Podcast appearances and mentions of eric khoo

durée : 00:16:11 - L'invité de 7h50 - par : Sonia Devillers - À 7h50, Catherine Deneuve est l'invitée de Sonia Devillers. Elle est à l'affiche de “Yōkai, le monde des esprits” réalisé par Eric Khoo, en salle le 26 février 2025. - invités : Catherine Deneuve - Catherine Deneuve : Actrice française

durée : 00:16:11 - L'invité de 7h50 - par : Sonia Devillers - À 7h50, Catherine Deneuve est l'invitée de Sonia Devillers. Elle est à l'affiche de “Yōkai, le monde des esprits” réalisé par Eric Khoo, en salle le 26 février 2025. - invités : Catherine Deneuve - Catherine Deneuve : Actrice française

Today's episode is about Yoshihiro Tatsumi. The man who coined the term "Gekiga" and deliberately chose to make a new type of sequential art. One that explores the darkness and hardship of an adult, working class world. Thus continuing our season where we cover manga about being a manga artist. skip summary @ 5:14 084: A Drifting Life By Yoshiro Tatsumi Translation by Adrian Tomine Yoshihiro Tatsumi was born 1935 and lived to the age of 79, having died of cancer on a Saturday in March 2015, Tatsumi started doing 4 panel cartoons before doing more long form works with Hinomaru Bunko of the Shadow Magazine. In 1956 a studio was formed and named the Manga Camp, this would become the base of operations for Shadow and mangaka specialising in the genre of Gekiga, or Komaga as one of his peers called it, what they were working towards wasn't clear yet, but Shadow magazine made Manga for adults with emphasis on gritty drama inspired by hardboiled detective novels, film noir and the films of the French new wave. Gekiga would truly find its purpose in 1959 when Tatsumi made stories for the Magazines City and Skyscraper alongside his group known as the Gekiga workshop. Whom together created a Gekiga manifesto. By the early 60's even Garo magazine, whom Tatsumi turned down due to lack of pay would become successful with its own Gekiga artists such as Sanpei Shirato. This proved that there was a need for long form storytelling, aimed at adults during a time when America's occupation of Japanese land was being challenged. And at the same time an economic boom was in full bloom. Tatsumi's last Japanese published works was ‘Fallen Words' a collection of Rakugo shorts, a sort of comedic folk tales known for ending on a punch line but done in the manga medium. This was followed by his award-winning manga memoirs in 2009 which will be the topic of our episode. According to the American publishing house Drawn and Quarterly, it is unclear if his memoirs, ‘A drifting Life', was ever finished but in the edition that we've read there was a final epilogue chapter that ends with the funeral of Osamu Tezuka. Sadly, there is no mention of his marriage in his memoirs. If Tezuka is seen as the god of Manga, then Tatsumi is undoubtedly the one who helped Manga mature, scholars now recognise Tatsumi's influence more so than ever now that we live in a world where adults need manga. And in a roundabout way Tatsumi did inspire Tezuka. Topics:   Risk of defamation is the reason why the names are changed in the manga. The word used for defamation in Japanese literally translates to “Damaged Honour”, with one's honour and reputation holding an incredible amount of significance in Japanese culture. AX manga was James' first introduction to Tatsumi's work. Itself a book of alternative manga, and AX is a predecessor to Garo Magazine.   Tatsumi shines a light on the business tensions of making manga. Specifically knowing when to jump ship of a failing company. You can't work for everyone and like the old saying when it rains it pours; Or you wait a long time for one bus then three come at once. This can happen. It's wise to keep your cards close to your chest when you go out drinking with the boss, being sure not to let them know all your plans regarding the future. What stops ‘A Drifting Life' from being an entertaining read is that sensational titles and chapters rarely have a sense of tension, Tatsumi fails to convey the challenges of making manga during the 50's, oddly it makes sense that his most prolific work came out at the time that would make for boring memoirs. Because he would have met least resistance. Since the transition between magazine to Tankobon started there was a lucrative business that involved renting manga books that occurred in the late 1950's   Still Life Classes are incredibly valuable to manga artists, but as James mentioned, action figures are also good too, recommending the brands Max Factory and Figma. More so because of the control one has over poses and lighting, however there is limits to using this as a learning instrument.   The environment that Gekiga was made in is important to consider, especially when you realise that in the west, Frederic Wertham's ‘Seduction of the Innocence' grew in popularity. Note that Wertham himself was not a bad guy, He treated black kids in 1946, a time of racial segregation, opening the Lafargue Clinic within Harlem, Manhattan. After leaving the Gekiga workshop Tatsumi wrote a 120-page long form story in 20 days. The manga was Black Blizzard. Cartoonist kayfabe has an interesting video about it. A 2011 Film adaptation directed by Eric Khoo, simply called ‘Tatsumi' uses ‘A Drifting Life' as a connective frame so to tell an anthology of Tatsumi stories. The writer to ‘The Boys' is Garth Ennis, who has been very clear on his thoughts towards fantasy writing and the superhero genre. His contemporaries, Warren Ellis and Grant Morrison have their own opinions on the superhero genre also. Although their stories are very much fantasy and have subject matter about superheroes, their tonally dark stories and further exploration of more adult themes is antithetical to what we see in most manga aimed at young boys. Facebook Instagram Twitter Official Website

