Podcast appearances and mentions of Vivian Gornick

Grabado en cinta y en directo: pura desnudez y autenticidad. 'Silvia & Salvador' es un disco que viaja con total naturalidad por el español, el francés, el portugués, el catalán y el inglés. En cualquier caso, es un canto al amor, a la amistad y a la música como idioma universal. Silvia Pérez Cruz y Salvador Sobral nos acompañan esta tarde en el programa para hablar y compartir su música.La Pequeteca de Leticia Audibert busca novedades editoriales para los más pequeños y recuerda que sigue en marcha la temporada de ferias del libro por distintas ciudades de España.Con nuestra crítica de arte, Mery Cuesta, nos sumergimos en la obra —y sobre todo en la vida— de una figura irrepetible que transitó entre la ópera, la experimentación vocal, la performance… y también lo hortera, lo kitsch y lo camp: la inclasificable Cathy Berberian.En Sevilla, desde mañana y hasta el 28 de junio, el Cortijo de Cuarto y el Teatro Romano de Itálica acogerán a doce compañías dentro del Festival Internacional de Danza de Itálica 2025. Este año el festival contará con tres estrenos absolutos y un estreno nacional. Marta Sánchez nos adelanta los detalles.La reconocida ensayista neoyorquina Vivian Gornick visita estos días Madrid con motivo de la Feria del Libro. 'Por qué algunos hombres odian a las mujeres y otros textos feministas' fue el eje de su conversación con Marta Sánchez ante un público entregado. Daniel Gallego estuvo allí.Terminamos con una mirada a través del objetivo de Marisa Florez. La fotoperiodista, activa entre 1970 y 2020, protagoniza una gran exposición retrospectiva dentro del festival PHotoEspaña en la Sala de Canal de Isabel II. Medio siglo de historia reciente de nuestro país a través de casi 200 imágenes. Ángela Núñez nos lo cuenta.Escuchar audio

Javier Rodríguez del Burgo nos acerca recomendaciones del año 2016: el libro de Vivian Gornick "Apegos Feroces", el disco "2" de León Benavente y la película "El otro lado de la esperanza" del director Aki Kaurismaki

Javier del Pino conversa con una de las feministas más importantes en Estados Unidos autora de libros memorables como `Apegos feroces´ o `Por qué algunos hombres odian a las mujeres´ (editorial Sexto Piso)

Fernanda Trías's Pink Slime (Scribner, 2024) was first published in Spanish in October 2020, several months into a global pandemic that had bent our world into something uncannily similar to the one imagined in the Uruguayan writer's fourth novel. Here, an environmental disaster that begins as red algae bloom in the oceans has produced a toxic wind that kills most living creatures. As the plague spreads, the protagonist chooses to remain in her coastal city, caring for a boy with a rare genetic disorder. Published in an English translation by Heather Cleary as the pandemic waned, Pink Slime continues to push against the limits of genre categories, balancing on that delicate edge between science fiction and literary realism. In dialogue with Cleary—a prolific translator of contemporary Latin American fiction who is also a critic and scholar of translation—Trías unfolds the many different ideas explored in Pink Slime, including the ethical complexities of writing about illness and disability, the difficult intimacies of mothers and daughters (and other potentially toxic relationships), how it is that we experience time and memory, and what it means to live with the looming threat of ecological collapse. Pink Slime, like Trías's other novels, is also interested in the narrative potential of confined spaces, which constrain the movement of plot and allow for new possibilities in building characters' psychological depth. The conversation also gets into the question of time and narrative tense when it comes to narrating the experience of disaster—a question that was crucial for the novelist as much as the translator. Together, Trías and Cleary also get into the intricacies of translation, including word choice, sound, rhythm, breath, and how to make jokes work across languages. Mentioned in this episode: The Translator's Visibility: Scenes from Contemporary Latin American Fiction Prader-Wilis syndrome Vivian Gornick, Fierce Attachments: A Memoir N. Pino Luna The other pink slime Trías, El monte de las furias Plumsock Endowed Residency, Yaddo Artist's Community (the residency that Trías briefly names toward the end of the conversation) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Fernanda Trías's Pink Slime (Scribner, 2024) was first published in Spanish in October 2020, several months into a global pandemic that had bent our world into something uncannily similar to the one imagined in the Uruguayan writer's fourth novel. Here, an environmental disaster that begins as red algae bloom in the oceans has produced a toxic wind that kills most living creatures. As the plague spreads, the protagonist chooses to remain in her coastal city, caring for a boy with a rare genetic disorder. Published in an English translation by Heather Cleary as the pandemic waned, Pink Slime continues to push against the limits of genre categories, balancing on that delicate edge between science fiction and literary realism. In dialogue with Cleary—a prolific translator of contemporary Latin American fiction who is also a critic and scholar of translation—Trías unfolds the many different ideas explored in Pink Slime, including the ethical complexities of writing about illness and disability, the difficult intimacies of mothers and daughters (and other potentially toxic relationships), how it is that we experience time and memory, and what it means to live with the looming threat of ecological collapse. Pink Slime, like Trías's other novels, is also interested in the narrative potential of confined spaces, which constrain the movement of plot and allow for new possibilities in building characters' psychological depth. The conversation also gets into the question of time and narrative tense when it comes to narrating the experience of disaster—a question that was crucial for the novelist as much as the translator. Together, Trías and Cleary also get into the intricacies of translation, including word choice, sound, rhythm, breath, and how to make jokes work across languages. Mentioned in this episode: The Translator's Visibility: Scenes from Contemporary Latin American Fiction Prader-Wilis syndrome Vivian Gornick, Fierce Attachments: A Memoir N. Pino Luna The other pink slime Trías, El monte de las furias Plumsock Endowed Residency, Yaddo Artist's Community (the residency that Trías briefly names toward the end of the conversation) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fernanda Trías's Pink Slime (Scribner, 2024) was first published in Spanish in October 2020, several months into a global pandemic that had bent our world into something uncannily similar to the one imagined in the Uruguayan writer's fourth novel. Here, an environmental disaster that begins as red algae bloom in the oceans has produced a toxic wind that kills most living creatures. As the plague spreads, the protagonist chooses to remain in her coastal city, caring for a boy with a rare genetic disorder. Published in an English translation by Heather Cleary as the pandemic waned, Pink Slime continues to push against the limits of genre categories, balancing on that delicate edge between science fiction and literary realism. In dialogue with Cleary—a prolific translator of contemporary Latin American fiction who is also a critic and scholar of translation—Trías unfolds the many different ideas explored in Pink Slime, including the ethical complexities of writing about illness and disability, the difficult intimacies of mothers and daughters (and other potentially toxic relationships), how it is that we experience time and memory, and what it means to live with the looming threat of ecological collapse. Pink Slime, like Trías's other novels, is also interested in the narrative potential of confined spaces, which constrain the movement of plot and allow for new possibilities in building characters' psychological depth. The conversation also gets into the question of time and narrative tense when it comes to narrating the experience of disaster—a question that was crucial for the novelist as much as the translator. Together, Trías and Cleary also get into the intricacies of translation, including word choice, sound, rhythm, breath, and how to make jokes work across languages. Mentioned in this episode: The Translator's Visibility: Scenes from Contemporary Latin American Fiction Prader-Wilis syndrome Vivian Gornick, Fierce Attachments: A Memoir N. Pino Luna The other pink slime Trías, El monte de las furias Plumsock Endowed Residency, Yaddo Artist's Community (the residency that Trías briefly names toward the end of the conversation) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

