Podcast appearances and mentions of Paolo Sorrentino

Estate tempo di Festival: dal SXSW, mega evento Texano musicale e cinematografico che ha esordito con la sua prima edizione Londinese, passando per il Taormina Film Festival, per arrivare al Filming Italy Sardegna, al Festival della Tv di Monte Carlo sino al Festival di Sarajevo, dove ad agosto verrà premiato il regista Paolo Sorrentino. Per chi preferisce essere intrattenuto dentro casa, lo spunto arriva dalla recente classifica Nielsen delle 100 serie tv più viste in America nella stagione 2024-2025. Tra i titoli proposti ne spiccano alcuni apprezzati anche in Italia, come: "The White Lotus", "Yellowstone", "Zero Day", "High Potential", "Adolescence", "Squid Game" e molti altri... Per la rubrica "5 cose che non potete non sapere", è la volta di "The Walking Dead", amatissima serie tv tratta dall'omonimo fumetto e della quale è appena uscito su Sky lo spin-off "The Walking Dead: Daryl Dixon" . E a proposito di novità del momento, per chi ha voglia di sorridere Netflix propone la serie tv comica "Maschi Veri" mentre su Prime Video è in arrivo il film "Deep Cover - Attori sotto copertura", action comedy con un cast stellare (tra gli altri: Bryce Dallas Howard di Jurassic World e Orlando Bloom). E ancora: il cartone animato "Il Baracchino" su Prime Video, mentre su Rai2 torna a sorpresa "Skam", edizione italiana della serie prodotta da Tim Vision e Netflix.See omnystudio.com/listener for privacy information.

Parthenope je privlačna, inteligentna, radovedna in skrivnostna mladenka, očarljiva in usodna za številne moške, ki jih sreča na svoji poti. V celovečercu z istoimenskim naslovom, predstavljenem na lanskem festivalu v Cannesu, ji scenarist in režiser Paolo Sorrentino sledi skozi nekaj desetletij, od poroda v morju leta 1950 prek raziskovanja prvih ljubezni in študijskih uspehov do slovesa od mladosti in življenja v spominih. Parthenope pa je bilo v grški mitologiji ime tudi sireni, ki se je vrgla v morje iz obupa, ker ji ni uspelo zapeljati Odiseja; tam, kjer je njeno truplo naplavilo na obalo, je zraslo istoimensko mesto, ki ga danes poznamo kot Neapelj. V celovečernem filmu, ki ga lahko razumemo tudi kot razkošno vizualno posvetilo svojemu rodnemu mestu, Sorrentino združuje antične motive in pripoved o 20. stoletju skozi potapljanje v psiho svoje protagonistke, nadarjene študentke antropologije. Film je prežet s citati, navzkrižnimi povezavami in referencami; pred nas postavi uganko, v kolikšni meri glavna junakinja dejansko pooseblja mesto in njegovo zgodovino ter njegovo šarmantno mešanico sakralnega in profanega. Parthenope, ki jo odigra karizmatična Celeste Dalla Porta v svoji prvi večji vlogi, je v avtorjevi zamisli hkrati mitološka sirena in Odisej, hkrati oseba in prispodoba. A ta vsebinska odprtost in nedorečenost je s stališča gledalca dvorezen meč. Paolo Sorrentino je že v preteklosti dokazal, da je verjetno najboljši Fellinijev učenec, najbolj neposredno v Neskončni lepoti iz leta 2013. Od prvega prizora filma Parthenope naprej je očitno, da ga ne zanima umetnost kot mimesis, kot golo posnemanje resničnosti. Je ustvarjalec podob, ki so čutne izkušnje, skozi katere hoče prehajati – ne vedno najbolj uspešno – med notranjim in zunanjim svetom. Manj uspešno zato, ker je v te bohotne podobe sam veliko bolj zaljubljen kot to pričakuje od nas, še posebej v kombinaciji skrajno upočasnjenega ritma in ne najbolj jasne pripovedi. Morda še bolj kot na Fellinija me je tako film spomnil na opus enega drugega šampiona počasnega kina, Thea Angelopoulosa, in na njegovo vseživljenjsko ukvarjanje s pogledi, pa tudi z vsem univerzalnim v najbolj lokalnem. Kakorkoli, Neapelj, kot smo mu tu priča, je Sorrentinova Itaka, v katero se vrača po zaviti poti, tudi skozi spomine in doživljanja svoje protagonistke; je izkušnja življenja, ki v časovni perspektivi neizbežno polzi med prsti, in prispodoba lepote, ki bledi. Kljub vsej pompoznosti, ki jo avtorsko pripisuje sami lepoti – ali pa je poanta nemara prav v tem … Recenzijo je pripravil Gorazd Trušnovec, bere Igor Velše

Are we content with our treatment of beauty?Following last week's episode, being something of a call to actively seek modern beauty, this week's episode focuses on Paulo Sorrentino's newest film, Parthenope, to reflect on the extent to which 'the beautiful' has been valued in recent times. We also briefly discuss:The Brutalist (2024) d. Brady CorbetAnora (2024) d. Sean BakerContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Dall'unico film italiano in concorso alle prime interviste dalla Croisette con Alice Rohrwacher e Pierfrancesco Favino. Apriamo con uno speciale su questa 78ma edizione del Festival di Cannes con Andrea Chimento, critico cinematografico del Sole 24 Ore"L'infinito", con Umberto Contarello, Eric Claire e Carolina Sala è il film d'esordio alla regia di Umberto Contarello, sceneggiatore che collabora da lunghissimo tempo con Paolo Sorrentino, con il quale ha vinto peraltro anche l'Oscar con "La grande bellezza". Al recente Bifest di Bari lo abbiamo incontrato e intervistato in occasione della presentazione del film.“One to One: John & Yoko” è un documentario diretto da Kevin Macdonald e Sam Rice-Edwards che racconta la New York di inizio anni Settanta, dove John Lennon e Yoko Ono si erano stabiliti e organizzarono, tra mille difficioltà, il celebre concerto benefico "One to One" dell'agosto 1972. Ce lo racconta Enzo Gentile, critico musicale e appassionato di cinema.In "Francesca e Giovanni", film diretto da Simona Izzo e Ricky Tognazzi, con Ester Pantano, Primo Reggiani e Alessandra Carrillo tornano sulle schermo due figure fondamentali della lotta alla mafia nel nostro Paese, come Francesca Morvillo e Giovanni Falcone. Ne parliamo con i registi Simona Izzo e Ricky Tognazzi."Black Tea" è un film diretto da Abderrahmane Sissako, con Ke-Xi Wu, Michael Chang e Han Chang. Lo ha visto per noi e ce lo racconta Chiara Pizzimenti

Hoy venimos con unas propuestas peculiares. Cine italiano, del poético y metafórico para arrancar. La más reciente película de Paolo Sorrentino que aun pueden encontrar en algunas salas y que lleva por titulo "Parthenope". En la plataforma que proximamente se llamará HBO Max, actualmente es conocida como Max, y era antes conocida como HBO Max (es en serio esta historia) acaban de estrenar una de las series más originales, incómodas, complicadas, humanas, raras y geniales que hayan visto, se llama "The Rehearsal" y aquí les contamos de que va, o al menos eso intentamos.En salas de cine está la película francesa "Apocalipsis Zombie, Paciente Z", un plano secuencia de mas de hora y media con sus logros y detallitos.Finalmente nuestra invitada... ya estuvo Pedrito Sola, ahora le tocó a Atala Sarmiento (Sí... tendremos a todo Ventaneando eventualmente) nos recomienda tres obras que ver.Pase a su podcast informal favorito, deje su like y su comentario y comparta. Gucci!

