Podcasts about historical imagination

What was the deal with the Victorians and their obsession with reanimating corpses? How did writers like Mary Shelley, Robert Browning, Charles Dickens, W.B. Yeats, Bram Stoker, and others breathe life into the undead - and why did they do it? We can attribute their efforts to the present's desire to remake the past in its own image - but what does that mean exactly? In this episode, Jacke talks to Professor Renée Fox about her book The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature. PLUS Jacke explores what notable German-Swiss author Herman Hesse learned from trees. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Rensberger reads "Reading," "A Deity," and "Historical Imagination."

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Dark Side of the Library Podcast Episode #125: Dark Non Fiction Books Released in May 2023 (Disclosure: Some of the links in this post are affiliate links. This means if you click on the link and purchase the item, we will receive an affiliate commission at no extra cost to you)   The Art of Darkness: The History of Goth, by John Robb (May 16) https://amzn.to/4478rPl   The Art of Peter Bergting, by Peter Bergting (May 9) https://amzn.to/426jZQY   Death Lines: Walking London's Horror History, by Lauren Barnett (May 9) https://amzn.to/3oJgfGN   Ghost Towns of Ontario's Cottage Country, by Andrew Hind (May 30) https://amzn.to/3HjAaCC   Edison's Ghosts: The Untold Weirdness of History's Greatest Geniuses, by Katie Spalding (May 16) https://amzn.to/3ZPAj89   The Evil Eye: The History, Mystery, and Magic of the Quiet Curse, by Antonio Pagliarulo + Judika Illes ( May 1) https://amzn.to/3X1MTza   The Tales Behind Tarot, by Alison Davies (May 23) https://amzn.to/3mJ37k3   Mud, Blood, and Ghosts: Populism, Eugenics, and Spiritualism in the American West, by Julie Carr (May 1) https://amzn.to/3Fr8niu   The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature, by Renée Fox (May 4) https://amzn.to/3n5u6a6   Poetry as Spellcasting: Poems, Essays, and Prompts for Manifesting Liberation and Reclaiming Power, by Tamiko Beyer, Destiny Hemphill, Lisbeth White (May 16) https://amzn.to/3VcoR4Q The Tales Behind Tarot: Discover the stories within your tarot cards, by Alison Davies (Author), Lindsay Squire (May 23) https://amzn.to/3FsfGqq   Tonight It's a World We Bury: Black Metal, Red Politics, by Bill Peel (May 23) https://amzn.to/3V9gtTT   The Wounded Storyteller: The Traumatic Tales of E. T. A. Hoffmann, by E. T. A. Hoffmann,  Natalie Frank, Jack Zipes, Karen Russell (May 30) https://amzn.to/3AxTGHK   Follow Dark Side of the Library on Facebook and on Instagram! And our Amazon Live Channel! Dark Side of the Library Website

