Podcast appearances and mentions of Robert Browning

Elizabeth Barrett (1806-1861) was one of the most prolific and accomplished poets of the Victorian age, an inspiration to Emily Dickinson, Oscar Wilde, Edgar Allan Poe, and countless others. And yet, her life was full of cloistered misery, as her father insisted that she should never marry. And then, the clouds lifted, and a letter arrived. It was from the poet Robert Browning (1812-1889), admiring her from afar, declaring his love. How did these two poets find each other? What kind of life did they share afterwards? And what dark secrets had led to her father's restrictions…and how might that have affected his daughter's poetry? Host Jacke Wilson takes a look at the story of the Brownings. This episode originally ran as episode 95 on May 29, 2017. It is presented here without commercial interruption. Additional listening: 415 "Goblin Market" by Christina Rossetti 130 The Poet and the Painter - The Great Love Affair of Anna Akhmatova and Amedeo Modigliani 138 Why Poetry? (with Matthew Zapruder) Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Monkeys Spinning Monkeys” and “Piano Between” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah and Cynthia discuss historical fiction novel, The Swan's Nest, by Laura McNeal and dive into the love story of Elizabeth Barrett and Robert Browning framed by the backdrop of industrial London, tainted wealth, and limited choices from their families and society.This episode's cocktail is fittingly called, The Poet.2 oz rye whiskey1/4 oz simple syrup or honey 1 tsp fresh ginger, peeled1 lemon wedge2 sprigs mintsplash of soda water (we used more than a splash)Muddle the ginger, lemon, and one sprig of mint in the simple syrup. Add ice, whiskey, and soda then mix well. Add the second sprig of mint as a garnish if you are feeling fancy. Who doesn't want to feel fancy! We added the second sprig.

Avui sentirem: "Nunc Dimitis"; Tres peces per a violoncel i piano, op. 40; Tres can

How did Einstein's work influence the world we know today? Neil deGrasse Tyson and  Harrison Greenbaum team up with astrophysicist Janna Levin, PhD, to explore Einstein's physics and its resulting discoveries, from Walmart laser pointers to black holes and wormholes. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:https://startalkmedia.com/show/einsteins-crumbs-with-janna-levin/Thanks to our Patrons Vickie Patik, Chukwuma, Jaxie Thund-a-Lund, Eric Muldoon, Kevin Price, True Gordon, Chris Del Rosario, Bill Taylor, Garth Graham, George Koris, Kari Legates, Robert Browning, Everyone wants to be a cat, Christine Ferguson, Monte Plays Games, Bernard Pang, HARMS, Ari Nahmad, Alyssa Feldhaus, Noel Aguilar, 5ityf, Lez Dunn, Jeff Blessing, Brian Hann, Gregory Rodgers, Renzo, Serge, Ralph Loizzo, Tejas Phatak, André Shabazian, Lester W Marlatt, WILLIAM WALKER, Prema Wargo, Gaz Davies, Shota Dzidziguri, Phillippe Chicoineau, Hunter Hall, Marcos Lima, Mark S. Jones, Robert Fisher, Dave Zetrenne, Moad, Brain Jones, Sergio, Jeff Sauer, Donald G Smith, and Aleksey Parsetich for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

Running. You might say it's like walking but faster... Now imagine running for 26.2 miles! That would be a marathon, right? Sure. Now double it. 52.4 miles!? That would qualify as an ultramarathon! But we're not stopping there. Special guest, Cabe Waldrop, tells us a little story about a man named Gordy Ainsleigh who ran 100 miles (in a race for HORSES) to see what the human body, some buttermilk, and a little gumption could do. We're talking about the FIRST ULTRAMARATHON! Plus, the Mouthgarf Report and I See What You Did There! Sources: https://ultrarunninghistory.com/gordy-ainsleigh-run/https://www.therunningmate.run/history-ultra-running/Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First David Lynch Film

Browning's 1845 poem captures the affections of every transplant and ex-pat, conjuring the momentary return to a faraway home. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

April is one of the most exciting months of all for nature. Flowers are blooming, bees are buzzing, butterflies are taking flight and migrant birds, such as the Cuckoo and the Swallow, are due to arrive any day now. In celebration, Éanna recites Robert Browning's 1845 poem, 'Home-Thoughts, from Abroad'.

English romantic poet Percy Bysshe Shelley was born at Field Place in Warnham in 1792, spending his formative years at his family home. His family is well-connected with the Horsham District too.  While he wrote famous poems such as Ozymandias, Queen Mab and To A Skylark and influenced many poets and writers, including Robert Browning, WB Yeats, Thomas Hardy and George Bernard Shaw, Shelley - whose second wife Mary Shelley authored the famous gothic novel Frankenstein - never knew fame during his lifetime.  Despite Percy Bysshe Shelley's posthumous influence and literary reputation, many of us are unaware of the writer's connection to Horsham and know little about his life, other than his works. However, our guests for this episode - Carol Hayton and David Hide - directors of The Shelley Memorial Project - are among those hoping to change that.  The Shelley Memorial Project wants to create a lasting public memorial to Percy Bysshe Shelley to commemorate Horsham's famous former citizen.  To find out more, we gathered around a table at the Shelley Arms in Broadbridge Heath to talk about Shelley, his connection to Horsham, and the project's plans to honour him.   