“We do a lot of writing alone, in our own space. But writing is not a solitary practice. The business of writing requires a community.” –Angelique Stevens In this episode of Deviate, Rolf and Angelique talk about what her writing life is like in the decade since she first took Rolf’s Paris class, with the ambition of becoming a travel writer, and how her travel book transformed into something different (2:00); how Angelique gave herself permission to write about herself in an honest way, and what craft lessons have helped her writing (8:00); and Angelique’s reading habits as a writer, her writing process, and how she came to think of herself as a writer (23:00). Angelique Stevens‘ is creative writing professor whose nonfiction has been published in Best American Essays two years in a row (2022, edited by Alexander Chee and 2023 edited by Vivian Gornick), Granta, LitHub, The New England Review, and a number of anthologies. Notable Links: Paris Writing Workshops (Rolf’s annual writing classes) Zapatistas (political group in in Chiapas, Mexico) Bootstrapping myth (narrative about self-starting process) Haudenosaunee (Iroquois indigenous people from the Northeast U.S) Zora Neale Hurston (American writer) Toni Morrison (American novelist) Melissa Febos (American writer) Honor, by Thrity Umrigar (book) The Situation and the Story, by Vivian Gornick (book) A Little Devil in America, by Hanif Abdurraqib (book) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Ida Linde och Daniel Sjölin har läst och samtalar om den amerikanska författaren och ikonen Vivian Gornicks senaste bok på svenska, Aldrig färdig. Lyssna på alla avsnitt i Sveriges Radio Play. I Aldrig färdig skriver Vivian Gornick fängslande om omläsningens kraft och möjligheter. Vad händer när man läser om en bok man sedan tidigare älskar? Aldrig Färdig handlar om de favoritböcker Gornick läst om, romaner som DH Lawrences Söner och älskande, Colette och Elizabeth Bowen, samt Marguerite Duras Älskaren.Vivian Gornick är en amerikansk författare och skribent, född 1935. Hon har gjort sig känd som feminist och fick sitt internationella genombrott i 85-årsåldern. Det finns två böcker på svenska av henne tidigare, Starka band och Den udda kvinnan och staden.Aldrig färdig är hennes tredje bok på svenska och är översatt av Maria Lundgren.I programmet hör vi Vivian Gornick själv från sin lägenhet på Manhattan där hon bott i 40 år. Författaren och översättaren Ida Linde och författaren och kritikern Daniel Sjölin samtalar med Marie Lundström i studion.Skriv till oss! bokradio@sverigesradio.seProgramledare: Marie LundströmProducent: Andreas MagnellLjuddesign: Märta Myrstener

Sari Botton joins Let's Talk Memoir for a conversation about editing the magazines Adventures in Journalism, Memoir Land, and Oldster, her experience publishing on Substack, editing vs. generating material, putting ourselves in our story, wrestling with what to share, creating safe boundaries, growing into the truest version of ourselves, vomit drafts, leaving the perfectionist out of the room, turning death on its head, shedding false identities, being our own best champion, and her mid-life coming of age memoir in episodes And You May Find Yourself...Confessions of a Late-Blooming Gen-X Weirdo.   Also in this episode:  -lowering standards for an early draft -finding time for our own writing -giving ourselves downtime to switch gears   Books mentioned in this episode: -Traveling Mercies by Anne Lamott -Bird by Bird by Anne Lamott -Bodywork by Melissa Febos -The Art of Memoir by Mary Karr -All books by Abigail Thomas   Sari's audibook is available here: https://www.audible.com/pd/And-You-May-Find-Yourself-Audiobook/B0DVMR3V2M   Sari Botton's memoir in essays, And You May Find Yourself...Confessions of a Late-Blooming Gen-X Weirdo, was chosen by Poets & Writers magazine for the 2022 edition of its annual "5 Over 50" feature. An essay from it received notable mention in The Best American Essays 2023, edited by Vivian Gornick. For five years, she was the Essays Editor at Longreads. She edited the bestselling anthologies Goodbye to All That: Writers on Loving and Leaving NewYork and Never Can Say Goodbye: Writers on Their Unshakable Love for New York. She publishes Oldster Magazine, Memoir Land, and Adventures in Journalism. She was the Writer in Residence in the creative writing department at SUNY New Paltz for Spring, 2023.    Connect with Sari: http://saribotton.com https://www.facebook.com/sari.botton/ https://www.instagram.com/saribotton/ https://bsky.app/profile/saribotton.bsky.social http://oldster.substack.com http://memoirland.substack.com http://adventuresinjournalism.substack.com https://www.audible.com/pd/And-You-May-Find-Yourself-Audiobook/B0DVMR3V2M https://bookshop.org/p/books/and-you-may-find-yourself-sari-botton/18519104 https://www.hachettebookgroup.com/titles/sari-botton/goodbye-to-all-that-revised-edition/9781541675681/?lens=seal-press https://www.simonandschuster.com/books/Never-Can-Say-Goodbye/Sari-Botton/9781476784403 – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

179 Oldster magazine creator, Sari Botton, joins Nadine to talk about the highlights and hardships of “traveling through time in a human body at every phase of life.” As a collector of stories, Sari also shares what she has learned about aging and new beginnings from others. Ultimately, Nadine and Sari explore how to embrace life's contradictions and feel less alone in the process. If you've ever asked yourself, “Am I the only one who feels this way?” this episode is for you!Covered in this episode:-What inspired Sari to start Oldster magazine-What Sari has learned from Oldster interviewees and her own aging process-Her plans for her 60s and beyond-Her self-compassion and boundary-setting practices-Two unexpected life events that made her feel the urgency of time-Why people love, leave, and come back to NYC-The benefits of being a community builder and story collector-Two things that bring Sari great joy Want access to the full episode? Become a paid Substack subscriber here. About Sari: Sari Botton is a bestselling author, editor, and teacher with decades of experience. She is the author of the memoir in essays, And You May Find Yourself…Confessions of a Late-Blooming Gen-X Weirdo, which was chosen by Poets & Writers Magazine for the 2022 edition of its annual “5 Over 50” feature. An essay from it received notable mention in The Best American Essays 2023, edited by Vivian Gornick. For five years she served as the Essays Editor for Longreads. She edited the bestselling anthologies Goodbye to All That: Writers on Loving and Leaving NewYork and Never Can Say Goodbye: Writers on Their Unshakable Love for New York. She publishes Oldster Magazine, Memoir Monday, and Adventures in Journalism. About Nadine:Nadine Kenney Johnstone is a holistic writing coach who helps women develop and publish their stories. She is the proud founder of WriteWELL, an online community that helps women reclaim their writing time, put pen to page, and get published. The authors in her community have published countless books and hundreds of essays in places like The New York Times, Vogue, The Sun, The Boston Globe, Longreads, and more. Her infertility memoir, Of This Much I'm Sure, was named book of the year by the Chicago Writer's Association. Her latest...

