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28 episodes with meatpacking district
5 episodes with meatpacking district
7 episodes with meatpacking district
3 episodes with meatpacking district
2 episodes with meatpacking district
2 episodes with meatpacking district
2 episodes with meatpacking district
2 episodes with meatpacking district
2 episodes with meatpacking district
Pretty Woman was released in 1990. One of the most beloved and successful romantic comedies of all time, the film tells the Cinderella story of a sex worker, played by Julia Roberts, who finds love with a slick businessman - Richard Gere - after he picks her up on Hollywood Boulevard.Fast forward to 2025 and the astonishing Oscar success of Anora - director Sean Baker's tale of a young sex worker whose whirlwind affair with a Russian billionaire's son turns bad, fast.So how has the way we treat sex work on screen changed? Ellen E Jones and Mark Kermode delve into the long and thorny relationship between cinema and sex work. Mark speaks to film historian and critic Pamela Hutchinson about how sex work has been tackled in over a hundred years of movies - from early silent films like Pandora's Box, to the work of Sean Baker. They discuss Jane Fonda's Oscar-winning turn as a ‘call girl' in Klute, and look at how male sex worker films like Midnight Cowboy might approach the subject differently. Meanwhile, Ellen talks to Andrea Werhun, the writer, performer and real-life sex worker who served as a consultant on Anora - about her work on the film, and her love for another Richard Gere sex work film, American Gigolo. And Ellen also speaks to Kristen Lovell and Zachary Drucker, whose 2023 documentary The Stroll traced the history of trans sex workers in New York City's Meatpacking District. Kristen and Zachary discuss why sex work has been a key part of trans history - and what they think Anora's success means for sex workers. Producer: Jane Long A Prospect Street production for BBC Radio 4
Baccarat, French luxury crystal house with a remarkable legacy, recently celebrated its 260th anniversary. Scott Kerr sits down with Adam Banfield, president and CEO of Baccarat North America, to discuss the brand's vision of moving beyond crystal and become a true lifestyle brand. Adam talks about how it brings Baccarat's brand identity to its hotels and residences, investing in its boutiques to improve the shopping experience, expanding into wax, porcelain and leather product categories, winning over younger audiences with the success of its 'Emily in Paris' collaboration and becoming a TikTok sensation for its Rouge 540 fragrance. Plus: The strategy behind moving its Manhattan flagship from tony Madison Avenue to the Meatpacking District.Featuring: Adam Banfield, President and CEO of Baccarat North America (baccarat.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: It's a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or a colleague!
Nove metri sopra le strade frenetiche di Manhattan corre uno dei parchi più innovativi al mondo. In questo episodio, vi porto alla scoperta della High Line, l'ex ferrovia sopraelevata che è diventata un sorprendente giardino urbano e ha ridisegnato il volto del West Side.Vi racconterò la sua storia incredibile: da "Avenue della Morte" a ferrovia sopraelevata, dall'abbandono a gioiello verde grazie alla visione di due residenti del quartiere senza alcuna esperienza urbanistica.Scoprirete i segreti della sua vegetazione, le curiosità nascoste tra i binari e le storie sorprendenti, come quella della misteriosa "stanza rossa" trovata durante i lavori.Non mancheranno consigli pratici su come visitarla al meglio, a partire dall'ingresso di Gansevoort Street, e vi parlerò del nostro tour Downtown Manhattan che include questo splendido parco insieme a Meatpacking District, Chelsea Market, Little Island, West Village e SoHo. Un viaggio all'insegna della rinascita urbana, dove la natura ha conquistato un pezzo di cielo nel cuore di New York.Leggi la mia guida per continuare a scoprire la High Line e New York.
The Automotive Troublemaker w/ Paul J Daly and Kyle Mountsier
Shoot us a Text.Today, Paul and Kyle are coming to you live on location from Paul's office! We're talking about how Group 1 grew in 2024 through $1.3B in acquisitions, a new face on the top 5 best-selling EVs and how grassroots is trying to take Tesla down.Show Notes with links:Group 1 Automotive made waves in 2024, dropping $1.3 billion to acquire 68 dealerships across the U.S. and U.K. The move adds $3.9 billion in annual revenue and solidifies the company's aggressive expansion strategy.The acquisitions spanned six major deals from Southern California to London.Major brands acquired include Lexus, Honda, Mercedes, BMW, Toyota, Porsche, Land Rover, and Audi.A key purchase was the $517 million acquisition of Inchcape's 54 U.K. stores, adding $2.7 billion in revenue.The company also sold off select U.S. dealerships, including a Buick-GMC store in Massachusetts and a Subaru dealership in New York.CEO Daryl Kenningham: “Our ability to acquire outstanding brands in desirable markets is because we perform well on the OEM eligibility metrics.”After a rocky 2024, the Volkswagen ID.4 is making a triumphant comeback. Following production halts due to a recall, sales of the electric SUV are now skyrocketing, making it the third best-selling EV in the U.S. last month.VW sold 4,979 ID.4s in January 2025, marking a 653% increase from the previous year.The ID.4 now ranks #3 in U.S. EV sales, trailing only the Tesla Model Y and Model 3.The top five best-selling EVs—Tesla Model Y, Tesla Model 3, VW ID.4, Tesla Cybertruck, and Honda Prologue—accounted for 54% of total EV sales.Over 102,200 EVs were sold in the U.S. in January, up 30% year-over-year.VW is offering aggressive discounts on 2024 models, with leases as low as $189/month.Tesla showrooms across the U.S. are becoming flashpoints for protests as demonstrators rally against Elon Musk's actions. The #TeslaTakedown movement has gained traction, with over 65 events scheduled through March.Protesters in New York's Meatpacking District hurled insults at passing Teslas, calling them “uncool” and “major loser” cars.The movement took off on Bluesky, a social media competitor to Musk's X, and has since gone viral.Demonstrations started in Maine, Massachusetts, New York, California, and Colorado, but have now spread internationally.The protests lack a central leader but have been amplified by legislative advocacy groups like Indivisible and Rise and Resist.Hosts: Paul J Daly and Kyle MountsierGet the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/ Read our most recent email at: https://www.asotu.com/media/push-back-email
On this week's episode, founder of Lit and Lean and Coffee and Chill NYC, Liz Lindenmeier, tells us about the time she attended the 90 Day Fiancé tenth anniversary party in the Meatpacking District and got to meet (and was starstruck by) the stars from the show! Check out Liz on InstagramHave fun like LizDonate to Accent Dance This week's Rachel's Recs: you tell me!What did you think of this week's episode?They Had Fun on Instagram, YouTube, and our website
This news might put a bad taste in your mouth. Titanium dioxide, a common ingredient in sunscreen and cosmetics, can likely be found in some of your favorite foods, including various kinds of candy, gum, pre-packaged meals like frozen pizza and more. In the headlines on #TheUpdate this Monday, when John Jobbagy's grandfather immigrated from Budapest in 1900, he joined a throng of European butchers chopping up and shipping off meat in a loud, smelly corner of Manhattan that New Yorkers called the Meatpacking District. Today only a handful of meatpackers remain, and they're preparing to say goodbye to a very different neighborhood, known more for its high-end boutiques and expensive restaurants than the industry that gave it its name. It's a milestone for stoners. New York is set to hit the $1 billion mark in cannabis sales since the legal market launched two years ago, state officials say. And another round of wintry weather could complicate travel leading up to the Thanksgiving holiday, according to forecasts across the U.S., while California and Washington state continue to recover from storm damage and power outages. In California, where two people were found dead in floodwaters on Saturday, authorities braced for more rain while grappling with flooding and small landslides from a previous storm.
On this week's podcast, Bret Thorn, senior food & beverage editor of Nation's Restaurant News and Restaurant Hospitality, said that the holiday season is actually a quiet time for him, with fewer media events as restaurants are busy serving paying customers, so the only party he went to this week was the holiday party of his own company, Informa, where he drank martinis and ate some interesting spring rolls — one topped with trendy chili crisp and another with Southeast Asian aromatics like makrut lime leaf. Pat Cobe, senior menu editor of Restaurant Business, was at the party too, and noticed how many Espresso Martinis were being ordered. She also found other events to go to, including one at Meduza Mediterrania in NYC's Meatpacking District, which was, in fact, Yelp's top restaurant for 2024, based on reviews. It was very trend-forward with Eastern Mediterranean dips, seafood towers and passed lamb chops. She also checked out a new restaurant at Grand Central Terminal, Grand Brasserie, where she enjoyed a very French trout amandine. Then Bret shared clips from an interview with Daniel Garwood, who is chef at Acru, a restaurant that opened in New York's West Village in October. Originally from Australia, Garwood arrived in the United States in 2022 and landed a job as sous chef of the popular modern Korean restaurant Atomix before being put in charge of Acru where, among other things, he is serving dry-aged steaks from dairy cows.