Dans cet épisode, la créatrice de contenu culturel et amoureuse du Bel Paese, Louise Ebel @louiseebelpandora continue à nous distiller ses inspirations culturelles italiennes :L'artiste italien qui a conquis son cœur est le Caravage. Fascination pour l'exposition qui lui était dédié aux Écuries du Quirinal à Rome, en 2010. Focus tout particulier sur son tableau « La Mort de la Vierge ».Le conseil allora : profitez de l'exposition « Caravaggio 2025 », actuellement au Palais Barberini jusqu'au 6 juillet 2025. 24 toiles à contempler, parmi lesquelles « Le Martyre de sainte Ursule » (1610), venu de Naples, considéré comme le dernier tableau du peintre.Le film « La grande bellezza » de Paolo Sorrentino (2013).Les 3 incontournables de Louise à Rome : le bar San Calisto, la Fontana dell'Acqua Paola, aussi connue sous le nom de Il Fontanone pour sa vue sur Rome, puis partir en exploration à travers les églises byzantines telles que la basilique di Santa Maria et l'église Santa Cecilia à Trastevere, ou encore l'église San Clemente et son pavement cosmatesque !Sa playlist italienne : Mina, son icône intemporelle ; Patty Pravo et ses titres « La bombola », « Pensiero stupendo » & « Voglio vederti danzare » de Franco Battiato.Les futurs invités à envisager dans le podcast : Elsa Fabrega qui marie art et gastronomie, aux côté d'Augustin Marchand, au sein du restaurant « Augustin Marchand de vin ». Dégustez notamment sa « prise de terre », une caille cuite dans des feuilles de figuier, le tout caché dans une sculpture en argile réalisée par ses soins !Son conseil dolce vita : Un campari Spritz !Une lecture romaine : « Le dernier été en ville » de Gianfranco Calligarich (1973).Conçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsCréation visuelle : Thomas JouffritPodcast hébergé par Ausha· Archives épisode :© Extraits YouTube il Verde e il Blue Riassunti « La vita di Caravaggio », Artesplorando « Caravaggio - La morte della Vergine », BA « La grande bellezza » de Paolo Sorrentino, Extrait « La bambola » & « Pensiero stupendo » de Patty Pravo, Extrait « Voglio vederti danzare » de Franco Battiato.· Contattami, Scrivimi !Retrouvez allora sur Instagram @allora.lepodcast & Facebook @alloralepodcast ! Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Puntata a cura di Jacopo Bulgarini d'Elci e Francesca Sarah Toich. Habemus Papam! Ed è pure un Papa americano, per la prima volta nella storia! Inevitabile, per noi di Mondoserie, tornare a parlare di The Young Pope (2016) e The New Pope (2020), create e dirette da Paolo Sorrentino (disponibili su Sky e NOW). Una serie, o meglio due serie consecutive, del tutto eccezionali nel contesto della produzione televisiva italiana. Sontuose, stilisticamente formidabili, capaci di affrontare temi giganteschi: come quello dello scandalo del sacro, della dimensione spirituale in un mondo secolarizzato, del dialogo e conflitto tra ragione e fede. Con due protagonisti straordinari, e diversamente pop, come Jude Law e John Malkovich - entrambi alle prese con le trame vaticane del fantastico Silvio Orlando. E con, appunto, un Papa americano. Amazing!Leggi il nostro articolo su The Young Pope: https://www.mondoserie.it/the-young-pope/Leggi il nostro articolo su The New Pope: https://www.mondoserie.it/the-new-pope/ MUSICA: Fluidscape di Kevin MacLeod è un brano concesso in uso tramite licenza Creative CommonsAttribuzione 4.0. https://creativecommons.org/licenses/by/4.0/ Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100393 Artista: http://incompetech.com/Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Dopo la morte di papa Francesco siamo corsi a vedere Conclave di Edward Berger, basato sul romanzo omonimo di Robert Harris, con Ralph Fiennes, Stanley Tucci, Isabella Rossellini, Sergio Castellitto e John “Albus Silente” Lithgow. Il podcast della sede vacante torna ancora una volta con Stefano Cocci e senza Simone Zizzari racconta il film di Edward Berger pluricandidato agli Oscar 2025. Inoltre, raccontiamo due prodotti “di chiesa”: Habemus Papam di Nanni Moretti e The Young Pope di Paolo Sorrentino. Buon ascolto. TIMESTAMP[00:00] Buongiorno, buon pomeriggio e buonasera [1:22] Conclave[10:18] Sergio Castellitto e il cast [13:26] Habemus Papam [14:40] The Young Pope

It had to happen: the Empire podcast has finally gone to hell — quite literally in this case, as this particular show is episode 666. Perhaps appropriately, James is in the driving seat for this one, embracing this demonically anointed episode to bring you such thematically-relevant discussions as a Mount Rushmore of movie Satans and an off-topic discussion as to why subtitles are also the devil's work. But that's not all, because while Chris isn't here in body, having hopped over to Ireland for a few rounds of golf, he is here in spirit, not least of all as he interviews all of this week's guests, specifically three of the Thunderbolts — Hannah John-Kamen, Wyatt Russell and David Harbour (approx 57:36-1:13:09)— Another Simple Favour director Paul Feig (approx 11:21-23:48), and Ryan Coogler (at the very end) in a little tease of our Sinners spoiler special episode, which is available now on the Spoiler Specials subscription feed. Joining James and Helen this week is John ‘The Nuge' Nugent, who does his best to justify his three-star review of Thunderbolts*, plus we review Another Simple Favour, Paolo Sorrentino's Parthenope, and Die Hard in the Docklands film Cleaner.

Prendendo spunto dal conferimento del Leone d'oro alla carriera che la Mostra del Cinema 2025 gli tributa, parlo del cinema “vitale e libero” del regista tedesco Werner Herzog. Nella prima parte, quella delle news, parlo di una mostra tra design e cinema; vi propongo alcune considerazioni sulla selezione dei film scelti per la 78a edizione del Festival di Cannes e appunto, riporto motivazione e risposta del Leone d'oro alla carriera a Herzog.Qui l'indice della puntata:01:17 News. il Salone del Mobile 2025 ha allestito una mostra tra design e cinema curata da Paolo Sorrentino dal titolo La dolce attesa.02:44 News. Come si presenta il concorso del Festival di Cannes 2025? Quali film sono stati selezionati e quali visioni aspettarci dal concorso? 07:04 News. Riporto la motivazione che ha condotto il direttore artistico della Mostra del Cinema ad assegnare il Leone d'oro alla carriera a Werner Herzog e la sua incredibile risposta. 09:16 La Luce del Cinema di Werner Herzog. Film analizzati: Segni di vita; Anche i nani hanno cominciato da piccoli; Fata Morgana; Aguirre, furore di Dio; Cuore di vetro; Nosferatu, principe della notte; Fitzcarraldo; Cobra verde; Apocalisse nel deserto; Kinski, il mio nemico più caro; Il diamante bianco; L'ignoto spazio profondo; My Son, My Son What Have Ye Done; Cave of Forgotten Dreams; Into The Abyss. 

