Podcast appearances and mentions of Tom Tykwer

Tonight on Triple Feature, Mark Radulich and Mac Kettner embark on a cinematic journey through the bold, genre-bending filmography of the Wachowski Sisters, tracing their artistic evolution from the noir-tight thriller Bound (1996), through the ambitious, time-hopping epic Cloud Atlas (2012), to the sprawling, space-operatic chaos of Jupiter Ascending (2015).We begin with Bound, their directorial debut—a lean, tightly constructed neo-noir starring Gina Gershon and Jennifer Tilly. While remembered today for its stylized depiction of a lesbian relationship and its feminist reversal of genre tropes, the film also laid the groundwork for the Wachowskis' signature style: sharp visual framing, subversive gender politics, and a meticulous blend of genre tradition and rebellion. Critics at the time praised its confidence and tension, and it's since become a cult classic, often cited for how it queered the crime genre with both sensuality and grit.Fast forward to Cloud Atlas, a deeply ambitious adaptation of David Mitchell's novel. Co-directed with Tom Tykwer, the film features a sprawling ensemble cast—Tom Hanks, Halle Berry, Hugh Grant, Jim Broadbent, Doona Bae—playing multiple interconnected roles across six timelines. Aesthetic maximalism meets spiritual recursion here: past lives, future consequences, and the collapse of individual identity into something larger. The film was divisive, praised for its ambition but criticized for its complex structure and controversial use of makeup. Still, in retrospect, Cloud Atlas is regarded as a turning point—a declaration that the Wachowskis were more interested in ideas than in simple spectacle.Finally, we crash into Jupiter Ascending—a wildly uneven, endlessly fascinating space opera starring Mila Kunis and Channing Tatum. The film throws genetic royalty, flying rollerblades, Eddie Redmayne whisper-shouting, and bureaucratic intergalactic dynasties into a blender. It's messy, no doubt. But it's also unmistakably Wachowskian: rich with metaphor, post-capitalist critique, and gendered power struggles wrapped in ridiculous sci-fi fantasy. It was largely panned upon release, but like much of their work, Jupiter Ascending has developed a loyal fanbase who see past the surface chaos to the emotional and thematic sincerity underneath.Through these three films, we trace the Wachowski Sisters' cinematic transformation: from intimate noir storytellers to high-concept philosophers to unapologetically maximalist dreamers. No matter the box office or Rotten Tomatoes score, their work consistently pushes boundaries—of genre, identity, and cinematic form itself.So buckle in. We're talking legacy, aesthetics, ideas, and all the gloriously weird stuff in between.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Heute vor 60 Jahren wurde der deutsche Filmregisseur Tom Tykwer geboren, der sich mit einer Reihe ungewöhnlicher Filmprojekte auch international einen Namen machte.

"What is an ocean but a multitude of drops?" For Episode 355, Brandon and David discuss the polarizing sci-fi epic CLOUD ATLAS for their Hyperlink series. Listen as they discuss the difficulties of adapting the popular novel, how Tom Hanks became one of the film's biggest supporters, how the production team devised a unique shooting plan, and how the film has grown in popularity over the years.  Also, don't forget to join our Patreon for more exclusive content: Opening - The Ring and Horror Movies -  (00:00:10) Recap of the Hyperlink Genre (00:04:26) Intro to Cloud Atlas (00:8:03) How Cloud Atlas Got to Production (00:15:49) Favorite Scenes (00:33:13) On Set Life - (01:07:06) Aftermath: Release and Legacy (01:13:27) What Worked and What Didn't (01:21:28) Film Facts (01:25:24) Awards (01:26:49) Final Questions on the Movie (01:30:42) Wrapping Up the Episode (01:36:37) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Es ist ein Film über uns, über das Jetzt, darüber das es kein richtiges Leben im falschen geben kann. Jobs, die auf die eine oder andere Art keinen Sinn machen, die Suche nach Nähe, die Angst vor der Nähe, die Erkenntnis, dass fair gehandelte Schokolade nicht darüber hinweg trösten kann, dass wir reich sind, weil andere arm sind, nicht davon ablenken kann, dass wir so viele Privilegien haben, dass wir es selbst nicht mehr merken. Aber das ist nur eine von vielen Ebenen dieses Films. DAS LICHT gibt uns so lange Farbsteine, bis wir Stück für Stück ein Muster darin erkennen können.Tykwer mischt dabei mit bewundernswerter Sorglosigkeit einen Berliner Arthouse-Film mit Hollywoodreifen Szenen, lässt die Menschen auf der Straße tanzen und vor dem Licht einer Frau halluzinieren, die aus Syrien zu uns geflohen ist. Tragödie, Komödie, Familiendrama, magischer Realismus, ich wette, Tom Tykwer ist es völlig gleich, in welche Schublade sein Film gesteckt wird. Es ist großes Kino, das steht fest (auch großes Schauspielerkino), das mit wenig Klischees und ganz ohne moralisch erhobenen Zeigefinger daherkommt. Direkt nach dem Kino waren wir sehr begeistert und mussten erst einmal die Bilder und die Gefühle sortieren – am Mikrofon: Anke, Katharina, Marc, Hendrik und Thomas.

Im neuen Drama „Das Licht“ von Tom Tykwer steht eine linksliberale Familie unter Druck. Mittendrin im sozialen, politischen und inneren Chaos: Nicolette Krebitz als überforderte Mutter. Im Gespräch mit Pia Reiser und Christian Fuchs erzählt die deutsche Schauspielerin und Regisseurin von den Dreharbeiten, schwierigen Unterwasserszenen und Utopien im Hier und Jetzt. Aber auch von ihrer Vergangenheit in der Berliner Szene, Erinnerungen an das Wien der 90er und persönlichen Lieblingsfilmen. Als Bonus zur Online-Version gibt es ein Interview mit dem männlichen Hauptdarsteller Lars Eidinger über „Das Licht“ und seinen Zugang zur Rolle. Sendungshinweis: FM4 Film Podcast, 24.03.2025, 0 Uhr.

In Folge #118 erwartet euch eine Mischtüte: Nicht nur diskutieren Léo & Kenan die großen Themen der neuen Netflix-Hype-Serie "Adolescenes", sondern touren erneut durch die Kinos und bringen gleich drei Neustarts mit. Einmal das Sozialdrama "The Last Showgirl" mit Pamela Anderson, gefolgt von der Action-Komödie "Mr. No Pain" mit The Boys-Star Jack Quaid. Und zu guter letzt: Disneys neuester Live-Action-Streich mit Rachel Segler als "Schneewittchen". Viele Informationen, wenig Zeit. Auf geht's und habt eine gute Zeit bei Bleibende Schäden!

Nach langer Podcast-Baby-Pause hatten wir mit Tom Tykwer einen wirklich bekannten Filmemacher zu Gast, dessen neuer Film "Das Licht" gerade in allen Kinos zu sehen ist. Tom hat ua. "Das Parfum", "Lola Rennt", "Cloud Atlas" oder "Babylon Berlin" kreiert, und sich als vielschichtiger, ungewöhnlicher Geschichtenerzähler international einen Namen gemacht.  Wer ist dieser Tom Tykwer? Wie kam er zum Filme machen? Was ist ihm an seiner Arbeit wichtig? Welche gesellschaftliche Haltungen hat er, und wie wirkt sich das auf seine Sets aus? Wie spielt Spiritualität in seine Arbeit hinein? Mit großer Dankbarkeit veröffentlichen wir eine Folge, die so vielschichtig wie Toms Filme wurde. Danke auch an Doris Hochrieser für die Vermittlung. Schaut euch "Das Licht" an, und erzählt uns von euren Gedanken und Emotionen!