Today's West Coast Cookbook & Speakeasy Podcast for our especially special Daily Special, River City Hash Mondays is now available on the Spreaker Player!Starting off in the Bistro Cafe, Trump takes aim at Jack Smith, Biden-appointed judges and individual federal workers by name.Then, on the rest of the menu, Louisiana GOP lawmakers want to make it easier to try juveniles as adults; Fox attorneys seek to dismiss a shareholder lawsuit over reporting of Dominion vote rigging allegations in 2020; and, the last meatpackers in New York City's Meatpacking District are getting ready to say goodbye.After the break, we move to the Chef's Table where Belarus has granted asylum to a fugitive Polish judge wanted on allegations of spying for Russia; and, Romania is in shock after a far-right, pro-Russia populist, funded by a secret trove of foreign cash and who no one had heard of before the October 1 filing for president, is leading after the first round of voting.Bon Appétit!The Netroots Radio Live PlayerKeep Your Resistance Radio Beaming 24/7/365!"I was never a spy. I was with the OSS organization. We had a number of women, but we were all office help." -- Julia ChildBecome a supporter of this podcast: https://www.spreaker.com/podcast/west-coast-cookbook-speakeasy--2802999/support.
On this edition of Ask Joan, Joan provides recommendations for family-friendly museums to visit during the upcoming holidays. She highlights the Whitney Museum located in the Meatpacking District, emphasizing its free admission times, new policy offering free access for individuals under 25, and tips for reserving tickets. Joan also introduces the must-see exhibit 'The Edges of Ailey,' celebrating Alvin Ailey's life and work through an expansive multimedia display. Additionally, she mentions nearby attractions like the High Line, Little Island, Pier 57, and Chelsea Market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Joan delves into the inspiring Great Elephant Migration installation in Manhattan's Meatpacking District. She interviews Ruth Ganesh, co-founder of the Coexistence Collective, who shares the compelling story behind this environmental art project aimed at raising awareness and funds for Indian elephant conservation. The life-size sculptures, crafted from invasive Lantana plants by Indian artisans, symbolize broader human-wildlife coexistence initiatives. The discussion covers the intricate dynamics of human-elephant interactions in India, where locals live harmoniously with these majestic animals, even amidst urban expansion and habitat encroachment. Reflecting on personal anecdotes and the overall success of the project, the conversation highlights India's vital role in Asian elephant conservation and the enduring bonds formed between humans and rescued elephants. Learn more about your ad choices. Visit megaphone.fm/adchoices
178 | This week we discover how a famous supermodel turned headlines this week as she rode a horse through the Meatpacking District of NYC, What Beyoncé's Snub at the CMAs Says About Country Music's Dangerous Hierarchy and the surprising cause of UTI's that may be in our fridge. Bella Hadid (Unofficially) Closes New York Fashion Week With a Little Horse Show in the Meatpacking District CMA Awards: Beyoncé Snubbed; Morgan Wallen, Post Malone Earn Multiple Nominations UTIs are rising fast—and the cause could be in your refrigerator Listen to our interview with Dr. Dave Sjeklocha, DVM on “Antibiotic use and the mRNA vaccine in beef with Merck Animal Health” here SHOP Discover Ag MERCH!! We have two collections - our “Core Collection” with our more traditional logos and our “Club Discover Collection” with our more fun - limited time offer - designs. Shop them all here. Welcome to “Discover Ag” where agriculture meets pop culture. Hosted by a western tastemaker & millennial cattle rancher @NatalieKovarik and a sought after dairy sustainability speaker & millennial dairy farmer @TaraVanderDussen - Discover is your go to podcast for food news. Every Thursday your hosts dish up their entertaining and informative thoughts to keep you in the know & help you “discover” what's new in the world of food. Connect on a more personal level with your hosts by JOINING “CLUB DISCOVER”. Our once weekly newsletter where Natalie & Tara share all their latest discoveries from what they are watching, eating, cooking, reading, buying, listening tom wearing and more. It's the insider scoop on all the things your hosts are LOVING AND DISCOVERING!!!! THANK YOU TO OUR SPONSORS!!!! COZY EARTH: Luxury bedding, bath, and apparel. Listeners can get up to 40% off using the code “DISCOVER”. PERFORMANCE BEEF: Cattle management software that's easy to use and allows you to simplify feeding, performance and health data recording. TURTLEBOX: The loudest, most durable outdoor speaker on the market Code “DISCOVER” ARMRA COLOSTRUM: Our favorite supplement Code “DISCOVER” MANUKORA HONEY: Honey with Superpowers Code “DISCOVER” TOUPS & CO: 100% natural tallow based skincare & makeup Code “DISCOVER” WILD WEST KIDZ: Children's book subscription dedicated to western lifestyle children's books. Code “DISCOVER” ENCHANTMENT VINEYARDS Family-owned winery & the only ingredient in their wine is grapes. No additives. Code “DISCOVER20” Please note this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.
Who is the truest New Yorker on Sex and the City? The hosts of 2 Black Girls, 1 Rose are here to make Aminatou Sow choose between Carrie Bradshaw and Samantha Jones. Justine Kay is Team Samantha – a sex-obsessed PR executive who lives in the Meatpacking District and whose girlboss ways Justine argues scream New York. Natasha Scott-Reichel comes representing Team Carrie – a fashion-loving sex columnist living on the Upper East Side who Natasha says embodies a NYC "It Girl." Whom will Aminatou declare the truest New Yorker on Sex and the City? Follow Nastasha and Justine @2blackgirls1rose on Instagram. Keep up with Aminatou Sow @aminatou on Instagram and X. And stay up to date with us @LemonadaMedia on X, Facebook, and Instagram. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.See omnystudio.com/listener for privacy information.
Hear the crushing steel, feel the steering wheel! Gabe lingers in NYC for more photographic and culinary adventures, while Jeff sees his reflection in the luminescent dash of his newly beloved Alpa 10s. But what will happen when he gently caresses its warm leatherette? Tune in and find out!presenting… our bad-review mug! however, you gotta listen to the episode to find out where to get it, ‘cause it's not on our merch pageGabe recounts further New York exploits with Sissi Lu, Chris Chu and Chris LowellSissi gave each of the boys one of her super-cool DO NOT X-RAY film travel bagsGabe test-drove the Pentax 17 and had some criticisms - pictures came out great, though!Gabe's palate was enslaved by Xi'an Famous Foodshe visited the new Leica Store in the Meatpacking District - turns out they are still carrying used equipmenthis only dud of the entire trip: three rolls of film purchased from Willoughby's turned out to be both expensive and expirederratum! apologia! mea culpa! we found Louis Mendes, namesake of our last episode (oops), and he's a national treasureJeff has been finding the Alpa 10s an utter joy to shoot withbut beware of dry (ba-dum-bump-bump, ba-dum-bump) leatherette - Jeff did a quick fix with a replacement strip from cameraleather.com (and also procured a replacement sheet from Polar Bear Camera)Jeff bought a tiny Reveni light meter Mk. 1 on eBay and it is niceAusgeknipst (“switched off”), makers of the charger to replace the PX625 with the rechargeable Varta V80H, make their own version of The Thingy and so much more - check ‘em outMint's new Rollei 35AF will cost $800, making the Pentax 17 seem like a bargainwe urge you to learn the story of the Salmon of Knowledge so you will be spared Jeff's Irish accentP dusted off her old Nikon F5 and 85mm f1.8 Nikkor to shoot a newly engaged couple, burning through two rolls of FPP Color 125 in fifteen minutesexciting news! John-Michael Mendizza plans to lend Gabe his new Tele-Rolleiflexwe take a shallow dive into our Prodigious Mailbag™and finally, our art director Keith Greenstein wrote and illustrated a new children's book - it's called Why Don't You Marry It? and you should buy it!
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This is a preview of a bonus episode. Check it out here! In this episode of Kill James Bond, we look at 1980's Cruising, A movie about a serial killer stalking the S&M community in the Meatpacking District of New York. Protested during it's production and release, this movie remains.... let's say controversial. ----- FREE PALESTINE Hey, Devon here. For the past few months I've been talking to a family trapped in Gaza, working to hit their gofundme for passage out of Rafah whenever the crossing reopens. Their names are Ahmed and Layla, and their 4 kids Jana, Malik, Lana and Amir. While the crossing might be closed, the situation is changing by the day and being able to afford passage out when a crossing reopens is an immense comfort. Please don't donate money as your sole intersection with palestine organising. You have to do other things now. https://www.gofundme.com/f/a8jzz-help-me-and-my-family-get-out-of-the-gaza-strip https://www.map.org.uk/donate/donate ----- Consider supporting us on our reasonably-priced patreon! https://www.patreon.com/killjamesbond ------ *WEB DESIGN ALERT* Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here: https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com
In this episode, Brian is joined by Leon Young Sr., Managing Director at the Standard High Line in New York City. Located in New York City's Meatpacking District, every one of the 338 hotel rooms features a full wall of floor-to-ceiling windows with sweeping views of Manhattan and/or the mighty Hudson River. The hotel's inviting and scintillating public spaces include a bustling German beer garden at ground level, the rooftop discothèque Le Bain, the glittering BOOM, and an outdoor public plaza with rotating art installations and activations. Tune in to hear who Leon Thanks for helping him along the way.
