Podcast appearances and mentions of Luc Sante

Three years ago, at age 66, the Belgium-born writer and critic Lucy Sante—known for her award-winning essays, criticism, and books, including Low Life: Lures and Snares of Old New York (1991)—announced to a few dozen close friends that she was transitioning to womanhood. This news came following nearly four decades of publishing her work under the byline Luc Sante. In her new memoir, I Heard Her Call My Name (Penguin Press), which she discusses at length on this episode of Time Sensitive, Sante writes about the first six months of her recent transition, the decades-long silence that preceded it, and various piercing moments from her life that led up to it. She is also the author of books such as Nineteen Reservoirs (2022), The Other Paris (2015), and Folk Photography (2009), and her writing has appeared in publications including The New York Review of Books, The New York Times, Artforum, and Vanity Fair. Across all of her work, Sante brings a searing, no-nonsense clarity and a photographic eye for detail.Also on this episode, Sante talks about why she thinks of the 1960s as “a kind of magic time,” her life-transforming literary journey, and her decision to open the floodgates of her womanhood.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:[3:49] Lucy Sante[3:49] I Heard Her Call My Name[3:49] The Factory of Facts[6:27] Nineteen Reservoirs[6:27] Low Life[9:28] Histories of the Transgender Child[9:28] Jules Gill-Peterson[22:11] Tintin[24:07] Terry Southern[24:07] Writers in Revolt[24:07] Alexander Trocchi's Caine's Book[24:07] Allen Ginsberg's “Howl” [24:07] Peter Orlovsky[24:07] William Burroughs's Naked Lunch[24:07] Curzio Malapart's Kaputt[29:05] The New York Review of Books[34:23] Folk Photography[36:55] The Other Paris[38:04] Walker Evans[38:04] Robert Frank[46:10] Maybe People Would Be the Times[49:52] “The Invention of the Blues”[51:41] The Velvet Underground[51:41] Lou Reed[51:41] Andrew Wylie

Director Amos Poe and writer Luc Sante

La vida de Lucy Sante (Bélgica, 1954) dio un vuelco el 15 de febrero de 2021 cuando se descargó la aplicación FaceApp y empezó a probar cómo sería su aspecto con rasgos de mujer. Luego aplicó el filtro a fotos antiguas, de cuando era más joven, y lo que en el fondo ya sabía desde hacía décadas acabó por confirmarse como una revelación: era una mujer transexual. La colección de ensayos Retrato Underground (Libros del K.O., 2022) es el primero de sus libros que firma como Lucy y no como Luc Sante. En su visita a nuestro país, charlamos con la escritora sobre identidad, música o lo superfluo de internet.

We check in our our respective #NanoWrimo progress, make some bold motivational offers, find good (and old) character names, and explore strategies to keep going and write gooder.Elmore Leonard's 10 rules of writing, the GuardianElena FerranteLarry McMurtryField Notes Trailhead editionField Notes Harvest editionSmoke Hole Sessions with Martin ShawSaint George's DayThe Other Paris by Luc Sante

Episode 16: Luc SanteTHE INTERVIEWSince his debut book, Lowlife: Lures and Snares of Old New York, Luc Sante has charted his own path, not only as a writer of distinction, but as a writer who has created a genre all his own in the process. His books include The Other Paris, a sequel of sorts to Lowlife; a memoir, A Factory of Facts; a book on Folk Photography and Evidence, about crime scene photography. His first essay collection, Kill All Your Darlings, was released 14 years ago by Verse Chorus Press in Portland. His second essay collection, Maybe the People Would Be the Times, also published by Verse Chorus Press, was released last year in the midst of the pandemic and was like a comfort food for me while we were on lockdown. Maybe the People is an autobiographical deep dive into Sante's youth in New York City's Lower East Side in the 1970s and 1980s and how it shaped his writing over the last three decades.  THE READING: Luc Sante reads from his latest collection, Maybe the People Would Be the Times.MUSIC CREDITMusic by the Velvet Underground

Photographer David Godlis and writer Luc Sante talk with Alex and Harry about Godlis Streets, his new book of 1970s street photography, and what was alluring about capturing glimpses of that city and the sometimes alluring "generalized small-time crumminess of so much of that decade."

