Podcast appearances and mentions of gloria anzald

Benjamin P. Davis's Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.' Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil's Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Benjamin P. Davis's Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.' Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil's Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Benjamin P. Davis's Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.' Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil's Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Benjamin P. Davis's Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.' Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil's Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Benjamin P. Davis's Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.' Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil's Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Latino USA: A Cartoon History, Revised Edition (Hachette Book Group, 2024) escrito por Ilan Stavans e ilustrado por Lalo Alcaraz, enfrenta los desafíos de capturar las alegrías, los matices y las múltiples dimensiones de la cultura latina dentro del contexto del idioma inglés. En esta historia en forma de caricatura, Stavans busca combinar la solemnidad de literatura y la historia con la naturaleza inherentemente teatral y humorística de los cómics. Los temas abarcan a Colón, el Destino Manifiesto, el Álamo, William Carlos Williams, Desi Arnaz, West Side Story, Castro, Guevara, Neruda, García Márquez, el éxodo del Mariel y Selena, entre otros. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez y Annette Martínez-Iñesta, coordinadora del grupo focal de lenguaje del Instituto Nuevos Horizontes. Temas, estudiosos, libros y otros recursos mencionados en esta conversación: Para leer al pato Donald. Comunicación de masas y colonialismo y Heading South, Looking North: A Bilingual Journey por Ariel Dorfman. Spanglish: The Making of a New American Language por Ilan Stavans. Una Tanovic, Universidad de Massachusetts. Heidi Landecker, Chronicle of Higher Education. Baruch Vergara, artista, Universidad de Puerto Rico-Mayagüez. La Teagle Foundation apoya a actividades realizadas en español. La Mellon Foundation hace lo mismo, y recibe propuestas y realiza revisión a pares en español. Alan Lightman, Einstein's Dreams (conversaciones en español e inglés). UPR-M, Jewish on Campus / Cultura judía en Puerto Rico y el Caribe. Ceremonia para la Calle Luis Bravo Pardo, Mayagüez (“los primeros judíos no conversos en entrar a territorio español”). El judío mayagüezano: vida y obra de Luis Bravo Pardo, por Héctor Bravo Vick. Italo Calvino, Ciudades Invisibles. Uso de “X” en español e inglés. Academic Imperialism, por Jeffrey Herlihy-Mera y Héctor José Huyke. El inglés-centrismo en la cultura universitaria en EE.UU. Héctor José, Huyke, Gloria Anzaldúa, Cormac McCarthy. Reflexiones sobre la crítica de Natalia Bustos. Carlos Fuentes. Dante. Leonardo Sciascia. Lo que se puede contar con imágenes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Latino USA: A Cartoon History, Revised Edition (Hachette Book Group, 2024) escrito por Ilan Stavans e ilustrado por Lalo Alcaraz, enfrenta los desafíos de capturar las alegrías, los matices y las múltiples dimensiones de la cultura latina dentro del contexto del idioma inglés. En esta historia en forma de caricatura, Stavans busca combinar la solemnidad de literatura y la historia con la naturaleza inherentemente teatral y humorística de los cómics. Los temas abarcan a Colón, el Destino Manifiesto, el Álamo, William Carlos Williams, Desi Arnaz, West Side Story, Castro, Guevara, Neruda, García Márquez, el éxodo del Mariel y Selena, entre otros. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez y Annette Martínez-Iñesta, coordinadora del grupo focal de lenguaje del Instituto Nuevos Horizontes. Temas, estudiosos, libros y otros recursos mencionados en esta conversación: Para leer al pato Donald. Comunicación de masas y colonialismo y Heading South, Looking North: A Bilingual Journey por Ariel Dorfman. Spanglish: The Making of a New American Language por Ilan Stavans. Una Tanovic, Universidad de Massachusetts. Heidi Landecker, Chronicle of Higher Education. Baruch Vergara, artista, Universidad de Puerto Rico-Mayagüez. La Teagle Foundation apoya a actividades realizadas en español. La Mellon Foundation hace lo mismo, y recibe propuestas y realiza revisión a pares en español. Alan Lightman, Einstein's Dreams (conversaciones en español e inglés). UPR-M, Jewish on Campus / Cultura judía en Puerto Rico y el Caribe. Ceremonia para la Calle Luis Bravo Pardo, Mayagüez (“los primeros judíos no conversos en entrar a territorio español”). El judío mayagüezano: vida y obra de Luis Bravo Pardo, por Héctor Bravo Vick. Italo Calvino, Ciudades Invisibles. Uso de “X” en español e inglés. Academic Imperialism, por Jeffrey Herlihy-Mera y Héctor José Huyke. El inglés-centrismo en la cultura universitaria en EE.UU. Héctor José, Huyke, Gloria Anzaldúa, Cormac McCarthy. Reflexiones sobre la crítica de Natalia Bustos. Carlos Fuentes. Dante. Leonardo Sciascia. Lo que se puede contar con imágenes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Latino USA: A Cartoon History, Revised Edition (Hachette Book Group, 2024) escrito por Ilan Stavans e ilustrado por Lalo Alcaraz, enfrenta los desafíos de capturar las alegrías, los matices y las múltiples dimensiones de la cultura latina dentro del contexto del idioma inglés. En esta historia en forma de caricatura, Stavans busca combinar la solemnidad de literatura y la historia con la naturaleza inherentemente teatral y humorística de los cómics. Los temas abarcan a Colón, el Destino Manifiesto, el Álamo, William Carlos Williams, Desi Arnaz, West Side Story, Castro, Guevara, Neruda, García Márquez, el éxodo del Mariel y Selena, entre otros. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez y Annette Martínez-Iñesta, coordinadora del grupo focal de lenguaje del Instituto Nuevos Horizontes. Temas, estudiosos, libros y otros recursos mencionados en esta conversación: Para leer al pato Donald. Comunicación de masas y colonialismo y Heading South, Looking North: A Bilingual Journey por Ariel Dorfman. Spanglish: The Making of a New American Language por Ilan Stavans. Una Tanovic, Universidad de Massachusetts. Heidi Landecker, Chronicle of Higher Education. Baruch Vergara, artista, Universidad de Puerto Rico-Mayagüez. La Teagle Foundation apoya a actividades realizadas en español. La Mellon Foundation hace lo mismo, y recibe propuestas y realiza revisión a pares en español. Alan Lightman, Einstein's Dreams (conversaciones en español e inglés). UPR-M, Jewish on Campus / Cultura judía en Puerto Rico y el Caribe. Ceremonia para la Calle Luis Bravo Pardo, Mayagüez (“los primeros judíos no conversos en entrar a territorio español”). El judío mayagüezano: vida y obra de Luis Bravo Pardo, por Héctor Bravo Vick. Italo Calvino, Ciudades Invisibles. Uso de “X” en español e inglés. Academic Imperialism, por Jeffrey Herlihy-Mera y Héctor José Huyke. El inglés-centrismo en la cultura universitaria en EE.UU. Héctor José, Huyke, Gloria Anzaldúa, Cormac McCarthy. Reflexiones sobre la crítica de Natalia Bustos. Carlos Fuentes. Dante. Leonardo Sciascia. Lo que se puede contar con imágenes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Latino USA: A Cartoon History, Revised Edition (Hachette Book Group, 2024) escrito por Ilan Stavans e ilustrado por Lalo Alcaraz, enfrenta los desafíos de capturar las alegrías, los matices y las múltiples dimensiones de la cultura latina dentro del contexto del idioma inglés. En esta historia en forma de caricatura, Stavans busca combinar la solemnidad de literatura y la historia con la naturaleza inherentemente teatral y humorística de los cómics. Los temas abarcan a Colón, el Destino Manifiesto, el Álamo, William Carlos Williams, Desi Arnaz, West Side Story, Castro, Guevara, Neruda, García Márquez, el éxodo del Mariel y Selena, entre otros. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez y Annette Martínez-Iñesta, coordinadora del grupo focal de lenguaje del Instituto Nuevos Horizontes. Temas, estudiosos, libros y otros recursos mencionados en esta conversación: Para leer al pato Donald. Comunicación de masas y colonialismo y Heading South, Looking North: A Bilingual Journey por Ariel Dorfman. Spanglish: The Making of a New American Language por Ilan Stavans. Una Tanovic, Universidad de Massachusetts. Heidi Landecker, Chronicle of Higher Education. Baruch Vergara, artista, Universidad de Puerto Rico-Mayagüez. La Teagle Foundation apoya a actividades realizadas en español. La Mellon Foundation hace lo mismo, y recibe propuestas y realiza revisión a pares en español. Alan Lightman, Einstein's Dreams (conversaciones en español e inglés). UPR-M, Jewish on Campus / Cultura judía en Puerto Rico y el Caribe. Ceremonia para la Calle Luis Bravo Pardo, Mayagüez (“los primeros judíos no conversos en entrar a territorio español”). El judío mayagüezano: vida y obra de Luis Bravo Pardo, por Héctor Bravo Vick. Italo Calvino, Ciudades Invisibles. Uso de “X” en español e inglés. Academic Imperialism, por Jeffrey Herlihy-Mera y Héctor José Huyke. El inglés-centrismo en la cultura universitaria en EE.UU. Héctor José, Huyke, Gloria Anzaldúa, Cormac McCarthy. Reflexiones sobre la crítica de Natalia Bustos. Carlos Fuentes. Dante. Leonardo Sciascia. Lo que se puede contar con imágenes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Support the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USBuy Grow kit: https://modernmushroomcultivation.com/Introducing Dr. L. Ayu Saraswati: A Feminist Trailblazer Shaping the Intersection of Pain, Feminism, and PowerLadies and gentlemen, tonight, we have the privilege of welcoming a force of intellect and inspiration to our conversation: Dr. L. Ayu Saraswati. An award-winning author, celebrated academic, and groundbreaking thinker, Dr. Saraswati brings an unparalleled depth of expertise to the fields of women, gender, and sexuality studies.With a Ph.D. from the University of Maryland, College Park, and an illustrious career as a professor at the University of Hawaiʻi, Dr. Saraswati has become a global voice for understanding the intricate relationships between beauty, race, pain, and feminist activism. Her powerful books, such as Seeing Beauty, Sensing Race in Transnational Indonesia—winner of the Gloria Anzaldúa Book Award—and Scarred: A Feminist Journey Through Pain, which swept multiple prestigious awards, offer transformative insights into how we experience the world and ourselves.Dr. Saraswati's impact extends far beyond the classroom. She is a sought-after speaker, consultant, and board member for influential journals like Women's Studies Quarterly and Biography. Her work has been celebrated in The Economist, Vogue Australia, and Ms. Magazine, among others, and has left a lasting mark on feminist scholarship, with her work named one of Meridians journal's most impactful pieces of the past 20 years.From her innovative explorations of the neoliberal selfie to her critical reflections on transnational beauty and pain, Dr. Saraswati challenges us to rethink the narratives we live by and the identities we embody. Join us as we dive into the cutting-edge ideas of a thought leader who is as fearless as she is insightful.http://linkedin.com/in/l-ayu-saraswati-726379292https://drsaraswati.com/ Support the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USCheck out our YouTube:https://youtube.com/playlist?list=PLPzfOaFtA1hF8UhnuvOQnTgKcIYPI9Ni9&si=Jgg9ATGwzhzdmjkgGrow your own:https://modernmushroomcultivation.com/