Rosio Sanchez, formerly a pastry chef at the Michelin restaurant Noma, now serves as head chef at Sanchez and Hija de Sanchez, authentic Mexican eateries. Beyond her culinary expertise, she's also an adrenaline junkie, knowledgeable about a spot boasting the world's highest high ropes course here in the city.Follow this link to see all the places we mention in the episode:https://www.visitcopenhagen.com/copenhagen/planning/podcast-insiders-guide-copenhagen-episode-41:10 Restaurant Villette 4:50 Inner Harbor Bridge 5:00 Broens Gadekøkken/Street Food 5:13 Restaurant Barr 5:20 Copenhill Ski Slope 6:00 Urban Ranger Camp 9:10 Kødbyen/Meatpacking District 9:30 Fiskebaren 10:00 V1 gallery 12:24 Restaurant Bobe 12:50 Restaurant Sanchez 14:44 Ved stranden 10
Kevin Baxter has always enjoyed the taste of pickles, and noticed how popular pickles have been trending in more recent years. So, he founded a festival that fans of the brined cucumbers could relish in: The Big Dill Pickle Festival! Since its inception in 2019, The Big Dill has blossomed into the worlds largest pickle party, with visitors traveling from across the globe to attend. Kevin joined us to give us the 4-1-1 about this year's festivities happening on June 15th at Xfinity Live in Philadelphia. To hear all about the festival, along with where to buy tickets, tune in to Food Farms and Chefs!Our next guest, Shayna Minuto, gained a strong knowledge of running an Italian-based cuisine while working in her father's restaurant. After graduating college, Shayna found herself drawn further into the industry, and eventually opened her own concept, Hold My Knots, inside the Gansevoort Market in the Meatpacking District of NYC. After finding increasing success, they crossed the bridge into New Jersey, taking over ownership of her father's restaurant to establish a permanent location for Hold My Knots in Bergen County. Now, Hold My Knots is looking to expand their brand's locations and available Food Trucks to spread the joy of their menu options for carboholics (including GF options) to more areas. We love the combination of food, beverages, and fun! So, we brought Lee Leung (Regional General Manager of Fearless Restaurants) on to help celebrate their Spring menu options, the Kentucky Derby and other special events, and new openings under their restaurant group! Lee also grew up inside her parent's restaurants, and was drawn back into the culinary world after graduating college. Soon after graduating, she began working for restaurant groups with recognizable names. Today, you can find her making all the events at Fearless Restaurant Group's Autograph Brasserie, Triple Crown in Radnor, and Rosalie a delicious and memorable experience!
In this episode we are at the Rivian Meatpacking District Studio in New York City to learn all about the new R2, the new model from the EV American manufacturer, which was "designed for theadventurous" and will be on sale in 2026 with an estimated range of 300+ miles, seat capacity for 5 and 0 to 60 MPH speed of under 3 seconds.
Gossip Girl, here - your one and only source into the scandalous lives of Manhattan's elite...no, but actually. If you've ever wondered what it was like to grow up in New York City, you've come to the right place. We're foraying DEEP into my party girl past over the next 2 weeks, and for part 1, let's throw it back to 2008-2011: the golden years of Jeffrey Campbells, tabloid mayhem, Indie Sleaze, Gossip Girl, and - how lucky was I? - Ali in high school. Starting from my very first memory of getting drunk (at my own chaperoned house party, iconic), and weaving through hookah bars, warehouses in pre-gentrified Brooklyn, rooftops, Meatpacking District clubs, teen charity galas, raves, and the best electronic music festival in North America, I'm revisiting every step of my burgeoning obsession with nightlife - and getting f*cked up... Then, because all pleasure comes with pain, we'll grin and bear my college years, where I drowned under depression and bottom-shelf liquor, threw Playboy Mansion-themed parties, studied abroad in London, and started thinking about getting sober... And we'll end 5 years later, at the moment I blacked out in Katz's Deli eating a pastrami sandwich - and decided to move to LA to finally experiment with "Cali Sobriety." Part 2 next week! ~ Magic Mind is an amazing replacement for both coffee and Adderall (either prescription or not), and has completely changed my relationship to caffeine. Go to https://www.magicmind.com/talesoftaboo and for the next 10 days, get up to 50% off your first subscription and 20% off a one-time purchase with my code TABOO. ~ Physique 57 literally transformed my body in only 8 classes. Use my code TABOO to save $10 on your On Demand monthly membership - plus you can start with a 14-day FREE trial. Code applied automatically at checkout. Click here: https://ondemand.physique57.com/orders/customer_info?o=80200&d=TABOO ~ Love letters? Hate mail? Share your thoughts at confessions@aliweissworld.com. Follow Ali on Instagram & TikTok @aliweissworld. Tales of Taboo is produced and narrated by Ali Weiss. Audio production by Wolf Taylor & Aamir Augustine at WTF Media. Theme song by Chris Stathopolous. Cover photo by Erika Flynn. Cover art by Kristen Montenegro. "Degenerate" sweatshirts & G-Strings are available on Ali's Instagram via DM. --- Support this podcast: https://podcasters.spotify.com/pod/show/talesoftaboo/support
On November 26, 2016, 26-year-old Joey Comunale was partying with his friends at night club in NYC's Meatpacking District. When the club closed at 4am, he got separated from his friends and joined another group--a group of strangers--heading to an after party in one of Manhattan's most exclusive neighborhoods. Joey was never seen again. This episode covers season 1, episode 1 of New York Homicide which can be found here. Come see Patrick on tour with his Traveling Book Party! Here's where he'll be: Red Bank, NJ: Friday March 8th. Tickets Here. Louisville, KY: Sunday, March 10th. Tickets Here. Cincinnati, OH: Tuesday, March 12th. Tickets Here. Columbus, OH, Wednesday, March 13th. Tickets Here. Buffalo, NY, Thursday, March 14th. Tickets Here. LOOKING FOR MORE TCO? On our Patreon feed, you'll find over 400 FULL AD-FREE BONUS episodes to BINGE RIGHT NOW! Including our episode-by-episode coverage of "Love Has Won", "The Curious Case of Natalia Grace," "House of Haammer" "Trainwreck: Woodstock '99," "Bad Vegan" "LuLaRich" "John Wayne Gacy: Devil in Disguise" "Night Stalker" "The Jinx," "Making A Murderer," "The Staircase," "I'll Be Gone in the Dark," "A Wilderness of Error" "The Vow" "Tiger King" "Don't F**K With Cats," "The Menendez Murders," "The Murder of Laci Peterson," "Casey Anthony: American Murder Mystery," "Serial," "Lorena," "The Disappearance of Madeleine McCann," "OJ: Made in America" and so many more!
What you'll learn in this episode: How Saudia is preserving her mom Cara Croninger's legacy Why Cara Croninger's resin and plastic jewelry was—and still is—groundbreaking How Cara Croninger refined her jewelry making process, and why she didn't want her pieces to be perfect What it was like to grow up in an artistic family in the heyday of New York's art jewelry scene How Saudia's mom and dad influenced her music career today About Saudia Young Saudia Young is a New York City-born actress/singer and storyteller in theater and film. Born on the Lower East Side and brought up between Tribeca and LA, Young explores the notion of home, love, justice, and identity through her art. The recently repatriated artist lived in Berlin, Germany, for a long chapter of performing, writing, and producing. The Ameripolitan Awards 2023 Female Rockabilly Singer nominee released her 7" single ‘Noir Rockabilly Blues,' produced by Lars Vegas-DE and featuring 'The Wobble' on the A and Iggy Pop's 'Lust for Life' on the B side, in 2017, followed up by her 12” debut ‘Unlovable' in 2018. The LP was recorded live at Berlin, Germany's legendary Lightning Recorders. Young founded a Dark Kabarett and a Rockabilly Noir Blues band in Berlin, co-created the Lost Cabaret and the Schwarze Liste Kabarett theater projects and wrote and produced the award-winning short film The Gallery. While in Berlin, she was cast in the lead voice-over role of Oskar in School for Vampires (the English version of the Hahn Film cartoon series). Young co-wrote and performed the solo show Sneaker Revolution and is currently writing a theater/film piece about her actor father, Otis Young, and sculptor/designer mom Cara Croninger. Photos Available on TheJewelryJourney.com Additional Resources: Saudia's Website Saudia's Instagram Saudia's Youtube Transcript: To jewelry lovers, Cara Croninger was a groundbreaking artist whose work was shown at iconic galleries Artwear and Sculpture to Wear. To musician and actress Saudia Young, she was just mom. Today, Saudia is working to preserve her mother's legacy and secure her place in art jewelry history. She joined the Jewelry Journey Podcast to talk about how Cara made her pioneering resin jewelry; how Cara's work evolved with the times; and why Saudia thinks of her mom every time she performs. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, we're speaking to my guest, Saudia Young, who is located in Philadelphia. She has an interesting background. Her mother was a very well-known jeweler, and her father was an actor. She was born in New York and grew up between New York and Los Angeles. Welcome back. Were you aware she was doing this? Were you aware that she went to different galleries, that she didn't have a sales rep when you were growing up? Were you aware of this? Saudia: Yeah, of course. There was one point in the 90s where she had a showroom. Tony Goldman and Janet Goldman had a showroom called Fragments, and she was in the showroom for some years. She had different reps throughout her life. Ten Thousand Things was a store. They still exist, and they have incredibly beautiful work. For a while in the Meatpacking District, they had a nice cadre of artists, and my mom was one of the artists. They also did wholesale for her. So, they represented her work to other people. Sharon: I have a few pieces, just a smattering, but do you have a lot of her work? Do you have an archive of her work? Saudia: Oh, yeah. That's part of what I've been dealing with. My sister and I have our own personal collections. Throughout the years, my mom collected the best pieces of each group and gave us our personal collections. Then I have basically all the work she left behind when she passed away. I've been trying to organize that. There was a big section of it shown at the Aspen Art Museum two years ago for about a year. Jonathan Burger had a show called The Store. My mom's jewelry and sculptures were in one show. That was really exciting, to have both together. Actually, 14 small sculptures sold during that show and, fingers crossed, about seven pieces will be