Podcast appearances and mentions of Paolo Sorrentino

Come sempre, iniziamo il nostro programma parlando di attualità. L'argomento della nostra prima notizia riguarda la proposta di rinominare il Dipartimento della Difesa degli Stati Uniti in “Dipartimento della Guerra”. Continueremo, poi, con una disputa storica di lunga data tra Ucraina e Polonia, finalmente risolta tra i due paesi. Seguirà la discussione su un documento inviato al Dipartimento dell'Energia americano da 85 scienziati del clima, in risposta al rapporto sui cambiamenti climatici prodotto dall'amministrazione Trump. Infine, parleremo del canone culturale presentato dal governo svedese, che comprende 100 opere, marchi e idee per definire l'identità svedese. Sorprendentemente, gli ABBA non sono stati inclusi nella lista.    La seconda parte della puntata è dedicata alla lingua e alla cultura italiana. L'argomento grammaticale di oggi è Possessive Pronouns and Adjectives. Ne troverete numerosi esempi nel dialogo che seguirà, ispirato alla presentazione, all'82ª edizione della Mostra internazionale d'arte cinematografica di Venezia, di un film che ha fatto discutere molto: La Grazia, del celebre regista italiano Paolo Sorrentino. Nel finale ci soffermeremo sull'espressione idiomatica di oggi: Trattare con i guanti bianchi. Ci lasceremo ispirare da una storia eccezionale: quella di Emma Maria Mazzenga, una donna che, nonostante i suoi novant'anni, corre ancora più veloce del tempo e sta riscrivendo i record della sua categoria. - Trump cambia di nuovo il Dipartimento della Difesa in Dipartimento della Guerra - Ucraina e Polonia cercano di riconciliarsi su una disputa risalente alla Seconda Guerra Mondiale - Gli scienziati del clima criticano il rapporto dell'amministrazione Trump sul cambiamento climatico - I critici definiscono il canone culturale del governo svedese nazionalistico ed esclusivista - Venezia accoglie Sorrentino: ironia e politica ne La Grazia - Emma Mazzenga, la novantenne che corre più veloce del tempo

Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the people at Film Commssion to foster the appela and the [...] The post Beatrice Borgia, President Film Commission Torino Piemonte appeared first on Fred Film Radio.

Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the people at Film Commssion to foster the appela and the [...] The post Beatrice Borgia, President Film Commission Torino Piemonte appeared first on Fred Film Radio.

Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the people at Film Commssion to foster the appela and the [...] The post Beatrice Borgia, President Film Commission Torino Piemonte appeared first on Fred Film Radio.

Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the people at Film Commssion to foster the appela and the [...] The post Beatrice Borgia, President Film Commission Torino Piemonte appeared first on Fred Film Radio.

Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the people at Film Commssion to foster the appela and the [...] The post Beatrice Borgia, President Film Commission Torino Piemonte appeared first on Fred Film Radio.

Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the people at Film Commssion to foster the appela and the [...] The post Beatrice Borgia, President Film Commission Torino Piemonte appeared first on Fred Film Radio.

'La voz de Hind', la película sobre el asesinato de una niña palestina es, gane o pierda, la película del Festival de Venecia, donde también sobresalen títulos como 'Silent friend' o 'El testamento de Ann Lee', además de 'La Grazia', de Paolo Sorrentino. En este episodio repasamos las tendencias del certamen, le tomamos el pulso al estado del cine, escuchamos a todos los protagonistas y charlamos con los directores españoles que han debutado en la Mostra, Jaume Claret Muxart y Gabriel Azorín.

Il 2 settembre un giudice federale della California ha stabilito che l'amministrazione Trump ha violato la legge inviando la Guardia nazionale a Los Angeles, dove le retate degli agenti antimmigrazione continuano e la protesta si organizza. Con Lucia Magi, giornalista, da Los Angeles.Si chiude domani l'82esima edizione della mostra del cinema di Venezia, che è stata inaugurata il 27 agosto con la proiezione di La grazia di Paolo Sorrentino. Con Piero Zardo, editor di cultura di Internazionale.Oggi parliamo anche di:Fumetti • Pedro Martín, Mexikid. Una famiglia on the road (Tunué, 2025)https://www.youtube.com/watch?v=cNczjk-xLfMQuesto episodio è presentato da NordVpn: https://nordvpn.com/ilmondoCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Paolo Sorrentino zaprezentował swój najnowszy film, „La grazia”, na Międzynarodowym Festiwalu Filmowym w Wenecji. Włoski reżyser powraca do wątków politycznych z poprzednich filmów („Boski”, „Oni”), tym razem tworząc filozoficzną przypowieść o prezydencie Włoch. W roli głównej Toni Servillo.   Autor: Artur Burchacki Artykuł przeczytasz pod linkiem: 

Michela Gorini ci racconta la prima settimana del Festival di Venezia con alcuni importanti film che è riuscita a vedere:"Ghost Elephants" di Werner Herzog"La grazia" di Paolo Sorrentino "Bugonia" di Yorgos Lanthimos"The Last Vikings" di Anders Thomas Jensen con Mads Mikkelsen"After the Sun" di Luca Guadagnino"Jay Kelly" di Noah Baumbach "Il Maestro" di Andrea Di Stefano con Pierfrancesco Favino"Portobello" mini serie TV di Marco Bellocchio"Queen Kelly" di Erich von Stroheim (1929) - Resturo

No episódio desta semana do Plano Geral, Flavia Guerra e Vitor Búrigo trazem os destaques da 82ª edição do Festival de Cinema de Veneza: a presença de Fernanda Torres no júri; o sucesso de "Frankenstein", de Guillermo del Toro, com Jacob Elordi, Mia Goth e Oscar Isaac; a exibição de "La Grazia", de Paolo Sorrentino, com entrevista com o diretor e com o ator Toni Servillo; a presença de Julia Roberts com "Depois da Caçada", de Luca Guadagnino; entre outros destaques. E mais: os vencedores do Curta Kinoforum e For Rainbow; a seleção do 35º Cine Ceará; os curtas vencedores de Gramado; e a oitava edição da Poesia Na Tela. Estamos no ar!