Conversation starts @ 5:47 Hermes Trismegistus was believed to be one of the wise men of his time, and a study of his texts reveals, not a general philosophy, but a spiritual path for initiates who seek to achieve gnosis by direct acquaintance of the true nature of reality as we experience it. Dr. Wouter Hanegraaff begins this analysis by guiding us into the four-core dimension of his book, Hermeticism, spirituality, historical imagination, and altered states of knowledge. All of this knowledge circulated through small groups of people beginning in the first century A.D. Wouter explains how he landed a position as The University of Amsterdam chair of Hermeticism, and then began to “map” the field of esoterism, the two poles of his academic interests are Hermeticism and esotericism. We discuss the nature of esotericism, rejected forms of knowledge, monotheism and exclusion, the shadow of the collective, Isaac Newton's heresy, Western exclusion, nonduality, the experiential nature of spiritual practice, Diotima - the female visionary who taught Socrates, drugs in the ancient world, The East and the irrational, academic ideological orientation to Greek as rational, misunderstanding and misinterpretation of antiquity, gender, the spiritual nature of rebirth, life and death, immortality and “The Flip,” shoutout to Miles Neale and Jeff Kripal, music and the cosmos, tones and chanting, initiation, apprenticeship, magic, therapy, and more. Bio: Wouter J. Hanegraaff is Professor of History of Hermetic Philosophy and Related Currents at the University of Amsterdam, the Netherlands, a member of the Royal Dutch Academy of Arts and Sciences, as well as past President and now honorary member of the European Society for the Study of Western Esotericism. Alongside numerous articles, he is the author of New Age Religion and Western Culture: Esotericism in the Mirror of Secular Thought (Leiden 1996/Albany 1998); Lodovico Lazzarelli (1447-1500): The Hermetic Writings and Related Documents (Tempe 2005; with Ruud M. Bouthoorn); Swedenborg, Oetinger, Kant: Three Perspectives on the Secrets of Heaven (West Chester 2007); Esotericism and the Academy: Rejected Knowledge in Western Culture (Cambridge 2012); and Western Esotericism: A Guide for the Perplexed (London 2013). He has (co)edited eight collective volumes, including the 1200-page Dictionary of Gnosis and Western Esotericism (Leiden 2005) and Hidden Intercourse: Eros and Sexuality in the History of Western Esotericism (New York 2011; with Jeffrey J. Kripal). His most recent monograph Hermetic Spirituality and the Historical Imagination: Altered States of Knowledge in Late Antiquity is forthcoming with Cambridge University Press in 2022. His current projects are focused on the history of consciousness in German Idealism and Romanticism, and the role of the imagination in Western culture. https://www.wouterjhanegraaff.net Website for The Sacred Speaks: http://www.thesacredspeaks.com WATCH: YouTube for The Sacred Speaks https://www.youtube.com/channel/UCOAuksnpfht1udHWUVEO7Rg Instagram: https://www.instagram.com/thesacredspeaks/ @thesacredspeaks Twitter: https://twitter.com/thesacredspeaks Facebook: https://www.facebook.com/thesacredspeaks/ Brought to you by: https://www.thecenterforhas.com Theme music provided by: http://www.modernnationsmusic.com

John Comaroff is Hugh K. Foster Professor of African and African American Studies and of Anthropology at Harvard University. Before joining the Department of African and African American Studies, John Comaroff was the Harold H. Swift Distinguished Professor of Anthropology at the University of Chicago. He is also an Honorary Professor of Anthropology at the University of Cape Town, and an Affiliated Research Professor at the American Bar Foundation. His current research in South Africa is on crime, policing, and the workings of the state, on democracy and difference, and on postcolonial politics. His authored and edited books include, with Jean Comaroff, Of Revelation and Revolution (2 vols), Ethnography and the Historical Imagination, Modernity and its Malcontents, Civil Society and the Political Imagination in Africa, Millennial Capitalism and the Culture of Neoliberalism, Law and Disorder in the Postcolony, Ethnicity, Inc., Zombies et Frontières A l'Ere Néolibérale, Theory from the South: or, how Euro-America is evolving toward Africa, and The Truth Abouth Crime: Policing and the Metaphysics of Disorder. With Jean Comaroff he is currently completing The Return of Khulekani Khumalo, Zombie Captive: Law, Imposture, and Personhood in Postcolonial South Africa, and co-editing Chiefship and the Customary in Contemporary Africa.Jean Comaroff is Alfred North Whitehead Professor of African and African American Studies and of Anthropology at Harvard University. Jean Comaroff was educated at the University of Cape Town and the London School of Economics. After a spell as research fellow in medical Anthropology at the University of Manchester, she moved to the University of Chicago, where she was remained until 2012 as the Bernard E. and Ellen C. Sunny Distinguished Service Professor of Anthropology at the University of Chicago, and Director of the Chicago Center for Contemporary Theory. She is also Honorary Professor at the University of Cape Town. Her research, primarily conducted in southern Africa, has centered on processes of social and cultural transformation – the making and unmaking of colonial society, the nature of the postcolony, the late modern world viewed from the Global South. Her writing has covered a range of topics, from religion, medicine and body politics to state formation, crime, democracy and difference. Her publications include Body of Power, Spirit of Resistance: The Culture and History of a South African People (1985), “Beyond the Politics of Bare Life: AIDS and the Global Order” (2007); and, with John L. Comaroff, Of Revelation and Revolution (vols. l [1991] and ll [1997]); Ethnography and the Historical Imagination (1992); Millennial Capitalism and the Culture of Neoliberalism (2000), Law and Disorder in the Postcolony (2006), Ethnicity, Inc. (2009), Theory from the South, or How Euro-America is Evolving Toward Africa (2011), and The Truth About Crime: Policing and the Metaphysics of Disorder in South Africa. In the pipeline is The Return of Khulekane Khumalo, Zombie Captive: Law, Imposture, and Personhood in Postcolonial South Africa. Also in process is an edited collection, Chiefship and the Customary in Contemporary Africa. A committed pedagogue, she has won awards for teaching at both the undergraduate and graduate levels, and has worked to enable college students to study abroad, especially in Africa. Subscribe to our newsletter today

