Podcasts about political imagination

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

J.J. and Dr. Sarah Hammerschlag encounter a phenomenal high-school principle and genius: Emmanuel Levinas. Follow us on Twitter (X) @JewishIdeas_Pod to converse with Other listeners. Please rate and review the the show in the podcast app of your choice!We welcome all complaints and compliments at podcasts@torahinmotion.orgFor more information visit torahinmotion.org/podcastsSarah Hammerschlag is the John Nuveen Professor of Religion and Literature, Philosophy of Religions and History of Judaism at the University of Chicago. Sheis a scholar in the area of Religion and Literature. Her research thus far has focused on the position of Judaism in the post-World War II French intellectual scene, a field that puts her at the crossroads of numerous disciplines and scholarly approaches including philosophy, literary studies, and intellectual history. She is the author of The Figural Jew: Politics and Identity in Postwar French Thought (University of Chicago Press, 2010) and Broken Tablets: Levinas, Derrida and the Literary Afterlife of Religion (Columbia University Press, 2016) and the editor of Modern French Jewish Thought: Writings on Religion and Politics (Brandeis University Press, 2018). The Figural Jew received an Honorable Mention for the 2012 Jordan Schnitzer Book Award, given by the Association of Jewish Scholars, and was a finalist for the AAR's Best First Book in the History of Religions in 2011. She has written essays on Jacques Derrida, Emmanuel Levinas and Maurice Blanchot which have appeared in Critical Inquiry, Jewish Quarterly Review and Shofar, among other places. She is currently working on a manuscript entitled “Sowers and Sages: The Renaissance of Judaism in Postwar Paris. Her most recent book is Devotion: Three Inquiries in Religion, Literature and Political Imagination (2021), co-written with Constance Furey and Amy Hollywood. 

Luke 17:20-37 - Josh Fairbaugh

Interview with Michael G. Cronin, Assistant Professor of English in Maynooth University about his books: Impure Thoughts: Sexuality, Catholicism and Literature in Twentieth-Century Ireland Revolutionary Bodies: Homoeroticism and the Political Imagination in Irish Writing and Sexual / Liberation

Conversaciones académicas online con autoras-es de libros en el campo de los Estudios Ibéricos - con énfasis especial en Estudios Culturales. Especial Cómics coordinado y moderado por Jorge Catalá Carrasco (Newcastle University). Se presentan las siguientes novedades editoriales en el campo del cómic ibérico, en conversación con sus autoras/es y editoras/es: - Sectorial del cómic (eds) Libro blanco del cómic en España (Ministerio de Cultura, 2024). - Xavier Dapena y Joanne Britland (eds). The Political Imagination in Spanish Graphic Narrative (Routldge, 2024). - Jorge Catalá, Benoit Mitaine, Maya Quainanni y José Manuel Trabado (eds) Multimodalidad e intermedialidad. Mestizajes en la narración gráfica contemporánea ibérica y latinoamericana (Universidad de León, 2023). - Jorge Catalá et al. Intermediality: Genetics and Enrichment of the Language of Comics. Special issue European Comic Art (Berghahn Journals, 2023). - Montserrat Terrones, Gerardo Vilches et al. (eds) Constel·lació gràfica. Joves autores de còmic d' avantguarda (Centre de Cultura Comtemporània de Barcelona, 2023). Constel·lació gràfica. Joves autores de còmic d' avantguarda (Centre de Cultura Comtemporània de Barcelona, 2023).