"LOVE IS THE GREATEST.""Even greater than faith, or hope, or any other thing.We celebrate the love of Valentine's Day and appropriately so. That loving celebration is fun, romantic, even emotional. It is a day set aside once to live love and to express our love to all, but especially so to someone special.Love is a word difficult of definition. In fact, it has many component parts. Love is complex, defining itself, manifesting itself in so many different ways. But love is a force without which we can not live, or live right. It is the stuff of life, and without it, life is mere existence, sterile and harsh. Love is the force, the resource of God, an energy which produces the highest and best relationships with OTHERS, and, as we love ourselves, allows us to live life at its highest levels.TO LOVE AND TO BE LOVED IS THE GREATEST HAPPINESS OF EXISTENCE. Sosaid Sydnie Smith.Love out and in is a daily process which produces the greatest happiness. It does indeed. Nothing feels better than to give love, share love, and experience love.NOTHING.""If you had no one to love, you would never be hurt. But, you would never grow. You would never venture outside your own self-centered needs and perceptions. Your heart would never be cracked open so that God could enter it. To love and love unconditionally is to take risks, and especially the risk of rejection. But nothing energizes and cleanses like love.Profound words about love by a poet unknown. To love another, large or small, is the only real way that one can grow as a human being. The risk of loving produces the risk of hurt but even hurt toughens and matures love. The risk of loving another allows one to VENTURE OUTSIDE and to experience. Doing that allows your very own heart to be CRACKED OPEN so that love in its purest sense could enter, that is God Himself. Loving is always risky, and especially the risk of rejection. Rejection hurts but it is part of the loving process. The risk of love is worth it because nothingenergizes like love, and nothing cleanses like love, NOTHING.""Charles Dickens said that a loving heart is the truest wisdom. Knowing life at its best, the most real and the truest wisdom can only be produced by a loving heart, a heart cracked open and wanting more love.""Robert Schuller said that in the presence of love, miracles happen. Love itself is a miracle and the loving miracle produces other miracles. Miracles can and should happen more often and they can and will happen when:LOVE IS AT WORKTrue love allows us insight, real insight into the character and persona of another:“BECAUSE I LOVE YOU, I CATCH GLIMPSES OF THE YOU GOD CREATED, THE TRUE YOU. I SEE YOUR IMPERFECTIONS AND FAILURES, BUT I CHOOSE TO SEE PAST THEM TO THE REAL YOU. LOVE CREATES A PLACE WHERE YOU ARE FREETO BECOME YOUR COMPLETE SELF.”""What a marvelous statement. Perhaps we can only really know another not completely but only with glimpses and those glimpses made possible only because of love.We are all riddled with imperfections and failures, are we not? We can see past things in our desire to find the real person, the real you. Love breaks down those barriers and produces eyes that truly see.Benjamin Disraeli the great English Prime Minister said that:“WE ARE ALL BORN TO LOVE. IT IS THE PRINCIPLE OF ITS EXISTENCE AND ITS ONLY END.”""Born to love, genetic, all that we really are, the very highest principle itself of existence. And, its only end, like the highest and greatest spiritual commandment that we should love the Lord our God with all of our heart, soul, mind, and strength and our neighbor as ourselves. In fact, we are known as Christians, followers of the Christ:IF YOU HAVE LOVE ONE FOR ANOTHERLove said another is tough, practical, and active. Love is washing the kitchen floor over and over again. Love is scrubbing the toilet and doing the laundry. Love is taking out the garbage and cleaning the refrigerator. Love is smiling when you are tired, finding reasons to laugh even when you are angry, volunteering for a dirty job, working hard, and making the world a better place.Powerful and profound. Indeed, love is practical. Love is very much in the scrubbing of the toilet. Love is there from the one who takes out the garbage. Love indeed delights in the dirty jobs for when you do for the least of these, you do it unto HIM.""And yet more insight into the God of all love:GOD SAYS TO US, IN LOVE, I HOLD YOU IN MY MIND. I REMEMBER YOU. I HOLD ALL OF THE PIECES OF YOU. THE PAST WOUNDS AND THE PRESENT. AND INLOVE, I KNIT THEM TOGETHER INTO THE PERSON I LOVE, THE PERSON I CREATED TO GIVE ME JOY:""YOU.""Held are we in the mind of God, remembering us even as we remember Him, all of our various pieces, wounds, wrongs, and problems no matter. God knits them together and all become the mosaic, the person God loves, the individual and special you.Love frees us of the weight and pain of life! True love always lightens life's heaviestburdens. True love is a force far more powerful than the weapons of any enemy.Life is a flower of which love is the honey, so said Victor Hugo. Love is knit into the very cells of our bodies. It is written into our DNA. It is encoded in the chemicals that make plants green. It is that which makes the sky blue, the substance of the song of the birds in summer, the whisper of the wind in the trees, the silence of the snow as it falls. Love is the voice of God calling to us endlessly and passionately through all HIS marvelous creation.There is no fear in love. Perfect love drives out fear. The more one loves, the less there is of which to be afraid. Love secures and drives our insecurity. Love at work is the most powerful force and energy of all.Take away love, said Robert Browning, and our earth is a tomb. Without love, life is like dead, lifeless, even meaningless. And, if you wish to be loved, LOVE. Any time that is not spent on love is time wasted.True love is a durable fire in the mind ever-burning, never sick, never old, never dead, from itself never turning, so said Sir Walter Raleigh. The durable fire of love burns unquenchable, always alive, always energizing.The great artist Vincent Van Gogh said:“THE HEART THAT LOVES IS ALWAYS YOUNG. LOVE IS A MARVELOUS BEAUTIFIER. LOVE IS ART AT WORK. I ALWAYS THINK THAT THE BEST WAY TO KNOW GOD IS TO LOVE MANY THINGS.”""Indeed, all of art is love at work and there really can be no great art without love. It beautifies and brings out the best in everything.Here, the words of Thomas Merton:“THE BEGINNING OF LOVE IS TO LET THOSE WHO LOVE BE PERFECTLYTHEMSELVES, AND NOT TO TWIST THEM TO FIT OUR OWN IMAGE. OTHERWISE,WE LOVE ONLY THE REFLECTION OF OURSELVES WE FIND IN THEM.”""The more we are perfectly ourselves, living to our highest and best, the more and better of us there is.Love cures people, the ones who give it and the ones who receive it. Love conquers all things, so said the ancient poet, Virgil.""Love allows us to believe so fully and firmly in God even when He is silent!The great thinker-theologian Soren Kierkegaard profoundly stated that when one has once fully entered the realm of love, the world, no matter how imperfect becomes rich and beautiful. It consists solely of opportunities for love.It is love, said Thomas Mann, not reason that is stronger than death. And that love, stronger than and which conquers death is the love of the Christ on the cross and the resurrection which followed.To love someone is to see a miracle invisible to others, said Francois Mauriac. Life is replete with invisible miracles which can only be revealed by love at work.If you love somebody, tell them, so said Rod McKuen. The telling unleashes the energy and the power of love.The heart has its reasons which reason alone can not understand, so said the thinker Blaise Pascal. Love is a dimension in life different from and beyond reason itself. The more the mind the less the heart and consequently the less love. Reason no matter how wise can never understand love.The great theologian Paul Tillich said that the first beauty of love is to listen. One who loves wants to listen more than talk, listen to every word, every expression of thought and emotion which comes from the one loved. Listening, really listening in a caring way, may very well be the highest attribute of true love.For those who love, time is eternity. Love is God's finger on man's shoulder. Love is like a running brook that sings its melody to the night. To wake at dawn with a winged heart and to give thanks for another day of loving. Love is a symbol of eternity. It wipes out all sense of time, destroying all memory of a beginning and all fear of an end.Sir Alfred Lord Tennyson said:“TIS BETTER TO HAVE LOVED AND LOST THAN NEVER TO HAVE LOVED AT ALL.”""Love indeed is risky, the risk of rejection but a life lived without true love is a life never really lived at all.I love you, says Anna Corbin, as you are, not as you wish to be. I love you for the real person you are, not the imaginary perhaps I fantasize you could be. I love the real,amazing, utterly unique YOU.""Love in the ultimate, unconditional, love so REAL.If you love until it hurts, really hurts, there can be no more hurt, only more love said the wonderfully loving Mother Teresa. True love at work drives away the hurt.""Looking back, said one, I have this to regret. That too often when I loved, I did not say so. Love uncommunicated is love aborted. It is there but never shared. More time is spent judging people which leaves less time to love them.Zelda Fitzgerald said that nobody has ever measured, not even poets, how much love the heart can hold. There is no limit to love, none whatsoever. Love is there, always and love takes up when knowledge leaves off. In fact, love is the supreme knowledge, superior to all else.Love's greatest gift is its ability to make everything it touches sacred. Love at work produces the holiest of the holies. The great English statesman William E. Gladstone said the following:“WE LOOK FORWARD TO THE TIME WHEN THE POWER OF LOVE WILL REPLACE THE LOVE OF POWER. THEN WILL OUR WORLD KNOW THE BLESSINGS OF PEACE. POWER KILLS LOVE AND WITHOUT LOVE, THERE IS NO PEACE. THERE ISNOTHING MORE POWERFUL BEFORE AND EVER AGAIN THAN LOVE.”""The theologian Reinhold Niebuhr said the following:“WE ARE SAVED BY THE FINAL FORM OF LOVE, WHICH IS FORGIVENESS. FORGIVING AND FORGETTING ARE THE HIGHEST ACTS OF LOVE RESULTING IN OUR SALVATION. THERE WAS ONE, YEARS AGO, DRIVEN TO THE CROSS BY THE LOVE OF MANKIND PROVIDING IN HIS DEATH THE LIFE AND THE LOVE WE LEAD.THE CROSS WAS THE FINAL AND FORGIVING FORM OF LOVE.”""The crucifixion of the Christ on the cross was indeed the ultimate act of love. The great writer C.S. Lewis said the following:“TO LOVE AT ALL IS TO BE VULNERABLE. LOVE ANYTHING AND YOUR HEART WILL CERTAINLY BE WRUNG AND POSSIBLY BROKEN. LOVE BREAKS DOWN ALL BARRIERS, OPENS WIDE THE HEART, EXPOSES TRUE INNOCENCE AND RISKS THE WRINGING AND THE BREAKING OF THIS MORE PRIZED POSSESSION. REAL LOVE DEMANDS THIS, CONSTANTLY.”Sir Arthur Pinero said that “those who love deeply never grow old. They may die of old age, but they die young at heart.”That deep love here and now is but a prelude to the perfect love there. In fact, they are one love contiguous and continuous. Love is both earthly and eternal. Love never dies. For there is only one real happiness in life and that is to love and to be loved.The great writer Ralph Waldo Emerson said:“NEVER SELF-POSSESSED OR PRUDENT, LOVE IS ALL ABANDONMENT.”""True love is pure risk, always. Love at work risks hurt to the self and rejection by another. But the risk at work is what makes the word of love so special.""Vulnerability, openness, risk but so great reward.Hear then the marvelous words of the great poet William Wordsworth:“A PERSON CAN BE SO CHANGED BY LOVE AS TO BE UNRECOGNIZABLE AS THE SAME PERSON. LOVE TRANSFORMS, REGENERATES. LOVE PRODUCES CHANGE, EVERYWHERE AND IN EVERYONE. LOVE BETTERS WHAT IS BEST!”""The great philosopher Plato said that love is the best friend of human kind, the helper and the healer of all ills that stand in the way of human happiness. In fact, love and compassion are necessities, not luxuries and without them, humanity can not survive. And for some real definition of the word love, hear the words of Saint Augustine:“WHAT DOES LOVE LOOK LIKE? WHY, IT HAS HANDS TO HELP OTHERS. IT HAS FEET TO HASTEN TO THE POOR AND NEEDY. IT HAS EYES TO SEE MISERY AND WANT. IT HAS EARS TO HEAR THE SIGHS AND SORROWS OF HUMANKIND. THATIS WHAT LOVE LOOKS LIKE!”""Amen and amen. Hands and feet at work, eyes and ears to see and hear human need. Love at work is what love really is.Love comes supreme and most innocently from a child. A child's love is pure, uncomplicated, unconditional, fully trusting. Such innocence opens deep the world of feeling and emotion and it is a return to that childlike love and that ability to love which alone can make complete the adult version of that child. May we all be wise enough to return to the innocent love of a little child.And so my friends, my fellow Americans, we the Crawford Broadcasting Company wish you all of the love possible on Valentine's Day and during Valentine's week. May love in all its forms permeate your life and may you know the supreme love of the One who laid down His life for you. Live love every day and know the real and true meaning of life.And finally, the profound words of poet Emily Dickenson:“IF I CAN STOP ONE HEART FROM BREAKINGI SHALL NOT LIVE IN VAINIF I CAN EASE ONE LIFE THE ACHING OR COOL ONE PAINOR HELP ONE FAINTING ROBIN IN TO HIS NEST AGAINI SHALL NOT LIVE IN VAIN!”""Love is the greatest!"