Anchored in the Gansevoort Peninsula and reaching out into the Hudson River, Day's End (2014–21) was designed to be permanent. But for hundreds of years, the site has been in constant flux. In this episode, architects, environmentalists, Lenape elders, and artists inform some of the ways in which the many people connected to this place endeavor to keep it alive. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Luc Sante, Catherine Seavitt, Adam Weinberg, Jessamyn Fiore, Laura Harris, Kellie Jones, Glenn Ligon, Bernice Rosenzweig, Eric Sanderson, Paul Gallay, Pete Malinowski, Curtis Zunigha, George Stonefish, Alan Michelson, Guy Nordenson, Bill T. Jones. whitney.org/podcast

A vibrant Queer community inhabited Manhattan's Meatpacking District when Gordon Matta-Clark created a sculpture by carving into Pier 52 on the Hudson River. This episode recalls a golden age when sex, art, and creativity converged on the waterfront in the years prior to the AIDS crisis in New York City. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Andrew Berman, Betsy Sussler, Efrain Gonzalez, Paul Gallay, Jonathan Weinberg, Laura Harris, Egyptt LaBeija, Tom Finklepearl, Glenn Ligon, Randal Wilcox, archival recording of Alvin Baltrop, Luc Sante, Elegance Bratton, Stefanie Rivera, Catherine Seavitt. whitney.org/podcast

How did the artist Gordon Matta-Clark transform a dilapidated shipping pier into a “cathedral of light”? In this episode, we trace the decline of Manhattan's formerly flourishing meat markets and waterfront industries. Amid the decay, Matta-Clark spotted the potential for beauty. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Betsy Sussler, Jonathan Weinberg, Jane Crawford, Andrew Berman, Tom Finkelpearl, Adam Weinberg, Laura Harris, Florent Morellet, Catherine Seavitt, Glenn Ligon, Jessamyn Fiore, John Jobaggy, Alan Michelson, George Stonefish, Curtis Zunigha, Eric Sanderson, Luc Sante. whitney.org/podcast

Our inaugural episode introduces David Hammons's Day's End (2014–21). As we discuss the project's origins and site-specific nature, the layered social and cultural histories of the site begin to unfold. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Bill T. Jones, Glenn Ligon, Adam Weinberg, Tom Finkelpearl, Kellie Jones, Luc Sante, Guy Nordenson, Catherine Seavitt, Betsy Sussler. whitney.org/podcast