Für ihre Arbeit wurde unser heutiger Gast vielfach ausgezeichnet, hier mal eine Auswahl: Telestar, Grimme-Preis (nicht nur einmal), Goldene Schallplatte, Bayerischer Filmpreis (nicht nur einmal), Goldene Kamera, Preis der dt. Filmkritik, Kunstpreis Berlin und auch den Sonderpreis beim Fernsehfilmpreis. Das ist ja allerhand. Nun ist die 1972 in West-Berlin geborene Nicolette Krebitz allerdings auch breit aufgestellt, als Schauspielerin, Regisseurin, Musikerin, Sprecherin und Drehbuchautorin. Durch Filme wie "Bandits" wurde sie für eine ganze Generation zur Projektionsfläche. Das ist dem Schauspielberuf zueigen, es hat Vor- und Nachteile, aber wie wird man das Bild, das andere von dir haben, bitte wieder los? Indem man sich immer wieder und immer weiter verändert. Das zumindest wäre eine Erklärung dafür, warum sich Nicolette Krebitz nie auszuruhen scheint. Aus dem Tanz ins Schauspiel, aus dem Schauspiel in die Regie, vom Bekannten hin zum Neuen. Vier sogenannte Longplayer hat sie als Regisseurin bislang vorgelegt, aktuell spielt sie neben Lars Eidinger eine Hauptrolle im Eröffnungsfilm der diesjährigen Berlinale unter der Regie von Tom Tykwer. Playlist: Kid Frost - La Raza Fleedwood Mac - Landslide Tylor the Creator - See you again Prince - I wanna be your Lover Jimi Hendrix - Up from the Skies Laurie Anderson & Jean Michel Jarre - Rely on me# Aaliyah - One in a Million Patti Jo - Make me believe in you Carpenters - Close to you Michael Jackson - We're almost there Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Für ihre Arbeit wurde unser heutiger Gast vielfach ausgezeichnet, hier mal eine Auswahl: Telestar, Grimme-Preis (nicht nur einmal), Goldene Schallplatte, Bayerischer Filmpreis (nicht nur einmal), Goldene Kamera, Preis der dt. Filmkritik, Kunstpreis Berlin und auch den Sonderpreis beim Fernsehfilmpreis. Das ist ja allerhand. Nun ist die 1972 in West-Berlin geborene Nicolette Krebitz allerdings auch breit aufgestellt, als Schauspielerin, Regisseurin, Musikerin, Sprecherin und Drehbuchautorin. Durch Filme wie "Bandits" wurde sie für eine ganze Generation zur Projektionsfläche. Das ist dem Schauspielberuf zueigen, es hat Vor- und Nachteile, aber wie wird man das Bild, das andere von dir haben, bitte wieder los? Indem man sich immer wieder und immer weiter verändert. Das zumindest wäre eine Erklärung dafür, warum sich Nicolette Krebitz nie auszuruhen scheint. Aus dem Tanz ins Schauspiel, aus dem Schauspiel in die Regie, vom Bekannten hin zum Neuen. Vier sogenannte Longplayer hat sie als Regisseurin bislang vorgelegt, aktuell spielt sie neben Lars Eidinger eine Hauptrolle im Eröffnungsfilm der diesjährigen Berlinale unter der Regie von Tom Tykwer. Playlist: Kid Frost - La Raza Fleedwood Mac - Landslide Tylor the Creator - See you again Prince - I wanna be your Lover Jimi Hendrix - Up from the Skies Laurie Anderson & Jean Michel Jarre - Rely on me# Aaliyah - One in a Million Patti Jo - Make me believe in you Carpenters - Close to you Michael Jackson - We're almost there Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Das Licht | Tom Tykwers Eso-Mary-Poppins Fast zehn Jahre lang hat sich Regisseur Tom Tykwer verstärkt der Produktion erfolgreicher Serien gewidmet. Doch am 20. März kehrt er mit „Das Licht“ endlich auf die Kinoleinwand zurück. Im Mittelpunkt des Films steht eine Berliner Familie, gespielt unter anderem von Nicolette Krebitz und Lars Eidinger, die mit vielfältigen Herausforderungen kämpft. Unterstützung erhält sie von der neuen Haushälterin Farrah, die selbst eine schwere Last der Trauer mit sich trägt. Lida und Stu hatten bereits Gelegenheit, das Drama zu sehen – und erklären, warum „Das Licht“ leider nicht das ersehnte große Kino-Comeback für Tom Tykwer ist. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

In unserer Reihe „Deutsches Kino ist [doch] geil!“ stellen wir euch jeden Monat einen Film vor, der uns ganz besonders begeistert oder inspiriert hat. Im März ist das „Das Licht“ von Tom Tykwer. Nachdem der „Lola rennt“-Macher zuletzt jahrelang mit „Babylon Berlin“ beschäftigt war, kehrt er nun auf die große Leinwand zurück – und das mit einem Knall! Wir haben den Filmemacher in unser Podcast-Studio eingeladen, um ein sehr ausführliches Gespräch über den außergewöhnlichen Film und seine Bedeutung für unsere Zeit zu sprechen. Abonniert den kostenlosen FILMSTARTS-Newsletter: https://newsletters.filmstarts.de/was-gibts-neues-zu-schauen_c301 Music from: https://filmmusic.io “Easy Jam” (https://filmmusic.io/song/3694-easy-jam) by Kevin MacLeod (https://incompetech.com) “Take a Chance” (https://filmmusic.io/song/4457-take-a-chance) by Kevin MacLeod (https://incompetech.com) License: CC BY (https://filmmusic.io/standard-license)

Tykwer, Tom www.deutschlandfunkkultur.de, Vollbild

Mit "Das Licht" hat Tom Tykwer die Berlinale eröffnet. Raoul Mörchen spricht mit dem in Wuppertal geborenen Regisseur zum Kinostart über dysfunktionale Familien und seine verregnete Heimatstadt. Von Susanne Finken.

Im politischen Berlin ist zur Zeit nichts zu holen. Es werden wieder einmal Phrasen gedroschen, personalparteipolitisch gedealt, es müffelt und mieft und so richtig viel Begeisterung scheinen auch die Beteiligten nicht für sich zu spüren.Aber zum Glück besteht die Welt nicht nur aus Politikern, sondern auch aus Menschen, die uns anregen, statt aufregen. Die unseren Geist beflügeln, unseren Intellekt stimulieren, statt zu beleidigen. Berlin hat nicht nur Parteipolitiker zu bieten, sondern auch Künstler und Kulturschaffende.In diesem Achten Tag spricht Alev Doğan mit zwei herausragenden Künstlern: Lars Eidinger und Tom Tykwer. Ein Gespräch über das Filmemachen und Schauspielern, über Realitätsflucht und Sinnsuche, über Nietzsche und Brecht – und irgendwie auch über Sein und Nichtsein. Celebrating democracy - Freuen Sie sich auf einen Abend Infotainment und Live-Journalismus mit Erkenntnisgewinn - Tickets und Infos finden Sie hier. ID:{7hGcpMExTmTg2znkXfEkJr}

Netherlands-based director Aaron Rookus explores themes of self-acceptance, mortality, and the quest for fulfillment through the lens of filmmaking ahead of his Rotterdam Film Festival premiere of “Idyllic”. Past inspirations include Tom Tykwer's “Run Lola Run” and the films of Charlie Kaufman.Aaron speaks on the impact of personal experiences, such as illness and loss, on creative expression and the importance of humor in addressing serious topics. The conversation also delves into the dynamics of character development in ensemble storytelling, the role of script editors in shaping narratives, and the evolution of film consumption in the digital age. The conversation also reflects on the pervasive issue of loneliness in modern society, exploring themes of urban indifference, the struggle for connection in contemporary life, and the search for meaning amidst life's challenges.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

The Light is Tom Tykwer's comeback to narrating pur present day after a decade spent with Babylon Berlin The post “The Light”, interview with director Tom Tykwer appeared first on Fred Film Radio.

