Podcasts about iatse

Hello All, This week, we're following up The Return of the Living Dead with another beloved "gem" from 1985: GHOULIES! From IMDB: A young man and his girlfriend move into his parents' old mansion, where his satanic father is buried, and immediately becomes possessed by a desire to conjure and control tiny demons. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Hello, August. We got here so fast... Start it with some doggo pics. (You gotta go to Patreon to see them. You can do that right here  Karate In The Garage on Patreon! BLU-RAYS DROPPING 8/5! VIDIOTS COMING SOON! This is that thing Joey was taking about. Here is the link to the site. I know. Me, too. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

HEY, ALL. 1985 is back and this DOJO is READY TO GO! We're kicking of an entire month of 1985 Horror with BY FAR one of the best that's ever done it: Dan O'Bannon's The Return of the Living Dead with Clu Gulager, James Karen, Thom Mathews, Don Calfa, and Linnea Quigley as Trash! From IMDB: When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We explore how technology is transforming filmmaking workflows with John Trefry, CEO of 4WT Media. John shares how his early experiences building content teams at tech startups like Mahalo and DocStock shaped his unique approach to production—one that merges creative storytelling with the operational efficiencies of the tech world.The conversation dives deep into how modern tools are being used to streamline tasks across different stages of production. John outlines how these technologies are not just hype—they're solving real problems and saving time, especially for independent filmmakers. He also shares practical use cases, like using AI to generate pitch materials or evaluate new software, and why being early to adopt these tools can be a game-changer for content creators.We cover everything from film financing to the shifting dynamics of indie film sales and festival runs. And in a forward-looking close, John imagines a future where storytelling could become a personalized, immersive experience—without losing the human heart behind the work.Whether you're a filmmaker curious about AI, or a producer looking to future-proof your workflow, this episode is a must-listen.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

Yes. We're tardy. And not only are we tardy, we only have half of an episode because the recorder didn't write the second part of the episode to the card when we recorded it. We're as bummed as you are. Check back here later for more show notes as I'll be adding in some of the stuff we talked about that was on the rest of our chat. (You'll know when it has all been added because this paragraph will be deleted.) ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We close out NOT-SO-GOOD NUMBER TWOS with one is DEFINITELY a No. 2! MORTAL KOMBAT! annhilation From IMDB: A group of martial-arts warriors has only six days to save the Earth from an extra-dimensional invasion. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages   

We sit down with Emmy-winning TV producer Clara Plestis, whose work as an executive at Smart Dog Media, helped redefine what family-friendly television can be. Clara has been instrumental in shaping formats that blend high-concept experimentation with broad appeal, from AI-powered dating shows to variety competitions. Her work demonstrates that entertainment aimed at mass audiences doesn't have to be safe or predictable—it can be surprising, ambitious, and culturally resonant.Clara walks us through the creative decisions behind Song vs. Dance, a Japanese-American co-production that combines performance, gaming, and visual flair into a highly original competition format. She also opens up about the bold choices behind Love by AI, a provocative dating experiment that hands matchmaking—and even the date experience itself—over to artificial intelligence. Through these shows, Clara reveals what it really takes to push fresh concepts through the development process: a deep understanding of global markets, strong format discipline, and the confidence to take calculated risks.Join us for a deep dive into Clara's process and what she sees on the horizon for television development.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

KS for your Monday! One more after this for July, and we're in the home stretch of putting this summer behind us. All of that means is we're that much closer to the Fall, Halloween, and cooler weather. Johnny Cage Teaser Mortal Kombat II Red Band Trailer Superman Article ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Note: Sorry for the tardy drop, everyone. Having two new pups in the house at once is A LOT of work. We've landed at Movie #3 for NOT-SO-GOOD NUMBER TWOS, and it wasn't on the list to start the month. But we pivoted into a title that is a little more accessible. IT'S TEEN WOLF, TOO with Jason Bateman with a supporting cast that includes John Astin, Kim Dabry, and James Hampton! From IMDB: Todd Howard is a struggling college student. Nothing seems to be going very well for him, until he turns into a wolf. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

