what you're looking for, too.If I were to ask you to reel off your all-time top favorite five books, I bet you would be able to. These books live in our minds because of the experience that they delivered to us. And sometimes it's because they came at the exact right moment in our lives. A lot of people will reference a book like Charlotte's Web, which maybe was one of the first books that they ever read—or one of the first times they understood what death is about. Or people will talk about Are You There God? It's Me, Margaret, because they felt, for the first time, that this author was really speaking to them and got into their heads and their hearts. So there's a huge part of this about where we are in our lives when we encounter a particular book and why it might hit us in that particular way. But if you really think about that list of five books, you're going to understand that there's something about those books where the author was playing big. They own their story in a very specific way.One of the books that would be on my top-five list would have to be the book Desert Solitaire by Edward Abbey. This is a memoir that I read when I was a teenager. I think I pulled it off of the shelf of my dad's study. It's a story of this guy who spends a season in the wilderness. He is a ranger at Arches National Park, which is one of those beautiful parks out in the middle of the desert. It's a red-rock landscape, and there are arches out there made out of that rock. It's a very harsh environment, and he is out there greeting the people who dared to come visit this space. And the reason that book is on my list is that I read it more than forty-five years ago, and I can still remember exactly what it felt like to open that book and start reading. Edward Abbey writes in a very specific and unique and intense voice, and he has very big and controversial thoughts about comfort and wilderness and what people seek when they go out there. But for me, the reason that book stays on my top all-time list is because that was the book that helped me finally understand my father. And my father was a professor of environmental studies. He spent a lot of time out in the wilderness, in places that were harsh and uncomfortable, and he had a lot of very strong opinions, like Abbey. And he was a hard man to understand because of some of these things. And as a kid growing up and, you know, becoming a teenager, I didn't understand him, and it was a struggle to understand him. And when I read this book, it was as if somebody handed me a whole new understanding. And I just thought, Oh, this is it. I get it. I get him now. And I can call up that feeling all these years later—of how amazing it was to have somebody see me and see my dad in a way that I hadn't been able to see. So when I think about that experience, and I think about what it was like to be immersed in that book…To me, that is a memory of somebody who played big. I think it was one of the first times I encountered—certainly in an adult book—somebody who was writing big. That book just had a bigness about it, a sense that the author was holding nothing back.And what I mean about holding nothing back—I don't mean that all good writing is just dumping your most private or vulnerable thoughts on the page, or forcing that kind of revelatory work on somebody. That's not what I mean. I mean that there's a sense of depth to it, a feeling of authority—of that author having come as close as you can get to bringing their vision to life. That's what makes a reading experience unforgettable. And it's worth noting here that we live in the time of AI, and AI can do a lot for a story. It can analyze your structure. It can flag plot holes. It can suggest fixes. There's a whole lot that you can use it for if you so choose. People can decide whether they want to use these tools in their work or not.But the thing is that, no matter if you're using those tools, AI can never touch this thing that we're talking about. It can never do the work of the heart—of deciding why a story matters, or why a book matters, or why you're willing to risk writing it or going all in on it. It can never connect with the reader who's going to encounter that work on the other side, because it's a machine.And this human work of connecting is what playing big is really about.Playing small is skating across the surface of an idea. It's polishing words while avoiding the deep meaning. It's leaning on formulas or tropes or trends or tools to do the heavy lifting of intention. The result may be polished, it may be clean, it may be publishable—it may even do well in the marketplace—but it lacks that sense of aliveness that only you can bring, that sense that this work mattered to the writer. So what I'd like you to do today is think about the top five books that you have read in your life and that you remember and that hit you with a strong power. And it might be fun to think about what you felt when you read them and why they impacted you in that way. But what I really want you to do is to pin down the reason why that book has a sense of bigness to it. What did the writer do to make you feel what you felt? And I don't mean tactically—we're looking for something ineffable here, some sense about why that writer was playing big. And then you might write down the way you want your reader to feel when they finish your book, and ask yourself: what do I need to put on the page to make that happen?Until next time—stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

After cancelled flights meant last night's show had to be postponed, Lee Kernaghan gave us the news that he is doing 2 big shows tonight to make up for it.See omnystudio.com/listener for privacy information.