The Light is Tom Tykwer's comeback to narrating pur present day after a decade spent with Babylon Berlin The post “The Light”, interview with director Tom Tykwer appeared first on Fred Film Radio.

The Light is Tom Tykwer's comeback to narrating pur present day after a decade spent with Babylon Berlin The post “The Light”, interview with director Tom Tykwer appeared first on Fred Film Radio.

The Light is Tom Tykwer's comeback to narrating pur present day after a decade spent with Babylon Berlin The post “The Light”, interview with director Tom Tykwer appeared first on Fred Film Radio.

The Light is Tom Tykwer's comeback to narrating pur present day after a decade spent with Babylon Berlin The post “The Light”, interview with director Tom Tykwer appeared first on Fred Film Radio.

The Light is Tom Tykwer's comeback to narrating pur present day after a decade spent with Babylon Berlin The post “The Light”, interview with director Tom Tykwer appeared first on Fred Film Radio.

“Um ato de resistência contra todas as ideias perversas": o Festival Internacional de Cinema de Berlim, a Berlinale, abriu suas portas na quinta-feira (13), tendo como pano de fundo o aumento do extremismo de extrema direita na Europa e em todo o mundo, dez dias antes das eleições gerais alemãs. O cinema brasileiro dobra sua participação nesta 75ª edição da Berlinale, marcando presença em quase todas as seções do festival. O longa "Último Azul", de Gabriel Mascaro, disputa o Urso de Ouro. A diretora da Berlinale, Tricia Tuttle, deu o tom na coletiva de imprensa do júri na quinta-feira (13): “um festival como este é uma rejeição (...) de todas as ideias difundidas por muitos partidos de extrema direita”. A Berlinale é o primeiro grande evento da indústria cinematográfica internacional de 2025. “Estamos passando por uma crise particular nos Estados Unidos, mas também em todo o mundo”, disse o presidente do júri, o norte-americano Todd Haynes, diretor de ‘Dark Waters', ‘I'm not there' e ‘Carol', ao lado de Tricia Tuttle. Após a “preocupação e o espanto” causados pelas três primeiras semanas do governo Trump, “como vamos fazer para reunir as diferentes formas de resistência (...) ainda está sendo considerado”, disse ele.Na noite de abertura, o Urso de Ouro honorário foi concedido a Tilda Swinton, estrela do cinema de autor que trabalhou com nomes como Wes Anderson e Pedro Almodóvar, além de Brad Pitt, Tom Cruise e Keanu Reeves.Os membros do júri começarão a trabalhar nesta sexta-feira (14), com a exibição dos primeiros filmes que concorrem ao Urso de Ouro, entre eles o "Último Azul", dirigido por Gabriel Mascaro, único brasileiro na competição principal do festival alemão em 2025.Festa do cinema brasileiroDoze filmes brasileiros marcam presença na programação oficial desta edição da Berlinale, um marco da retomada do cinema nacional em vitrines e premiações de todo o planeta.Esta edição do festival abriu suas portas com a exibição do filme "The Light", dirigido por Tom Tykwer, mesmo diretor do já clássico “Corra, Lola, Corra”. A cerimônia de abertura aconteceu no Palacio da Berlinale, na Potsdamer Platz, no centro de Berlim.O festival alemão conta este ano com a presença de diversas personalidades do cinema, incluindo Timothée Chalamet e Robert Pattinson. Mas o cinema brasileiro também mostra sua força no festival alemão em 2025. Para Eduardo Valente, delegado da Berlinale para o Brasil, é uma demonstração da "saúde criativa" do audiovisual brasileiro, que esta presente em quase todas as categorias da Berlinale esse ano."Acho que a seleção brasileira desse ano é muito interessante, exatamente porque de uma forma de outra, ela atravessa transversalmente muitos formatos e tem perfis bem diferentes", diz. "Então, eu acho que, de uma maneira ou de outra, isso sinaliza uma maturidade, uma saúde criativa do cinema e do audiovisual brasileiro", sublinha Valente.O diretor e programador reflete sobre a diversidade da participação brasileira no festival. "Você vai desde a competição oficial, que, claro, é a principal janela do festival, mas você passa pela Fórum Expanded, contando também com a participação de filmes antigos no caso de Iracema, e filmes atuais, que são a maioria, curtas, longas, inclusive uma série dentro da mostra Generation, que é só tem três filmes na programação", destaca. Alguns diretores brasileiros já são velhos conhecidos do festival. "Existem diretores iniciantes na programação e muitos diretores já com relações com a Berlinale, uma coisa importante de se falar", considera. "A Caru [Alves de Souza] já esteve antes, a Rafaela Camelo também, a Anna Muylaert, o Gabriel Mascaro, em suma, muitos realizadores brasileiros estão voltando à Berlinale esse ano", diz. Para Eduardo Valente, a seleção é um sinal claro da amplitude e da continuidade do cinema brasileiro. "Essa presença abrangente é algo que poucos países conseguem dentro da seleção geral do festival, estando representados em praticamente todas as seções, com longas, curtas e séries. Além disso, há uma delegação considerável no Berlinale Talents, que é um programa importante para novos profissionais do cinema, e um projeto brasileiro selecionado para o Co-Production Market. Também se destacam três séries no Berlinale Series Market, uma iniciativa do mercado do festival que também possui um processo seletivo rigoroso", ressalta Valente.O Brasil também marcou presença no World Cinema Fund no final do ano passado e em praticamente todos os espaços da Berlinale existe alguma representação brasileira. "Voltamos a ter um número de participações similar ao que foi registrado entre 2017 e 2020, período em que até superamos essa quantidade", destaca.A Berlinale fica em cartaz até o dia 23 de fevereiro na capital alemã.

Große Ehre: Bei der morgigen Eröffnung der 75. Berlinale wird Tom Tykwers neuer Film "Das Licht" laufen. Ein Bericht von Anna Wollner / Echte Vielfalt oder Diversity-Washing? Heidi Klums umstrittene Castingshow "Germanys Next Topmodel" feiert 20-jähriges Jubiläum. Von Anna Magel / KI & Kino: Wie stark dürfen Filme durch Künstliche Intelligenz verändert werden? Die beiden Oscar-Anwärter "Emilia Peréz" und "The Brutalist" haben in Hollywood eine Diskussionen ausgelöst. Von Christian Schiffer

Run Lola Run (German: Lola rennt, lit. "Lola Runs") is a 1998 German experimental thriller film written and directed by Tom Tykwer. The story follows a woman named Lola (Franka Potente) who needs to obtain 100,000 Deutschmarks in twenty minutes to save the life of her boyfriend Manni (Moritz Bleibtreu).

