Podcasts about Vocoder

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Sun, 27 Apr 2025 17:31:00 +0000 https://jungeanleger.podigee.io/2206-song-65-market-me-vs-formula-x-or-the-jingle-evolution-for-wiener-borse-party-podcast 633f2312f347d417d7030c104e3fe7b2 Ab 28.4. 2025 ist eine weitere"Market & Me" Jingle-Version für die tägliche Wiener Börse Party (die gelben Icons auf http://www.audio-cd.at/spotify) im Einsatz, lässig interpretiert von Formula X, danke für diese druckvolle Synth-Variante mit Vocoder und lässigen Drum-Fills. Wird vielleicht nicht nur im Podcast, sondern zusätzlich am 1. Österreichischen Aktientag (13. Mai) eingesetzt http://www.kapitalmarkt-stimme.at . Das dritte Album von Formula X wird dann am 6. Juni 2025 erscheinen, die geniale Single Pico, die es bereits auf Spotify gibt, ist drauf. -> https://open.spotify.com/intl-de/artist/0UfxLi8nl8i3fJWJfF7mXc Künstler-Bio: The release of the new album „The World Inside“ follows the debut „Nemesis“ from 2018, consolidating what Formula X is known for: creative sounddesign, a blend between organic samples and synth sounds, energetic beats and a certain amount of dirt in the tracks while preserving a clean and transparent production. Whilst containing some underground vibes, the music opens up to the listener through clever arrangements, catchy hooks and expressive melodies. The 10 tracks of the album spread over different genres of electronic music, from dance/drum and bass to breaks and even hiphop, partially contain guest vocals, and thereby take the listener on an adventurous journey. The man behind the music is the Austrian producer and keyboarder Ulrich Schwab. Inspired by a multitude of artists and genres – from Pendulum to the gritty soundscapes of Massive Attack, from Jungle to Dubstep – he developed a style rich in diversity, that is meant to represent a contrast to the „uniformity“ that's notable in some of today's electronic music. The new single „Rain“ (Release: 06.12. 2024) is a high-energy future rave track that combines infectious 4-to-the-floor beats, powerful synths and the striking vocals of Julia Ivanova. The recently released synthwave-inspired single “Pico” takes a nostalgic trip into the retro-futuristic soundscape of the 80s — blending vintage textures with modern production and storytelling. “Pico” is another glimpse into the sonic variety of the upcoming third album . Davor verstärkten Singer-Songwriter Dominik Plangger, Hackbrett-Superstar Maria Ma, Zweitfrau-Frontfrau Diana Lueger oder Ex-Börsenradio-Kollege Sebastian Leben den Jingle, wieder davor hiess es "Team drajc", denn die ersten Folgen machte ich (dra) noch mit meinem Co. Josef Chladek (jc), danach wurde Market & Me daraus. Und einen Alternative Take gibt es noch als "Team Rosinger" samt Video auf YouTube. Call to Action: Ich mag an "Music Mondays" immer wieder neue Jingles bringen und auch diesen Jingle Evolution Podcast erweitern.. Drei Möglichkeiten: 1. Man fordert von mir die Karaoke-Version an und macht daheim was draus, 2. man kommt zu mir ins Studio und checkt vor Ort was, 3. (am besten) ... man bringt das Jingle Theme in ganz neuem Sound. Ach ja: Ein Sager von Börsechef Christoph Boschan mit Zeitgeist und Modethema galt als Inspiration ... Original Song in der Langversion: https://audio-cd.at/page/podcast/2734/ Video Team Rosinger: https://www.youtube.com/watch?v=7RAuwTYLJQI - mehr Songs: https://www.audio-cd.at/songs (Achtung: Spotify löscht Songs only, auf Apple Podcasts alle da) - Playlist mit ein paar unserer Songs: https://open.spotify.com/playlist/63tRnVh3aIOlhrdUKvb4P Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/apple http://www.audio-cd.at/spotify 2206 full no Christian Drastil Comm.

Steven Wilson wird am 3. November 1967 in Kingston upon Thames, südwestlich von London geboren und wächst ab dem sechsten Lebensjahr in Hemel Hempstead auf.Mit acht beginnt er, sich für Musik zu interessieren. Er bekommt Gitarren- und Klavierunterricht. Mit 12 beginnt er mit einem Multitrack-Tape-Recorder und einem Vocoder zu experimentieren. Beides hat ihm sein Vater gebastelt. Der ist Elektroingenieur.Da ihm die Musik der 80er zeitweise nicht viel gibt, vergräbt er sich in die große Alben der Jahre 1967 bis 1977. Er entdeckt Psychedelic, Prog, Kraut und Punk für sich und wird zum alles absorbierenden Supernerd.Bald gründet er mit verschiedenen Freunden verschiedene Bands. Mit denen veröffentlicht er erste Tapes.1987 tritt Wilson gleich mit zwei Band-Projekten in Erscheinung. Beide werden seinen Werdegang als Musiker maßgeblich prägen: No-Man, die Synth-Pop und Progressive Rock vereinen und Porcupine Tree, die gitarrenlastiger sind, mit Elementen aus Psych, Prog und Metal arbeiten.In den fast 40 seitdem vergangenen Jahren hat Wilson mit Blackfield, Continuum, Bass Communion, Storm Corrosion und als Solokünstler unzählige Alben veröffentlicht.Seinen Ruf als legitimer Erbe der großen Prog-Bands der 70er hat er nicht nur als meisterhafter Gitarrist, sondern auch als Remixer untermauert. In dieser Funktion hat er an Alben von Yes, King Crimson, Marillion, Jethro Tull Gentle Giant, Ultravox, ABC und vielen mehr gearbeitet.Mit „The Overview“ ist am 14. März sein achtes Soloalbum erschienen. Hosted on Acast. See acast.com/privacy for more information.