82° edizione della Mostra Internazionale del Cinema di VeneziaCollegamento con Alessandro De Simone, critico e giornalista, per una prima valutazione dei film in programma sul Lido. A seguire l'intervista a Paolo Sorrentino e a Toni Servillo, regista e protagonista de "La grazia", presentato in apertura della mostra. Tra gli attori anche Anna Ferzetti e Orlando Cinque.In salaL'intervista a Pierfrancesco Favino, attore nel film "Enzo" di Laurent Cantet e diretto da Robin Campillo, con Pierfrancesco Favino, Élodie Bouchez e Malou Khebizi."Una scomoda circostanza" di Darren Aronofsky, con Austin Butler, Zoë Kravitz e Vincent D'Onofrio.L'intervista a Anne Fontaine, regista di "Bolero", con Raphael Personnaz, Doria Tillier e Jeanne Balibar."I Puffi" di Chris Miller, con Paolo Bonolis, Luca Laurenti e Rihanna.L'intervista a Tom Neresh, regista di "Come closer" con Neta Garty, Yaakov Zada-Daniel e Ido Tako."I Roses" di Jay Roach, con Benedict Cumberbatch, Olivia Colman e Andy Samberg.

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year, and this year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our first episode from the city of canals, Film Comment Editor Devika Girish invited FC contributors and Venice veterans Jonathan Romney and Jordan Cronk to talk about what sets this festival apart from other major international film showcases. Next, the group turned to some of the most highly anticipated premieres of the first few days, including Paolo Sorrentino's La grazia (8:28), Noah Baumbach's Jay Kelly (16:21), Yorgos Lanthimos's Bugonia (26:50), Claire Simon's Writing Life: Annie Ernaux Through The Eyes Of High School Students (36:40), and Mike Figgis's Megadoc (47:03). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

No hemos reparado en gastos y hemos fichado a un periodista de renombre internacional, un auténtico crack, para que nos hable del Festival de Cine de Venecia. Hoy nos cuenta qué le ha parecido La Gracia de Paolo Sorrentino. Don Carlos Rollero bienvenido a este humilde canal.

L'82esima edizione della Mostra del cinema di Venezia si è aperta con La Grazia di Paolo Sorrentino: il regista napoletano ritorna in concorso al Lido a 4 anni di distanza dal Gran Premio della Giuria vinto con È stata la mano di Dio e un solo anno dopo quel Parthenope che ci aveva fatto battere forte forte il cuore. Con La grazia, Sorrentino torna ad affrontare una figura di potere, con uno sguardo certo malinconico ma anche più luminoso di altre volte. E ancora una volta ci ha conquistati.

En janvier 2024, elle nous donnait l'élan parfait pour démarrer l'année. Et si, aujourd'hui, on s'en inspirait pour préparer en douceur la rentrée de septembre ?La plus italienne des Françaises, Alice Cheron, incarne à merveille cette dolce vita qu'on rêve tous d'adopter. Depuis Florence, elle partage un art de vivre à l'italienne aussi joyeux qu'exigeant, à travers son blog devenu culte Ali di Firenze, sa web-série Dolce Follia, et ses fugues italiennes, des escapades enchantées réservées aux femmes en quête de sens, de beauté et de souffle nouveau.Dans cet épisode, Alice nous parle de reconnections, de créativité, de réinvention… Et nous offre une bouffée d'inspiration solaire, à écouter en maillot sur la plage ou dans le train du retour de vacances ! Bref, un replay comme un second départ. Bell'ascolto !· À lire cet été : Ses newsletters « CURIOSARE » et « BOBINE » auxquelles vous pouvez vous abonner via Instagram & son site internet, ainsi que son livre « L'Appel de la fugue » (Editions Leduc, 2020).· Les inspirations italiennes d'Alice Cheron :Son musée préféré à Florence, la Cappella dei Principi, la chapelle privée de la famille Médicis, située dans la basilique San Lorenzo. En profiter pour y découvrir (sur réservation) « la chambre secrète » de Michel-Ange. Et non loin de là, l'Opificio delle Pietre Dure, un institut spécialisé dans la marqueterie de pierres précieuses et semi-précieuses, unique en son genre !Ses lieux « connectés à la matière » et au travail de la pierre à Florence : le Musée du Bargello, la Galerie de l'Académie qui accueille le célèbre « David » de Michel-Ange, mais aussi sa série de sculptures « Les prisonniers », ainsi que le plus méconnu Musée Marino Marini et l'artiste florentin contemporain Duccio Maria Gambi qui travaille le béton.La région italienne de la Versilia, dans le nord-ouest de la Toscane, qui abrite des trésors tels que les villes de Forte dei Marmi, Pietrasanta ou encore Carrare.Le film « La Grande Bellezza » de Paolo Sorrentino (2013).La chanson « Tintarella di luna » de Mina.La trilogie romanesque de Marlena de Blasi : « 1000 jours à Venise » (2002), « 1000 jours en Toscane » (2004), et « Un palais à Orvieto » (2013).· L'univers d'Alice Cheron :Instagram : @alidifirenze / Site Internet : www.alidifirenze.frConçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMixage épisode : Alice Krief - Les belles fréquencesMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsCréation visuelle : Thomas JouffritPortrait Alice Cheron : © Alex DaniPodcast hébergé par Ausha.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us a textThe theatrical landscape of 2025 tells a fascinating story through its box office patterns and creative trends. Animation continues its unstoppable theatrical dominance across multiple studios, while long-running franchises like Mission Impossible and Jurassic World show unmistakable signs of fatigue. Has the time come to put these decades-old properties to rest?Our midyear film roundup reveals a striking preference for original storytelling over franchise continuation. From the breathtaking coastal beauty of Paolo Sorrentino's Parthenope to the inventive shark thrills of Dangerous Animals, our top picks demonstrate cinema's continued ability to surprise and captivate. Steven Soderbergh's spy thriller Black Bag showcases masterful craftsmanship, while Tim Robinson's Friendship brings his distinctive comedic sensibilities to feature length with remarkable success.The conversation turns passionate when discussing Ryan Coogler's Sinners and Ari Aster's Eddington – films that blend genres with extraordinary confidence while delivering profound thematic depth. Both represent bold, auteur-driven visions that resonated deeply with audiences seeking thoughtful, challenging cinema.Looking ahead, the remainder of 2025 promises an embarrassment of riches from acclaimed filmmakers including Park Chan-wook, Paul Thomas Anderson, and Jim Jarmusch. Their upcoming works, alongside anticipated releases like Edgar Wright's The Running Man and Blumhouse's Weapons, suggest our year-end lists may undergo significant transformation.What films have captured your imagination in 2025? Join our conversation about this remarkable year in cinema and share your own discoveries and disappointments. The theatrical experience continues to evolve, but the power of original storytelling remains undiminished.Support the show