Im Oktober 2024 ist der letzte Band der Rath-Reihe erschienen – wie es Volker Kutscher damit geht, erfahrt ihr in der neuen "Berliner Zimmer"-Folge. Wir haben uns mit dem unermüdlichen Schriftsteller unterhalten, auf dessen Büchern die "Babylon Berlin"-Serie von Tom Tykwer basiert. Über 5.700 Seiten umfasst der zehnbändige Zyklus um Kriminalkommissar Gereon Rath, der sich durch die Jahre 1928 bis 1938 kämpft und dabei nicht nur Mordfälle lösen, sondern auch mit dem Ende der Weimarer Republik und dem Beginn der Nazi-Herrschaft umgehen muss. Volker Kutscher versteht es meisterlich, diese komplexe und dramatische Zeit einzufangen und in spannende und bewegende Romanform zu gießen. Vielen historischen Fakten und Phänomenen kommt man so deutlich näher - und versteht vielleicht manches besser. Viel Spaß bei diesem ausgiebigen Gespräch übers Schreiben, Recherchieren und Volker Kutschers schweren Abschied nach 20 Jahren mit seiner Kommissar-Figur Gereon und der großartigen Charlotte.

Matt, aka the Black Country Vlogger, has chosen the iconic Run Lola Run from 1998 this week. Checkout Matt's vlog here: ⁠https://www.youtube.com/@BlackCountryVlogger⁠ The production of Run Lola Run was a testament to director Tom Tykwer's innovative vision and determination to push the boundaries of German cinema. Filmed predominantly in Berlin, the movie leveraged the city's vibrant and modern aesthetic to create an urban, pulsating backdrop for the story. Tykwer's use of kinetic camera work and rapid editing, combined with a blend of live-action and animated sequences, gave the film its distinct and high-energy style. The unique visual approach was complemented by a techno-heavy soundtrack, composed by Tykwer and collaborators Johnny Klimek and Reinhold Heil, which underscored the tension and pace of Lola's journey. These creative choices not only shaped the film's unique identity but also aligned with the burgeoning techno culture of 1990s Berlin. Casting was a critical aspect of the production, with Franka Potente taking on the physically demanding role of Lola. Her fiery red hair, a decision made during pre-production, became an iconic visual marker of the film. The production schedule was tight, requiring a mix of meticulous planning and on-the-spot improvisation to capture the dynamic movement through the city. Tykwer's hands-on approach and collaboration with his team ensured that the film's technical challenges—like its seamless transitions between timelines—were executed flawlessly. Released to critical acclaim, Run Lola Run became a breakout success internationally, cementing its reputation as a modern classic and demonstrating the potential of German cinema to innovate on a global stage. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Lola embarks on a desperate mission to save her boyfriend, Manni, who has lost 100,000 Deutsche Marks meant for a dangerous gangster. With only 20 minutes before Manni resorts to a desperate act, Lola sprints through the city, encountering different people and obstacles along the way. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

Mit der Komödie "Good Bye, Lenin" schuf der Regisseur Wolfgang Becker einen immens erfolgreichen Film-Klassiker. Gemeinsam mit Tom Tykwer und Dani Levy erneuerte er ab Mitte der 1990er-Jahre das deutsche Kino. Nun ist Becker mit 70 Jahren gestorben. Burg, Susanne www.deutschlandfunkkultur.de, Studio 9

sans la possession de ce parfum, sa vie n'avait plus de sens.Victoire, Pascale, Jeanne et Marianne comparent le roman de Patrick Süskind, Le Parfum, à son adaptation en film réalisée par Tom Tykwer avec Ben Whishaw, Dustin Hoffman, Alan Rickman et Rachel Hurd-Wood. Jean-Baptiste Grenouille naît en 1738 dans la crasse du Paris du XVIIIe siècle. Malgré lui il suscite le dégoût et le malaise, mais peu lui importe : il possède un odorat exceptionnel, et coûte que coûte il est bien décidé à devenir le plus grand parfumeur de tous les temps - quitte à tuer.Le film de Tom Tykwer est-il fidèle au livre dont il est tiré ? Réponse dans l'épisode !3 min 10 : On commence par parler du roman Le Parfum de Patrick Süskind, paru en 1985.1 h 08 : On enchaîne sur l'adaptation en film sortie en 2006 et réalisée par Tom Tykwer avec Ben Whishaw, Dustin Hoffman, Alan Rickman et Rachel Hurd-Wood. 1 h 50 min 43 : On termine sur nos recommandations autour de la France du XVIIIe siècle et des obsessions dévorantes.Avez-vous lu ou vu Le Parfum ?Recommandations :La piel que habito, réalisé par Pedro Almodóvar (2011)Monstres, écrit par Frédéric Michaud (2022)Música, réalisé par Rudy Mancuso (2024)Petite, écrit par Edward Carey (2018)Crédits : Distilling Roses - Johnny Klimek, Reinhold Heil & Tom Tykwer (tiré de la bande-originale Perfume - The Story of a Murderer) - ℗ A Warner Classics release, ℗ 2006 Constantin Film AG under exclusive licence to Parlophone Records Limited

This week on "Shat the Movies," we're sprinting into the energetic world of Run Lola Run (1998)! Join us as we follow the heart-pounding journey of Lola, played by Franka Potente, as she races against time to save her boyfriend in a series of electrifying scenarios. We'll explore the film's innovative storytelling, stunning visuals, and the pulse-pounding soundtrack that keep you on the edge of your seat. From the high-stakes decisions to the alternate realities, this film redefines the action genre in a unique way. Whether you're revisiting this stylish classic or experiencing it for the first time, get ready for a fast-paced discussion that highlights the thrill of running against the clock! Plot Summary: In the 1998 German thriller Run Lola Run, directed by Tom Tykwer, Franka Potente stars as Lola, a young woman who embarks on a heart-pounding race against time to save her boyfriend, Manni (Moritz Bleibtreu). Manni, a low-level criminal, loses 100,000 Deutsche Marks in a botched money drop for his gangster boss. With only 20 minutes to find the money and prevent Manni from committing a desperate robbery, Lola is thrown into a frantic quest through the streets of Berlin. The film's narrative structure is one of its most unique features, unfolding in three different versions of the same story. Each version explores how small changes in Lola's actions and timing lead to drastically different outcomes. Whether by chance encounters, split-second decisions, or twists of fate, each run has profound consequences, shaping the lives of Lola, Manni, and the people they encounter. The film masterfully blends live-action sequences with animated inserts, set to an energetic techno soundtrack that drives the relentless pace. Tykwer's innovative use of time loops and alternative storylines keeps viewers on the edge of their seats, turning what could have been a simple rescue mission into a philosophical exploration of fate, chance, and the power of individual decisions. As Lola sprints through the city, encountering obstacles and allies, Run Lola Run keeps audiences captivated with its kinetic energy, visual style, and themes of love, loyalty, and determination. The film's fast-paced, high-stakes action, combined with its unconventional storytelling, has made it a cult favorite. Join our podcast review as we dive into this adrenaline-fueled thriller, discussing its groundbreaking narrative structure, stunning visuals, and whether its pulse-pounding excitement still resonates with modern audiences. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Uli has collaborated with director Tom Tykwer on several films, including: Winter Sleepers, Perfume: The Story Of A Murderer, A Hologram For The King, and Cloud Atlas, co-directed by The Wachowskis. Uli's film work includes: Perfume: The Story Of A Murderer, The International, Cloud Atlas, In Secret, A Hologram For The King, and The Hunger Games: The Ballad Of Songbirds And Snakes. Uli's television work includes work on the acclaimed: Sense8, The Queen's Gambit, and Babylon Berlin.