Today on the History with Jackson Podcast we spoke with Professor Hugo Frey from the University of Chichester about The Political historical Imagination of Jacques Tardi. To keep up to date with Professor Hugo Frey head to: https://www.chi.ac.uk/staff/philosophy-theology-and-religion/professor-hugo-frey To buy the complete works of Jacques Tardi including 'It was the War of the Trenches' head to: https://www.amazon.co.uk/s?i=stripbooks&rh=p_27%3AJacques+Tardi&s=relevancerank&text=Jacques+Tardi&ref=dp_byline_sr_book_1 To catch up on everything to do with History with Jackson head to www.HistorywithJackson.co.uk If you wish to support us and our work please head to our 'Buy me a Coffee' profile: https://www.buymeacoffee.com/Historyw... Follow us on Facebook at: https://www.facebook.com/HistorywithJ...... Follow us on Instagram at: @HistorywithJackson Follow us on Twitter at: @HistorywJackson The History with Jackson Podcast in now available on all major podcast platforms, including Spotify and Apple Podcasts --- Send in a voice message: https://anchor.fm/history-with-jackson/message

The 41st Annual Marion Thompson Wright Lecture Series , One Begins Again: Organizing & the Historical Imagination, will be online on Saturday, February 20, 2021 at 9:30am. The conference is presented by the Clement A. Price Institute on Ethnicity, Culture, and the Modern Experience. You can register here . Joining WBGO Journa l host Doug Doyle is Director of the Institute, historian, curator, writer and professor Jack Tchen and two orginal members of the Marion Thompson Wright Study Club, former Director of Planning for the City of Petersburg, Virginia Leonard Muse and Seton Hall Professor of History Larry Greene. This year's MTW conference wil moderated by Barbara Ransby. Alicia Garza, Bill Fletcher Jr., and Cara Page, each in important ways, speak about organizing as a means to healing generations of society-wide injustice. Professor Tchen says the coronavirus pandemic has prompted his staff to change its approach to this year's conference. "With it being virtual we have a chance

In this episode, we sit down with Karen McNeill, Director of Family History at Ascent Private Capital Management of US Bank, to discuss her fascinating role in researching family histories as part of a comprehensive wealth planning platform. Here, she discusses how applying historical knowledge to family culture can play an enormous role in supporting family preservation and success.