E dopo il caso di Villa Pamphili tratteggiato nelle pagine del Messaggero da Valeria Di Corrado, restiamo sempre a Roma con l'inviata Valeria Mozzetti che ci parla dell'esplosione di un distributore, della tregua a Gaza arrivata nella notte ci parla l'inviato Lorenzo Vita, quindi parleremo dell'impegno preso da Trump con Zelensky, mentre la pagina dello spettacolo andiamo a Venezia con Gloria Satta e l'ultimo film di Paolo Sorrentino. E sempre per lo spettacolo andiamo al Due Mondi di Spoleto con il programma scelto da Antonella Manni

Nell'ultimo appuntamento del nostro podcast Cineguru Extra da Ciné, Andrea Francesco Berni e Gabriele Niola parlano delle ultime due convention di questa edizione. La prima è quella di PiperFilm: nel giorno in cui è stato annunciato che La Grazia di Paolo Sorrentino sarà il film d'apertura al Festival di Venezia abbiamo commentato il listino con Davide Novelli, Senior Vice President Distribution. La seconda è Warner Bros.: a pochi giorni dall'attesissima uscita di Superman abbiamo commentato il listino con Arturo De Simone, VP Marketing Theatrical and Digital Distribution Italy & Spain and VP Local Productions Italy.Cineguru ha seguito Ciné 2025 con sei podcast, disponibili qui sul sito, sulle principali piattaforme di podcast e su Substack, dove potete iscrivervi alla newsletter Cineguru Intelligence. Inoltre, sul numero doppio di luglio-agosto di Fortune Italia Entertainment, distribuito in formato cartaceo in occasione delle Giornate Estive di Cinema di Riccione e già consultabile gratuitamente online, è disponibile un ampio Speciale Distribuzione curato da noi.

En este episodio de Designaholic, Jorge Diego conversa con el arquitecto Lucas Villarreal, socio fundador de Cuatro44, un despacho de arquitectura con más de dos décadas de trayectoria. La conversación recorre desde su formación en Monterrey y su paso por Europa, hasta el desarrollo de proyectos icónicos como colaborador de grandes firmas internacionales. Lucas comparte su visión crítica sobre la educación, la profesión y el rol del diseñador como agente cultural.A lo largo del episodio, exploramos su interés por la arquitectura bien construida, el aprendizaje constante y su compromiso con el contexto cultural regiomontano. Villarreal habla sobre la importancia de los equipos, la historia, y de cómo proyectos como Galera han marcado la escena creativa local. Una charla para arquitectos, creativos y curiosos que entienden que diseñar va más allá de la forma.Dedicamos este episodio a la memoria de Adrián Gracia, socio fundador de Cuatro44.Escucha este episodio si estás...• Empezando un despacho de arquitectura.• Cuestionando cómo aprender fuera de la universidad.• Pensando en transitar entre arquitectura y cultura.• Buscando mejorar tu rol como arquitecto local en colaboraciones internacionales.• Investigando la historia creativa de Monterrey.Lucas Villarreal es un arquitecto de origen belga, formado en México. Estudió Arquitectura en la Universidad Autónoma de Nuevo León (UANL), tras haber cursado estudios previos en economía en Europa. Fue director del programa de interiores y arquitectura en CEDIM y desde hace 23 años es socio fundador de Cuatro44, despacho regiomontano reconocido por su trabajo como arquitectos de autor y como arquitectos locales para firmas internacionales. Además de su práctica profesional, Lucas se ha involucrado en iniciativas editoriales, curaduría de exposiciones y programas culturales que contribuyen a la memoria y crítica del diseño y la arquitectura en Monterrey.Puedes seguir en Instagram a Lucas Villareal@cuatro44_@lvillarrealdShow Notes y Links relacionados a este episodioConsejo o aprendizaje: "Trabaja con alguien antes de trabajar por tu cuenta."Objeto favorito: Florero Savoy de Alvar Aalto → https://designaholic.mx/diseno/productos/clasicos-jarron-savoy-por-alvar-aalto-para-iittala/Edificio favorito: Panteón de Roma → https://historia.nationalgeographic.com.es/a/templo-agripa-maravilloso-panteon-que-sobrevive-paso-tiempo_9056Recomendación: Película Parthenope de Paolo Sorrentino → https://www.imdb.com/es-es/title/tt23853982/?ref_=fn_all_ttl_1• Lucas Villarreal → https://www.instagram.com/lvillarreald/• Cuatro44 → https://cuatro44.com/• Victor Horta → https://www.archdaily.mx/mx/898638/la-obra-de-victor-horta-arquitecto-referente-del-art-nouveau• Frank Gehry → https://www.guggenheim-bilbao.eus/el-edificio/frank-gehry• Tadao Ando → https://www.pritzkerprize.com/biography-tadao-ando• Revista japonesa A+U → https://au-magazine.com• UANL → https://www.uanl.mx/• Norman Foster → https://www.fosterandpartners.com/• Zaha Hadid → https://www.zaha-hadid.com/• CEDIM → https://www.cedim.edu.mx/• Alexandre Lenoir → https://designaholic.mx/episodios/una-vision-propia-de-la-arquitectura/• SOM → https://www.som.com• Pelli Clarke & Partners → https://www.pcparch.comNo te pierdas nuestros episodios, publicamos todos los Martes.Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmxSuscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://link.jde.design/prfNuestra página web es: http://designaholic.mx Hosted on Acast. See acast.com/privacy for more information.