¡Ya es miércoles de Cine con Piquete! En este episodio de Cine con Piquete, Óscar Zueck (IG: @zueck), Cris Becerril (IG: @crisbecerril) y Sibis Gaxiola (IG: @sibisblog) discuten sobre lo que les gustó, lo que no y califican esta entrega cinematográfica estelarizada por Celeste Dalla Porta y dirigida por Paolo Sorrentino. Todo esto acompañado de un vodka martini.Nuestras redes sociales son:Instagram - @cine_con_piqueteTiktok - Cine con Piquetee-mail - conpiquetecine@gmail.com#cine #podcast #parthenope #peliculas

Muy Lejos es el debut de Gerard Oms en el largo basado en sus propias experiencias. Con Gerard Oms y Mario Casas hablamos de esta historia en la que se habla de la búsqueda de identidad y las segundas oportunidades. La niña de la Cabra nos lleva a la infancia de su directora Ana Asensio en la que toca temas como la amistad, la pérdida y sobre todo el choque cultural, con ella y el actor Javier Pereira charlamos de esta cinta que cautiva.Otra de las películas españolas que llega a salas es Un funeral de locos de Manuel Gómez Pereira cinta con la que regresa a la dirección después de una década y lo hace con el remake de la película inglesa Un funeral de muerte. Con el amplio elenco ha estado Marta Pérez Reinoso. Amateur es la película que nos acerca Elio Castro, un thriller de espías, protagonizado por Rami Malek y Parthenope de Paolo Sorrentino, su carta de amor a su ciudad natal, Nápoles la comentamos con José Fernández. Todo esto además de las series con Pedro Calvo, Luis Alegre nos lleva hasta Viridiana y las secciones habituales.Escuchar audio

'Muy lejos' es el debut de Gerard Oms en el largo basado en sus propias experiencias. Con Gerard Oms y Mario Casas hablamos de esta historia en la que se habla de la busca de identidad y las segundas oportunidades. 'La niña de la cabra' nos lleva a la infancia de su directora, Ana Asensio, en la que toca temas como la amistad, la pérdida y sobre todo el choque cultural, con ella y con el actor Javier Pereira charlamos de esta cinta que cautiva.Otra de las películas españolas que llega a salas es 'Un funeral de locos' de Manuel Gómez Pereira, cinta con la que regresa a la dirección después de una década y lo hace con el remake de la película inglesa Un funeral de muerte. Con el amplio elenco ha estado Marta Pérez Reinoso.'Amateur' es la película a la que nos acerca Elio Castro, un thriller de espías, protagonizado por Rami Malek y 'Parthenope' de Paolo Sorrentino, su carta de amor a su ciudad natal, Nápoles, la comentamos con José Fernández. Todo esto además de las series con Pedro Calvo, Luis Alegre nos lleva hasta 'Viridiana' y las secciones habituales.Escuchar audio

In der Mythologie ist die Sirene Parthenope Stadtgöttin von Neapel. Im Film des Neapolitaners Paolo Sorrentino ersteht sie wieder auf: Als junge Anthropologin und Frau von überweltlicher Schönheit. Auf ihrem Weg hat Parthenope romantische, groteske, aber immer inspirierende Begegnungen – und reflektiert alle Facetten Neapels.

Javier Rodríguez del Burgo nos acerca recomendaciones del año 2013: el libro "La utilidad de lo inútil" de Nuccio Ordine, el disco "Trouble will find me" del grupo The National y la película "La gran belleza" de Paolo Sorrentino

Une ode à la beauté et aux travers de la ville de Naples qui nous a transportés avec un simple décolleté.En salle le 12 mars 2025 D'une durée de 2h 17min À la réal : A Paolo SorrentinoAu casting : Celeste Dalla Porta, Stefania Sandrelli, Gary Oldman

Quittons un peu les films anglophones qui nous ont occupé depuis janvier pour prendre le soleil à Naples, filmée encore une fois avec amour par Paolo Sorrentino dans Parthenope… pas avec autant d'amour, cependant, qu'il filme sous tous les angles et dans tous les costumes possibles Celeste Dalla Porta, qui incarne le rôle-titre.   Dans […]

Invités : Redouane Bougheraba, Ali Bougheraba et les films débattus : Mickey 17 de Bong Joon-Ho ; Black Dog de Hu Guan ; Délocalisés des frères Boughéraba ; Parthenope de Paolo Sorrentino ; The Insider de Steven Soderbergh ; The Last Showgirl de Gia Coppola ; Scène de fin : Pépé le Moko de Julien Duvivier. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Polo Ramírez conversó con Andrés Rodríguez Spoerer, gerente de Música de la Fundación Ibáñez Atkinson, sobre las Audiciones Internacionales FIA 2025. Además, habló con Javiera Contador, actriz, presentadora de televisión, locutora de radio, humorista y productora chilena, sobre la obra Tóxicas, que se presenta en el Teatro Nescafé de las Artes. En Sin Spoilers, Paula Frederick comentó las películas Bird, de Andrea Arnold, y Parthenope, de Paolo Sorrentino, que se estrenarán esta semana.

Tintoria è il podcast di Daniele Tinti e Stefano Rapone prodotto da The Comedy Club.Scopri Trade Republic su https://trade.re/tintoriaUn IBAN italiano e un conto tutto-in-uno che combina gestione quotidiana e interessi sulla liquidità e semplifica la fiscalità occupandosi automaticamente delle imposte sugli investimenti, garantendo una gestione senza stress e conforme alle norme italiane.Prendi il libro di Rapone: Racconti scritti da Donne NudeGuarda lo special di Tinti: Crossover_________________INFO E BIGLIETTI PER LE REGISTRAZIONI LIVE: https://bit.ly/tintoriapodcastINFO E BIGLIETTI PER I PROSSIMI LIVE DI TINTI: https://bit.ly/DanieleTintiTOURINFO E BIGLIETTI PER I PROSSIMI LIVE DI RAPONE: https://bit.ly/RaponeTOUR_________________Ospite di questa nuova puntata il rapper Guè. Con lui abbiamo parlato del rapporto con le nuove generazioni di rapper e con i suoi commentatori sui social network, della sua passione per il cinema (che sia quello di Paolo Sorrentino o quello “hardcore”, ma mai “pussy”), degli incontri con personaggi famosi che lo hanno deluso e quelli che si sono confermati all'altezza della loro fama, come Silvio Berlusconi o gli Oasis. Abbiamo inoltre parlato delle sue partecipazioni a Sanremo e del recente scandalo che ha riguardato il rapper P. Diddy negli Stati Uniti. Quando il tema è virato su manga, anime e action figures, Guè si è fatto un nuovo amico, ma non vi diciamo chi._________________Guarda Tintoria su YouTubePuoi seguire Tintoria su Instagram e su TikTokPuoi seguire Rapone su InstagramPuoi seguire Tinti su InstagramPuoi seguire The Comedy Club su InstagramPuoi seguire Guè su Instagram_________________Regia e Montaggio: Enrico BerardiRiprese: Leonardo PicozziAudio: Antonio ArcieriLa sigla di Tintoria è a opera di Di Gregorio_________________Si ringrazia per il supporto Birra del Borgo