In this episode, three pieces by the American Amy Beach—two piano pieces and a song (to a poem by Robert Browning). Also, a piece by Bach's cousin. And other worthy numbers. Walther, “Lobe den Herren” Beach, “A Hermit Thrush at Eve” Dvořák, “Goin' Home” Beach, “A Hermit Thrush at Morn” Beethoven, Triple Concerto Beach, “Ah, Love, but a Day” Beethoven, Sonata for Violin and Piano in G major, Op. 96

Andre sits in the Captain's Chair and throws down an amazing quotation from the English poet Robert Browning and the guys bat it around all over the board, discussing Pelagianism, the nature of heaven and all sort of eternal things.

Born in the 13th century, Pietro d'Abano was referred to variously as “the Great Lombard,” “the Conciliator,” and, in at least one case, a “great necromancer.” This scholar and physician faced various troubles relating to heresy or sorcery, and stories swirl around him of calling on demons or magically making spent coins return to his purse. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on BlueSky @a-devon.bsky.social, Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: Browning, Robert. The Complete Works of Robert Browning. Ohio University Press, 2007. Garin, Eugenio. History of Italian Philosophy, Volume 1. Translated by Giorgio Pinton. Rodopi, 2008. Hasse, Dag Nikolaus. "Pietro d'Abano's 'Conciliator' and the Theory of the Soul in Paris," After the Condemnation of 1277: Philosophy and Theology at the University of Paris in the Last Quarter of the Thirteenth Century. Edited by Jan A. Aertsen, Kent Emery, and Andreas Speer. Walter de Gruyter, 2013. Prioreschi, Plinio. A History of Medicine: Medieval Medicine. Horatius Press, 1996. Tafu, Pedro. Pero Tafur: Travels and Adventures (1435-1439). Translated and edited with an introduction by Malcolm Letts. Harper & brothers, 1926. Thorndike, Lynn. A History of Magic and Experimental Science Volume 2. Columbia University Press, 1923. Touwaide, Alain. "Pietro d'Abano, De venenis: Reintroducing Greek Toxicology in Late Medieval Medicine." Toxicology in the Middle Ages and Renaissance. Edited by Philip Wexler. Academic Press, 2017. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Non c'è verità più vera di quella a cui l'uomo arriva con la musica".(Robert Browning)

Find more about The Old Switcheroo here: https://www.theoldswitcharoo.com/The Drawing of the Three is a dark fantasy novel by American writer Stephen King. It is the second book in the Dark Tower series, published by Grant in 1987.[1] The series was inspired by Childe Roland to the Dark Tower Came by Robert Browning. The story is a continuation of The Gunslinger and follows Roland of Gilead and his quest towards the Dark Tower ~Wikipedia ★ Support this podcast on Patreon ★

Conversamos con el divulgador científico Gonzalo (DatosDeCiencia) sobre la aplicación del método científico. Especialmente, en el ámbito de la salud y la nutrición. Te adelanto dos cosas: - Gonzalo es de las personas más inteligentes con las que he conversado en el podcast. - Ha cambiado el paradigma de lo que consideraba correcto a nivel nutricional. [...] Si te gusta el podcast, sospecho que te gustarán también mis EMAILS. Te podría decir que son maravillosos y cargados de valor, pero mejor que lo descubras por ti mismo. Si los quieres recibir, te puedes apuntar aquí: https://pildorasdelconocimiento.com/ Descubrirás ideas, reflexiones y... también estarás al tanto de cuando hago nuevas clases, masterclasses y formaciones. No te confundo con más enlaces. Está todo ahí. :::::::::::::::: ÍNDICE :::::::::::::::: 00:00:00 Intro 00:01:01 Gonzalo de DatosDeCiencia 00:04:50 Ciencia vs Show 00:06:20 Ciencia en nutrición 00:08:25 Alimentación evolutiva (falacia narrativa) 00:09:50 Tipos de razonamiento 00:14:20 Integración del razonamiento en el método científico 00:19:05 GPT Consensus 00:21:40 Dieta Vegana con el máximo respaldo científico 00:27:20 Tipos de experimentos 00:35:40 Falacias narrativas 00:42:10 La nutrición es un circo 00:47:50 Comer huevos 00:48:30 ¿Tenemos intuición nutricional? Adipostato y estímulos supernormales 00:52:20 Inteligencia fluida vs inteligencia cristalizada 00:54:20 Radical científico 00:59:20 Criterio del marcación en ciencia 01:05:05 Modelos probabilísticos 01:08:50 Libros y Papers 01:13:14 Despedida ::::::::::::::::REFERENCIAS::::::::::::::::: [Libro] «Comer para no morir» de Michael Greger (https://amzn.to/3UduOz8) [Paper] "The Environment and Disease: Association or Causation?" de Austin Bradford Hill (https://pmc.ncbi.nlm.nih.gov/articles/PMC1898525/) [Autor] Ronald Fisher – Padre del diseño experimental y la asignación aleatoria. - Obra destacada: "The Design of Experiments" (1935). (https://home.iitk.ac.in/~shalab/anova/DOE-RAF.pdf) [Autor] Thomas Kuhn – Autor que criticó la rigidez del método científico. - Obra destacada: "The Structure of Scientific Revolutions" (1962). (https://amzn.to/3U572Fp) [Autor] Paul Feyerabend – Filósofo de la ciencia que cuestionó la estructura rígida del método científico. - Obra destacada: "Against Method" (1975). (https://amzn.to/4h2K4IZ) [Referencia a Herramienta] GPT Consensus – Herramienta de inteligencia artificial que se basa en artículos científicos para generar respuestas en lenguaje natural. [Autor] Eric Rimm – Investigador mencionado en relación con las guías dietéticas y la nutrición, específicamente sobre productos animales. (https://scholar.google.com/citations?user=U7sQDw4AAAAJ&hl=en) [Autor] Philip Cole – Referenciado por su "Hypothesis Generating Machine", un artículo satírico que trata sobre la generación de hipótesis en ciencia. (https://www.jstor.org/stable/3702282) [Meta-análisis]: Título: "Dietary intake of total, animal, and plant proteins and risk of all cause, cardiovascular, and cancer mortality: systematic review and dose-response meta-analysis of prospective cohort studies". Conclusión: «Una mayor ingesta de proteínas totales se asoció con un menor riesgo de mortalidad por todas las causas, y la ingesta de proteínas vegetales se asoció con un menor riesgo de mortalidad por todas las causas y por enfermedades cardiovasculares. La sustitución de alimentos ricos en proteínas animales por fuentes de proteínas vegetales podría estar asociada con la longevidad.» (https://www.bmj.com/content/370/bmj.m2412) * Cita de Gonzalo en el minuto 01:11:01 "Todo trabajo científico es incompleto, ya sea observacional o experimental. Todo trabajo científico es susceptible de ser alterado o modificado por el avance del conocimiento. Eso no nos otorga la libertad de ignorar el conocimiento que ya tenemos, o de posponer la acción que parece exigir en un momento dado. Quién sabe, preguntó Robert Browning, pero ¿el mundo puede terminar esta noche? Es cierto, pero según las pruebas disponibles, la mayoría de nosotros nos preparamos para viajar al trabajo el día siguiente a las 8.30." — "The Environment and Disease: Association or Causation?" by Sir Austin Bradford Hill Puedes seguirme aquí: Website: https://pildorasdelconocimiento.com/ Twitter/X: https://twitter.com/Lualobus LinkedIn: https://www.linkedin.com/in/lualobus/ Instagram: https://www.instagram.com/fernando_pdc/ Youtube: https://www.youtube.com/c/P%C3%ADldorasdelConocimiento Puedes seguir aquí a Gonzalo: Instragram: https://www.instagram.com/datosdeciencia Youtube: https://www.youtube.com/@sciencedataoficial

