Podcast appearances and mentions of Anne Enright

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlotte Wood is the author of seven novels and three books of non-fiction. Her novel Stone Yard Devotional was shortlisted for the 2024 Booker Prize. It was described by the UK Guardian as ‘a quiet novel of immense power' and has been praised by authors Anne Enright, Tim Winton, Karen Joy Fowler, Hannah Kent and Paula Hawkins among others. Her previous books include The Luminous Solution, a book of essays on the creative process; the international bestseller, The Weekend; and The Natural Way of Things which won a number of prizes including The Stella Prize and the Prime Minister's Literary Award. Her features and essays have appeared in The New York Times, The Guardian, Literary Hub, The Sydney Morning Herald andThe Saturday Paper among other publications. In 2023 Belvoir Theatre Company staged an adaptation of her novel The Weekend, and her novel The Natural Way of Thingsfeatured in ABC Television's 2021 series The Books That Made Us. Charlotte joins Barbara DeMarco-Barrett to talk about pacing a quiet novel, her main character who is never named, why she set the novel at the start of the pandemic, plagues, slowing down your writing and paying attention to small details, her relationship with plot, revision, and voice, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on April 23, 2025) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

"El encuentro" es una elegía feroz a los secretos que nos definen y a las mentiras que nos mantienen vivos. Enright desnuda el mito de la familia irlandesa unida, mostrando cómo el silencio puede ser más letal que la verdad. Con una prosa que duele y fascina, la novela confirma que, a veces, el mayor acto de amor es recordar lo que otros eligen olvidar. Como dice Veronica: "Los muertos no se van. Solo se esconden en los pliegues de nuestra memoria, esperando ser convocados."AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC  Síguenos en:  Telegram: Crónicas Lunares di Sun  ⁠Crónicas Lunares di Sun - YouTube⁠ ⁠https://t.me/joinchat/QFjDxu9fqR8uf3eR⁠  ⁠https://www.facebook.com/cronicalunar/?modal=admin_todo_tour⁠  ⁠Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram⁠  ⁠https://twitter.com/isun_g1⁠  ⁠https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz⁠  ⁠https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp⁠  https://mx.ivoox.com/es/s_p2_759303_1.html⁠ https://tunein.com/user/gnivrinavi/favorites⁠ 

Cantare Choir are bringing a concert to Ennis Cathedral later this week. The Choir will perform Faure Requiem on Friday (25th April). To discuss this further, Alan Morrissey was joined in studio by Andrea Sheehan and Grace Russell both who sang a duet accompanied by Michael Hennessy on keyboard and Trióna Marren O'Grady and Des Ryan from the committee. Also, Anne Enright from Clare Crusaders. Photo(C): Clare FM and Cameron O'Grady

Send us a textOn this episode we talk to poet novelist and critic Mary O'Donnell about Mary O'Malley's The Shark Nursery, Patrick Holloway's The Language of Remembering,  ! All' ARME /? by Eilish Martin and Beginnings Over and Over: Four New Poets from Ireland, edited by Leeanne Quinn.We also give a shout out to a special anthology for One Dublin One Book, Dublin, Written in our Hearts, published by the Stinging Fly Press and edited by Declan Meade. It's an anthology that offers writings about Dublin in the first quarter of this century and contributors include Kevin Barry, Caitriona Lally, Felizspeaks, Stephen James Smith, Anne Enright, Estelle Birdy, Paula Meehan and our own Peter Sirr. There are lots of events happening throughout the city to coincide with this anthology and you can find out more by checking out onedublinonebook.ieMary O'Donnell's book of short stories, Walking Ghosts, comes out this May from Mercier Press. ‘Each story shines in its own distinctive light,' Neil Hegarty says. It will be launched in the Maynooth Bookshop on the 7th of May, and in Hodges Figgis, Dublin on the 20th of May.  This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.Support the show

Thurston Moore – Anne Enright and Paul Muldoon - From A Low And Quiet Sea

Wenzel, Tobias www.deutschlandfunkkultur.de, Lesart

Wenzel, Tobias www.deutschlandfunkkultur.de, Lesart

Wenzel, Tobias www.deutschlandfunkkultur.de, Lesart

Evelyn O'Rourke, Arts and Media Correspondent, discusses why leading Irish authors Anne Enright and Paul Lynch are celebrating this morning