Abans que rockstar i editora, va ser lectora. Avui ens acompanya l'editora Eug

El poeta  Fernando Beltrán es el primer poeta invitado a la Biblioteca de Antonio Martínez Asensio en Hoy por Hoy. Su poemario "Hotel vivir" ya está en los anaqueles de nuestra colección radiofónica. Poesía de la experiencia en la que el paso del tiempo, la memoria , la familia y la incertidumbre son la grandes temáticas de los 51 poemas. El poeta asturiano nos ha donado además  "Toda la belleza del mundo" de Jeroslav Seifert (Seix Barral) y  "El gran número, fin y principio y otros poemas" de Wistawa Szymborska (Hiperión). También han entrado en la biblioteca dos libros que Antonio Martínez Asensio ha relacionado con la actualidad,  "Retorno 201" de Guillermo Arriaga (Alfaguara) y por el 120 aniversario del nacimiento del poeta chileno, "Antología general" de Pablo Neruda (RAE y ASALE). Pepe Rubio nos trabajo dos novedades: "El espíritu de mis padres sigue subiendo en la lluvia" de Patricia Pron (Anagrama) y "Clavarse las uñas" de Lucía Rodríguez (fundación José Manuel Lara). Pascual Donate rescató de los libros perdidos de la redacción de la SER "A toda máquina: de Irlanda a La India en bicicleta" de Dervla Murphy (Capitán Swing). Como siempre dejamos el hueco en la estantería para el libro del programa "Un libro una hora" de Antonio Martínez Asensio que es "Una pulga de acero" de Nicolai Lesko (Impedimenta) . Por último las donaciones de los oyentes que fueron: "Llévame a casa" de Jesús Carrasco (Seix Barral) , "Apegos feroces" de Vivian Gornick (Sexto Piso) y "El Lápiz del carpintero" de Manuel Rivas (Alfaguara) 

Weekly Shoutout: Jim Clayton's latest album, LOOK OUT! -- Hi there, Today I am so excited to be arts calling author Merrill J. Gerber! About our guest: Merrill Joan Gerber has written thirty books, including The Kingdom of Brooklyn, winner of the Ribalow Award from Hadassah Magazine, and King of the World, winner of the Pushcart Editors' Book Award. Her fiction has been published in the New Yorker, the Sewanee Review, the Atlantic, Mademoiselle, and Redbook, and her essays in the American Scholar, Salmagundi, and Commentary. She has won an O. Henry Award, a Best American Essays award, and a Wallace Stegner fiction fellowship to Stanford University. She retired in 2020 after teaching writing at the California Institute of Technology for thirty-two years. Her literary archive is now at the Yale Beinecke Rare Book Library. Thanks for this wonderful conversation, Merrill! All the best! -- REVELATION AT THE FOOD BANK, now available from Sagging Meniscus Press! https://www.saggingmeniscus.com/catalog/revelation_at_the_food_bank/ ABOUT REVELATION AT THE FOOD BANK: These powerful essays share critical moments of a writer's life: scenes from sixty years of passionate married love; suicides faced and suicide contemplated; trauma at the DMV; a night lost searching for a harpsichord in the mountains of Florence, Italy; the tale of a beloved cousin whose plane is shot down by Japanese Zeros; and a precious friendship between two women writers derailed by the poisons of religion and politics. In the titular essay (included in Best American Essays 2023) a food bank, assuaging the pandemic's terrors with gifts of food and prayers, becomes a portal for intimate confidences entrusted to us by a voice of unspoiled authenticity and perennial vigor. NOTICES: “Often hilarious, deeply moving and warmly engaging, Merrill Joan Gerber's collection of memoirist essays is delightful reading. ‘I have a lot to say from my own mouth'—so Gerber confides in her readers with admirable candor and enviable chutzpah. There is much here that is unnervingly intimate—close-ups of a very long marriage, painful memories of a brother-in-law who was abusive to his family before taking his own life, the disappointments as well as the rewards of an intense friendship with a famous woman writer embittered by religion and politics—all of it narrated in Merrill Joan Gerber's distinctive voice.” —Joyce Carol Oates, author of Zero-Sum “Written from her deepest truths, these intimate essays can be heartbreaking, maybe because we see ourselves in each of them. But they are told with such humor, such delicacy, that we close the book sighing, Yes, this is life! And this is why Merrill Joan Gerber has been one of my favorites for decades.” —Judy Blume, author of Are You There God? It's Me, Margaret “Uncommonly candid, honest, emotionally precise; irresistibly scrappy, edgy, visceral. Sentence by sentence, one of the best collections of personal essays I've read in years.” —Robert Atwan, Series Editor, The Best American Essays " ‘Revelation at the Food Bank', the essay that anchors Merrill Joan Gerber's collection, gives voice to the widespread rage of the covid and post-covid era. If Gerber's anger is universal, her expression of it is wholly her own—brutally honest, transgressive and at times hilarious. The subsequent ten pieces, including a contentious exchange with Cynthia Ozick on the subject of Jewish identity, present in kaleidoscopic form the complexity of her art.” —Joan Givner, author of Playing Sarah Bernhardt “Merrill Gerber's new collection of essays adds up to a rich record of twentieth-century literary life, largely epistolary, in a period when epistles were epistles, not faxes, emails, texts or DMs. Closer to the present, she addresses the way we live now with a fine blend of pathos and wit, an exact intuition for the telling and well-timed detail, and all the freshness she must have had when she first picked up her stylus long ago.” —Madison Smartt Bell, author of The Witch of Matongé “Merrill Joan Gerber is one of those fortunate writers on whom nothing is lost. Every encounter, every venture into the world leaves deep traces, which she recreates for her readers in exquisitely wry and wise language. Revelation at the Food Bank is rooted in intimacies, and yet touches on universal experience.” —Lynne Sharon Schwartz, author of Truthtelling: Stories, Fables, Glimpses “There are books that can be put together only after the author has turned eighty. Revelation At The Food Bank is one of them. Merrill Gerber's language—hot, bright, bitter—as applied to marriage and the writing life is the work of one who has nothing to lose. Thus, her memoir is exciting, brutally honest, above all memorable.” —Vivian Gornick, author of Taking a Long Look: Essays on Culture, Literature, and Feminism in Our Time “Novelist Gerber (Beauty and the Breast) brings together intimate personal essays in this stirring compendium. The hilarious title essay weaves an account of how Gerber found unexpected community at a church's food pantry ('They give me gifts, they welcome me…. I'm a Jewish girl, but I've never known the rewards of religion. Is it too late?') with reflections on the small annoyances that accumulated over her 62-year marriage ('Why does he put so much cream cheese on his bagel?')…. Gerber is a witty and astute observer with a keen eye for detail…. Elevated by Gerber's wry voice and crystalline prose, this impresses.” —Publishers Weekly (starred review) -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND I CAN'T THANK YOU ENOUGH FOR TAKING THE TIME TO LISTEN. Much love, j