Michael Hayes has arrived, Lawler brings his "Mother", Bret wrestles twice, Mabel qualifies, Savio debuts, and the WWF gives away a house and debuts the shorter show concept as Joey takes a look at the First In Your House from the WWF. Paypal (https://paypal.me/cupofjoepod) [Patreon (https://patreon.com/BabyKangarooMedia)] Email: cupofjoewrestlingshow@gmail.com Twitter (https://x.com/cupofjoepod)

The Recaps of this past week's recaps of WWE Raw Smackdown, NXT, AEW Dynamite/Collision, TNA Impact, Under Siege, and WWE Saturday Night Main Event. I figured this podcast would have Battleground and AEW Double or Nothing recaps attached on but I got it done before those shows after thinking Id be accumulating the recaps but now the recaps aren't totally useless

Linkin Park's Emily Armstrong and Phoenix reflect on the band's legacy, what's on the horizon and share their thoughts on how they prep for major shows.

In this episode of the Breeder Exchange podcast, hosts Sam and Jack discuss the exciting developments in the cattle breeding industry, including new bulls, sales successes, and collaborations with Agrigene. They also highlight their experiences at the Sydney Royal Show and look forward to the upcoming World Angus Forum, emphasizing the importance of participation in these events for Angus breeders. In this conversation, the speakers discuss the significance of attending the upcoming events in Tamworth and Brisbane, particularly for those involved in Angus cattle breeding. They highlight the exciting developments in their podcasting efforts, including live studio sessions with notable guests. The conversation also touches on controversial topics within the beef industry, such as genomics and gene editing, emphasizing the importance of collaboration and networking at these events. The speakers encourage listeners to seize the opportunity to participate in these significant gatherings, which are described as once-in-a-lifetime experiences.TakeawaysThe year has started strong for breeder genetics with new bulls and increased sales.Uppercut has gained significant attention and sales in the market.Collaboration with Agrigene has proven beneficial for marketing elite sires.The Sydney Royal Show provided valuable networking opportunities and discussions on industry challenges.The World Angus Forum is a key upcoming event for breeders to showcase their cattle and connect with others in the industry.New American bulls have been introduced to the sire directory, enhancing breeding options.Sales of semen have been driven by a few standout bulls, indicating market trends.The importance of country of origin labeling in beef imports was discussed.The podcast aims to engage with the audience through live events and discussions.Participation in industry events is crucial for staying informed and connected. Attending Tamworth is essential for anyone in Angus breeding.The podcast will feature live discussions with industry leaders.Tough questions will be asked during the podcast sessions.The events provide a unique opportunity for networking.Controversial topics like gene editing will be discussed.Collaboration in the beef industry is crucial for progress.The events are a platform for sharing knowledge and experiences.It's been 30 years since the World Forum was in Australia.Tickets for events are selling out quickly.Engagement with the audience is encouraged during the podcast.The Breeder Exchange Podcast is produced by @breeder_genetics, an Australian bovine semen company. The podcast uncovers the story of sires within the Breeder Genetics program, and talks all things beef. Guests on the podcast include reputable individuals from successful programs globally. Follow us! Facebook: https://www.facebook.com/breederexchangeInstagram: https://www.instagram.com/breederexchange/

Alex Casey is a pop culture writer and expert and also an incredible investigative journalist. This week she combined the two to investigate why popular global shows in New Zealand are just a little bit shorter than overseas in ‘Mystery of the missing minutes: Why are TV shows shorter in New Zealand?' And what happens when the answer to a question is a little bit boring but you still want to write about it? Plus, there's wild chat about Lorde's new album teaser and why it suggests her greatest ever work is about to come out. Learn more about your ad choices. Visit megaphone.fm/adchoices