On the October 14 edition of the Music History Today podcast, Pearl Jam breaks a record, JoJo finally gets to release a record, & Pulp Fiction breathes life into older music. Also, happy birthday to Usher. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: * In 1906, legendary entertainer and civil rights activist Paul Robeson was not allowed to play for the Rutgers University football team because their opponents that day, Washington and Lee University, refused to play against a team that had a black person on it. * In 1939, music company BMI started operations. * In 1954, the musical movie White Christmas premiered. * In 1964, Charlie Watts of the Rolling Stones married his wife Shirley Shepherd. * In 1966, Grace Slick first appeared with Jefferson Airplane. * In 1968, the Beatles finished work on the White Album. * In 1971, John Lennon & Yoko Ono appeared on the Dick Cavett Show. * In 1994, the movie Pulp Fiction premiered. From a musical standpoint, the movie helped revive interest in Dick Dale's music (he did the song Misirlou: the song with the crazy surf guitar & the screaming in the beginning of it). It also sparked interest in the early Kool & the Gang funk classic Jungle Boogie & Link Wray's classic Rumble. * In 2000, Pearl Jam broke a record on Billboard's albums chart when 5 of their released live albums from their European tour hit the chart in the same week. * In 2006, Rascal Flatts' opening act Eric Church was kicked off the tour after he repeatedly played over his allotted opening slot time. Apparently, that was the last straw with Rascal Flatts. Eric's replacement was a hotshot country newcomer at the time: Taylor Swift. * In 2006, singer Melina Leon married her husband Ruy Fernando Delgado. * In 2014, singer Kesha started her lawsuit against producer Dr. Luke in order to be released from her contract with him. * In 2017, country singer Kacey Musgraves married singer-songwriter Ruston Kelly. * In 2018, Steppenwolf performed in Baxter Springs, Kansas, which was their final show. * In 2023, Madonna started her Celebration tour, after having to delay it to deal with a bacterial infection which sent her to the hospital. In the world of classical music: * In 1924, the opera Die Gluckliche Hand premiered. * In 1956, the overture Robert Browning by Charles Ives premiered. In the world of theater: * In 1930, the Gershwin musical Girl Crazy premiered on Broadway & made stars out of Ginger Rogers & especially Ethel Merman. * In 1961, the Frank Loesser musical How to Succeed in Business Without Really Trying premiered on Broadway. In award ceremonies that were held on this date: * In 1970, Merle Haggard won at the Country Music Association awards. * In 1974, Charlie Rich won at the Country Music Association awards. * In 1985, Ricky Skaggs won at the Country Music Association awards. In 2009, opera superstar Placido Domingo received the first Birgit Nilsson million dollar prize. In 2020, Post Malone & Billie Eilish were the big winners at the Billboard Music Awards. In 2022, Jefferson Airplane received a star on the Hollywood Walk of Fame. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Daily QuoteIt is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. (Oscar Wilde)Poem of the DayThe Beautiful ChangesBy Richard WilburBeauty of WordsElizabeth Barrett to Robert Browning

The legend dates back to the Middle Ages. The earliest references describe a piper, dressed in multicoloured ("pied") clothing, who was a rat catcher hired by the town to lure rats away[1] with his magic pipe. When the citizens refused to pay for this service as promised, he retaliated by using his instrument's magical power on their children, leading them away as he had the rats. This version of the story spread as folklore and has appeared in the writings of Johann Wolfgang von Goethe, the Brothers Grimm, and Robert Browning, among others. The phrase "pied piper" has become a metaphor for a person who attracts a following through charisma or false promises.[2]

Though we remember Browning far more readily than we do Landor, this poem dates from a period when their fortunes were reversed and the latter was eager to acquaint the world with the budding talent he had discovered.Walter Savage Landor (30 January 1775 – 17 September 1864) was an English writer, poet, and activist. His best known works were the prose Imaginary Conversations, and the poem "Rose Aylmer," but the critical acclaim he received from contemporary poets and reviewers was not matched by public popularity. As remarkable as his work was, it was equalled by his rumbustious character and lively temperament. Both his writing and political activism, such as his support for Lajos Kossuth and Giuseppe Garibaldi, were imbued with his passion for liberal and republican causes. He befriended and influenced the next generation of literary reformers such as Charles Dickens and Robert Browning.-bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Daily QuoteLove is an untamed force. When we try to control it, it destroys us. When we try to imprison it, it enslaves us. When we try to understand it, it leaves us feeling lost and confused. (Paulo Coelho)Poem of the Day新秋卞之琳Beauty of WordsRobert Browning to Elizabeth Barrett

Daily QuoteThe choice of books, like that of friends, is a serious duty. (John Lubbock)Poem of the Day"I loved you first: but afterwards your love"By Christina RossettiBeauty of WordsRobert Browning to Elizabeth Barrett

Daniel Dunglas Home (pronounced Hume) was a medium of the mid 19th century that gained fame in both Europe and the US for his ability to levitate and move objects during seances.  He became one of the most famous mediums of the spiritualist movement and had many high profile believers and doubters including Arthur Conan Doyle as a prominent believer and the poet Robert Browning as a prominent detractor. 

If a picture is worth 1,000 words, sometimes a portrait of your last wife who died under suspicious circumstances is as good as a confession. Happy(?) reading! Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

The Marriage Portrait by Maggie O'Farrell is the choice for this month's Church Times Book Club. On the podcast this week, Caroline Chartres, who has written this month's Book Club reflection on the book, is in conversation with Sarah Meyrick. Maggie O'Farrell transports the reader to Renaissance Italy in her latest historical novel The Marriage Portrait. It is based on the true story of teenage bride Lucrezia di Cosimo de' Medici, the inspiration for Robert Browning's poem “My Last Duchess”, who died only a few years after marrying the esteemed Duke of Ferrara. In the book, O'Farrell reimagines the Duchess's fraught final years, following her journey from the safety of her childhood home in Florence to the remote hunting lodge where her husband keeps her captive. Sections of the story are told from the first-person perspective, and Lucrezia's fear that her husband is out to kill her is palpable. The Marriage Portrait is published by Tinder Press at £9.99 (Church Times Bookshop £8.99); 978-1-4722-23880-3. https://chbookshop.hymnsam.co.uk/books/9781472223883/marriage-portrait?vc=CT002 Caroline Chartres is a contributing editor to the Church Times. Sarah Meyrick is assistant editor of the Church Times and is to be its next editor. Her latest novel is Joy and Felicity (Sacristy Press, 2021). The Church Times Book Club is run in association with the Festival of Faith and Literature: https://faithandliterature.hymnsam.co.uk Sign up to receive the free Book Club email once a month. Featuring discussion questions, podcasts and discounts on each book: churchtimes.co.uk/newsletter-signup Discuss this month's book at facebook.com/groups/churchtimesbookclub Try 10 issues of the Church Times for £10 or get two months access to our website and apps, also for £10. Go to www.churchtimes.co.uk/new-reader

What was the deal with the Victorians and their obsession with reanimating corpses? How did writers like Mary Shelley, Robert Browning, Charles Dickens, W.B. Yeats, Bram Stoker, and others breathe life into the undead - and why did they do it? We can attribute their efforts to the present's desire to remake the past in its own image - but what does that mean exactly? In this episode, Jacke talks to Professor Renée Fox about her book The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature. PLUS Jacke explores what notable German-Swiss author Herman Hesse learned from trees. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is your success rate? Would you like it to go up? Today, Nikki shares an approach designed to do exactly that. It's the “less is more” approach. Sometimes we get into a mindset of “more is more.” There are times when we need to pull back a little bit, and that's what today's show is all about. From the poet Robert Browning to the architect Ludwig Mies van der Rohe, “less is more” has been used to promote simplicity, restraint, and direct expression. It is also a powerful sales approach. Nikki shares three real-life scenarios where “less is more” is the better strategy. She talks about why we don't need to put everything, including the kitchen sink, in our offers and why it's better not to. We learn the disadvantages of putting too much information in our sales conversations. Finally, this strategy is perfect for those times when a mistake is made, and we need to express concern and make a correction. Tune in to tighten up your language when selling and interacting with clients, and get inspired to use the “less is more” approach for improved sales and communication. Nikki invites you to join the Sales Maven Society. Take advantage of this opportunity for you and Nikki to work together. Bring your questions, concerns, and sales situations; she provides answers and guidance to boost your confidence. Join the Sales Maven Society here, click Join Today, and then checkout and use coupon code 47trial to get your first month for $47.00!   In This Episode: [01:40] -  Scenario #1. Offers and packages. Nikki recently put together a comprehensive one-on-one coaching package. She wanted to give it all, so she included a bunch of additional features. [02:29] -  She received feedback from someone who didn't sign up because they didn't have time to take advantage of all the extras she added to the package, even though they actually needed one-on-one coaching. [03:10] -  Sometimes, we want to throw everything into the offer, yet it can actually slow down the sales process. [05:45] -  Scenario #2. "Less is more" works in your favor during your sales conversations. [06:28] -  Educating potential customers about everything you know can overwhelm them and prevent sales. [07:01] -  More is more will slow people down or overwhelm them, and they'll find someone else who made it easier for them to buy. [08:02] -  Don't give advice or coach during your consultation calls. Great responses include, "That is a fantastic question. That is definitely something that we will cover in your strategy session." [10:19] -  What about this would be helpful for you to know? What haven't we covered yet that you would like more information on? [11:47] -  Scenario #3. When you have to acknowledge or apologize for a misstep. [13:13]—Be direct and apologize; don't share all of the details. In sales, it's about making things easy for the client and giving them the information they want. [17:48] -  It's better just to acknowledge and apologize. Don't feel compelled to share all of the information and reasoning behind the mistake. [20:19] -  When you find yourself in these scenarios, ask whether “less is more.”   For more actionable sales tips, download the FREE Closing The Sale Ebook.   Find Nikki: Nikki Rausch nikki@yoursalesmaven.com Facebook | Twitter | LinkedIn | Instagram Sales Maven Society Work With Nikki Discussion To download free Resources from Nikki: www.yoursalesmaven.com/maven    Resources: Simple Pin Media  

Ian McMillan is joined by poets and poetry lovers for this celebration of language recorded at this year's Hay Festival. The actor, Harry Potter star, Dickens virtuoso and national treasure Miriam Margolyes shares one of her favourite poems, the 19th century poet Robert Browning's 'My Last Duchess'. Miriam invites listeners to imagine the Duke, who is the speaker in the poem, as being like 'Hannibal Lecter' from 'The Silence of the Lambs' - a good planner, who has killed his wife.Irish novelist Kevin Barry has written three novels and four collections of short stories - a master of dialogue, and a beloved voice in the New Yorker magazine. He explores the poetry of the language in his most recent novel 'A Heart in Winter'.Gwenno has won awards and acclaim for her haunting and groundbreaking song-writing and performances. Gwenno's albums Le Kov and Tresor are in Cornish (she has a Welsh mother and a Cornish father). She joins Ian to share her love of the Welsh artist and poet Edrica Huws, who achieved fame late in life as a visual artist. Her poem 'Vingt-et-un' has stayed with Gwenno, and she explains why Edrica is a creative inspiration.The poet Owen Sheers explores a poem with a stand-out line (what we call on The Verb the 'Neon Line'). This week the poem explored is 'The Lake Isle of Innisfree' by the Irish poet W.B. Yeats. Is it the 'bee-loud glade' that has caught Owen's attention, or something else? Ian finds out. Owen has an acute ear for language, with writing often inspired by his interviews with real people, for books like 'The Green Hollow'.