TECH CLUBBERS PODCAST W/ DAHRAXT DAHRAXT is the techno project of the electronic music artist Alessandro Mannella ( formerly known as Mannella ). Italian-born and Berlin-adopted, he expresses his multi-faceted talent producing music, DJing and performing live. Apart from being heavily influenced by the UK techno sound, DAHRAXT's musical narratives oscillate between industrial techno and distorted electro soundscapes, all the way to the more mental techno textures. Moving at a young age to Ibiza, he crafted his DJ mixing skills performing regularly at important venues like Space and throwing illegal parties around the island. Not long after, he moved to Berlin and immediately caught the attention of many, playing at the iconic Tresor basement and shaking the dancefloors of other major clubs such as About Blank, Arena and Suicide Circus, as well as hosting events at the former Griessmühle. Eventually, as one of the founders of the multidisciplinary event project ENIGMA, he brought a brand-new event concept at Tresor Club. Besides Germany, DAHRAXT has made appearances at other influential venues across Europe such as Gare (Porto) and FOLD (London) among others. Touring overseas and taking part in the underground festival circuit, DAHRAXT has performed with the likes of Ancient Methods, Ben Klock, Detroit Techno Militia, Nene H, New Frames, Tommy Four Seven, Scan7, Sunil Sharpe and many more. His unmatched dexterity in bringing the crowd into his own visionary trip and the intensity of his DJ sets allowed him to also gain a residency at the techno party Vocoder in Mexico City (2018) and most recently at ARIA, London. As a long-time vinyl collector and supporter, in 2015 DAHRAXT founded two record labels: “Jtseries”, (a techno dancefloor-oriented imprint) and “PicNic34” (having a more experimental direction). On those, he has collaborated with Blawan, Cristian Vogel, Charlton, Kucera, Santiago Salazar, Tobias, Vladislav Delay and VSK to name a few. With an arsenal of music ready to hit some of the most important music platforms out there, DAHRAXT's ever mind-expanding DJ and studio experiments are bound to be experienced by many. *The Mix was live recorded at Tresor Berlin* Follow DAHRAXT here: Facebook: https://www.facebook.com/mannella.dahraxt Instagram: https://www.instagram.com/dahraxt/ Soundcloud: https://soundcloud.com/dahraxt

Ein haariger Affenarm, fette Ratten, ein Skelett, eine Wendeltreppe und ein Zahnstocher im Auge. Das ist die Einkaufsliste für diese Bobcastfolge. Bei „Die drei ??? und der verschwundene Filmstar“ bleibt es merkwürdig, denn Kristalle verstopfen Ohren, Vampire verwüsten Wohnwagen – und mit einem weißen Hemd, Jeans und Sonnenbrille kommt man auf jede V. I. P. - Party. Dieser Fall kann also nur im extravaganten Hollywood spielen. Wie viel Champagner wurde dabei getrunken? Denn „Joggen“, „Plündern“ und „Smith“ sind nicht die einzigen Wörter, die falsch ausgesprochen werden… Rolf Becker feiert jedoch souverän seine Sprecherpremiere bei „Die drei ???“ und der Pinocchio-Fuchs Fred Maire seinen einzigen Einsatz. Filmfan-Fröhlich („Atemberaubend 2“) und der Stolper-Schwind schmeißen heute den Vocoder an und klären diese Fragen: Vertauscht Bob Anfangsbuchstaben? Ist Jens Wawrczeck Mister X? Und warum verkündet Kai Katastrophenmeldungen im Fernsehen? Jede:r von euch starrt nun ein Sandwich an und schreibt auf Motivationskarten den Satz: „Ich bin vollauf damit beschäftigt mein Selbst zu finden und ihm treu zu bleiben.“ – schon beginnt diese Hörspielbesprechung. ACHTUNG: Wer 25-mal „Diller Rourke“ anders ausspricht, gewinnt das heutige Punktesystem… Freudigen Versicherungsbetrug! Gast in dieser Podcast-Folge: Jan-Friedrich Conrad Ihr habt Fragen, Wünsche oder Anregungen? Dann schickt einfach eine E-Mail an: bobcast@dreifragezeichen.de „Haschimitenfürst – Der Bobcast“ ist ein Podcast von EUROPA, a division of Sony Music Entertainment Germany GmbH Idee: Andreas Fröhlich/ Regie & Konzeption: Ralf Podszus/ Moderation: Kai Schwind und Andreas Fröhlich/ Titelmusik: Jan-Friedrich Conrad/ Redaktion: Jens Nimmerrichter/ Produktion: Carina Schwarz/ Management & Koordination: Nina Schulze Pellengahr/ Redaktion Sony: Maike Müller/ Covermotiv: Aiga Rasch (Illustrationen), Tom Presting (Gestaltung), Christian Hartman, Haakon Dueland (Fotos)/ Eine Produktion von Podever Vielen Dank an unsere Werbepartner dieser Folge. Zu den Angeboten kommst du hier: https://linktr.ee/Bobcast

