Podcasts about layered

Join BamaOnLine.com senior analyst Travis Reier as he touches on a number of Crimson Tide-related topics, including: -- Men's basketball rolls Mizzou to move to 7-0 in SEC play. -- "Alabama might be the best team in the country right now." Ya think? -- Nick Saban goes to Transfer Portal for ILB Trezmen Marshall. -- Layered thoughts on addition of Marshall and UA's linebacker room moving forward. The BamaOnLine Podcast is now on Apple Podcasts as well as Spotify, Google Podcasts, and Stitcher. Please subscribe, and leave us a rating and a review! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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Creating a work of art is a process—a process that can change who you are. Too often, we judge or rush our creative pursuits, ignoring the messages included in every brushstroke or written word. We end up saying too much or not enough. But when we approach the creative process with patience and compassion, we make connections with ourselves and with all who resonate with our work. And the impact? It's infinite. Heather Doyle Fraser is a publisher, writer, and coach who believes in the power of voice and works with writers to bring their words to the world. In fact, she's helping me write my book! Together we discussed the deep work and tangled process of creation through the artwork Alison the Lacemaker by Swoon. See the artworks and get the links from this episode in the show notes.

“Religion is a prison but truth sets us freeHelps us believeThat the world we're in now is not the world that will be..” | Kirk Franklin (Losing My Religion)Religion is an all-encompassing umbrella that has and continues to dictate the ins and outs of many lives. What is religion? Why is it so controversial and polarising? How come Africans have taken religion and run with it? Why do we need it? Why is religion so problematic?In this episode, we go in on all these questions. We're curious, though, what are your thoughts?  —Zim Shoutout: Makho NdlovuInstagram: @makhondlovu Twitter: @makhondlovuWe'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com

Are you intrigued by how machine learning and AI could soon transform the insurance market? Are you starting a new business and looking for some inspiration? In this episode of the Insurance Broker Podcast, we're thrilled to be speaking with Armin Kia, CEO and co-founder of Driverly, a car insurance subscription service which uses machine-learning software to calculate insurance prices tailored to drivers' individual habits behind the wheel. In this fascinating conversation with Boston Tullis' Sarah Myerscough, Armin explains how finding a like-minded team was key to Driverly's rapid entry to the market and expansion. Furthermore, he explains how the layering of different kinds of data simultaneously can create insurance solutions which fairly and accurately meet the needs of customers, perhaps paving the way for a future of the industry to which data is the key.   Quote of the Episode “I think customers are open to sharing their data if there is a good value exchange for them. And by value exchange, I don't mean just price. Yes, price is important. But for a case like ours, where everything is built around that data, I think there's a very good reason for collecting the data.” Driverly works by collecting data about a driver's behaviour on the road in real time, via an app installed on the user's phone, which is equipped with highly accurate motion sensors. With the user's permission, this data is layered with information on weather and road conditions to create a highly accurate profile of a driver's habits, from which a pricing structure for their car insurance can be built. In this way, the platform more fairly determines how much drivers should be paying for their insurance relative to their ability and safety behind the wheel, and it rewards them for their good driving via vouchers and discounts. Ultimately, the app demonstrates that people are willing to share their data if you can demonstrate that you will use it wisely, and to customers' advantage and benefit.   Key Takeaways In its customer-driven approach, Driverly attempts to uproot the conventional manner in which car insurance is sold by using AI and machine learning to calculate the best possible price for customers. As the car insurance market is driven by broad and often misleading demographic data which unfairly represents certain groups, especially young and new drivers, Driverly seeks to fill the gap by calculating prices individually tailored to you. This flexibility is accentuated by its monthly subscription model. Unlike conventional annual car insurance policies, this grants customers the freedom to cancel their insurance as and when they wish. Yet, this is not only advantageous to the customer. The constant stream of real-time driving data from a user's phone grants the company flexibility to adjust prices based on this new data as it is received. The company was founded with three central pillars: Customer, Data, and Technology. These pillars drove the way in which new employees were onboarded, leading to the curation of a well-rounded team of enthusiastic individuals who share the same common vision. As Sarah notes in the episode, finding great people can be a business' biggest challenge, and also its greatest achievement. Everyone has their own subjective ideas of how things should operate within a business, with their own emotional perspectives and outlooks. As such, to unite a cohesive team, particularly in such a short space of time as Driverly achieved, is a remarkable achievement.   Best Moments/Key Quotes “I think putting together a team is always a challenge in the startup world. You don't have a big firm and the sort of stability that comes with it. And it's always a leap of faith; even though you're paid, and you're an employee, you're always trusting a startup when you join them.”   “Every single piece of data that we collect is built into the bread and butter of our proposition. So, we use that data to give something back to the customer. We give them feedback on how they drive, we show them their score, in terms of using their phone, acceleration, braking speed.”   “Every feature we have on the app is designed to improve the loss ratio, to improve the risk of customers having an accident, by incentivizing them, and reminding them about how they drive and giving them tips. We have a driver to club where they can compete. So, we get to take the gamification to the next level, by creating some peer pressure to improve driving behaviour as well. So, all of that is designed to improve the loss ratio and improve the claims performance.”   ‘If data is at the core of what you do, then you design your processes, your technology, everything around it.'   Resources https://www.driverly-insurance.co.uk/   About the Guest Armin Kia is the CEO and co-founder of Driverly, a car insurance platform established in 2021, offering flexible prices on a monthly subscription basis. An entrepreneur making huge waves in the Insurtech world, Armin is well-placed to speak to how technology will soon, and is already, transforming the way we approach and use insurance. Armin's LinkedIn Profile: https://www.linkedin.com/in/armin-kia-16951239/   About the Host Sarah Myerscough is the Sales and Marketing Director of Boston Tullis Group. The founder of The Insurance Brokers Podcast, she brings a wealth of marketing experience and a fresh perspective on marketing in the insurance sector. Boston Tullis works with insurance brokers to offer solutions to business development ceilings, particularly in the rapidly developing fields of video marketing and thought leadership. Website: https://bostontullis.co.uk/  Evaluation Link: https://s.bostontullis.co.uk/s/podcastevaluation         

Ready for sleep time? :) #ASMR #Gentlewhispering #relax 9/10/18 --- Send in a voice message: https://anchor.fm/maria-gentlewhispering/message Support this podcast: https://anchor.fm/maria-gentlewhispering/support

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“If you educate a man you educate one individual, but if you educate a woman you educate a family. " | African ProverbThe place and spaces that women and men 'belong' is a conversation that has been ongoing for decades... and we still have a long way to go.Why are gender roles so controversial, especially within an African context? Why can't Africans let gender roles go? Why do we still have to explain what 'equality' looks like and defend ourselves as women?On this episode, we go all in from defining which gender roles are typically attributed to women, the pressure of it, our thoughts on gender neutrality and unpacking the reasons why we feel gender roles will continue to be a hot topic in African society.---Zim Shoutout: Shungudzo KuyimbaInstagram: @shungudzoTwitter: @shungudzoWe'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com

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KMUW's Fletcher Powell says the director of The Eternal Daughter Joanna Hogg is a master at framing the people and places you see on screen.

“Mwana asingachemi anofira mumbereko.” | “A baby that never cries soon dies on its mother's back.” – Shona proverbGrowing up African and more specifically, growing up Zimbabwean, there are certain commonalities we can all relate to. From the discipline, respect for elders and family, high expectations to the communal upbringing. We delve into all the nuances of African parenting that have shaped us - good, bad and interesting. What would you say is the typical upbringing for an African child and what did it look like for you if you were raised in an African household?Zim Shoutout: Steven ChikosiInstagram: @stevenchikosi Twitter: @stevenchikosi We'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com

Cool Spring Downtown District and the City of Fayetteville are pleased to announce the return of Night Circus: A District New Year's Eve Spectacular for the second year. Layered with a variety of carnival attractions including stilt walkers, fire dancers, roving magicians, festive food, live music, and more, the Night Circus NYE Spectacular atmosphere will be alive with lights and sound, and the air will be filled with enticing scents from some of your favorite food trucks. Get the details in this episode of City Update.

Tonight, included in this mix we present a track from fhae,  a Meanjin-based experimental solo project created by Ellena Ramsay, in which they combine ambient acoustic guitar and gut wrenching vocals. fhae's second album is to be released in early 2023 with single 'love you' of which was released in late November 2022 and is featured right at the beginning of this mix as it should. "Layered vocals and melancholic harmonies are employed to devastating effect as they venture through various concepts and delivery methods, as with their “gibberish album” — ehu ofepr which doesn't adhere to any language guidelines."Go show some love….https://open.spotify.com/artist/2VaqLmU0ScwSgFW4JcEi55?si=p-bqGMBETruMO832gDFiiQwww.4000records.com/artists/fhaehttps://www.facebook.com/fourthousand/events