FTP Movie Show: Sundance reviews -- Flight RIsk -- Coming Soon

Darion Lorina discussed his work with Jani Lane, Zakk Wylde, and his new project, Dark Chapel. He recorded much of his album at home, using a Les Paul, JCM 800, and Marshall 412. He emphasized the importance of preamps and microphones in achieving tone. Lorina highlighted "Dead Weight" as a personal favorite, inspired by Jani Lane's songwriting style. He shared experiences touring with Jani Lane and Black Label Society, and upcoming shows, including Milwaukee Metal Fest in May. Dark Chapel's album releases on February 28, with more singles to follow. Lorina also mentioned his influences, including Ray LaMontagne and Chris Cornell.00:00 - Intro00:20 - Recording Setup & Techniques 02:06 - Tone & Equipment Choices03:46 - Songwriting & Personal Influences 07:48 - Jani Lane & Black Label Society Influences 12:00 - Coming Up with Riffs 14:10 - Bullet In Our Chamber16:30 - Listening to Music Vs. Silence 18:30 - Musical Influences & Emotional Pain 20:12 - Touring with Jani Lane 24:00 - Big Shows & Making It 26:33 - Dark Chapel & Upcoming Releases Dark Chapel website:https://www.darkchapelband.com/Chuck Shute link tree:https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

Grant reacts to an eventful Week 10 around the NFL, and commemorates the Wreck of the Edmund Fitzgerald with Jay Gabler (Duluth News Tribune) and Ric Mixter. See omnystudio.com/listener for privacy information.

Hard rockers Staind will be back at Pine Knob on Wednesday, September 11, for a second show there in just over a year. It will be the heavy rock quartet's seventh show at Pine Knob, and guitarist Mike Mushok tells us why Pine Knob is one of his favorite places to play. Lynyrd Skynyrd and ZZ Top are continuing their Shaper Dressed Simple Man tour, which the two classic rock acts launched last year and are bringing back to Pine Knob for another stop on Friday, Sept. 13. Judas Priest isn't playing at Pine Knob this time, though -- it's at the Michigan Lottery Amphitheater on Tuesday, Sept. 17 -- but the British heavy metal group has its own history at Pine Knob, including an Ozzfest appearance during 2004. Frontman Rob Halford is another who has nothing but good things to say about Pine Knob.

Hump Day on The Out of Bounds Show! We are starting the day off with a bang as Bo and Jackson discuss the upcoming remotes at The Golden Moon Casino at Pearl River Resort (Thursday) and at the Canton Country Club (Friday).. How does a program replace a legendary coach? Tune in. All guests join us on the Farm Bureau Insurance guest line, and we are LIVE from the BankPlus Studio! Out of Bounds is sponsored by BetterHelp. Visit BetterHelp.com/BOUNDS today to get 10% off your first month! Learn more about your ad choices. Visit megaphone.fm/adchoices

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We're two months away from The National and plenty of other big shows happening this Summer. Brett shares the process he uses to set up deals in advance of shows to make sure he avoids as much aimless meandering as possible. Get exclusive content, promote your cards, and connect with other collectors who listen to the pod today by joining the Patreon:Join Stacking Slabs Podcast Patreon[Distributed on Sunday] Sign up for the Stacking Slabs Weekly Rip Newsletter using this linkCheck out Card Ladder the official data partner of Stacking SlabsFollow Stacking Slabs: | Twitter | Instagram | Facebook | Tiktok

Tom Wells, leader of the Selby Avenue Brass Band first met singer Thomasina Petrus when she was studying and he was teaching at North Community High School in Minneapolis. Thomasina sings with the Selby Avenue Brass Band at noon, Thursday April 25 at Landmark Center in St Paul, and from 4:30 till 6 Saturday April 27 at Crooner's Supper Club in Fridley. When Tom and Thomasina talked with Phil Nusbaum, Tom first addressed why he always know Thomasina would be a good fit with the brass band.