In our last episode of the season, Michael talks with Kale Fajardo, Associate Professor of American Studies and Asian American Studies at the University of Minnesota (Twin Cities), about his research on queer river-and-seafaring Filipino figures in contemporary Philippine cinema. A few of Kale Fajardo's publications: Filipino Crosscurrents (link) Queering and Transing the Great Lakes:Filipino/a Tomboy Masculinities and Manhoods Across Waters (link) "Decolonizing Manila-Men and St. Maló, Louisiana: A Queer Postcolonial Asian American Critique" in Filipino Studies: Palimpsests of Nation and Diaspora (link) Research & lecture summary: 01:40 Advice for researchers & recommendations: 30:20 Kale Fajardo's Movie Recommendations: Days by Tsai-Ming Liang (link) Ramen Teh by Eric Khoo (link)

On our Saturday Mornings, award-winning author Neil Humphreys speaks to Nicole Midori Woodford, Director, Folklore S2: The Excursion & Eric Khoo, Showrunner, Folklore S2: The Excursion about HBO Asia's season 2 of the Original Horror Anthology Series Folklore and what makes the folklore within the Asia region so appealing.  See omnystudio.com/listener for privacy information.

A conversation with Huang Junxiang , producer and director of various multimedia films. ____________________________ Huang Junxiang enjoys a good comedy and is grateful to be able to pursue a career in filmmaking. His short film, Give Yourself a Chance, was awarded at the Very Short International Festival 2012. His second, I Will Die screened at Singapore International Film Festival 2014. His most recent effort is Piece of Meat (2019), co-directed with Jerrold Chong, which enjoyed its premiere at the Directors' Fortnight in Cannes and subsequently travelled to Annecy and Busan. Together with Jerrold, they co-directed this year's NDP music video, "The Road Ahead". He has also served as the multimedia producer for SEA Games 2015, NDP 2016, and the Singapore Bicentennial 2019. As a producer at Eric Khoo's Zhao Wei Films, he has produced a number of feature films including In The Room (Toronto 2016), Apprentice (Un Certain Regard 2016), Ramen Teh (Berlin Culinary Cinema 2018), Buffalo Boys (Fantasia Film Festival 2018) and Tiong Bahru Social Club (Busan International Film Festival 2020). He has also served as producer for both HBO Asia anthology series Folklore (2018) and Food Lore (2019) which has travelled to festivals including Toronto, Sitges and Fantastic Fest.