Are we content with our treatment of beauty?Following last week's episode, being something of a call to actively seek modern beauty, this week's episode focuses on Paulo Sorrentino's newest film, Parthenope, to reflect on the extent to which 'the beautiful' has been valued in recent times. We also briefly discuss:The Brutalist (2024) d. Brady CorbetAnora (2024) d. Sean BakerContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Hoy venimos con unas propuestas peculiares. Cine italiano, del poético y metafórico para arrancar. La más reciente película de Paolo Sorrentino que aun pueden encontrar en algunas salas y que lleva por titulo "Parthenope". En la plataforma que proximamente se llamará HBO Max, actualmente es conocida como Max, y era antes conocida como HBO Max (es en serio esta historia) acaban de estrenar una de las series más originales, incómodas, complicadas, humanas, raras y geniales que hayan visto, se llama "The Rehearsal" y aquí les contamos de que va, o al menos eso intentamos.En salas de cine está la película francesa "Apocalipsis Zombie, Paciente Z", un plano secuencia de mas de hora y media con sus logros y detallitos.Finalmente nuestra invitada... ya estuvo Pedrito Sola, ahora le tocó a Atala Sarmiento (Sí... tendremos a todo Ventaneando eventualmente) nos recomienda tres obras que ver.Pase a su podcast informal favorito, deje su like y su comentario y comparta. Gucci!

Puntata a cura di Jacopo Bulgarini d'Elci e Francesca Sarah Toich. Habemus Papam! Ed è pure un Papa americano, per la prima volta nella storia! Inevitabile, per noi di Mondoserie, tornare a parlare di The Young Pope (2016) e The New Pope (2020), create e dirette da Paolo Sorrentino (disponibili su Sky e NOW). Una serie, o meglio due serie consecutive, del tutto eccezionali nel contesto della produzione televisiva italiana. Sontuose, stilisticamente formidabili, capaci di affrontare temi giganteschi: come quello dello scandalo del sacro, della dimensione spirituale in un mondo secolarizzato, del dialogo e conflitto tra ragione e fede. Con due protagonisti straordinari, e diversamente pop, come Jude Law e John Malkovich - entrambi alle prese con le trame vaticane del fantastico Silvio Orlando. E con, appunto, un Papa americano. Amazing!Leggi il nostro articolo su The Young Pope: https://www.mondoserie.it/the-young-pope/Leggi il nostro articolo su The New Pope: https://www.mondoserie.it/the-new-pope/ MUSICA: Fluidscape di Kevin MacLeod è un brano concesso in uso tramite licenza Creative CommonsAttribuzione 4.0. https://creativecommons.org/licenses/by/4.0/ Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100393 Artista: http://incompetech.com/Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

It had to happen: the Empire podcast has finally gone to hell — quite literally in this case, as this particular show is episode 666. Perhaps appropriately, James is in the driving seat for this one, embracing this demonically anointed episode to bring you such thematically-relevant discussions as a Mount Rushmore of movie Satans and an off-topic discussion as to why subtitles are also the devil's work. But that's not all, because while Chris isn't here in body, having hopped over to Ireland for a few rounds of golf, he is here in spirit, not least of all as he interviews all of this week's guests, specifically three of the Thunderbolts — Hannah John-Kamen, Wyatt Russell and David Harbour (approx 57:36-1:13:09)— Another Simple Favour director Paul Feig (approx 11:21-23:48), and Ryan Coogler (at the very end) in a little tease of our Sinners spoiler special episode, which is available now on the Spoiler Specials subscription feed. Joining James and Helen this week is John ‘The Nuge' Nugent, who does his best to justify his three-star review of Thunderbolts*, plus we review Another Simple Favour, Paolo Sorrentino's Parthenope, and Die Hard in the Docklands film Cleaner.

Muy Lejos es el debut de Gerard Oms en el largo basado en sus propias experiencias. Con Gerard Oms y Mario Casas hablamos de esta historia en la que se habla de la búsqueda de identidad y las segundas oportunidades. La niña de la Cabra nos lleva a la infancia de su directora Ana Asensio en la que toca temas como la amistad, la pérdida y sobre todo el choque cultural, con ella y el actor Javier Pereira charlamos de esta cinta que cautiva.Otra de las películas españolas que llega a salas es Un funeral de locos de Manuel Gómez Pereira cinta con la que regresa a la dirección después de una década y lo hace con el remake de la película inglesa Un funeral de muerte. Con el amplio elenco ha estado Marta Pérez Reinoso. Amateur es la película que nos acerca Elio Castro, un thriller de espías, protagonizado por Rami Malek y Parthenope de Paolo Sorrentino, su carta de amor a su ciudad natal, Nápoles la comentamos con José Fernández. Todo esto además de las series con Pedro Calvo, Luis Alegre nos lleva hasta Viridiana y las secciones habituales.Escuchar audio

In der Mythologie ist die Sirene Parthenope Stadtgöttin von Neapel. Im Film des Neapolitaners Paolo Sorrentino ersteht sie wieder auf: Als junge Anthropologin und Frau von überweltlicher Schönheit. Auf ihrem Weg hat Parthenope romantische, groteske, aber immer inspirierende Begegnungen – und reflektiert alle Facetten Neapels.

durée : 00:05:51 - "Parthenope" de Paolo Sorrentino

Coucou everyone!Welcome to our first tête-à-tête episode! We just wanted to take some time to chat about Catherine's recent trip to Paris, and Kate's latest obsession: Parthenope (2024) directed by Paolo Sorrentino. Let us know if you're into this type of ep - because lord knows we have PLENTY of other things to yap about. Ciao!Don't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :)Cover art and logo by Kate WalkerMixed and edited by Catherine RoehreTheme song by LumehillThank you all - ciao!

Quel univers explore le cinéaste avec la complicité de Cate Blanchett et de Michael Fassbender ? Pourquoi le film d'animation « Mémoires d'un escargot » de l'Australien Adam Elliot aurait, lui aussi, mérité un Oscar ? Pourquoi Camélia Jordana gaspille son talent dans « Reine mère » ? Les découvertes musicales : Miki- Miki cowboy Matilda Mann-Autopilot Andy Bell - Panic attack Elias Rønnenfelt - Close - The Dare Remix Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