We've got some big shows coming to Limelight Theater this season! Sherrie Provence, Executive Director, and Chad Boyd, Props Manager sit in and not only give away some money, but tell us about the behind the scenes of producing shows like this.

On this week's show we discuss UK Parliament's Culture, Media & Sport Select Committee's hearing on the grassroots live music crisis, and the Nirvana logo legal battle's return to court. SECTION TIMES 01: Grassroots live music crisis (00:08:13) 02: News in brief (00:17:09) 03: Nirvana logo (00:21:43) (Timings may be slightly different due to adverts) THIS WEEK'S MAIN STORIES • MPs hear about the crisis in grassroots live music - a ticket levy might help, but how would that work? • Nirvana ‘smiley face' copyright dispute back in court NEWS IN BRIEF • Rapper ordered to pay $800,000 to Sony over TikTok hit with unlicensed sample • Sean Combs properties raided in federal sex trafficking investigation • Discrimination, lower pay and shorter careers are the norm for female musicians in the UK, study shows • RIAA 2023 Year-End Music Industry Revenue Report ALSO MENTIONED • As BMG's 2023 numbers show continued growth, could a merger with Warner Music or Believe be on the cards?

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

In this week's episode we're talking about SHOT Show happening soon in Las Vegas. It's one of the largest shows in the industry and it's typically the first to take place each year. Exhibitor ListSHOT Show InfoAre you attending? Exhibiting? Is SHOT Show too big? Let me know your thoughts. Gearing Up is sponsored by NutSac BagsUse code ‘gtdunn' to save a few bucks & help support the show!Gearing Up is an everyday carry podcast made for the community.The show features interviews with prominent makers and creators from the EDC community, and covers the latest topics in the industry. Show discussions include EDC Basics, Top 5 EDC lists, introductions to ECD topics and categories, as well as general shenanigans - all with a focus on everyday carry gear and the hobby. Follow along as we talk about life, gear, hobbies, and more.Follow @gtdunn on Instagram for updates and subscribe for new episodes!Check out The Pod [Gearing Up Podcast] group on Facebook!Be sure to follow on Instagram and check out previous episodes of Gearing Up available HERE or on YouTube!#everydaycarrySupport the show

This week we talk to Taylor Feldkamp with Derby Icons, and we also talk with Wil Steinbeck with Wil "B" Urs Custom Derby Builds to talk about up and coming plans for 2024. Hope you enjoy the listen!

We talk about Cornhusker Chaos this week, which for the most part is overlooked on the big stage. We also talk with New Mexico's Derek Khort, who will be making the 12+ hour trip there in April to run the 2 man team stock class. Hope you enjoy the listen!

A handful of artists announced tour dates yesterday so get your wallets ready…. Plus, “Queer Eye” is coming back to Netflix, but the entire cast isn't. We'll tell you who cut ties when we come back!

The boys are back! Kelly and Taylor return to cover everything that's been going on in the last month of joshi including all of Stardom's 5 Star Grand Prix action, as well as the 5 Star Special in Hiroshima and the Dream Tag Festival!They also cover recent action in SEAdLINNNG, Tokyo Joshi, Ice Ribbon, Sendai Girls, Marvelous and more!Then they preview everything coming up in the next two weeks, including the conclusion of the 5 Star Grand Prix tournament, another big show from Sendai Girls, a huge WAVE title match and the debut show for SUKEBAN!Please follow us on twitter: @jbombaudioYou can support this podcast at http://redcircle.com/jumping-bomb-audio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The boys are back! Kelly and Taylor return to cover everything that's been going on in the last month of joshi including all of Stardom's 5 Star Grand Prix action, as well as the 5 Star Special in Hiroshima and the Dream Tag Festival!They also cover recent action in SEAdLINNNG, Tokyo Joshi, Ice Ribbon, Sendai Girls, Marvelous and more!Then they preview everything coming up in the next two weeks, including the conclusion of the 5 Star Grand Prix tournament, another big show from Sendai Girls, a huge WAVE title match and the debut show for SUKEBAN!Please follow us on twitter: @jbombaudioYou can support this podcast at http://redcircle.com/jumping-bomb-audio/donationsSupport this podcast at — https://redcircle.com/jumping-bomb-audio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sheletta Brundidge joins Henry Lake in studio for two segments on a Feisty Friday before talk about The Pretenders playing 7th Street Entry last night and the best shows we've seen in small venues.