Comme prévu, voici la seconde partie du top du trio Gravlax – Papa(Gubi)da – Casa pour les films de la décennie 2010. Ici, on traite des films de la position 5 à la position 1. Les différents tops seront postés sur le compte Twitter du podcast. Comme pour l’épisode précédent, nous vous mettons juste les fiches Allociné pour ne pas vous divulgâcher le classement. Bonne écoute ! Et n’hésitez pas à nous faire parvenir vos classements sur les différents réseaux du podcast ;) Au passage, on se dit à bientôt puisque cet épisode marque la fin de la saison 2 de « Tu L’As Vu ? ». Merci pour votre fidélité ! ;) Top Gubi : Film 5 :https://www.allocine.fr/film/fichefilm_gen_cfilm=233871.html Film 4 :https://www.allocine.fr/film/fichefilm_gen_cfilm=230699.html Films 3 :https://www.allocine.fr/film/fichefilm_gen_cfilm=181716.htmlhttps://www.allocine.fr/film/fichefilm_gen_cfilm=206986.htmlhttps://www.allocine.fr/film/fichefilm_gen_cfilm=226244.html Film 2 :https://www.allocine.fr/film/fichefilm_gen_cfilm=245241.html Film 1 :https://www.allocine.fr/film/fichefilm_gen_cfilm=229490.html Top Gravlax : Film 5 :https://www.allocine.fr/film/fichefilm_gen_cfilm=196589.htmlhttps://www.allocine.fr/film/fichefilm_gen_cfilm=205295.html Film 4 :https://www.allocine.fr/film/fichefilm_gen_cfilm=248039.html Film 3 :https://www.allocine.fr/film/fichefilm_gen_cfilm=223754.html Film 2 :https://www.allocine.fr/film/fichefilm_gen_cfilm=136370.html Film 1 :https://www.allocine.fr/film/fichefilm_gen_cfilm=257569.html Top Casa : Film 4 :https://www.allocine.fr/film/fichefilm_gen_cfilm=229831.html Film 3 :https://www.allocine.fr/film/fichefilm_gen_cfilm=240850.html Film 2 :https://www.allocine.fr/film/fichefilm_gen_cfilm=266551.html Film 1 :https://www.allocine.fr/film/fichefilm_gen_cfilm=201777.html Films évoqués durant l’épisode : « The Current War » d’Alfonso Gomez-Rejon ( 2017 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=207197.html « Le Bon Apôtre » de Gareth Evans ( 2018 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=251473.html « Her » de Spike Jonze ( 2014 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=206799.html « Le Loup de Wall Street » de Martin Scorcese ( 2013 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=127524.html « Le Goût des Merveilles » d’Éric Besnard ( 2015 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=231744.html Court-métrage « Avant que de tout perdre » de Xavier Legrand ( 2012 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=216353.html « Le Diable tout le temps » d’Antonio Campos ( 2020 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=262861.html « Aguirre, ou la colère de Dieu » de Werner Herzog ( 1972 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=87601.html - « Fitzcarraldo » de Werner Herzog ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1537.html « Gone Girl » de David Fincher ( 2014 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=217882.html « Meurtres à la Saint-Valentin » de Patrick Lussier ( 2009 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=135211.html « Guy and Madeline on a park bench » de Damien Chazelle ( 2009 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=177019.html « Hôtel Singapura » d’Eric Khoo ( 2016 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=236098.html « Les Délices de Tokyo » de Naomi Kawaze ( 2015 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=235589.html « Mademoiselle » de Park Chan-Wook ( 2016 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=231299.html Musique diffusée durant l’épisode : Générique « Loud Pop » ( Gravlax ) Brian Eno : « Dead Finks Don’t Talk » / « Golden Hours » / « I’ll Come Running » / « Zawinul Lava » Mike Shinoda & Joseph Trapanese « The Arrival » / « We Have Company » Joseph Trapanese, Aria Prayogi & Fajar Yuskemal « Prakoso » / « Club Battle » / « Reog » Alan Silvestri « RPU Main Title » / « The OASIS » / « Wade’s Broadcast » Christophe Julien « Albert Swing » / « L’arnaque et la poste » / « Les Photos » Debbie Wiseman « Bucket of the Detective » Ennio Morricone « Suspicion » Hans Zimmer « The Mole » / « Impulse » Hans Zimmer, Benjamin Wallfisch & Lorne Balfe « Dunkirk End Titles » Michael Giacchino « Paradise Found » / « The Ecstasy of the Bold » / « Apes Together Strong » / « The Posse Polonaise » / « A Tide in the Affairs of Apes » Christopher Spelman « City of Gold » / « The First Goodbye » / « The Hunt » / « Homecoming » Max Richter « Never Goodbye » / « Rosalee Theme » / « The First Scalp » Sex Bob-Omb « We Are Sex Bob-Omb » / « Garbage Truck » / « Threshold » / « Summertime » Beck « Ramona » Justin Hurwitz « Epilogue » Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe « Someone in the Crowd » Yeong-wook Jo « The Tree from Mount Fuji » / « Old Scars & Fresh Pink Wounds » / « You Are My Baby Miss » / « Each Night in Bed I Think of Her Assets » / « She’s Beautiful, Quite The Charmer » / « Spellbindingly Beautiful » / « Rope and Mustache » / « Feels Just Fine » / « Wedding » Bronco Kovacs « Kitsch Cassette Head » Laws Savannah « Beachouse (Instrumental) » Bradley Sanchez « Incident (Instrumental) » Balmfort Bradley « In Motion (Instrumental) » Whittaker Gilbey « New Soul Sensation (Instrumental) » Allagnat Ballon « Private Jet ( Main Track ) » Traack Franke « Lay It On ( Main Track ) » Bonus : « Scott Pilgrim Vs The Water Crisis » :https://youtu.be/DKqKLnsmoK4 Chaîne YouTube « TLV Podcast » :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter du podcast : https://twitter.com/TLVPodcast Page Facebook du podcast : https://www.facebook.com/M.Gravlax Page du podcast : https://tu-las-vu.lepodcast.fr/ Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Glenn van Zutphen and award-winning author Neil Humphreys are joined by Award-Winning Singaporean Film Director Eric Khoo as he shares his thoughts on where the Singapore film industry is today and how OTT streaming platforms like Netflix could save independent film-makers. See omnystudio.com/policies/listener for privacy information.