Vancouver's Sunday Morning have just released their latest single with an a-side cover of Art Bergmann's Canadian punk classic Junky Don't Care and a b-side original called Explain the World. Sunday Morning is the brainchild of Vancouver music scene stalwart, Bruce Wilson. Wilson's prolific art and music career took shape in New York and Detroit after his drug and alcohol fueled grunge-punk band “Tankhog” imploded in the late 90's. Junky Don't Care is a tribute to Canadian punk legend Art Bergmann, and an exercise in self-reflection for Wilson, who himself survived the challenges of addiction. “Art's music has been a soundtrack to my life and his poetic lyrics and brilliant vocal delivery are qualities I've always aspired to,” says Wilson. "More than anything this song is a loving tribute to a man who has never stopped being an artist and whose work has influenced me since I was the pink haired teenager writing bad high school poetry in spiral notebooks during math class.” When it came time to make the video they reunited with their frequent collaborator RD Cane; an obvious choice considering he had already directed two of Bergman's best known videos: Bound For Vegas and My Empty House. Born on the Florida panhandle, Bruce Wilson spent his formative years listening to his parents' Velvet Underground and Beatles albums on repeat. Following decades of innumerable moves and fronting many bands from Tallahassee to Vancouver, Bruce Wilson emerged from a heroin induced haze uncertain about his future. After a long period of recovery and spending time in western Massachusetts he returned to Vancouver to cloister himself away for a year in a small room in east Vancouver's Waldorf Hotel. There he started writing what was initially a novel and would end up being Sunday Morning's debut self-titled album released in 2016. A third draft of the novel still sits on his bedside table waiting patiently for another rewrite. The album garnered widespread critical acclaim including being named best Vancouver release by The  Georgia Straight. In 2020 on the cusp of a global pandemic Sunday Morning released their  Consequence Of Love EP described by Canadian Beats as, “Layered and complex, both musically  and lyrically. It is creative and unique, utilizing a wide range of abstract influences like Iggy Pop and David Bowie, but adapting and translating their sounds into something wholly new and  enthralling.”  D I S C O V E R Website: http://www.sundaymorning.band  Twitter: https://twitter.com/comesundaymorn Instagram: https://www.instagram.com/sundaymorningcomes Facebook: https://www.facebook.com/sundaymorningcomes Bandcamp: https://sundaymorning2.bandcamp.com/releases Spotify: https://open.spotify.com/artist/1X7vLeWpjBCVqIs03SWZGu?si=3muP61UTTiKamVnR9t8JlQ Brought to you by AIXdspShop now and get up to 50% off on all plugins.Website: HEREPledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca

Please Help Support Rebunked News By Contributing To The GiveSendGo Today: https://GiveSendGo.com/Rebunked Joining me today is powerhouse investigative journalist, award-winning filmmaker, author, functional medicine consultant Maryam Henein. She is pressing hard towards the release of her epic film showcasing the truth behind the timeline of the George Floyd psy-op. I had the privilege of helping her out with very preliminary work on the documentary and I'm very excited for the final product to come out. Please make sure you follow and support all of Maryam's work here: Instant Bio: https://instabio.cc/BeeLady Film Website: https://www.georgefloyddocumentary.com/ Trailer: https://youtu.be/v5tVleqDSK8 GiveSendGo: https://www.givesendgo.com/MaryamHenein Rokfin: https://rokfin.com/truthliveshere Twitter: https://twitter.com/BeeLady17 **Be Sure To Check Out The Last American Vagabond Substack at https://TLAVagabond.Substack.com Rebunked News is happy to shout out: Autonomy: Gain the high-value skills for lifelong success in just 12 weeks.  Learn more: https://www.universityofreason.com/a/29887/2WU6ALrf Start your Heavy Metal Detox Journey with TruthTRS: https://TruthTRS.com  If you want to follow and support REBUNKED, head over to https://REBUNKED.news, where you will find links to all of our platforms and ways to support the show.  VALUE-FOR-VALUE DONATION: https://Rebunked.news T-SHIRTS: https://Rebunked.news/Shirts PREMIUM CONTENT: https://SubscribeStar.com/Rebunked TELEGRAM: https://t.me/Rebunkednews FLOTE.app: https://flote.app/Rebunkednews GAB: https://gab.com/rebunkednews MASTODON: https://itmslaves.com/@Rebunked INSTAGRAM: https://www.instagram.com/rebunkednews TWITTER: https://twitter.com/rebunkednews Theme Song: Now Arise by Rhymewave: https://linktr.ee/rhymewave

"Star Wars" fans are as varied in their opinions of recent entries into the film & TV portions of the franchise.  But opinion has generally been positive for the recently-completed "Star Wars: Andor" series on Disney+. In this episode, "Star Wars" superfans Andy Farnsworth and KSL-TV's Dan Spindle break down what writer/creator Tony Gilroy did so well, the moments that impacted them most, and break down how this series is as much a reflection of the day in which it was created, as "A New Hope" was of its day back in 1977.See omnystudio.com/listener for privacy information.