Holmberg's Morning Sickness - Wednesday August 30, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - Wednesday August 30, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming through Vegas to play Stoney’s, we dove right into life and what got Kassi Ashton to where she is […] The post Kassi Ashton talking with Toad about California, not the west coast one, big shows, small town life, growing an artist and more! appeared first on TOAD'S TUNES.

In the first episode of the year, we look ahead at the next 12 months. Anny Shaw, the acting art market editor at The Art Newspaper, peers into her crystal ball and tries to predict the fortunes of the art market this year. Then, Jane Morris, one of our editors-at-large, José da Silva, our exhibitions editor, and host Ben Luke select the museum projects, biennales and exhibitions that they are most looking forward to in 2023.Events discussed:The Grand Egyptian Museum: no confirmed opening date. https://www.theartnewspaper.com/keywords/grand-egyptian-museumThe National Portrait Gallery reopens on 22 June. https://www.npg.org.uk/Factory International, Manchester, also opens in June. Yayoi Kusama's You Me and the Balloons opens there on 29 June, as does the Manchester International Festival. https://factoryinternational.org/The Sharjah Biennial: Thinking Historically in the Present opens on 7 February. https://sharjahart.org/biennial-15The Gwangju Biennial: Soft and Weak Like Water opens on 7 April. https://www.gwangjubiennale.org/gb/intro.doCelebration Picasso 1973-2023 https://celebracionpicasso.es/en/calendarioVermeer opens at the Rijksmuseum, Amsterdam, on 10 February. https://www.rijksmuseum.nl/en/stories/themes/vermeerManet/Degas opens at the at the Musée d'Orsay, Paris, on 28 March and then at the Metropolitan Museum, New York, on 24 September https://www.musee-orsay.fr/en/whats-on/exhibitions/manet-degasJuan de Pareja: Afro-Hispanic Painter, opens at the Met on 3 April https://www.metmuseum.org/exhibitions/listings/2023/juan-de-parejaSimone Leigh opens at the ICA, Boston, on 6 April, then at the Hirshhorn Museum and Sculpture Garden, Washington D.C., on 3 November before travelling to the Los Angeles County Museum of Art and the Californian African American Museum in 2024 https://www.icaboston.org/exhibitions/simone-leighBarkley Hendricks: Portraits at the Frick opens at Frick Madison, New York, on 21 September https://www.frick.org/sites/default/files/pdf/press/2022/Hendricks_Release_Final_07_13_22.pdfAlma Thomas: Composing Colour is at the Smithsonian American Art Museum, in D.C., from 15 September https://americanart.si.edu/exhibitions/alma-thomasThe Culture: Hip Hop and Contemporary Art in the 21st Century opens at the Baltimore Museum of Art on 5 April and the Saint Louis Art Museum on 25 August https://artbma.org/about/press/release/baltimore-museum-of-art-and-saint-louis-art-museum-co-organize-monumental-exhibition-exploring-the-global-significance-and-impact-of-hip-hopJaune Quick-to-See Smith opens at the Whitney Museum, New York, on 19 April https://whitney.org/exhibitions/jaune-quick-to-see-smithRemedios Varo: Science Fictions is at the Art Institute of Chicago from 29 July Hilma af Klint and Piet Mondrian: Forms of Life opens at Tate Modern in London on 20 April https://www.tate.org.uk/press/press-releases/hilma-af-klint-piet-mondrian-forms-of-lifeMarina Abramovic is at the Royal Academy in London from 23 September https://www.royalacademy.org.uk/exhibition/marina-abramovic Hosted on Acast. See acast.com/privacy for more information.