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

EPISODE 1838: In this KEEN ON show, Andrew talks to Juliet Hooker, author of BLACK GRIEF/WHITE GRIEVANCE, about why American democracy is in desperate need of an radical expansion of its political imaginationJuliet Hooker is Professor of Political Science at Brown University. She is a political theorist specializing in racial justice, Latin American political thought, Black political thought, and Afro-descendant and indigenous politics in Latin America. Before coming to Brown, she was a faculty member at the University of Texas at Austin. She is the author of Race and the Politics of Solidarity (Oxford, 2009); Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford, 2017); and editor of Black and Indigenous Resistance in the Americas: From Multiculturalism to Racist Backlash (Lexington Books, 2020). Theorizing Race in the Americas was awarded the American Political Science Association's 2018 Ralph Bunche Book Award for the best work in ethnic and cultural pluralism and the 2018 Best Book Award of the Race, Ethnicity, and Politics Section of the American Political Science Association. Her current book, Black Grief/White Grievance: Democracy and the Problem of Political Loss, is forthcoming in 2023 from Princeton University Press. Prof. Hooker served as co-Chair of the American Political Science Association's Presidential Task Force on Racial and Social Class Inequalities in the Americas (2014-2015), and as Associate Director of the Teresa Lozano Long Institute of Latin American Studies at the University of Texas at Austin (2009-2014). She has been the recipient of fellowships and awards from the National Endowment for the Humanities, the Woodrow Wilson International Center for Scholars, the DuBois Institute for African American Research at Harvard, and the Advanced Research Collaborative at the Graduate Center of the City University of New York.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Born out of the Egypt-based Muslim Brotherhood in 1946, the terrorist group we now call Hamas has deep roots in Palestinian society. It has proved resistant to multiple efforts to destroy it, skilfully allying with international patrons—and even Israel—to secure its position. To stamp it out, Israel will to challenge its ideology.   ----more----   https://theprint.in/opinion/security-code/hamas-isnt-just-a-blood-cult-more-than-tanks-israel-needs-political-imagination-to-crush-it/1799690/

This week Howie will be joined by Ukrainian socialist Hanna Perekhoda. Hanna Perekhoda, "Freedom and Social Identity in the Donbas,” OpenLeft, August 11, 2014, https://therussianreader.com/2014/08/16/hanna-perekhoda-freedom-and-social-identity-in-the-donbas/< Hanna Perekhoda, "Peace in Donbas 'requires the complete withdrawal of Russian armed forces',” Green Left, Nov. 15, 2022, https://www.greenleft.org.au/content/ukraine-hanna-perekhoda-peace-donbas-requires-complete-withdrawal-russian-armed-forces Hanna Perekhoda, “Why Are Russians Still So Imperialistic,” Zabrona, Dec. 15, 2022, https://zaborona.com/en/why-does-russia-still-think-in-imperialist-categories-and-does-not-recognize-the-agentivity-of-ukrainians-what-is-subaltern/ Hanna Perekhoda, "Ukraine's workers are fighting an internal threat, too. They need support,” Open Democracy, April 30, 2023, https://www.opendemocracy.net/en/odr/ukraine-workers-fight-anti-labour-policies-russia/ Hanna Perekhoda, "Ukraine and Its Language in the Political Imagination of the Russian Nation and Empire," New Politics, Oct. 6, 2022, https://newpol.org/ukraine-and-its-language-in-the-political-imagination-/of-the-russian-nation-and-empire/ Streamed on 8/26/23 Watch the video at: https://youtube.com/live/Kn_qG_5ddQs Green Socialist Notes is a weekly livestream/podcast hosted by 2020 Green Party/Socialist Party presidential nominee, Howie Hawkins.  Started as a weekly campaign livestream in the spring of 2020, the streams have continued post elections and are now under the umbrella of the Green Socialist Organizing Project, which grew out of the 2020 presidential campaign.  Green Socialist Notes seeks to provide both an independent Green Socialist perspective, as well as link listeners up with opportunities to get involved in building a real people-powered movement in their communities. Green Socialist Notes Podcast Every Saturday at 3:00 PM EDT on Facebook, YouTube, Twitter, and Twitch. Every Monday at 7:00 AM EDT on most major podcast outlets. Music by Gumbo le Funque Intro: She Taught Us Outro: #PowerLoveFreedom

This episode of Strength in the Midst of Change features Lauren Schandevel, a U-M alum of the Ford School of Public Policy and creator of the crowd-sourced document, “Being Not-Rich at UM”, which serves as a guide for low-income students on campus. Lauren shares her experiences as a first-generation, low-income student, and speaks about public policy and community organizing.