ER EP. 32 - Ag GearIn this episode, we sit down with the Executive team of Ag-Gear- Devin Sweeney and Robert Browning! Devin is the CEO, and Robert is the VP of Marketing for Ag-Gear! These guys are so personable and transparent when it comes to Ag-Gear products and their business. Both have experience in building a brand that allows the AG and Rodeo industry to finally have products designed specifically for our everyday needs. Ag-Gear specializes in creating the best performance gear for the farming and ranching community. Their purpose is to build garments constructed of the most technical fabrics, designed to be tools TO you and let us tell you WE LOVE THEM! We met Robert and Devin at the NFR last year and knew right away that if the products were anything like Robert or Devin, we were all in! Visit Aggearstore.com Watch the YouTube video here

What happened to the 130 children that went missing from the town of Hamlein, Lower Saxony on 26th June, 1284? According to legend, a vindictive ‘Pied Piper' took revenge after the town had failed to stump up for his magical pest control services. But numerous sources corroborate that, fairy tales aside, the town's children really did disappear.  An inscription on the facade of a timbered house in the city, dating back to 1602, commemorates the strange event, and notes the Piper's role in leading the children away (though it makes no mention of rats). And church records and stained glass windows depict a Piper leading away ghostly children.  In this episode, Arion, Rebecca and Olly compare hypotheses on this centuries-old mystery; consider whether the kids were deliberately groomed to settle new communities; and reveal why the current-day Piper paraded for tourists is wearing the WRONG clothes… Further Reading: • ‘The grim truth behind the Pied Piper' (BBC Travel, 2020): https://www.bbc.com/travel/article/20200902-the-grim-truth-behind-the-pied-piper • ‘The Pied Piper of Hamelin by Robert Browning' (Poetry Foundation): https://www.poetryfoundation.org/poems/45818/the-pied-piper-of-hamelin • ‘Faerie Tale Theatreseries: The Pied Piper of Hamelin' (Showtime, 1986): https://www.youtube.com/watch?v=Fg43OBEISY0 Love the show? Support us!  Join 

“Pippa's Song” by Robert Browning (1812-1889) THE year's at the spring, And day's at the morn; Morning's at seven; The hill-side's dew-pearl'd;The lark's on the wing; The snail's on the thorn; God's in His heaven – All's right with the world!You may remember hearing "God's in His heaven – All's right with the world!" quoted from time to time, But all is not right with the world at this time. It seems half the world is against the other half. Today we look at Habakkuk in the Old Testament when things were just about like today. Lawlessness covered the land the righteous were persecuted and there was no justice. Habakkuk complains to God and gets an answer that puzzles him until he sees why God's plan is Justice.

May 16 2024   The Witch Daily Show (https://www.witchdailyshow.com) is talking Papyromancy   Our sponsor today Is Readings by Tonya (https://tonyabrown.schedulista.com/) and   (   Want to buy me a cup of coffee? Venmo: TonyaWitch - Last 4: 9226   Our quote of the day Is: ― "My sun sets to rise again."   - Robert Browning.   Headlines: https://www.civilsociety.co.uk/news/regulators-assessing-concerns-over-charities-referring-to-black-magic-and-witchcraft.html ()   Deck: Jane Austen Tarot (https://www.amazon.com/Jane-Austen-Tarot-Deck-Divination/dp/1524761605)   Other Sources: (https://thepracticalherbalist.com/advanced-herbalism/hawthorn-myth-and-magic/#:~:text=The%20ancient%20Greeks%20and%20Romans,Joseph%20of%20Arimathea%20was%20made.) Thank you so much for joining me this morning, if you have any witch tips, questions, witch fails, or you know of news I missed, visit https://www.witchdailyshow.com or email me at thewitchdailypodcast@gmail.com If you want to support The Witch Daily Show please visit our patreon page https://www.patreon.com/witchdailyshow   Mailing Address (must be addressed as shown below) Tonya Brown 3436 Magazine St #460 New Orleans, LA 70115

A talk from the 16th Annual Mockingbird Conference in NYC. April 26, 2024. Property of Mockingbird Ministries, all rights reserved (www.mbird.com).

For this episode of Trump's Trials, All Things Considered host Juana Summers speaks with political reporter Ximena Bustillo.Judge Juan Merchan fined former President Donald Trump $9,000 for violating a gag order that prohibited him from speaking out about potential witnesses and others involved in his hush money trial. Jurors also heard from four witnesses as testimony continues in the trial. Topics include:- The gag order against Trump- Testimonies of Gary Farro, Robert Browning, Phillip Thompson and Keith Davidson- What's next when proceedings pick back up on Thursday Follow the show on Apple Podcasts or Spotify for new episodes each Saturday.Sign up for sponsor-free episodes and support NPR's political journalism at plus.npr.org/trumpstrials.Email the show at trumpstrials@npr.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Regan Brown, Host, and Bill Mann, President of The G.B. Group Construction & Painting, interview Robert Browning, President of Browning Reserve Group, about national reserve study standards. 

Know that Love is here.  Know that everything is changing.  Know that It, what's meant for you, is happening! And there's nothing you or anyone can do to stop It. It's all flowing from you, and that flow sounds like silence and feels like relaxation, like Love.  Step into your destiny by resting in and AS this Love. “When I run after what I think I want, my days are a furnace of stress and anxiety; if I sit in my own place of patience, what I need flows to me, and without pain. From this I understand that what I want also wants me, is looking for me and attracting me. There is a great secret here for anyone who can grasp it.” - Shams-i Tabrizi “There is an inmost center in us all, where truth abides in fullness;....and, to know, rather consists in opening out a way where the imprisoned splendor may escape, then in effecting entry for a light supposed to be without.” -Robert Browning

Raise Consciousness, create heart coherence, heal and rewrite your life stories; when Science and Spirituality meet in Real time to understand the true power of the heart.  Yes. Welcome back to 40 for Tea Podcast: Here it is Cuppa 39 of 40, yeay!  Host Rachel Allan shares tea with Sheva Carr & Robert Browning of the world renowned Heart Math Institute. We unwrap the profound wisdom of the heart, diving into topics that bridge our understanding of its impact far beyond a mere biological pump. Discover the heart's 'little brain,' explore the power of cardiac coherence, and learn how our heart rhythms can harmonise our entire being, shape our perceptions and influence our emotional landscapes. Hear personal stories of overcoming trauma, fostering joy, and embracing the complexity of relationships and the world with love.  Before we move to a live technique with a heart coherence practice. These tools are designed to guide us out of survival mode and into thriving existence using breathwork and the intentional cultivation of positive emotions. There's so much more - consciousness, belonging and home... as the penny drops on what matters. Rach asks us who to have for cuppa 40? Do you want to join her, or have a recommendation for this final tea? In the meantime, GO GRAB that Cuppa, and let's dive in. To LOVE and Remember the Heart. ---------------------------- Sheva a passionate tea lover, arrives with 2 cups of tea a pint glass and a Tenmoku gold leaf cup, Robert, more a coffee lover arrives with tea in with his chipped orange bed bath and beyond mug. Timestamps: 01:12 Mini intro to our guests & scene setting 03.43 Outtakes 08:13 Emotions run high - podcast inspired by meditation, launched amid lockdown. 11.40 Our LOVE of Tea - how tea and coffee drinkers can get on!   14:01 Creating medicinal teas for Yogi teas, we love Creativitea 17.59 Beauty as the antidote to violence 19:25 Personal wisdom stories overcoming trauma - its possible. 22:44 Intense journey of love and magnetism. 31:23 Exploring life's challenges to promote personal growth. 37:31 Heart may not pump blood. 40:05 Heart intelligence overrides cognitive intelligence 43:58 Heart Coherence Practice 49:31 Power of the breath. 57:03 Spirituality: the Sacred & Mundane. 01:04:23 Heart Ambassadors program. 01:10:57 Podcast updates with new guests. Exciting! The Headlines: 1. Introduction to Guest Speakers Introduction of Robert Browning and Sheva Carr from the Heartmath Institute Rachel Allan as the podcast host 2. Exploration of Sheva and Robert's Backgrounds Sheva's intergenerational and personal traumas Robert's childhood joy and unrecognized traumas Shared experiences of losing friends to murder 3. Concept of Static and Coherence Static as a metaphor for chaotic energy waves in relationships Coherence as a facilitator for growth and living true to one's heart 4. Tea and Its Significance Sheva's passion for specialty teas Stories behind her favorite teas including vintage licorice and a Japanese medicinal tea Yogi teas company and background in acupuncture and herbalism 5. Heart Coherence and Physiology Heart coherence's impact on mental, emotional, and physical systems Heart as the first organ in fetal development and its influence on the brain 6. Heartmath and Heart Ambassadors Program Heartmath Institute's research on heart intelligence Heart Ambassadors Program for applying heart intelligence to global issues Complimentary consultations offered 7. The Heart's Role and Intelligence Scientific complexity and "little brain" in the heart Heart's capacity to influence responses to life events Technique of "quick coherence" to create a heart rhythm pattern 8. Encouragement for Listener Engagement Invitation to think about sharing a pot of tea with someone to connect Teaser for the final season's big announcement 9. Appreciation for Listeners and Invitation to Follow the Journey Gratitude for the listeners' involvement in the podcast Invitation to join the next phase and sign up for updates 10.  Scientific Discussion of Heart Intelligence Research on the impact of love and compassion The heart as the primary frequency signaler and its electromagnetic influence 11. Practical Applications of Heart Intelligence Breathing and gratitude techniques for daily life integration Cardiac coherence to nourish oneself throughout the day Role of stressors as opportunities for growth 12. Final Remarks and Future Directions Reflection on the journey of creating "40 for Tea Podcast" Discussing the importance of heart-centered conversations Looking forward to the continuing exploration of connections and human experiences