The Talking Shop Podcast (S1E39) - Influencers Are Spending BIG Cash at BIG Shows - Is This a Good Thing? In this week's episode, Josh and Michael debate the recent trend of big influencers spending big cash at some of the biggest card shows in the country. All this plus new in the shop, listener questions, cards from the vault, and so much more! --- Opening Rip - 8:28 New in the Shop - 19:31 Behind the Counter & Listener Questions - 26:43 Card from the Vault - 56:58 Coming Soon - 59:31 Connect with Grand Slam Cards Rock Hill on Facebook or Instagram --- Send in a voice message: https://anchor.fm/the-talking-shop-podcast/message

Cody Jasper is a singer, songwriter and guitarist.  He was previously the singer for the band Moon Fever, where he had millions of streams and opened for Buckcherry, Shooter Jennings, Eric gales, and filter. He is now a solo artist and has new album out called “Ministry of Madness.”  We discuss the new album, leaving Moon Fever, his new record label, getting a blue tick and more! 00:00 - Intro00:29 - Abbey Road Studios 01:53 - Set List & Upcoming Record 02:25 - New Record Label 03:35 - Warren Haynes 04:25 - Moon Fever 06:30 - Cocaine Song & Sobriety 07:55 - Other Moon Fever Songs 08:45 - New Solo Stuff 10:36 - Dancing with Depression 14:10 - Eclectic Mix of Songs & Production 22:25 - Hiring a PR Agent & Getting Press 24:30 - Blue Tick & Follow Backs 26:25 - Big Shows & Practicing 27:35 - Living In Texas & Big Cities 29:40 - Upcoming Shows & Projects 31:50 - Freedom Music Project 33:10 - Outro Cody Jasper website:https://codyjasper.com/Freedom Music Project website:https://thefreedominmusicproject.com/index.htmlChuck Shute website:http://chuckshute.com/Support the showThanks for Listening & Shute for the Moon!

Sorry for the technical glitches but its just Mike this week! Don will be back next week. Lashane Smith talks about her great return from an onsite accident and our chat at The Randy earlier this month ... recapping Printing United, Pack Expo and other shows which are hot and more...TheDonAndMikeShow.net and ExhibitCityNews.com

On this week's Center Stage, we hear from: Star Tribune lead theatre critic Rohan Preston "Once Upon a Mattress" director Garry Lennon Twin Cities Film Fest executive director Jatin Setia Lake Wobegon Brass Band's conductor Mike Halstenson

Today PFC Irvine Talks Queen Elizabeths death and how it effects him, Sales Etiquette, Ways to affordable deal at big shows, and how to deal with a liquidity issue!     To Shop the Enhancing Your Collection Items: EYCC Store If you wish to support the show and PFC Irvine's Journey you can find his Ebay store here----> PFC NETWORK  Like our Facebook Page: Learning To Deal Podcast Join the FB Group Students of the Learning to Deal Podcast PFC Network Facebook Page: PFC Network Business page with special sales   Next Coin shows PFC Irvine will be at searching for the #EYCC   Roseville, MN Coin Show Sept 10 2022 9 AM to 4 PM Roseville skating center  2661 Civic Center Drive Roseville, MN 55113 South St Paul Coin Show  Spet 18 2022 9 AM to 4 PM 266 Hardman Ave South St Paul, MN 55075