On this episode of Words on a Wire, host Tim Z. Hernandez talks with poets ire'ne lara silva and Jen Yáñez-Alaniz.ire'ne lara silva, 2023 Texas State Poet Laureate, is the author of five poetry collections, furia, Blood Sugar Canto, CUICACALLI/House of Song, FirstPoems, and the eaters of flowers, two chapbooks, Enduring Azucares and Hibiscus Tacos, a comic book, VENDAVAL, and a short story collection, flesh to bone, which won the Premio Aztlán. ire'ne is the recipient of a 2021 Tasajillo Writers Grant, a 2017 NALAC Fund for the Arts Grant, the final Alfredo Cisneros del Moral Award, and was the Fiction Finalist for AROHO's 2013 Gift of Freedom Award. Most recently, ire'ne was awarded the 2021 Texas Institute of Letters Shrake Award for Best Short Nonfiction. Her second short story collection, the light of your body, will be published by Arte Publico Press in Spring 2025. http://www.irenelarasilva.wordpress.comJen Yáñez-Alaniz is a poetactivist, community organizer,and  a third-year PhD Fellow at the University of Texas at San Antonio's Culture Literacy and Language Program, and a Mexican American Studies Graduate Certificate Student. Her research interests include cultural preservation and decolonial praxis. Exploring themes of sensuality, surrogacy, and consumption, Jen blends creative and academic expression using Gloria Anzaldúa's autohistoria-teoría to honor embodied experiences that are often confined within linguistic boundaries. Jennifer's literary contributions include "Matrilineal Poetics: Toward an Understanding of Corporeality and Identity," featured in Latinas in Hollywood Herstories. She has published widely in journals and anthologies, including an extensive critical biography of Carmen Tafolla in Chicana Portraits: Critical Biographies of Twelve Chicana Writers (University of Arizona Press), and her poetry chapbook Surrogate Eater (Alabrava Press) was launched in 2023.

Some stories persist for hundreds of years. La Llorona is one such story. Though there is much speculation about where exactly the original story began, it is clear that La Llorona as a legend and myth has staying power. What is it about the weeping woman that has captured our imaginations for centuries? And how has the story of La Llorona changed over time?  Irene Vásquez, chair of the Chicana and Chicano Studies at the University of New Mexico, has a lot to say about why this folk tale is so compelling and how the best stories take on a life of their own.  Mentioned In This Episode:  UNM Chicana and Chicano Studies Southwest Hispanic Research Institute Gloria Anzaldúa's La Llorona story Borderlands/La Frontera by Gloria Anzaldúa COVID-19 version of La Llorona story as referenced in Regeneración: A Xicanacimiento Studies Journal Roots of La Llorona story 2019 La Llorona film set in Guatemala The Curse of La Llorona film “Woman Hollering Creek” La Llorona story by Sandra Cisneros “La Lloroncita” song by Rómulo Castro y el Grupo Tuira For further reading and more resources, view the full show notes. *** We'd love to hear from you! Let us know what you loved about the episode, share a personal story it made you think of, or ask us a question at elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to.  Visit newmexicoculture.org for info about our museums, historic sites, virtual tours, and more.  Our favorite way to fully experience everything they have to offer is with the New Mexico CulturePass. Reserve yours online!   If you love New Mexico, you'll love El Palacio Magazine! Subscribe to El Palacio today. *** Encounter Culture is a production of the New Mexico Department of Cultural Affairs, produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Associate Producer & Editor: Monica Braine (Assiniboine/Lakota) Theme Music: D'Santi Nava Instagram: @newmexicanculture and @elpalaciomagazine  

Liliana Valenzuela trae a Hablemos, escritoras una valiosa entrevista desde el Macondo Writers Workshop, fundado por Sandra Cisneros, con la maravillosa Cherríe Moraga. Moraga es una poeta, ensayista y dramaturga reconocida internacionalmente, cuya carrera profesional comenzó en 1981 con su coedición del texto feminista fundamental This Bridge Called My Back: Writings by Radical Women of Color escrito con Gloria Anzaldúa. Es autora de varias colecciones de escritos, incluyendo A Xicana Codex of Changing Consciousness: Writings 2000-2010 y, más recientemente, Loving in the War Years & Other Writings 1978-1999, publicado en 2023. También es autora de dos memorias: Waiting in the Wings—Portrait of a Queer Motherhood y Native Country of the Heart, publicado en 2019 por Farrar, Straus & Giroux con gran reconocimiento. La revista es en inglés. Liliana Valenzuela brings to Hablemos, escritoras a precious interview from Macondo Writers Workshop founded by Sandra Cisneros, with the wonderful Cherríe Moraga. Moraga is an internationally recognized poet, essayist and playwright whose professional life began in 1981 with her co-editorship of the seminal feminist text, This Bridge Called My Back:  Writings by Radical Women of Color wrote with Gloria Anzaldúa.  She is the author of several collections of writings, including A Xicana Codex of Changing Consciousness- Writings  2000-2010 and most recently Loving in the War Years & Other Writings 1978-1999. published in 2023. She is the author of two memoirs:  Waiting in the Wings—Portrait of a Queer Motherhood  and Native Country of the Heart, published in 2019 by Farrar, Straus & Giroux to great acclaim. The interview is in English and Spanish.