Émission du 19 mars 2025 (00:00) - Le générique d'ouverture(01:03) - Le sommaire(03:11) - News(12:57) - "48 Heures Film - Paul Va au Cinéma" : Eternal Sunshine Dans cette 25ème émission de l'année : (20:24) - "The Insider" de Steven Soderbergh(33:19) - "The Last Showgirl" de Gia Coppola(46:54) - "Parthenope" de Paolo Sorrentino(1:02:55) - "Bop To The Top !" (1:05:35) - La carte blanche : La presse spécialisée a-t-elle encore du pouvoir ? (1:14:28) - Quiz "Cate Blanchett" (1:26:07) - Les Recos de l'équipe (1:29:28) - Le générique de fin Nos recos de la semaine ⤵️La saison 3 de la série d'animation "Invincible" de Robert Kirkman : https://www.primevideo.com/-/fr/detai...La série d'animation "Souvenirs de Gravity Falls" d'Alex Hirsch : https://www.disneyplus.com/fr-fr/seri...Le spectacle "Emmanuel 2" de Manu Payet : https://www.canalplus.com/divertissem...Le logiciel LocalSend : https://localsend.org/frLa série "Espion à l'ancienne" de Michael Schur : https://www.netflix.com/title/81677257 Retrouvez The Cinema Show sur ⤵️Facebook : / rcmcinemashowInstagram : / thecinemashow_rcmTwitter : / thecinemashow1 #cinema #radiocampusmontpellier #thecinemashow #tcs #rcm #podcast #radio #film #critique #analyse #movie #débat #quiz #interview #entretien #theinsider #stevensoderbergh #cateblachett #michaelfassbender #parthenope #garyoldman #paolosorrentino #thelastshogirl #pamelaanderson #giacoppola #48heures #critique #attachedepresse #presse #public #projectionpresse

durée : 00:05:51 - "Parthenope" de Paolo Sorrentino

Coucou everyone!Welcome to our first tête-à-tête episode! We just wanted to take some time to chat about Catherine's recent trip to Paris, and Kate's latest obsession: Parthenope (2024) directed by Paolo Sorrentino. Let us know if you're into this type of ep - because lord knows we have PLENTY of other things to yap about. Ciao!Don't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :)Cover art and logo by Kate WalkerMixed and edited by Catherine RoehreTheme song by LumehillThank you all - ciao!

Quel univers explore le cinéaste avec la complicité de Cate Blanchett et de Michael Fassbender ? Pourquoi le film d'animation « Mémoires d'un escargot » de l'Australien Adam Elliot aurait, lui aussi, mérité un Oscar ? Pourquoi Camélia Jordana gaspille son talent dans « Reine mère » ? Les découvertes musicales : Miki- Miki cowboy Matilda Mann-Autopilot Andy Bell - Panic attack Elias Rønnenfelt - Close - The Dare Remix Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

In this conversation, Keltie Maguire interviews filmmaker Sophia Seymour about her personal journey with egg freezing, and her documentary, Harvest, which Sophia created about the experience.  You'll hear them discuss: The emotional and physical aspects of the egg-freezing process, and the decision-making involved. The societal pressures surrounding motherhood and fertility. Sophia's advice for anyone considering freezing their eggs. Why she wouldn't recommend egg-freezing as a means of getting clarity on the Kids or Childfree choice, despite having done so herself. Insights from her discussions with other women about the decision to have or not have kids. About Sophia: Sophia Seymour is a British award-winning writer/director living between London and Naples and writes regularly for The Guardian, Condè Nast and Time Out. She has a background in music management and highlights of her career so far include co-directing/producing Teranga - Life in the Waiting Room (Guardian Documentaries and BBC Africa Eye), appearing alongside Richard E Grant for his BBC4 Write Around the World series and working with Paolo Sorrentino for his Netflix documentary Through the Eyes of Sorrentino. She has worked as a producer on documentaries for the Guardian, Netflix, BBC2, BBC4 and graduated with a masters from The National Film and Television school in 2024. She is currently developing a slate of fiction and non-fiction films. As mentioned in the show: You can find Sophia online at: www.sophiaseymour.com Instagram: @sophia_seymour_says_ X: @SophiaSeymour2 Facebook: facebook.com/sophia.seymour Watch Sophia's film, Harvest, online at The Guardian. __ Join the March session of my Confidently Childfree Coaching Intensive: kidsorchildfree.com/confidently-childfree-support-series Check out our free resources here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree

Erik Childress and Steve Prokopy return to regular reviewing duties this week and they put a nine-spot on the board. There are a pair of documentaries involving Sly Stone (Sly Lives) and the Zep (Becoming Led Zeppelin). The director of Saint Frances & Ghostlight shows the horror of being a doctor (Rounding) while a young woman involved in one night stands may have been literally ghosted (The Dead Thing). Paolo Sorrentino has another tale of beauty (Parthenope) while Miles Teller & Anya Taylor-Joy snipe themselves into each other's hearts fighting monsters (The Gorge). Then it's a week of sequels including a continuation of Renee Zellweger's beloved character (Bridget Jones: Mad About the Boy), everyone's favorite marmalade-loving bear (Paddington In Peru) and the tale of a new Captain and a new President (Captain America: Brave New World). 0:00 – Intro 1:13 - Becoming Led Zeppelin 7:54 - Rounding 17:02 - Sly Lives! 23:00 - The Dead Thing 32:25 - Parthenope 39:22 - Bridget Jones: Mad About the Boy 55:43 - The Gorge 1:06:50 - Paddington in Peru 1:15:46 - Captain America: Brave New World 1:31:08 - Outro

"Parthenope" had its world premiere at the 2024 Cannes Film Festival, where newcomer Celeste Dalla Porta stunned audiences with her debut performance leading Paolo Sorrentino's film. Dalla Porta (along with her interpreter, Lilia Pino Blouin) was kind enough to spend some time talking with us about her experience getting the role, making the film, working with Sorrentino, and more, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from A24. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Radiostem en tv-gezicht Michèle Cuvelier vertelt waarom de film 'La grande bellezza' van Paolo Sorrentino haar elk jaar opnieuw nieuwe inzichten geeft, wat ze allemaal opstak van Iers radio-icoon Annie Mac, en hoe het boek 'The power of now' van de Duitse leraar en auteur Eckhart Tolle haar leerde hoe uit de grootste pijn, de grootse verlossing kan komen. See omnystudio.com/listener for privacy information.