Chaque semaine avec Marie Misset, nous recevons des experts qui vulgarisent avec nous des concepts, des histoires...Pour cet épisode, nous recevons Jean-Baptiste Audibert, un des programmateur.rice.s de France Inter. Comment on programme de la musique pour une radio nationale, comment cela peut-il devenir un métier, depuis quand passe t'on du rap sur France Inter, est il un bon parent ? JB répond à tout ! Sa programmation musicale : JAMIE XX feat ROBYN - Life NES - Chevalier citadin NINA SIMONE - I Want A Little Sugar In My Bowl---Retrouvez Vulgaire sur Instagram : @vulgaire_lepodcast---VULGAIREUn podcast de Marine Baousson et Marie Missetproduit par Marine Baousson / Studio BruneRéalisé par Antoine OlierGénérique : Romain BaoussonGraphisme et illustrations : Juliette PoneyCapsules Vidéo : Emma Estevezprogrammation : Louise TempéreauEnregistré au studio ACAST que nous remercions Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The time has come at last for Ryan, Louie & Al to discuss Styx's dystopian "Mr. Roboto." Was Kilroy here? Tune in, find out!

PacificGroove sweet and juicy sounds, so cool and yummylicious....

Música y Palabras 193. Un viaje por la música. Esta semana cerramos la temporada septima con un recirrido por la musica de los 80. Escuchamos a Vocoder, Ronny Jordan, Soul II Soul, Eric B and Rakim, T. La Rock, Mantronix, Mr Fingers, Marshall Jefferson, Farley Jackmaster Funk, The Housemaster Boyz. Música y Palabras es un espacio musical que pretende difundir la música de diversos géneros. Suscribete a nuestros episodios en ivoox y no te pierdas ninguno. A Lucana Radio la radio que se lee se ve y se escucha Podéis colaborar por menos de lo que cuesta un café al mes 1,49€ y escuchar todos los podcast de manera anticipada y antes que nadie en nuestro canal de ivoox. ivoox https://www.ivoox.com/podcast-a-lucana-radio_sq_f1169389_1.html Música y Palabras se emite en Radio Sobrarbe, Alto Jalón Radio, Radio Albada, Radio Monegros, Tea Fm, y Onda Ocio. A Lucana Radio la radio que se lee se ve y se escucha. Alfonso Puyod en las melodias, JV en la producción y Francho Martínez en la locución. Una producción de A Lucana Radio

En aquest nou capítol l'Isma Palacios ha seguit amb el seu monogràfic sobre els Alquimistes de l'Electrònica per parlar-nos del Vocoder. Dosha ha punxat música de Vritra & her 72 Demons, Jura Soundsystem, WEN entre molts d'altres. Finalment en Monqui ens ha portat temes de Naemi, Nuron, Alarico i molts més. Producció a càrrec de Streamflow (https://streamflow.barcelona) Imatge gràfica per Saudara Studio (https://saudarastudio.com/). Tracklist: 1- Lila Tirando a Violeta - Viconian Cycles (Amnesia Scanner Remix) 2- Naemi feat. Arad Acid & Huerco S - Couch Angel 3- Beastie Boys - Intergalactic 4- Vritra & Her 72 Demons - BLUE RAY 5- Jura Soundsystem - Udaberri Blues (Tapes Remix) 6- Stupid Kozo - Midnight Clock 7- Calisto - Get House 8- La Guardia de la Luz - I First Learned About Shelleys Through a Magazine 9- Nuron - Blanchimont 10- WEN - Coolin' Off 11- BFTT - Brian, lost Brian 12- Jan Loup - Oba Damo Asodi 13- D3u5E - Sponge 14- Alarico - Carnal Fever #podcast #chillout #downtempo #hiphop #vocoder #house #deephouse #deep #experimental #club #breaks #breakbeats #drumanbass #techno #viatgeelectroniccrew #barcelonaelectronica

Mine stellt heute „Hide and Seek“ von Imogen Heap vor. Ein Song, der nur mit dem Vocoder aufgenommen wurde und der auch deswegen etwas ganz besonderes ist. Was Mine an ihrer „Icon“ schätzt und wie das Instrument funktioniert, erzählt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-imogen-heap-hide-and-seek

Mine stellt heute „Hide and Seek“ von Imogen Heap vor. Ein Song, der nur mit dem Vocoder aufgenommen wurde und der auch deswegen etwas ganz besonderes ist. Was Mine an ihrer „Icon“ schätzt und wie das Instrument funktioniert, erzählt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-imogen-heap-hide-and-seek

Mine stellt heute „Hide and Seek“ von Imogen Heap vor. Ein Song, der nur mit dem Vocoder aufgenommen wurde und der auch deswegen etwas ganz besonderes ist. Was Mine an ihrer „Icon“ schätzt und wie das Instrument funktioniert, erzählt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-imogen-heap-hide-and-seek

Mine stellt heute „Hide and Seek“ von Imogen Heap vor. Ein Song, der nur mit dem Vocoder aufgenommen wurde und der auch deswegen etwas ganz besonderes ist. Was Mine an ihrer „Icon“ schätzt und wie das Instrument funktioniert, erzählt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-imogen-heap-hide-and-seek

Mine stellt heute „Hide and Seek“ von Imogen Heap vor. Ein Song, der nur mit dem Vocoder aufgenommen wurde und der auch deswegen etwas ganz besonderes ist. Was Mine an ihrer „Icon“ schätzt und wie das Instrument funktioniert, erzählt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-imogen-heap-hide-and-seek

Die Berliner Musikerin Mine hat ein Faible für ungewöhnliche Sounds und Instrumente. Die stellt sie regelmäßig in ihrer „Sweete Instrumente“ Videoreihe auf TikTok vor. Diese Woche bringt sie Harpeji, Autoharp, Vocoder und Co auch in den Popfilter. In dieser Folge erklärt sie ihren Song „BAUM“, inklusive eines Bass-Synthies mit Eigenleben. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-woche-mine-baum