In this episode, Masie & Stuart revisit the Wachowski Sisters' & Tom Tykwer's 2012 epic Cloud Atlas. Developing a cult-following since its initial divisive release, how does this messy conceptual adaptation of the 2004 David Mitchell novel of the same name hold up? Well, our hosts return from their autopsy with some unfortunate findings! Listen as they delve into the film's fascinating creative choices, its blatant racism, and the many strange adaptation changes made across its nearly 3 hour run time.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram, Twitter, and Letterboxd and Cinema-Bones on Tumblr for podcast updates.

The “Cinephile Cuties” are ready to redo this episode three different times. That's because they're talking about Run Lola Run by Tom Tykwer.Follow Patrick and Casey on Letterboxd

Franka Potente never became a bonafide movie star after Run Lola Run, but her intensely iconic work in this breakout movie remains awesome 25 years later. Tom Tykwer has had a solid career of his own since writing and directing this video-game-esque flick with the butterfly-effect gimmick. He and future collaborators the Wachowskis were making some of the coolest movies around back then, taking advantage of new technologies, narrative devices and editing techniques. In truth, while Tykwer clearly loves Potente, he doesn't do so right by Moritz Bleibtreu's Manni (and the first part of the man's last name rhymes with "tribe" by the way, not "leeb"). Bleibtreu is a whiny screw-up who needs his dedicated girlfriend to save his life by racing around Germany for 20 minutes to come up with a small fortune. Lather, rinse, repeat. So go ahead and scream so shrilly that you'll break glass as we yap about Run Lola Run in the 605th edition of Have You Ever Seen. Order a whole bunch of stuff from Sparkplug Coffee. They offer our listeners a onetime 20% discount just by using our "HYES" promo code. Go to "sparkplug.coffee/hyes". Contact us in a variety of ways. We're Twi-X people, sort of (@moviefiend51 and @bevellisellis) and Bev uses that same @ on Threads. Our email address is "haveyoueverseenpodcast@gmail.com". And look for our podcast on YouTube (@hyesellis in your browser). You can subscribe there, but also comment and give us a thumbs up. And don't forget to review us and certainly rate us on your podcast app.

We wrap-up our look at Babylon Berlin's 4th season, reviewing episode 9, 10, 11 & 12! Charlotte gives Toni a hand taking down the White Hand! Nyssen becomes a bottle blond! Evil scar-face Wendt faces off against Stennes! Plus Rath considers murdering his brother, And the Armenian arranges a surprise party for Walter and the mob! All the twists and turns in the final days of the Weimar Republic before the rise of Nazi Germany! We ask 'Ja oder Nien?' and announce the winner of 'Who's the Wurst?' German people, we love ya. #BabylonBerlin based on the Volker Kutscher's Deutschland novels can be seen on MHZ Choice, Sky Atlantic, ARD. No longer on Netflix While Malu Seegers and Dr Völcker pursue a deadly plan, Charlotte makes a terrible discovery and Helga tries to escape from her kidnappers. Despite Gennat's doubts, Rath organizes a meeting with all of the wrestling club bosses. Malu rethinks her plan and Esther looks for work as a musician. Rath is celebrated as Charlotte meets a boxer. Stennes plots a coup against Hitler while Goldstein learns the truth about the diamond. Tensions come to a head between the SA and SS. Charlotte and Gereon attend a boxing match. Spies and movie stars are US bound on a zeppelin. Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq https://www.youtube.com/@DoublePMedia/videos Directed by Henk Handloegten Tom Tykwer Achim von Borries Writing Credits Achim von Borries ... (screenplay) & Bettine von Borries ... (screenplay) & Tom Tykwer ... (screenplay) & Khyana El Bitar ... (screenplay) & Henk Handloegten ... (screenplay) Volker Kutscher ... (based on the novel "Goldstein" by) Achim von Borries ... (created by) & Henk Handloegten ... (created by) & Tom Tykwer ... (created by) Henk Handloegten ... (showrunner) Tom Tykwer ... (showrunner) Achim von Borries ... (showrunner) Cast Volker Bruch ... Gereon Rath Liv Lisa Fries ... Charlotte Ritter Benno Fürmann ... Gottfried Wendt Lars Eidinger ... Alfred Nyssen Hannah Herzsprung ... Helga Rath Fritzi Haberlandt ... Elisabeth Behnke Karl Markovics ... Samuel Katelbach Irene Böhm ... Toni Ritter Ivo Pietzcker ... Moritz Rath Ronald Zehrfeld ... Walter Weintraub Meret Becker ... Esther Kasabian Udo Samel ... Ernst Gennat Hans-Martin Stier ... Albert Grzesinski (as Hans Martin Stier) Godehard Giese ... Wilhelm Böhm Christian Friedel ... Gräf Thorsten Merten ... Henning Rüdiger Klink ... Czerwinski Hanno Koffler ... Walther Stennes Jens Harzer ... Dr. Anno Schmidt Martin Wuttke ... Heymann Sebastian Urzendowsky ... Max Fuchs Mark Ivanir ... Abe Gold (Goldstein) Moisej Bazijan ... Grün Marie-Anne Fliegel ... Annemarie Nyssen Holger Handtke ... Wegener Saskia Rosendahl ... Marie-Louise Seegers Jördis Triebel ... Dr. Völcker Peter Jordan ... Fred Jacoby Trystan Pütter ... Hans Litten David C. Bunners ... Heinrich Brüning Johann Jürgens ... Rudi Malzig Max Mauff ... Jacky Hannes Wegener ... Johann 'Rukeli' Trollmann Sascha Nathan Sascha Nathan ... Hermann Blank Palast Orchestra ... (as Palast Orchester) Barbara Philipp ... Eisen-Else Max Raabe ... Emil Engels Frederik Schmid ... Lanke Lilli Fichtner ... Doris Max Schimmelpfennig ... Rocket Scientist Misel Maticevic ... The Armenian Edgar Kasabian Produced by Stefan Arndt ... producer Frank Jastfelder ... executive producer Marcus Loges ... line producer Michael Polle ... producer Uwe Schott ... producer Tom Tykwer ... executive producer (showrunner) Music by Johnny Klimek Tom Tykwer Cinematography by Christian Almesberger Bernd Fischer Philipp Haberlandt