As another civil war looms in Sudan, we review its history of kingdoms, powerful women, missionaries and messianic revolutions, civil wars and diversity. According to UN Secretary-General Antonio Guterres, Sudan is on the brink of a full-scale civil war, the consequences of which may be calamitous, destabilizing a wide region, including the Horn of Africa and parts of the Middle East. Sudan itself is in a state of disaster. For example, in a country of less than 50 million, about 3 million people have been displaced from their homes. There are many reports of indiscriminate killings, mass graves, and towns razed to the ground in Darfur, where the violence is morphing into its new horrifying phase of ethnic war. As a reminder, Darfur is a region already ravaged by decades of genocidal atrocities. When it comes to talking about Sudan, and many other countries about which we woefully know very little, I think it helps to give some depth and dimension to the news in different ways, ways that help us understand the human face of Sudan. Sudan is a complicated country with a rich history, some of which will be familiar to us. For example, what if I tell you that Sudan's history and its civilizations have been inspirational for African Americans? In fact, many prominent African Americans have traveled there - like Al Sharpton and Malcolm X. Although they have traveled to distinctly different regions of Sudan, they have made the journey for the same purpose: for what Sudan's civilization and history represent - a long history of kingdoms and powerful queens, a vibrant crossroad between the variety of distinct cultures in Africa's East and West, and the different races and colors of peoples, black and white from South to North, and between Islam and Christianity. Basically, Sudan has been a veritable melting pot for centuries. In this episode, my guest, Dr. Christopher Tounsel of the University of Washington takes us through this rich history. And he personalizes the story for us by telling us why Sudan is important to him as an African American. Dr. Tounsel is an historian of modern Sudan, with a special focus on race and religion as political technologies. His first book, published in 2021, is Chosen Peoples: Christianity and Political Imagination in South Sudan. It's a book that we discuss here, and I begin the discussion by asking him what he exactly means by "political imagination". His answer opens a window to twists and turns of history, which caught him by surprise as he was writing his dissertation on Sudan's history... Dr. Tounsel is now working on his second book, Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity. As you will note, he is very excited to tell us about this upcoming book, and I am very excited to be the first podcast host with whom he shares it. To learn more about Dr. Tounsel, you can visit his academic homepage. Also, here is our prior podcast regarding Ethiopia's history. I hope you enjoy these episodes. Adel Host of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠History Behind News⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast Watch my guests & I ⁠on YouTube⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here⁠ and join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ our other supporters in the news peeler community. Thank you.

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Renowned music journalist and broadcaster Laura Barton joins to chat about A Little Devil In America, Hanif Abdurraqib's brilliant essay collection exploring black culture in the US.Their conversation also takes in Laura's work with the inimitable Self Esteem, being a woman in the music press, dancing to The Strokes, and much more.Laura's memoir, Sad Songs, is publishing in May 2023 and is a beautifully written enquiry into the history, science and musicology of our love of sad music Sad Songs a book by Laura BartonBooks mentioned in the podcast:A Little Devil In America by Hanif Abdurraqib A Little Devil in America: In Praise of Black Performance a book by Hanif AbdurraqibUnder My Thumb, edited by Rhian Jones and Eli Davis Under My Thumb: Songs that hate women and the women who love them a book by Rhian Jones and Eli DavisThe Crane Wife by CJ Hauser The Crane Wife: A Memoir in Essays a book by Christina Joyce HauserFaithfull by Marianne Faithfull Faithfull: An Autobiography - Faithfull, Marianne: 9780815410461 - AbeBooksThey Can't Kill Us Until They Kill Us by Hanif Abdurraqib They Can't Kill Us Until They Kill Us a book by Hanif AbdurraqibThe Folk by Ross Cole The Folk: Music, Modernity, and the Political Imagination a book by Ross ColeDenim and Leather by Michael Hann Denim and Leather: The Rise and Fall of the New Wave of British Heavy Metal a book by Michael HannSound Within Sound by Kate Molleson Sound Within Sound: Opening Our Ears to the Twentieth Century a book by Kate MollesonYou can buy Jude's The Sound of Being Human: How Music Shapes Our Lives here:The Sound of Being Human by Jude Rogers - Audiobook - Audible.co.ukFinally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts. Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess' research dives into the connection between popular culture's imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans' understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dr Shahar Burla is a Sydney-based researcher and a lecturer. Shahar holds a Master's degree in political science from the Hebrew University and a PhD in political science from Bar-Ilan University. He is the author of Political Imagination in the Diaspora: The Construction of a Pro-Israeli Narrative (2013) and co-editor of Australia and Israel: A Diasporic, Cultural and Political Relationship (2015).