In this Mission Matters episode, Adam Torres interviews AJ Catoline, Emmy-winning editor for AppleTV+'s Ted Lasso, contributor to Cinemontage Magazine, and member of IATSE 700. AJ shares how he's navigating the slowdown in Hollywood, why federal tax incentives are crucial for American storytelling, and how resilience and advocacy are shaping the future of entertainment. This interview is part of the Milken Global Conference coverage by Mission Matters. Big thanks to the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Milken Institute⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for inviting us to cover the conference. Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this Mission Matters episode, ⁠Adam Torres⁠ interviews AJ Catoline, Emmy-winning editor for AppleTV+'s Ted Lasso, contributor to Cinemontage Magazine, and member of IATSE 700. AJ shares how he's navigating the slowdown in Hollywood, why federal tax incentives are crucial for American storytelling, and how resilience and advocacy are shaping the future of entertainment. This interview is part of the Milken Global Conference coverage by Mission Matters. Big thanks to the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Milken Institute⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for inviting us to cover the conference. Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

W sit down with Hugh Calveley, founder of Flow Capture (formerly Moxion), to discuss how a personal frustration on set evolved into a powerful cloud-based collaboration platform. From his early days as part of a film crew in New Zealand to building a production tool trusted by industry giants like Amazon Studios, Hugh shares the hard lessons of introducing new technology to an industry known for its time-honored methods–until a bold leap of faith from producer Barrie Osborne helped launch his platform onto major studio productions.We dive into the design and engineering choices that make Flow Capture stand out— microservices and real-time parallel processing that enabled lightning-fast workflows and personalized viewing formats.He also debunks myths around cloud security, arguing that centralized, enterprise-grade encryption is far safer than scattered, poorly protected assets.Looking ahead, Hugh paints an inspiring picture of AI's role in production—from intelligently breaking down scripts to unlocking vast archives of reusable footage—he offers a glimpse into a future where production is faster, smarter, and more creative than ever before.To learn more about Flow Capture, visit: https://www.autodesk.com/ca-en/products/flow-capture/overviewAbout WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

Back with a new KS after a week of vocal chord resting. (Joe's voice, not mine. I don't know how to STFU. - C) Death Stranding: Strands of Harmony Stranger Things on Netflix Tony Hawk Pro Skater 3 and 4!   ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

As expected, we're shaking up the order of this month's commentaries due to some availability issues mentioned in recent episodes. So, Son of the Mask will #2 of (loosely titled) Not So Good Number Twos! Alan Cumming, Jaime Kennedy, and Traylor Howard make up the leads AND new faces for this go-round! From IMDB: Tim Avery, an aspiring cartoonist, finds himself in a predicament when his dog stumbles upon the mask of Loki. Then after conceiving an infant son "born of the mask", he discovers just how looney child raising can be.   ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We dive into the evolving world of content distribution and indie streaming with Bonnie Bruderer, founder and CEO of Binge Networks. A leader in the OTT space, Bonnie shares her unconventional path from corporate marketing and motivational coaching to launching a global streaming platform that champions independent filmmakers.She discusses how her early experiences producing her own talk show led to the realization that distribution was the true bottleneck for content creators. That insight sparked the creation of Binge Networks, which now helps thousands of filmmakers and producers distribute and monetize their work across platforms like Roku, Apple TV, Amazon Fire, and dozens more.Bonnie unpacks common misconceptions about monetization, the realities of today's streaming economics, and the importance of creators retaining control over their rights. She also reflects on how coaching shaped her leadership style, why adaptability has been crucial to her success, and offers practical advice to filmmakers seeking long-term sustainability in a competitive landscape.Tune in for an inspiring conversation with a media entrepreneur who's building the future of streaming, one creator at a time.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

Always Liked A Good Number 2 has mutated. This go-around, it's a commentary series of the first (and not so good) sequel of very successful movies. We're starting the whole off with a movie that has the largest gap of time between it and it's big brother: INDEPENDENCE DAY: RESURGENCE. Roland Emmerich and Dean Devlin have returned along with Jeff Goldblum, Bill Pullman, Vivica Fox, Sela Ward, and Brent Spiner. Joining the Old Guard is Liam Hemsworth, Micah Monroe, and Jessie Usher. From IMDB: Two decades after the first Independence Day invasion, Earth is faced with a new extra-Solar threat. But will mankind's new space defenses be enough? ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We explore the world of script collaboration with Emmy-winning technologist and CEO of Scripto, Josh Kline. He shares how his early work with Digital Dailies revolutionized how directors review footage, and how those lessons now inform his work modernizing script collaboration. He explains the deep limitations of traditional formats like PDFs and highlights how platforms like Scripto bring real-time version control, security, and inter-operability into the writer's room. From late-night TV to feature films, Josh talks about the collaborative demands of different production environments and how cloud-based workflows are streamlining everything from on-the-fly rewrites to executive approvals.Josh also reflects on the growing role of automation and AI in the production process, emphasizing that while tools can accelerate workflows, human judgment remains irreplaceable.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