Die Berliner Musikerin Mine hat ein Faible für ungewöhnliche Sounds und Instrumente. Die stellt sie regelmäßig in ihrer „Sweete Instrumente“ Videoreihe auf TikTok vor. Diese Woche bringt sie Harpeji, Autoharp, Vocoder und Co auch in den Popfilter. In dieser Folge erklärt sie ihren Song „BAUM“, inklusive eines Bass-Synthies mit Eigenleben. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-woche-mine-baum

Die Berliner Musikerin Mine hat ein Faible für ungewöhnliche Sounds und Instrumente. Die stellt sie regelmäßig in ihrer „Sweete Instrumente“ Videoreihe auf TikTok vor. Diese Woche bringt sie Harpeji, Autoharp, Vocoder und Co auch in den Popfilter. In dieser Folge erklärt sie ihren Song „BAUM“, inklusive eines Bass-Synthies mit Eigenleben. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-woche-mine-baum

Die Berliner Musikerin Mine hat ein Faible für ungewöhnliche Sounds und Instrumente. Die stellt sie regelmäßig in ihrer „Sweete Instrumente“ Videoreihe auf TikTok vor. Diese Woche bringt sie Harpeji, Autoharp, Vocoder und Co auch in den Popfilter. In dieser Folge erklärt sie ihren Song „BAUM“, inklusive eines Bass-Synthies mit Eigenleben. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-woche-mine-baum

Die Berliner Musikerin Mine hat ein Faible für ungewöhnliche Sounds und Instrumente. Die stellt sie regelmäßig in ihrer „Sweete Instrumente“ Videoreihe auf TikTok vor. Diese Woche bringt sie Harpeji, Autoharp, Vocoder und Co auch in den Popfilter. In dieser Folge erklärt sie ihren Song „BAUM“, inklusive eines Bass-Synthies mit Eigenleben. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-woche-mine-baum

Episode 113 More Electronic Music for Astral Tripping Playlist Earthstar, “Part 1, Sirens” from French Skyline (1979 Sky records). Recorded at Klaus Schulze Studio, Hambühren, W. Germany in 1978 and 1979. Bass, Electronics, Norm Peach; Choir, Craig Wuest, Joan N., Marla T., Phil N.; Electric Guitar, Treated Guitar, Electronics (Tonewall), Dennis Rea; Flute, Woodwind, Tim Finnegan; French Horn, Flute, Marla Thomson; Producers, Craig Wuest, Klaus Schulze; Moog Modular System Programming, Technical Advice, Klaus Schulze; Sitar, Dirk Schmalenbach, Synthesizer, Sequencer, Mellotron, Biotron, Piano, Sitar, Harp, Effects, Voice, Vocoder, Bells , Percussion, Tape loops, Electronic Treatments, Craig Wuest; Violin, Phil Novak; Violin, Viola, Electronics, Louis Deponté; Violin, Electronics, Daryl Trivieri. (06:18) Edgar Froese, “PA 701” from Macula Transfer (1976 Brain). The material was composed during different flights during '75 and '76 while on tour with Tangerine Dream. Instruments, Composed By, Produced by, Edgar Froese. I'm not certain, but all of the tracks are named after airline flight numbers. I think this one was on Pan American. Recorded in June 1976 at Amber Studio, Berlin. (07:33) Beaver and Krause, “Gandharva” and “By Your Grace,” from Gandharva (1971 Warner Brothers). The Moog Modular is played by Bernie Krause, the pipe organ by Paul Beaver. Baritone Saxophone, Gerry Mulligan. Recorded at Grace Cathedral, San Francisco, February 10-11, 1971. This recording came at the height of the Moog craze (for which Beaver and Krause were largely responsible) and this music took a decidedly thoughtful turn with its jazz guests and spacious live sound recorded in a church. Having the Moog Modular in a live performance was a challenge and its presence is only apparent in the opening and several moments on this side of the album. But the organ and baritone saxophone alone provide a beautiful sonic experience. (06:29) イノヤマランド = Inoyama Land, “Mizue” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track was made by Inoue which he described as him “playing with repetitive octave, machine-like signal sounds.” (02:31) Arp, “Nzuku” from Ensemble—Live! (2019 Mexican Summer). Arp is Alexis Georgopoulos, an American electronic musician, composer, and music producer based in New York. Includes music from his LP, Zebra, as well as four original tracks. Zebra saw the diverse, New York-based artist exploring Fourth World, Japanese avant-garde, minimalism, kosmische, dub, cosmic jazz and more. This album was recorded live in the studio. Limited edition of 500 copies. (06:36) Ariel Kalma, “Reternelle” from Ariel Kalma (1975 Astral Muse). A spacey work for dual saxophones and tape echo, played by Kalma. (12:08) Masuko Shinji, “Woven Music for Silver Ocean” from Woven Music (2011 Jagjaguwar). Japanese singer and guitarist. Some soothing guitar electronics bordering on noise. Let your thoughts wander. (13:50) イノヤマランド = Inoyama Land, “Apple Star” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track by Inoue came about by his “synchronizing the Jupiter 8 auto arpeggio with the System100M analogue sequencer with the sequencer VC (voltage control), which generates a curious phrase automatically.” (05:57) White Gourd, “La Lune” from Hermit / La Lune (2013 Psychic Sounds). “White Gourd is the solo work of Suzanne Stone. In addition to being a visual artist, herbalist, teacher, master gardener, and beekeeper, she is well known for involvement as vocalist & saxophonist in the experimental ensemble Million Brazilians.” This recording illustrates the dreamy nature of Stone's sound material used in her live performances; found objects, gongs, 78 player, piano and audio cassette loops. (18:10) Somei Satoh, “Echoes” from Emerald Tablet / Echoes (2020 WRWTFWW). Echoes taken from Somei Satoh's Echoes, Edition Omega Point (2003). It was composed for the "Mist, Sound, and Light Festival", held on May 20-19, 1981 at Kawaji, Tochigi Prefecture, Japan. Composed and performed by Somei Satoh. For this event, Satoh composed music for the 10-day event organized by the hot spring tourist association of Kawaji. The work was played at the Kawaji hot spring's Ojika river valley using 8 gigantic loudspeakers set-up on hills surrounding the stream, with music played through an 8-channel-tape system. The echoes created by the work were accentuated as they reverberated through the outdoor location. (30:27) Less Bells, “Bird in Hand” and “Forest Ghosts” from Solifuge (2018 Kranky). Less Bells is Julie Carpenter. All Songs by, Violin, Cello, Synthesizers, Fender Rhodes Electric Piano, Omnichord, Julie Carpenter; Optigan Electric Organ, Buchla Music Box, Moog Modular Synthesizer, Dain Luscombe; Synthesizer, mixed by, Kenneth James Gibson; Vocals, Leah Harmon. Violinist/composer Julie Carpenter “. . . weaves orchestral and electronic textures to inhabit that boundary between storm and sun.” Can you say happy astral tripping? (08:39)   Opening background music: Ariel Kalma and Richard Tinti, “Forest Ballad” from Osmose(1978 SFP). Organ, Flute, Ariel Kalma; sound effects, Richard Tinti.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Conviértete en cualquier cosa. Pero por favor, nunca seas fría y automaticaCon música de Vocoder, Depresión Sonora, Tango y Radio FuturaEscuchar audio