Mentioned in this episode:SBCC Raíces - https://www.sbcc.edu/raices/SBCC English - https://www.sbcc.edu/english/SBCC Multi-literacy English Transfer - https://www.sbcc.edu/english/met.phpPuente Project - https://www.thepuenteproject.org/SBCC Institutional Grants - https://www.sbcc.edu/institutionalresearch/institutionalgrants.phpIGETC - https://catalog.sbcc.edu/transfer-curricula/#igetctextMelinda Palacio - https://www.sbac.ca.gov/poet-laureateLotería - https://en.wikipedia.org/wiki/Loter%C3%ADa Aspiring Radical Leaders Institute - https://www.thecoalitioncc.org/radical-leadersFresno, CA - https://en.wikipedia.org/wiki/Fresno,_CaliforniaCoachella - https://en.wikipedia.org/wiki/CoachellaClaremont Graduate University - https://www.cgu.edu/Critical Race Theory - https://en.wikipedia.org/wiki/Critical_race_theoryMarxism - https://en.wikipedia.org/wiki/MarxismCapitalism - https://en.wikipedia.org/wiki/CapitalismLa Malinche - https://en.wikipedia.org/wiki/La_MalincheCambodia - https://en.wikipedia.org/wiki/CambodiaHmong - https://en.wikipedia.org/wiki/Hmong_peopleVietnam War - https://en.wikipedia.org/wiki/Vietnam_WarKhmer Rouge - https://en.wikipedia.org/wiki/Khmer_RougeKruder and Dorfmeister - https://en.wikipedia.org/wiki/Kruder_%26_DorfmeisterUnderworld - https://en.wikipedia.org/wiki/Underworld_(band)Groove Armada - https://en.wikipedia.org/wiki/Groove_ArmadaFatboy Slim - https://en.wikipedia.org/wiki/Fatboy_SlimOrbital - https://en.wikipedia.org/wiki/Orbital_(band)St. Germain - https://en.wikipedia.org/wiki/St_Germain_(musician)Sopa de Fideo - https://en.wikipedia.org/wiki/Sopa_de_fideoChili Verde - https://www.youtube.com/watch?v=Smkq7SACBZwChile Relleno - https://en.wikipedia.org/wiki/Chile_rellenoTamales - https://en.wikipedia.org/wiki/TamaleLa Mixteca Oxnard - https://mexicanrestaurantoxnard.com/Oaxacan Tamales - https://www.allrecipes.com/recipe/261685/tamales-oaxaquenos-oaxacan-style-tamales/ Pan Dulce Empanadas - https://www.youtube.com/watch?v=EdeQeSNufVUPoke - https://en.wikipedia.org/wiki/Poke_(dish)Sushi - https://en.wikipedia.org/wiki/SushiBánh tét - https://en.wikipedia.org/wiki/B%C3%A1nh_t%C3%A9tVinyl Records - https://en.wikipedia.org/wiki/Phonograph_recordWarbler Records and Goods - https://www.instagram.com/warblerrecordsandgoods/?hl=enDisney Picture Discs - https://en.wikipedia.org/wiki/Walt_Disney_Records_discographyIKEA Kallax Shelf - https://www.ikea.com/us/en/p/kallax-shelf-unit-white-80275887/This Bridge Called My Back: Writings by Radical Women of Color Edited by Gloria Anzaldúa and Cherríe Moraga  - https://sunypress.edu/Books/T/This-Bridge-Called-My-Back-Fortieth-Anniversary-Edition2Living up the Street by Gary Soto - https://en.wikipedia.org/wiki/Living_Up_the_StreetHouse on Mango Street by Sandra Cisneros -  https://en.wikipedia.org/wiki/The_House_on_Mango_StreetTreaty of Guadalupe Hidalgo - https://en.wikipedia.org/wiki/Treaty_of_Guadalupe_HidalgoMexican-American War - https://en.wikipedia.org/wiki/Mexican%E2%80%93American_War

In this episode, we discuss the life and work of queer Chicana poet, essayist, and theorist Gloria E. Anzaldúa. Quoting from The Gloria Anzaldúa Reader edited by AnaLouise Keating: “Born in the Rio Grande Valley of south Texas, Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands / La Frontera: The [...]

In this episode, we discuss the life and work of queer Chicana poet, essayist, and theorist Gloria E. Anzaldúa. Quoting from The Gloria Anzaldúa Reader edited by AnaLouise Keating: “Born in the Rio Grande Valley of south Texas, Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands / La Frontera: The [...]

Chauncey Handy is Assistant Professor of Religion at Reed College. As a Chicano scholar of the Hebrew Bible, Chauncey's work focuses on the intersection of race/racialization, theories of ethnicity, Latinx theorization of identity, and the reception history of the Hebrew Bible (for example his Bible, Race, and Empire course at Reed). He earned his Ph.D. from Princeton Theological Seminary and is a Visiting Assistant Professor of Religion at Reed College. He is working on turning his dissertation, Mestizo Poetics of Belonging: Deuteronomy's Construction of Israelite Ethnicity, into a published book. In this project, he considers the nature of ethnicity as presented in the text of Deuteronomy through the lens of Gloria Anzaldúa's articulation of mestizaje (racial-ethnic intermixture). His argument emphasizes the value of socially located approaches to Hebrew Bible and seeks to theorize engagement with religious categories of belonging that advocate for a just society. Visit Sacred Writes: https://www.sacred-writes.org/luce-cohort-fall-2023

Support the Show.Support the show

The more we notice how disembodied our culture is, the more we have to wonder… how the fuck did we get here? In my quest to answer that question I stumbled into the world of feminism & across the work of  Dr. Kimberly B George  thank the goddess I did) several years ago. There are so many ways feminists (including Kimberly) have empowered & supported my embodiment skills. Every few years I catch up with Kimberly (most recently at our conference) for a rich discussion on the topic of feminism, embodiment & what is truly life giving. This year's installment was as potent as ever & today I'm sharing it (and Kimberly) on the podcast with you…   In this conversation, we explore some hard topics such as: Where do feminism & embodiment overlap? How do ‘modern' somatic & embodiment practices create harm Is embodiment selfish when the world is (literally) burning, and how do we reconcile this? What's the role of intellectual understanding of how we got here? We speak about the intellectual path that supports the safety of sensation and how that's different from intellectual bypassing Kimberly shares two of her favorite feminist foremothers' works   Resources From Today's Podcast Kimberly's work and social media The work of Silvia Federici, we mention Caliban & The Witch The work of Gloria Anzaldúa, we mention Light in the Dark/Luz en lo Oscuro: Rewriting Identity, Spirituality, Reality Feminine Embodiment Coaching – an emotional embodiment & vulnerability-based professional training for coaches School of Embodied Arts Leave a podcast review on iTunes here Thought or reflection to share? Leave a comment on Instagram here