Today...Film Frauds steps our from our American-centered ideas of what is a modern classic and takes a look at Paolo Sorrentino and his Italian semi-autobiographical film "The Hand of God." But first, we talk about horror movies we watched in 2024. Our links: YouTube Channels: - https://www.youtube.com/@colorlesswonderland - https://www.youtube.com/@mattsbookshelf4084 Instagram: - https://www.instagram.com/matts.bookshelf - https://www.instagram.com/colorlesswonderlandd Letterboxd: - https://letterboxd.com/TylerColorless/ - https://letterboxd.com/mattsbookshelf/ Intro music: https://www.youtube.com/watch?v=HGMQbVfYVmI

The beverage brand's former CMO, which holds drinks like Aperol, breaks down why events like Coachella, the US Open and Cannes Film Festival are so important to its marketing strategy. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.[00:00:00] Damian: I'm Damian Fowler [00:00:01] Ilyse: And I'm Ilyse Liffreing [00:00:02] Damian: And welcome to this edition of The Current Podcast. [00:00:05] Ilyse: This week, we're delighted to talk with Julka Villa, the former Global CMO of Campari Group. [00:00:11] Damian: Founded in 1860, Campari is a household name in the global spirits industry with a portfolio of over 50 brands across world markets. [00:00:20] We're talking familiar names like Aperol, Sky Vodka, Wild Turkey Bourbon, and Courvoisier. [00:00:27] Ilyse: Julka is a marketing veteran with over 25 years of experience in the alcoholic beverage and beauty industries. A specialist in consumer focused brands. [00:00:37] Damian: Julka is responsible for the marketing vision, strategy, and execution of the Campari Group's brands. [00:00:44] At the same time, she has a bird's eye view of the company's worldwide presence, coordinating teams based in Milan, Paris, and New York. [00:00:52] Ilyse: We started by asking her about how she balances the Campari legacy with keeping its brands relevant for today's [00:01:00] consumers. [00:01:02] Damian: So Campari has a rich heritage. The company is now 164 years old. How do you go about balancing its legacy, the preservation of its legacy while keeping the brand modern and relevant for today's consumers? [00:01:18] Julka: I think that, if we go back to the roots of the Campari brand, about being [00:01:23] bold, about being visionary about investing in arts, think about Europe, Italy in the second half of the 19th century. There were so, few brands really investing Campari was one of the first really interacting with artists [00:01:42] and designers and giving them the freedom to, the brand in the way they saw it. if you look at how we started, you how we moved forward along our, our history. You can see that, the [00:02:00] twenties and thirties of last we start cooperating with cinema, really asking the people, working in the industries and producing the movies, postcards, producing, you know, designs and drawings for us. [00:02:16] You can see that, fast forward, to the eighties. We start cooperating with one of the greatest filmmakers. In the world, Federico Fellini, that was a big fan of the Campari brand. He was drinking Campari and he decided to cooperate with us to produce an advertising for the brand. And Fellini was the first filmmaker we cooperated with. But then, we kept this partnership, for instance, with Paolo Sorrentino 2017. And I was personally You know, working with him, it was a fantastic experience to see an artist really bringing to life, the brand, [00:03:00] respecting the legacy, but at the same time, renovating, since you're asking me how a brand modern still loyal to its root, it was amazing to see how we could kept the daring, attitude of the brand alive. According to his own style.  [00:03:20] Ilyse: Wow,that is super cool. so is pop culture still as important to the brand even today?  [00:03:27] Julka: Absolutely. Absolutely. So, and this is so important for the Campari brand, but for many other brands part of our portfolio, just for you to know, we have more than 50 brands. in our portfolio, and if you'd like we can talk about some of them, but when it, comes to Campari, think about the fact that our partnership with arts, have been, more recently renovated in our, cooperation with the major film festivals, in the world. We, are [00:04:00] partners of the Cannes Film the Locarno, in Berlinale. weclosed the first, year of partnership with the Toronto Film that's definitely a modern way to the brand, extremely aspirational, but still to get in touch with so many consumers and possible advocates of the brand. One of the things we really care about is not just to communicate our brands, but to assure our consumer to consume our brands throughout the signature cocktails in the best way possible and definitely feel festival for us are a huge opportunity to provide liquid tulips, as we say, to our consumers current and future.  [00:04:47] Damian: What's interesting is with these different brands, you're sort of talking about how they're valued differently in different markets. that's very interesting to me. How do you know and prioritize [00:05:00] which brands work best in which countries?  [00:05:04] Julka: We have, well identified, what we call the global brands. The brands that should be built everywhere in the world. Of course step by step and respecting the life stages, the brand is in a specific geography. And definitely the one I mentioned so far, are global brands. And so also global priorities, for the company. And then, depending on the area of the world, the characteristics of the market and the consumers, each individual, operating company, can, compose, portfolio, to have the best performance on the market. But definitely there are priorities everybody to focus  [00:05:51] Damian: if you think about the United States, is there a sort of priority? [00:05:55] Julka: Yeah,  [00:05:56] Damian: Leading brand here. [00:05:58] Julka: definitely, [00:06:00] uh, the priority for the United our giant aperitif brands, such as Campari Aperol, Grand Manier, Wild Turkey, Espolon, and of course, the local team is really excited to rebuild the Courvoisier brand. always acquisition we have just finalized. [00:06:21] Damian: Yeah, each of those brands has its own kind of, whole kind of narrative around them, I imagine. But I wanted to ask you actually a little bit about, The current moment that we're in, which we're seeing a kind of a lot of debate around alcohol versus no alcohol consumption, particularly when it comes to like Gen Z demographics. I mean, how do you think about and navigate these perception shifts?  [00:06:47] Julka: That's a very that's a very interesting question. And of course, as you can imagine, we have been spending a lot of time and resources really to dig deep into these shift and [00:07:00] transformation in a way of our consumer ships. One thing that is not that evident to, to everybody is that differently from the past, there is a sort of coexistence of, people drinking alcoholic products and non alcoholic products, depending on the moment they are in, the people they are with, what they have to do the day after. [00:07:23] And this kind of consciousness and, control on what to choose is even stronger in younger consumers as you were mentioned so they are more conscious they don't they are not you know afraid to make a choice that could be out of  [00:07:43] their are pool of friends. Everybody's drinking something alcoholic There's no problem at all for one of them to say “Look tomorrow I have to wake up very early I have a very important day I prefer to, to opt for a choice, a non alcoholic choice.” So more than a counter position [00:08:00] today, we see the coexistence, of these kind of choices, which is quite interesting, honestly, also because it gives us the opportunity to be more, mindful and, intentional in developing also the part of our portfolio, which is non alcoholic. For instance, we have a product which is an extremely strong product in Italy and definitely in a phase of conquering of continental Europe is, the name of the product is Crodino and is definitely our non alcoholic, kind of spritz. is a product that was invented and launched in the market, in 1965. [00:08:39] So this is a little bit a testament, to the personality of the company, wanting really to push boundaries. And actually we are preparing the launch of these fantastic product also in the U S, that we plan for next year.  [00:08:54] Ilyse: So it sounds like Campari really anticipated this trend of non alcoholic [00:09:00] beverages in a sense.  [00:09:02] Julka: Yeah, that's, that's correct. That's correct.  [00:09:05] Damian: I'm just curious on that point, you know, as a marketer, you must get lots of data back in terms of like, who's drinking what, maybe by generation, maybe by geography even. I'm interested to know, do you kind of look at that in terms of strategizing and find the discrete markets?  [00:09:24] Julka: even if, with the passing of the years, what we, really is of people. So demographics are not, gender or age brackets are not the main elements we look for because what really counts. Today is the mindset and the attitude of people, for instance, if I think about a product like Aperol with these with its signature cocktail, Aperol can see across generations drinking this product and across age brackets is the mindset. [00:09:57] And you would be amazed how people approaching Aperol [00:10:00] Spritz, enjoying Aperol Spritz, they really have in common, the way they appreciate life and what they are looking for in that specific moment. Either they are, 25 or 60. So there are also, a number of cross generational, alcoholic beverage experiences, and so the way we look at data is really about the motivation and the attitude of people when they are about to make a choice.  [00:10:27] Ilyse: Yeah, that kind of, shift towards mindset over demographics probably helps a lot when it comes to just I guess prioritizing channels for the brand and where to reach those audiences because I know in a lot of the times like Millennials and Gen Zers are in like social media and usually that's not an option when it comes to alcohol brands, is, so is the brand finding other channels to be just as effective, in reaching that kind of mindset that it's [00:11:00] after. [00:11:00] Julka: when, I think a strong, distinctive characteristic Of our marketing and activation strategies, really investing very seriously in, in events, because definitely there's a lot of will among consumers of all ages, really to leave, events, in person really experience, on their, skin, much more than in the past. [00:11:24] and then we amplify, if you want, through social media, those events. But, a big part of our investment. is really, put on organizing, these kind of events. When we, when it comes to the U. S., think about Coachella, which is, more than a music festival, is a lifestyle festival, as we all know. [00:11:43] Think about the U. S. Open. uh, but also if we go on the other side of the world, in the APAC region, think about, The Australian Open, which is for us a, opportunity to reach so many consumers. about [00:12:00] hundreds of thousands live offering our best signature cocktail in our, fantastic lounger and then we can definitely amplify this content on a number of social media where. alcoholic beverage can, have a direct relationship, with their consumers. So for us, it's always a mix. we really believe that we have winning products, very straightforward drinking strategy, and that's why we care so these to life in real life for we don't see this business as happening just, just virtually. Definitely.  [00:12:42] How do you kind of maintain and sort of keep tabs, as it were, on people who are loyal to the brands that you market? [00:12:52] definitely over the yearsWe invested and we improved, our, CRM, capacity, so [00:13:00] throughout, social media and massively through events, we gather as much as possible information about our consumers so that, we can definitely keep them, up to date. On our, yearly, program, but also we can establish a more direct dialogue. [00:13:18] Sometimes we consult them, a part of them for new projects. we listen to them, ask them questions about, trends, want to know more and I think that, especially when it comes to a lab important. [00:13:39] Feel part of a feel, really listen to is something as important as enjoying your favorite, brand and your [00:13:50] Damian: And what's interesting to me is I was thinking about this because about, maybe 12 years ago, I have a friend from Venice who lives in New York and we went to a [00:14:00] restaurant and she ordered an Aperol and at that, point it wasn't very, nobody really knew much about it here. [00:14:06] And since then, of course, it's huge. It's like a probably one of the most popular, cocktails around. I was just at the U. S. Open in the summer and I could see, your your [00:14:16] plaza there with Aperol everywhere. I guess it was, there's a sponsor, a partnership  [00:14:20] Julka: Mm hmm.  [00:14:21] Damian: But my question is, how did you could you walk us through how you, built that awareness from, that moment, however many years ago when it wasn't such a big, obviously big in Venice, she said it was the Venetian drink. [00:14:34] So I was like, Oh, that's interesting. [00:14:39] Julka: yes, I am. 10, 12 years ago, not only in the U. S., but in many other places outside Europe, definitely it was not established. you know, staple it is to die. and at the very beginning, we really faced, some very basic, difficulties. I have to say, it was not easy, to start [00:15:00] talking about, a signature cocktail that, needed, a bottle of Prosecco to be open, to be prepared because. [00:15:07] You know, if you are familiar with sparkly wines, the problem with it is that if you open it and you use just a little part and then you keep the bottle for a couple of days, the carbonation will just, yes, go away. So it was really. a very precise, consistent, and stubborn work of education. [00:15:28] There's just one certainty about education, which is that, you know, when you started that you will never know when you will finish. And actually it's a never ending story in a way. So we, in the past we put, and we keep putting a lot of, effort and an investment in educating the trade the bartenders bar owners But also the final consumers because at the end if the final consumer knows [00:15:52] the best way to prepare an upper spritz They will be your advocate and it happened to me so many times in the past [00:16:00] when I was receiving at the table in upper spritz that was not preparing the way It should have been, I was going back to the bar and I was saying there's something wrong with my cocktail. [00:16:13] it's a double, a double direction  [00:16:16] Julka: Yeah,  [00:16:18] efforts. And, Also, a very important part is, what we call, the oil spill approach. What does it mean? We start with the city, a major city, we start with the specific neighbors. and key on trade outlets in this neighbor. [00:16:39] We build a relationship of partnership. We invest on these venues and we create the phenomenon of the cocktail and then we expand. So distribution and presence comes just [00:16:52] after having started trend with a very high level, of the serve in a smaller [00:17:00] number of venues. [00:17:01] This, has been the approach in the U. S. and in every other part of the world. You mentioned Venice, which is the place where the brand really, started being known and appreciated and, recognized as, the champion of aperitif. But the phenomenon of Aperol Spritz started in Venice, expanded to the Veneto region, which is the region of Venice, and then expanded Milan and from Milan to the rest of Italy. [00:17:28] So the oil spill approach, as we call it, has always been, front and center of the strategy, of, And it's building.  [00:17:38] Ilyse: So interesting. when you think of Campari brands, it also sorts of implies Like a level of sophistication. in a sense, are marketing just drinks or is it something more, I don't know, like lifestyle?  [00:17:53] Julka: definitely. I think that,our brands are starting from, The most important ones really [00:18:00] stand for a certain lifestyle. you think about campari, it really represents the Milan. And, the lifestyle of the city. If you, think about aperol, you're talking about a more democratic sort of brand, really more casual. welcome. and, So they, [00:18:21] reflect a way of living and today even more important. If you think about the trend of escapism, traveling without traveling. I need a break. I need a moment for myself of real enjoyment with my friends. [00:18:36] brands like this, and they are signature cocktail, let's say Aperol Spritz for Aperol, Negroni, for instance, for Campari makes you really full for half hour, one hour you're spending with your friends in another place. So they really stand for a way of living for a place and for a moment in life where you really, recharge your batteries and, [00:19:00] you dedicate really a true moment to yourself.  [00:19:03] Julka: And that's it for this edition of The Current Podcast. [00:19:05] Damian: We'll be back next week, so stay tuned. [00:19:08] Ilyse: The Current Podcast's theme is by Love Caliber. The current team includes Kat Vesce and Sydney Cairns. [00:19:15] Damian: Cairns. And remember,  [00:19:16] Julka: we really believe that we have winning products, and that's why we care so these to life we don't see this business as happening just virtually.  [00:19:29] Damian: I'm Damian. [00:19:30] Ilyse: I'm Ilyse. [00:19:30] Damian: And we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also, tune in to our other podcast, The Current Report.