We continue on Babylon Berlin's 4th season, reviewing episode 5, 6, 7 & 8!  A dead man makes Rath an offer he can't refuse! Nyssen refuses to save Helga or his mother! Evil scar-face Wendt won't refuse illicit sex in the park! Rudi becomes refuse! Plus Charlotte investigates, Toni plots, and remind me: who is Dr. Völcker? All the twists and turns in the final days of the Weimar Republic before the rise of Nazi Germany! We play 'Good German? Bad German?' Germany, we love ya. #BabylonBerlin based on the Volker Kutscher's Deutschland novels can be seen on MHZ Choice, Sky Atlantic, ARD. No longer on Netflix Weintraub investigates the boxing match betting fraud. Rath makes a confession to Charlotte, who asks him to find out more about Benni's death. Rath brings Moritz to the castle. Charlotte tells a lawyer about the deaths among street children and Goldstein takes drastic measures. Rath takes part in a risky experiment, brutal gang war breaks out in Berlin, Widow Behnke tries to help Katelbach and Toni finds herself in danger. As Widow Behnke kicks off her high stakes rescue plan, Stennes instigates a hall battle in the 'Moka Efti' and Charlotte makes a secret observation. Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq https://www.youtube.com/@DoublePMedia/videos Directed by  Henk Handloegten     Tom Tykwer     Achim von Borries     Writing Credits   Achim von Borries    ...    (screenplay) & Bettine von Borries    ...    (screenplay) & Tom Tykwer    ...    (screenplay) & Khyana El Bitar    ...    (screenplay) & Henk Handloegten    ...    (screenplay)   Volker Kutscher    ...    (based on the novel "Goldstein" by)   Achim von Borries    ...    (created by) & Henk Handloegten    ...    (created by) & Tom Tykwer    ...    (created by)   Henk Handloegten    ...    (showrunner) Tom Tykwer    ...    (showrunner) Achim von Borries    ...    (showrunner) Cast   Volker Bruch    ...    Gereon Rath Liv Lisa Fries    ...    Charlotte Ritter Benno Fürmann    ...    Gottfried Wendt Lars Eidinger    ...    Alfred Nyssen Hannah Herzsprung    ...    Helga Rath Fritzi Haberlandt    ...    Elisabeth Behnke Karl Markovics    ...    Samuel Katelbach  Irene Böhm    ...    Toni Ritter Ivo Pietzcker    ...    Moritz Rath Ronald Zehrfeld    ...    Walter Weintraub Meret Becker    ...    Esther Kasabian Udo Samel    ...    Ernst Gennat Hans-Martin Stier    ...    Albert Grzesinski (as Hans Martin Stier) Godehard Giese    ...    Wilhelm Böhm Christian Friedel    ...    Gräf Thorsten Merten    ...    Henning Rüdiger Klink    ...    Czerwinski Hanno Koffler    ...    Walther Stennes Jens Harzer    ...    Dr. Anno Schmidt Martin Wuttke    ...    Heymann  Sebastian Urzendowsky    ...    Max Fuchs  Mark Ivanir    ...    Abe Gold (Goldstein) Moisej Bazijan    ...    Grün Marie-Anne Fliegel    ...    Annemarie Nyssen Holger Handtke    ...    Wegener Saskia Rosendahl    ...    Marie-Louise Seegers Jördis Triebel    ...    Dr. Völcker Peter Jordan    ...    Fred Jacoby Trystan Pütter    ...    Hans Litten  David C. Bunners    ...    Heinrich Brüning Johann Jürgens    ...    Rudi Malzig Max Mauff    ...    Jacky Hannes Wegener    ...    Johann 'Rukeli' Trollmann Sascha Nathan    Sascha Nathan    ...    Hermann Blank Palast Orchestra    ...    (as Palast Orchester) Barbara Philipp    ...    Eisen-Else Max Raabe    ...    Emil Engels Frederik Schmid    ...    Lanke Lilli Fichtner    ...    Doris Max Schimmelpfennig    ...    Rocket Scientist Misel Maticevic ... The Armenian Edgar Kasabian Produced by  Stefan Arndt    ...    producer Frank Jastfelder    ...    executive producer Marcus Loges    ...    line producer Michael Polle    ...    producer Uwe Schott    ...    producer Tom Tykwer    ...    executive producer (showrunner) Music by  Johnny Klimek     Tom Tykwer     Cinematography by  Christian Almesberger     Bernd Fischer     Philipp Haberlandt    

The U.S. and Canada FINALLY have Babylon Berlin season 4!  We're back to talk Charlotte's dance contest meltdown, Det. Gereon Rath's undercover assignment! Nyssen's gold jump suit!  Wendt's evil ways! + all the twists and turns in the final days of the Weimar Republic before the rise of Nazi Germany! We play 'Ja or Nein?' and 'Who's the Wurst?' Germany, we love ya. #BabylonBerlin based on the Volker Kutscher's Deutschland novels can be seen on MHZ Choice, Sky Atlantic, ARD. No longer on Netflix Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq https://www.youtube.com/@DoublePMedia/videos Directed by  Henk Handloegten     Tom Tykwer     Achim von Borries     Writing Credits   Achim von Borries    ...    (screenplay) & Bettine von Borries    ...    (screenplay) & Tom Tykwer    ...    (screenplay) & Khyana El Bitar    ...    (screenplay) & Henk Handloegten    ...    (screenplay)   Volker Kutscher    ...    (based on the novel "Goldstein" by)   Achim von Borries    ...    (created by) & Henk Handloegten    ...    (created by) & Tom Tykwer    ...    (created by)   Henk Handloegten    ...    (showrunner) Tom Tykwer    ...    (showrunner) Achim von Borries    ...    (showrunner) Cast   Volker Bruch    ...    Gereon Rath Liv Lisa Fries    ...    Charlotte Ritter Benno Fürmann    ...    Gottfried Wendt Lars Eidinger    ...    Alfred Nyssen Hannah Herzsprung    ...    Helga Rath Fritzi Haberlandt    ...    Elisabeth Behnke Karl Markovics    ...    Samuel Katelbach  Irene Böhm    ...    Toni Ritter Ivo Pietzcker    ...    Moritz Rath Ronald Zehrfeld    ...    Walter Weintraub Meret Becker    ...    Esther Kasabian Udo Samel    ...    Ernst Gennat Hans-Martin Stier    ...    Albert Grzesinski (as Hans Martin Stier) Godehard Giese    ...    Wilhelm Böhm Christian Friedel    ...    Gräf Thorsten Merten    ...    Henning Rüdiger Klink    ...    Czerwinski Hanno Koffler    ...    Walther Stennes Jens Harzer    ...    Dr. Anno Schmidt Martin Wuttke    ...    Heymann  Sebastian Urzendowsky    ...    Max Fuchs  Mark Ivanir    ...    Abe Gold Moisej Bazijan    ...    Grün Marie-Anne Fliegel    ...    Annemarie Nyssen Holger Handtke    ...    Wegener Saskia Rosendahl    ...    Marie-Louise Seegers Jördis Triebel    ...    Dr. Völcker Peter Jordan    ...    Fred Jacoby Trystan Pütter    ...    Hans Litten  David C. Bunners    ...    Heinrich Brüning Johann Jürgens    ...    Rudi Malzig Max Mauff    ...    Jacky Hannes Wegener    ...    Johann 'Rukeli' Trollmann Sascha Nathan    Sascha Nathan    ...    Hermann Blank Palast Orchestra    ...    (as Palast Orchester) Barbara Philipp    ...    Eisen-Else Max Raabe    ...    Emil Engels Frederik Schmid    ...    Lanke Lilli Fichtner    ...    Doris Max Schimmelpfennig    ...    Rocket Scientist Produced by  Stefan Arndt    ...    producer Frank Jastfelder    ...    executive producer Marcus Loges    ...    line producer Michael Polle    ...    producer Uwe Schott    ...    producer Tom Tykwer    ...    executive producer (showrunner) Music by  Johnny Klimek     Tom Tykwer     Cinematography by  Christian Almesberger     Bernd Fischer     Philipp Haberlandt      

The summer movie season is in high gear, as you can tell from all the noises of crashing cars and gunshots emanating from your local multiplex. On this week's show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss three films that are currently in release—the first being “Bad Boys: Ride or Die,” the second being George Miller's prequel “Furiosa: A Mad Max Saga,” and the third being the re-release of Tom Tykwer's imaginative and energetic action film “Run Lola Run.”

This month's Out Now with Aaron and Abe commentary track is about cause and effect at a sprinter's pace. Aaron is joined by Brandon Peters, Yancy Berns, and Mark Hofmeyer to discuss Run Lola Run from director Tom Tykwer. Listen in to hear the group discuss why this film has held onto such high regard 25 years later. There's plenty of conversation revolving around Tykwer's visual and thematic choices, Potente's performance, other features hitting around the same time, and lots of fun tangents as well. So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @YancyJack, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod Watch the Trailer for Run Lola Run.