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture' actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result. Cole makes the compelling case that what he calls the ‘folkloric imagination' is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk' in contemporary political culture. Dr Ross Cole is Lecturer in Popular Music at the University of Leeds. Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In his recent book “Another World Is Possible”, Geoff Mulgan – professor of collective intelligence, public policy, and social innovation at University College London – identifies a crisis that does not usually feature prominently in threat assessments: an absence of political imagination. This deficit has not only distorted policymakers' sense of the past and present but also weakened their ability to make future-proofed decisions in various areas. In this week's episode, Mulgan joins Mark Leonard to explore the causes and consequences of this crisis. They discuss how to restore imagination and harness creativity to solve current and future problems. Why does the idea of utopia matter? How can we harmonise competing narratives about the future? And where do China and India come in to all this? This podcast was recorded on 6 July 2022. Further reading Another World Is Possible: How to Reignite Social and Political Imagination by Geoff Mulgan: https://buff.ly/3A1xUgd The Ministry for the Future by Kim Stanley Robinson Bookshelf: The Trial by Sergei Loznitsa Babi Yar. Context by Sergei Loznitsa

In this lively interview series from the RSA, Matthew Taylor, puts a range of practitioners on the spot - from scholars to business leaders, politicians to journalists - by asking for big ideas to help build effective bridges to our new future. Geoff Mulgan is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. Formerly he was chief executive of Nesta, and held government roles (1997–2004), including as the Prime Minister's Strategy Unit director and as Downing Street's head of policy. He is the founder or co-founder of many organisations, from Demos to Action for Happiness, and the author of many books.  HIs latest book is Another World Is Possible: How to Reignite Social and Political Imagination. A Tempo & Talker production for the RSA. In this time of global change, strong communities and initiatives that bring people together are more invaluable than ever before. The RSA Fellowship is a global network of problem solvers. We invite you to join our community today to stay connected, inspired and motivated in the months ahead. You can learn more about the Fellowship or start an application by clicking here.

In episode 6 of our Exploring Social Transformation series, Theo Cox is joined by author, professor, former director of the Prime Minister's Strategy Unit and former Head of Policy at Downing Street, Geoff Mulgan. In this episode Geoff and Theo explore why social and political imagination is important, why there is a deficit in social imagination in today's society, and what we can do about this. Geoff Mulgan is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. He's the former chief executive of Nesta, and within the UK government has acted both as the director of the Prime Minister's Strategy Unit and Head of Policy at Downing Street. Geoff has also founded and co-founded a large number of organizations, from the think-tank Demos to the charity Action for Happiness. His latest book, 'Another world is possible: how to reignite social and political imagination', has just been released.