The Village Voice aimed to show readers something that mainstream publications wouldn't: live theater productions climbing through the scaffolding of off-Broadway venues; moments in music from hip-hop to jazz to punk; New York City civil issues, like corrupt landlords; and global issues, like the AIDS crisis. Through decades of independent reporting and first-hand accounts within the myriad subcultures of New York, the Village Voice built a journalistic legacy of lived experience, bold critique, and political activism. One can't help but wonder, what it must have been like to be one of the writers, editors, or photographers who was in on the action. In her debut book, The Freaks Came Out to Write, Tricia Romano shares her journey from intern to contributor at the Village Voice, and the multi-generational significance of the weekly paper that reached far beyond the neighborhoods of New York City. Romano's accounts include over 200 interviews that span decades and feature influential figures such as Pulitzer Prize-winning author Colson Whitehead, feminist writers Vivian Gornick and Susan Brownmiller, the post-punk band Blondie, and many other acclaimed individuals in the realms of art, politics, and society. Romano ties it all together in an expansive oral history that tells the story of journalism, New York City and American culture — and the most famous alt-weekly of all time. Tricia Romano is a writer, columnist, and editor whose work has been published in the New York Times, Rolling Stone, Elle, the Los Angeles Times, and of course the Village Voice, among others. Her column, Fly Life, dug into the underbelly of New York nightlife and she has penned award-winning stories on music and culture. She has served as a fellow at MacDowell, Millay, and UCross, a staff writer at the Seattle Times, and as editor-in-chief of the Stranger, Seattle's own alternative newsweekly. Dan Savage is a sex-advice columnist, a podcaster, an author, and has appeared on numerous television shows. Formerly the editor of the Stranger, Dan's sex-advice column “Savage Love,” is syndicated worldwide. He has published seven books and his weekly sex advice podcast Savage Lovecast. Jane Levine worked for more than 30 years at alternative weeklies. She started as an intern at Chicago Reader in 1973 and returned to serve as publisher from 1994 to 2004. In between, she held business-side positions at Los Angeles Reader, North Carolina Independent, and Seattle Weekly.   Buy the Book The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture Third Place Books

Prepare to be charmed! We have writer, social strategist, and gal about the internet Peyton Dix hand-deliveringher Thingies. Also: This Ask a Manager post demanded discussion. Peyton's Thingies include Aesop Post-Poo Drops (available in Europe, pals), being bi, Kellyoke, Noihsaf Bazaar, having less screentime, and sharing your location. Peyton's bonus-round Thingies: wired headphones, SLT, Todaytix, The Situation and the Story: The Art of Personal Narrative by Vivian Gornick, game nights, “Karma” by JoJo Siwa, and Ouai Curl Cream.Have any new Thingies? Share ‘em with us via 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva!Hire with Indeed and get a $75 sponsored job credit when you use our link.Source the good writing tools with ​​JetPens—free JetPens marker and washi tape with any $50 order when you use our link until 6/30/24.Amp up your garden with Fast Growing Trees—get an additional 15% off your first purchase with the code ATHINGORTWO.Do your own nails (well!!) with Olive & June—20% off your first Mani System when you use our link.YAY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Acclaimed memoirist and teacher Vivian Gornick joins Let's Talk Memoir for a conversation about the origins of her approach to memoir, the crucial difference between situations and stories, why implicating ourselves in our work makes us trustworthy to our reader, clarifying our narratives, how she discovered what her story was truly about, why some writing questions are unanswerable, and her well-loved and oft-repeated advice: “In order for the drama to deepen we must see the loneliness of the monster and the cunning of the innocent.” Also in this episode: -Autofiction -the importance of trusted readers and editors -seeing ourselves clearly   Books mentioned in this episode: -Autofiction by Annie Ernaux -The Situation and the Story by Vivian Gornick -Fierce Attachments by Vivian Gornick -The Odd Woman and the City by Vivian Gornick Vivian Gornick is a feminist critic, journalist, essayist, and memoirist who was born in the Bronx and grew up in a family of working-class immigrants.  Meghan O'Rourke of The Yale Review describes her as having written some of the most remarkable journalism of our time. “Her career got its start in the heady days of second-wave feminism, which she wrote about for the alternative weekly The Village Voice. In her work, she cultivated a fierce and unapologetic intellectual voice that could also be intensely personal. Another way to put it: she made powerful, no-holds-barred arguments, but she was also a gifted storyteller.” She is the recipient of a Ford Foundation grant and a Guggenheim Fellowship and her essays and articles have appeared in Bookforum, the Los Angeles Times, the Nation, the New York Times Book Review, the New Yorker, Threepenny Review, and the Women's Review of Books. She taught for many years in MFA programs all over the country, including those at the University of Houston, the University of Arizona, Sarah Lawrence College, and the New School in New York City, and in 2015 she served as the Bedell Distinguished Visiting Professor in the University of Iowa's Nonfiction Writing Program. Some of her books include The Men In My Life, The End of the Novel of Love, Approaching Eye Level, Essays in Feminism, The Odd Woman and the City, Fierce Attachments, and The Situation and the Story. — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com   Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Esta semana se celebra el día del libro y en este episodio de LET hablamos de un tipo de publicación muy particular: esa que habla sobre otros libros. Italo Calvino y sus recomendaciones sobre clásicos, la periodista Vivian Gornick relee los libros más importantes de su vida, Fernando Zavater visita las ciudades y la obra de grandes escritores, Jesus Marchamalo nos cuenta sobre el placer de leer en papel. Esta semana estamos de fiesta, dejemos que los mejores nos recomienden sus lecturas.

After a ~10-year gap, Emily Raboteau rejoins the show to celebrate her amazing new essay collection, LESSONS FOR SURVIVAL: Mothering Against "The Apocalypse" (Holt). We talk about her sparkbird and the Audubon Mural Project in Washington Heights that center the book, her transformation into a climate activist, the joy of the flaneuse, her scavenger hunt for Justin Brice Guariglia's environmental art, and the idea of pain with a purpose. We also get into the differences between mothering & motherhood, the reason she put "the Apocalypse" in quotes in her subtitle, how COVID lockdown made her realize her kids' lives had been overscheduled (and how lockdown gave them some room to breathe), and the nor'easter-battered book-event in Princeton that corroborated her book's community-thesis. Plus we discuss her dream of interviewing Vivian Gornick, how we need to overcome pandemic-amnesia, the place her children really want to visit, how she's changed as a writer since we last talked, what the difference is between surviving and living, and a lot more. Follow Emily on Twitter, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