Les nuages de sable et de sang dans « Mad Max : Fury Road », les désacralisantes vannes des Avengers, les bluffants David O. Russell et Damien Chazelle, Dolan la comète, Lupita Nyong’o l’extraordinaire, les néons multicolores et surcôtés de « Drive », les fous rires made in Judor, l’inoubliable Bong Joon-Ho, les « Quelques minutes après minuit » pleines de grâce, le goût de réchauffé des derniers Star Wars, les trémolos dans la voix en regradant « Roma »… Au crépuscule des années 2010, le temps est venu de faire le bilan.Pour tourner dignement la page de cette décennie, NoCiné vous propose un palmarès en huit catégories : le meilleur film des années 2010, le pire de la décennie, la révélation, l’oeuvre la plus surcôtée, le plus gros fou rire, le film qui incarne le mieux ces années, le moment le plus émouvant et la meilleure mort de la décennie.Animé par Thomas Rozec avec David Honnorat, Perrine Quenesson, Daniel Andreyev, Rafik Djoumi, Julien Dupuy et Stéphane Moïssaikis.Après cinq années de bons et loyaux services, NoCiné va faire une pause. N’hésitez pas à nous écrire à nocine@binge.audio pour nous faire part de ce que vous avez aimé dans le podcast.RÉFÉRENCES CITÉES DANS L’ÉMISSIONHappy Feet 2 (George Miller, Gary Eck, 2011), Mad Max : Fury Road (George Miller, 2015), La grande bellezza (Paolo Sorrentino, 2013), Un jour dans la vie de Billy Lynn (Ang Lee, 2016), The Tree of Life (Terrence Malick, 2011), La saveur des ramen (Eric Khoo, 2018), La piel que habito (Pedro Almodovar, 2011), Zack Snyder, The Last Face (Sean Penn, 2017), Avengers (Joss Whedon, 2012), Interstellar (Christopher Nolan, 2014), Ben-Hur (Timour Bekmambetov, 2016), David O. Russell, Damien Chazelle, Kate McKinnon, Xavier Dolan, Saoirse Ronan, Juan Antonio Bayona, Kantemir Balagov, Adam Driver, Michael B. Jordan, Lupita Nyong’o, Jordan Peele, David Robert Mitchell, Birdman (Alejandro González Iñárritu, 2015), Black Swan (Darren Aronofsky, 2011), Joker (Todd Philipps, 2019), Drive (Nicolas Winding Refn, 2011), Blade Runner 2049 (Denis Villeneuve, 2017), Vice-versa (Pete Docter, 2015), Problemos (Eric Judor, 2017), Gods of Egypt (Alex Proyas, 2016), Grimsby : Agent trop spécial (Louis Leterrier, 2016), Grimsby – Agent Trop Spécial (NoCiné, Binge Audio, 2016), Les Nouvelles Aventures d’Aladin (Arthur Benzaquen, 2015), Les Visiteurs : La Révolution (NoCiné, Binge Audio, 2016), The Social Network (David Fincher, 2010), Ready Player One (Steven Spielberg, 2018), Star Wars, épisode VII : Le Réveil de la Force (J. J. Abrams, 2015), Cloud Atlas (Lana Wachowski, Tom Tykwer, Lilly Wachowski, 2012), Le Territoire des loups (Joe Carnahan, 2012), Roma, l’éducation au regard (NoCiné, Binge Audio, 2018), Alien Crystal Palace (Arielle Dombasle, 2018), Gravity (Alfonso Cuarón, 2013), Hérédité (Ari Aster, 2018), Pacific Rim (Guillermo del Toro, 2013), Once Upon a Time… in Hollywood (Quentin Tarantino, 2019), Logan (James Mangold, 2017)CRÉDITSNoCiné est un podcast de Binge Audio animé par Thomas Rozec. Cet épisode a été enregistré le 19 décembre 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Prise de son : Solène Moulin. Réalisation : Mathieu Thévenon. Générique : Corentin Kerdraon. Chargées de production : Juliette Livartowski et Fatima Bahhou (stagiaire). Chargée d’édition : Diane Jean. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