https://www.youtube.com/watch?v=ncFy1zRA9HM 28 DAYS LATER Written by Alex Garland CLOSE ON A MONITOR SCREEN: Images of stunning violence. Looped. Soldiers in a foreign war shoot an unarmed civilian at point- blank range; a man is set on by a frenzied crowd wielding clubs and machetes; a woman is necklaced while her killers cheer and howl. Pull back to reveal that we are seeing one of many screens in a bank of monitors, all showing similar images... Then revealing that the monitors are in a... INT. SURGICAL CHAMBER - NIGHT ...surgical chamber. And watching the screens is a... ...chimp, strapped to an operating table, with its skull dissected open, webbed in wires and monitoring devices, muzzled with a transparent guard. Alive. Behind the surgical chamber, through the wide doorframe, we can see a larger laboratory beyond. INT. BRIGHT CORRIDOR - NIGHT A group of black-clad ALF Activists, all wearing balaclavas, move down a corridor. They carry various gear - bag, bolt cutters. As they move, one Activist reaches up to a security camera and sprays it black with an aerosol paint can. INT. LABORATORY - NIGHT The Activists enter the laboratory. CHIEF ACTIVIST Fucking hell... The Chief Activist takes his camera off his shoulder and starts taking photos. The room is huge and long, and darkened except for specific pools of light. Partially illuminated are rows of cages with clear perspex doors. They run down either side of the room. In the cages are chimpanzees. 2. Most are in a state of rabid agitation, banging and clawing against the perspex, baring teeth through foam-flecked mouths. They reach the far end of the lab, where on a huge steel operating table they see the dissected chimp. FEMALE ACTIVIST Oh God... The dissected chimp's eyes flick to the Activists. Blood wells from around the exposed brain tissue. Tears starts to roll down the Female Activist's cheeks. CHIEF ACTIVIST (to Female Activist) Keep your shit together. If we're going to get them out of here... The Finnish Activist is checking the perspex cages. FINNISH ACTIVIST I can pop these, no problem. CHIEF ACTIVIST So get to it. The Finnish Activist raises his crowbar and sticks it around the edge of one of the doors - about to prise it open. At the moment, the doors to the laboratory bang open. The Activists all turn. Standing at the entrance is the Scientist. A pause. The Scientist jumps to a telephone handset on the wall and shouts into the receiver. SCIENTIST Security! We have a break-in! Get to sector... A hand slams down the disconnect button. SCIENTIST ...nine. The Chief Activist plucks the receiver from the Scientist's hands, and then rips the telephone from the wall. A beat. 3. SCIENTIST I know who you are, I know what you think you're doing, but you have to listen to me. You can't release these animals. CHIEF ACTIVIST If you don't want to get hurt, shut your mouth, and don't move a fucking muscle. SCIENTIST (BLURTS) The chimps are infected! The Activists hesitate, exchanging a glance. SCIENTIST (continuing; stumbling, FLUSTERED) These animals are highly contagious. They've been given an inhibitor. CHIEF ACTIVIST Infected with what? SCIENTIST Chemically restricted, locked down to a... a single impulse that... CHIEF ACTIVIST Infected with what? The Scientist hesitates before answering. SCIENTIST Rage. Behind the Activists, the bank of monitors show the faces of the machete-wielding crowd. SCIENTIST (desperately trying to EXPLAIN) In order to cure, you must first understand. Just imagine: to have power over all the things we feel we can't control. Anger, violence... FINNISH ACTIVIST What the fuck is he talking about? 4. CHIEF ACTIVIST We don't have time for this shit! Get the cages open! SCIENTIST No! CHIEF ACTIVIST We're going, you sick bastard, and we're taking your torture victims with us. SCIENTIST NO! You must listen! The animals are contagious! The infection is in their blood and saliva! One bite and... FEMALE ACTIVIST They won't bite me. The Female Activist crouches down to face the wild eyes of the infected chimp behind the perspex. SCIENTIST STOP! You have no idea! The Scientist makes a desperate lunge towards her, but the Chief Activist grabs him. FEMALE ACTIVIST Good boy. You don't want to bite me, do you? The Female Activist gives a final benign smile, then the Finnish Activist pops open the door. SCIENTIST NO! Like a bullet from a gun, the infected chimp leaps out at the Female Activist - and sinks its teeth into her neck. She reels back as the chimp claws and bites with extraordinary viciousness. At the same moment, a deafening alarm begins to sound. FEMALE ACTIVIST (SHRIEKING) Get it off! Get if off! The Finnish Activist rips the ape off and throws it on to the floor. The infected chimp immediately bites into the man's leg. He yells with pain, and tries to kick it off. 5. Behind him, the Female Activist has started to scream. She doubles up, clutching the side of her head. FEMALE ACTIVIST I'm burning! Jesus! Help me! SCIENTIST We have to kill her! FEMALE ACTIVIST I'm burning! I'm burning! CHIEF ACTIVIST What's... SCIENTIST We have to kill her NOW! Meanwhile, the Female Activist's cries have become an unwavering howl of pain - and she is joined by the Finnish Activist, whose hands have also flown to the side of his head, gripping his temples as if trying to keep his skull from exploding. CHIEF ACTIVIST What's wrong with them? The Scientist grabs a desk-lamp base and starts running towards the screaming Female Activist... ...who has ripped off her balaclava - revealing her face - the face of an Infected. She turns to the Scientist. SCIENTIST Oh God. She leaps at him. He screams as they go tumbling to the ground. The Chief Activist watches in immobile horror as she attacks the Scientist with amazing ferocity. INT. CORRIDOR - NIGHT Another ACTIVIST makes his way down the corridor towards the lab. ACTIVIST (HISSES) Terry? Jemma? 6. No answer. ACTIVIST Mika? Where are you? He reaches the door to the lab, which is closed - and... ...as he opens it, we realize the door is also soundproofed. A wall of screaming hits him. He stands in the doorway - stunned by the noise, and then the sight. Blood, death, and his colleagues, all Infected. ACTIVIST Bloody hell. The Infected rush him. FADE TO BLACK. TITLE: 28 DAYS LATER INT. HOSPITAL ROOM - LATE AFTERNOON Close up of Jim, a young man in his twenties, wearing pale green hospital pyjamas. He has a month's beard, is dishevelled, and asleep. We pull back to see that Jim is lying on a hospital bed, in a private room. Connected to his arms are multiple drips, a full row of four or five on each side of his bed. Most of the bags are empty. Jim's eyes open. He looks around with an expression of confusion. Then he sits up. He is weak, but he swings his legs off the bed and stands. The attached drips are pulled with him and clatter to the floor. Jim winces, and pulls the taped needles from his arm. JIM Ow... His voice is hoarse, his mouth dry. Massaging his throat, he walks to the door. 7. INT. COMA WARD - LATE AFTERNOON The door to Jim's hospital room is locked. The key is on the floor. He picks it up and opens the door. Jim exits into a corridor. At the far end, a sign read: COMA WARD. There is no sign of life or movement. Jim walks down the corridor. One of the doors is half-open. From inside, there is the sound of buzzing flies. INT. HOSPITAL WARDS - LATE AFTERNOON Jim moves as quickly as he can through the hospital, still weak, but now driven by adrenaline. All the wards and corridors are deserted. Medical notes and equipment lie strewn over the floors, trolleys are upended, glass partition doors are smashed. In a couple of places, splashes of dried blood arc up the walls. He reaches A&E. On one wall is a row of public pay phones. He lifts a receiver, and the line is dead. He goes down the line, trying them all. In the corner of the A&E reception is a smashed soft-drinks machine, with a few cans collected at the base. Jim grabs one, rips off the ring-pull and downs it in one go. Then he grabs another, and heads for the main doors. EXT. HOSPITAL - LATE AFTERNOON Jim exits and walks out into the bright daylight of the forecourt. The camera begins to pull away from him. JIM Hello? Aside from a quiet rush of wind, there is silence. No traffic, no engines, no movement. Not even birdsong. EXT. LONDON - SUNDOWN Jim walks through the empty city, from St. Thomas's Hospital, over Westminster Bridge, past the Houses of Parliament, down Whitehall, to Trafalgar Square. 8. A bright overhead sun bleaches the streets. A light drifts litter and refuse. Cars lie abandoned, shops looted. Jim is still wearing his hospital pyjamas, and carries a plastic bag full of soft-drink cans. EXT. CENTRAL LONDON ROAD/CHURCH - NIGHT Jim walks. Night has fallen. He needs to find a place to rest... He pauses. Down a narrow side street is a church. He walks towards it. The front doors are open. INT. CHURCH - NIGHT Jim walks inside, moving with the respectful quietness that people adopt when entering a church. The doors ahead to the main chamber are closed. Pushing them, gently trying the handle, it is obvious they are locked. But another open door is to his left. He goes through it. INT. CHURCH - STAIRWELL - NIGHT Jim moves up a stairwell. Written large on the wall is a single line of graffiti: REPENT. THE END IS EXTREMELY FUCKING NIGH INT. CHURCH - GALLERY LEVEL - NIGHT Jim moves into the gallery level, and sees, through the dust and rot, ornate but faded splendor. At the far end, a stained- glass window is illuminated by the moonlight. Jim pads in, stands at the gallery, facing the stained-glass window for a moment before looking down... Beneath are hundreds of dead bodies. Layered over the floor, jammed into the pews, spilling over the altar. The scene of an unimaginable massacre. Jim stands, stunned. Then sees, standing motionless at different positions facing away from him, four people. Their postures and stillness make their status unclear. Jim hesitates before speaking. 9. JIM ...Hello? Immediately, the four heads flick around. Infected. And the next moment, there is the powerful thump of a door at the far end of the gallery. Jim whirls to the source as the Infected below start to move. The door thumps again - another stunningly powerful blow, the noise echoing around the chamber. Confused, fist closing around his bag of soft drinks, Jim steps onto the gallery, facing the door... ...and it smashes open. Revealing an Infected Priest - who locks sight on Jim, and starts to sprint. JIM Father? The Priest is half way across the gallery JIM Father, what are you... And now the moonlight catches the Priest's face. Showing clearly: the eyes. The blood smeared and collected around his nose, ears, and mouth. Darkened and crusted, accumulated over days and weeks. Fresh blood glistening. JIM Jesus! In a movement of pure instinct, Jim swings the bag just as the Priest is about to reach him - and connects squarely with the man's head. JIM Oh, that, was bad, that was bad... I shouldn't have done that... He breaks into a run... INT. CHURCH - STAIRWELL - NIGHT Down the stairwell... 10. INT. CHURCH - NIGHT ...into the front entrance, where the locked door now strains under the blows of the Infected inside. JIM Shit. EXT. CHURCH - NIGHT Jim sprints down the stone steps. As he reaches the bottom the doors are broken open, and the Infected give chase. EXT. CENTRAL LONDON ROAD - NIGHT Jim runs - the Infected have almost reached him. A hand fires up a Zippo lighter, and lights the rag of a Molotov cocktail. As Jim runs, something flies past his head, and the Infected closest to him explodes in a ball of flame. Jim turns, and sees as another Molotov cocktail explodes, engulfing two in the fireball. He whirls, now completely bewildered. WOMAN'S VOICE HERE! Another Molotov cocktail explodes. The Infected stagger from the blaze, on fire. WOMAN'S VOICE OVER HERE! Jim whirls again, and sees, further down the road... ...Selena, a black woman, also in her twenties. She wears a small backpack, a machete is stuck into her belt - and she holds a lit Molotov cocktail in her hand. ...Mark, a tall, good-looking man - throwing another bottle. It smashes on the head of the last Infected, bathing it in flame... The burning Infected bumps blindly into a car. Falls. Gets up again. 11. Blindly, it staggers off the road, into a petrol station - where an abandoned car has run over on the pumps. The ground beneath it suddenly ignites, and the petrol station explodes. EXT. SIDE STREET - NIGHT Selena and Mark lead Jim into a side street. JIM (DAZED) Those people! Who were... who... MARK This way! Move it! Jim allows himself to be hurried along. EXT. SHOP - NIGHT Selena stops outside a newsagent's shop. The shop's door and windows are covered with a metal security grill, but the grill over the door lock has been prised away enough for Selena to slip her hand through to the latch. INT. SHOP - NIGHT Inside, most of the shelves have been emptied of confectionery. Newspapers and magazines litter the floor. The magazine covers of beautiful girls and sports cars have become instant anachronisms. At the back of the shop, a makeshift bed of sheets and sleeping bag is nestled. This has obviously been Selena and Mark's home for the last few days. INT. NEWSAGENT - NIGHT Jim, Mark and Selena enter the newsagent's and pull down the grill. MARK A man walks into a bar with a giraffe. They each get pissed. The giraffe falls over. The man goes to leave and the barman says, you can't leave that lying there. The man says, it's not a lion. It's a giraffe. 12. Silence. Mark pulls off his mask and turns to Selena. MARK He's completely humorless. You two will get along like a house on fire. Selena, who has already taken off her mask, ignores Mark. SELENA Who are you? You've come from a hospital. MARK Are you a doctor? SELENA He's not a doctor. He's a patient. JIM I'm a bicycle courier. I was riding a package from Farringdon to Shaftesbury Avenue. A car cut across me... and then I wake up in hospital, today... I wake up and I'm hallucinating, or... MARK What's your name? JIM Jim. MARK I'm Mark. This is Selena. (BEAT) Okay, Jim. We've got some bad news. Selena starts to tell her story, and as the story unfolds we see the images she describes. SELENA It began as rioting. And right from the beginning, you knew something bad was going on because the rioters were killing people. And then it wasn't on the TV anymore. It was in the street outside. It was coming through your windows. We all guessed it was a virus. An infection. You didn't need a doctor to tell you that. It was the blood. 13. Something in the blood. By the time they tried to evacuate the cities, it was already too late. The infection was everywhere. The army blockades were overrun. And that was when the exodus started. The day before the radio and TV stopped broadcasting there were reports of infection in Paris and New York. We didn't hear anything more after that. JIM Where are your families? MARK They're dead. SELENA Yours will be dead too. JIM No... No! I'm going to find them. They live in Greenwich. I can walk. (heading for the exit) I'm going to... to go and... SELENA You'll go and come back. JIM (pulling at the grill) Yes! I'll go and come back. MARK Rules of survival. Lesson one - you never go anywhere alone, unless you've got no choice. Lesson two - you only move during daylight, unless you've got no choice. We'll take you tomorrow. Then we'll all go and find your dead parents. Okay? EXT. TRAIN TRACKS - DAY Jim, Selena and Mark walk along the Docklands Light Railway in single file. Ahead is a train. Behind the train, as if spilled in its wake, are abandoned bags, suitcases, backpacks. Mark drops pace to let Jim catch up. 14. MARK How's your head? Fucked? No reply. MARK (gesturing at the city) I know where your head is. You're looking at these windows, these millions of windows, and you're thinking - there's no way this many people are dead. It's just too many windows. Mark picks up a handbag from the tracks. MARK The person who owned this bag. Can't be dead. Mark reaches in and starts to pull things out as they walk, discarding the personal possessions. MARK A woman - (car keys) - who drove a Nissan Micra - (teddy) - and had a little teddy bear - (condoms) - and carried protection, just in case. Marks tosses the condoms behind him. MARK (DRY) Believe me, we won't need them anymore than she will. He hands the bag to Jim and walks ahead. Jim pulls out a mobile phone. He switches it on. It reads: SEARCHING FOR NETWORK. The message blinks a couple of times. Then the screen goes blank. Jim looks left. He is now alongside the train. The inside of the windows are smeared with dried blood. Pressed against the glass is the face of a dead man. 15. Jim drops the phone and breaks into a run - running past Mark and Selena. MARK (HISSING) Hey! EXT. GREENWICH COMMON - DAY Jim, Selena and Mark jog across Greenwich Common. Jim gestures towards one of the streets on the far side of the green. JIM (LOW VOICE) Down there. Westlink Street. Second on the left. EXT. WESTLINK STREET - DAY The street is modest red-brick semi-detached houses. They stand outside Number 43. Jim waits while Selena scans the dark facade. SELENA If there's anyone in there who isn't human... JIM I understand. SELENA Anyone. JIM I understand. Selena shoots a glance at Jim. Jim is gazing at the house. MARK Okay. EXT. BACK GARDEN - DAY Jim uses the key under the flowerpot to open the back door. INT. HOUSE - DAY Jim, Selena and Mark move quietly through the kitchen and the downstairs of the house. 