La película de este episodio es Rotting in the Sun (2023) de Sebastián Silva. Muchos pitos, un perrito, una señora atribulada, un influencer perdido y otros mambos. Claro que hay coyuntura y, AH, ANUNCIO IMPORTANTE sobre *el otro podcast*.

Hoy en el tejado disfrutaremos de un poco de Funk/Fusion de la mejor calidad. Y es que hoy os vamos a entregar uno de los más grandes trabajos de la legendaria banda de Jean Paul Bluey Maunick, los Incognito. El disco que os acercamos, editado en el año 1993, se llamó Positivity y es, para nosotros unos de los mejores trabajos de esta maravillosa banda por la que han pasado algunos de los mas grandes músicos de estudio y que ya lleva activa mas de 40 años. En fin, esperamos que lo disfrutéis. TRACKS 1-Still a Friend of Mine Maunick, Bull 2-Smiling Faces Maunick,Harvey, Bull 3-Where Do We Go from Here Maunick, Hayden 4-Positivity Maunick, Bull, Hope-Taylor 5-Deep Waters Maunick,Bull 6-Pieces of a Dream Maunick, Bull 7-Talkin' Loud Maunick, Bull, Harvey 8-Thinking 'Bout Tomorrow Munick, Virgi, Bull 9-Do Right Maunick, Harvey, Hayden 10-Inversions Maunick, Beesley 11-Better Days Maunick, Hinds 12-Keep the Fires Burning Maunick, Hayden 13-Givin' It Up Maunick, Bull 14-Still a Friend of Mine (Acapella) Maunick, Bull CREDITS Jean-Paul "Bluey" Maunick Bass, Guitar, Keyboards, Vocals, Producer, Vocoder, Drum Programming, Mixing, Percussion Programming Gilles Peterson A&R [World Wide A&R Direction] Graham Harvey Synthesizer, Keyboards, Vocoder Ray Hayden Vocals (bckgr), Producer, Engineer, Drum Programming, Mixing, Bass Programming, Percussion Programming Peter Hinds, Maxton G. Beesley, Jr. Keyboards Maysa, Mark Anthoni Vocals Richard Bailey Drums Bud Beadle Flute, Sax (Baritone) Sarah Brown Vocals (bckgr) Richard Bull Guitar, Keyboards, Producer, Engineer, Drum Programming, Mixing, Bass Programming, Percussion Programming Patrick Clahar Sax (Soprano), Sax (Tenor) Thomas Dyani Percussion Paul "Tubbs" Williams, Randy Hope-Taylor Bass Kevin Robinson Trumpet, Flugelhorn Fayyaz Virji Trombone

Love this one guys1Lots of very cool loops from the Tale Teller Club and iServalan#music #freestuff #bonus #giveaway #ringtonefactory #singtones #iservalan #taltellerclub Hosted on Acast. See acast.com/privacy for more information.

Join Tara and Natalie in the store as they dig into advancements in music technology. In this episode, they discuss the history of autotune and other vocal pitching tech, plus virtual pop stars and AI performers. Learn more about Record Store Society. 