Maybe the People Would Be the Times (Verse Chorus Press, 2020) could be described as a memoir in essay form. Collecting pieces from the past two decades, this book covers Luc Sante's childhood as an immigrant from Belgium, his engagement with the downtown arts scene that gave rise to punk, and the eventual downfall of a version of New York that may have been dangerous but certainly allowed space for creative experimentation, even failure. It also includes essays covering sideshow photography, detective fiction, and experimental film, and profiles of figures including Barbara Epstein, H.P. Lovecraft, and Vivian Maier. As Sante says in this interview, in the war between poetry and prose he is a non-combatant: these essays often read as prose poems in the deep lyricism and experimentation with form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Maybe the People Would Be the Times (Verse Chorus Press, 2020) could be described as a memoir in essay form. Collecting pieces from the past two decades, this book covers Luc Sante's childhood as an immigrant from Belgium, his engagement with the downtown arts scene that gave rise to punk, and the eventual downfall of a version of New York that may have been dangerous but certainly allowed space for creative experimentation, even failure. It also includes essays covering sideshow photography, detective fiction, and experimental film, and profiles of figures including Barbara Epstein, H.P. Lovecraft, and Vivian Maier. As Sante says in this interview, in the war between poetry and prose he is a non-combatant: these essays often read as prose poems in the deep lyricism and experimentation with form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Maybe the People Would Be the Times (Verse Chorus Press, 2020) could be described as a memoir in essay form. Collecting pieces from the past two decades, this book covers Luc Sante's childhood as an immigrant from Belgium, his engagement with the downtown arts scene that gave rise to punk, and the eventual downfall of a version of New York that may have been dangerous but certainly allowed space for creative experimentation, even failure. It also includes essays covering sideshow photography, detective fiction, and experimental film, and profiles of figures including Barbara Epstein, H.P. Lovecraft, and Vivian Maier. As Sante says in this interview, in the war between poetry and prose he is a non-combatant: these essays often read as prose poems in the deep lyricism and experimentation with form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Maybe the People Would Be the Times (Verse Chorus Press, 2020) could be described as a memoir in essay form. Collecting pieces from the past two decades, this book covers Luc Sante's childhood as an immigrant from Belgium, his engagement with the downtown arts scene that gave rise to punk, and the eventual downfall of a version of New York that may have been dangerous but certainly allowed space for creative experimentation, even failure. It also includes essays covering sideshow photography, detective fiction, and experimental film, and profiles of figures including Barbara Epstein, H.P. Lovecraft, and Vivian Maier. As Sante says in this interview, in the war between poetry and prose he is a non-combatant: these essays often read as prose poems in the deep lyricism and experimentation with form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Maybe the People Would Be the Times (Verse Chorus Press, 2020) could be described as a memoir in essay form. Collecting pieces from the past two decades, this book covers Luc Sante's childhood as an immigrant from Belgium, his engagement with the downtown arts scene that gave rise to punk, and the eventual downfall of a version of New York that may have been dangerous but certainly allowed space for creative experimentation, even failure. It also includes essays covering sideshow photography, detective fiction, and experimental film, and profiles of figures including Barbara Epstein, H.P. Lovecraft, and Vivian Maier. As Sante says in this interview, in the war between poetry and prose he is a non-combatant: these essays often read as prose poems in the deep lyricism and experimentation with form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Tosh and Kimley discuss "Maybe the People Would Be the Times" by Luc Sante. This collection of Sante’s essays, mostly from the last 15-20 years, covers a wide spectrum of his obsessive interests which include a heavy dose of music, photography, writers, filmmakers, New York City life and an assortment of oddities. While it’s a seemingly divergent field of topics, there is an aesthetic thread that connects them all. His writing pulses with life and pulls the reader into his world — dreamy, romantic, personal and always compelling. Theme music: "Behind Our Efforts, Let There Be Found Our Efforts" by LG17

Coversations with Tabitha Soren, Carroll Dunham, Hugh Hayden, Lesley Lokko, Cheryl Donegan, Kevin Bewersdorf, Nanette Burstein, Mark Dion, Elaine Mayes, Olaf Breuning, Heidi Ewing, Chris Martin, Luc Sante, Laurie Lambrecht, Chelsea Culprit & Mary Carlson.

David Godlis in conversation with David Eastaugh David Godlis, who is best known by his last name GODLIS, has been photographing in New York City since 1976. A “street photographer” in the style of Diane Arbus and Garry Winogrand, he wandered into the nightclub CBGB's one night, and has become known for his photographs of the NYC Punk scene. Godlis Streets is the first book dedicated to the artist and photographer's incredible body of work and focuses on the 1970s and 1980s. Godlis's street photographs from this time capture moments of mundanity, humour and pathos; his gift for acute observation and impeccable framing elevating these images to the extraordinary. A definition of what sincere street photography can and should be, Godlis Streets is the very best photography of its kind. The book is introduced by a foreword by Luc Sante and an afterword by Chris Stein.

Sante discusses teaching writing, anarchist legacies, and valuing histories of everyday life--including his own--through old photographs and ephemera.

Es wird mal wieder Speziell! Tim hat sich mit Marie zusammengesetzt, um ein wenig über ihr gemeinsames Lieblingshobby zu sprechen: Fotografie. Im Vorgeplänkel schildern die beiden, wie sie dazu gekommen sind und worauf sie sich heute spezialisiert haben. Außerdem geht es um die genialen Fotobücher: „Stanley Kubrick Photographs. Through a Different Lens“ von Luc Sante, Sean Corcoran & Donald Albrecht, „American Music: Photographs“ von Annie Leibovitz und „Passing Me By“ von Robert Winter.

From larger-than-life characters to the minutiae of manhole covers, our first episode, Graphic New York, explores the city’s past and present. Join us as we hits the streets with writer and critic Luc Sante, author of Low Life; walker Matt Green, a man on a mission to walk every street in the five boroughs; radical counter-cartographer Lize Mogel; and Chris Bonanos, biographer of cult photographer Weegee the Famous.