16. Surprisingly, everything is neat and tidy. Washed plates are stacked by the sink, newspapers on the table are neatly piled. The headline on the top paper reads simply: CONTAINMENT FAILS. They reach the bottom of the stairs. Selena gestures upwards, and Jim nods. They start to ascend. At the top of the stairs, Selena sniffs the air, and recoils. Jim has noticed it too. His eyes widen in alarm. MARK (WHISPERS) Wait. But Jim pushes past and advances along the top landing, until he reaches a door. By now the smell is so bad that he is having to cover his nose and mouth with the sleeve of one arm. Jim pushes open the door. Inside, two decomposed bodies lie side by side on the bed, intertwined. On the bedside table are an empty bottle of sleeping pills and a bottle of red wine. Mark appears behind him. Jim stares at his parents for a couple of moments, then Mark closes the door. INT. BATHROOM - DAY Jim sits on the toilet, alone. He is crying. In his hand is a piece of paper: "Jim - with endless love, we left you sleeping. Now we're sleeping with you. Don't wake up." The paper crumples in his fist. INT. LIVING ROOM - DAY Jim, Selena and Mark sit in the living room, on the two sofas. Jim looks dazed, uncomprehending. Selena watches Jim, her expression neutral. SELENA They died peacefully. You should be grateful. JIM I'm not grateful. Jim's words hang a moment. Then Mark talks, simply, unemotionally, matter-of-fact throughout. 17. MARK The roads out were all jammed. So we went to Paddington Station. Hoping: maybe we could get to Heathrow, maybe buy our way on a plane. My dad had all this cash, even though cash was already useless, and Mum had her jewellery. But twenty thousand other people had the same idea. (A MOMENT) The crowd was surging, and I lost my grip on my sister's hand. I remember realizing the ground was soft. I looked down, and I was standing on people. Like a carpet, people who had fallen, and... somewhere in the crowd there were infected. It spread fast, no one could run, all you could do was climb. Over more people. So I did that. I got up, somehow, on top of a kiosk. (A MOMENT) Looking down, you couldn't tell which faces were infected and which weren't. With the blood, the screaming, they all looked the same. And I saw my dad. Not my mum or my sister. But I saw my dad. His face. A short silence. MARK Selena's right. You should be grateful. SELENA We don't have time to get back to the shop before dark. We should stay here tonight. Jim nods. He isn't sure what he wants to say. JIM My old room was at the end of the landing. You two take it. I'll sleep down here. SELENA We'll sleep in the same room. It's safer. 18. EXT. LONDON - DAY TO NIGHT The red orb of the sun goes down; the light fades. As night falls, London vanishes into blackness, with no electric light to be seen. Then the moon appears from behind the cloud layer, and the dark city is revealed. INT. HOUSE - NIGHT Jim is on the sofa. In the moonlight, we can see that his eyes are open, wide awake. Selena is curled on the other sofa, and Mark is on the floor - both asleep. The house is silent. Jim watches Selena sleeping for a couple of moments. Then, quietly, he gets off the sofa and pads out of the living room, down the hall to the kitchen. INT. KITCHEN - NIGHT Jim enters, standing just inside the doorway. He looks around the room. On one wall, a faded kid's drawing of a car is framed. Above the counter, on a shelf of cookery books, an album has a handwritten label on the spine: "Mum's Favorite Recipes". Jim walks to the fridge. Stuck to the door is a photo of Jim with his parents, arm in arm, smiling at the camera. Jim is on his mountain bike, wearing his courier bag. FLASH CUT TO: Jim, sitting at the kitchen table as his Mum enters, carrying bags of shopping. Jim walks over to the bags and pulls out a carton of orange juice, which he pulls straight to his mouth and begins to gulp down. His Dad walks in from the garden. JIM'S DAD Give me a glass of that, would you? JIM (draining the carton, and giving it a shake) It's empty. CUT BACK TO: 19. Jim touches the photo, their faces, lightly. Jim is facing away from the back door, which has a large frosted-glass panel. Through the glass panel, unseen by Jim a dark silhouette looms against the diffused glow from the moonlight. Through the kitchen window, a second silhouette appears. Then there is a scratching noise from the back door. Jim freezes. Slowly, he turns his head, and sees the dark shapes behind the door and window. A beat - then the door is abruptly and powerfully smashed in. It flies open, and hangs loosely held by the bottom hinge. Standing in the doorframe is an Infected Man. Jim shouts with alarm as the Man lunges at him - and they both go tumbling to the floor. At the same moment, the figure behind the kitchen window smashes the glass, and an Infected Teenage Girl starts to clamber through the jagged frame. The Man gets on top of Jim, while Jim uses his arms to hold back the ferocious assault. A single strand of saliva flies from the Man's lips, and contacts Jim's cheek. JIM (SCREAMS) Help! Suddenly, Selena is there, holding her machete. The blade flashes down to the back of the Man's neck. Blood gushes. Jim rolls the Infected Man off, just in time to see... ...Mark dispatch the Girl half way through the kitchen window. The Girl is holding Mark, but her legs are caught on the broken glass. Mark jabs upwards into the Girl's torso - she stiffens, then slumps, and as Mark steps back we see he is holding a knife. Jim hyperventilates, staring at the corpse on the kitchen floor. JIM It's Mr. Bridges... Selena turns to Jim. She is hyperventilating too, but there is control and steel in her voice. 20. SELENA Were you bitten? JIM He lives four doors down... Jim turns to the Girl sprawled half way through the window. JIM That's his daughter... SELENA Were you bitten? Jim looks at her. Selena is still holding her machete at the ready. JIM No... No! I wasn't! SELENA Did any of the blood get in your mouth? JIM No! SELENA Mark? Jim turns to Mark. He is standing in the middle of the room. Stepped away from the window. The Girl's blood is on his arm - and he is wiping it away... ...off the skin... where a long scratch cut wells up fresh blood. A moment. Then Mark looks at Selena, as if slightly startled. MARK Wait. But Selena is swiping with her machete. Mark lifts his arm instinctively, defensively, and the blade sinks in. Selena immediately yanks it back. MARK DON'T! Selena swipes again - and the blade catches Mark hard in the side of the head. Mark falls. 21. Jim watches, scrabbling backwards on the floor away from them, as Selena brutally finishes Mark off. Selena looks at Mark's body for a couple of beats, then lowers the blade. She picks up a dishcloth from the sink counter and tosses it to Jim. SELENA Get that cleaned off. Jim picks up the rag and hurriedly starts to wipe the Infected's blood from around his neck. SELENA Do you have any clothes here? JIM (fazed, frightened of her) I... I don't know. I think so. SELENA Then get them. And get dressed. We have to leave, now. With practiced speed, Selena starts to open the kitchen cupboards, selecting packets of biscuits and cans from the shelves, and stuffing them into her backpack. SELENA More infected will be coming. They always do. EXT. HOUSE - NIGHT Jim and Selena exit the front door. Jim has changed out of his hospital gear into jeans and a sweatshirt. He also has a small backpack, and is carrying a baseball bat. EXT. LONDON ROAD - NIGHT Jim and Selena walk: fast, alert. But something is not being said between them... until Jim breaks the silence. JIM (QUIET) How did you know? Selena says nothing. Continues walking. JIM (INSISTENT) How did you know he was infected? 22. SELENA The blood. JIM The blood was everywhere. On me, on you, and... SELENA (CUTTING IN) I didn't know he was infected. Okay? I didn't know. He knew. I could see it in his face. (A MOMENT) You need to understand, if someone gets infected, you've got somewhere between ten and twenty seconds to kill them. They might be your brother or your sister or your oldest friend. It makes no difference Just so as you know, if it happens to you, I'll do it in a heartbeat. A moment. JIM How long had you known him? SELENA Five days. Or six. Does it matter? Jim says nothing. SELENA He was full of plans. Long-distance weapons, so they don't get close. A newsagent's with a metal grill, so you can sleep. Petrol bombs, so the blood doesn't splash. Selena looks at Jim dispassionately. SELENA Got a plan yet, Jim? You want us to find a cure and save the world? Or fall in love and fuck? Selena looks away again. SELENA Plans are pointless. Staying alive is as good as it gets. Silence. 23. They walk. Jim following a few steps behind Selena. A few moments later, Jim lifts a hand, opens his mouth, about to say something - but Selena cuts him off without even looking round. SELENA Shhh. She has seen something... A line of tower blocks some distance away, standing against the night sky. In one of them, hanging in the window of one of the highest stories, colored fairy lights are lit up, blinking gently. INT. TOWER BLOCK - NIGHT Jim and Selena walk through the smashed glass doors of the tower block. It is extremely dark inside. Selena switches on a flashlight and illuminates the entrance hall. It is a mess. The floor is covered in broken glass and dried blood. The lift doors are jammed open, and inside is a dense bundle of rags - perhaps an old corpse, but impossible to tell, because the interior of the lift has been torched. It is black with carbon, and smoke-scarring runs up the outside wall. Selena moves the flashlight to the stairwell. There is a huge tangle of shopping trolleys running up the stairs. Selena gives one of the trolleys an exploratory tug. It shifts, but holds fast, meshed in with its neighbor. Then she puts a foot into one of the grates, and lifts herself up. Shining her light over the top of the tangle, she can see a gap along the top. JIM Let's hope we don't have to get out of here in a hurry. She begins to climb through. INT. TOWER BLOCK - NIGHT Jim and Selena move steadily and quietly up the stairwell, into the building. Reaching a next landing, they check around the corner before proceeding. Through a broken window, we can see that they are already high above most London buildings, and on the wall a sign reads: LEVEL 5. 24. SELENA Need a break? JIM (completely out of breath) No. You? SELENA No. They continue a few steps. JIM I do need a break, by the way. Selena nods. They stop on the stairs. Jim slips off his backpack and sits, pulling a face as he does so... SELENA What's up? JIM Nothing. She gives him a cut-the-crap expression. JIM I've got a headache. SELENA Bad? JIM Pretty bad. SELENA Why didn't you say something before? JIM Because I didn't think you'd give a shit. A moment, where it's unclear how Selena will react to this. Then she slips off her own backpack. SELENA (going through the bag) You've got no fat on you, and all you've had to eat is sugar. So you're crashing. Unfortunately, there isn't a lot we can do about that... 25. Selena starts to produce a wide selection of pills, looted from a chemist. SELENA ...except pump you full painkillers, and give you more sugar to eat. She holds up a bottle of codeine tablets, and passes it to Jim. SELENA As for the sugar: Lilt or Tango? JIM (CHEWING CODEINE) ...Do you have Sprite? SELENA Actually, I did have a can of Sprite, but... Suddenly there is a loud scream, coming from somewhere lower down the building. Jim and Selena both make a grab for their weapons. JIM Jesus! SELENA Quiet. The scream comes again. The noise is chilling, echoing up the empty stairwell. But there is something strange about it. The noise is human, but oddly autistic. It is held for slightly too long, and stops abruptly. SELENA That's an infected. Then, the sound of metal scraping, clattering the blockade. SELENA They're in. INT. SHOPPING TROLLEY BLOCKADE - NIGHT Two Infected, a Young Asian Guy and a Young White Guy, moving with amazing speed over the blockade. 26. INT. STAIRS - NIGHT Jim and Selena sprint up the stairs. Behind them, we can hear the Infected, giving chase, howling. They pass level eight, nine, ten... Jim is exhausted. SELENA Come on! JIM (out of breath, barely able to speak) I can't. Selena continues, and Jim looks over the edge of the stairwell, to the landing below... ...where the two Infected appear, tearing around the corner. INT. STAIRWELL - NIGHT Selena sprints up the stairs... and Jim sprints past her, in an amazing burst of energy and speed. They round another bend in the stairwell... ...then both Jim and Selena scream. Standing directly in front of them is a Man In Riot Cop Gear - helmet with full visor, gloves, a riot shield in one hand, and a length of lead pipe in the other. The Man lunges past both of them, barging past, where the Infected White Man has appeared at the stairwell. The Riot Gear Man swings his lead pipe and connects viciously with the White Man's head. The White Man falls backwards against the Asian Man. Both fall back down the stairs. The Riot Gear Man turns back to Jim and Selena. MAN Down the corridor! Flat 157! Jim and Selena are stunned, but start to run down the corridor. The Asian Man is coming back up the stairs. Jim looks back over his shoulder in time to see the Riot Gear Man deliver a massive blow to the Asian Man's head. 27. INT. CORRIDOR - NIGHT Jim and Selena run towards Flat 157. The door is open, but as they approach, it suddenly slams shut. JIM AND SELENA (hammering on the door) Let us in! GIRL (O.S.) Who is it? SELENA Let us in! The door opens a fraction, on the chain. The face of a girl appears. She is fourteen, pale, solemn-faced. GIRL Where's Dad? Jim looks back down the corridor. At the far end, the Man appears. He is holding the limp body of one of the Infected - and he tips it over the balcony, where it drops down the middle of the stairwell. MAN (CALLS BACK) It's okay, Hannah. Let them inside. The door closes, we hear the chain being slipped off, then it opens again. INT. FLAT - NIGHT Jim and Selena enter past the pale-faced girl. The flat is council, three-bed, sixteenth floor of the block. It has patterned wallpaper, and nice but boring furnishings. It is lit by candles. The entrance hall leads straight to the living room, which has French windows and a small balcony outside. On one wall, a framed photograph hangs, which shows the Man standing beside a black taxi cab. Next to him is a middle aged woman - presumably the Man's wife. Hannah sits at the cab's steering wheel, beaming. Another photo, beside, show Hannah sat in the seat of a go- kart. The Man follows Jim and Selena inside. 28. MAN Come in, come in. They follow the Man through to the living room, and Hannah recloses the front door, which has an impressive arrangement of locks and dead-bolts. INT. FLAT - LIVING ROOM - NIGHT In the living room, the fairy lights hang in the window, powered by a car battery. Lit by their glow, the Man goes through a careful ritual of shedding his gear, helped by Hannah. First, he lays down the riot shield. Then he puts the bloodsmeared lead pipe on a small white towel. Next, he removes his gloves - and places them beside the bar on the towel. Then he folds the towel over the weapon and gloves, and puts it beside the riot shield. Finally he removes the visored helmet. Jim and Selena watch him. They look pretty rattled, not really knowing what to expect. After the Man has finished shedding his gear, he turns. MAN So... I'm Frank, anyway. He extends his hand to Jim and Selena. Jim hesitates very briefly, then shakes it. JIM I'm Jim. SELENA Selena. Frank beams, and suddenly he seems much less frightening and imposing. If anything, he is just as nervous as Jim and Selena. FRANK Jim and Selena. Good to meet you. And this is my daughter, Hannah. (turning to Hannah) ...Come on, sweetheart. Say hello. Hannah takes a step into the room, but says nothing. FRANK So... so this is great. Just great. It calls for a celebration. 29. I'd say. Why don't you all sit down, and... Hannah, what have we got to offer? HANNAH (QUIETLY) We've got Mum's creme de menthe. An awkward beat. FRANK Yes, her creme de menthe. Great. Look, sit, please. Get comfortable. Sit tight while I get it. Frank exits. Selena, Jim and Hannah all stand, until Selena gestures at the sofa. SELENA Shall we? Jim and Selena take the sofa. Hannah stays standing. FRANK (O.S.) Where are the bloody glasses? HANNAH Middle cupboard. FRANK (O.S.) No! The good ones! This is a celebration! HANNAH Top cupboard. Another short, uncomfortable pause. Hannah looks at Jim and Selena from her position near the doorway. Her expression is blank and unreadable. JIM This is your place, then. Hannah nods. JIM It's nice. Hannah nods again. Frank re-enters. Frank is beaming, holding the creme de menthe, and four wine glasses. 30. FRANK There! I know it isn't much but... well, cheers! EXT. TOWER BLOCK - NIGHT The moon shines above the tower block. INT. FLAT - NIGHT Jim, Selena and Hannah all sit in the living room, sipping creme de menthe. Frank is disconnecting the fairy lights as he talks, and pulling the curtains closed, rather systematically checking for cracks along the edges. FRANK Normally we keep the windows covered at night, because the light attracts them. But when we saw your petrol station fire, we knew it had to be survivors... So we hooked up the Christmas tree lights. Like a beacon. Finished with the sofa, he sits on the armchair. SELENA We're grateful. FRANK Well, we're grateful you came. I was starting to really worry. Like I say, we haven't seen any sign of anyone normal for a while now. JIM There aren't any others in the building? Frank shakes his head. SELENA And you haven't seen any people outside? Frank's eyes flick to Hannah. FRANK We haven't left the block for more than two weeks. Stayed right here. Only sensible thing to do. Everyone who went out... 31. SELENA Didn't come back. FRANK And there's two hundred flats here. Most of them have a few cans of food, or cereal, or something. SELENA It's a good set-up. FRANK It isn't bad. He puts a hand on Hannah's shoulder, and gives it a squeeze. FRANK We've got by, haven't we? INT. BATHROOM - NIGHT