“You are never too old to pursue your dreams” At 62 years young, Beatrice Chien started a new career as a freelance actress. Since then the lively 78 year old retiree has acted multiple roles on stage, television and featured films, including a supporting role as the matriarch Ling Cheh in a Hollywood film Crazy Rich Asians. She shares with us how she stays active for her age and why she wishes local writers will write meatier and more interesting roles for the older generation   About Beatrice Chia Beatrice Chien is a freelance actress, who has acted for the stage, television and movies. After her retirement from nursing, she decided to pursue her passion and started acting at the age of 62. She starred in feature film " Breakfast  Lunch & Dinner" by Karen Cai and has supporting roles in HBO’s  "Serangoon Road" and movies such as Ramen Teh by Eric Khoo and “Crazy Rich Asian" by Jon Chu   Listen to the full episode on iTunes: https://podcasts.apple.com/us/podcast/freelance-creative-exchange/id1401167998 Spotify: https://open.spotify.com/show/6gYc5ECrUgd1TNbVSWGw5w Google Podcasts: https://podcasts.google.com/?feed=aHR0cDovL2ZyZWVsYW5jZWV4Y2hhbmdlLmxpYnN5bi5jb20vcnNz&ep=5&at=1558090806636   - THE FREELANCE CREATIVE EXCHANGE -  The Freelance Creative Exchange is our first ever podcast about freelancing by freelancers.  Every 2 weeks, we catch up with professionals over coffee at the PIXEL Studio and share stories about freelancing or anything in and around the topic.  Hosted by CreativesAtWork co-founders Fanny and Jayce, you will find candid conversations with the creative professionals about freelancing and the gig economy in Singapore & beyond.    FOLLOW US - Facebook: https://www.facebook.com/creativesatworkasia/- Instagram: https://www.instagram.com/freelancecreativeexchange - Website: https://creativesatwork.asia/fce/  Have some questions, or want to be a guest on Freelance Creative Exchange podcast?  Reach out to us at contact@creativesatwork.asia