    This mix started with the track "Light & Grace" by Schneider TM. When I heard it I was reminded about how much I like the sound of a vocoder. I also realized that I never did a follow-up to the the vocoder mix I did all the way back in 2010 - http://lowlightmixes.blogspot.com/2010/10/vox-electronix.html So here is a new collection of vocoder tunes. I'm not sure how many of these tracks actually use a vocoder and how many are other vocal effects but I don't care. I'm just going for a sound and vibe. Many of these tracks are new to me as I discovered them in my search for vocoder songs. I am particularly taken with "Last Man Standing" by Cities of Foam. And of course the Eno track from his album of last year is fantastic. Enjoy the robo-tunes!   T R A C K L I S T : 00:00    Boards of Canada - Telepath (Tomorrow's Harvest 2013) 01:26    Schneider TM - Light & Grace (The 8 Of Space 2021) 05:18    Paul McCartney - Be What You See(Link) (Tug of War 1982) 05:43    Dimmes - I Am Still (2018) 07:53    Cylob - Are We Not Men Who Live & Die (IDMEMO - A Future of Nostalgia 2020) 09:20    Holly Herndon - Fear, Uncertainty, Doubt (PROTO 2019) 12:06    Cities Of Foam - Last Man Standing (A Great Day For The Race 2005) 16:20    Vanishing Twin - Light Vessel (Ookii Gekkou 2021) 19:52    Röyksopp - Daddy's Groove (Late Night Tales 2013) 22:50    Peter Baumann - Biking Up The Strand (Transharmonic Nights 1979) 25:12    Plone - Plock (Plock 1998) 29:02    Tex La Homa - Vapour Trails (Some Lost Bliss 2006) 34:50    Boards of Canada - 1969 (Tomorrow's Harvest 2013) 38:40    Crys Cole & Oren Ambarchi - Burrata (Hotel Record 2017) 44:47    Brian Eno - Making Gardens Out of Silence (FOREVERANDEVERNOMORE 2022) 52:25   Brian Eno & J. Peter Schwalm - Rising Dust (Drawn From Life 2001) 59:53    end

Episode 90 The Electronic Music of Ryuichi Sakamoto Playlist Ryuichi Sakamoto and Alva Noto, “Second Dream” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Alva Noto, Ryuichi Sakamoto. 1:13 Ryuichi Sakamoto and Taylor Deupree, “Jyaku” from Disappearance (2013 Commons). Piano, Electronics, Ryuichi Sakamoto; Synthesizer, Tapes, Loops, Acoustic Guitar, Mixer, Taylor Deupree. 9:59 Alva Noto and Ryuichi Sakamoto, “Avaol” from Insen (2005 Raster-Noton). German release featuring Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 2:50 Alva Noto and Ryuichi Sakamoto, “ax Mr. L.” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 4:20 Alva Noto and Ryuichi Sakamoto, “mur” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 8:14 Ryuichi Sakamoto, “Solari” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:52 Fennesz and Sakamoto “0322” from Flumina (2011 Touch). Guitar, Laptop, Christian Fennesz; Piano, Laptop, Ryuichi Sakamoto. Recorded at Amann Studios, Vienna and KA+B Studios, NY and Japan. 5:35 Ryuichi Sakamoto, “Sunset” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. This album is listed as one of his special projects consisting of diary sketches in sound. Described as “an ambient oriented compilation of Sakamoto's music journal from 2001 after eye-witnessing 9/11 from his home NYC.” This one of his most moving essays in sound, consisting of his piano sketches treated with electronics. The progression of the album is presented in the order of the day and concludes with “Radical Fashion.” 8:47 Ryuichi Sakamoto, “Night” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 7:37 Ryuichi Sakamoto, “Radical Fashion” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 5:07 Ryuichi Sakamoto, “Zure” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:12 Ryuichi Sakamoto, “Out of Horse” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Ryuichi Sakamoto; Ondes Martenot, Motoko Oya. 3:57 Ryuichi Sakamoto, “Borom Gal” from Heartbeat (1991 Virgin). Concertmaster, strings, David Nadien; Lead vocal and words, Youssou N'Dour; Music by Ryuichi Sakamoto, Youssou N'Dour; Programmed, Performed, and mixed by Ryuichi Sakamoto. This is one of those star-studded albums that had pop appeal. Still, the electronics and digital editing of this track, especially in 1991, make this track stand out. 3:57 Ryuichi Sakamoto, “Fullmoon” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:13 Ryuichi Sakamoto, “Nuages” from Heartbeat (1991 Virgin). Lead Vocals, Houria Aichi; traditional song; Programmed, Performed, and mixed by Ryuichi Sakamoto. This little work from Heartbeat always reminded me of something you would have expected to hear in the movie Blade Runner. 2:15 Ryuichi Sakamoto, “Island of Woods” from Thousand Knives Of (1978 Better Days). On this album, not necessarily this track, Sakamoto plays Ryuichi Sakamoto plays: Moog III-C w. Roland MC-8 Micro Composer; Polymoog; Minimoog; Micro Moog; Oberheim Eight Voice Polyphonic w. Digital Programmer; ARP Odyssey; KORG PS-3100 Polyphonic; KORG VC-10 Vocoder; KORG SQ-10 Analog Sequencer; Syn-Drums; Acoustic Piano;Marimba. Recorded from 4/10 to 7/27, 1978 at Columbia Studio No.1, No.2, & No.4, Tokyo. 9:51 Ryuichi Sakamoto, “Stakra” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:41 Ryuichi Sakamoto, “Tokyo Story” from Sweet Revenge (1994 Elektra). Produced, composed, keyboards, computer programming, Ryuichi Sakamoto. Recorded at 11-K Studios, NYC, Clindton Studios, NYC, Paradise Studios, Tokyo, Unique Studios, NYC, Sedic Studios, Tokyo, Metropolis Studios, London, Westside Studios, London, Skyline Studios, NYC, Right Track Studios, NYC. 1:17 Ryuichi Sakamoto, “Plankton” (excerpt) from Plankton (Music For An Installation By Christian Sardet And Shiro Takatani) (2016 Milan). French recording of an installation piece by Sakamoto. The entire work is nearly an hour long; this is an excerpt from the beginning of that work. Mixed, produced, composed by Ryuichi Sakamoto; Producer, Lucille Reyboz, Yusuke Nakanishi; Sound programming, Satoshi Hama; Video programming, Ken Furudate, Ryo Shiraki. 7:47 Ryuichi Sakamoto, “Undercooled (Alva Noto Remodel)” from Bricolages (2006 Warner Music Japan). Rap, MC Sniper; Remix, Alva Noto. This is an interesting album of Sakamoto remixes with a rap track reimagined by the mixing of Carsten Nicolai. 4:44 Ryuichi Sakamoto, “A Wongga Dance Song” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. This is one of Sakamoto's early explorations of the power of the digital sampler and editing. Music created for a dance performance by the company Molissa Fenley and Dancers. 10:06 Ryuichi Sakamoto, “20220214” from 12 (2023 Commons). Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” More answers to questions by Sakamoto are found here. 9:10 Ryuichi Sakamoto, “20220304” from 12 (2023 Commons). Composed, produced, performedby Ryuichi Sakamoto using sounding objects such as stones, chimes, and fragments of pottery. 1:09 Ryuichi Sakamoto, “Life, Life” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. Sho, Ko Ishikawa; Vocals, Luca; Spoken Word, David Sylvian; Words by, Arseny Tarkovsky. 4:24   Opening background tracks: Ryuichi Sakamoto, “Before Long” from Neo Geo (1987 CBS). Piano, Ryuichi Sakamoto. 1:20 Ryuichi Sakamoto, “Ulu Watu” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. Music created for a dance performance by the company Molissa Fenley and Dancers. 3:57 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations. SiteSakamoto can be found here. The recent story about Ryuichi Sakamoto on NPR can be found here.