This week on the podcast, Christopher is joined by Tamarah Holmes, Director at the Office of Broadband at Virginia Department of Housing and Community Development. Virginia is ahead of the game compared to a lot of the states in terms fo its planning and proactive work with providers to achieve universal access in historically unserved and underserved areas. Tamarah … Continue reading "A Layered Approach to Universal Access in Virginia – Episode 530 of the Community Broadband Bits Podcast"

*TRIGGER/CONTENT WARNING*In this episode, we deal with the triggering topic of domestic violence.Domestic violence is a phenomenon that has plagued the world - African households included. Zimbabwean society seems to normalise domestic violence & abuse. We delve into the chokehold that domestic violence has, unpacking the layers that have maintained this status quo & offering tips on supporting those experiencing abuse and violence. Useful resourcesFor those experiencing or who know someone experiencing domestic violence, please see below our non-exhaustive list of useful resources:1800 Respect (Australia)Acorus (Czech Republic) Beyond Blue (Australia)Bily Kruh Bezpeci (Czech Republic) Bright Sky Vodafone Mobile App (Czech Republic)Childline (Zimbabwe)Domestic Violence Helpline (Czech Republic): 2 5151 1313 via English Radio CZFriendship Bench ZimbabweLegal Resources Foundation ZimbabweLifeline (Australia) Men's Referral Services (Australia)MensLine (Australia) Musasa Project (Zimbabwe)No More (Czech Republic)Padare / Enkundleni / Men's Forum on Gender (Zimbabwe)Profem (Czech Republic)Reach Out (Australia) - Directory of Support ServicesRosa Centrum (Czech Republic) Volunteer Service Overseas | Speak It Loud (Zimbabwe)Women in Law Southern Africa (Zimbabwe)White Ribbon (Australia) - Directory of Support ServicesZimbabwe OCD Trust*Thank you, Kim Harrisberg (@KimHarrisberg) & Expats.cz for the useful resources.Zim Shoutout: Munya ChawawaIG: We'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com

Experian Identity Report with Kathleen Peters, Chief Innovation Officer for Experian Decision Analytics in North America interviewed by David Cogan famous host Heroes Show and founder Eliances entrepreneur community. Kathleen is the lead in the area of innovation and business strategy for her group. She and David discuss using a layered approach to verify identity and more in this episode.  

 It's a first for Link Ahead as Lindsay and Bruce welcome two​ guests who likely know more about the Dublin business community than almost anyone in our city:  Dublin Chamber of Commerce COO Jenny Amorose and City of Dublin Economic Development Director Jennifer Klus.   Both of these women meet with hundreds of businesses week after week to constantly update their needs, wants, victories and challenges.  Broad and layered plans are in place and constantly evolve for Dublin's large corporate partners, our new start-ups and every business in between.   Plus, outreach to the great employees of tomorrow grows exponentially as Dublin middle and high school students are engaged at job fairs and internships right now. All of these efforts coalesce around one unifying goal - for Dublin to maintain its status as one of the best places in Ohio, the nation and the world to do business!