Author Heather Parry joins me to discuss the most unlikely double bill of this show's history: Tarsem Singh's psychological horror The Cell (2000) and Tom Tykwer's adaptation of Perfume: The Story of a Murderer (2006). Join our Patreon for extra horror content including bonus reviews and a monthly horror book club.Discover what films we're covering next on our Letterboxd.***Produced and presented by Anna Bogutskaya. Artwork by Ewa Ferdynus.Music by "Erebus" by Karl Casey @ White Bat Audio.***The Final Girls is a weekly podcast exploring the history of horror film.→ Support us on Patreon for bonus content.→ Follow us on Twitter and Instagram.→ Find out more about our projects here: thefinalgirls.co.uk

Thinking About... is a series here at Think Movie where we take a deep-dive into a specific film. Today's topic... Tom Tykwer's RUN LOLA RUN (1998).

Catch us if you can because we're rejoining Lola after 25 years to find that 100,000 Deutschmarks in Tom Tykwer's electrifying 1999 "Run Lola Run", which returns to theaters for a special anniversary screening on June 7th!If we sound out of breath its because we're so excited to discuss this formative film, it's thumping electronic soundtrack and how much it's influenced culture since then.You can chase us down via email at onlymoviepodcast@gmail.com or scream at us wildly on Twitter (X) or InstagramYou can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sony Pictures Classics is bringing back a 4K restored "Run, Lola, Run" right around its 25th anniversary. The director Tom Tykwer is the guest. Also, actor Jason Butler Harner discusses his latest project, an indie film called "The Big Bend" wihich is enjoying a theatrical run.

Director Tom Tykwer joins Seth to celebrate the 25th anniversary of the genre-bending sleeper hit that captivated the world in 1999. Learn more about your ad choices. Visit megaphone.fm/adchoices

I hate subtitles!  We don't really, but that's our new theme for this round.In this episode we talk all things subtitles/dubbing/cc/etc and how they can have an effect on our viewing experience.We jump into things with Run Lola Run, the 1998 German experimental action crime thriller directed by Tom Tykwer.  We have seen this one before however as a twist, we turn the subtitles off (none of us know German) and see how much we can still get out of this film.

Mido Kotaini floh als 14-Jähriger ohne Eltern vor dem syrischen Bürgerkrieg nach Deutschland. Bis heute hat er keinen gesicherten Aufenthaltsstatus. Gerade stand er für die Regisseure Bora Dağtekin und Tom Tykwer vor der Kamera. Ganz gleich, was Regisseur und Drehbuchautor Bora Dağtekin anfasst, es wird zum Erfolg: Die »Fack ju Göhte«-Trilogie sahen über 21 Millionen Menschen im Kino, die Vorabendserie »Türkisch für Anfänger« wird bis heute geliebt, der Kino-Hit »Das perfekte Geheimnis« spielte über 40 Millionen Euro ein. Jetzt läuft Dağtekins neuer Film »Chantal im Märchenland« in den Kinos an, ein Spin-off der Fack-ju-Göhte-Filmreihe. In einer der Hauptrollen ist der 22-jährige Mido Kotaini zu sehen, der erst vor acht Jahren nach Deutschland geflohen ist. Im Podcast »Moreno+1« spricht Host Juan Moreno mit Bora Dağtekin und seinem Star Mido Kotaini. Für Kotaini ist es das erste Interview überhaupt. Er spricht erstmals ausführlich über seine Flucht vor dem syrischen Bürgerkrieg, seine Odyssee durch verschiedene Flüchtlingsheime und dem Aufwachsen in Deutschland ohne seine Eltern, die in Damaskus zurückbleiben mussten. Bis heute hat Mido Kotaini keinen gesicherten Aufenthaltsstatus in Deutschland – und das als Hauptdarsteller in einem der teuersten deutschen Filme des Jahres.+++ Alle Infos zu unseren Werbepartnern finden Sie hier. Die SPIEGEL-Gruppe ist nicht für den Inhalt dieser Seite verantwortlich. +++ Alle SPIEGEL Podcasts finden Sie hier. Mehr Hintergründe zum Thema erhalten Sie bei SPIEGEL+. Jetzt für nur € 1,- für die ersten vier Wochen testen unter spiegel.de/abonnieren Informationen zu unserer Datenschutzerklärung.

Alan Torres returns for the first time as a guest co-host! We discuss the genre crossing multi-layered epic "Cloud Atlas." From the Wachowskis and Tom Tykwer, the film is unquestionably one of the most ambitious ever made. For more info head to ⁠⁠⁠⁠underratedmoviepodcast.com⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠https://instagram.com/underratedmoviepodcast⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@underratedmoviepodcast⁠⁠⁠⁠⁠ Patreon: ⁠⁠⁠⁠⁠https://patreon.com/UnderratedMoviePodcast⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCAbpTHWyBle7yKJv4-gR_g⁠

Each October, Our MBC Life marks Breast Cancer Awareness month with a special episode dedicated to all those who died from metastatic breast cancer over the past year. But one podcast can't begin to encompass and reflect the true toll of all of the lives cut short by this ruthless and terminal disease. Here's the hard truth about MBC, according to advocacy and research organization Metavivor: In the US alone, an estimated 42,360 women and 530 men will die from the disease in 2023—117 per day. And despite the optimism around early detection and prevention that infuses “Pinktober” and its focus on survivorship, one in three diagnosed with early-stage breast cancer will eventually progress to become metastatic. Only 10% are metastatic at their first breast MBC diagnosis. This painful and sobering reality—that so many of us ultimately develop the kind of breast cancer that kills—needs to be part of the annual month-long conversation about breast cancer. Most importantly, it should help to guide decisions about how breast cancer research funds are invested. Shockingly, the estimated share of breast cancer research dollars that go to MBC is 5%. And while new treatments are extending survival for many with MBC, the disease is still terminal. To live with your own diagnosis or to be a loved one, caregiver, or friend of someone with MBC is to inhabit a community of loss. Every day, we confront the reality of mortality and struggle to balance fear with hope, and sorrow with joy. “We Remember” is OMBCL's opportunity to give voice to the profound grief we share and to honor and celebrate each person we've lost. It's a chance to express our gratitude for the extraordinary and unique ways they made our lives richer. And it is also an opportunity to channel some of our grief, fear, and anger into advocacy for the attention, support, and research needed to truly put us on the Road to a Cure.MUSIC CREDITS:'Memories' by Maroon 5'Mandy Love Theme' by Jóhann Jóhannsson'Season Suite: Late Winter, Early Spring' by John Denver 'Fly Me To The Moon' by Frank Sinatra 'Rêverie, L 68' by Claude Debussy 'Songbird' by Fleetwood Mac'All Boundaries Are Conventions' by Tom Tykwer, Johnny Klimek, and Reinhold Heil