Episode 84 Psychedelic Japan, Part 3   Playlist Boredoms, “Super Going” from Super æ (1998 Birdman). Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), Electronics, Eye. 12:26. Boredoms, “7-(Ewe Remix)” from Super Roots 7 (1998 WEA). Bass, Effects, Hilah; Drums, Percussion (Electronic), E~Da; Drums, Sampler (Samples), Percussion, ATR; Drums, Vocals, Tape (Bird Flying Sound), Keyboards (Casiotone), Yoshimi P-We; Guitar (Guitars), Yamamotor; Sampler, Synth, Kiyoshi Izumi; Vocals, Synth, Tape (Open Reel), Electronics (Vacuum Cleaner), Bell, Effects, Sounds, Electronics, Tape (Insects, Bird), Eye. 4:05 OOIOO, “Oizumio” from Feather Float (1999 Polystar). Pronounced OH-EE-OH, Band formed by trumpeter and drummer for the Boredoms on a whim as the result of a photo shoot she once did. Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 3:39 OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Boredoms, “"Ҩ" (Spiral)” from Vision Creation Newsun (2001 Birdman). There have been some live performances of this music from Vision Creation Newsun where Eye has recruited as many as twenty drummers to join the fray, all positioned in a circle with Eye conducting from the middle. And it's said that this is not one of his most extreme performance setups. Bass, Effects, Vocals, Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:33 Boredoms, “"↑" (Arrow Up)” from Vision Creation Newsun (2001 Birdman). Bass, Effects, Vocals (Vox), Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:26 Adachi Tomomi, “Gamp” (2001 unofficial release). Adachi Tomomi is a performer/composer from Tokyo, Japan. He plays improvised music with voice, computer, and self-made instruments. 2:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “The Creation Of The Human Race” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 9:12 Acid Mothers Temple & The Melting Paraiso U.F.O., “Dalai Gama” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 4:32 Merzbow, “Argus” from Karasu: 13 Japanese Birds Pt. 4 (2009 Important Records). Music by Masami Akita. We included a cassette release from Akita in part 2 of this series. That was from early days for Merzbow, 1984. It seems fitting that we include a more recent CD by him here. Limited edition of 1,000 copies. Recorded and mixed in Tokyo, Feb 2009. 19:40 Opening background music: Far East Family Band, “Parallel World” from Parallel World (1976 MU Land). Music by, arranged by, Far East Family Band. Produced, recorded, computer mix by, Klaus Schulze. Recorded November 15th to December 5th 1976 at the Manor Studio, UK. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations. See my blog for the Bob Moog Foundation.

Was wären die drei Fragezeichen oder Hörspiele im Allgemeinen ohne Musik? Sicherlich nicht so spannend und szenisch oder sphärisch, wie wir sie kennen. Einer, der den Stil einer ganzen Hörspielepoche geprägt hat ist unser heutiger Gast auf dem Hörspielplatz, Jan-Friedrich Conrad. Ausgestattet mit Hardware-Synthesizern, Drumcomputern und einem Vocoder kreierte der Musikwissenschaftler, Produzent und Komponist die typische Vocoder Titelmusik der ???-Hörspiele und noch viel viel mehr! Colin und Johanna sprechen mit ihm über seine Anfänge, Arbeitsweise und Inspiration und wie er damals mit seiner Demo Kassette zu Andreas E. Beuermann aka „Onkel Titus“ gegangen ist und alles seinen Lauf nahm. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:03 - Cautionneries - Par La Caution. Embarquement immédiat pour un voyage musical avec Nikkfurie

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GRP V22 Demo, First Recordings and Initial Field Tests Alternate Title: "Midnight Drive with a GRP V22 Vocoder" Full show notes (four tracks) https://soundcloud.com/eptc/sets/spoken-word-with-electronics-episode-71 Tuning in to Channel GRP