Passée une première frayeur vint le soulagement : non, ce film n’est pas un spin-off asiatique de « Qu’est ce qu’on a fait au Bon Dieu ? ». Porté par le tandem François et Bruno, incarnés respectivement par Frédéric Chau et Média Sadoun, « Made in China » parle bien avec tendresse et justesse de la diaspora chinoise, notamment à Paris, notamment dans le 13e arrondissement qui est particulièrement bien mis en valeur. Mais malgré de belles intentions, le film ne décolle jamais et souffre d’un manque d’écriture. Pauvre d’un point de vue cinématographique, mais intéressant du point de vue didactique et efficace dans sa déconstruction des clichés et fantasmes, «Made in China » a le mérite d’exister. Animé par Daniel Andreyev avec Perrine Quenneson et François Oulac. LES RECOSLA RECO DE PERRINE : quitte à pousser jusqu’à l’absurde le personnage benêt de Medi Sadoun, autant signer pour Hubert Bonissuer de La Bath dans « OSS 117 » de michel Hazanavicius (2006).LA RECO DE FRANÇOIS : un groupe de rap, « Higher Brothers », surnommés les Migos chinois.LA RECO DE DANIEL : pour un retour aux origines familiales par le biais de la cuisine, le très beau « La saveur des ramen » d’Eric Khoo (2018).CRÉDITSMDR est un podcast de We Love Cinema proposé par Goom (Go on media). Directeur des contenus : Omar Erraïs. Cet épisode a été enregistré le 28 juin 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Quentin Bresson. Chargée d’édition : Camille Regache. Chargée de production : Juliette Livartowski. Générique : Corentin Kerdraon. Production déléguée : Binge Audio. Direction de production : Joël Ronez. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

This Freelancer Life talks to Jasmine Ng Kin Kia, a filmmaker who tells stories across different media. She’s worked in film, television, theatre, and site-specific installations. Her credit list includes Moveable Feast, Eating Air, SHIRKERS, Lonely Planet Six Degrees, FUTURE FEED, Our Town, In The Silence of Your Heart). She edited Eric Khoo’s 12 Storeys (Cannes-Un Certain Regard), co-directed and produced Moveable Feast (Clermont-Ferrand, Museum of Modern Art-New York), and co-directed Eating Air with Kelvin Tong. (Rotterdam IFF VPRO Tigers Competition, FIPRESCI Special Critics Mention, SFC Young Cinema Award). She also has many broadcast-commissioned hours under her belt, having directed narrative-factual programmes for Discovery Channel, National Geographic, and others. She's also passionate about giving back to the industry and is the first president of the Singapore Association of Motion Picture Professionals (https://sampp.org.sg) 

Bericht von den Filmfestspielen in Cannes zu den Filmen „Melancholia“ von Lars von Trier, „The Artist“ von Michel Hazanavicius und „Tatsumi“ von Eric Khoo, sowie Premierenbilder von Doutzen Kroes.

Bericht von den Filmfestspielen in Cannes zu den Filmen „Melancholia“ von Lars von Trier, „The Artist“ von Michel Hazanavicius und „Tatsumi“ von Eric Khoo, sowie Premierenbilder von Doutzen Kroes.