After a break to reconnect with her passions, Christine Middlecamp has returned to scrapbooking with a new business and a mission. In this episode you'll hear how this craft and this community helped her cope with a tragic personal loss and why she's ready to disrupt the industry with her products. Our conversation celebrates the joy of connecting with fellow humans to document our authentic lives with color and creativity. See the full show notes for this episode at simplescrapper.com/syw196. ♥ Love the podcast? Join our creative community today.

In this week's episode Laura is joined by Jackie of Native Soul Farmstead to talk about all things pantry! We discuss the three tiers of a layered pantry; what Jackie's pantry contains, how big it is, and where in her house it is; food preservation methods and equipment; food storage containers & so much more! Jackie gave us so many tips about creating a functional, working kitchen and pantry in this episode!Join us on the Plantsteading instagram account to get a glimpse of Laura's and Jackie's pantries. Connect with Jackie on Instagram here!Thanks for listening to the Plantsteading Podcast! Remember to leave us a review, subscribe to the podcast, and visit us on instagram:The podcastLaura @hippiebillyhomesteadJenn @sunshinefarmlife

“The most powerful weapon in the hands of the oppressor is the mind of the oppressed.” | Steve Bantu BikoColonialism is "the the policy or practice of acquiring full or partial political control over another country, occupying it with settlers, and exploiting it economically." On this episode, we speak very candidly on a topic that is integral to how we grew up and has greatly influenced who we are.From "Lizzy's gone" to erasure of identity, we go THERE! Dissecting how it has impacted our lives and questioning if we would be who we are today had we not been raised in colonised Zimbabwe. We also speak on how colonialism bleeds into the black inferiority complex, identity, colourism, having to prove ourselves in white spaces and being the "right kind of black"!Delve deeper with us and let us know if it's had any effect on you and how you've experienced or witnessed colonialism!Zim Shoutout: TakkundaInstagram: @takkundaTik Tok: @takunda.kWe'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com

Linda Colletta is an abstract artist, who has been creating art in various mediums for over 25 years. At 19-years old, she got her start in New York City as a scenic artist painting backdrops for MTV and VH1. After 16 years in the music television industry, she left to dedicate herself to painting full time.  Her work has been shown nationally at Scope Miami Beach, LA Art Show, Market Art & Design Hamptons, Uprise Art, White Room Gallery, Southport Gallery, Burning Man, The Affordable Art Fair, and The Other Art Fair. Private collections include Google NYC, Justin Bieber, deCordova Museum, Memorial Sloan Kettering, New York Presbyterian, 590 Madison and 277 Fifth NoMad. Linda is self-taught and works from her studio in Bridgeport, CT.   Linda Colletta's supersaturated canvases consume the viewer with intensity. Her frenetic approach to color, paint, and process push the limits of materiality resulting in multilayered compositions that function as emotional portals. Examining themes of compulsion, obsession, and addiction - through a lens of feminism, pop culture, and childhood nostalgia - Colletta's paintings give form to the delicate alchemy of humanity.    Using color as her muse, Colletta explores textures, patterns and layers mimicked both in nature and urban landscapes through a variety of mediums like acrylic, oil sticks, spray paint, pastels, graphite, ink, and canvas scraps. Her chromatic obsession has led to an arresting and palpable palette through a liberal use of neon pastels which lay the foundations of her visual vocabulary. From fluorescent corals to midnight blues to neon limes, the multiple tones often work in tandem, activating one another upon countless picture planes. Fluid brushstrokes unite with organic pools of paint, expressing the dichotomy between the elegance and messiness of being human.    Working across multiple series at once, each collection is the product of fastidious conservation. Colletta harvests her studio for recycled remnants, including dried paint skins and paint water to carefully construct works that are classified by their makeup such as Dropcloths, Pools, Paintskins, or Mash Ups. The disparate elements found in her studio embody a collective energy from previous paintings. When combined, they embody a talisman of inspiration for future work. The inability to discard any left-over materials traces back to Colletta's deeply personal issues with a compulsive overeating disorder that often caused her to covet, hoard, and binge junk food in an impetuous and secretive manner.    That all of her canvases maintain a confectionary aspect is no coincidence. Luscious hues of frosted pinks, shiny magentas, and slick reds recall classic childhood delights like cotton candy, cupcakes and sugar cookies. Her paint skins are easily mistaken for frosting or saltwater taffy. Layered with dark glitter and candy coatings, themes of glee and pain bolster her work, giving paintings like “It's a Cupcake Panic Party”, “Licorice Lace” and “Clandestine Crunch” deeper meaning below the surface as they are emblems of her ongoing recovery process. Whimsical on the outside and gritty on the inside, each work is in direct pursuit of radical honesty and reckless abandon.   LINKS:  www.lindacolletta.com Instagram: @lindacolletta   Sponsors: www.artweb.com - promo: LIKEWORK25 www.tjwalshcoaching.com/placemaking   Artist Shout Outs:  Will Hutnick Catherine Haggarty Galen Cheney   I Like Your Work Links: Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram  

✨ASMR Triggers in today's Podcast:

✨ASMR Triggers in today's Podcast:

"Change is inevitable... why hold onto what you have to let go of?" | Jhene AikoWe're baaaaaaaack!! This year has been monumental for us! We've stepped into new titles and roles which include motherhood and marriage, navigating these and other milestones as black Zimbabwean women in the modern world! Needless to say, IT'S LAYERED! For our 1st episode of Season 4 recorded together in Prague, we catch you up on where we're at in our lives, how we are feeling going into these new chapters, and what you can expect from us this season!We are so excited to be back and grateful for every single one of you who's shown us maaaaaad love from the start! Welcome to Chapter 4 of our podcast - we hope you'll enjoy the ride!Season 4, what's good?!?!?!!!We'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com ...

A. Gavazzoni is the Brazilian author of a trilogy named Hidden Motives (Behind The Door #1, Lara´s Journal #2 and The Brilliant Game #3), and the Where The Road Goes Series: Sketches of Life #1 and just released Life Has Other Plans #2. For her first book Behind The Door A. Gavazzoni won four Gold Medals: The Golden Book Award 2017- Readers Choice; Book Excellence Award 2017; B.R.A.G Medallion 2019 and eLIT Book Awards 2019; one Bronze Medal on Inpedependent Publisher Books Award 2018; two Honorable mentions at Paris Book Festival 2017 and Reader's Favorite Award 2017 and was a finalist to the Independent Author Network 2019, Top Shelf Magazine 2018 and Indie excellence Awards 2019. The second Book, Lara's Journal won a Honorable Mention at Reader's Favorite 2018 and Paris Book Festival 2018; and was a finalist on: Eric Hoffer Award 2019, Top Shelf Magazine 2018, Book Excellence Awards 2018, Independent Author Network; 2018; The IAN Book of The Year 2018 and American Fiction Awards 2019. The Brilliant Game, Hidden Motives' final book, got a gold medal on Book Excellence Awards 2019, received a Honorable Mention at Paris Book Festival 2018 and was a Finalist on Reader's Favorite 2018. Sketches of Life is a Pinnacle Book Achievement Award Winner and Book Excellence Awards 2020, Da Vince Eye and Best Book Awards Finalist. Life Has Other Plans won Pinnacle Book Achievement Award ,and was  Eric Hoffer Award and National Indie Excellence Award´s finalist. A. Gavazzoni has been a lawyer for 31 years, a former professor of law and a writer of novels and legal books, but she is also a voracious reader. She speaks four languages: English, French, Portuguese and Spanish. When she is not practicing law or writing, she enjoys many interests and is a very active person. She loves to dance (Tango) and workout. Adriana loves to travel, loves good wine, and has been studying astrology for twenty years. She paints and loves to cook for her friends. She has two poodles -Juno and Charlotte -and loves all animals. She lives in Brazil and is in the process of writing her next novel. She invites readers to visit her website/blog anytime for updates of upcoming books and events. www.agavazzoni.com and check my blog agavazzoni.com/blog and my twitter account for news @a_gavazzoni ***Head on over to Creatrix Compass and explore our many offerings from free inspiration to get your creative juices flowing to creativity classes to creativity coaching and life coaching for creatives.  It can all be found at: https://www.creatrixcompass.com Your donation helps us continue to spread creativity throughout the land.  Thank you! https://www.paypal.com/donate?hosted_button_id=2PM3V82XDS7GA  Music: Good Friends Inc by Jonathan Boyle 

00:00 Facebook Layered Interest Stacking To Expertly Define Your Audience01:19 Test product: Wine Glasses02:47 We want our audience also uses Amazon04:00 Facebook Interest Layered Stacking04:38 Adding another layer: Engaged Shoppers