And here is the last of it for JUNE... Blu-ray Releases for 7/1/2025! New Bev for July! Vista Theater for July! Vidiots Coming Soon! Death Stranding 2 Final Trailer! Unreal Engine 5 Tech Demo Featuting Witcher! Sinners Coming to Max on Friday! ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We're almost wrapped up for the first month with Joe on mic more regularly! How is he doing from your side of the internet?!? BLU-RAY RELEASES for JUNE 23, 2025! VIDIOTS JULY PROGRAMMING AS OF 6/23/2025! ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We're back to the David Fincher series with Movie #4: PANIC ROOM with Jodie Foster, Kristen Stewart (in her first featured role), Jared Leto, and Forest Whitaker. From IMDB: A divorced woman and her diabetic daughter take refuge in their newly-purchased house's safe room when three men break-in, searching for a missing fortune. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Ce nouvel épisode est consacré au Festival Les monteurs à l'affiche qui a eu lieu le 28 septembre 2024, au Cinéma Public à Montréal. Le programme du festival se déployait autour de deux programmes de courts-métrages. Nous avons rassemblé les deux panels dans cet épisode, et pour ne pas vous perdre dans les discussions, notre chère animatrice Catherine Legault vous guidera tout au long de l'épisode. Bonne écoute !   Cet événement a été rendu possible grâce aux commanditaires et partenaires : Tënk Canada, Cinéma Public, AQTIS 514 IATSE, et les Monteurs et Monteuses de cinéma canadien.

Kickstart has returned after a nutty week of graduation, giving our hard earned dollars to the Mouse, and bringing home Waffles and Syrup. Beerbelly Bulldgos on Insta! ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

It's Friday the 13th, and we're covering a Friday the 13th movie. But we aren't basic here, so we're hitting you with the one that stands above all of the other 10 movies just for the sheer bonkersness of it all: JASON X. From IMDB: Jason Voorhees is cryogenically frozen at the beginning of the 21st century, and is discovered in the 25th century and taken to space. He gets thawed, and begins stalking and killing the crew of the spaceship that's transporting him. (This may be the longest logline of the entire franchise.) ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Oh, boy. We broke the first rule, and we paid the price with a later than desired drop. Number trois in our Fincher Series is 1999's Fight Club with Edward Norton, Brad Pitt, and Helena Bonham Carter. From IMDB: An insomniac office worker and a devil-may-care soap maker form an underground fight club that evolves into much more. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We explore how artificial intelligence is transforming post-production workflows with Lucas Igel, CEO and founder of Kino AI. A former MIT student and indie documentarian, Lucas shares how his early experiences editing his documentary exposed him to the inefficiencies of traditional editing and inspired the creation of Kino.In our conversation, Lucas explains how Kino's search mirrors the creative process while balancing precision and serendipity. He shares insights from building a high-performance, on-premise system shaped by his time at SpaceX and JPL, where security and speed were non-negotiable.We also dive into the creative implications of AI-assisted editing. Lucas discusses how Kino empowers filmmakers, not by replacing their judgment, but by removing bottlenecks and making space for daring storytelling. He addresses concerns about homogenization and AI ethics, advocating for tools that amplify taste.Join us on this episode for a compelling discussion about the future of editing, the role of AI as collaborator, and how thoughtful technology can expand access to cinematic expression.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

It's the first Kickstart of June! We hope you've been enjoying our ongoing David Fincher series. Last week, we dropped The Game with Michael Douglas here on Patreon on Early Access Tuesday, and the gen pop version on Friday. The series continues with Fight Club this week. Tuesday will be Early Access and Friday will be the general. NOTE: I mention a video of Christopher McQuarrie talking about the bi-plane sequence in the new Mission: Impossible movie, but I was unable to find it prior to this post. If I find it in the future, I'll update the post and notify y'all. Video Update of Waffles and Syrup on YouTube! ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

In 1997, David Fincher followed up Se7en with what may be his most intricately plotted story with The Game. Michael Douglas continued his time owning the 1990s with another high profile role in Nicholas Van Orton. Joining Douglas is Sean Penn, Deborah Kara Unger, and a supporting cast to drool over. From IMDB: A mysterious game invades a man's ordered existence. Alternate Ending