Season One, Episode One — "Nicole Kidman vs. Apollo" A special extended edition of the inaugural episode of Tyrant Hotel collated exclusively for Resonance FM. "Nicole Kidman vs. Apollo" was broadcast at 3:30pm, October 4th. Readers, in order of appearance: a. Kristen Iskandrian, ‘I feel like garbage...’ – An Introduction [0.00]; b. Nicolette Polek, ‘The Rope Barrier’ [0.46]; c. Tao Lin, from the forthcoming Leave Society [4.30]; d. Kristin Iskandrian, ‘As I Lay (Imagining I’m) Dying’ [9.25]; e. Luc Sante, ‘(Notes to be engraved at the foot of the tomb of) The Unknown Soldier’ [15.20]; f. Chelsea Hodson, ‘To a Duck in the Garden of Ninfa’ [22.10]; g. Wayne Koestenbaum, ‘thick book on mother-shelf pinnacled me o’er Tums’ [30.00]; h. Eley Williams, ‘Collect’ [41.46]; i. Kathryn Scanlan, ‘The Candidate’ [47.00]; k. Jon Auman, humming a verse from Jonny Black’s ‘Paper Doll’ (1943) [54.02]

Conveying Basquiat’s personal magnetism, eccentricity and non-stop creativity without romanticizing him, BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT serves as another chapter in the ongoing effort to rescue the artist from his own hype. To tell this story, Driver, who was part of the New York arts scene herself, worked closely and collaboratively with friends and other artists who emerged from that period. Drawing upon their memories and anecdotes, the film also uses period film footage, music and images  to visually evoke the era, drawing a portrait of Jean-Michel and Downtown New York City-pre AIDS, President Reagan, the real estate and art booms – before anyone was motivated by money and ambition. BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT follows Basquiat's life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never-before-seen works, writings and photographs, director Sara Driver worked closely and collaboratively with friends and other artists who emerged from that period: Jim Jarmusch, James Nares, Fab Five Freddy, Glenn O’Brien, Kenny Scharf, Lee Quinones, Patricia Field, Luc Sante and many others. Sara Driver made her directorial debut with the short film YOU ARE NOT I in 1981, which she adapted from the 1948 Paul Bowles short story of the same name. The film, named as one of the best movies of the 1980s in a Cahiers du Cinéma critics’ poll, was lost for many years until its rediscovery in 2008 among Bowles’ belongings in Tangier. Director Sara Driver joins us for engaging conversation with one of the late-twentieth century’s brightest and innovative artist.

Strange — But Forgotten: Mini-Episode # 4. A look at the news of various random local arrests and criminal court cases, in Cleveland, Ohio, USA, as published verbatim in the Cleveland Plain Dealer, on June 19, 1868.  A true "slice of life", from a single day in the 19th century.  HISTORICAL REFERENCES: Cleveland Plain Dealer, June 19 & 26, 1868. GUEST VOICES: Police Blotter Reporter / Narrator - K.D. Burr, the host of the Southern Grimoire podcast. Police Blotter Intro Title Voice – Jeff Richardson, co-host of Everything is Awesome with Jeff & KC podcast and the Shattered Worlds RPG podcast. Judge / Call to Order - Edward LeSaint, free-lance actor & voice artist. Judge / Adjournment – Harry Morgan, free-lance actor & voice artist. Intro & Outro – Host Intro – Nina Innsted, host of the Already Gone podcast. Outro Aphorism – Kit Caren, co-host of Forgotten News Podcast.   MUSIC: Kevin MacLeod of Incompetech.com – Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses / by 3.0 Americana I Knew a Guy Simple Music to Frighten Small Children By Freesound.org: crime_mystery_roll Passing Through Jozi Bentley, host of the the Moo Point: A Friends Podcast and the My Dream Podcast. SOUND EFFECTS: Freesound.org: whizzind_transition Gavel_-_3_Strikes_with_room_reverb Tinkerbell.   OUTRO APHORISM: Source:  Captain Alexander S. (“Clubber”) Williams of the New York City Police Department (1839-1917), as quoted in The Gangs of New York: An Informal History of the New York Underworld (1928), by Herbert Asbury, at p. 162, 217–219, 230–231 & 233, and Low Life (1990), by Luc Sante, p. 247-48.  (Note: There are numerous different variations of this quote, depending on the chosen source).    T-SHIRTS, MUGS, AND OTHER SWAG - NOW AVAILABLE! Just click here!   HEY!  CONTACT US:   E-Mail:  ForgottenNewsPodcast@gmail.com Facebook page: https://www.facebook.com/Forgotten-News-Podcast Twitter: @NewsForgotten @KitCaren   HEY! CAN YOU HELP US?! PLEASE HELP THE FORGOTTEN NEWS PODCAST TO COVER THE COSTS OF RESEARCH, INVESTIGATION, AUDIO EQUIPMENT. AND PODCAST HOSTING FEES.   ANY DONATION - EVEN A DOLLAR - WOULD REALLY HELP US OUT!   Just click on this PayPal link, to contribute. PAYPAL Thank You! Thank You! Thank You!