Destination: Africa On today’s episode of the VIEW to the U podcast we are talking mapping borders and territories and its impact on identities in Africa in the late 19th and early 20th centuries with Professor Julie MacArthur, an Assistant Professor in UofT Mississauga's Department of Historical Studies and cross appointed in the Department of History in the Faculty of Arts & Science on the U of T St. George campus. She is also a Fellow with the Jackman Humanities Institute at UofT. We cover a range of other topics that relate to Julie's work, such as aesthetic education and African cinema, as well as a special event she is participating in with Masai Ujiri, president of the Toronto Raptors, in relation to Black History Month as it draws to a close for 2019. With this new, third season of the VIEW to the U highlighting UTM’s Global Perspectives, Julie will discuss her research, which focuses on the role of geographic borders and local practices of space, representation and memory shaping constructions of community, power, and dissent in modern Africa. In her research she has investigated electoral politics, linguistic history, and the making of political communities. Her first book, Cartography and the Political Imagination in Colonial Kenya, published in 2016, explores mapping and dissenting politics in Kenya. In 2017, she edited and served as primary author on the book Dedan Kimathi on Trial: Colonial Justice and Popular Memory in Kenya’s Mau Mau Rebellion. Her new research project, “Radical Cartographies,” investigates the alternative mappings of decolonization, sovereignty, and citizenship across eastern Africa from 1950-1976. In addition, her work in African representation extends to the field of African cinema, where Julie has worked as both a curator and an academic. Her project, “African Cinema and the Historical Imagination,” explores the ways in which Africans tell their stories through the technology of film. She has also worked as a programming associate with the Toronto International Film Festival and Film Africa in London, as well as serving as the Director of the Cambridge African Film Festival for several years. Julie regularly curates film programmes and participates in film forums and festivals around the world. A full transcript of the podcast interview is available: https://www.utm.utoronto.ca/vp-research/sites/files/vp-research/public/shared/Julie%20MacArthur-transcribed%2CFeb2019.pdf.

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda. Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle's book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu. In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda.  Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle’s book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu.  In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History.  She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda.  Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle’s book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu.  In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History.  She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda.  Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle’s book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu.  In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History.  She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda.  Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle’s book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu.  In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History.  She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda.  Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle’s book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu.  In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History.  She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book Colonial Buganda and the End of Empire: Political Thought and Historical Imagination in Africa (Cambridge University Press, 2017), Dr. Jonathon Earle illustrates the rich and diverse intellectual history of Buganda, an East African kingdom that came to be incorporated into the modern state of Uganda.  Earle constructs the intellectual biographies of four important Ganda activists who articulated and debated ideas about kingship, political pluralism, citizenship, and justice. Their views on state and society were drawn from a diverse range of sources such as religious texts, classical political thinkers and local histories. Earle’s book shows that often used distinctions between “sacred” and “secular” or “African” and “European” oversimplify and obscure what was a more pluralistic intellectual milieu.  In writing this book, Earle uses a wide range of primary and secondary sources among which are several private archival collections that had not been previously available to historians. The book is currently a finalist for the 2018 Bethwell A. Ogot Prize presented by the African Studies Association to the author of the best book in East African Studies. Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History.  She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Blight offers an introduction to the course. He summarizes some of the course readings, and discusses the organization of the course. Professor Blight offers some thoughts on the nature of history and the study of history, before moving into a discussion of the reasons for Americans' enduring fascination with the Civil War. The reasons include: the human passion for epics, Americans' fondness for redemption narratives, the Civil War as a moment of "racial reckoning," the fascination with loss and lost causes, interest in military history, and the search for the origins of the modern United States.TranscriptLecture Page

with Ahmet Ersoyhosted by Susanna FergusonDownload the podcastFeed | iTunes | GooglePlay | SoundCloudWhat happens when we encounter "Orientalist" aesthetics outside the West? In the late nineteenth century, a cosmopolitan group of Ottoman architects turned to modern forms of art history writing to argue that synthesis and change stood at the heart of a particularly "Ottoman" architectural aesthetic. Working together, these writers produced the first text of modern art history writing in the Ottoman empire, the Usul-ı Mi'marî-yi Osmanî or The Fundamentals of Ottoman Architecture. This volume was published simultaneously in Ottoman Turkish, French and German for the Universal Exposition or World's Fair in Vienna in 1873. In this episode, Ahmet Ersoy explores the making of this text, its arguments, and its implications for understanding the relationship of the late-Tanzimat Ottoman Empire with Europe, its own cosmopolitan "hyphenated-Ottoman" intellectuals, and historical imagination.« Click for More »

Professor Blight offers an introduction to the course. He summarizes some of the course readings, and discusses the organization of the course. Professor Blight offers some thoughts on the nature of history and the study of history, before moving into a discussion of the reasons for Americans' enduring fascination with the Civil War. The reasons include: the human passion for epics, Americans' fondness for redemption narratives, the Civil War as a moment of "racial reckoning," the fascination with loss and lost causes, interest in military history, and the search for the origins of the modern United States.