donated to an institution. I'm not going to say which one. That takes a long time. Right now, there are pieces that are actively being sold. Lisa Berman—not a family member, just the same last name—from Sculpture to Wear sold some of my mom's work at her first gallery. She also helped sell some pieces when I came out and was trying to figure out what to do and how to secure the legacy, meaning literally a storage space to hold everything. It's a big responsibility. Sharon: You're referring to Lisa Berman. Saudia: Yeah, who is not your blood relation but of the same name. Obviously, she introduced us and was part of the first interview. She's consulted with me. She's another one of the angels. There's a whole host of people who are still in awe of my mom's work and in support and cheerleading. It includes Robert Lee Morris. I'm still trying to figure out what to do with the work to secure the legacy. It is being sold at Studio Hop in Providence, Rhode Island. That's introducing the work to some people who have not seen it before. It's introducing it to a new audience, which is really nice. Jussara Lee, who used to sell it in Manhattan and is now in Connecticut, has been selling it. Other than that, I have an Artwork Archive website for her so people can see the work. I'm not selling it from that website, but there is a section of it that's still being sold. Then there's a section I'm holding in case I can get it accepted into an institution. Sharon: I remember a few years ago, I fell in love with a bracelet and I didn't end up getting it. I think it was the first time I ever heard of her, and I thought it was so neat. Saudia: Yeah, it sold a lot of work. They stopped selling after she passed away. They also had a hard time. Everybody is just recovering now from Covid. A lot of people had a very hard time in the past few years. Some stores closed and sales went down. There were several stores who were carrying her work who have closed since Covid. Sharon: What did you do to make it through Covid and to have money come in? Saudia: I cried. I don't know. I did whatever I could. I was going back and forth between Germany and here. There was a grant in Germany—actually, it wasn't a grant; it was a loan—but there was a Covid loan they were giving to artists in Germany. Here, I went on unemployment for a while and then I went off it, whatever I could. We all did what we could to survive. Sharon: That's very true. I know there were different things we had to do. I agree with you that people are just coming out of it now. Saudia: And now we have two wars, so it's like, “Great, thank you.” Can't catch a break. Sharon: Which is worse? I don't know. I guess if you're in the field over there, it's worse. Saudia: Yeah. Sharon: A lot worse. How does it feel to have a mother who's mentioned by people you don't know? You say you're the daughter and all of a sudden, they say, “Oh, I love your mom,” or “I love her jewelry.” Saudia: What do you mean? How does it feel? Sharon: Yeah. If I said, “Oh, I have a really neat bracelet,” and the person says, “I've not heard of that person,” how does it feel? Saudia: First of all, a young man—he's probably my age. It's so funny I still think of myself as a teenager. Timothy Reukauf is a stylist. He's another angel who introduced me to the manager and owner of Screaming Mimis Vintage clothing and jewelry store in New York. When I brought the work, because they brought the work to a vintage show, and they're showing the work and trying to sell it, she was so enthusiastic and happy and excited. It was nice because it's an extension of my mom, and I miss my mom. I feel like it's that, as opposed to anything ego-based. It's more emotional—now you're going to get me emotional. But it's nice to know because I really miss her, and when I hear people loving her work, it's heartening. It's heart filling. Sharon: That's a good word, heart-filling. I've heard different things. It's Croninger with a hard g. I've heard that as Croninger with a soft g. Which one is it? Saudia: Oh lord, that's a good one. It's Cara Croninger with a hard g, but people have called her Croninger with a soft g. People have called her Cara. She's even called herself Cara, but it's Cara Lee. Her Michigan name was Cara Lee Croninger, but it depends on who you are. Are you Dutch? Are you German? Are you from New Jersey? Sharon: Did she support your career as an artist? Saudia: Do you mean my dreaming? Yeah, she supported me being a dreaming, silly person, definitely. She put me in dance school. She always thought I should be a painter, actually. She'd say, “You should be a painter,” because I had a natural ability to draw and to work with my hands. After being a child laborer with her, I could make things. But all jokes aside, she was very supportive of me being an artist or whatever it was that I wanted to be, political activist or artist. My sister was an architect. She was very supportive of that. She was beloved by a lot of the young artists who were around Dumbo, our friends, our extended family. She was a positive influence, a positive auntie, elder, second mom, to a lot of people. Sharon: It sounds like it. Saudia: Yeah. I shared her as a mom figure with a lot of people. Sharon: Tell us more about your singing. Do you think of her when you sing? Saudia: Yeah, I think of her with whatever I do, for sure. There's one song—I think you wrote it down on the question list—It Don't Mean a Thing (If It Ain't Got that Swing), doo wop, doo wop, doo wop, doo wop. I think it was Louis Armstrong. She was working on some kind of saying or branding because she was really into the earrings having a nice swing. She coined it when I was helping her make them. The holes had to be big enough so the lyre could be comfortable enough so the earrings could swing. She incorporated that into some of her branding. But yeah, I listened to a lot of music growing up. She was very into Judy Collins and Kurt Weill, a wild range. She dated one of the Clancy Brothers—they were very into folk music in the 60s—and my dad and her were into soul and Otis Redding and Taj Mahal and Bonnie Raitt. I'm wandering, but yes. Sharon: What years was she most popular? It seems like she had a real high. Saudia: I think the 80s. The minute she started doing the resin stuff, she went into Sculpture to Wear, which was a very prestigious gallery. I'd say the early 70s through the 80s. Then Artwear closed and she was on her own. She did really well in the 90s as well. She was pretty prolific, but I think the 80s were the time when there were tons and tons of fashion articles and fashion shoots with all the supermodels of that time. Sharon: Talk about wandering, because I'm looking at my list of questions. Tell us how you were involved in making her jewelry. You told us a little bit, but did you ever cut the hearts? Saudia: The hearts were made in molds. She created molds and poured, and then we would open the rubber molds. I would help sand. I would help drill holes. I can drill a hole. I would help with polishing. Like I said, I would help with finishing work and stringing cords on the hearts. Trying to influence her businesswise, she was not having it. Sharon: Would she say, “That color doesn't look better in the green. It looks better in the purple,” or something that? Saudia: No, not really because once something is poured, it's a done deal. That would be like, after you've made 500 brownies, saying, “I wish we had blueberry muffins.” It's too late now. Sharon: She could say, “Well, you can have it then, and I'll try and sell the purple one,” or something. Saudia: No, the work was too labor-intensive. Once things were made, you really needed to get them out there. They were like donuts in a way. You need to get them out so they don't go stale. Keep the energy, keep them moving. The only thing she was conflicted about was pricing. There was a point in jewelry where everything—remember when the Y necklaces came out? Everything was really tiny. There was a point where it was trendy to have really tiny jewelry, and that freaked her out because her work was so big and sculptural. She would get freaked out about that kind of stuff. The editors loved her work because it was big and you could see it. It went incredibly with beautiful clothes like Issey Miyake and these avant garde designers. The tiny stuff, you can't see it in an editorial. It's so funny; you'll have a cover article and it'll be like, “Earrings by whomever,” and I'm like, “Where are they? What earrings?” Sharon: That's interesting. Miyake or Yohji Yamamoto, they're high-end, but they've become very—they're not that valued anymore. Saudia: Now they're mainstream, yeah. Sharon: Do you think your mother's jewelry would be considered avant garde today? Saudia: Yeah, it still is in a way because of the designs and the fact that it was really handmade. She was making her own work. Maybe Lisa would call that studio jewelry. She was in her studio making it herself. She did have a short relationship with a company in Japan where they were making work that would only be sold there. It was fine, but you could really see the difference and feel the difference. It wasn't Cara. It wasn't special, unfortunately. We're grateful that they did it, that she had that relationship and that we could go to Japan and travel there. That was awesome. So, I think she was avant garde as an artist. I don't agree that Yohji is no longer avant garde. His designs are so beautiful. He's really focused on craftsmanship, having amazing makers creating his work. In a way that is avant garde, as opposed to crap being made. You know what I mean? Sharon: You're right, 100%. Saudia: In a factory. Sharon: I can't think of another one, but there are a lot of designers whose work you can't afford—I'm talking about clothing—who have developed their own less expensive lines. Saudia: Yeah. I remember when they would call it the junior line, and it would be for the younger kids. It would be lighter and cheaper and faster and funnier and all that. Now there are lots of layers of that, but you have these throwaway clothes being made by companies like H&M and so forth. Sharon: Do you think she would fit in, like she'd make a smaller version of something that she made large? Saudia: She did do some smaller things when she was working with the Japanese company. That led her into making some tiny silver hearts and medium-size silver. Then she had to do her big pieces. She could not let go of her love affair with big, sculptural pieces. I think she was conflicted about the McDonaldizing of fashion and accessories. Of course, she wanted to put food on the table, but she was really conscious of the environment. Even though she was working in plastics, she was very conscious of workers and workers' rights. Where does something come from? How is it made, and what's the impact of it being made? Sharon: It sounds like she carried that through the 