LOVE IS THE GREATEST.Even greater than faith, or hope, or any other thing.We celebrate the love of Valentine's Day and appropriately so. That loving celebration is fun, romantic, even emotional. It is a day set aside once to live love and to express our love to all, but especially so to someone special.Love is a word difficult of definition. In fact, it has many component parts. Love is complex, defining itself, manifesting itself in so many different ways. But love is a force without which we can not live, or live right. It is the stuff of life, and without it, life is mere existence, sterile and harsh. Love is the force, the resource of God, an energy which produces the highest and best relationships with OTHERS, and, as we love ourselves, allows us to live life at its highest levels.TO LOVE AND TO BE LOVED IS THE GREATEST HAPPINESS OF EXISTENCE. So said Sydnie Smith.Love out and in is a daily process which produces the greatest happiness. It does indeed. Nothing feels better than to give love, share love, and experience love. NOTHING.If you had no one to love, you would never be hurt. But, you would never grow. You would never venture outside your own self-centered needs and perceptions. Your heart would never be cracked open so that God could enter it. To love and love unconditionally is to take risks, and especially the risk of rejection. But nothing energizes and cleanses like love.Profound words about love by a poet unknown. To love another, large or small, is the only real way that one can grow as a human being. The risk of loving produces the risk of hurt but even hurt toughens and matures love. The risk of loving another allows one to VENTURE OUTSIDE and to experience. Doing that allows your very own heart to be CRACKED OPEN so that love in its purest sense could enter, that is God Himself. Loving is always risky, and especially the risk of rejection. Rejection hurts but it is part of the loving process. The risk of love is worth it because nothing energizes like love, and nothing cleanses like love, NOTHING.Charles Dickens said that a loving heart is the truest wisdom. Knowing life at its best, the most real and the truest wisdom can only be produced by a loving heart, a heart cracked open and wanting more love.Robert Schuller said that in the presence of love, miracles happen. Love itself is amiracle and the loving miracle produces other miracles. Miracles can and shouldhappen more often and they can and will happen when:LOVE IS AT WORKTrue love allows us insight, real insight into the character and persona of another:“BECAUSE I LOVE YOU, I CATCH GLIMPSES OF THE YOU GOD CREATED, THETRUE YOU. I SEE YOUR IMPERFECTIONS AND FAILURES, BUT I CHOOSE TO SEEPAST THEM TO THE REAL YOU. LOVE CREATES A PLACE WHERE YOU ARE FREETO BECOME YOUR COMPLETE SELF.”What a marvelous statement. Perhaps we can only really know another not completelybut only with glimpses and those glimpses made possible only because of love.We are all riddled with imperfections and failures, are we not? We can see past thingsin our desire to find the real person, the real you. Love breaks down those barriersand produces eyes that truly see.Benjamin Disraeli the great English Prime Minister said that:“WE ARE ALL BORN TO LOVE. IT IS THE PRINCIPLE OF ITS EXISTENCE AND ITSONLY END.”Born to love, genetic, all that we really are, the very highest principle itself of existence.And, its only end, like the highest and greatest spiritual commandment that we shouldlove the Lord our God with all of our heart, soul, mind, and strength and our neighboras ourselves. In fact, we are known as Christians, followers of the Christ:IF YOU HAVE LOVE ONE FOR ANOTHERLove said another is tough, practical, and active. Love is washing the kitchen floorover and over again. Love is scrubbing the toilet and doing the laundry. Love is takingout the garbage and cleaning the refrigerator. Love is smiling when you are tired,finding reasons to laugh even when you are angry, volunteering for a dirty job, workinghard, and making the world a better place.Powerful and profound. Indeed, love is practical. Love is very much in the scrubbingof the toilet. Love is there from the one who takes out the garbage. Love indeeddelights in the dirty jobs for when you do for the least of these, you do it unto HIM.And yet more insight into the God of all love:GOD SAYS TO US, IN LOVE, I HOLD YOU IN MY MIND. I REMEMBER YOU. I HOLDALL OF THE PIECES OF YOU. THE PAST WOUNDS AND THE PRESENT. AND INLOVE, I KNIT THEM TOGETHER INTO THE PERSON I LOVE, THE PERSON ICREATED TO GIVE ME JOY:YOU.Held are we in the mind of God, remembering us even as we remember Him, all of ourvarious pieces, wounds, wrongs, and problems no matter. God knits them togetherand all become the mosaic, the person God loves, the individual and special you.Love frees us of the weight and pain of life! True love always lightens life's heaviestburdens. True love is a force far more powerful than the weapons of any enemy.Life is a flower of which love is the honey, so said Victor Hugo. Love is knit into thevery cells of our bodies. It is written into our DNA. It is encoded in the chemicals thatmake plants green. It is that which makes the sky blue, the substance of the song ofthe birds in summer, the whisper of the wind in the trees, the silence of the snow as itfalls. Love is the voice of God calling to us endlessly and passionately through all HISmarvelous creation.There is no fear in love. Perfect love drives out fear. The more one loves, the less thereis of which to be afraid. Love secures and drives our insecurity. Love at work is themost powerful force and energy of all.Take away love, said Robert Browning, and our earth is a tomb. Without love, life islike dead, lifeless, even meaningless. And, if you wish to be loved, LOVE. Any timethat is not spent on love is time wasted.True love is a durable fire in the mind ever-burning, never sick, never old, never dead,from itself never turning, so said Sir Walter Raleigh. The durable fire of love burnsunquenchable, always alive, always energizing.The great artist Vincent Van Gogh said:“THE HEART THAT LOVES IS ALWAYS YOUNG. LOVE IS A MARVELOUSBEAUTIFIER. LOVE IS ART AT WORK. I ALWAYS THINK THAT THE BEST WAY TOKNOW GOD IS TO LOVE MANY THINGS.”Indeed, all of art is love at work and there really can be no great art without love. Itbeautifies and brings out the best in everything.Here, the words of Thomas Merton:“THE BEGINNING OF LOVE IS TO LET THOSE WHO LOVE BE PERFECTLYTHEMSELVES, AND NOT TO TWIST THEM TO FIT OUR OWN IMAGE. OTHERWISE,WE LOVE ONLY THE REFLECTION OF OURSELVES WE FIND IN THEM.”The more we are perfectly ourselves, living to our highest and best, the more andbetter of us there is.Love cures people, the ones who give it and the ones who receive it. Love conquers allthings, so said the ancient poet, Virgil.Love allows us to believe so fully and firmly in God even when He is silent!The great thinker-theologian Soren Kierkegaard profoundly stated that when one hasonce fully entered the realm of love, the world, no matter how imperfect becomes richand beautiful. It consists solely of opportunities for love.It is love, said Thomas Mann, not reason that is stronger than death. And that love,stronger than and which conquers death is the love of the Christ on the cross and theresurrection which followed.To love someone is to see a miracle invisible to others, said Francois Mauriac. Life isreplete with invisible miracles which can only be revealed by love at work.If you love somebody, tell them, so said Rod McKuen. The telling unleashes the energyand the power of love.The heart has its reasons which reason alone can not understand, so said the thinkerBlaise Pascal. Love is a dimension in life different from and beyond reason itself. Themore the mind the less the heart and consequently the less love. Reason no matterhow wise can never understand love.The great theologian Paul Tillich said that the first beauty of love is to listen. One wholoves wants to listen more than talk, listen to every word, every expression of thoughtand emotion which comes from the one loved. Listening, really listening in a caringway, may very well be the highest attribute of true love.For those who love, time is eternity. Love is God's finger on man's shoulder. Love islike a running brook that sings its melody to the night. To wake at dawn with awinged heart and to give thanks for another day of loving. Love is a symbol of eternity.It wipes out all sense of time, destroying all memory of a beginning and all fear of anend.Sir Alfred Lord Tennyson said:“TIS BETTER TO HAVE LOVED AND LOST THAN NEVER TO HAVE LOVED AT ALL.”Love indeed is risky, the risk of rejection but a life lived without true love is a life neverreally lived at all.I love you, says Anna Corbin, as you are, not as you wish to be. I love you for the realperson you are, not the imaginary perhaps I fantasize you could be. I love the real,amazing, utterly unique YOU.Love in the ultimate, unconditional, love so REAL.If you love until it hurts, really hurts, there can be no more hurt, only more love saidthe wonderfully loving Mother Teresa. True love at work drives away the hurt.Looking back, said one, I have this to regret. That too often when I loved, I did not sayso. Love uncommunicated is love aborted. It is there but never shared. More time isspent judging people which leaves less time to love them.Zelda Fitzgerald said that nobody has ever measured, not even poets, how much lovethe heart can hold. There is no limit to love, none whatsoever. Love is there, alwaysand love takes up when knowledge leaves off. In fact, love is the supreme knowledge,superior to all else.Love's greatest gift is its ability to make everything it touches sacred. Love at workproduces the holiest of the holies. The great English statesman William E. Gladstonesaid the following:“WE LOOK FORWARD TO THE TIME WHEN THE POWER OF LOVE WILL REPLACETHE LOVE OF POWER. THEN WILL OUR WORLD KNOW THE BLESSINGS OFPEACE. POWER KILLS LOVE AND WITHOUT LOVE, THERE IS NO PEACE. THERE ISNOTHING MORE POWERFUL BEFORE AND EVER AGAIN THAN LOVE.”The theologian Reinhold Niebuhr said the following:“WE ARE SAVED BY THE FINAL FORM OF LOVE, WHICH IS FORGIVENESS.FORGIVING AND FORGETTING ARE THE HIGHEST ACTS OF LOVE RESULTING INOUR SALVATION. THERE WAS ONE, YEARS AGO, DRIVEN TO THE CROSS BY THELOVE OF MANKIND PROVIDING IN HIS DEATH THE LIFE AND THE LOVE WE LEAD.THE CROSS WAS THE FINAL AND FORGIVING FORM OF LOVE.”The crucifixion of the Christ on the cross was indeed the ultimate act of love.The great writer C.S. Lewis said the following:“TO LOVE AT ALL IS TO BE VULNERABLE. LOVE ANYTHING AND YOUR HEARTWILL CERTAINLY BE WRUNG AND POSSIBLY BROKEN. LOVE BREAKS DOWN ALLBARRIERS, OPENS WIDE THE HEART, EXPOSES TRUE INNOCENCE AND RISKS THEWRINGING AND THE BREAKING OF THIS MORE PRIZED POSSESSION. REAL LOVEDEMANDS THIS, CONSTANTLY.”Sir Arthur Pinero said that “those who love deeply never grow old. They may die of oldage, but they die young at heart.”That deep love here and now is but a prelude to the perfect love there. In fact, they areone love contiguous and continuous. Love is both earthly and eternal. Love neverdies. For there is only one real happiness in life and that is to love and to be loved.The great writer Ralph Waldo Emerson said:“NEVER SELF-POSSESSED OR PRUDENT, LOVE IS ALL ABANDONMENT.”True love is pure risk, always. Love at work risks hurt to the self and rejection byanother. But the risk at work is what makes the word of love so special.Vulnerability, openness, risk but so great reward.Hear then the marvelous words of the great poet William Wordsworth:“A PERSON CAN BE SO CHANGED BY LOVE AS TO BE UNRECOGNIZABLE AS THESAME PERSON. LOVE TRANSFORMS, REGENERATES. LOVE PRODUCES CHANGE,EVERYWHERE AND IN EVERYONE. LOVE BETTERS WHAT IS BEST!”The great philosopher Plato said that love is the best friend of human kind, the helperand the healer of all ills that stand in the way of human happiness. In fact, love andcompassion are necessities, not luxuries and without them, humanity can not survive.And for some real definition of the word love, hear the words of Saint Augustine:“WHAT DOES LOVE LOOK LIKE? WHY, IT HAS HANDS TO HELP OTHERS. IT HASFEET TO HASTEN TO THE POOR AND NEEDY. IT HAS EYES TO SEE MISERY ANDWANT. IT HAS EARS TO HEAR THE SIGHS AND SORROWS OF HUMANKIND. THATIS WHAT LOVE LOOKS LIKE!”Amen and amen. Hands and feet at work, eyes and ears to see and hear human need.Love at work is what love really is.Love comes supreme and most innocently from a child. A child's love is pure,uncomplicated, unconditional, fully trusting. Such innocence opens deep the world offeeling and emotion and it is a return to that childlike love and that ability to lovewhich alone can make complete the adult version of that child. May we all be wiseenough to return to the innocent love of a little child.And so my friends, my fellow Americans, we the Crawford Broadcasting Company wishyou all of the love possible on Valentine's Day and during Valentine's week. May lovein all its forms permeate your life and may you know the supreme love of the One wholaid down His life for you. Live love every day and know the real and true meaning oflife.And finally, the profound words of poet Emily Dickenson:“IF I CAN STOP ONE HEART FROM BREAKINGI SHALL NOT LIVE IN VAINIF I CAN EASE ONE LIFE THE ACHINGOR COOL ONE PAINOR HELP ONE FAINTING ROBININ TO HIS NEST AGAINI SHALL NOT LIVE IN VAIN!”Love is the greatest!