Hufen, Uli www.deutschlandfunk.de, Büchermarkt

Karches, Nora www.deutschlandfunk.de, Büchermarkt

Die irische Schriftstellerin und Booker-Prize-Trägerin Anne Enright thematisiert in ihrem neuen Roman familiäre Beziehungen, die Bedeutung alter Mythen und Lyrik aus zeitgenössischer Sicht. Eine Familie – drei Generationen: Der verstorbene irische Nationaldichter Phil McDaragh, seine Tochter Carmel und ihre Tochter Nell. Nell ist eine moderne junge Frau, die Yoga praktiziert, sich von Quinoa ernährt, Tattoos stechen lässt und um die Welt reist. Sie mag die Gedichte ihres Grossvaters und sucht nach ihrer eigenen schriftstellerischen Stimme, die sie für ihre Social-Media-Beiträge nutzen möchte. Carmel steht ihrem verstorbenen Vater ambivalent gegenüber. Er verliess die Familie, als sie erst 12 Jahre alt war, um zu seiner jungen Geliebten in die USA zu ziehen, nachdem seine Ehefrau an Brustkrebs erkrankte. Als Phil wegzieht, hinterlässt er eine grosse Lücke. «Vogelkind» von Anne Enright ist ein Buch über die Auswirkungen und das Erbe eines grossen Lyrikers, aus künstlerischer und menschlicher Perspektive. Dieses Buch steht im Zentrum der Folge: - Anne Enright: Vogelkind. Aus dem Englischen von Eva Bonné. 304 Seiten. Penguin, 2025. Im Podcast zu hören: - Anne Enright Bei Fragen oder Anmerkungen schreibt uns: literatur@srf.ch Weitere Informationen und den wöchentlichen Literaturnewsletter gibt es unter srf.ch/literatur

Anne Enright joins Deborah Treisman to read and discuss “Sierra Leone,” by John McGahern, which was published in The New Yorker in 1977. Enright, a winner of the Carnegie Medal for Excellence in Fiction and the Man Booker Prize, among others, has published eleven books of fiction, including the story collection “Yesterday's Weather” and the novels “Actress” and “The Wren, The Wren.” She has been publishing fiction in The New Yorker since 2000. Learn about your ad choices: dovetail.prx.org/ad-choices

Blue Road: The Edna O'Brien story is the brand new documentary by Irish filmmaker Sinéad O'Shea. It's a portrait of one of Ireland's finest writers, featuring extracts from O'Briens journals, contributions from the likes of Gabriel Byrne and Anne Enright and a remarkable final interview with O'Brien shortly before her death aged 93 last year. In this episode, O'Shea tells Kathy Sheridan about the late-writer's extraordinary life and legacy and how the film came about after a chance encounter at a wedding. But first, Irish Times podcast producer Suzanne Brennan is here to discuss some of the biggest stories from the week including a review into maternity services at Portiuncula Hospital in Galway, why Caroline Kennedy made a last minute plea to the US Senate this week and how the gender balance row in government has intensified in recent days. Hosted on Acast. See acast.com/privacy for more information.

Relații de familie. Suferință transmisă de la o generație la alta. Multă ironie înțepătoare. Dar și un pic de speranță, la final. Sînt doar cîteva dintre ingredientele care intră în compoziția romanului „Pitulicea” de Anne Enright (Humanitas Fiction). Am vorbit cu traducătoarea sa, Iulia Gorzo, despre complexitatea și subtilitatea cu care Anne Enright își construiește personajele, despre ironie, despre diversele partituri pe care le construiește cu abilitate – de la limbajul unei tinere de azi, influențat de limbajul prescurtat din mediul online, pînă la limbajul poeziei –, despre cum descrie violența și cum explorează trauma de abandon transmisă de la o generație la alta.Iulia Gorzo: „Cînd mă gîndesc la o carte la care lucrez, de multe ori fac un exercițiu de concizie și mă întreb care ar fi cuvîntul care rezumă pentru mine cartea. Iar în cazul romanului «Pitulicea» de Anne Enright cuvîntul ar fi subtilitate. E o carte foarte subtilă. Chiar dacă se întîmplă foarte multe lucruri și poveștile sînt destul de clare, chiar dacă tratează un subiect dur, trauma de abandon care se transmite generațional, felul în care Enright spune povestea este mereu subtil. Nu ne spune ce să gîndim, nu ne spune cum să privim personajele. Ea are o distanță față de personaje, nu e moralizatoare, nu e nici extrem de caldă sau de prietenoasă. E pur și simplu o distanță care-ți permite să le cunoști. De asta mi-a plăcut foarte mult ochiul lui Enright. Mi se pare că are o inteligență vie, acută și niște resurse fantastice.”Apasă PLAY pentru a asculta întreaga discuție!O emisiune de Adela Greceanu  Un produs Radio România Cultural  