GRP V22 Vocoder (Demo and Sound Tests) This episode is brought to you by Vareschi Mastering. Do you vocode? A good engineer can explain such processes. Ask: https://www.vareschimastering.com/ "A Midnight Drive with a GRP V22 Vocoder" Full episode (four tracks) https://soundcloud.com/eptc/sets/spoken-word-with-electronics-episode-71 The GRP Vocoder Speaks for Itself! After saving up nickles and tree lint for three years, we happily bring a Vocoder into the show. This is the GRP V22. It is easily the most configurable and sonically expressive analog vocoder to ever exist. There ARE a few comparable Vocoders in terms of sound: The Bode 7702/Moog Vocoder is one, as is the Sennheiser VSM-201. But neither the 7702 or the 201 provide 22 channels of speech analysis. Nor do either provide the variety of tone shaping and filtering as found on the V22. But enough typing, just hear it. It's one incredible Vocoder. I call the V22 the Buchla Easel of Vocoders. This show introduces it to the family of instruments in the SWWE studio. It took some restraint to not buy anything for three years. But the joy is pretty nice now that it's here. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission.

One, Two, Three, FRIDAY! New releases from CGR Publishing include Retromegatrex 2, Omega Ronin's On the Line and more! Mark has a bit of fun with a new vocal distortion toy and talks about upcoming projects, sounds, Turbo Volcano albums, Omega Ronin, and a new cooking show.

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In this special double-length episode (!), modular synth guru Sean Rieger talks to Carla and Brad about the many technical and electronic sound elements that Krautrock artists applied to enrich their music.If you want to know about oscillators, ring modulation, sequencers, analog synths, tape overdubs, and vocoders ...If you're asking what was in Faust's "black boxes" ...If you've ever watched Florian Schneider twiddle knobs on YouTube while simultaneously playing the flute and wondered what he was up to ...Then Sean, who writes and records electronic rock as File Transfer Protocol, is your man.  And ours, too.  Join us for Electronic Music 101 on this Episode 6 of CBK — and be sure to check out Sean's work on Instagram!  

Dan and Erik talk to Garrett Rieks of Iowa City's experimental pop project Sound Science. We also discuss how the new Fresh Smith totally slaps!

Wir springen in dieser Folge in die 1940er Jahre. Um abhörsichere Kommunikation der Alliierten zu gewährleisten, entwickeln die Bell Labs ein System, dessen Herzstück ein neues Gerät ist, das Sprache in seine Einzelteile zerlegen und wieder synthetisieren kann: der Vocoder. Zu dieser Zeit weiß allerdings noch niemand, dass dieser Vocoder nicht nur äußerst wichtig für den weiteren Kriegsverlauf sein wird, sondern auch maßgeblichen Anteil am Sound der neu entstehenden elektronischen Musik haben wird. Das erwähnte Buch heißt "How to Wreck a Nice Beach" von Dave Tompkins. Das Episodenbild zeigt ein SIGSALY Terminal, mit den beiden Turntables zur linken Seite. // Wer sich die in der Folge erwähnten Songs anhören will: - Spotify: https://open.spotify.com/playlist/5Sil3I7atDLG9U66G4wMsa?si=cf320f58da8f4382 - YouTube Music: https://music.youtube.com/playlist?list=PL-YK_FZp1Vp9Br_oMdnSPKG-eLkYrW4yW&feature=share //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte NEU: Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts rezensiert oder bewertet. Für alle jene, die kein iTunes verwenden, gibt's die Podcastplattform Panoptikum, auch dort könnt ihr uns empfehlen, bewerten aber auch euer ganz eigenes PodcasthörerInnenprofil erstellen. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

In this episode of LFTC Prime Cuts we are showcasing the new massive tune from Sam Shepherd AKA Floating Points! This is Vocoder...

Show your support for the Podcast and Shout me a Coffee!!https://buymeacoffee.com/emlyninthemixPLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!!I just set up an email to contact me on the Podcast!! - emlyninthemix@gmail.comP.S I love you

Show your support for the Podcast and Shout me a Coffee!!https://buymeacoffee.com/emlyninthemixPLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!!I just set up an email to contact me on the Podcast!! - emlyninthemix@gmail.comP.S I love you

We're reaching, and retching this week as we take a deep dive into Jack White's version of a musical midlife crisis, 2018's Boarding House Reach. Vocoder, hot topic spoken word poetry and RAPPING all make an appearance on this bloated collection of song stems, incoherent rambles, and riffless meandering sonic slogs that sound like the last gasps of a former musical genius. Most damning of all is the fact that more than half the songs aren't even songs at all - a far cry from the tight, furtive garage rock of Mr. White's heyday. It's sure to disappoint you as much as it did us, so reach around and hold on tight. It's bound to be a bumpy ride.

We're reaching, and retching this week as we take a deep dive into Jack White's version of a musical midlife crisis, 2018's Boarding House Reach. Vocoder, hot topic spoken word poetry and RAPPING all make an appearance on this bloated collection of song stems, incoherent rambles, and riffless meandering sonic slogs that sound like the last gasps of a former musical genius. Most damning of all is the fact that more than half the songs aren't even songs at all - a far cry from the tight, furtive garage rock of Mr. White's heyday. It's sure to disappoint you as much as it did us, so reach around and hold on tight. It's bound to be a bumpy ride.

justin vernon, messina, vocoder, roadtrip, milwaukee, midwest, music, folk, kanye west, bon iver Links:Apple M