A special Halloween week fall treat! We’re revisiting a segment from my old podcast Too Much Information. I’ve always wanted to share it here, but this thing I dreamed about in 2010 (Cthulucon, a gathering dedicated to the writings and memory of the writer HP Lovecraft) actually became a real con! I never wanted my dream to compete with that…  but well dreams are strong and my friend Luc Sante’s essay on Lovecraft is still one of the best things ever written about the man. ************ Click on the image for links and info***************************  

Comedian Liz Glazer is not your typical lesbian. There’s no dick envy. She is not disgusted by the male body. It’s more pity, if anything. “If I had a part of my body that was so needy in moments of sexual desire—which I can feel empathy for—I don’t think I could handle it.” The closest she gets is wearing one of her Realdoes. Liz pops by The Manwhore Podcast breaking down the different seasons of the TV show that is Her Life. Spoiler alert: she murders all the men at the R Red Wedding! PLUS: kissing, high sex, New York City, college boyfriend, long distance relationships, and monogamy! Check out the Fanwhore Facebook Live Hangout on The Manwhore Podcast fan page! Join me for ManwhoreCon in New York City October 7-8! Click here to get your tickets today! Follow Liz on the webs: Twitter: @ElizabethGlazer Instagram: @LizGlazer The Penny Project: @PennyProject Buy Low Life by Luc Sante. Join our fanwhore community on Patron for as little as $1! Click here to become a member! The Manwhore Podcast is sponsored by the PURE Hookup app. Download PURE today and have awesome casual sex tonight! Email your comments, questions, and boobie pictures to manwhorepod@gmail.com. www.ManwhorePod.com

Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City’s unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York’s buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA ABOUT THE AUTHORS Rebecca Solnit is a prolific writer, and the author of many books including Savage Dreams, Storming the Gates of Paradise, and the best-selling atlases Infinite City and Unfathomable City, all from UC Press. She received the Corlis Benefideo Award for Imaginative Cartography from the North American Cartographic Information Society for her work on the previous atlases. Joshua Jelly-Schapiro is a geographer and writer whose work has appeared in The New York Review of Books, New York, Harper's, and the Believer, among many other publications. He is the author of Island People: The Caribbean and the World. http://joshuajellyschapiro.com/ Reviews "In orienting oneself in this atlas...one is invited to fathom the many New Yorks hidden from history’s eye...thoroughly terrific."—Maria Popova Brain Pickings "The editors have assembled a remarkable team of artists, geographers and thinkers...The maps themselves are things of beauty...This is a work that, like its predecessors, isn’t in the business of rosy nostalgia...Nonstop Metropolis is a document of its time, of our time." - Sadie Stein—New York Times "Rebecca Solnit and Joshua Jelly-Schapiro's collection achieves the trifold purpose that all good cartography does — it's beautiful, it inspires real thought about civic planning, and, most of all, it's functional."—The Village Voice "...the New York installment [of the Atlas Trilogy] is eccentric and inspiring, a nimble work of social history told through colorful maps and corresponding essays. Together, Solnit, Jelly-Schapiro and a host of contributors — writers, artists, cartographers and data-crunchers — have come up with dozens of exciting new ways to think about the five boroughs." —San Francisco Chronicle "Nonstop Metropolis is an engaging and enlightening read for anyone who loves New York City, creative scholarship, and top-notch graphic design." —Foreword Reviews "The sum of it all is, like New York itself, overwhelming, alluring and dazzlingly diverse."—Jewish Daily Forward "...the book...contains many beautiful and not-so-beautiful images that document New York’s past and the present, and make tangible the social and cultural diversity of this extraordinary place." —Times Literary Supplement "26 maps of New York that prioritize bachata over Broadway, pho over pizza." —Wired.com One of Publishers Weekly's 20 Big Indie Books of 2016—Publishers Weekly“I am thrilled to have another book-object in this series, as I devoured the San Francisco volume when I was there, and the New Orleans one likewise. Now finally here is one about the town where I live. The format, with the maps, networks, and accompanying stories and histories, is a lovely, nonlinear way of mirroring the almost infinite layers that make up a city. We all have our own mental maps of our cities and the ones we visit—maps that are, like the ones here, historical, musical, temporal, personal, economic, and geographical. The maps in Nonstop Metropolis are a good approximation of how we New Yorkers experience and perceive the city we live in.”—David Byrne “Put your map apps and your GPS away, because none of those high-tech innovations will lead you to the immense satisfaction that this hard-to-put-down book is full of. The unique, clever, and artistic maps give you the who, what, when, and, most importantly, where of loads of unusual and little-known New York City histories. As a New York City native I finally have all the maps I need to the treasures and secrets of my hometown.”—Fab 5 Freddy “A new way to think about the cultural and political life of cities.”—Randy Kennedy, New York Times “Solnit, well known for her writing on politics, art and feminism, has turned her attention to New York City’s complexities in Nonstop Metropolis, the third of her trilogy of atlases and accompanying exhibitions.”—Alex Rayner, The Guardian Selected praise for Infinite City and Unfathomable City “A thought-inducing collection of maps that will challenge your view of what atlases can be.”—Kevin Winter, San Francisco/Sacramento/Portland Book Review “A deeply illuminating assemblage of maps and essays.”—Lynell George, Chicago Tribune “Inventive and affectionate.”—Lise Funderburg, New York Times Book Review “Brilliantly disorients our native sense of place.”—Jonathon Keats, San Francisco Magazine “With Unfathomable City, Solnit and Snedeker have produced an idiosyncratic, luminous tribute to the greatest human creation defined by its audience participants: the city itself.”—Daniel Brook, New York Times

This week we’re bringing you a conversation with the minds behind Nonstop Metropolis: A New York City Atlas. Writer and activist Rebecca Solnit, geographer Joshua Jelly-Schapiro, essayist Garnette Cadogan, and authors Suketu Mehta and Luc Sante participate in a discussion about the layers of vitality and diversity, but also inequity and erasure that make up this thriving metropolis

Luc Sante takes us on a tour of “The Other Paris” Benoît Peeters shows us Paris of 22nd century and your host learns why there is so much Brooklyn in the 10th arrondissement image by Celeste Lai

Join writer and critic Luc Sante as he takes us on a vivid journey across the seamy underside of Paris, and discover how the working and criminal classes shaped the city over the past two centuries.

In this special Holiday Season bonus episode Ken welcomes illustrator, writer and all around talent Molly Crabapple to the show. Ken and Molly discuss the perils of mispeaking, a natural inclination to introversion, growing up in New York, sneaking into Manhattan, social awkwardness, enjoying things from afar, being a punk rock teen, Fact Sheet Five, the wonder of 90s 'zines, maximumrocknroll, teenage life hacks, anarchists, Dawson's Creek, New York girls, re-writing your teenage years via media, hate watching, social media, D.A.R.E., how scare films can actually give you ideas, MTV, Liquid Television, The Head, Aeon Flux, My So-Called Life, Sassy, Daria, trying not to discount the pain of youth, Gender roles in media, Vice TV, having not watched TV in 16 years due to an uncomfortable couch, Mark Kistler's Secret City, drawing instruction on television, watching television in foreign countries, pro-Assaad regime TV, Propaganda on TV, how the whole world doesn't actually worship American mass media, Havana, being culturally illiterate, animation, translating Arabic to English for fun, loving Kurt Cobain and Hole, Low Low: Lures and Snares of Old New York by Luc Sante, needing to know the language of an art to make it, and having an aversion to being on camera as a proponent of the individual arts.