In her first novel Hagstone (Fourth Estate), Sinéad Gleeson – who has, in the words of Anne Enright, ‘changed the Irish literary landscape through her advocacy for the female voice' – explores the darker side of human nature and the mysteries of faith and the natural world in the setting of a remote island housing a commune of women seeking refuge from the modern world.She was joined in discussion by Booker Prize winner Douglas Stuart, author of Shuggie Bain and Young Mungo.Find more events at the Bookshop: https://lrb.me/eventspodGet Hagstone: https://lrb.me/hagstonepod Hosted on Acast. See acast.com/privacy for more information.

In her award-winning novel “The Wren, The Wren” author Anne Enright creates 3 generations of Irish women who contend with their inheritances- which includes charismatic, poetic men and sometimes ill treatment.

EDUCATED by Tara Westover, chosen by Jenny Kleeman THE WREN, THE WREN by Anne Enright, chosen by Harriett Gilbert GIVING UP THE GHOST by Hilary Mantel, chosen by Sam KnightJournalist and broadcaster Jenny Kleeman (of Radio 4's The Gift and author of The Price of Life) chooses Tara Westover's memoir Educated, which caused a sensation when it was first published. It's about her childhood growing up in an isolated Mormon family in rural Idaho, who were preparing for the end of the world, and didn't believe in school, doctors or medicine. It's about how she studied her way out of a difficult upbringing, eventually earning a PhD at Cambridge University.Sam Knight (staff writer at the New Yorker and author of The Premonitions Bureau) also picks a memoir, but of a very different kind. He goes for Hilary Mantel's beguiling Giving Up The Ghost. In it, she explores the real, and imaginary, ghosts of her life - the illnesses that have haunted her body, the family she would never have, and the art of writing.Harriett Gilbert brings a work of fiction by a writer she loves, the Irish writer Anne Enright. They discuss her latest novel The Wren, The Wren, a story which speaks about the inheritance of trauma and the price of love.Producer: Eliza Lomas for BBC Audio in Bristol Join the conversation @agoodreadbbc Instagram

W tym odcinku Raportu o książkach będziemy nad morzem, a dokładnie nad Morzem Irlandzkim, gdzie mieszka Anne Enright – nagrodzona Bookerem irlandzka pisarka, autorka wydanej niedawno w polskim tłumaczeniu powieści „Strzyżyk woleoczko”. Od spotkania z Anne Enright w jej domu nad Zatoką Dublińską, rozpoczynamy CYKL IRLANDZKI – czyli serię odcinków poświęconych literaturze irlandzkiej, które powstały w Dublinie, w okolicach Dublina i w Belfaście. W kolejnych tygodniach zaproszę Państwa na spotkanie także z Paulem Lynchem, autorem zeszłorocznego Bookera, czyli „Pieśni proroczej”. W listopadzie będziemy w Belfaście, mieście „Kłopotów”  - jak nazywany jest krwawy konflikt w Irlandii Północnej. O tym pełnym przemocy rozdziale historii północnoirlandzkiej opowiada „Mleczarz” Anny Burns, która w 2018 roku była pierwszą północnoirlandzką pisarką nagrodzoną Bookerem. Dziś „Strzyżyk woleoczko” Anne Enright – opowieść o sile poezji — nie zawsze życiodajnej, czasem bardzo destrukcyjnej. O trzech pokoleniach irlandzkich kobiet – ich niewidzialności, milczeniu, ich walce z irlandzkimi mitami i demonami. Z Anne Enright rozmawiamy też o morzu i jego obecności w irlandzkiej literaturze, o Jamesie Joyce'ie i wielkich irlandzkich poetach, o tym, czym byłoby życie bez poezji i dlaczego miłość romantyczna może być niebezpieczną pułapką. Proszę koniecznie posłuchać tego odcinka Raportu o książkach do samego końca, bo tam czeka na Państwa niespodzianka. Żeby jednak wszystkiego nie zdradzać, od razu zadam tylko pytanie – czy można przeczytać „Ulissesa” Jamesa Joyca ponad 90 razy i nadal odkrywać w tej powieści nowe miejsca? Prowadzenie: Agata Kasprolewicz Gość: Anne Enright Powieść "Strzyżyk woleoczko" Anne Enright ukazała się w tłumaczeniu Kai Gucio i Piotra Siemiona nakładem Wydawnictwa Filtry.