Francesca Favarò, Safety Best Practices Lead, Waymo joined Grayson Brulte on The Road to Autonomy Podcast to discuss Waymo's layered approach to safety. The conversation begins with Francesca discussing how Waymo approaches safety for autonomous vehicles. Waymo has an approach that we call a layer approach to safety. – Francesca FavaròWaymo's layered approach to safety is a combination of the architecture layer (hardware), behavior layer (software) and the operations layer. This approach allows Waymo to take a holistic approach to safety that is both robust and redundant. The Waymo Driver as a technology actually allows consistent learning across an entire fleet. The operations layer is where everything starts coming together and we ensure that going from the Waymo Driver to the Waymo service we are in fact deploying a safe product in a scalable fleet. – Francesca FavaròThe layered safety framework started with the realization that no single metric could define safety. The safety framework is the combination of methodologies that basically allows you to make the determination of safety with regards to architecture, behavior and operations. – Francesca FavaròAs Waymo expands into new cities, the safety framework is applied to each and every ODD (Operational Design Domain) where Waymo operates. The company is looking into historical driving data, vulnerable road users data and distracted driving patterns that lead to crashes. Another issue that Waymo studies and plans for from a safety standpoint is fatigued driving.Fatigue can impair judgments, prevent an appropriate mental state and lead to distracted driving. NHTSA estimates that fatigued driving accounts for 20% of highway driving crashes and Harvard Medical School estimates that 24-hours awake which can occur during a sleepless night is akin to a blood alcohol level of 0.1.With fatigue playing an outside role in safety, Waymo developed the Fatigue Risk Management Framework to address the issue of fatigue and how to prevent it when testing autonomous vehicles with autonomous specialists. Francesca goes onto explain in-depth how Waymo is mitigating fatigue risk while the autonomous vehicles are being tested with autonomous specialists.In the local communities where Waymo is testing autonomous vehicles, the Fatigue Risk Management Framework with law enforcement, local officials and first responders so they can truly understand the role that autonomous specialists play while monitoring the autonomous vehicles.This approach ties directly into Waymo's culture of safety and transparency.Safety does not happen overnight. You have to be intentional in creating the appropriate safety culture. – Francesca FavaròWaymo is focused on developing an SAE Level 4 system as the continuous monitoring of the automated driving system can be subject to complacency coupled with an altered state of attention that can hinder the safety of the overall operation. Wrapping up the conversation, Francesca shares her insights on how she sees the Waymo Driver evolving over the coming years.Follow The Road To Autonomy on Apple PodcastsFollow The Road To Autonomy on LinkedInFollow The Road To Autonomy on TwitterRecorded on Friday, October 7, 2022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What do you get when two friends of over 20 years, who live on opposite ends of the globe, start a podcast where no topic is off limits? Welcome to 'It's Layered'!Join Amanda and Rumbi, two Zimbabwean ladies living in Australia and the Czech Republic respectively. They'll be delving deeper into life, love and everything under the sun; debunking some cultural myths and challenging some of society's status quo.Delve deeper with them coz in life... 'zvine  malayers'!We'd love to hear from you! Facebook: It's Layered Podcast Instagram: @itslayered Twitter: @itslayeredpod TikTok: @itslayered Email: itslayeredpod@gmail.com ...

Today on WASTOIDS With, we talk with punk lifer and deep music head Keith Morris. Across the last four decades, he has fronted foundational hardcore bands like Black Flag, Circle Jerks, and more recently, OFF! That latter group just released a free-jazz/spazz punk epic called Free LSD on Fat Possum Records. Layered in fury and noise, it finds Morris and his musical foil Dimitri Coates joined by new members from And You Will Know Us By the Trail of Dead and Thundercat's band.  It's an unexpected and daring record—which is being expanded out with a movie of the same name expected in 2023. Morris joined WASTOIDS correspondent Tim Neilson to discuss shaking up the formula with the new album, his interest in prog rock and jazz, and as an unexpected bonus, he narrates a flip through of a massive stack of recently purchased records. OFF! is kicking off a nationwide tour Monday, October 24 at Valley Bar in Phoenix, AZ. Head over to WASTOIDS for a full list of tour dates. Wanna share your favorite Keith Morris project with us? Give us a ring: 1-877-WASTOIDS. 

Layered Money: From Gold and Dollars to Bitcoin and Central Bank Digital Currencies by Nik Bhatia is one of the most popular books in the world of bitcoin. But it's much more than that. The first half of the book is a history of monetary systems. This sets the stage for a dive into the world of bitcoin, including what makes it special and how it differs from the currencies that preceded it. Finally, Layered Money takes the reader through current developments in the Bitcoin world and how central banks will likely respond to it with their own digital currencies. We are pleased to be joined by the author of Layered Money, Nik Bhatia. Show Notes Layered Money: From Gold and Dollars to Bitcoin and Central Bank Digital Currencies by Nik Bhatia via Amazon The Bitcoin Layer Nik Bhatia on Twitter Follow us on Twitter @BusinessBooksCo and join our Amazon book club. Edited by Giacomo Guatteri Find out more at http://businessbooksandco.com

Today we talked about how to prevent respiratory diseases and improve lung health. As the year winds down we have a few less guests on and I'm going to take the reins and talk about some topics I've been meaning on talking about for some time. Lung cancer is rising and it's due to environmental pollution which I mention during the show. Lung health is critical for your longevity. Lung infections and conditions like asthma, COPD and more are on the rise. Here's a small list of some lung conditions and see if you know of anybody in your life that has ever had these...bronchitis, emphysema, pulmonary fibrosis and interstitial lung disease. My mom who was the reason I got into natural and alternative health asked me the other day if there were some things I could recommend to help improve her oxygen levels in her lungs. She had lung cancer about 10 years ago and they removed 2 lobes of her lung and before that she was a smoker and had non hodgkin's lymphoma back in 1995. When she would smoke in the 80's she would cough a lot and all kinds of respiratory issues with her lungs. Now we don't even need to smoke, we're getting fine particulate matter just by breathing polluted air. So how do we fix our lungs? How do cleanse and detoxify the chemicals and toxins that our stuck in the fine air sacs (alveoli) of our lungs? Is it possible to reverse lung disease? I say yes! First we need to stop breathing chemicals and I share how to do that in our show. Indoor air pollution is real and it's a real problem today. I share some statistics in today's show about lung health that will really make you think. If you know of anybody that is currently dealing with lung issues, problems breathing you might want to point them to this episode. I hope it helps you! Thanks for listening and sharing! Justin, Kate, Charlee and Coco Puff One Last Thing! As always your support via your donations and bookmarking our Amazon link to use each time you purchase is how we keep our show going. Thank you for bookmarking our Amazon link even if you're not buying anything right now! :) Sponsor For This Episode: Private Member Site The Truth About Vaccines BARF World Relax FAR Infrared Sauna Links For This Episode: How to quit smoking Personal Air Purifier Green leafy juices Lung cleanse Nebulizing silver, garlic Scalar Silver Omron Nebulizer Recall Healing Buteyko breathing Wim Hof Oxygen Concentrators - Exercise With Oxygen Dr. Dan Engels contact info - Portable Hyperbaric Oxygen Chambers Hyperbaric Oxygen Chamber Bellicon Rebounder Air purifier IMRS PEMF 2000 Healing Mat Rife Machine If you want a RIFE Machine contact Dr. Kevin Connors & tell him we sent you! Breath Slim GB4000 Machine Advanced Biophoton Analyzer High Altitude Training Mask List of Indoor Plants Featured Products For This Episode: Magnetico Sleep Pad The Scalar Energy Rest Shield Ozone Webinars Qigong Course Surthrival.com Sacred Seed Oils Organifi Green Juice Powder Extrema Non Toxic Cookware Bellicon Rebounders The Biomat Please Support Us If You Are Able: (Opens in a new window - Every bit helps us to keep delivering even better shows that help you heal & thrive!)   Radio Show Transcript: [spp-transcript]

Join the online meetings on Telegram Group  https://t.me/pureexp 00:00:00 1 - Why is knowledge necessary? 00:10:00 2 - What is the biggest cause of ignorance? 00:16:55 3 - Which truth is more important - relative or absolute? 00:18:04 4 - Experiencer is not an object, but nothing is an object. True or false? 00:21:55 5 - If you are the Experiencer, are other people lifeless puppets? 00:23:17 6 - Which Experience is unchanging and why? 00:23:20 7 - Why is illusion not random? If it has laws, it should be called reality not illusion? 00:33:42 8 - Layered structure is universal, so why are there differences among people, animals etc? 00:40:00 9 - How to remove the unwanted states? 00:40:15 10 - Existence is continuously evolving towards a better Existence. True or false? 00:42:20 11 - What is Indra's net? 00:45:39 12 - Who created everything? 00:51:14 13 - Is waking state frozen state? 00:54:04 14 - Whom should be blame for our situation? 00:57:10 15 - Is Ishwar an instrument for surrender? 00:58:28 16 - How to disidentify with sensations or desires? 00:59:55 17 - Is guru also a concept? 01:00:00 18 - What is the importance of stories in spirituality? 01:05:00 19 - What is your experience with your guru? 01:08:36 20 - What are the signs of freedom? 01:10:34 21 - How to become empty?

Crime Classics, originally broadcast October 14, 1953, The Seven Layered Arsenic Cake of Madame Lafarge. A murderous wife or a scheming mother? Also Jack Armstrong the All American Boy, originally broadcast October 14, 1940, Blackbeard becomes an ally. The stowaway is revealed as Blackbeard who talks himself into passage to the Philippines!Visit my web page - http://www.classicradio.streamWe receive no revenue from YouTube. If you enjoy our shows, listen via the links on our web page or if you're so inclined, Buy me a coffee! https://www.buymeacoffee.com/wyattcoxelAHeard on almost 100 radio stations from coast to coast. Classic Radio Theater features great radio programs that warmed the hearts of millions for the better part of the 20th century. Host Wyatt Cox brings the best of radio classics back to life with both the passion of a long-time (as in more than half a century) fan and the heart of a forty-year newsman. But more than just “playing the hits”, Wyatt supplements the first hour of each day's show with historical information on the day and date in history including audio that takes you back to World War II, Korea, and Vietnam. FDR, Eisenhower, JFK, Reagan, Carter, Nixon, LBJ. It's a true slice of life from not just radio's past, but America's past.Wyatt produces 21 hours a week of freshly minted Classic Radio Theater presentations each week, and each day's broadcast is timely and entertaining!

James and Shaun discuss the hot topic of concussions and the new layer of protocols that landed on teams Saturday.Shaun takes around the league looking at some teams that will be without some key players such as Baker and of course the head coach just got fired.Roger is all for a European division? Please like, share and rate the podcast, and make sure to check out the rest of our content on atpsports.net

Wide silent sky. Still warm air. Having followed a country footpath across miles of open farmland you reach a stony bank and, like a natural magic trick, it leads you down onto a deserted, shingle beach, animated with its own soft crashing waves. Nobody's about. Really, nobody. It's a stretch of beach between Rye Harbour and Winchelsea that's somehow, perhaps for you, kept itself perfectly deserted. It's the sort of place you've been longing for. Now all you need is time.  You find yourself scanning the horizon. Surely somebody must be about on this warm October Sunday. Layered shingle berms stretch out to the left. Pristine water out ahead. A heavily laden timbered groyne to the right, bearing all the weight of the longshore drift. There is really no one here. Except for a distant calling seabird.   Scrunching forward, and a few yards from the wetted shoreline, you find a patch of shingle, fold your coat, and sit down to listen to the waves. They're so close, and yet so soft. So full and detailed, as they curl, and fold, and crash onto the beach. Soft crashing. And soft sifting textures, of shifting shingle. You wonder about time. If it's been five minutes, or ten. But your hands are resting now, feeling the cool stones. There really is no need to check. No need to move. 