When we find ourselves in a dark place, what if we didn't "lighten things up"? Sean Illing talks with philosopher Mariana Alessandri, whose new book Night Vision offers a new way of understanding our dark moods and experiences like depression, pain, and grief. Alessandri describes the deep influence of what she calls the "light metaphor" — the belief that light is good and darkness is bad — and the destructive emotional cycles it has produced. They discuss the influence of Stoic philosophy, Aristotelian ethics, and contemporary self-help — and explore what new paradigms for emotional intelligence might entail. This episode was originally published on June 29th. Host: Sean Illing (@seanilling), host, The Gray Area Guest: Mariana Alessandri (@mariana.alessandri), professor of philosophy, University of Texas Rio Grande Valley; author References:  Night Vision: Seeing Ourselves through Dark Moods by Mariana Alessandri (Princeton; 2023) Plato's "allegory of the cave" from the Republic, VI (514a–520a) The Power of Positive Thinking by Norman Vincent Peale (1952) The Encheiridion (or "Handbook") of Epictetus (c. 50 – c. 125 AD) The Dialogues and letters of Seneca (c. 4 BC – 65 AD) The Meditations of Marcus Aurelius (121 – 180 AD) The Tusculan Disputations of Cicero (106 – 43 BC) Aristotle, Nicomachean Ethics It's OK That You're Not OK by Megan Devine (Sounds True; 2017) Our Lord Don Quixote by Miguel de Unamuno (1914; tr. 1968) Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa (Aunt Lute; 1987) Enjoyed this episode? Rate The Gray Area ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of The Gray Area. Subscribe in your favorite podcast app. Support The Gray Area by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Engineer: Patrick Boyd Editorial Director, Vox Talk: A.M. Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tony Diaz, El Librotraficante & Literary Curator for the Latino Bookstore at the Guadalupe Cultural Arts Center welcomes award winning author and distinguished professor Dr. Norma Cantu to the show to discuss her latest book CHICANA PORTRAITS: CRITICAL BIOGRAPHIES OF TWELVE CHICANA WRITERS (University of Arizona Press 2023) ahead of her Texas Author Series appearance on October 13th 2023 at the Guadalupe. Join us for a lively discussion over this amazing anthology that spotlights 12 literary figures from 12 authors who themselves are making a name for themselves. Norma describes the process and reads from the book and shares some of her thoughts on the current state of book bans and censorship culture. Dr. Norma E. Cantú is a scholar-activist who currently serves as the Norine R. and T. Frank Murchison Professor of the Humanities at Trinity University. She is founder and director of the Society for the Study of Gloria Anzaldúa. She has published fiction, poetry, and personal essays in a number of venues. Her latest book CHICANA PORTRAITS is an innovative collection that pairs portraits with critical biographies of twelve key Chicana writers, offering an engaging look at their work, contributions to the field, and major achievements. Artist Raquel Valle-Sentíes's portraits bring visual dimension, while essays delve deeply into the authors' lives for details that inform their literary, artistic, feminist, and political trajectories and sensibilities. The collection brilliantly intersects artistic visual and literary cultural productions, allowing complex themes to emerge, such as the fragility of life, sexism and misogyny, Chicana agency and forging one's own path, the struggles of becoming a writer and battling self-doubt, economic instability, and political engagement and activism. Biographies included in this work include Raquel Valle-Sentíes, Angela de Hoyos, Montserrat Fontes, Gloria E. Anzaldúa, Norma E. Cantú, Denise Elia Chávez, Carmen Tafolla, Cherríe Moraga, Ana Castillo, Lorna Dee Cervantes, Sandra Cisneros, and Demetria Martínez. Tony Diaz Writer and activist Tony Diaz, El Librotraficante, is a Cultural Accelerator. He was the first Chicano to earn a Master of Fine Arts degree from the University of Houston Creative Writing Program. In 1998, he founded Nuestra Palabra: Latino Writers Having Their Say (NP), Houston's first reading series for Latino authors. His book, The Tip of the Pyramid: Cultivating Community Cultural Capital, is the first in his series on Community Organizing. Tony hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Nuestra Palabra is funded in part by the BIPOC Arts Network Fund. Instrumental Music produced / courtesy of Bayden Records baydenrecords.beatstars.com

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gilbert M. Joseph and Timothy J. Henderson's book The Mexico Reader: History, Culture, Politics (Duke UP, 2022) is a vivid and comprehensive guide to muchos Méxicos—the many varied histories and cultures of Mexico. Unparalleled in scope, it covers pre-Columbian times to the present, from the extraordinary power and influence of the Roman Catholic Church to Mexico's uneven postrevolutionary modernization, from chronic economic and political instability to its rich cultural heritage. Bringing together over eighty selections that include poetry, folklore, photo essays, songs, political cartoons, memoirs, journalism, and scholarly writing, this volume highlights the voices of everyday Mexicans—indigenous peoples, artists, soldiers, priests, peasants, and workers. It also includes pieces by politicians and foreign diplomats; by literary giants Octavio Paz, Gloria Anzaldúa, and Carlos Fuentes; and by and about revolutionary leaders Pancho Villa and Emiliano Zapata. This revised and updated edition features new selections that address twenty-first-century developments, including the rise of narcopolitics, the economic and personal costs of the United States' mass deportation programs, the political activism of indigenous healers and manufacturing workers, and the impact of the COVID-19 pandemic. The Mexico Reader is an essential resource for travelers, students, and experts alike. Rachel Grace Newman is a historian of modern Mexico with particular interests in migration, childhood and youth studies, and social inequality. She is Assistant Professor of History at Colgate University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gilbert M. Joseph and Timothy J. Henderson's book The Mexico Reader: History, Culture, Politics (Duke UP, 2022) is a vivid and comprehensive guide to muchos Méxicos—the many varied histories and cultures of Mexico. Unparalleled in scope, it covers pre-Columbian times to the present, from the extraordinary power and influence of the Roman Catholic Church to Mexico's uneven postrevolutionary modernization, from chronic economic and political instability to its rich cultural heritage. Bringing together over eighty selections that include poetry, folklore, photo essays, songs, political cartoons, memoirs, journalism, and scholarly writing, this volume highlights the voices of everyday Mexicans—indigenous peoples, artists, soldiers, priests, peasants, and workers. It also includes pieces by politicians and foreign diplomats; by literary giants Octavio Paz, Gloria Anzaldúa, and Carlos Fuentes; and by and about revolutionary leaders Pancho Villa and Emiliano Zapata. This revised and updated edition features new selections that address twenty-first-century developments, including the rise of narcopolitics, the economic and personal costs of the United States' mass deportation programs, the political activism of indigenous healers and manufacturing workers, and the impact of the COVID-19 pandemic. The Mexico Reader is an essential resource for travelers, students, and experts alike. Rachel Grace Newman is a historian of modern Mexico with particular interests in migration, childhood and youth studies, and social inequality. She is Assistant Professor of History at Colgate University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Gilbert M. Joseph and Timothy J. Henderson's book The Mexico Reader: History, Culture, Politics (Duke UP, 2022) is a vivid and comprehensive guide to muchos Méxicos—the many varied histories and cultures of Mexico. Unparalleled in scope, it covers pre-Columbian times to the present, from the extraordinary power and influence of the Roman Catholic Church to Mexico's uneven postrevolutionary modernization, from chronic economic and political instability to its rich cultural heritage. Bringing together over eighty selections that include poetry, folklore, photo essays, songs, political cartoons, memoirs, journalism, and scholarly writing, this volume highlights the voices of everyday Mexicans—indigenous peoples, artists, soldiers, priests, peasants, and workers. It also includes pieces by politicians and foreign diplomats; by literary giants Octavio Paz, Gloria Anzaldúa, and Carlos Fuentes; and by and about revolutionary leaders Pancho Villa and Emiliano Zapata. This revised and updated edition features new selections that address twenty-first-century developments, including the rise of narcopolitics, the economic and personal costs of the United States' mass deportation programs, the political activism of indigenous healers and manufacturing workers, and the impact of the COVID-19 pandemic. The Mexico Reader is an essential resource for travelers, students, and experts alike. Rachel Grace Newman is a historian of modern Mexico with particular interests in migration, childhood and youth studies, and social inequality. She is Assistant Professor of History at Colgate University. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we find ourselves in a dark place, what if we didn't "lighten things up"? Sean Illing talks with philosopher Mariana Alessandri, whose new book Night Vision offers a new way of understanding our dark moods and experiences like depression, pain, and grief. Alessandri describes the deep influence of what she calls the "light metaphor" — the belief that light is good and darkness is bad — and the destructive emotional cycles it has produced. They discuss the influence of Stoic philosophy, Aristotelian ethics, and contemporary self-help — and explore what new paradigms for emotional intelligence might entail. Host: Sean Illing (@seanilling), host, The Gray Area Guest: Mariana Alessandri (@mariana.alessandri), professor of philosophy, University of Texas Rio Grande Valley; author References:  Night Vision: Seeing Ourselves through Dark Moods by Mariana Alessandri (Princeton; 2023) Plato's "allegory of the cave" from the Republic, VI (514a–520a) The Power of Positive Thinking by Norman Vincent Peale (1952) The Encheiridion (or "Handbook") of Epictetus (c. 50 – c. 125 AD) The Dialogues and letters of Seneca (c. 4 BC – 65 AD) The Meditations of Marcus Aurelius (121 – 180 AD) The Tusculan Disputations of Cicero (106 – 43 BC) Aristotle, Nicomachean Ethics It's OK That You're Not OK by Megan Devine (Sounds True; 2017) Our Lord Don Quixote by Miguel de Unamuno (1914; tr. 1968) Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa (Aunt Lute; 1987) Enjoyed this episode? Rate The Gray Area ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of The Gray Area. Subscribe in your favorite podcast app. Support The Gray Area by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Engineer: Patrick Boyd Editorial Director, Vox Talk: A.M. Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices

Under the light of ancient Western philosophies, our darker moods like grief, anguish, and depression can seem irrational. When viewed through the lens of modern psychology, they can even look like mental disorders. The self-help industry, determined to sell us the promise of a brighter future, can sometimes leave us feeling ashamed that we are not more grateful, happy, or optimistic. Night Vision: Seeing Ourselves Through Dark Moods (Princeton UP, 2023) invites us to consider a different approach to life, one in which we stop feeling bad about feeling bad. In this powerful and disarmingly intimate book, Existentialist philosopher Mariana Alessandri draws on the stories of a diverse group of nineteenth- and twentieth-century philosophers and writers to help us see that our suffering is a sign not that we are broken but that we are tender, perceptive, and intelligent. Thinkers such as Audre Lorde, María Lugones, Miguel de Unamuno, C. S. Lewis, Gloria Anzaldúa, and Søren Kierkegaard sat in their anger, sadness, and anxiety until their eyes adjusted to the dark. Alessandri explains how readers can cultivate "night vision" and discover new sides to their painful moods, such as wit and humor, closeness and warmth, and connection and clarity. Night Vision shows how, when we learn to embrace the dark, we begin to see these moods--and ourselves--as honorable, dignified, and unmistakably human. In this interview, we talk to Alessandri and the narrator of the audio book version of Night Vision, Gisela Chipe.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Under the light of ancient Western philosophies, our darker moods like grief, anguish, and depression can seem irrational. When viewed through the lens of modern psychology, they can even look like mental disorders. The self-help industry, determined to sell us the promise of a brighter future, can sometimes leave us feeling ashamed that we are not more grateful, happy, or optimistic. Night Vision: Seeing Ourselves Through Dark Moods (Princeton UP, 2023) invites us to consider a different approach to life, one in which we stop feeling bad about feeling bad. In this powerful and disarmingly intimate book, Existentialist philosopher Mariana Alessandri draws on the stories of a diverse group of nineteenth- and twentieth-century philosophers and writers to help us see that our suffering is a sign not that we are broken but that we are tender, perceptive, and intelligent. Thinkers such as Audre Lorde, María Lugones, Miguel de Unamuno, C. S. Lewis, Gloria Anzaldúa, and Søren Kierkegaard sat in their anger, sadness, and anxiety until their eyes adjusted to the dark. Alessandri explains how readers can cultivate "night vision" and discover new sides to their painful moods, such as wit and humor, closeness and warmth, and connection and clarity. Night Vision shows how, when we learn to embrace the dark, we begin to see these moods--and ourselves--as honorable, dignified, and unmistakably human. In this interview, we talk to Alessandri and the narrator of the audio book version of Night Vision, Gisela Chipe.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Under the light of ancient Western philosophies, our darker moods like grief, anguish, and depression can seem irrational. When viewed through the lens of modern psychology, they can even look like mental disorders. The self-help industry, determined to sell us the promise of a brighter future, can sometimes leave us feeling ashamed that we are not more grateful, happy, or optimistic. Night Vision: Seeing Ourselves Through Dark Moods (Princeton UP, 2023) invites us to consider a different approach to life, one in which we stop feeling bad about feeling bad. In this powerful and disarmingly intimate book, Existentialist philosopher Mariana Alessandri draws on the stories of a diverse group of nineteenth- and twentieth-century philosophers and writers to help us see that our suffering is a sign not that we are broken but that we are tender, perceptive, and intelligent. Thinkers such as Audre Lorde, María Lugones, Miguel de Unamuno, C. S. Lewis, Gloria Anzaldúa, and Søren Kierkegaard sat in their anger, sadness, and anxiety until their eyes adjusted to the dark. Alessandri explains how readers can cultivate "night vision" and discover new sides to their painful moods, such as wit and humor, closeness and warmth, and connection and clarity. Night Vision shows how, when we learn to embrace the dark, we begin to see these moods--and ourselves--as honorable, dignified, and unmistakably human. In this interview, we talk to Alessandri and the narrator of the audio book version of Night Vision, Gisela Chipe.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Under the light of ancient Western philosophies, our darker moods like grief, anguish, and depression can seem irrational. When viewed through the lens of modern psychology, they can even look like mental disorders. The self-help industry, determined to sell us the promise of a brighter future, can sometimes leave us feeling ashamed that we are not more grateful, happy, or optimistic. Night Vision: Seeing Ourselves Through Dark Moods (Princeton UP, 2023) invites us to consider a different approach to life, one in which we stop feeling bad about feeling bad. In this powerful and disarmingly intimate book, Existentialist philosopher Mariana Alessandri draws on the stories of a diverse group of nineteenth- and twentieth-century philosophers and writers to help us see that our suffering is a sign not that we are broken but that we are tender, perceptive, and intelligent. Thinkers such as Audre Lorde, María Lugones, Miguel de Unamuno, C. S. Lewis, Gloria Anzaldúa, and Søren Kierkegaard sat in their anger, sadness, and anxiety until their eyes adjusted to the dark. Alessandri explains how readers can cultivate "night vision" and discover new sides to their painful moods, such as wit and humor, closeness and warmth, and connection and clarity. Night Vision shows how, when we learn to embrace the dark, we begin to see these moods--and ourselves--as honorable, dignified, and unmistakably human. In this interview, we talk to Alessandri and the narrator of the audio book version of Night Vision, Gisela Chipe.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Under the light of ancient Western philosophies, our darker moods like grief, anguish, and depression can seem irrational. When viewed through the lens of modern psychology, they can even look like mental disorders. The self-help industry, determined to sell us the promise of a brighter future, can sometimes leave us feeling ashamed that we are not more grateful, happy, or optimistic. Night Vision: Seeing Ourselves Through Dark Moods (Princeton UP, 2023) invites us to consider a different approach to life, one in which we stop feeling bad about feeling bad. In this powerful and disarmingly intimate book, Existentialist philosopher Mariana Alessandri draws on the stories of a diverse group of nineteenth- and twentieth-century philosophers and writers to help us see that our suffering is a sign not that we are broken but that we are tender, perceptive, and intelligent. Thinkers such as Audre Lorde, María Lugones, Miguel de Unamuno, C. S. Lewis, Gloria Anzaldúa, and Søren Kierkegaard sat in their anger, sadness, and anxiety until their eyes adjusted to the dark. Alessandri explains how readers can cultivate "night vision" and discover new sides to their painful moods, such as wit and humor, closeness and warmth, and connection and clarity. Night Vision shows how, when we learn to embrace the dark, we begin to see these moods--and ourselves--as honorable, dignified, and unmistakably human. In this interview, we talk to Alessandri and the narrator of the audio book version of Night Vision, Gisela Chipe. 