In this conversation, Keltie Maguire interviews filmmaker Sophia Seymour about her personal journey with egg freezing, and her documentary, Harvest, which Sophia created about the experience.  You'll hear them discuss: The emotional and physical aspects of the egg-freezing process, and the decision-making involved. The societal pressures surrounding motherhood and fertility. Sophia's advice for anyone considering freezing their eggs. Why she wouldn't recommend egg-freezing as a means of getting clarity on the Kids or Childfree choice, despite having done so herself. Insights from her discussions with other women about the decision to have or not have kids. About Sophia: Sophia Seymour is a British award-winning writer/director living between London and Naples and writes regularly for The Guardian, Condè Nast and Time Out. She has a background in music management and highlights of her career so far include co-directing/producing Teranga - Life in the Waiting Room (Guardian Documentaries and BBC Africa Eye), appearing alongside Richard E Grant for his BBC4 Write Around the World series and working with Paolo Sorrentino for his Netflix documentary Through the Eyes of Sorrentino. She has worked as a producer on documentaries for the Guardian, Netflix, BBC2, BBC4 and graduated with a masters from The National Film and Television school in 2024. She is currently developing a slate of fiction and non-fiction films. As mentioned in the show: You can find Sophia online at: www.sophiaseymour.com Instagram: @sophia_seymour_says_ X: @SophiaSeymour2 Facebook: facebook.com/sophia.seymour Watch Sophia's film, Harvest, online at The Guardian. __ Join the March session of my Confidently Childfree Coaching Intensive: kidsorchildfree.com/confidently-childfree-support-series Check out our free resources here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree

Erik Childress and Steve Prokopy return to regular reviewing duties this week and they put a nine-spot on the board. There are a pair of documentaries involving Sly Stone (Sly Lives) and the Zep (Becoming Led Zeppelin). The director of Saint Frances & Ghostlight shows the horror of being a doctor (Rounding) while a young woman involved in one night stands may have been literally ghosted (The Dead Thing). Paolo Sorrentino has another tale of beauty (Parthenope) while Miles Teller & Anya Taylor-Joy snipe themselves into each other's hearts fighting monsters (The Gorge). Then it's a week of sequels including a continuation of Renee Zellweger's beloved character (Bridget Jones: Mad About the Boy), everyone's favorite marmalade-loving bear (Paddington In Peru) and the tale of a new Captain and a new President (Captain America: Brave New World). 0:00 – Intro 1:13 - Becoming Led Zeppelin 7:54 - Rounding 17:02 - Sly Lives! 23:00 - The Dead Thing 32:25 - Parthenope 39:22 - Bridget Jones: Mad About the Boy 55:43 - The Gorge 1:06:50 - Paddington in Peru 1:15:46 - Captain America: Brave New World 1:31:08 - Outro

"Parthenope" had its world premiere at the 2024 Cannes Film Festival, where newcomer Celeste Dalla Porta stunned audiences with her debut performance leading Paolo Sorrentino's film. Dalla Porta (along with her interpreter, Lilia Pino Blouin) was kind enough to spend some time talking with us about her experience getting the role, making the film, working with Sorrentino, and more, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from A24. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Radiostem en tv-gezicht Michèle Cuvelier vertelt waarom de film 'La grande bellezza' van Paolo Sorrentino haar elk jaar opnieuw nieuwe inzichten geeft, wat ze allemaal opstak van Iers radio-icoon Annie Mac, en hoe het boek 'The power of now' van de Duitse leraar en auteur Eckhart Tolle haar leerde hoe uit de grootste pijn, de grootse verlossing kan komen. See omnystudio.com/listener for privacy information.

Today...Film Frauds steps our from our American-centered ideas of what is a modern classic and takes a look at Paolo Sorrentino and his Italian semi-autobiographical film "The Hand of God." But first, we talk about horror movies we watched in 2024. Our links: YouTube Channels: - https://www.youtube.com/@colorlesswonderland - https://www.youtube.com/@mattsbookshelf4084 Instagram: - https://www.instagram.com/matts.bookshelf - https://www.instagram.com/colorlesswonderlandd Letterboxd: - https://letterboxd.com/TylerColorless/ - https://letterboxd.com/mattsbookshelf/ Intro music: https://www.youtube.com/watch?v=HGMQbVfYVmI