Seth and Aradia return from their break, on the eve of SpoilerCon2022, to cover a chapter that lives in infamy both in-world and in the fandom. Layered through some truly beautiful writing are some things that make us raise our eyebrows, and we conclude that the only good explanation is that this chapter had to do a lot to get past the censors. It is such a wanna-be romance chapter that we even end up on a whole tangent about the romance genre! See links below. Kit Rocha website: https://www.kitrocha.com Bree's Twitter account: https://twitter.com/mostlybree KJ Charles https://kjcharleswriter.com/free-reads/ Get ad-free episodes through our Patreon: https://www.patreon.com/wotspoilers Listen to this podcast on Spreaker/iHeart Radio: https://www.spreaker.com/show/wot-spoilers-podcastEmail us: wotspoilers@gmail.com Youtube: https://www.youtube.com/c/WheelOfTimeSpoilersPodcast Twitter: https://twitter.com/wotspoilers Instagram: https://www.instagram.com/wot_spoilers/ Facebook: https://www.facebook.com/WOTSpoilers/Podcast artwork: Leah DavisTheme music: Thread of Clouds - Blue Dot Sessions https://bluedotsessions.bandcamp.com/track/thread-of-clouds

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Welcome to Rurikhan & Gaijin Hunter's 3rd Fleet Podcast where we talk about all things Monster Hunter as well as variety of other topics occasionally. Check us out on Youtube: https://youtube.com/rurikhan https://youtube.com/gaijinhunter Join our Discords: https://discord.gg/gaijinhunter https://discord.gg/0lZ8FdxvIzBGUqpm

Hello sweetie :) This week's bonus video is a combination of two deep ear whispered videos that when layered together create DOUBLE TROUBLE for an ULTIMATE ear melting experience. Enjoy :D #ASMR #GentleWhispering #relax 4/30/20 --- Send in a voice message: https://anchor.fm/maria-gentlewhispering/message Support this podcast: https://anchor.fm/maria-gentlewhispering/support

Ready for another way to be the Exhibit (A)ttorney of your law firm? Today Jordan is chatting with Stacey Brown Randall, from Growth By Referrals.

Hello Hello xxThis episode is Longggg, Loaded, and Layered. Mercury is in haterade and we break down who is really at fault for all the influencers at NYFW. The truth about Armie Hammer, and lots of dating advice.If you liked this weeks episode please share, & leave a 5star rating!Follow the Pod IG For Updates - https://www.instagram.com/mybigsisterspodcast/Follow my personal accounts on Tiktok, Twitter, and IG @tinakosnikHere is an updated link tree of all the ways to reach me , Shop my stores,& to follow me on other platforms - https://linktr.ee/tinakosnikFor all business Inquiries please email PR@TinaKosnik.com

Fun plans this weekend: a horror convention and a ride on flying Ford Focus LOL! Has Bethenny Frankel been shadow banned on social media after posting a critique of a Kardashian makeup line?

Hello, dear friend, today I'd like to gently cleanse your skin and prepare it for your spring makeup (next video). Thank you for being here! :) ♥ 00:00 Spring vibes 01:01 Taking a closer look at your complexion 04:27 Setting up needed products 05:05 Cleansing wipes on your gentle skin 08:00 Foamy cleanser 09:14 Towel dabbing 10:00 Toner on a cotton pad to balance your skin 12:50 Silver serum for hydrate your skin 16:27 Pearl brightening oil for a luminous glow, massaging it all around ♥ #ASMR #GentleWhispering --- Support this podcast: https://anchor.fm/maria-gentlewhispering/support

Visit us at shapedbydog.com     The way we dog train is different, and there are four elements that are vital to everything we do. It starts with confidence for people and their dogs and layers to grow a relationship of trust. There are many ways to use reinforcement in dog training, and our focus is on layered shaping, which might be a new concept for many people.   In the episode you'll hear:   • That the vast majority of people start wanting to know how to stop their dogs from doing things. • Why our first step is creating a positive conditioned emotional response for dogs, so they feel good. • That behaviour does not happen in an unemotional vacuum, and we want good emotions. • How we want to minimize, and ideally eliminate, a conflict between people and their dogs. • Why to use the things your dog loves in your training. • That our dogs have a fun life, but we want to be aware of where they earn reinforcement. • The reason to know what food, toys and activities your dog loves. • How we want to begin with our dogs doing simple things. • About using games that change our dog's physiology so they can be in their zone of genius. • That once we've established value for our dogs, we want to transfer that value. • Why our dogs want to do what we want because we empower them with choice. • How we use classical conditioning first, so the bond between dogs and people is one of trust.   Resources:   1. Podcast Episode 170: 5 Popular Ways To Train Your Dog With Food - https://dogsthat.com/podcast/170/ 2. YouTube Playlist: Reactive or Aggressive Dogs: Key Insights with Susan Garret - https://youtube.com/playlist?list=PLphRRSxcMHy0Tbd6ZybIXgJk3mtpBLLk7 3. Podcast Episode 130: Conditioned Responses: The Magic Every New Puppy (And Dog) Owner Must Know About - https://dogsthat.com/podcast/130/ 4.*Book: Tiny Habits: The Small Changes That Change Everything by BJ Fogg - https://geni.us/book-tiny-habits 5. Home School the Dog Online Program - https://dogsthat.com/hstd-joinnow/ 6. *Book: Connection Training: The Heart and Science of Positive Horse Training by Hannah Weston and Rachel Bedingfield - https://geni.us/connection-training 7. Podcast Episode 11: The Power of Permission in Dog Training - https://dogsthat.com/podcast/11/ 8. Podcast Episode 90: Premack, Dog Training and Transfer of Value - https://dogsthat.com/podcast/90/ 9. Podcast Episode 44: Using Coincidences and Positive Associations in Dog Training - https://dogsthat.com/podcast/44/ 10. Podcast Episode 151: How Location Specific Reinforcement Markers Will Improve Your Dog Training! - https://dogsthat.com/podcast/151/ 11. Learn the ItsYerChoice Game (IYC) - https://recallers.com/iycsummit-join/ 12. YouTube Video: Understanding Your Dog's Reinforcement Zone (RZ) with Susan Garrett - https://youtu.be/OaUAScgaFAg 13. Podcast Episode 86: How to Train Unmotivated or Overexcited Dogs (Arousal Curve) - https://dogsthat.com/podcast/86/ 14. Podcast Episode 107: Pedicure Please: 3 Steps To Dog Nail Trimming Or Grooming Success At Home! - https://dogsthat.com/podcast/107/ 15. Watch this Episode of Shaped by Dog on YouTube - https://youtu.be/VYzJsErAXhs   *Amazon Links Disclosure: As an Amazon Associate I earn from qualifying purchases. Susan only recommends products she uses herself, and all opinions expressed here are her own. The link above is an affiliate link that, at no additional cost to you, we may earn a small commission if you decide to buy from it. Thank you!

Michelle and Ramon Gabrieloff-Parish make up Once and Future Green, consulting, facilitating, and providing education for community groups, governments, universities and philanthropies working on climate and environmental justice. As partners (married since 2000) and individuals , Michelle and Ramon both bring creative, communal approaches deeply rooted in spirit and ancestral traditions. In this episode, Michelle and Ramon talk with me about the lineages they come from and the visions they have for their work and the world. I get their insight as storytellers, mystics and astrologers into our current moment and the potentials we can find in times of breakdown and crisis. Michelle and Ramon will be offering a guest workshop with Embodied Astrology on August 21: Aligning the Layered Self: Ancestral Inheritance and Leadership. Find more information and register here Michelle Gabrieloff-Parish is an ethnofuturist mama and ecotopian dreamer preoccupied with ancestors, art, environmental justice and Earth (re)becoming a paradise. Seeking eco-cultural regeneration, and illuminating connections between sustainability and social justice, nature and art, Michelle brings over 20 years of experience in environmental justice. She's a student and teacher of permaculture and ecological design. She is a former US State Department BoldFood fellow (Uganda) and served as a US delegate for the Colorado River in San Luis del Rio Colorado, Mexico. Michelle facilitates and consults for frontline communities, philanthropies and governments to forward community-driven planning and solutions with transformative anti-oppression and ecological design tools through the OnceAndFutureGreen.com . She is a poet, currently featured at Meow Wolf Denver, a wife, and mother of three. Ramon Gabrieloff-Parish is a life long star gazer, Afrofuturist philosopher, practicing astrologer, social artist and creative ceremonalist. His current project is to utilize the many outer planetary alignments of the 2020's as catalysts for imaginal, collaborative and institutional transformation. In his day job as a chair of Naropa University's Interdisciplinary Studies department he focuses in the intersections of equity and sustainability through courses on food and environmental justice. He also teaches foundations in contemplative learning and theory, emboidment, social identity, and conflict transformation. Ramon is committed to community, cultural and cosmic regeneration, through his consulting work with Once and Future Green and with organizations like Golden Bridge, Youth Passageways and recently as board chair of Frontline Farming . . . . Find more information on becoming a member of the Embodied Astrology workshop and community spaces here GET THE 2022 YEAR-AHEAD READINGS FOR YOUR SUN/RISING SIGN LEARN HOW TO READ CHARTS with my online class series, Your Chart is a Body - an introduction to embodied chart reading where you'll learn to identify, interpret, and synthesize the three main components of an astrology chart: signs, planets, aspects, and houses all through an embodied, somatic lens. Do you love this work? Share it with your friends and family :) Leave a tip! --- Send in a voice message: https://anchor.fm/embodied-astrology/message Support this podcast: https://anchor.fm/embodied-astrology/support