Kickstart to close out May 2025! We hope you enjoyed the SE7EN episode dropped last week! As a reminder, Patreon Early Access for movie episodes is on Tuesdays, with the public release on Fridays. We have a lot of cool things on the very near horizon that we think we'll be a lot of fun. So, if you join us Patreon now, you know when those new events get announced! The gaming podcast that Joe mentions in the episode is Distractible! They have a few flavors, and we've linked to their YouTube, Spotify, and Apple Podcast pages. Distractible on YouTube! Distractible on Spotify! Distractible on Apple Podcasts! ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We are back with our first movie episode in over SIX MONTHS, and we're doing it with a doozy. The next five movies are all David Fincher-helmed, and we're starting with the one that cracked the egg: SE7EN with Morgan Freeman, Brad Pitt, Gwyneth Paltrow, and John Doe. From IMDB: Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We have returned! And with some changes in tow inlcuding a new addition to the co-hosting chair. That's it for the show notes! Once We've gotten back into the flow of things, they will be more informative. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Fashion, commercials, wig-making, on set: there's a whole world of work out there beyond the salon. But in show business, success rarely comes overnight. Kauilani Goodwyn is a Mizani artist and educator, and co-founder of the Texpert Collective and the Global Artistry council. After working with hair for over sixteen years, she's recently become a stylist for TV and film and a member of the Makeup Artists and Hair Stylists Guild. In this episode, Kauilani dishes out advice for hairstylists looking to break into entertainment, including how to network, and the importance of assisting and education along the way. Follow Kauilani Goodwyn on IG: @kauigoodwyn.This episode was originally published in October 2022.  Follow Summit Salon Business Center on Instagram @SummitSalon, and on TikTok at SummitSalon. SUMM IT UP is now on YouTube! Watch extended cuts of our interviews at www.youtube.com/@summitunlockedFind host Blake Reed Evans on Instagram @BlakeReedEvans and on TikTok at blakereedevans. His DM's are always open! You can email Blake at bevans@summitsalon.com. Visit us at SummitSalon.com to connect with others in the industry.

In this special episode of On Production, we welcome back film finance expert Will French to unpack a headline-grabbing development in the film world. Following a recent social media post from President Trump proposing a 100% tariff on foreign-made films, Will offers an in-depth look at the potential impact and consequences for the domestic and global film industries.With decades of experience pioneering U.S. film tax credits and structuring finance for major productions, Will brings unique insight into the complex economics at play—from international labor costs and incentives to making the case on tax reforms that can truly bring production back to domestic soil. He explains the history of how production has shifted overseas in pursuit of more competitive tax rebates and lower costs, and how a tariff might—or might not—stem that tide.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

4/30/2025 Mike, and cohosts, actors Kayden Tokarski and Romyn Smith sat down with award-winning Director, Producer & Cinematographer Rick Bakewell on episode 199. Rick has spent the last 20 years working as a Director, Producer, and Director of Photography for commercials, branded content, narrative films, corporate, music videos, and documentaries. Recently, Bakewell is the Writer and Director of the movie 'Rroswell Delirium' - which has gone on to win more than 100 awards. It's availabe on AppleTV, Amazon Prime.     He is known for a number of projects for LightForcePictures - A production company he founded in 2004. Rick and his Production Team have received over 126 Awards commending their work in Film & Television. A member of the Producers Guild, IATSE, DSC, IDA, Society of Camera Operators, & The Television Academy Rick Bakewell recently filmed and is currently co-producing 'Life After The Goonies' and Life After Grease. Most recently, Bakewell had the honor of  filming the launch of the Blue Origin Rocket which carrried an all female crew into space.   Follow Rick on Instagram @RickBakewell   Enjoy the Podcast!