in this episode, I speak from the heart on my own struggles with finding and accepting my voice. I discuss the dual need to both be visible/seen and invisible/hidden. I am following the echo and calling of Audre Lorde's essay "On the transformation of silence into language and action" in which she asks, "what are the words you do not yet have? what do you need to say?". I weave in some of the voices that appeared in my consciousness as I speak these words, in recognition of our collective and shared consciousness. If you are struggling to use your voice in any way - in your private relationships or on your public profile - this episode is for you. Subscribe to my newsletter to get weekly vibes (essays, art, stories etc.) from me direct to your inbox: ayandastood.substack.com Key quote from me: Paint the world with your consciousness! Time stamps: (00:00): Welcome back! On struggling to share my voice (04:42): Audre Lorde essay “On the transformation of silence into language and action”  (05:31): Matching our inner and outer world Ft. Sahara Rose Highest Self Podcast (07:47): The condition of truth is that it allow suffering to speak — Dr. Cornel West  (09:38): Ubuntu Ft. Mungi Ngomane  (11:30): Reading from my journal on finding/accepting my voice  (17:53): Gabor Mate on authenticity vs. attachment  (24:36): We are world-builders  (26:00): My experiences with self-repression (29:00): What would you tell your daughter to do?  (34:30): Speak from the body - Gloria Anzaldúa (38:48): The suffering and alchemy of artists (49:00): The ripple effects of using our voice  (50:00): Your words matter  (52:30): Words between friends build worlds  (55:25): What do YOU need to say? Sources and clips included: Selected Works of Audre Lorde, edited by Roxane Gay On the transformation of silence into language and action by Audre Lorde Highest self podcast Episode 482: How to Open Up Your Throat Chakra + Speak with Soul with Sahara Rose on Spotify and YouTube Everyday Ubuntu: Living better the African Way by Mungi Ngomane Why Do We Disconnect From Our True Selves | Dr. Gabor Mate by Way of Thinking What is meant by "Authenticity"?: Gabor Mate by Science and Nonduality (SAND) Freedom is a Constant Struggle by Angela Davis Cornel West quote: "You must let suffering speak, if you want to hear the truth." Learn more about Gloria E. Anzaldúa --- Support this podcast: https://podcasters.spotify.com/pod/show/ayandastood/support

Dr. AnaLouise Keating is a professor of Multicultural Women's and Gender Studies at Texas Woman's University. She has authored multiple books, essays, and edited collections primarily focused on transformation studies, U.S. women-of-color theories, Gloria Anzaldúa and pedagogy. Episode Highlights: Intellectual & spiritual development Ralph Waldo Emerson's epistemology Gloria Anzaldúa James Hillman, Jeffrey Kripal and other thinkers Yin yoga & Astrology Much more!

Today we're reclaiming our erotic power and studying a holy trinity of queer feminist writers: Adrienne Rich, Audre Lorde, and Gloria Anzaldúa.  Join our free & public community discussion here. To support the pod and join our thriving ask a sub community of kinky pocket friends, Join Patreon starting at $5/month!  Read The Bisexual Ghost. Get instructions for submitting YOUR STORY to our community-sourced May Deep Dive here. Submit questions for this podcast as voice memos to podcast@askasub.com  Go here for information on how to record a voice memo   Subscribe to the subby substack here. Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