Although the early part of Robert Browning's creative life was spent in comparative obscurity, he has come to be regarded as one of the most important English poets of the Victorian period. His dramatic monologues and the psycho-historical epic The Ring and the Book (1868-1869), a novel in verse, have established him as a major figure in the history of English poetry. His claim to attention as a children's writer is more modest, resting as it does almost entirely on one poem, “The Pied Piper of Hamelin,” included almost as an afterthought in Bells and Pomegranites. No. III.—Dramatic Lyrics (1842) and evidently never highly regarded by its creator. Nevertheless, “The Pied Piper” moved quickly into the canon of children's literature, where it has remained ever since, receiving the dubious honor (shared by the fairy tales of Hans Christian Andersen and J.M. Barrie's Peter Pan) of appearing almost as frequently in “adapted” versions as in the author's original. His approach to dramatic monologue influenced countless poets for almost a century. Browning was born on May 7, 1812 in Camberwell, a middle-class suburb of London. He was the only son of Robert Browning, a clerk in the Bank of England, and a devoutly religious German-Scotch mother, Sarah Anna Wiedemann Browning. He had a sister, Sarianna, who like her parents was devoted to Browning. While Mrs. Browning's piety and love of music are frequently cited as important influences on the poet's development, his father's scholarly interests and unusual educational practices may have been equally significant. The son of a wealthy banker, Robert Browning the elder had been sent in his youth to make his fortune in the West Indies, but he found the slave economy there so distasteful that he returned, hoping for a career in art and scholarship. A quarrel with his father and the financial necessity it entailed led the elder Browning to relinquish his dreams so as to support himself and his family through his bank clerkship.Browning's father amassed a personal library of some 6,000 volumes, many of them collections of arcane lore and historical anecdotes that the poet plundered for poetic material, including the source of “The Pied Piper.” The younger Browning recalled his father's unorthodox methods of education in his late poem “Development,” published in Asolando: Fancies and Facts (1889). Browning remembers at the age of five asking what his father was reading. To explain the siege of Troy, the elder Browning created a game for the child in which the family pets were assigned roles and furniture was recruited to serve for the besieged city. Later, when the child had incorporated the game into his play with his friends, his father introduced him to Alexander Pope's translation of the Iliad. Browning's appetite for the story having been whetted, he was induced to learn Greek so as to read the original. Much of Browning's education was conducted at home by his father, which accounts for the wide range of unusual information the mature poet brought to his work. His family background was also important for financial reasons; the father whose own artistic and scholarly dreams had been destroyed by financial necessity was more than willing to support his beloved son's efforts. Browning decided as a child that he wanted to be a poet, and he never seriously attempted any other profession. Both his day-to-day needs and the financial cost of publishing his early poetic efforts were willingly supplied by his parents.At the time of his death in 1889, he was one of the most popular poets in England.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present's desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.  By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies' tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies' postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She's co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

“How do I love thee? Let me count the ways.” Those words from Elizabeth Barrett Browning’s Sonnets from the Portuguese are among the best-known poetry in the English language. She wrote them to Robert Browning before they were married, and he was so moved he encouraged her to publish her entire collection of poems. But because the language of the sonnets was very tender, out of a desire for personal privacy Barrett published them as if they were translations from a Portuguese writer. Sometimes we can feel awkward when we openly express affection for others. But the Bible, by contrast, doesn’t hold back on its presentation of God’s love. Jeremiah recounted God’s affection for His people with these tender words: “I have loved you with an everlasting love; I have drawn you with unfailing kindness” (Jeremiah 31:3). Even though His people had turned from Him, God promised to restore them and personally draw them near. “I will come to give rest to Israel,” He told them (v. 2). Jesus is the ultimate expression of God’s restorative love, giving peace and rest to any who turn to Him. From the manger to the cross to the empty tomb, He’s the personification of God’s desire to call a wayward world to Himself. Read the Bible cover to cover and you’ll “count the ways” of God’s love over and over; but eternal as they are, you’ll never come to their end.