A la fin des années 1890, lors d'une manifestation anarchiste, une jeune militante nommée Emma Goldman se lance dans une danse joyeuse lorsqu'elle est apostrophée par un camarade. Il lui ordonne d'arrêter un comportement qu'il juge frivole et nuisible à la cause. Elle remet aussitôt l'importun à sa place : « Si je ne peux danser dans ta révolution, je n'y prendrai pas part ». L'anecdote est rapportée par l'historienne Vivian Gornick dans son ouvrage récemment sorti aux éditions Payot : « Emma Goldman. La révolution comme mode de vie ». Née en 1869 en Lituanie au sein d'une famille juive, immigrée aux Etats-Unis en 1885, Emma Goldman intègre très vite les cercles socialistes et les luttes ouvrières dans une Amérique dont le rêve s'effrite sous le poids d'un capitalisme triomphant, de la misère et des inégalités croissantes. Elle y aiguise un caractère bien trempé, une plume alerte et une voix qui mobilise les foules. Elle devient une des figures importantes de la cause anarchiste et ouvrière du 20e siècle, une militante vigoureuse de la cause des femmes et, selon les mots de J Edgar Hoover, futur premier directeur du FBI, « l'une des femmes les plus dangereuses d'Amérique ». Dans « Lettres à l'Amant et autres textes sur la difficulté d'aimer, de faire l'amour et d'être libre » (Payot) Léa Gauthier, traductrice d'Emma Goldman, met en regard une sélection de textes de la militante et de lettres à son amant Ben Reitman. Ces écrits éclairent la pensée et le vécu d'une activiste qui pensait que la révolution sociale passait d'abord par une révolution des corps et de l'intime, car l'intime est politique. Au micro de Nicolas Bogaerts, Léa Gauthier rappelle combien les écrits d'Emma Goldman ont appelé à l'émancipation de tous et de chacune. « Lettres à l'Amant, et autres textes sur la difficulté d'aimer, de faire l'amour et d'être libre », préface et traduction de Léa Gauthier. Sujets traités : Emma Goldma, anarchiste, militante, Vivian Gornick , socialiste, luttes, ouvrières, misère, inégalités, femme, J Edgar Hoover, Nicolas Bogaerts Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

In this converation with memoirist Abigail Thomas, we discuss the backstory of writing Safekeeping, and that now-classic memoir was initially turned down by all the editors the book was sent, except for one. We talk about how crafting a memoir-in-fragments like Safekeeping allows a writer to depict memories in a way a more conventional structure doesn't permit. She talks about why writing what you don't remember is as important as what you do; and the value of following what interests and obsesses you, even if it doesn't seem to go anywhere at first.Thomas's is one of the great voices in memoir—shrewd, warm, devoid of self-pity—and like all wise teachers, she imparts insights about a life well spent, even when talking about a book well-crafted.This conversation was recorded in 2022 and just updated.Abigail Thomas is the author of several memoirs, including Safekeeping, A Three Dog Life, What Comes Next and How to Like it, and most recently Still Life at Eighty, as well as three works of fiction: Getting Over Tom, An Actual Life, and Herb's Pajamas.Some of my biggest takeaways“Chronological order makes little sense to me…”Most of Thomas's memoirs eschew the conventional chronological approach, opting instead for fragmented structures that mirror the way memory works. Abigail Thomas believes that "life has been lived like a series of moments," and memoirs are stronger when they reflect that."Well, I will confess that I have a poor memory, except for the things I remember. So putting them in chronological order makes very little sense to me. It's why this now? Why am I thinking of this now? Why this memory? Write it down. You'll find out why. The trick is not to boss them around, you know. Just let them come, and they will."This memoir-in-fragments approach unexpectedly draws the reader inSafekeeping, for example, is comprised of dozens of short sections—some four or five pages, others as brief as a single sentence. Then there's the narrator herself, frequently switching between past and present tense, or between first- and third-person.With all that lack of connective tissue, all that shifting of tenses and point-of-view, you'd expect the narrative flow to be constantly disrupted. Instead this approach creates a genuine connection with readers, in part because it invites them to piece together the narrative puzzleThe key to writing a great memoir-in-fragments is to have a strong, unified voiceMarried for the first time at 18, remarried at 27—Abigail Thomas's life was full of wrong turns. She had a lot of living under her belt. Yet the narrator here keeps things light and crisp, avoiding self-judgment. Instead, here the persona is vulnerable, startlingly honest, unsentimental, wry, and above all, entertaining.In The Situation and the Story, Vivian Gornick writes that great memoirs feature a “truth-telling” narrator. We trust the voices of George Orwell, Annie Dillard, or James Baldwin because they seem so honest and self-aware. Thomas's narrator is one of these."The more vulnerable you make yourself, the stronger you become”Thomas urges writers to be honest and vulnerable, since revealing truths about oneself tends to have a liberating effect. This openness serves as a conduit through which readers can see their truths reflected in the author's life, reinforcing the fact we all tend to feel similar things inside.The key is to write without an agenda—to connect with an emotion and let go of outcomes.“You need to write about the stuff you don't wanna write about…[but] you have to find a side door, and it isn't therapy. Writing isn't therapy. But if you're truthful, and honest, and write what you need to write, it has the effect of you've made something out of it separate from yourself, you've revealed things to yourself about yourself, and it's a way of forgiving yourself, you know, and others.”“The past is every bit as unpredictable as the future”The unpredictable nature of memory can be troubling for both writer and reader. Yet, Thomas says that this unpredictability is where the real magic of memoir writing lies. The unpredictable becomes an asset, turning writing into a journey of self-discovery and an act of creative courage.“I don't believe in chronology. And the older you get, the more you don't believe in chronology or even time. What is it? I mean, I'm at the age now where I live entirely in the moment. Sometimes the moment is a good one, sometimes it's a more interesting one, but that's where I am. I never think about the future. I do have memories, and I write about them because I wrote somewhere, ‘You discover that the past is every bit as unpredictable as the future.' And for me, the future is behind me. You know, I don't have... I just have now.”What you don't remember can be as powerful as what you doMany writers (me included) tend to get hung up by the fact they don't remember enough when it comes to memoir. But embracing the fallability of memory is exactly the point of memoir, says Thomas. It's what makes a narrator more authentic—and believable:“I really do think that what you don't remember belongs in there, because in the course of writing this, you may begin to remember, or you may begin to remember why you don't remember. But it is interesting for the reader to know that the writer is at least honest enough to say, ‘I don't remember why I did this. I don't remember what came before,' because it's so human.”Discussed on this episode*  “Getting Started” - reflections on how Abby started writing Safekeeping* Safekeeping: Some True Stories from a Life Bookshop.org | Amazon* What Comes Next and How to Like it Bookshop.org | Amazon* Still Life at Eighty: The Next Interesting Thing Bookshop.org | The Golden Notebook | Amazon* Read my essay “How to create narrative tension in a memoir-in-fragments”CreditsThis episode was produced by Magpie Audio Productions. Theme music  is "The Stone Mansion" by BlueDot Productions. Get full access to The Book I Want to Write at bookiwanttowrite.substack.com/subscribe

Aquesta setmana a L'illa de Maians, presentat i dirigit per Bernat Dedéu, parlem del llibre 'La situació i la història', de Vivian Gornick. Ens acompanyen: Jaume C. Pons Alorda i Marina Porras. Compra el llibre aquí: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.onallibres.cat/la-situacio-i-la-historia-9788412722772 Un podcast d'Ona Llibres - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://onallibres.cat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Presentat i dirigit per Bernat Dedéu. Producció i realització per Albert Olaya. Edició per Bernat Marrè.