80s, into the 90s, into today. Saudia: Definitely. She definitely had something to do with me being political, her and my father. She was very righteous. Sharon: I know you do cabaret and rockabilly. What else do you do? What do you sing? Saudia: My main focus is mental health. It's a really hard time right now, I feel, but I think it's actually a good time to continue to do the rockabilly, but to circle back to the dark cabaret I was doing before the rockabilly. So, I'm working on that. I'm working with a few musicians here in Philly, and I have some shows with musicians in other parts of the country. For Thanksgiving, I'm going to be in Illinois with Patrick Jones and 3 On The Tree. It's a band. We're going to do a rockabilly Thanksgiving tour. Then in March, I'll be in California, in Orange County. Sharon: Doing what? Saudia: Doing rockabilly with The Hi-Jivers and Abby Girl. In Orange County, we're going to do just a rockabilly R&B show. Then in April, I'll be with Viva Las Vegas again, which is a rockabilly weekend. I'll do an R&B show and rockabilly. In between, I'm just trying to stay sane, make a living, take care of my mom's work, tell her story. I'm supposedly writing a story about my mom and my dad, sort of a solo show. I don't know if it's a solo show or a documentary, but it's about their relationship as an interracial couple in the 60s and an interracial artist couple. Sharon: That'll be very interesting Saudia: They were both known as being difficult people, but most artists are in a way. It takes a lot of energy to do that work, so you can ruffle a lot of feathers. So, that's what I'm doing. Sharon: I hope I'll get to meet you then. Thank you so much. This was very interesting. Saudia: Thank you so much. Sharon: Thank you. Well will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey. She would always think about, “What am I going to pour?” It might be a ruby red, which was really popular and beautiful. One of the most popular pours, I think I said in the last interview, was the black and white, where she would have black and white and it would come out in a striped formation. Then she would pour into her different molds, the bangles, the C cuffs, the earrings. Just as important as the colors were the processes. For the slice earrings, she would pour the layers so it would be striped into a block like a loaf of bread, a small, little, long brownie. Then she would slice it on a bandsaw and you would get to see the stripes. Part of her process was the actual cutting, carving, sanding to get the shapes, and then making the decision whether she was going to have them polished or matte without polish. Sharon: A mask? Saudia: Matte, sorry. What the finish would be. If she had faceted bangles or hearts or whatever, she was very aware of not making anything perfect. She used the fact that it had scratches to show the layers of work and to show that it's made by a human. It wasn't something that needed to be absolutely perfect. She was very into wabi sabi, the Japanese art of the imperfect. She loved wavy shapes and asymmetry in her designs. Sharon: Who did the selling for the first years, when you were getting it off the ground? Saudia: I was a kid, so I wasn't going to get it off the ground. I was just eating the food she was putting in the refrigerator. When she first started with the leatherwork, she was just going around to different boutiques in the Village or whatever and selling them, either having them buy it straight out or on consignment. I think one of the worker's galleries was the original Sculpture to Wear. That was near where MAD Museum is right now. I'm forgetting the name of the hotel. That was one of her galleries. I'm sure there were other stores I don't know about. That was in 1971 or something like that. That was very close to when she started working in plastic. She got taken in and accepted really quickly. At that time, Robert Lee Morris was also selling at Sculpture to Wear. He was a wunderkind. He was opening up his own gallery, Artwear, and brought my mother into that gallery. During that time, that also gave the artists recognition and amplified their voices. They were able to have their work in stores in Boston and in California because of being in Artwear. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.
ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Sibyl Kempson is interviewed and produced by Julia Duffy (SLC'25) Kempson's plays have been presented in the United States, Germany, and Norway. As a performer she toured internationally from 2000-2011 with Nature Theater of Oklahoma, New York City Players, and Elevator Repair Service. Her own work has received support from the Jerome Foundation, the Greenwall Foundation, National Endowment for the Arts, and Dixon Place. She was given four Mondo Cane! commissions from 2002-2011 for The Wytche of Problymm Plantation, Crime or Emergency, Potatoes of August, and The Secret Death of Puppets). She received an MAP Fund grant for her collaboration with Elevator Repair Service (Fondly, Collette Richland) at New York Theatre Workshop (NYTW), a 2018 PEN/Laura Pels International Foundation for Theater Award for American Playwright at Mid-Career (specifically honoring “her fine craft, intertextual approach, and her body of work, including Crime or Emergency and Let Us Now Praise Susan Sontag”), and a 2014 USA Artists Rockefeller fellowship with NYTW and director Sarah Benson. She received a 2013 Virginia B. Toulmin Foundation commission for Kyckling and Screaming (a translation/adaptation of Ibsen's The Wild Duck), a 2013-14 McKnight National residency and commission for a new play (The Securely Conferred, Vouchsafed Keepsakes of Maery S.), a New Dramatists/Full Stage USA commission for a devised piece (From the Pig Pile: The Requisite Gesture(s) of Narrow Approach), and a National Presenters Network Creation Fund Award for the same project. Her second collaboration with David Neumann/Advanced Beginner Group, I Understand Everything Better, received a Bessie Award for Outstanding Production in 2015; the first was Restless Eye at New York Live Arts in 2012. Current and upcoming projects include a new opera with David Lang for the Isabella Stewart Gardner Museum in Boston for 2018, Sasquatch Rituals at The Kitchen in April 2018, and The Securely Conferred, Vouchsafed Keepsakes of Maery S. Kempson is a MacDowell Colony fellow; a member of New Dramatists; a USA Artists Rockefeller fellow; an artist-in-residence at the Abrons Arts Center; a 2014 nominee for the Doris Duke Impact Award, the Laurents Hatcher Award, and the Herb Alpert Award; and a New York Theatre Workshop Usual Suspect. Her plays are published by 53rd State Press, PLAY: Journal of Plays, and Performance & Art Journal (PAJ). Kempson launched the 7 Daughters of Eve Theater & Performance Co. in April 2015 at the Martin E. Segal Center at the City University of New York. The company's inaugural production, Let Us Now Praise Susan Sontag, premiered at Abrons Arts Center in New York City. A new piece, Public People's Enemy, was presented in October 2018 at the Ibsen Awards and Conference in Ibsen's hometown of Skien, Norway. 12 Shouts to the Ten Forgotten Heavens, a three-year cycle of rituals for the Whitney Museum of American Art in the Meatpacking District of New York City, began on the vernal equinox in March 2016 to recur on each solstice and equinox through December 2018
In this episode of 'The Spade,' we embark on a captivating journey through some of Manhattan's most iconic neighborhoods: Greenwich Village, Soho, Little Italy, Chinatown and the Meatpacking District. Join us as we delve into the rich history, vibrant culture, and unique experiences that these neighborhoods offer. Discover the artistic heritage of Greenwich Village, the fashion-forward spirit of Soho, and the dynamic blend of art, architecture, and nightlife in the Meatpacking District including the famous The High Line.
Ellen talks about her weekend of Stand-Up Comedy Shows and staying in the suburbs of New Jersey for the long weekend, Letticia James and Donald Trump, Amy Schumer. Kelly Rowland, Gucci Store Robbery in the Meatpacking District in NYC and more.
In this episode, Kyle sits down with real estate powerhouse Jared Epstein, President at Aurora Capital Associates. He has been instrumental in establishing Aurora as one of the largest owners and most active developers in New York City's downtown Manhattan market, completing over $2.5 billion in transactions during his tenure. Kyle dives into Jared's early start in nightclub promoting to playing a pivotal role in reshaping New York's iconic neighborhoods. Jared shares how he transitioned from working as a broker to aiding Aurora to become the largest landlord in the Meatpacking District. Beyond his professional journey, Jared sheds light on his personal motivations and offers invaluable advice for young professionals, emphasizing hard work, finding mentors, and continuing education. For those looking to break into real estate, this episode provides an inspiring blueprint for success. To Connect with Aurora Capital on Instagram Click HERE To Connect with Aurora Capital on LinkedIn Click HERETo Connect with Kyle on Twitter Click HERE To Connect with Kyle on Instagram Click HERE To Connect with Kyle on LinkedIn Click HERE To Subscribe to our YouTube Channel Click HERE For Detailed Show Notes Visit: https://www.thematthewsmentalitypodcast.com This show is brought to you by Matthews Real Estate Investment Services. Thank you for listening. If you have any comments, questions, or concerns, please contact podcast@matthews.com
As the 2024 Sundance Film Festival kicks off, Imara is joined by the creators of last year's award-winning documentary, The Stroll. The film explores the history of New York's Meatpacking District from the perspective of the trans sex workers who lived and worked there. First, Imara talks with co-director Zackary Drucker about partnering with HBO to produce the film, being a messenger for trans stories, and always saying yes when collaborating. Next, Imara chats with co-director Kristen Lovell about why she began to document her experience as a sex worker on the stroll and how she's learned to navigate the world of prestige film festivals and studios. Follow TransLash Media @translashmedia on Instagram, Threads, X, and Facebook.Follow Imara Jones on X (@ImaraJones) and Instagram (@Imara_jones_)Follow our guests on social media!Mel Mel Sukekawa-Mooring: IMDB Zackary Drucker: Instagram (@zackarydrucker)Kristen Lovell: X (@kikilovell) and Instagram (@kplgrams)TransLash Podcast is produced by Translash Media.Translash Team: Imara Jones, Oliver-Ash Kleine, Aubrey Calaway. Xander Adams is our sound engineer and contributing producer.Brennen Beckwith is our social media producer.Digital strategy by Daniela Capistrano.Theme Music: Ben Draghi and ZZK records. Hosted on Acast. See acast.com/privacy for more information.