On July 9, 2011, South Sudan celebrated its independence as the world's newest nation, an occasion that the country's Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples: Christianity and Political Imagination in South Sudan (Duke UP, 2021), Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam's spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan. Christopher Tounsel is Catherine Shultz Rein Early Career Professor in the College of the Liberal Arts and Assistant Professor of History and African Studies at Pennsylvania State University. Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On July 9, 2011, South Sudan celebrated its independence as the world's newest nation, an occasion that the country's Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples: Christianity and Political Imagination in South Sudan (Duke UP, 2021), Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam's spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan. Christopher Tounsel is Catherine Shultz Rein Early Career Professor in the College of the Liberal Arts and Assistant Professor of History and African Studies at Pennsylvania State University. Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

On July 9, 2011, South Sudan celebrated its independence as the world's newest nation, an occasion that the country's Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples: Christianity and Political Imagination in South Sudan (Duke UP, 2021), Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam's spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan. Christopher Tounsel is Catherine Shultz Rein Early Career Professor in the College of the Liberal Arts and Assistant Professor of History and African Studies at Pennsylvania State University. Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

On July 9, 2011, South Sudan celebrated its independence as the world's newest nation, an occasion that the country's Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples: Christianity and Political Imagination in South Sudan (Duke UP, 2021), Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam's spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan. Christopher Tounsel is Catherine Shultz Rein Early Career Professor in the College of the Liberal Arts and Assistant Professor of History and African Studies at Pennsylvania State University. Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

John Comaroff is Hugh K. Foster Professor of African and African American Studies and of Anthropology at Harvard University. Before joining the Department of African and African American Studies, John Comaroff was the Harold H. Swift Distinguished Professor of Anthropology at the University of Chicago. He is also an Honorary Professor of Anthropology at the University of Cape Town, and an Affiliated Research Professor at the American Bar Foundation. His current research in South Africa is on crime, policing, and the workings of the state, on democracy and difference, and on postcolonial politics. His authored and edited books include, with Jean Comaroff, Of Revelation and Revolution (2 vols), Ethnography and the Historical Imagination, Modernity and its Malcontents, Civil Society and the Political Imagination in Africa, Millennial Capitalism and the Culture of Neoliberalism, Law and Disorder in the Postcolony, Ethnicity, Inc., Zombies et Frontières A l'Ere Néolibérale, Theory from the South: or, how Euro-America is evolving toward Africa, and The Truth Abouth Crime: Policing and the Metaphysics of Disorder. With Jean Comaroff he is currently completing The Return of Khulekani Khumalo, Zombie Captive: Law, Imposture, and Personhood in Postcolonial South Africa, and co-editing Chiefship and the Customary in Contemporary Africa.Jean Comaroff is Alfred North Whitehead Professor of African and African American Studies and of Anthropology at Harvard University. Jean Comaroff was educated at the University of Cape Town and the London School of Economics. After a spell as research fellow in medical Anthropology at the University of Manchester, she moved to the University of Chicago, where she was remained until 2012 as the Bernard E. and Ellen C. Sunny Distinguished Service Professor of Anthropology at the University of Chicago, and Director of the Chicago Center for Contemporary Theory. She is also Honorary Professor at the University of Cape Town. Her research, primarily conducted in southern Africa, has centered on processes of social and cultural transformation – the making and unmaking of colonial society, the nature of the postcolony, the late modern world viewed from the Global South. Her writing has covered a range of topics, from religion, medicine and body politics to state formation, crime, democracy and difference. Her publications include Body of Power, Spirit of Resistance: The Culture and History of a South African People (1985), “Beyond the Politics of Bare Life: AIDS and the Global Order” (2007); and, with John L. Comaroff, Of Revelation and Revolution (vols. l [1991] and ll [1997]); Ethnography and the Historical Imagination (1992); Millennial Capitalism and the Culture of Neoliberalism (2000), Law and Disorder in the Postcolony (2006), Ethnicity, Inc. (2009), Theory from the South, or How Euro-America is Evolving Toward Africa (2011), and The Truth About Crime: Policing and the Metaphysics of Disorder in South Africa. In the pipeline is The Return of Khulekane Khumalo, Zombie Captive: Law, Imposture, and Personhood in Postcolonial South Africa. Also in process is an edited collection, Chiefship and the Customary in Contemporary Africa. A committed pedagogue, she has won awards for teaching at both the undergraduate and graduate levels, and has worked to enable college students to study abroad, especially in Africa. Subscribe to our newsletter today