Martha Frankel’s guests this week are Luc Sante, Ann Packer and Marie Lu.

I’ve been wanting to have Luc Sante on the show for some time now, and a recently appearance at the Brooklyn Book Fair finally afforded the opportunity to sit down with the author. Immediately after a panel with Vivian Gornick and David Ulin on the topic of writing about cities, Sante and I sat down in a courtyard on a windy Sunday. Published the same year I moved to New York, the author’s book Low Life might well be my favorite book I’ve ever read about the city, peering into the crime dens and slums often whitewashed out of portraits of Gotham’s golden age. Sante was at the show promoting his most recent work, The Other Paris, which offers similar insight into the city of light. He happily agreed to discuss the two vastly different, yet eternally link metropolises, while giving candid look into what keeps him writing.

The Other Paris (Farrar, Straus and Giroux)A trip through Paris as it will never be again--dark and dank and poor and slapdash and truly bohemian.Paris, the City of Light. The city of the Eiffel Tower and the Louvre, of soft cheese and fresh baguettes. Or so tourist brochures would have you believe. In The Other Paris, Luc Sante reveals the city's hidden past, its seamy underside--one populated by working and criminal classes that, though virtually extinct today, have shaped Paris over the past two centuries. Drawing on testimony from a great range of witnesses--from Balzac and Hugo to assorted boulevardiers, rabble-rousers, and tramps--Sante, whose thorough research is matched only by the vividness of his narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted streets of pre-Haussmann Paris; through the improvised accommodations of the original bohemians; through the massive garbage dump at Montfaucon, active until 1849, in which, "at any given time the carcasses of 12,000 horses . . . were left to rot."A wildly lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, of the reporters, réaliste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bon vivants and the speculators, and to hold a light to the works and days of the forgotten poor.Praise for The Other Paris:“The Other Paris is a heartbreaking spectacle, immense in intellectual and political scope and emotional reach. Peopled by crooks and movie stars, gamblers and thinkers, the world’s premiere city of dreams is rendered, through Luc Sante’s fine hand, historian’s eye, and poet’s heart, into a place we hardly knew—a world of hitherto unknown mysteries and realities. A grand journey in an epic work.”—Hilton Als “‘We have forgotten what a city was,’ writes Luc Sante provocatively about Paris. By the last chapter of this absorbing book we are convinced. Washerwomen and rag pickers, bohemians and clochards, anarchists and apaches, all play their part in this alternative urban history. This is not the Gay Paree of Maurice Chevalier, though he too makes an appearance.”—Witold Rybczynski “This brilliant, beautifully written essay is the finest book I have ever read about Paris. Ever. Thank you, Luc Sante.”—Paul Auster “Nowadays, the old crowded, swarming, surly cities are at least half-forgotten. But in this great chronicle Luc Sante recalls when Paris was rougher, when the poor, the tough, the unregulated, the underworld, thrived there; maybe the city was also less rough, in that there was room for nearly everyone all the way down the social ladder. Hanging over The Other Paris is the contemporary curse of cities that perhaps hit Paris first, of cities that have become bland transnational stopping places for the privileged. Magisterial as ever, Sante returns us to the flavor, texture, savor, shouts, and clashes of the bygone city.”—Rebecca SolnitLuc Sante was born in Verviers, Belgium. His other books include Low Life, Evidence, The Factory of Facts, and Kill All Your Darlings. He is the recipient of a Whiting Writers’ Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy (for album notes), an Infinity Award for Writing from the International Center of Photography, and Guggenheim and Cullman fellowships. He has contributed to The New York Review of Books since 1981, and has written for many other magazines. He is the visiting professor of writing and the history of photography at Bard College and lives in Ulster Country, New York.Originally from Chicago, J.C. Gabel is a book editor, writer, journalist, small publisher and curator living in Los Angeles. He is the founder of Stop Smiling, "The Magazine for High-Minded Lowlifes," and founding Editor and Publisher of LA-based Hat & Beard Press, which will launch in 2016 in partnership with DAP (Distributor of Artist Publishers).  

Jack Kerouac and Luc Sante discuss Robert Frank's The Americans.

Jack Kerouac and Luc Sante discuss Robert Frank's The Americans.