The beverage brand's former CMO, which holds drinks like Aperol, breaks down why events like Coachella, the US Open and Cannes Film Festival are so important to its marketing strategy. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.[00:00:00] Damian: I'm Damian Fowler [00:00:01] Ilyse: And I'm Ilyse Liffreing [00:00:02] Damian: And welcome to this edition of The Current Podcast. [00:00:05] Ilyse: This week, we're delighted to talk with Julka Villa, the former Global CMO of Campari Group. [00:00:11] Damian: Founded in 1860, Campari is a household name in the global spirits industry with a portfolio of over 50 brands across world markets. [00:00:20] We're talking familiar names like Aperol, Sky Vodka, Wild Turkey Bourbon, and Courvoisier. [00:00:27] Ilyse: Julka is a marketing veteran with over 25 years of experience in the alcoholic beverage and beauty industries. A specialist in consumer focused brands. [00:00:37] Damian: Julka is responsible for the marketing vision, strategy, and execution of the Campari Group's brands. [00:00:44] At the same time, she has a bird's eye view of the company's worldwide presence, coordinating teams based in Milan, Paris, and New York. [00:00:52] Ilyse: We started by asking her about how she balances the Campari legacy with keeping its brands relevant for today's [00:01:00] consumers. [00:01:02] Damian: So Campari has a rich heritage. The company is now 164 years old. How do you go about balancing its legacy, the preservation of its legacy while keeping the brand modern and relevant for today's consumers? [00:01:18] Julka: I think that, if we go back to the roots of the Campari brand, about being [00:01:23] bold, about being visionary about investing in arts, think about Europe, Italy in the second half of the 19th century. There were so, few brands really investing Campari was one of the first really interacting with artists [00:01:42] and designers and giving them the freedom to, the brand in the way they saw it. if you look at how we started, you how we moved forward along our, our history. You can see that, the [00:02:00] twenties and thirties of last we start cooperating with cinema, really asking the people, working in the industries and producing the movies, postcards, producing, you know, designs and drawings for us. [00:02:16] You can see that, fast forward, to the eighties. We start cooperating with one of the greatest filmmakers. In the world, Federico Fellini, that was a big fan of the Campari brand. He was drinking Campari and he decided to cooperate with us to produce an advertising for the brand. And Fellini was the first filmmaker we cooperated with. But then, we kept this partnership, for instance, with Paolo Sorrentino 2017. And I was personally You know, working with him, it was a fantastic experience to see an artist really bringing to life, the brand, [00:03:00] respecting the legacy, but at the same time, renovating, since you're asking me how a brand modern still loyal to its root, it was amazing to see how we could kept the daring, attitude of the brand alive. According to his own style.  [00:03:20] Ilyse: Wow,that is super cool. so is pop culture still as important to the brand even today?  [00:03:27] Julka: Absolutely. Absolutely. So, and this is so important for the Campari brand, but for many other brands part of our portfolio, just for you to know, we have more than 50 brands. in our portfolio, and if you'd like we can talk about some of them, but when it, comes to Campari, think about the fact that our partnership with arts, have been, more recently renovated in our, cooperation with the major film festivals, in the world. We, are [00:04:00] partners of the Cannes Film the Locarno, in Berlinale. weclosed the first, year of partnership with the Toronto Film that's definitely a modern way to the brand, extremely aspirational, but still to get in touch with so many consumers and possible advocates of the brand. One of the things we really care about is not just to communicate our brands, but to assure our consumer to consume our brands throughout the signature cocktails in the best way possible and definitely feel festival for us are a huge opportunity to provide liquid tulips, as we say, to our consumers current and future.  [00:04:47] Damian: What's interesting is with these different brands, you're sort of talking about how they're valued differently in different markets. that's very interesting to me. How do you know and prioritize [00:05:00] which brands work best in which countries?  [00:05:04] Julka: We have, well identified, what we call the global brands. The brands that should be built everywhere in the world. Of course step by step and respecting the life stages, the brand is in a specific geography. And definitely the one I mentioned so far, are global brands. And so also global priorities, for the company. And then, depending on the area of the world, the characteristics of the market and the consumers, each individual, operating company, can, compose, portfolio, to have the best performance on the market. But definitely there are priorities everybody to focus  [00:05:51] Damian: if you think about the United States, is there a sort of priority? [00:05:55] Julka: Yeah,  [00:05:56] Damian: Leading brand here. [00:05:58] Julka: definitely, [00:06:00] uh, the priority for the United our giant aperitif brands, such as Campari Aperol, Grand Manier, Wild Turkey, Espolon, and of course, the local team is really excited to rebuild the Courvoisier brand. always acquisition we have just finalized. [00:06:21] Damian: Yeah, each of those brands has its own kind of, whole kind of narrative around them, I imagine. But I wanted to ask you actually a little bit about, The current moment that we're in, which we're seeing a kind of a lot of debate around alcohol versus no alcohol consumption, particularly when it comes to like Gen Z demographics. I mean, how do you think about and navigate these perception shifts?  [00:06:47] Julka: That's a very that's a very interesting question. And of course, as you can imagine, we have been spending a lot of time and resources really to dig deep into these shift and [00:07:00] transformation in a way of our consumer ships. One thing that is not that evident to, to everybody is that differently from the past, there is a sort of coexistence of, people drinking alcoholic products and non alcoholic products, depending on the moment they are in, the people they are with, what they have to do the day after. [00:07:23] And this kind of consciousness and, control on what to choose is even stronger in younger consumers as you were mentioned so they are more conscious they don't they are not you know afraid to make a choice that could be out of  [00:07:43] their are pool of friends. Everybody's drinking something alcoholic There's no problem at all for one of them to say “Look tomorrow I have to wake up very early I have a very important day I prefer to, to opt for a choice, a non alcoholic choice.” So more than a counter position [00:08:00] today, we see the coexistence, of these kind of choices, which is quite interesting, honestly, also because it gives us the opportunity to be more, mindful and, intentional in developing also the part of our portfolio, which is non alcoholic. For instance, we have a product which is an extremely strong product in Italy and definitely in a phase of conquering of continental Europe is, the name of the product is Crodino and is definitely our non alcoholic, kind of spritz. is a product that was invented and launched in the market, in 1965. [00:08:39] So this is a little bit a testament, to the personality of the company, wanting really to push boundaries. And actually we are preparing the launch of these fantastic product also in the U S, that we plan for next year.  [00:08:54] Ilyse: So it sounds like Campari really anticipated this trend of non alcoholic [00:09:00] beverages in a sense.  [00:09:02] Julka: Yeah, that's, that's correct. That's correct.  [00:09:05] Damian: I'm just curious on that point, you know, as a marketer, you must get lots of data back in terms of like, who's drinking what, maybe by generation, maybe by geography even. I'm interested to know, do you kind of look at that in terms of strategizing and find the discrete markets?  [00:09:24] Julka: even if, with the passing of the years, what we, really is of people. So demographics are not, gender or age brackets are not the main elements we look for because what really counts. Today is the mindset and the attitude of people, for instance, if I think about a product like Aperol with these with its signature cocktail, Aperol can see across generations drinking this product and across age brackets is the mindset. [00:09:57] And you would be amazed how people approaching Aperol [00:10:00] Spritz, enjoying Aperol Spritz, they really have in common, the way they appreciate life and what they are looking for in that specific moment. Either they are, 25 or 60. So there are also, a number of cross generational, alcoholic beverage experiences, and so the way we look at data is really about the motivation and the attitude of people when they are about to make a choice.  [00:10:27] Ilyse: Yeah, that kind of, shift towards mindset over demographics probably helps a lot when it comes to just I guess prioritizing channels for the brand and where to reach those audiences because I know in a lot of the times like Millennials and Gen Zers are in like social media and usually that's not an option when it comes to alcohol brands, is, so is the brand finding other channels to be just as effective, in reaching that kind of mindset that it's [00:11:00] after. [00:11:00] Julka: when, I think a strong, distinctive characteristic Of our marketing and activation strategies, really investing very seriously in, in events, because definitely there's a lot of will among consumers of all ages, really to leave, events, in person really experience, on their, skin, much more than in the past. [00:11:24] and then we amplify, if you want, through social media, those events. But, a big part of our investment. is really, put on organizing, these kind of events. When we, when it comes to the U. S., think about Coachella, which is, more than a music festival, is a lifestyle festival, as we all know. [00:11:43] Think about the U. S. Open. uh, but also if we go on the other side of the world, in the APAC region, think about, The Australian Open, which is for us a, opportunity to reach so many consumers. about [00:12:00] hundreds of thousands live offering our best signature cocktail in our, fantastic lounger and then we can definitely amplify this content on a number of social media where. alcoholic beverage can, have a direct relationship, with their consumers. So for us, it's always a mix. we really believe that we have winning products, very straightforward drinking strategy, and that's why we care so these to life in real life for we don't see this business as happening just, just virtually. Definitely.  [00:12:42] How do you kind of maintain and sort of keep tabs, as it were, on people who are loyal to the brands that you market? [00:12:52] definitely over the yearsWe invested and we improved, our, CRM, capacity, so [00:13:00] throughout, social media and massively through events, we gather as much as possible information about our consumers so that, we can definitely keep them, up to date. On our, yearly, program, but also we can establish a more direct dialogue. [00:13:18] Sometimes we consult them, a part of them for new projects. we listen to them, ask them questions about, trends, want to know more and I think that, especially when it comes to a lab important. [00:13:39] Feel part of a feel, really listen to is something as important as enjoying your favorite, brand and your [00:13:50] Damian: And what's interesting to me is I was thinking about this because about, maybe 12 years ago, I have a friend from Venice who lives in New York and we went to a [00:14:00] restaurant and she ordered an Aperol and at that, point it wasn't very, nobody really knew much about it here. [00:14:06] And since then, of course, it's huge. It's like a probably one of the most popular, cocktails around. I was just at the U. S. Open in the summer and I could see, your your [00:14:16] plaza there with Aperol everywhere. I guess it was, there's a sponsor, a partnership  [00:14:20] Julka: Mm hmm.  [00:14:21] Damian: But my question is, how did you could you walk us through how you, built that awareness from, that moment, however many years ago when it wasn't such a big, obviously big in Venice, she said it was the Venetian drink. [00:14:34] So I was like, Oh, that's interesting. [00:14:39] Julka: yes, I am. 10, 12 years ago, not only in the U. S., but in many other places outside Europe, definitely it was not established. you know, staple it is to die. and at the very beginning, we really faced, some very basic, difficulties. I have to say, it was not easy, to start [00:15:00] talking about, a signature cocktail that, needed, a bottle of Prosecco to be open, to be prepared because. [00:15:07] You know, if you are familiar with sparkly wines, the problem with it is that if you open it and you use just a little part and then you keep the bottle for a couple of days, the carbonation will just, yes, go away. So it was really. a very precise, consistent, and stubborn work of education. [00:15:28] There's just one certainty about education, which is that, you know, when you started that you will never know when you will finish. And actually it's a never ending story in a way. So we, in the past we put, and we keep putting a lot of, effort and an investment in educating the trade the bartenders bar owners But also the final consumers because at the end if the final consumer knows [00:15:52] the best way to prepare an upper spritz They will be your advocate and it happened to me so many times in the past [00:16:00] when I was receiving at the table in upper spritz that was not preparing the way It should have been, I was going back to the bar and I was saying there's something wrong with my cocktail. [00:16:13] it's a double, a double direction  [00:16:16] Julka: Yeah,  [00:16:18] efforts. And, Also, a very important part is, what we call, the oil spill approach. What does it mean? We start with the city, a major city, we start with the specific neighbors. and key on trade outlets in this neighbor. [00:16:39] We build a relationship of partnership. We invest on these venues and we create the phenomenon of the cocktail and then we expand. So distribution and presence comes just [00:16:52] after having started trend with a very high level, of the serve in a smaller [00:17:00] number of venues. [00:17:01] This, has been the approach in the U. S. and in every other part of the world. You mentioned Venice, which is the place where the brand really, started being known and appreciated and, recognized as, the champion of aperitif. But the phenomenon of Aperol Spritz started in Venice, expanded to the Veneto region, which is the region of Venice, and then expanded Milan and from Milan to the rest of Italy. [00:17:28] So the oil spill approach, as we call it, has always been, front and center of the strategy, of, And it's building.  [00:17:38] Ilyse: So interesting. when you think of Campari brands, it also sorts of implies Like a level of sophistication. in a sense, are marketing just drinks or is it something more, I don't know, like lifestyle?  [00:17:53] Julka: definitely. I think that,our brands are starting from, The most important ones really [00:18:00] stand for a certain lifestyle. you think about campari, it really represents the Milan. And, the lifestyle of the city. If you, think about aperol, you're talking about a more democratic sort of brand, really more casual. welcome. and, So they, [00:18:21] reflect a way of living and today even more important. If you think about the trend of escapism, traveling without traveling. I need a break. I need a moment for myself of real enjoyment with my friends. [00:18:36] brands like this, and they are signature cocktail, let's say Aperol Spritz for Aperol, Negroni, for instance, for Campari makes you really full for half hour, one hour you're spending with your friends in another place. So they really stand for a way of living for a place and for a moment in life where you really, recharge your batteries and, [00:19:00] you dedicate really a true moment to yourself.  [00:19:03] Julka: And that's it for this edition of The Current Podcast. [00:19:05] Damian: We'll be back next week, so stay tuned. [00:19:08] Ilyse: The Current Podcast's theme is by Love Caliber. The current team includes Kat Vesce and Sydney Cairns. [00:19:15] Damian: Cairns. And remember,  [00:19:16] Julka: we really believe that we have winning products, and that's why we care so these to life we don't see this business as happening just virtually.  [00:19:29] Damian: I'm Damian. [00:19:30] Ilyse: I'm Ilyse. [00:19:30] Damian: And we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also, tune in to our other podcast, The Current Report.