Alyssa: [00:00:00] Hello everybody and welcome to the Women of Ambition podcast. I'm your host, Alyssa Calder Hulme, and today we're gonna do something that we haven't done for a little while now, and that is a PostPod, and this is where we. Look at the last podcast that got published and digested a little bit, talk about it, contextualize some things.  We had such a fantastic time tracking together, Natalie and I, and there just really wasn't time to dig into some of the more complex ideas and some of the sources that we were drawing on, or, or I was drawing on really in my questioning. So I wanted to share some of those today because these authors and these people that we're drawing from, especially in looking at Latina ambition, are really incredible Chicano feminists.  That I've really enjoyed learning and studying with. So I'm gonna share some of those citations today and discuss a little bit more about some of the vocabulary and some of the themes that are used there, because I think it's useful and really helpful to hear the voices [00:01:00] of the people that are coming up with these theories and these ideas to describe the experience of so many people. So here's a little synopsis of. Four different texts that have been really helpful for me. Okay. So the first text that I wanna look at is called Methodology of the Oppressed, and that's by Chela Sandoval. And this is a really interesting mapping that Sandoval does of us feminism's feminists of color, and she shows this differential mode of consciousness that she shows is located in these women of color and that their unique positions and perspectives and abilities and experiences as women of color in the United States gives them this really unique angle and existence in these in-between spaces. And she says that the, these perspectives are so essential and she, and she shows it like this is. She proves it in this essay. It's really fantastic. But we need these [00:02:00] perspectives of women of color because they live in these liminal spaces and they, out of necessity and out of creativity and out of survival, end up what, this is a quote, weaving between and among oppositional idol ideologies. And it's. I love that concept and that like visual of weaving in-between spaces and things to kind of create like a new tapestry of color and meaning and blending things together that other people who don't have that perspective wouldn't be able to do and create. And it's a very heavy text. Like it, it's a very technical, but it's really it felt really inspiring to me because it's showing how. Feminism can be done with an intersectional lens and how it can be a place of creation and insight and hope in a way that like white feminisms in the United States really can't do.[00:03:00] It really does take all of us to have quality and to have. You know, have everybody's needs met. We have to have all the different perspectives and these feminists, women of color, how this really unique perspective is being some of the most disenfranchised populations in the United States, where their ideas and their perspectives are really going to make it better for everybody.  The next text that I wanna look at is called Monstrosity in Everyday Life, Theories in Flesh and Transformational Politics. And that's written by Robert, Robert Gutierrez-Perez. And this is another one of these really cool concepts nepantleras. And remember, my accent is awful. I haven't spoken Spanish out loud in like a decade.  They are the people that dwell in that in between space. And Robert goes into detail about how they mediate the borderlands and the borderlands is kind of the topic of our [00:04:00] last episode with Natalie. So. Mediate the borderlands, and that is in the physical spaces that they live in. And having borders of countries cross through spaces where people are living and people are forced to literally cross a border.  But also that metaphorical border that we talked about that is navigating different spaces. And then, Robert goes into de detail about how nepantleras have to live with contradiction and how they choose to be bridge makers in a way that is subversive. It's a, it's a method for survival, but it's also a way that deconstructs a lot of the imposed limits of, of like western colonization capitalism, all these things that try and put people in a box. And nepantleras are people that hold intersectional identities. Can cross these different spaces and can [00:05:00] be viewed as monsters for doing this crossing spaces, but can take that identity to then make it something that is empowering and transformative. And a way that, again, is that like subversive method for existing in the world and, and making it better. Okay, the next text, we're gonna go through these real quick cuz they're so great. And they are, they are dense, but I really think it's important to share them. This is Borderlands/ La Frontera: the New Mestiza, and it's by Gloria Anzaldúa, who is another fantastic Latina feminist author. Highly, highly recommend And in this text Anzaldúa talks about borderland dwellers and how they hone what we referenced in the podcast as a sixth sense, and she calls it La Facultad.  And that is that awareness of the social context that [00:06:00] develops throughout the life of Latina women as a means of self-preservation. And. In that process, she goes into kind of the, the darker side of that. We've, we talked a lot about the positive side of that with Natalie. The humor, the creativity, the bonding, the community B making that can be there. Anzaldua talks though about what can be lost in that cultivation cuz it is kind of a forced cultivation. I would almost say the way that the Anzaldua talks about it at least is kind of like a, a trauma response is how I would describe it. So Anzaldua says that what is lost in the cultivation of lafa is our innocence, our knowing ways, and our safe and easy ignorance. And so having to develop that sixth sense, that awareness is what keeps in, in Anzaldua eyes Latinas safe and gives them that superpower that we talked about. But it also comes at a cost that can be really heavy [00:07:00] but. As we heard in our last episode, it can be a place of hope and creation and of new thoughts, and that's where this idea of US women of color, feminisms being able to come in and show us things that maybe I wouldn't be able to see based on my social location and my level of privilege. And so it can be this really positive building thing and it can also be this really, really heavy thing. And I think what Natalie was saying is that's where community comes in. That's really, really important, especially in the Latinx community. Having each other and having people that can kind of lean on each other with that. And that's where. In terms of like ambition, because this is, is a podcast on ambition. All of those different social locations and identities and like abilities can. Come together in really beautiful ways, but they can also be locations of disenfranchisement and struggle and imposed and [00:08:00] contradictory expectations and can then pose more obstacles in maybe presenting. A way that is considered to be more masculine or to be outside of the cultural norm or to be transgressive of crossing those borderlands if you consider gender stereotypes and gender roles, and if you're crossing that one way or another you're gonna be. It's gonna be rough. There's gonna be resistance to that. And it can also be this place of incredible creation and growth. The last text I wanna talk about, we didn't really go into it a lot, but we kind of referenced this population, and I'm still kind of chewing with this idea because there is a lot of. Disagreement about this term and it, it's not, not necessarily a new term, but it's still being discussed. Next text I wanna look at is Chicana Latina Testimonios Mapping the Methodological Pedagogical and Political [00:09:00] political mouthful. And that is by Dolores Delgado Bernal. Rebecca Burciaga, Judith Flores Carmona. And this was published in 2017 and it's a response to another author Spivak, who coined the term subaltern. And that Subaltern is one who the dominant powers have rendered as a person who doesn't matter, isn't worth listening to. And as they're not being understood, one who does not have a platform to speak from. And originally, Spivak said that the subaltern are these people that cannot be heard or really. My interpretation is that they're saying things all the time, but the dominant society, the people with power are not listening. So these people who are not being heard and understood. Are stuck until they are given a platform. And even that term given is problematic until they can make their voice heard, they are disenfranchised. But what Bernal et al., all those [00:10:00] authors, that's what at all means. What all they responded with is that even when Chicana and Latina scholars are in the academia, are in the public eye, that because of their social location that they are continually not understood and not listened to and not heard Thus, They are still subaltern and even when they technically have a platform or they are published or whatever it is, and so it's another example of this like really complex identity of not being seen, not being heard, not being taken seriously. Maybe it is because people don't know what to do with you because you inhabit multiple locations or maybe just what you're saying. Comes from such a unique positionality, and it is looking in places that most people aren't seeing that we don't want to hear. And so these are some of the, the different ideas I've been thinking with and looking at the really innovative ways that Chicana feminists and Latinas are [00:11:00] showing up in the world and exhibiting ambition in ways that maybe the rest of us. Aren't ready for. And you know what? We need to get ready for it. And we need to be supporting everybody who wants to be doing awesome things, even if it's in ways that are surprising to us. Even if it, they are weaving things together in ways that we don't expect, even if they're bringing a perspective to the surface that has been in the shadows for our, our own lived experience.  And those, those borderland dwellers that can live with contradiction and can be the bridge makers are the people that make. Subaltern people legible and create themselves as legible people. And so when we are doing whatever work we're doing, whether it's in the government, whether it's in our homes, in our communities we need to be listening to all people and to be valuing their experiences, even if they're different than our own, even if they are bringing ideas to the table that like seem totally outta left field. To use a, a baseball analogy here [00:12:00] a very American sport. Maybe it's not outta left field. Maybe it's just based on our social position and our social context. So those are some people to go read with and to think with and to consider. Especially if you want to widen your lens. I'm trying to widen my lens to understand ambition, to understand.  Who am I not listening to? Who am I not thinking with? So those are some great places to go. I highly recommend. So we're gonna wrap this up as our post pods go, they're pretty short. So just thanks for listening. This is Women of Ambition podcast. I am your host, Alyssa Calder Hulme. And I will again, put the transcription up here. I'm putting it in the show description, so you should be able to see that within your app while listening. If you would like. If that's for some reason hard to read or the text is just too large or whatever it is, please feel free to reach out to [00:13:00] me. I'm happy to email out those those notes or add another layer to my website where maybe those transcripts are a little more legible and easy to find.  But yeah, I, I strongly suggest each of those texts, they're so many incredible Latina authors out there. Latinx people who are writing and speaking and teaching and living in ways that we can all really learn from. So go check out the Latina ambition of weaving in liminal spaces and border crossings and speaking up when people don't wanna hear or don't know how to hear.  Really some really incredible women out there. So hope you enjoyed this, and again, please let me know if those transcriptions are helpful and we'll see you again next time.[00:14:00]

Dr. Kari Grain is a research associate at the Community Engaged Research Initiative (CERI) and writer of the book, Critical Hope: How to Grapple with Complexity, Lead with Purpose, and Cultivate Transformative Social Change. On this episode of Below the Radar, Kari joins our host Am Johal, to discuss how the seemingly conflicting frameworks of criticalness and hope are both vital to systemic change, as well as the importance of emotions such as anger and grief, and the influence of Gloria Anzaldúa's Coyolxauhqui imperative. Throughout the episode, Kari shares impactful excerpts from her book, Critical Hope. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/210-kari-grain.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/210-kari-grain.html Resources: Kari Grain: https://karigrain.wordpress.com/ Critical Hope: https://karigrain.wordpress.com/the-book/ Kari Grain's Dissertation: https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/24/items/1.0378228 Blog on Critical Hope: https://www.sfu.ca/ceri/blog/2022/Critical-Hope-By-Kari-Grain.html Coyolxauhqui imperative: http://www.revistascisan.unam.mx/Voices/pdfs/7423.pdf Bio: Dr. Kari Grain is the author of Critical Hope (2022) and teaches at the University of British Columbia in the Faculty of Education, where she leads the Master's of Education program in Adult Learning and Global Change (ALGC). She is also a research associate at the Community Engaged Research Initiative (CERI) at Simon Fraser University. Her research in experiential learning, critical pedagogy, adult education, anti-racism, and global/local community engagement has been featured in peer reviewed journals, books, blogs, and podcasts. At the nucleus of Grain's body of work is the belief that education has the potential to be a vibrant pathway toward systemic change and the honouring of multiple ways of knowing and being. Vital to that process of systemic transformation is an attunement to emotional, critical, and creative ways of knowing oneself and being in the world with others. Cite this episode: Chicago Style Johal, Am. “Critical Hope — with Kari Grain.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, April 18, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/210-kari-grain.html.