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don't yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren't working class, they're “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne's Now We Are Six. Mentioned in this Episode: By Anne Enright: The Gathering (2007; Booker Prize) The Forgotten Waltz (2011) The Green Road (2015) The Portable Virgin Taking Pictures Yesterday's Weather Granta Book of the Irish Short Story Making Babies: Stumbling into Motherhood No Authority Also mentioned: Patricia Lockwood, No One is Talking about This Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends Christopher Hitchens, “Booze and Fags:” Transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don't yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren't working class, they're “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne's Now We Are Six. Mentioned in this Episode: By Anne Enright: The Gathering (2007; Booker Prize) The Forgotten Waltz (2011) The Green Road (2015) The Portable Virgin Taking Pictures Yesterday's Weather Granta Book of the Irish Short Story Making Babies: Stumbling into Motherhood No Authority Also mentioned: Patricia Lockwood, No One is Talking about This Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends Christopher Hitchens, “Booze and Fags:” Transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don't yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren't working class, they're “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne's Now We Are Six. Mentioned in this Episode: By Anne Enright: The Gathering (2007; Booker Prize) The Forgotten Waltz (2011) The Green Road (2015) The Portable Virgin Taking Pictures Yesterday's Weather Granta Book of the Irish Short Story Making Babies: Stumbling into Motherhood No Authority Also mentioned: Patricia Lockwood, No One is Talking about This Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends Christopher Hitchens, “Booze and Fags:” Transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don't yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren't working class, they're “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne's Now We Are Six. Mentioned in this Episode: By Anne Enright: The Gathering (2007; Booker Prize) The Forgotten Waltz (2011) The Green Road (2015) The Portable Virgin Taking Pictures Yesterday's Weather Granta Book of the Irish Short Story Making Babies: Stumbling into Motherhood No Authority Also mentioned: Patricia Lockwood, No One is Talking about This Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends Christopher Hitchens, “Booze and Fags:” Transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don't yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren't working class, they're “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne's Now We Are Six. Mentioned in this Episode: By Anne Enright: The Gathering (2007; Booker Prize) The Forgotten Waltz (2011) The Green Road (2015) The Portable Virgin Taking Pictures Yesterday's Weather Granta Book of the Irish Short Story Making Babies: Stumbling into Motherhood No Authority Also mentioned: Patricia Lockwood, No One is Talking about This Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends Christopher Hitchens, “Booze and Fags:” Transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Sackur speaks to Anne Enright, the Irish novelist whose fiction digs deep into the dynamics of family, motherhood, and sexuality. In the course of her long writing career, just how much has Ireland changed?

Booker Prize-winning author Anne Enright's latest novel, The Wren is a multigenerational story delving into the inheritance of trauma, the resilience of women and the power of love in its manifold forms. It contemplates the question: how do we live with betrayal and loneliness, yet still love those close to us? Anne joined us at All About Women this year to explore the novel, societal links and the reasoning behind stylistic choices in her writing, alongside moderator and author Madeline Gray. This event was recorded at the All About Women Festival at the Sydney Opera House on March 10, 2024. Hosted on Acast. See acast.com/privacy for more information.