Two incredible trans storytellers, Kristen Lovell and Cecilia Gentili, share how they found their power in interview segments you haven't heard before. Kristen Lovell, the documentary filmmaker behind The Stroll, talks about how Martin Scorsese inspired her to tell a New York story that she knew intimately. The conversation explores the history of New York's Meatpacking District and the community space that was lost due to police crackdowns. Then we hear from Cecilia Gentilli, the founder of Trans Equity Consulting and the author of Faltas. Starting with her childhood she talks about her life story, including the harsh realities of her transition, the moment she opened her eyes to all that trans people can be, and the importance of passing the torch to trans youth.See omnystudio.com/listener for privacy information.
Blow Me! This week we read badass mama and Drybar™ co-founder Alli Webb's new memoir "The Messy Truth: How I Sold My Business for Millions but Almost Lost Myself." We talk about the blowout revolution, Steven's Kerastase addiction, why giving away free sh*t works, custody battles at QVC, finding a true top, the Meatpacking District, and coming up with a million-dollar idea. Be a girl boss and shop our store: cbcthepod.bigcartel.com See omnystudio.com/listener for privacy information.
Experts are warning New Yorkers to beware of charity scams this giving season, especially those that copycat the names of known and trusted non-profits. Meanwhile, a New Jersey law taking effect in 2024 that gives a telemarketer just 30 seconds to disclose their name, address, and phone number for the party they're representing. Finally, this year, WNYC's Community Partnerships Desk started teaming up with the nonprofit, Street Lab, to highlight stories from neighborhoods across New York City. We recently set up shop in Manhattan's Meatpacking District.
Axl Rose, Sebastian Bach, Chris Jericho, and Eddie Trunk walk into a club in New York City's Meatpacking District… that is a true story, and just ONE that legendary radio DJ Eddie Trunk shares from his 40-year music career! He talks about meeting and eventually working for the late, great Jonny Z at Megaforce Records, and being an early advocate for Metallica and the life-long friendship that resulted from that. He has stories about KISS, Ozzy Osbourne, Anthrax, Van Halen, and Sammy Hagar. And he comments on the future of music, radio, and discovery. Thank you for supporting our sponsors!Brunt Workwear: Go to https://BruntWorkwear.com/TIJ and use code TIJ to get $10 off your first order plus free shipping and returns.Better Help: TIJ is sponsored by Better Help. Visit https://BetterHelp.com/JERICHO to get 10% off your first month.1stPhorm: 1stphorm.com/JERICHO & get free shipping on orders over $75Factor Meals: Go to https://FactorMeals.com/TIJ50 and use promo code TIJ50 to get 50% off.Progressive: Quote today at https://progressive.com STAY CONNECTED:TikTok: @ChrisJerichoInstagram: @talkisjericho @chrisjerichofozzy Twitter: @TalkIsJericho @IAmJerichoYouTube: https://www.youtube.com/c/ChrisJerichoFozzyWebsite: https://www.webisjericho.com/
In this week's episode of The Professional Homegirl Podcast, Eboné and her special guest take a captivating journey into the history of The Stroll, an iconic part of New York's landscape along West 14th Street in Manhattan's Meatpacking District. Eboné's guest, drawing from personal experience, recounts her journey from Yonkers, navigating through homelessness, and entering the realm of sex work in New York. As the episode unfolds, Eboné's guest courageously discusses not only the triumphs but also the trials, sharing her experiences with incarceration and the unique challenges faced by transgender individuals within the criminal justice system. Moreover, Eboné's guest extends the conversation beyond personal narratives, offering insightful perspectives on how the media portrays transgender individuals. Eboné's guest unveils her venture into documentary filmmaking, turning her personal experiences into a compelling storytelling medium. Emphasizing the importance of amplifying marginalized voices, her work adds depth to our understanding of The Stroll's history, illuminating the continued role of the newer generation in preserving the legacy of those who paved the way. Connect with Eboné: Read Eboné's Love Letters: www.theyalltheone.com Website: www.thephgpodcast.com Instagram: @theprofessionalhomegirl & @thephgpodcast TikTok & Twitter: @theprofessionalhomegirl Youtube: https://www.youtube.com/@theprofessionalhomegirl Email: hello@thephgpodcast.com Shop PHG: https://www.thephgpodcast.com/shopSee omnystudio.com/listener for privacy information.
Matt Wolf is a filmmaker from New York whose critically acclaimed documentary films have been shown across the globe. (https://www.criterionchannel.com/directed-by-matt-wolf) Wild Combination does a deep dive into the life and music of Arthur Russell, Teenage is a study of early youth culture and the birth of the very idea of teenagers, Recorder is an invaluable portrait of the activist and archivist Marion Stokes, who secretly recorded broadcast television continuously,24 hours a day, for 30 years. Spaceship Earth is a film about Biosphere 2, the experiment from the early 90s where 8 people lived inside a fully contained biome cut off, or seemingly cut off, from the rest of the world. He also recently worked on an incredible film called The Stroll as a producer; that film explores the history of New York's Meatpacking District from the perspective of the transgender sex workers who lived and worked there. Wolf has a way of effortlessly expanding the parameters of documentary. I say “effortlessly,” but if you listen to this conversation you can tell that there is a great deal of effort put into making sure that viewers of Matt's films feel an emotional connection to what they're watching, while also being presented with a set of subtle questions about art, the biosphere, the ways that media manufacture social reality, and many other subjects. More and more, though, he's looking for ways to work creatively within the conventions of documentary filmmaking, rather than working to “explode” those defining characteristics. All of this comes through on the screen. There are a few threads in this conversation that are worth underlining. Wolf is deeply interested in exploring the lives of people who take enormous risks with what they are attempting to create, risks that might not pay off in the long run or that influence their capacity to relate to the rest of the world. The way he puts it is that his films are concerned with subjects that weren't entirely able “to translate the full scope of what they were doing to others.” That makes their work difficult and rewarding, and deserving of “reappraisal.” For example, Wolf made his documentary Wild Combination, on the life and work and impact of the cult cellist and disco producer Arthur Russell, at age 25. This is particularly surprising when you actually sit down with the film; you'd assume that this is a director at the top of his game; but, in reality, Matt says that, at the time, he was studying this artist, Arthur Russell, as a way of actually learning how to be an artist himself. I really appreciated how open Matt was in this conversation about his attachment to the specific “texture of the past,” as he put it, and his desire to tell stories in a way that doesn't intrude on the viewer's interpretation of the material. He explains how Spaceship Earth, his brilliant study of the Biosphere 2 project, was described by some as being a somewhat uncritical film. That lack of critical scrutiny, though, is kind of what makes the film so captivating: Wolf sits back and engages with the folks in his films generously, or, in a sense, unassumingly. I think that generosity pays off in certain ways. It makes the films he creates into acts of reappraisal that encourage connection.