This episode we're talking about Gender Theory & Gender Studies! We discuss theory vs studies, memes, feminism, books that should exist but don't, and more! You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Stitcher, Google Podcasts, or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray | Jam Edwards Things We Read (or tried to…) A Burst of Light by Audre Lorde Histories of the Transgender Child by Jules Gill-Peterson Before We Were Trans: A New History of Gender by Kit Heyam Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity by Julia Serano Queer: A Graphic History by Meg-John Barker and Jules Scheele Beyond the Gender Binary by Alok Vaid-Menon A Quick & Easy Guide to Queer & Trans Identities by Mady G. and J.R. Zuckerberg Other Media We Mentioned BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine edited by Lisa Jervis & Andi Zeisler Body Outlaws: Rewriting the Rules of Beauty and Body Image edited by Ophira Edut A Room of One's Own by Virginia Woolf Female Masculinity by Jack Halberstam Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity by Julia Serano Gender Outlaw: On Men, Women and the Rest of Us by Kate Bornstein The Will to Change: Men, Masculinity, and Love by bell hooks All the Rage: Mothers, Fathers, and the Myth of Equal Partnership by Darcy Lockman For Her Own Good: Two Centuries of the Experts' Advice to Women by Barbara Ehrenreich and Deirdre English The Argonauts by Maggie Nelson X-Gender, vol. 1 by Asuka Miyazaki A Quick & Easy Guide to They/Them Pronouns by Archie Bongiovanni and Tristan Jimerson Feminism is For Everybody by bell hooks Down Girl: The Logic of Misogyny by Kate Manne A Girl's Guide to Taking Over the World: Writings From The Girl Zine Revolution edited by Karen Green & Tristan Taormino Links, Articles, and Things A small sample of Bibliocommons user-curated lists: Early Feminism Through 1847 Feminist Classics: Third Wave Feminism, the 1990s Trans Classics: important books about the many trans experiences Very Short Introductions (Wikipedia) TERF / FART / “Gender Critical” Transgender Childhood Is Not a ‘Trend' by Jules Gill-Peterson Gill-Peterson is one of 1,000+ contributors to the New York Times who signed an open letter condemning the anti-trans bigotry in their coverage. Read it here. Hark! Episode 330: Fucking Pie 20 Gender Theory/Studies books by BIPOC (Black, Indigenous, & People of Colour) Authors Every month Book Club for Masochists: A Readers' Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here. Living a Feminist Life by Sara Ahmed The Sacred Hoop: Recovering the Feminine in American Indian Traditions by Paula Gunn Allen Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa Decolonizing Trans/Gender 101 by b. binaohan The Crunk Feminist Collection edited by Brittney Cooper, Susana M. Morris, & Robin M. Boylorn Beyond Trans: Does Gender Matter? by Heath Fogg Davis Women, Race & Class by Angela Y. Davis Asegi Stories: Cherokee Queer and Two-Spirit Memory by Qwo-Li Driskill Radicalizing Her: Why Women Choose Violence by Nimmi Gowrinathan White Tears/Brown Scars: How White Feminism Betrays Women of Color by Ruby Hamad Feminist Theory: From Margin to Center by bell hooks But Some of Us Are Brave: All the Women Are White, All the Blacks Are Men: Black Women's Studies by Akasha Gloria Hull Indigenous Men and Masculinities: Legacies, Identities, Regeneration edited by Robert Alexander Innes and Kim Anderson Patriarchy Blues: Reflections on Manhood by Frederick Joseph Hood Feminism: Notes from the Women That a Movement Forgot by Mikki Kendall Sister Outsider: Essays and Speeches by Audre Lorde This Bridge Called My Back: Writings by Radical Women of Color edited by Cherríe Moraga & Gloria Anzaldúa Colonize This!: Young Women of Color on Today's Feminism edited by Bushra Rehman I'm Afraid of Men by Vivek Shraya Black on Both Sides: A Racial History of Trans Identity by C. Riley Snorton Give us feedback! Fill out the form to ask for a recommendation or suggest a genre or title for us to read! Check out our Tumblr, follow us on Twitter or Instagram, join our Facebook Group, or send us an email! Join us again on Tuesday, March 21st when we'll be talking about the Moving and Management of Books! Then, on Tuesday, April 4th we'll be discussing the genre of Domestic Thrillers!

Woke is het grootste gevaar voor het Westen sinds Ghengis Khan. Je kan helemaal niks meer zeggen. De censuur van politieke correctheid leidt tot een communistische, fascistische, anarchistische dictatuur van de D66. Tenminste, als je rechts moet geloven. In werkelijkheid is dit een manier om af te leiden van hun eigen slechte en hatelijke ideeën. Zolang we het over Woke hebben, hoeft rechts niet uit te komen voor hun racisme, vrouwenhaat en transfobie. Annelot, Dennis en Farah ontmaskeren de onzin achter de term. WOKE SPOOKS: * Jaap Kopojiman schrijft in OneWorld over de moed van studenten: https://www.oneworld.nl/lezen/opinie/studenten-zijn-niet-woke-ze-zijn-dapper/ * Pim en Annelot vertellen hoe sociale media haat en andere sterke emoties belonen: https://www.hetredelijkemidden.nl/2-12-sociale-media * Farah behandelde in haar colleges deze tekst van Gloria Anzaldúa...: http://users.uoa.gr/~cdokou/TheoryCriticismTexts/Anzaldua-borderlands-la-frontera.pdf * ...en deze van Immanuel Kant: http://fs2.american.edu/dfagel/www/Class%20Readings/Kant/Immanuel%20Kant,%20Perpetual%20Peace.pdf

In this episode, a first in our series on Undoing Settler-Colonialism, we speak with Hi'ilani Shibata and Kiliona, educators at Ka Waihona o ka Na'auao in Nānākuli on the Leeward Coast of O'ahu, Hawai'i. They talk story about their practices of teaching with Indigenous pedagogies, teaching history through multiple perspectives, and learning through story in relationship with the land and each other. Laquesha Sanders shares Part 3 of our student debt series, this time on HBCUs. Capital City PCS's now graduated seniors Natasha, Nelly, and Niya talk with each other about their birding experiences. And, of course, we're asking: How are you disrupting settler colonial practices in yourself, in your classroom, in your schools? Transcription (Finalized Friday, Mar. 3, 2023) NTELLECTUAL INHERITANCE An Indigenous Peoples' History of the United States for Young People, Roxanne Dunbar-Ortiz Borderlands/La Frontera: The New Mestiza, Gloria Anzaldúa Rest is Resistance, Tricia Hersey Indigenous knowledges and the Story of the Bean, Bryan McKinley Jones Brayboy and Emma Maughan “Praise Song for Oceania”, Craig Santos Perez Progressive Dystopia: Abolition, Antiblackness, and Schooling in San Francisco, Savannah Shange Teaching to Transgress, bell hooks Uses of the Erotic: The Erotic as Power, Audre Lorde “Why super-strict classrooms are in vogue in Britain,” The Economist MUSIC “Hanalei Moon” and “Kaulana na pua,” Kiliona “Belong,” Prod. Riddiman “Escape,” Prod. Aki “Groove Theory,” Prod. ae beats Dancing on Desks Theme song | composed and arranged by Mara Johnson and Elliott Wilkes Questions? Ideas? Responses? Send your notes to us@dancingondesks.org or slide into our DMs on IG @dancingondesks. --- Send in a voice message: https://podcasters.spotify.com/pod/show/dancingondesks/message