'La herida imaginaria' de Berta Dávila, 'La situación y la historia' de Vivian Gornick con Use Lahoz y el cumpleaños de Françoise Hardy con Antonio Delgado.Escuchar audio

Noe Olbés trabaja en la editorial Sexto Piso, es fotógrafa y una gran lectora. Le gusta la idea de poder encontrarse el mar al final de una calle, las derivaciones tróspidas del inglés, leer en aviones,Vivian Gornick y la gente que te pregunta de vuelta. Viene para hablar sobre Alexa Chung, tocar un poco de hierba, naifes, intuiciones, Jane Smiley, obras no tan maestras, manteles de hule, botes de nuez moscada, border collies y libros. LIBROS:La mujer singular y la ciudad — Vivian GornickApegos feroces — Vivian GornickMaterial de construcción — Eider RodríguezGozo — Azahara AlonsoRelatos — Deborah EissenbergLos suicidas del fin del mundo — Leila GuerrieroHeredarás la tierra — Jane SmileyLa edad del desconsuelo — Jane SmileyThe Guest — Emma ClineLa luz difícil — Tomás GonzálezLa tormenta perfecta — Sebastian JungeeSiempre el mismo día — Dave NichollsSoltero y sin compromiso — Mike GayleSeducción y traición — Elizabeth HardwickNoches insomnes — Elizabeth HardwickLa otra hija — Annie ErnauxLa mujer helada — Annie ErnauxPura pasión — Annie Ernaux PELÍCULAS Y SERIES Qué le pasó al rey de los delfines (Netflix)Anatomía de una caída (cines)Decision to leave (Movistar)Orgullo y prejuicio (Netflix)Requiem por un sueño (Filmin)La Bendición (Prime)

Jake and Phil are joined live at Fairfield University by the great critic and essayist George Scialabba to discuss Last Men and Women At a time of war, impending ecological disaster, and partisan rage, our commitments to the modern, liberal order are being questioned like never before. Do we understand ourselves best as individuals or as members of a community? Must we renew our absolute commitment to political freedoms, or accept greater state control to deal with the dangers and allures of new technologies? Should the future be post-liberal, neo-liberal, or some other, perhaps more frightening and electrifying possibility? For the past forty-four years the critic George Scialabba has been engaging in arguments with both the critics and proponents of modernity, staking out a commitment to liberty and mass democracy even in light of powerful challenges. On December 4th at 4:30pm George Scialabba will join Phil Klay and Jacob Siegel for a live recording of Manifesto! A Podcast. The three will discuss the price we pay for modern liberalism, and George's commitment to it nonetheless (the essay “Last Men and Women,” originally for Commonweal Magazine and included in his latest book, Only A Voice, published by Verso Books, outlines the basics of his argument) https://www.commonwealmagazine.org/last-men-and-women George Scialabba is the quintessential critic's critic, an outrageously learned and subtle thinker whose stylish, witty and elegantly argued reviews have served as guides to the modern age for generations of writers and intellectuals. Christopher Hitchens, Norman Rush, James Wood, and Vivian Gornick have all declared themselves devotees—while Richard Rorty declared his essays “models of moral inquiry.” An award-winning essayist and critic, his writing has appeared in the Nation, Dissent, bookforum, Riritan, n+1, and the Boston Review among many others. He is a Contributing Editor at the Baffler and the author of six essay collections and a memoir, How to Be Depressed.

L'editora Eug

L'editora Eug

L'editora Eug

This week, the panel begins by reviewing The Curse, a cringe-worthy Showtime series co-produced by Nathan Fielder and Benny Safdie. Fielder and Emma Stone star as Asher and Whitney Siegel, a newlywed couple at the center of a reality HGTV show built on narcissism, gentrification, and lies. Then, the three jump into Alexander Payne's The Holdovers, which Dana describes as a “sadsack Christmas classic,” starring Paul Giamatti as a curmudgeonly misanthrope professor alongside newcomer Dominic Sessa and Da'Vine Joy Randolph. The three play misfits being held over at a prep school during the winter break of 1970. Finally, the trio is joined by Dwight Garner, book critic for The New York Times, to discuss his delightful new memoir, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading.  In the exclusive Slate Plus segment, the panel commemorates Jezebel, the now-shuttered women-focused news and cultural commentary site, and reflects on their relationships with media geared towards women overall.    Email us at culturefest@slate.com.  Endorsements: Dana: Life on Our Planet on Netflix, a nature documentary narrated by Morgan Freeman that tells the four-billion-year story of life on Earth. It's perfect for at-home family viewing over the holidays.  Julia: A hilarious bit Nathan Fielder and Emma Stone did on Jimmy Kimmel Live! while promoting The Curse. In response to a less-than-glowing review of his acting skills in The New York Times, Fielder shows up in-character as a nonchalant, totally not stilted bad boy alongside Stone's non-acted self.   Stephen: “Camus on Tour,” an excellent tour de force essay by Vivian Gornick in The New York Review of Books, in which she covers Camus' Travels in the Americas: Notes and Impressions of a New World.  Podcast production by Jessamine Molli. Production assistance by Kat Hong.    Hosts Dana Stevens, Julia Turner, Stephen Metcalf  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by reviewing The Curse, a cringe-worthy Showtime series co-produced by Nathan Fielder and Benny Safdie. Fielder and Emma Stone star as Asher and Whitney Siegel, a newlywed couple at the center of a reality HGTV show built on narcissism, gentrification, and lies. Then, the three jump into Alexander Payne's The Holdovers, which Dana describes as a “sadsack Christmas classic,” starring Paul Giamatti as a curmudgeonly misanthrope professor alongside newcomer Dominic Sessa and Da'Vine Joy Randolph. The three play misfits being held over at a prep school during the winter break of 1970. Finally, the trio is joined by Dwight Garner, book critic for The New York Times, to discuss his delightful new memoir, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading.  In the exclusive Slate Plus segment, the panel commemorates Jezebel, the now-shuttered women-focused news and cultural commentary site, and reflects on their relationships with media geared towards women overall.    Email us at culturefest@slate.com.  Endorsements: Dana: Life on Our Planet on Netflix, a nature documentary narrated by Morgan Freeman that tells the four-billion-year story of life on Earth. It's perfect for at-home family viewing over the holidays.  Julia: A hilarious bit Nathan Fielder and Emma Stone did on Jimmy Kimmel Live! while promoting The Curse. In response to a less-than-glowing review of his acting skills in The New York Times, Fielder shows up in-character as a nonchalant, totally not stilted bad boy alongside Stone's non-acted self.   Stephen: “Camus on Tour,” an excellent tour de force essay by Vivian Gornick in The New York Review of Books, in which she covers Camus' Travels in the Americas: Notes and Impressions of a New World.  Podcast production by Jessamine Molli. Production assistance by Kat Hong.    Hosts Dana Stevens, Julia Turner, Stephen Metcalf  Learn more about your ad choices. Visit megaphone.fm/adchoices