Here are two classic conversations from This Is TASTE featuring two literary titans. George Saunders is the author of many works, including the Booker Prize–winning Lincoln in the Bardo. Here we talk about pizza and Italian delis on the South Side of Chicago, as well as lunch in the Texas oil fields. We discuss success in the kitchen and how intuition crashes together with luck, and we speculate on the shape of food in the year 2300.Also on the show is Gary Shteyngart, a New York Times best-selling novelist and food writer who has written memorable books including The Russian Debutante's Handbook, Super Sad True Love Story, and his most recent work, the rollicking pandemic satire Our Country Friends. In this episode, we talk about some of Gary's world travels, both as a hired gun and for fun, as well as what he's eating and drinking in his Upstate New York home. We also remember New York City restaurants from the 1990s and early 2000s, including fond memories of the long-lost Meatpacking District bistro Florent, which plays a role in Gary's most recent novel.More from George Saunders & Gary Shteyngart: Story Club with George Saunders [Substack]Eat, Memory: The Absolutely No-Anything Diet [New York Times Magazine]I Watched Russian Television for Five Days Straight [The Atlantic]
Melisa Seah is passionate about building emerging consumer products in the creativity space. Melisa spends her days working as a product marketer over at YouTube Music and focuses on the global launches and delightful creative for artists and the music industry. I first met Melissa via Twitter when she put together a studio session at betaworks in the Meatpacking District in NYC. Folks could DM Melisa on Twitter to join and then pull up to the space to share what they're working on outside of work. I've met so many amazing creatives who work in tech and their side projects. Perfect for the Wear Many Hats show. Melisa also loves to design and create invites for her friends and also enjoys putting together more events around the creative space. By way of Bangkok, Shanghai, LA and San Fran. Creative Experimentation. Please welcome Melisa Seah to Wear Many Hats. twitter.com/MelisaSeah instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com
Tuần này, Vietnam Innovators sẽ đưa bạn đến một địa điểm ghi hình ở Thái Lan để cùng host Hảo Trần trò chuyện với khách mời Amar Lalvani, CEO của Standard International.Standard International là một trong những tập đoàn khách sạn gồm bảy khách sạn boutique tại New York City (khu Meatpacking District và East Village), Miami Beach, London, Maldives, Ibiza và Hua Hin, Thái Lan…Trong cuộc trò chuyện này, ông Amar Lalvani sẽ chia sẻ với chúng ta về chiến lược phát triển chuỗi khách sạn của Standard Hotels ra thế giới, cũng như những bài học quý giá mà ông đã học được trong quá trình xây dựng và phát triển tập đoàn này.Nếu bạn là một người yêu thích du lịch và quan tâm đến ngành công nghiệp khách sạn, hoặc đơn giản chỉ là muốn tìm hiểu về những người tiên phong và thành công trong lĩnh vực này thì đừng bỏ qua những chia sẻ của Amar Lalvani nhé.Xem phiên bản video trên YouTubeNếu có bất cứ góp ý, phản hồi hay mong muốn hợp tác, bạn có thể gửi email về địa chỉ team@vietcetera.com---In this week episode of Vietnam Innovators, host Hao Tran takes you to a filming set in Thailand to have a chat with Amar Lalvani, CEO of Standard International.Standard International is a group of seven boutique hotels in New York City (Meatpacking District and East Village), Miami Beach, London, Maldives, Ibiza, and Hua Hin, Thailand. In this conversation, Amar Lalvani will share with us about Standard Hotels' strategies to expand their hotel chain globally and valuable lessons he learned during the development of the group.If you are a travel lover and interested in the hotel industry or simply want to learn from pioneers and successful individuals in this field, don't miss out on Amar Lalvani's insights.Listen to this episode on YouTube Feel free to leave any questions or invitations for business cooperation at team@vietcetera.com#Vietcetera_Podcast #Vietnam_Innovators_EN #Vietcetera #VI
Alex Hao is a photographer. Alex also works as the social media marketing lead for Notion. I met Alex through a Melissa Seah studio session that was connected via Twitter. I didn't know what to expect. I met a handful of creatives that work in the tech space at an incubator hub in the Meatpacking District of Manhattan. We went around the room sharing our ideas like an AA meeting talking about how obsessed we are with our side projects. Typical rehab behavior. We were all impressed with each other's ideas, words of affirmations and feedback that we decided to connect afterwards. I shared the Wear Many Hats show and luckily I was able to have one of my favorites who shared to come on the show. I was impressed by Alex's photography. Even though I shoot film, Alex brought digital back. Digital never left. Narcissistic, materialistic, pessimistic. Please welcome Alex Hao to Wear Many Hats. instagram.com/alexhaobao instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com
This month, taking a cue from the sultry, sensual heat of summer, Outward examines the venerable queer practice of cruising—for sex and sex work—in public space. First, hosts Christina Cauterucci, Jules Gill-Peterson, and Bryan Lowder make eyes at Park Cruising, a new essay collection on cruising in parks, which explores the pleasures, politics, and complexities of that gay pastime. Author Marcus McCann joins the hosts to discuss those themes. Then they head down to Christopher Street with the trans women of The Stroll, a new HBO documentary streaming on Max, as they revisit a time when New York's now-gentrified Meatpacking District was rich with a unique and affirming form of sisterhood. Co-director Kristen Lovell stops by to discuss the making of the film. The hosts end the show, as always, with some new additions to the Gay Agenda. Items discussed in the show: “The Real Story of 303 Creative v. Elenis,” by Mark Joseph Stern in Slate Outward's Times Square billboard A provocative chant at NYC Drag March Park Cruising: What Happens When We Wander Off the Path, by Marcus McCann The Stroll The Lady and the Dale Sylvia's Place Sylvia Rivera, Marsha P. Johnson, and STAR Gay Agenda Christina: Rock Hudson: All That Heaven Allowed from HBO Jules: Hari Nef's interviews about her role in Barbie Bryan: Taylor Mac's 24-Decade History of Popular Music (see also Hugh Ryan on the show's history) This podcast was edited by Emily Charash and produced by June Thomas. Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
This month, taking a cue from the sultry, sensual heat of summer, Outward examines the venerable queer practice of cruising—for sex and sex work—in public space. First, hosts Christina Cauterucci, Jules Gill-Peterson, and Bryan Lowder make eyes at Park Cruising, a new essay collection on cruising in parks, which explores the pleasures, politics, and complexities of that gay pastime. Author Marcus McCann joins the hosts to discuss those themes. Then they head down to Christopher Street with the trans women of The Stroll, a new HBO documentary streaming on Max, as they revisit a time when New York's now-gentrified Meatpacking District was rich with a unique and affirming form of sisterhood. Co-director Kristen Lovell stops by to discuss the making of the film. The hosts end the show, as always, with some new additions to the Gay Agenda. Items discussed in the show: “The Real Story of 303 Creative v. Elenis,” by Mark Joseph Stern in Slate Outward's Times Square billboard A provocative chant at NYC Drag March Park Cruising: What Happens When We Wander Off the Path, by Marcus McCann The Stroll The Lady and the Dale Sylvia's Place Sylvia Rivera, Marsha P. Johnson, and STAR Gay Agenda Christina: Rock Hudson: All That Heaven Allowed from HBO Jules: Hari Nef's interviews about her role in Barbie Bryan: Taylor Mac's 24-Decade History of Popular Music (see also Hugh Ryan on the show's history) This podcast was edited by Emily Charash and produced by June Thomas. Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
This month, taking a cue from the sultry, sensual heat of summer, Outward examines the venerable queer practice of cruising—for sex and sex work—in public space. First, hosts Christina Cauterucci, Jules Gill-Peterson, and Bryan Lowder make eyes at Park Cruising, a new essay collection on cruising in parks, which explores the pleasures, politics, and complexities of that gay pastime. Author Marcus McCann joins the hosts to discuss those themes. Then they head down to Christopher Street with the trans women of The Stroll, a new HBO documentary streaming on Max, as they revisit a time when New York's now-gentrified Meatpacking District was rich with a unique and affirming form of sisterhood. Co-director Kristen Lovell stops by to discuss the making of the film. The hosts end the show, as always, with some new additions to the Gay Agenda. Items discussed in the show: “The Real Story of 303 Creative v. Elenis,” by Mark Joseph Stern in Slate Outward's Times Square billboard A provocative chant at NYC Drag March Park Cruising: What Happens When We Wander Off the Path, by Marcus McCann The Stroll The Lady and the Dale Sylvia's Place Sylvia Rivera, Marsha P. Johnson, and STAR Gay Agenda Christina: Rock Hudson: All That Heaven Allowed from HBO Jules: Hari Nef's interviews about her role in Barbie Bryan: Taylor Mac's 24-Decade History of Popular Music (see also Hugh Ryan on the show's history) This podcast was edited by Emily Charash and produced by June Thomas. Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
This month, taking a cue from the sultry, sensual heat of summer, Outward examines the venerable queer practice of cruising—for sex and sex work—in public space. First, hosts Christina Cauterucci, Jules Gill-Peterson, and Bryan Lowder make eyes at Park Cruising, a new essay collection on cruising in parks, which explores the pleasures, politics, and complexities of that gay pastime. Author Marcus McCann joins the hosts to discuss those themes. Then they head down to Christopher Street with the trans women of The Stroll, a new HBO documentary streaming on Max, as they revisit a time when New York's now-gentrified Meatpacking District was rich with a unique and affirming form of sisterhood. Co-director Kristen Lovell stops by to discuss the making of the film. The hosts end the show, as always, with some new additions to the Gay Agenda. Items discussed in the show: “The Real Story of 303 Creative v. Elenis,” by Mark Joseph Stern in Slate Outward's Times Square billboard A provocative chant at NYC Drag March Park Cruising: What Happens When We Wander Off the Path, by Marcus McCann The Stroll The Lady and the Dale Sylvia's Place Sylvia Rivera, Marsha P. Johnson, and STAR Gay Agenda Christina: Rock Hudson: All That Heaven Allowed from HBO Jules: Hari Nef's interviews about her role in Barbie Bryan: Taylor Mac's 24-Decade History of Popular Music (see also Hugh Ryan on the show's history) This podcast was edited by Emily Charash and produced by June Thomas. Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
This month, taking a cue from the sultry, sensual heat of summer, Outward examines the venerable queer practice of cruising—for sex and sex work—in public space. First, hosts Christina Cauterucci, Jules Gill-Peterson, and Bryan Lowder make eyes at Park Cruising, a new essay collection on cruising in parks, which explores the pleasures, politics, and complexities of that gay pastime. Author Marcus McCann joins the hosts to discuss those themes. Then they head down to Christopher Street with the trans women of The Stroll, a new HBO documentary streaming on Max, as they revisit a time when New York's now-gentrified Meatpacking District was rich with a unique and affirming form of sisterhood. Co-director Kristen Lovell stops by to discuss the making of the film. The hosts end the show, as always, with some new additions to the Gay Agenda. Items discussed in the show: “The Real Story of 303 Creative v. Elenis,” by Mark Joseph Stern in Slate Outward's Times Square billboard A provocative chant at NYC Drag March Park Cruising: What Happens When We Wander Off the Path, by Marcus McCann The Stroll The Lady and the Dale Sylvia's Place Sylvia Rivera, Marsha P. Johnson, and STAR Gay Agenda Christina: Rock Hudson: All That Heaven Allowed from HBO Jules: Hari Nef's interviews about her role in Barbie Bryan: Taylor Mac's 24-Decade History of Popular Music (see also Hugh Ryan on the show's history) This podcast was edited by Emily Charash and produced by June Thomas. Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jordan, Damon & Tony are curious – how is the quest to not just survive but thrive unique within Black Trans experience ? In an effort to continue to introduce you to amazing members of our community this week we welcome Tabytha Gonzalez to our Surface Level Family. A human rights professional and a woman with a story that deserves to be told we speak with her through the lens of new documentary The Stroll streaming on Max. The Stroll tells the story of trans women of color who's economic survival was tied to their time as sex workers in what is now New York City's Meatpacking District. It is a story of hardship, love, violence, community, but most importantly resilience. Tabytha shared parts of her story on The Stroll and we are excited to go beyond the surface level with her here. We know a lot but we don't know it all, so join the conversation on social and let us know your thoughts.