For 30 years, Coach Greg Nelson has overseen the training and development of thousands of combat sports athletes at his gym The Academy in Minnesota. Among these fighters and champ that he has helped produce, Brock Lesnar, Kaitlin Young, Brock Larson, Sean Sherk, Dave Menne and Nick Thompson. He is also a regular part of UFC Straw-weight former reigning champ Rose Namajunas team. Coach Nelson talks about his approach, philosophies and methods that he employs from entry level novice hobbyists all the way up to UFC World Champions.  He talks both about how training and the sport has evolved and changed,  and what attributes and features are remain ever present in High-Level elite performers.I was happy and reassured to hear that many of principles and approaches that Coach Nelson has employed so successfully, are very much aligned with the broader underpinnings of ecological dynamics. I particularly appreciated the apparent autonomy and creativity he fosters in his training environment and his approach to ethical and sensible training to promote longevity and skill development. For more info on Coach Nelson and or the Academy. Visit www.theacademymn.com You can also hear Coach Greg drop nuggets of fighting wisdom on his own podcast "In the Clinch"Follow Coach Nelson and his team on IG or Twitter.

In this episode of Wrestling Night in America, PWTorch columnist Greg Parks is joined by PWTorch assistant editor Zack Heydorn to discuss the big shows Greg missed while on vacation the last two weeks, and preview the upcoming big shows. Among the topics covered with emailers and callers: AEW/NJPW Forbidden Door, WWE Money in the Bank, NXT TV, NJPW G1, ROH Death Before Dishonor, and more.

The Jareds Stern plug the BIG SHOWS on June 24th & 25th, a new Jared Stern is waiting in the wings, a review of Top Gun, and we learn something new about Jared Stern of the North. (Recorded 06/14/22)

The Split Six Podcast is a podcast where we split a six pack and talk about three different topics each over the course of one beer.

Episode 135: Michael Carlyle & Mika Frankl look back at the week in MMA - we saw some great performances, multiple fights end due to illegal strikes...with different outcomes. Corey Anderson says He's the best light heavyweight in the world...is he right? Jon Jones opens as a 2-1 favorite against Stipe Miocic in s potential matchup. Hit up the show:Twitter: @MMAafterhours @RealMikeCarlyle @FranklMika @CagedMindsMMAEmail: mmaafterhours@gmail.com

This week, Jearlyn welcomes the following guests to Center Stage: Crooners Supper Club owner Mary Tjosvold Singer/musician Cyrille Aimée Actor/director/choreographer Austene Van Plus, Star Tribune lead theatre critic Rohan Preston brings up two pieces of breaking news regarding Sunday night's Oscars and an announcement from a current "Saturday Night Live" cast member.

This week Christina and Kayleigh are breaking down how to increase your ROI with podcasts. Size doesn't always matter when it comes to the podcast where you are sharing your story. Listen to how these ladies have made their businesses known across so many different shows!Want to become a part of The Podcast Connector fam?Apply to become a TPC podcast (FREE!) or apply to become a TPC guest & get on awesome shows at http://thepodcastconnector.com/.Want to connect further? Follow us on Instagram @thepodcastconnector or email us at thepodconnector@gmail.comGet booked today on amazing Podcasts >> APPLY HERELet's Connect:InstagramLinkedin

This week on the “The DeFalco Files” Joe and Matt talk about the exciting shows FSW has planned 4 Big Shows over the next month starting with this Friday Night. April 16th- Let It Ride  Saturday April 24th- Ground Zero (Featuring)Hammerstone vs Brian Pillman Jr. Saturday May 8th-TBD Friday May 14th- “Changing The Game” (Featuring Lio Rush, Trey Miguel, Hammerstone, Tre Lemar, Daivari, Remy Marcel and more!) We also get into what difference between the wrestling youngsters compared to the wrestling veterans. It's a very informative episode that includes a few EXCITING announcements! For all this and more tune in weekly to “The DeFalco Files”.  And please subscribe, download, listen, review, and share all of the shows from the Vegas Badboyz of Podcasting.