We sit down with Jijo Reed, Emmy Award-winning producer and founder of Sugar Studios, a full-service post-production house. With a career spanning over 60 feature films, Jijo talks about how his background as a drummer informs his approach to editing, and how Sugar's in-house team fosters trust, speed, and synergy. We also explore how emerging technologies like AI are streamlining workflows—while Jijo emphasizes that true storytelling still depends on human intuition and collaboration.Join us to hear about the nuts and bolts of post-production and what it truly means to finish a project strong.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

We welcome Nuno Fonseca, founder of Portuguese Products—a company built on passion, heritage, and innovation.Nuno's story is anything but conventional and this show is about having the opportunity to reinvent yourself. From his early days as a personal trainer, through his Brazilian Jiu-Jitsu journey, to the demanding hours in IATSE 873 on film sets, Nuno lived the grind. But when the intensity of the film industry became overwhelming, he made a bold decision: to reconnect with his Portuguese roots.Now, as a business developer for architectural materials—specializing in stone and ceramic tiles from Portugal—Nuno is on a mission to bridge two worlds:

Emily Best, founder and CEO of Seed&Spark, shares how her journey from theater to filmmaking led to launching one of the most successful crowdfunding platforms for independent creators. We dive into what makes Seed&Spark stand out, why audience-building is essential, and how creators can build sustainable careers outside the Hollywood system. Emily also gives us a glimpse into the future of film distribution and why democratizing storytelling means more than just access—it's about collective power.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

This week, Zak and Aaron sit down to discuss the newly formed United Videogame Workers Union — a brand-new collective attempting to bring the power of collective bargaining to every corner of the industry, regardless of company or position.They spend some time outlining the circumstances that brought us to this crossroads, and then dissect some of the potential positives of the movement as well as the challenges it may face moving forward. There are still a lot of questions left to answer, but one thing is for certain: this is a significant moment in video game history.Listen to Beach Girl on SpotifyCheck out MosscatMarket on EtsyCheck out even more MosscatMarket on Instagram

We sit down with Cary Woodworth, an actor-turned-producer and the founder of Legacy Pictures and Maverick, who has built a career navigating the complexities of global content creation and international co-productions.In this conversation, Cary shares his experiences managing productions across continents. He discusses the leadership skills required to balance creative passion with the logistical realities of production, the differences between Hollywood and the Chinese film industry, and even offers his unique insights on AI's growing influence on the rise of storytelling formats emerging from Asia.If you're interested to know what it takes to succeed in an increasingly global industry, this episode is for you!About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

We sit down with executive producer Kristen V. Carter as she shares how she balances creativity, leadership, and social impact in the media. From producing music specials on PBS and docuseries on HBO Max to working with Kevin Hart and Ava DuVernay, Kristen has built a career rooted in authenticity and purpose.Kristen discusses how she navigates high-stakes productions, makes tough calls on projects that don't align with her mission, and champions Black Joy in storytelling. She also dives into her work with Trust Your Magic and Who You Know, two platforms dedicated to mentorship and networking for creatives of color.If you're looking for insights on building a meaningful and sustainable creative career, this episode is for you.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this new season of AART our first guest is the cinematographer Sarah Thomas Moffat. Sarah's work has spanned across all genres from docs, factual and commercial with a focus now on scripted. Her productions have aired worldwide, including on CBC, History Channel, CTV, Hulu and Netflix. Sarah was the first woman to run as a Racer-Cam Operator on the Canadian reality competition show Amazing Race Canada. She has won multiple awards across genres including film festival awards for Best Cinematography. along with three CSC nominations.  Sarah's parents emigrated from Scotland to Canada shortly before Sarah was born in Toronto. As a child she developed an interest in still photography through artistic parents which led to Sarah studying Film, Radio, TV Broadcasting at Centennial College, Ontario. She describes herself, at that time, as focused and determined when she realized that this was her calling and she could make a career as a cinematographer. Sarah is a dual citizen of Canada and the UK. She is a member of IATSE, a CSC Associate Member, an ASC Vision Mentee Alumni, and Illuminatrix DOP based in London.  Sarah's links:https://sarahthomasmoffat.com/https://www.imdb.com/name/nm3511986/https://www.instagram.com/sthomasmoffat Some of Sarah's favorite female artists:Mandy WalkerEva DuVernay Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