This week's podcast is presented by Stephen and Theo.We hear from:· Jenny, who has thoughts on Hannah's housing and on coming out, · Jen, who has a plan for Helen,· Claire from Clapham who is a big fan of Tony this week,· Tracy from California, who is not a fan of Rob· Globe-trotting Richard, who has been reading Robert Browning, and· Witherspoon, who was riveted by the baptism episodePlus: we have the Week In Ambridge by Suey, a roundup of the Dumteedum Facebook group by Rob and the Three Twitter Gongs (bronze, silver and gold) from Bernadette.Please call into the show using this link:www.speakpipe.com/dumteedum. Or send us a voicenote via WhatsApp on: +44 7810 012 881 (07810012 881 if in the UK)Or email us at dumteedum@mail.com***Also Sprach Zarathustra licenceCreative Commons ► Attribution 3.0 Unported ► CC BY 3.0https://creativecommons.org/licenses/..."You are free to use, remix, transform, and build upon the materialfor any purpose, even commercially. You must give appropriate credit."Conducted byPhilip Milman ► https://pmmusic.pro/Funded ByLudwig ► / ludwigahgren Schlatt ► / jschlattlive COMPOSED BY / @officialphilman Hosted on Acast. See acast.com/privacy for more information.

The first live concert in 175 years of songs and music written by Eliza Flower (1803-1846) takes place tomorrow. A friend of JS Mill, Harriet Martineau and Robert Browning, Flower set to music some of Walter Scott's romantic songs, composed music for her sister Sarah Flower Adams, who penned hymns including Nearer, My God, to Thee. Singer Frances M Lynch, accompanied on piano by Laurence Panter, joins New Generation Thinker and historian Oskar Jensen and Dr Clare Stainthorp, who is researching the Freethought Movement: Atheism, Agnosticism, and Secularism, 1866–1907. Matthew Sweet hosts. Producer: Torquil MacLeod Flower of the Seasons: Politics, power and poverty takes place at Conway Hall in London on Friday 27th October at 7pm performed by Electric Voice Theatre. Clare Stainthorp will be leading an event - Great and Good? - at Conway Hall on Saturday 11th November as part of the Being Human Festival.

Rejected by her usual publisher, Farewell Leicester Square is a novel by Betty Miller, written in 1935, exploring antisemitism, Jewishness and "marrying out". Marghanita Laski may now be best known for her contributions to broadcasting on programmes like The Brains Trust but was also a published author of many stories including The Victorian Chaise-Longue and Little Boy Lost. Both writers have now been republished by Persephone Books. Matthew Sweet's guests are the novelist Howard Jacobson, the academic Lisa Mullen and the author Lara Feigel. They explore the writers' lives and why they both abandoned writing fiction to focus on literary biographies. At the end of the discussion Howard Jacobson tells listeners “I very rarely hear people describing a novel that makes me want to read it - in fact if there is any listener out there who now does not want to read Marghanita Laski they are heartless.” Producer: Fiona McLean Betty Miller published 7 novels including Farewell Leicester Square and On the Side of the Angels (1945) and a biography of Robert Browning (1952). Marghanita Laski's books include To Bed with Grand Music (1946), Tory Heaven (1948), Little Boy Lost (1949), The Village (1952) and The Victorian Chaise-longue (1953), biographies of Jane Austen and George Eliot . She was also a prolific contributor to the Oxford English Dictionary (OED). On the Free Thinking programme website you can find a collection of episodes exploring prose, poetry and drama including previous discussions featuring Howard Jacobson, Lara Feigel and Lisa Mullen

The secret wedding of poets Elizabeth Barrett and Robert Browning on September 12th, 1846, was witnessed by just two people. Elizabeth was so nervous about the ceremony, held at Marylebone Parish Church, that she needed smelling salts to calm her.  Barrett was already an acclaimed poet, while Browning was relatively unknown at the time. But their correspondence, comprising almost 600 letters exchanged over less than two years, is considered one of literature's great romances.  In this episode, Arion, Rebecca and Olly explain how the Brownings' marriage inspired their greatest works; probe into Browning's pet name for Barrett, ‘the Portuguese'; and consider whether, contrary to all appearances, Browning may have had sinister intentions for his new wife…  Further Reading: • ‘Elizabeth Barrett Browning: Life, Poetry, Relationship & ‘How Do I Love Thee?'' (HistoryExtra, 2021): https://www.historyextra.com/period/victorian/elizabeth-barrett-browning-who-life-love-poetry-relationship-robert/ • ‘What we can learn from Elizabeth Barrett Browning's years in lockdown' (The Guardian, 2021): https://www.theguardian.com/books/2021/feb/15/what-we-can-learn-from-elizabeth-barrett-brownings-years-in-lockdown •'The life and work of Elizabeth Barrett Browning' (The British Academy, 2020): https://www.youtube.com/watch?v=hkSWGqMDBEY #Literature #Victorian #Romantic #Wedding #UK Love the show? Join 

Today's poem is by Elizabeth Barrett Browning (née Moulton-Barrett; 6 March 1806 – 29 June 1861), an English poet of the Victorian era, popular in Britain and the United States during her lifetime.In the 1840s, Elizabeth was introduced to literary society through her distant cousin and patron John Kenyon. Her first adult collection of poems was published in 1838, and she wrote prolifically between 1841 and 1844, producing poetry, translation, and prose. She campaigned for the abolition of slavery, and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth.Elizabeth's volume Poems (1844) brought her great success, attracting the admiration of the writer Robert Browning. Their correspondence, courtship, and marriage were carried out in secret, for fear of her father's disapproval. Following the wedding, she was indeed disinherited by her father. In 1846, the couple moved to Italy, where she would live for the rest of her life. They had a son, known as "Pen" (Robert Wiedeman Barrett Browning) (1849–1912). Pen devoted himself to painting until his eyesight began to fail later in life; he also built up a large collection of manuscripts and memorabilia of his parents; however, since he died intestate, it was sold by public auction to various bidders, and scattered upon his death. The Armstrong Browning Libraryhas tried to recover some of his collection, and now houses the world's largest collection of Browning memorabilia.[3] Elizabeth died in Florence in 1861.[1][4] A collection of her last poems was published by her husband shortly after her death.Elizabeth's work had a major influence on prominent writers of the day, including the American poets Edgar Allan Poe and Emily Dickinson. She is remembered for such poems as "How Do I Love Thee?" (Sonnet 43, 1845) and Aurora Leigh (1856).—Bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Did he or didn't he? Frank investigates Robert Browning's ‘My Last Duchess'. The other poem referenced is ‘The Pied Piper of Hamelin' by Robert Browning.

The miracle isn't coming to you, It's coming FROM you, THROUGH you.As you exhale right now,you're exhaling the miracle you've been waiting for.It's happening, unfolding for you presently,as present as your breath is. Feel It. And don't stop feeling It, to see It. I Love you,Niknikki@curlynikki.comp.s. I'm traveling through the end of the month with my mom, sister, aunt, and grandma! We are birthday cruising through Italy and Greece, sponsored by my favorite skincare brand, MadHippie! New episodes resume on Aug 7! I love you!  #Season3Support the show!:▶▶https://www.patreon.com/goodmornings_________________________________Today's Quotes:   "When you live in the Invisible, the visible takes care of itself."-Joel Goldsmith "Healing is a deep return to the Self."- @Medicine_Mami "Turn the mind inward and cease thinking of yourself as the body; thereby you will come to know that the Self is ever happy."-Ramana Maharshi "Grace comes out of nowhere. It can happen anytime, in any place."-Amma"I have retained my smile-- but to win it permanently was hard work! The same smiles are there within you; the same joy and bliss of the soul is there. You don't have to acquire them, but rather regain them. You have merely lost them temporarily by identifying yourself with the senses."-Yogananda  “There is an inmost center in us all, where truth abides in fullness;....and, to know, rather consists in opening out a way where the imprisoned splendor may escape, then in effecting entry for a light supposed to be without.”-Robert Browning"Happiness is not a feeling, it's the background of all feelings."-Rupert Spira "Love is the strongest medicine. It is more powerful than electricity."- Neem Karoli BabaSupport the show