Andrew F Peirce and Nadine Whitney head to prison with Colman Domingo and Clarence Macklin for the powerful drama Sing Sing, before taking a sojourn to the beach for Robert Connolly's adaptation of Alison Lester's children's book Magic Beach. The waters of Australia linger in Nadine's mind as she embarks on a trip through the history of Naples with Paolo Sorrentino's Parthenope.Film recommendations this week include What Ever Happened to Baby Jane? and Superman.Listen to Andrew's interview with Robert Connolly and Alison Lester here.Find Andrew's 21 Films from 21 Friends list on Letterboxd here.Clips featured in this episode include:Sing Sing First Look | Magic Beach trailer | Parthenope trailerTheme music is the Lantana score by Paul Kelly.Follow the Curb on Bluesky, Instagram, and Facebook. Follow Nadine Whitney on Bluesky here, and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

Andrew F Peirce and Nadine Whitney head to prison with Colman Domingo and Clarence Macklin for the powerful drama Sing Sing, before taking a sojourn to the beach for Robert Connolly's adaptation of Alison Lester's children's book Magic Beach. The waters of Australia linger in Nadine's mind as she embarks on a trip through the history of Naples with Paolo Sorrentino's Parthenope.Film recommendations this week include What Ever Happened to Baby Jane? and Superman.Listen to Andrew's interview with Robert Connolly and Alison Lester here.Find Andrew's 21 Films from 21 Friends list on Letterboxd here.Clips featured in this episode include:Sing Sing First Look | Magic Beach trailer | Parthenope trailerTheme music is the Lantana score by Paul Kelly.Follow the Curb on Bluesky, Instagram, and Facebook. Follow Nadine Whitney on Bluesky here, and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

‘Parthenope', Parthenópe, Parthenopé, Párthenope. Paolo Sorrentino nos ha regalado un viaje místico, otra gran belleza cinematográfica que ha de servirse en pantalla grande. La cinta presenta un modo inmejorable de entrar en 2025 para los que quieran llenar el depósito de puritita sensibilidad y trascendencia. Además esta semana nos visita la detective Bruna Husky, que vuelve a la carga por última vez con ‘Animales difíciles,' la novela de Rosa Montero que cierra la serie en Planeta de Libros. A la venta el 15 de enero, señora. Rematamos con ‘Wolfs', la comedia thriller faena de aliño spot largo de nespresso de George Clooney y Brad Pitt para ver con batamanta en Apple TV+. Todo maravilloso. Nada ha sido visto o leído por El Criticón. 

‘Parthenope', Parthenópe, Parthenopé, Párthenope. Paolo Sorrentino nos ha regalado un viaje místico, otra gran belleza cinematográfica que ha de servirse en pantalla grande. La cinta presenta un modo inmejorable de entrar en 2025 para los que quieran llenar el depósito de puritita sensibilidad y trascendencia. Además esta semana nos visita la detective Bruna Husky, que vuelve a la carga por última vez con ‘Animales difíciles,' la novela de Rosa Montero que cierra la serie en Planeta de Libros. A la venta el 15 de enero, señora. Rematamos con ‘Wolfs', la comedia thriller faena de aliño spot largo de nespresso de George Clooney y Brad Pitt para ver con batamanta en Apple TV+. Todo maravilloso. Nada ha sido visto o leído por El Criticón. 

A propósito de 'Parténope', la nueva película de Paolo Sorrentino, viajamos a Nápoles para abundar en la monomanía del director partenopeo con su propia ciudad: la iglesia, el mar, el crimen, el fútbol... ¿Genialidad o batiburrillo sorrentiniano? ¿Tiene que ver con Fellini o es una caricatura? ¿Retrata bien Nápoles? ¿Y quién demonios es Celeste Dalla Porta? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, desgranamos los viajes navideños (europeos) de los propios culturetas. Además, Altares recomienda la película india 'La luz que imaginamos'.

A propósito de 'Parténope', la nueva película de Paolo Sorrentino, viajamos a Nápoles para abundar en la monomanía del director partenopeo con su propia ciudad: la iglesia, el mar, el crimen, el fútbol... ¿Genialidad o batiburrillo sorrentiniano? ¿Tiene que ver con Fellini o es una caricatura? ¿Retrata bien Nápoles? ¿Y quién demonios es Celeste Dalla Porta? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, desgranamos los viajes navideños (europeos) de los propios culturetas. Además, Altares recomienda la película india 'La luz que imaginamos'.

Amb l'actor i comunicador repassem la cartellera cinematogràfica de la comarca començant pel cinema Prado i les pel·lícules Queer i Here. Seguim al cinema Ribes amb Cónclave i Sonic3 per marxar després a la sala La Bòbila de Les Roquetes que projecten Queer i La guitarra de Yerai Cortés, el documental dirigit per C.Tangana. La Sala 1 del cineclub de Vilanova proposen L'edat inminent i La estrella azul i el Círcol Catòlic la darrera de Paolo Sorrentino, Parthenope. Acabem recordant l'emotiu discurs de Demi Moore als Globus d'Or. L'entrada Les estrenes de cinema amb Antonio del Valle ha aparegut primer a Radio Maricel.

Nuestro crítico de cine Carlos Boyero repasa los primeros estrenos del año. Hablamos de 'Cónclave', protagonizada por Ralph Fiennes y dirigida por Edward Berger. Paolo Sorrentino vuelve a las salas con 'Parthenope', una historia ambientada en su Nápoles natal.

La cartelera nos había reservado para Navidad dos de las películas que no salieron muy bien paradas de la última edición de Cannes. Por un lado, 'Oh Canada', del veterano Paul Scharder con Richard Gere como un cineasta recordando batallitas. Y por otro, al siempre polémico Paolo Sorrentino con 'Parthenope', su nueva carta de amor a Nápoles a través de la belleza y la decadencia. Analizamos también el 'Nosferatu' de Robert Eggers con todo el reparto y apuntamos las series de estreno en estos días por si estáis hartos de la familia y os queréis hacer un buen maratón.