"The Stroll" explores the history of transgender sex workers who worked the streets of New York's Meatpacking District before the neighborhood's gentrification. Directors Kristen Lovell and Zackary Drucker document the intense pressures, but also the activism, sisterhood and self-empowerment in the community.
This week FANTI is passing the mic to We See Each Other: The Podcast. After you listen to the episode, make sure to check out Kristen Lovell's The Stroll which premiered on Max the evening before this episode dropped.Hosts Tre'vell Anderson and Shar Jossell welcome producer and co - director of the documentary, The Stroll, Kristen Lovell as they discuss the documentary's portrayal of trans sex workers who worked in the Meatpacking District of New York City during the 90s. Lovell also speaks on finally having the control of the Black trans narrative behind the camera, and not just as the subject. Then, our hosts speak with the producer and director of the documentary, Kokomo City, D. Smith. She discusses the audience's reception to the film and the legacy of Koko Da Doll, the star of the film who was tragically murdered earlier this year. But first, Tre'vell and Shar discuss sex work representation in media as it pertains to Black Trans women and while it being a necessary piece of trans history, it is not the end all be all of trans representation. And later we hear what every day trans folks have to say about trans visibility in another segment of Pass The Mic.Episode Notes:Hosts Tre'vell Anderson and Shar Jossell welcome producer and co - director of the documentary, The Stroll, Kristen Lovell as they discuss the documentary's portrayal of trans sex workers who worked in the Meatpacking District of New York City during the 90s. Lovell also speaks on finally having the control of the Black trans narrative behind the camera, and not just as the subject. Then, our hosts speak with the producer and director of the documentary, Kokomo City, D. Smith. She discusses the audience's reception to the film and the legacy of Koko Da Doll, the star of the film who was tragically murdered earlier this year. But first, Tre'vell and Shar discuss sex work representation in media as it pertains to Black Trans women and while it being a necessary piece of trans history to learn, it is not the end all be all of trans representation. And later we hear what every day trans folks have to say about trans visibility in another segment of Pass The Mic.Over the course of this series, Tre'vell and Shar will be including the personal experiences of ‘everyday' trans people. To that end, anyone in community who wishes to comment on or speak to issues brought up on the show, please share your thoughts with them. We've made it easy to record a message. Just click SpeakPipe.com/WeSeeEachOther and follow the very simple instructions. If you'd like to email Shar and Tre'vell, you can send any message to FANTI@maximumfun.org and put WSEO in the subject line.Find us on IG: @SlayzhonWe made it easy to share your thoughts. Go to SpeakPipe.com/WeSeeEachOtherYou can buy We See Each Other: A Black Trans Journey Through TV & Film the book wherever books are soldMentioned in the ShowD. Smith on Kokomo CityKokomo CityPose (Hulu)StrollGood Trouble (Freeform)Sylvia Rivera's PlaceMidnight in the Garden of Good and EvilPlugs Kokomo City will be in select theaters on July 28th The Stroll drops June 21 on HBO IG:@Rayzhon @sharsaysso @slayzhon (WSEO IG) Twitter@trevellanderson @sharssaysso @slayzhon @vivalapalma (Producer, Palmira Muniz)@swishswish (Senior Producer, Laura Swisher) Music: Neverending Nina (IG @neverendingninanotes)Producer: Palmira MunizSenior Producer: Laura SwisherLaura Swisher is senior producer Music: Never Ending NinaWe See Each Other: The Podcast is produced and distributed by MaximumFun.org
Kristen Lovell is a filmmaker whose new documentary, The Stroll, tells the story of transgender women surviving as sex workers in New York City's Meatpacking District during the 1980s and 1990s. This is harrowing stuff, and a perspective on urban history and gentrification like you've never seen before. In this conversation, Lovell tells me about her own experiences in the neighborhood, and reflects on how the Giuliani/Bloomberg era used real estate and finance to cover the city's dark history with luxury facades. Subscribe to Nostalgia Trap to access our massive library of bonus episodes, video essays, and more: https://patreon.com/nostalgiatrap
On Season 2 Episode 10 of The Art Career Podcast, Emily McElwreath interviews gallerist and overall artist advocate, Ellie Rines. Emily and Ellie discuss the importance of authenticity in the art world in this special episode with one of downtown's most popular gallerists. Eleanor Rines is a New York City-based gallery owner committed to supporting and spotlighting the work of emerging contemporary artists. Rines opened her first gallery, 55 Gansevoort, in 2013 in New York City's Meatpacking District. In 2015, she expanded and relocated the gallery to 56 Henry Street, and renamed the gallery accordingly. In 2022, Rines opened a second location, 105 Henry. This episode is sponsored by BetterHelp. Visit BetterHelp.com/TAC today and get 10% off your first month. theartcareer.com Follow us: @theartcareer Follow Ellie Rines: @cornerdeliellie Follow 56 Henry: @56henry.nyc Podcast host: @emilymcelwreath_art Social Media: @lilap3arl Music: Chase Johnson Editing: Zach Worden
Michael Schultz is the co-owner and creative eye of Cursive New York, which operates 2 stores in New York City. Cursive is a tightly focused concept with the simple mission of cultivating joy. Michael, along with his husband, Douglas Duncan, have established Cursive as a strong and forward voice in the industry. Cursive offers gift, stationery, home and lifestyle products and is constantly evolving. Cursive operated in New York City's iconic Grand Central Terminal for 11 years and within ABC Carpet & Home for 15 years, until the Covid-19 pandemic upended those long runs. Making lemonade out of lemons, Schultz and Duncan doubled down on New York and opened 2 shops in New York's West Village neighborhood, 4 blocks apart. One shop is true to the original Cursive vision, while Cursive Home is the brands extension into home goods. Says Schultz, “We began our career in the Meatpacking District 25 years ago. It's wonderful being back, so close in the West Village. It's the best place in New York!” I guess you can go home again.Michelle & Michael discuss all things merchandising from large square footage, to dealing with high foot traffic locations (Grand Central Terminal!) to creating the individual look for your store & how important it is to not fall in love with your merchandise. After listening to this episode you will see why Cursive New York was chosen as one of the 10 BEST NEW SHOPS by The ShopkeepersWebsiteInstagram
As part of RA2122, our ongoing celebration of 21 years of club culture, we''ll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. It''s safe to say that there would be no house music, no dance music as we know it, without François Kevorkian. The French-born, New York-based DJ started remixing disco records in the mid-''70s, when he was just a teenager, and became a pioneer of the form alongside names like Larry Levan, Tom Moulton and Walter Gibbons. And though he would become a house icon, he became especially known for the trippy "dub" mixes on the B-sides of records, which often eschewed the structure and vocals of the songs he was remixing in favour of excursions into the unknown. It''s that legacy that led him to Deep Space, his Monday-night residency at the once-legendary Meatpacking District club Cielo, which was one of the most beloved (and best-sounding) rooms in Manhattan. Deep Space started at 2002 and ran every Monday for over a decade. The idea was to explore "dub" in all its forms, and to play all kinds of music while manipulating it in real time. The slogan was "Live On The Mixing Board." At Deep Space you would hear all kinds of music. Dub, reggae, dub techno, drum & bass—and later on, as you''ll hear in this mix, dubstep—sure, but also disco, R&B, funk, old-school house. All music was dub in Kevorkian''s hands, and over the years Deep Space became one of the most renowned and consistent parties in New York, a place of refuge and discovery every single Monday (and, eventually, Sunday). This four-hour recording allows you to almost experience what it was like to be in that room—you can even hear the crowd whooping and cheering—as Kevorkian journeys through ultra-deep techno, dubstep and a string of funky disco and post-disco tracks. It''s a sound all his own, and though it was recorded 13 years ago, still sounds full of possibility and potential. Like the future. Read more at https://ra.co/podcast/854
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