Irish novelist Anne Enright is the author of seven novels, including The Gathering, winner of the Booker Prize in 2007. Her 2012 novel The Forgotten Waltz won the Andre Carnegie Medal for Fiction and her novel The Green Road won The Irish Novel of the Year in 2015, the same year that she was appointed as the inaugural Laureate for Irish Fiction. Her latest novel The Wren, The Wren has been shortlisted for the Women's Prize for Fiction 2024.Anne tells John Wilson how her childhood home in the suburbs of Dublin, and holidays spent at the Pollock Holes in Kilkee inform her writing. She recalls her book-devouring household and first reading Ulysses while on a cycling holiday at the age of 14. The play Top Girls by Caryl Churchill was also a creative influence, particularly in the way Churchill wrote dialogue for women who were at the time, so underrepresented on stage. Anne also cites the influence of the writer Angela Carter, both as a writer of contemporary fiction and as her tutor and mentor at the University of East Anglia. Producer: Edwina PitmanArchive and readings used:Extract from The Gathering, read by Anne Enright Extract from The Wren, The Wren, read by Charlotte Pyke Extract from Top Girls by Caryl Churchill, BBC, 1992

Host Meg Wolitzer presents three works that offer unusual perspectives on clothes and fashion—selling, making, and coveting. In Anne Enright's “(She Owns) Everything,” read by Mary-Louise Parker, a saleswoman becomes a compulsive consumer. In “Clothes on the Ground: A Conversation with Leap,” we hear from a Cambodian garment worker, interviewed by Julia Wallace for the compendium Women in Clothes. Leap is voiced by Jennifer Lim. And shopping is an antidote to aging in Joanne Harris's “Faith and Hope Go Shopping,” read by Lois Smith.

Anne Enright, writer, critic, Booker winner, kindly makes time for Irish literature maven Paige Reynolds and ND host John Plotz. She reads from The Wren, The Wren (Norton, 2023) and discusses the “etherized” state of our inner lives as they circulate on social media. Anne says we don't yet know if the web has become a space of exposure or of authority, but that the state of diffusion we all exist in is “pixilated”--though perhaps we can take comfort from the fact that “Jeff Bezos...is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also gently corrects one reviewer: her characters aren't working class, they're "just Irish." Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want--while simultaneously “mortifying them...condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to the signature question: A. A. Milne's Now We are Six. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anne Enright, writer, critic, Booker winner, kindly makes time for Irish literature maven Paige Reynolds and ND host John Plotz. She reads from The Wren, The Wren (Norton, 2023) and discusses the “etherized” state of our inner lives as they circulate on social media. Anne says we don't yet know if the web has become a space of exposure or of authority, but that the state of diffusion we all exist in is “pixilated”--though perhaps we can take comfort from the fact that “Jeff Bezos...is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also gently corrects one reviewer: her characters aren't working class, they're "just Irish." Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want--while simultaneously “mortifying them...condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to the signature question: A. A. Milne's Now We are Six. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I interview C L Taylor about her latest book “Every Move You Make”. Plus I review another four books from the Women's Prize Fiction longlist:Brotherless Night by V V GaneshananthanIn Defence Of The Act by Effie BlackThe Maiden by Kate FosterThe Wren, The Wren by Anne Enright.PLUS The 3 books CL Taylor recommends are:The Collector by John FowlesRubbernecker by Belinda Bauer56 Days by Catherine Ryan Howard Hosted on Acast. See acast.com/privacy for more information.

The stories told and secrets kept in Ireland north and south are the focus of a pair of deeply personal new non fiction books - Missing Persons Or My Grandmother's Secrets from University of Cambridge Professor of English Literature Clair Wills and Dirty Linen by Martin Doyle who is Books Editor of the Irish Times. They're joined by the criminologist Dr Louise Brangan who researches the sociology of punishment, including work on Ireland's Magdalene Laundries and the poet Scott McKendry whose work deals with generational trauma and social decay in Belfast. John Gallagher hosts a discussion of how the stories we tell ourselves about ourselves and others can shape society and history itself.Professor Clair Will's books include Lovers and Strangers: An Immigrant History of Post-War Britain and The Family Plot: Three Pieces on Containment. Martin Doyle's book is called Dirty Linen The Troubles in My Home Place. Scott McKendry's debut poetry collection is Gub. Dr Louise Brangan is a Senior Lecturer at the University of Strathclyde and a BBC Radio 3 New Generation Thinker.You can find other episodes exploring Irish history and writing on the Free Thinking programme website under past episodes and Arts & Ideas podcasts including programmes about Emigration and "bad Bridgets"; Ireland's Hidden Histories and Secret Stories; Edna O'Brien; Colm Tóibín; Anne Enright.Radio 3 has a three part series tracing music and composers from the island over the past two hundred years - Irish Classical, hidden in plain sight. Find it on BBC Sounds.Producer in Salford: Olive Clancy