Andrew F Peirce and Nadine Whitney head to prison with Colman Domingo and Clarence Macklin for the powerful drama Sing Sing, before taking a sojourn to the beach for Robert Connolly's adaptation of Alison Lester's children's book Magic Beach. The waters of Australia linger in Nadine's mind as she embarks on a trip through the history of Naples with Paolo Sorrentino's Parthenope.Film recommendations this week include What Ever Happened to Baby Jane? and Superman.Listen to Andrew's interview with Robert Connolly and Alison Lester here.Find Andrew's 21 Films from 21 Friends list on Letterboxd here.Clips featured in this episode include:Sing Sing First Look | Magic Beach trailer | Parthenope trailerTheme music is the Lantana score by Paul Kelly.Follow the Curb on Bluesky, Instagram, and Facebook. Follow Nadine Whitney on Bluesky here, and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

Andrew F Peirce and Nadine Whitney head to prison with Colman Domingo and Clarence Macklin for the powerful drama Sing Sing, before taking a sojourn to the beach for Robert Connolly's adaptation of Alison Lester's children's book Magic Beach. The waters of Australia linger in Nadine's mind as she embarks on a trip through the history of Naples with Paolo Sorrentino's Parthenope.Film recommendations this week include What Ever Happened to Baby Jane? and Superman.Listen to Andrew's interview with Robert Connolly and Alison Lester here.Find Andrew's 21 Films from 21 Friends list on Letterboxd here.Clips featured in this episode include:Sing Sing First Look | Magic Beach trailer | Parthenope trailerTheme music is the Lantana score by Paul Kelly.Follow the Curb on Bluesky, Instagram, and Facebook. Follow Nadine Whitney on Bluesky here, and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

‘Parthenope', Parthenópe, Parthenopé, Párthenope. Paolo Sorrentino nos ha regalado un viaje místico, otra gran belleza cinematográfica que ha de servirse en pantalla grande. La cinta presenta un modo inmejorable de entrar en 2025 para los que quieran llenar el depósito de puritita sensibilidad y trascendencia. Además esta semana nos visita la detective Bruna Husky, que vuelve a la carga por última vez con ‘Animales difíciles,' la novela de Rosa Montero que cierra la serie en Planeta de Libros. A la venta el 15 de enero, señora. Rematamos con ‘Wolfs', la comedia thriller faena de aliño spot largo de nespresso de George Clooney y Brad Pitt para ver con batamanta en Apple TV+. Todo maravilloso. Nada ha sido visto o leído por El Criticón. 

‘Parthenope', Parthenópe, Parthenopé, Párthenope. Paolo Sorrentino nos ha regalado un viaje místico, otra gran belleza cinematográfica que ha de servirse en pantalla grande. La cinta presenta un modo inmejorable de entrar en 2025 para los que quieran llenar el depósito de puritita sensibilidad y trascendencia. Además esta semana nos visita la detective Bruna Husky, que vuelve a la carga por última vez con ‘Animales difíciles,' la novela de Rosa Montero que cierra la serie en Planeta de Libros. A la venta el 15 de enero, señora. Rematamos con ‘Wolfs', la comedia thriller faena de aliño spot largo de nespresso de George Clooney y Brad Pitt para ver con batamanta en Apple TV+. Todo maravilloso. Nada ha sido visto o leído por El Criticón. 

A propósito de 'Parténope', la nueva película de Paolo Sorrentino, viajamos a Nápoles para abundar en la monomanía del director partenopeo con su propia ciudad: la iglesia, el mar, el crimen, el fútbol... ¿Genialidad o batiburrillo sorrentiniano? ¿Tiene que ver con Fellini o es una caricatura? ¿Retrata bien Nápoles? ¿Y quién demonios es Celeste Dalla Porta? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, desgranamos los viajes navideños (europeos) de los propios culturetas. Además, Altares recomienda la película india 'La luz que imaginamos'.

A propósito de 'Parténope', la nueva película de Paolo Sorrentino, viajamos a Nápoles para abundar en la monomanía del director partenopeo con su propia ciudad: la iglesia, el mar, el crimen, el fútbol... ¿Genialidad o batiburrillo sorrentiniano? ¿Tiene que ver con Fellini o es una caricatura? ¿Retrata bien Nápoles? ¿Y quién demonios es Celeste Dalla Porta? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, desgranamos los viajes navideños (europeos) de los propios culturetas. Además, Altares recomienda la película india 'La luz que imaginamos'.

Nuestro crítico de cine Carlos Boyero repasa los primeros estrenos del año. Hablamos de 'Cónclave', protagonizada por Ralph Fiennes y dirigida por Edward Berger. Paolo Sorrentino vuelve a las salas con 'Parthenope', una historia ambientada en su Nápoles natal.

La cartelera nos había reservado para Navidad dos de las películas que no salieron muy bien paradas de la última edición de Cannes. Por un lado, 'Oh Canada', del veterano Paul Scharder con Richard Gere como un cineasta recordando batallitas. Y por otro, al siempre polémico Paolo Sorrentino con 'Parthenope', su nueva carta de amor a Nápoles a través de la belleza y la decadencia. Analizamos también el 'Nosferatu' de Robert Eggers con todo el reparto y apuntamos las series de estreno en estos días por si estáis hartos de la familia y os queréis hacer un buen maratón.

En el último fin de semana del año encontramos películas muy esperadas, desde comedias con las que pasar un buen rato a cine de aventuras pasando por el thriller más interesante.En De película vivimos el cine e iniciamos el recorrido con un drama romántico, Parthenope la nueva película de Paolo Sorrentino con el que hablamos de esta cinta singular que lleva su sello de identidad y con la que rinde un homenaje a Nápoles y sus gentes. Otra de las cintas internacionales que llega a las salas es Oh Cánada, la nueva película de Paul Schrader protagonizada por Richard Gere, Uma Thurman y Jacob Elordi. Con Richard Gere hablamos de esta cinta basada en la novela Los abandonos de Russell Banks que indaga en la vida de un hombre atormentado en los últimos días de su vida.Nosferatu dirigida por Robert Eggers es otra de las películas internacionales más esperadas, un inquietante cuento gótico para los amantes de lo oscuro y el terror. No podemos olvidarnos de la película de palomitas que no se van a perder los pequeños de la casa, Sonic3:la película, la última aventura del erizo azul más famoso.En el ámbito nacional llega a las salas Sin Instrucciones, la comedia familiar protagonizada por Paco León con la firma de la directora Marina Seresesky con la que charlamos.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo, las secciones habituales de Carlos Brioso, Ana Vega Toscano y esta semana Luis Alegre con el que está Gervasio Sánchez para hablarnos de su libro Memorias de un cinéfilo.Escuchar audio

Aunque nos hemos hecho de rogar, sí, también tenemos nuestras listas de lo mejor del año en cine y series. En este episodio debatimos, o no tanto, sobre las películas que más nos han gustado y las que más nos han dividido. Además, los estrenos no descansan y se han adelantado por el día de Navidad. Ya se puede ver en cines el 'Nosferatu' de Robert Eggers, la nueva película de Paolo Sorrentino por su querido Nápoles y también un drama con Richard Gere buscando redención a toda una vida. Un menú completo y no tan navideño.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro comentaron libros y series.

Luis Herrero y Ayanta Barilli hablan sobre la última película de Paolo Sorrentino.