Welcome back to PPM. Subscribe to the Patreon to access ASFA (Pt. V): ⁠patreon.com/ParaPowerMapping⁠ Hop on the Hindenburg & pop over to Babylon Berlin, where we will use BB character Dr. Anno Schmidt as a prism thru which we can examine a handful of historical hypno valences, the subliminal undercurrent gurgling through the National Socialistic discharge of Weimar Germany. In today's EP, we discuss: Necessary Babylon Berlin exposition; protagonists - Vice & later Homicide Detective Gereon Rath (which I accidentally keep mispronouncing in this EP) & the assistant gumshoe Charlotte; we break down Dr. Schmidt's inhumane experiments w/ the methamphetamine Pervitin on weasels, wolves, & even humans; foreshadows of the Nazi weaponization of psychoactive drugs to program their shock troops into fearless Übermensch-berserkers; Dr. Schmidt's Institute for Suggestive Therapy (hypno-suggestive title there), where he uses hypnosis to treat WWI vets, morphine addicts, & the homeless; points of reference for Dr. Schmidt's character: Erik Jan Hanussen, Dr. Max Nonne, & Dr. Mabuse from Fritz Lang films; some antecedents of the rise of Nazism—economic imperialism, residual wartime mass trauma, cultural hegemony, mass manipulation; night club Moka Efti, which actually existed; themes of automatism, transhumanism, & Social Darwinism; Gereon's fraught relationship w/ his brother Dr. Schmidt; wartime service together; S1 & S2 bookended w/ scenes of Gereon being hypnotized by Schmidt; Dr. Schmidt's name = real life Dr. Heinrich Schmidt, a wretched SS member & "First Camp Physician" at Buchenwald, Dachau, etc.; the real life Schmidt's prosecution post-WWII; accusations against him, including that he murdered 8 ppl by withholding care & the selection of gas chambers; the fact that real Dr. Schmidt may have been acquitted, in part, because of his repeated collaboration w/ the Allies immediately following the war—including acting as a witness in the Bergen-Belsen Trials & the fact that he worked as "Senior Doctor" at the Allied-run Bergen-Belsen Displaced Persons Camp immediately following Nazi surrender  Alt., we consider Dr. Schmidt as allusion to Ernst Schmidt, a fellow messenger that was present on a dangerous courier mission when a Brit grenade exploded & shot shrapnel into Lance Corporal Hitler's leg; we compare this incident to the crucial moment of Gereon's abandonment of his brother Dr. Schmidt in no man's land; Schmidt brings us to Hitler's near-death in the Maximillian II barracks after the war, when he Freikorps executed 1 out of 10 soldiers stationed there for suspicions of being Red Army; Hitler spying; a Palm Sunday Putsch reference; further similarities between Dr. Anno Schmidt & Hitler, including their respective gas attacks & interest in the occult; speaking of which, Dr. Schmidt is a member of the Fraternitas Saturni; the nightmarish mustard gas lung "sloughing" effect; we explore the Black Reichswehr; we juxtapose the Black Reichswehr & Freikorps w/ the American Legion; we compare the dinner that Gereon attends at his fascist Polizei partner Bruno's house & the "stab-in-the-back" myths promulgated during it to W.D. Pelley's antisemitism; direct connections b/w Black Reichswehr & Nazis; the Küstrin Putsch & attempt to overthrow Gustav Stresemann's administration; Gereon's partner Bruno's name probably being a reference to Black Reichswehr commando Bruno Buchrucker; a possible connection b/w paramilitaries & hypnotherapy in the show... via the Black Reichswehr's primary funder, the German industrialist fail-son Alfred Nyssen (who is definitely a composite of Thyssen & Krupp); Nyssen is a manic depressive & his doktor is—you guessed it—Anno Schmidt. Songs & Clips:  | Johnny Klimek & Tom Tykwer - "Babylon Berlin" (OST) |  | Meret Becker & Meute - "Ein Tag wie Gold" (Babylon Berlin OST) |  "Military Reunion & Gereon's Flashbacks" - Scene from S1, EP 7  Clip from YouTube doc "Birth of a Führer: The Rise and Fall of Adolf Hitler"

Welcome back to PPM. We're finally touching down in the Babylon Berlin, beginning our incisive cross-section of the hypnotic influence on the rise of Nazism in the Weimar Republic. Subscribe: patreon.com/ParaPowerMapping Anyways, we hop on the Hindenburg & pop over to Babylon Berlin, where we use BB character Dr. Anno Schmidt as a prism thru which we can examine a handful of historical hypno valences... Necessary Babylon Berlin exposition; protagonists - Vice & later Homicide Detective Gereon Rath (which I accidentally keep mispronouncing in this EP) & the assistant gumshoe Charlotte; we break down Dr. Schmidt's inhumane experiments w/ the methamphetamine Pervitin on weasels, wolves, & even humans; foreshadows of the Nazi weaponization of psychoactive drugs to program their shock troops into fearless Übermensch-berserkers; Dr. Schmidt's Institute for Suggestive Therapy (hypno-suggestive title there), where he uses hypnosis to treat WWI vets, morphine addicts, & the homeless; points of reference for Dr. Schmidt's character: Erik Jan Hanussen, Dr. Max Nonne, & Dr. Mabuse from Fritz Lang films; some antecedents of the rise of Nazism—economic imperialism, residual wartime mass trauma, cultural hegemony, mass manipulation; night club Moka Efti, which actually existed; themes of automatism, transhumanism, & Social Darwinism; Gereon's fraught relationship w/ his brother Dr. Schmidt; wartime service together; S1 & S2 bookended w/ scenes of Gereon being hypnotized by Schmidt; Dr. Schmidt's name = real life Dr. Heinrich Schmidt, a wretched SS member & "First Camp Physician" at Buchenwald, Dachau, etc.; the real life Schmidt's prosecution post-WWII; accusations against him, including that he murdered 8 ppl by withholding care & the selection of gas chambers; the fact that real Dr. Schmidt may have been acquitted, in part, because of his repeated collaboration w/ the Allies immediately following the war—including acting as a witness in the Bergen-Belsen Trials & the fact that he worked as "Senior Doctor" at the Allied-run Bergen-Belsen Displaced Persons Camp immediately following Nazi surrender  Alt., we consider Dr. Schmidt as allusion to Ernst Schmidt, a fellow messenger that was present on a dangerous courier mission when a Brit grenade exploded & shot shrapnel into Lance Corporal Hitler's leg; we compare this incident to the crucial moment of Gereon's abandonment of his brother Dr. Schmidt in no man's land; Schmidt brings us to Hitler's near-death in the Maximillian II barracks after the war, when he Freikorps executed 1 out of 10 soldiers stationed there for suspicions of being Red Army; Hitler spying; a Palm Sunday Putsch reference; further similarities between Dr. Anno Schmidt & Hitler, including their respective gas attacks & interest in the occult; speaking of which, Dr. Schmidt is a member of the Fraternitas Saturni; the nightmarish mustard gas lung "sloughing" effect; we explore the Black Reichswehr; we juxtapose the Black Reichswehr & Freikorps w/ the American Legion; we compare the dinner that Gereon attends at his fascist Polizei partner Bruno's house & the "stab-in-the-back" myths promulgated during it to W.D. Pelley's antisemitism; direct connections b/w Black Reichswehr & Nazis; the Küstrin Putsch & attempt to overthrow Gustav Stresemann's administration; Gereon's partner Bruno's name probably being a reference to Black Reichswehr commando Bruno Buchrucker; a possible connection b/w paramilitaries & hypnotherapy in the show... via the Black Reichswehr's primary funder, the German industrialist fail-son Alfred Nyssen (who is definitely a composite of Thyssen & Krupp); Nyssen is a manic depressive & his doktor is, you guessed it, Anno Schmidt, Songs & Clips:  | Johnny Klimek & Tom Tykwer - "Babylon Berlin" (OST) |  | Meret Becker & Meute - "Ein Tag wie Gold" (Babylon Berlin OST) |  "Military Reunion & Gereon's Flashbacks" - Scene from S1, EP 7  Clip from YouTube doc "Birth of a Führer: The Rise and Fall of Adolf Hitler"