Min 1: SUPER FILTRO LUCHINI ADIÓS 24 HOLA 25 Min 2. “NOSFERATU”: Terror 5 estrellas por Navidad Ni Disney, ni Pixar, ni Dreamworks, ni el Hollywood más edulcorado. El zarpazo navideño a las salas no sólo lo ha protagonizado “Mufasa”, sino que, el mismísimo día de Navidad, los exhibidores nos han sorprendido con el estreno de una de las películas más esperadas de los últimos años. El personal y talentoso Robert Eggers (“La Bruja”, “El Hombre del Norte”, “El Faro”) se ha atrevido con una virtuosa adaptación del “Nosferatu” de Murnau. Y el resultado es palmario. Para muchos, el “No Muerto” de Eggers es la película que remueve con más crudeza y solidez el mito de Drácula. Luchini aplaude su calidad pero le reprocha haber copiado la joya de Murnau. Raquel se rinde a los pies del director norteamericano. Lo cierto es que este “Nosferatu 2024” está llenado salas y no está dejando a nadie indiferente. CALIFICACIÓN EDC: 4 estrellas Min 16: “PARTENOPHE”: Sorrentino vuelve a Nápoles Otro genial director y creador como Paolo Sorrentino, el director de “La Gran Belleza”, vuelve a pisar su zona de confort en “Partenophe”. El cineasta italiano vuelve a su Nápoles natal para contar, de forma metafórica, la vida de una mujer desde su nacimiento en 1950 hasta el presente, una travesía femenina que está impregnada de una pasión inquebrantable por la libertad y por los distintos rostros del amor. Pese a que la publicidad quiere asemejala a "La Gram Belleza", Luchini nos pone los pies en tierra con argumentos. CALIFICACIÓN EDC: 3 estrellas Min 21: SIN INSTRUCCIONES: Paco León se suma a los remakes Y, otra semana más (y eso que se acercan los Goya) el cine español vuelve a caer en la tentación de clonar éxitos del cine francés y mejicano. "Sin instrucciones", dirigida por Marina Seresesky, sigue los pasos de Leo, un hombre soltero y mujeriego que vive la dolce vita en un pequeño pueblo costero de Canarias. Su vida tranquila se ve alterada cuando Julia, una antigua amante de Bilbao, aparece y le deja a una bebé de pocos meses, afirmando que es su hija, para luego desaparecer. Comedia fácil y resultona cuya calidad nop llega a obtener el aprobado de nuestros críticos. CALIFICACIÓN EDC: 2 estrellas Min 25: SONIC 3: ANIMACIÓN PASADA DE VUELTAS Sonic, Knuckles y Tails se reúnen para enfrentarse a un nuevo y poderoso adversario, Shadow, un misterioso villano cuyos poderes no se parecen a nada de lo que nuestros héroes han conocido hasta ahora. Con sus facultades superadas en todos los sentidos, el Equipo Sonic tendrá que establecer una insólita alianza con la esperanza de detener a Shadow y proteger el planeta. Cine de entretenimiento que sigue estirando las sensaciones de un videojuego que conoce bioen nuesta experta de Hobby Consolas que lamenta que esta tercera parte se haya pasado de frenada hasta el punto de no aconsejarla para todos los públicos. CALIFICACIÓN EDC: 3 estrellas Min 31: "OH, CANADA": el desdibujado regreso de Richar Gere. NI para familias, ni para todos los públicos, ni para cinéfilos con buen palador. El regreso de Paul Schrader en la dirección y de Richard Gere como actor protagonista ha descolocado por completo a nuestros expertos, que la someten a un veredicto llamativo. Leonard Fife (Richard Gere) es un documentalista, que en su día se hizo famoso con películas sobre las pruebas secretas del agente naranja llevadas a cabo por el ejército estadounidense y los curas pederastas de la Iglesia católica. Antes de su cercana muerte por cáncer, acepta que dos de sus antiguos alumnos realicen un documental sobre su figura. La fórmula no ha salido bien y de ahí el suspenso rotundo en nuestro Filtro Luchini. CALIFICACIÓN EDC: 1 estrellas Min 37: AVANCE ESTRENOS 1 de enero 2025 Y en la recta final de este último programa del año ponemos la vista en el 1 de enero y en los estrenos más destacados que se adelantarán a esa fecha. "HERETIC" (Scott Becks y Bryan Woods) CALIFICACIÓN EDC: 3,5 estrellas "QUEER" (Luca Guadagnino) CALIFICACIÓN EDC: 2 estrellas "VIVIR EL MOMENTO" (John Crowley) CALIFICACIÓN EDC: 3,5 estrellas MIN 50: LA MEJOR PELÍCULA DE 2024 EDC Y cerramos el último programa del año preguntando a los protagonistas de nuestro Filtro Luchini por la película que más les ha gustado del año que acaba. ¿"Wicked"? "¿"Civil War"? ¿"Dune: Parte 2"? ¿"El Conde de Montecristo"? ¿"Emilia Pérez"? Alberto Luchini, Raquel Hernández y Roberto Lancha nos sacan de dudas y hace su Podium particular.

En el último fin de semana del año encontramos películas muy esperadas, desde comedias con las que pasar un buen rato a cine de aventuras pasando por el thriller más interesante.En De película vivimos el cine e iniciamos el recorrido con un drama romántico, Parthenope la nueva película de Paolo Sorrentino con el que hablamos de esta cinta singular que lleva su sello de identidad y con la que rinde un homenaje a Nápoles y sus gentes. Otra de las cintas internacionales que llega a las salas es Oh Cánada, la nueva película de Paul Schrader protagonizada por Richard Gere, Uma Thurman y Jacob Elordi. Con Richard Gere hablamos de esta cinta basada en la novela Los abandonos de Russell Banks que indaga en la vida de un hombre atormentado en los últimos días de su vida.Nosferatu dirigida por Robert Eggers es otra de las películas internacionales más esperadas, un inquietante cuento gótico para los amantes de lo oscuro y el terror. No podemos olvidarnos de la película de palomitas que no se van a perder los pequeños de la casa, Sonic3:la película, la última aventura del erizo azul más famoso.En el ámbito nacional llega a las salas Sin Instrucciones, la comedia familiar protagonizada por Paco León con la firma de la directora Marina Seresesky con la que charlamos.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo, las secciones habituales de Carlos Brioso, Ana Vega Toscano y esta semana Luis Alegre con el que está Gervasio Sánchez para hablarnos de su libro Memorias de un cinéfilo.Escuchar audio

Los últimos estrenos del año nos traen la nueva película de Paolo Sorrentino, "Parthenope", que vuelve fiel a su esencia con homenaje a Nápoles y a sus tres señas de identidad: el fútbol, la mafia y San Genaro. Sorrentino vuelve a fundir lo sagrado y lo profano. La parte más sagrada tiene mucho de profano incluso con una escena de sexo frente a San Genaro y lo profano, el fútbol y la mafia, tienen ese toque casi sagrado de la tradición napolitana. El otro estreno destacado de esta semana navideña es una nueva lectura de "Nosferatu" protagonizada por Bill Skarsgård, Willem Dafoe y Lily-Rose Depp, que no termina de mejorar las anteriores relecturas basadas en el "Drácula" de Bram Stoker.

Aunque nos hemos hecho de rogar, sí, también tenemos nuestras listas de lo mejor del año en cine y series. En este episodio debatimos, o no tanto, sobre las películas que más nos han gustado y las que más nos han dividido. Además, los estrenos no descansan y se han adelantado por el día de Navidad. Ya se puede ver en cines el 'Nosferatu' de Robert Eggers, la nueva película de Paolo Sorrentino por su querido Nápoles y también un drama con Richard Gere buscando redención a toda una vida. Un menú completo y no tan navideño.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro comentaron libros y series.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro comentaron libros y series.

Luis Herrero y Ayanta Barilli hablan sobre la última película de Paolo Sorrentino.

Puntata scoppiettante! Ospiti in studio Gabriele Corsi e il regista Paolo Sorrentino.