At first glance, the book I'm talking about today seems like the ultimate odd-couple pairing – a insightful analysis of the condition & economic prospects of women in India, combined with the adoration of a national movie icon. However, as it turns out, these two subjects might not be so disparate after all. Today I had the pleasure of speaking with Shrayana Bhattacharya, an Indian economist about her 2021 book, Desperately Seeking Shah Rukh. The book follows Shrayana's time spent collecting data on women's ambiguously defined and chronically undervalued employment across India. Over time, she started to notice a thread common to many of the women and girls she spoke to: a love for a certain Bollywood superstar called Shah Rukh Khan – a love which she in fact shared. Unlike other male action movie stars in India who are big on muscle and short on emotion, Shah Rukh, with his sad, gentle eyes, slighter frame, and willingness to help his cinematic leading ladies peel carrots and wash dishes, has struck a unique chord with the country's women. A lack of financial freedom and bodily autonomy hangs over the lives of the women Shrayana talks to – eighty percent of Indian women need approval from a family member to go outside the home to visit a health centre (171), and three in five adolescent girls feel unsafe in public places (196), she tells us. However, what shines through this text is the off-the-charts wattage of respect and affection with which she tells their stories – allowing both the harsh realities of these women's day-to-day lives and their playful, pragmatic crush on a good-looking movie star to exist simultaneously. Even though the book is a rigorous and detailed sociological analysis, the writing is accessible, fun and witty. It would be a perfect read for someone who is interested in feminism, economics and politics, but who might equally be a little apprehensive about approaching the drier tomes that tend to populate non-fiction bestseller lists. Books mentioned in the episode: One book about India (non-fiction): (50.10) Dreamers: How Young Indians are Changing the World, Snigdha Poonam, about the dreams of various segments of Indian youth. One book about India (fiction): (51.55) Ghachar Ghochar, Vivek Shanbhag (translated by Srinath Perur), a family rags to riches story set in Bangalore. Favourite book I've probably never heard of (52.33): The Higher Education of Geetika Mehendiratta, Anuradha Marwah a coming of age story about a young girl. Best book she's read in the last 12 months (53:22): Sakina's Kiss, Vivek Shanbhag (translated by Srinath Perur), (54.01)  Book she has found disappointing in the last 12 months (54.10): She found a whole genre disappointing – nonfiction accounts of very powerful men writing about themselves and the economy, vanity trip stories about themselves and how they became powerful Desert Island Book (55.24): The Odd Woman and the City, Vivian Gornick, a memoir about friendship and aging, set in New York City, published in 2015 Book that changed her mind (56.15): Future Sex: A New Kind of Free Love, Emily Witt, a guide to modern sexuality, published in 2016 ⁠⁠Find Shrayana: Instagram: ⁠@bshrayana Twitter: @bshrayana Buy her book: https://amzn.eu/d/2YpWR4A Follow me ⁠⁠⁠⁠⁠⁠@litwithcharles⁠⁠⁠⁠⁠⁠ for more book reviews and recommendations!

The four basic sentence constructions are simple, compound, complex, and compound-complex.* Like the 8-pack of crayons, this is the first order of business, tools we learn and use as children. Let's face it: many never learn more than these. Add to your toolbox and improve writing immediately. Learn about loose (cumulative) and periodic (suspensive) sentences with inspiration from Vivian Gornick, Ernest Hemingway, and Ralph Waldo Emerson.

Hace tiempo leí un libro maravilloso de Vivian Gornick (te la  recomiendo mucho), que habla del amor romántico simbolizado en el matrimonio, en la literatura del siglo XX. Y hay tema recurrente entre todas las mujeres de las que habla (tanto escritoras como protagonistas de novelas):   El vacío existencial de vivir una vida que La entrada Reflexiones de verano: El problema de ir llenando vacios… se publicó primero en Coach de la Profesional.

Today Anna talks to Jesse about Vivian Gornick's The Romance of American Communism.

Abrimos el territorio comanche con Máximo Pradera, Núria Torreblanca, Miqui Otero, Noelia Adánez, Santi Segurola, Joana Bonet y Antón Reixa. Hablamos de besos con Antón Reixa, que asegura que no es algo innato y que se aprendió en algún momento de la Historia. Santi Segurola reflexiona sobre el adiós de Messi al Barça tras comunicar que se va al Inter de Miami. Además, Adánez trae a la escritora Vivian Gornick. Nos acercamos al lujo de la mano de Joana Bonet. Máximo Pradera viene con canciones damnificadas por los éxitos del verano, Torreblanca con películas con mala traducción y Miqui Otero comenta que la final de la Champions puede significar el reencuentro de los hermanos Gallagher de Oasis.

 Lisa analyzes Crying in H Mart by Michelle Zauner, a memoir published in 2021 highlighting Michelle's complicated relationship with her mom, Chongmi. Chongmi died when Michelle was just 25.  The two bonded over Korean food, and every time, Michelle enters the Korean grocery store H Mart, she weeps over the loss of her mom. She first wrote about crying in H Mart in 2018 in this New Yorker article. Lisa ranked this book as her favorite book in 2021 and was quoted in this article discussing this book. Lisa re-read the book in 2023 in light of its popularity to analyze the book. Books Discussed:  Fierce Attachments by Vivian Gornick  Tastes Like War: A Memoir by Grace M. ChoFor more information, find Lisa on Instagram, Twitter, Facebook and her website. *The book titles mentioned include affiliate links.  History Nerds UnitedLet's make history fun again! Come listen to interviews with today's best authors.Listen on: Apple Podcasts Spotify

Four friends died recently and three were my age. Learn what makes the eulogy powerful and lasting from a personal vignette and from Vivian Gornick. An elegy on What is Dying? from Margaret Drabble to share with the bereaved. May they rest in peace.

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlamos con el escritor madrileño Ray Loriga, que tras recuperarse de un tumor cerebral firma Cualquier verano es un final (Ed. Alfaguara), una novela llena de ligereza y humor sobre el amor de dos hombres que se enfrentan a la muerte desde posiciones distintas.   Antes leemos la primera página de El fin de la novela de amor (Ed. Sexto Piso), personalísimo ensayo de Vivian Gornick en el que la escritora estadounidense repasa la obra de algunos de sus autores de cabecera para llegar a la conclusión de que el matrimonio, tema central de la literatura del siglo XX, ha dejado de ser metáfora de la felicidad. Es la tesis que defiende en este libro traducido al español por Julia Osuna Aguilar. En su sección, Ignacio Elguero propone otros títulos: Revelaciones poéticas. Con la mirada puesta en lo que no sabemos (Ed. Plataforma), volumen de aforismos y breves citas de la poesía en lengua española con introducción y selección de Ricardo Fernández Aguilá, Goethe y la experiencia de la naturaleza (Ed. Ariel), ensayo de Stefan Bollman sobre la faceta científica del gran escritor alemán, y El desierto avanza (Ed. Los libros del gato negro), antología poética del aragonés Ángel Petisme. Luego Javier Lostalé nos habla de La conspiración, la última novela del escritor francés Paul Nizan. Un texto sobre la juventud, la libertad y el compromiso social que vio la luz en 1938, dos años antes de la muerte en combate del autor, y que ahora podemos leer en traducción de Josep R Macau para la editorial Montesinos. El punto final lo pone Mariano Peyrou, que nos recomienda la lectura de Huelga decir (Ed. Libros de la resistencia), poemario de su admirado Eduardo Milán, poeta uruguayo que se toma el juego muy en serio y que da más importancia al sonido que al sentido de las palabras. Escuchar audio