As far back as Aristotle, plots have been viewed as essential components of long-form narratives. So what happened when Modern novelists like James Joyce, Virginia Woolf, William Faulkner, and Djuna Barnes began turning away from conventional plots? Why did they do this and what were the consequences for their art? In this episode, Jacke talks to Professor Pardis Dabashi about her new book, Losing the Plot: Film and Feeling in the Modern Novel. PLUS Booker Prize-winning author Anne Enright (The Wren, The Wren) stops by to discuss her choice for the last book she will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil McDaragh is a great Irish poet; he was also a lousy husband and father, abandoning his family to pursue his writing. In Anne Enright's new novel, The Wren, The Wren, three generations of women in the McDaragh family contend with the absent patriarch's complicated legacy. Enright spoke with NPR's Scott Simon about writing fiction about a great writer, and how the poet's bad behavior in his personal life impacts the McDaragh women's own passions, years down the road.

Life & Art presents an episode of History of Literature. After taking a look at Emily Dickinson's Poem #269 ("Wild Nights - wild nights!"), Jacke Wilson talks to novelist Anne Enright about growing up in Ireland, her writing career and her new book The Wren, The Wren. Plus, Dublin literary historian Christopher Morash (Dublin: A Writer's City) stops by to select the last book he will ever read.Episode link here. -------We love hearing from you! Write us. You can email us at lifeandart@ft.com or message Lilah on Instagram @lilahrap. -------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart Hosted on Acast. See acast.com/privacy for more information.

After taking a look at Emily Dickinson's Poem #269 ("Wild Nights - wild nights!"), Jacke talks to novelist Anne Enright about growing up in Ireland, her writing career, and her new book The Wren, The Wren. PLUS Dublin literary historian Christopher Morash (Dublin: A Writer's City) stops by to select the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus episode, Elin and Tim travel virtually across the pond to Scotland to interview one of their favorite writers of the English language, Maggie O'Farrell, author of Hamnet and The Marriage Portrait. The three discuss the differences between publishing in the UK and in the US, what it means to Maggie to be Irish, how she researches her settings, point of view and experimentation with the craft of language, publishing a plague novel during COVID-19, writing fiction about real people, and her memoir I Am I Am I Am: Seventeen Brushes with Death. You'll immediately want to order every Maggie O'Farrell novel you can get your hands on because, as Tim and Elin say in the episode, they would "read her grocery list!"A special thank you to our Episode Sponsors:Lovango Resort & Beach Club - limited time, 10% off your stay at Lovangovi.com/ELINBook of the Month - limited time, first book for just $9.99 with code ELINMaggie O'Farrell Reading List:After You'd Gone Instructions for a Heatwave The Vanishing Act of Esme Lennox This Must Be the Place I Am I Am I Am Hamnet The Marriage PortraitWhat else are we reading in this episode:The Girl with the Louding Voice by Abi DarThe Wren, The Wren by Anne EnrightOther authors mentioned:Rudyard Kipling, Louis MacNeice, William Shakespeare, Alice Munro, Ann Patchett, Margaret Atwood, Elizabeth Strout, William Boyd, and Anne Enright.Follow/Subscribe to the 'Books, Beach, & Beyond' podcast now to stay current on new episodes.And find us on Instagram at @booksbeachandbeyondHappy Reading!

Grammy and Oscar-winning music producer Mark Ronson is known for his party hits, pop songs, and soulful arrangements, producing for stars like Amy Winehouse, Lady Gaga, and Adele. His latest project is the Barbie soundtrack and score. We talk about the year he and his collaborator Andrew Wyatt spent conceptualizing, producing, and composing songs for the album which features Nicki Minaj, Sam Smith, Billie Eilish, and Dua Lipa. Also, book critic Maureen Corrigan reviews The Wren, The Wren by Anne Enright.