En este episodio la escritora Vanessa Rosales repasa otros capítulos dedicados al tema de las mujeres y la soledad, así como a las dimensiones políticas que ha podido y puede tener la soledad cuando se mira en relación a lo femenino. ¿Qué permite la soledad? ¿Cómo está conectada con la posibilidad de tomarse en serio como trabajadora? ¿En qué consiste la soledad creativa y cómo se distingue de la desolación de la desconexión? Hilvanando con aspectos de su propia biografía, este episodio es otro ensayo sonoro grabado de manera individual y busca, sobre todo, ampliar las preguntas sobre la soledad, invitar a oyentes a mirar la soledad como un terreno para evadir el dogma, para movilizar nuevas miradas desde una postura revisionista. No todas las soledades en lo femenino son glamorosas o liberadoras. Hay subversión en la mujer solitaria que se percibe como una amenaza al orden normativo, hay una conexión profunda entre la soledad como amenaza o aberración y la creación de la figura cristiana de la bruja, por ejemplo, sí. Pero este episodio busca, además, y en línea con la escritora Vivian Gornick, invitar a revisar el contenido de cualquier mantra. La mujer sola es un modelo múltiple. La soledad está conectada con el ejercicio de hacerse sujeto. Hay dolor en la soledad, en las madres solteras, en las experiencias del sistema capitalista, en la falta de autonomía financiera. Un episodio que busca complicar las miradas posibles y que invita a recordar que la soledad femenina es también un viaje constante hacia la propia confianza.

For the next few months, we're sharing some of our favorite conversations from the podcast's archives. This week's segments first appeared in 2017 and 2019, respectively.Jann Wenner, the co-founder and longtime editor of Rolling Stone magazine, has a new memoir out — but it's not the first book to tell his life story: In 2017, the journalist Joe Hagan published a biography, “Sticky Fingers,” that Wenner authorized and then repudiated after it included unflattering details. Hagan was a guest on the podcast in 2017, and explained his approach to the book's most noteworthy revelations: “I made a decision, really at the outset, that I was going to be honest with him and always be frank with him,” he told Pamela Paul and John Williams. “And if I came across difficult material, I was just going to address it with him. So in that way, it kind of let some of the pressure off. And by the end, we reached a point where I really tried to present him with the most radioactive material and make him aware of what I knew, so he wouldn't be surprised.”Also this week, we revisit a 2019 conversation among Williams and The Times's staff book critics Dwight Garner, Jennifer Szalai and Parul Sehgal about their list ranking the 50 best memoirs of the past 50 years. No. 1: “Fierce Attachments,” by Vivian Gornick.We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

Imagine being a young girl growing up in a world of constant curfews, occasional raids, army bunkers outside homes, and the fear that whoever leaves home may not return. Farah Bashir joins Amit Varma in episode 295 of The Seen and the Unseen to speak about her childhood in Kashmir, and how she revisited it to write about it. (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Farah Bashir on Twitter and Instagram. 2. Rumours of Spring: A Girlhood in Kashmir -- Farah Bashir. 3. Kashmir and Article 370 — Episode 134 of The Seen and the Unseen (w Srinath Raghavan). 4. Curfewed Night -- Basharat Peer. 5. The Good Women Of China -- Xinran. 6. Svetlana Alexievich on Amazon. 7. Portrait of a Turkish Family -- Irfan Orga. 8. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 9. Sharon and My Mother-in-Law -- Suad Amiry. 10. Derry Girls on Netflix and Wikipedia. 11. Nazia Hasan on Spotify. 12. Little Women -- Louisa May Alcott. 13. Nikaah -- BR Chopra. 14. Things Fall Apart -- Chinua Achebe. 15. Sonnets -- William Shakespeare. 16. Hussain Haidry, Hindustani Musalmaan -- Episode 275 of The Seen and the Unseen. 17. The Life and Times of Nilanjana Roy — Episode 284 of The Seen and the Unseen. 18. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 19. Ghazal -- Agha Shahid Ali. 20. Farah Bashir on the Raw Mango campaign. 21. The Wretched of the Earth -- Frantz Fanon. 22. Kaabil: That Old Regressive Bollywood Strikes Again -- Amit Varma. 23. Georges Simenon on Amazon. 24. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 25. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 26. Against White Feminism -- Rafia Zakaria. 27. Another Birth and Other Poems -- Forugh Farrokhzad. 28. The Late Bourgeois World -- Nadine Gordimer. 29. Telling Times -- Nadine Gordimer. 30. Kashmir ki Kali -- The Shakti Samanta film starring a Bengali! 31. Territory of Desire -- Ananya Jahanara Kabir. 32. Mahjoor and Habba Khatoon. 33. Ali Saffuddin and Parvaaz on Spotify. 34. Toni Morrison on Amazon. 35. The Patience Stone -- Atiq Rahimi. 36. Elena Ferrante on Amazon. 37. Milkman -- Anna Burns. 38. Paradise Lost -- John Milton. 39. Macbeth -- William Shakespeare. 40. Greta Gerwig on IMDb, Wikipedia and Mubi. 41. Hisham Matar on Amazon. 42. Museum of Innocence -- Orhan Pamuk. 43. Bell Hooks and WG Sebald on Amazon. 44. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 45. Vivian Gornick on Amazon. 46. The Odd Woman and the City — Vivian Gornick. 47. Fierce Attachments -- Vivian Gornick. 48. Shame On Me -- Tessa McWatt. 49. Home Fire -- Kamila Shamsie. 50. Joan Didion and Jane Austen on Amazon. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Madhubani painting.

Matt and Sam are joined by Ari Brostoff, author of  Missing Time: Essays, to explore David Horowitz's 1996 memoir, Radical Son. Like a number of prominent conservatives, Horowitz is a convert from the left. But he's younger than most of the first neocons, and his journey to the right went through Berkeley and the New Left more than the alcoves of City College. Radical Son is his account of that journey—an evocative, angry, revealing text that takes the reader from his red-diaper baby childhood in Queens's Sunnyside neighborhood to his involvement with Huey Newton and the Black Panthers in Oakland to his break with the left and turn to the right. What does Horowitz's trajectory reveal about the rightwing politics today? Sources:Ari Brostoff, Missing Time: Essays (n+1, 2022)Vivian Gornick, The Romance of American Communism (1977, reprint Verso 2020)David Horowitz, Radical Son: A Generational Odyssey (Simon & Schuster, 1996)Fran Lebowitz, "Speaking of New York," Commonweal, February 7, 2019Ronald Radosh and Sol Stern, "Our Friend, the Trump Propagandist," New Republic, May 5, 2021Cole Stangler, "David Horowitz: 'Conservatives are So F**king Well-Mannered," In These Times, December 12, 2013Reinhold Niebuhr, "Augustine's Political Realism," from The Essential Reinhold Niebuhr (Yale University Press, 1987)..and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!