On this new season of AART our first guest is the cinematographer Sarah Thomas Moffat. Sarah's work has spanned across all genres from docs, factual and commercial with a focus now on scripted. Her productions have aired worldwide, including on CBC, History Channel, CTV, Hulu and Netflix. Sarah was the first woman to run as a Racer-Cam Operator on the Canadian reality competition show Amazing Race Canada. She has won multiple awards across genres including film festival awards for Best Cinematography. along with three CSC nominations.  Sarah's parents emigrated from Scotland to Canada shortly before Sarah was born in Toronto. As a child she developed an interest in still photography through artistic parents which led to Sarah studying Film, Radio, TV Broadcasting at Centennial College, Ontario. She describes herself, at that time, as focused and determined when she realized that this was her calling and she could make a career as a cinematographer. Sarah is a dual citizen of Canada and the UK. She is a member of IATSE, a CSC Associate Member, an ASC Vision Mentee Alumni, and Illuminatrix DOP based in London.  Sarah's links:https://sarahthomasmoffat.com/https://www.imdb.com/name/nm3511986/https://www.instagram.com/sthomasmoffat Some of Sarah's favorite female artists:Mandy WalkerEva DuVernay Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Picture this: Georgia, the Hollywood of the South, buzzing with film crews, booming soundstages, and the magic of moviemaking. As the Assistant Vice Chancellor for the University System of Georgia, Scott Votaw heads up the Georgia Film Academy – a powerhouse program that's turning out the next generation of filmmaking superstars. Think of it as Hogwarts for aspiring filmmakers, but instead of magic wands, they learn the secrets of cinematography, editing, and special effects. GFA doesn't just wave a magic wand and poof you're a director. They collaborate with top-notch colleges across the state, hooking students up with real-world experience and connecting them with industry giants. They offer courses that are more than just book learnin' – think hands-on workshops, industry internships, and even the chance to work on actual film sets! So, if you're dreaming of a career behind the camera, whether it's directing the next blockbuster or crafting the perfect soundtrack, Scott and his team at GFA are your ticket to Hollywood North. They're turning Georgia into a hub for cinematic excellence, one talented filmmaker at a time. Web: https://georgiafilmacademy.edu About GFA: Since the Georgia Film Academy began operations in 2015, economic activity generated by the film industry in Georgia continues to rise at exponential levels. The Georgia Department of Economic Development (GDEcD) announced that, during fiscal year 2021, the film and television industry set a new record with $4 billion in direct spending on productions in the state. The Georgia Film Academy's efforts in building a professional workforce able to meet increased production demand is widely regarded to be a primary driver in this sudden and dramatic rise in economic impact on the state. The GFA is widely recognized by the Motion Picture Association of America (MPAA), labor unions, and numerous competing states and countries as “the gold standard” in film and television production workforce training. The GFA offers industry certifications in Film & Television Production, Post-Production, Digital Entertainment, Esports & Game Development, and helps institutions to develop curriculum and training directly aligned to the high-demand careers that exist in the state. In partnership with IATSE 479 and major film and television production and digital entertainment companies like Disney, Netflix, HBO, Skillshot Media, Axis Replay, and others, professionally-qualified instructors, equipment, and training facilities prepare learners to be assets to the industry following completion of GFA's certification. Furthermore, with GFA's unique-in-the-nation internship/apprenticeship program, students have the opportunity to go straight to work in these industries, which offers a paid, once-in-a-lifetime experience. The Georgia Film Academy supports a collaboration of institutions of the University System of Georgia, Technical College System of Georgia, and Independent institutions that offer professional courses in film, television, digital entertainment, Esports, and game development. About the show: Ash Brown is a force to be reckoned with in the world of motivation and empowerment. This multi-talented American is a gifted producer, blogger, speaker, media personality, and event emcee. Her infectious energy and passion for helping others shine through in everything she does. Ash Said It, Ash Does It: * AshSaidit.com: This vibrant blog is your one-stop shop for a peek into Ash's world. Dive into exclusive event invites, insightful product reviews, and a whole lot more. It's a platform that keeps you informed and entertained. * The Ash Said It Show: Buckle up for a motivational ride with Ash's signature podcast. With over 2,000 episodesalready under her belt and a staggering half a million streams worldwide, this show is a testament to Ash's impact. Here, she chats with inspiring individuals and tackles topics that resonate deeply. What Makes Ash Special? Ash doesn't just preach motivation; she lives it. Her strength lies in her authenticity. She connects with her audience on a genuine level, offering real-talk advice and encouragement. She doesn't shy away from the challenges life throws our way, but instead, equips you with the tools to overcome them. Here's what sets Ash apart: * Unwavering Positivity: Ash Brown is a glass-half-full kind of person. Her infectious optimism is contagious, leaving you feeling empowered and ready to take on the world. * Real & Relatable: Ash doesn't sugarcoat things. She understands the struggles we face and offers relatable advice that resonates with listeners from all walks of life. * Actionable Strategies: This isn't just about empty inspirational quotes. Ash provides practical tips and strategies to help you translate motivation into action, turning your dreams into reality. So, if you're looking for a daily dose of inspiration, actionable advice, and a healthy dose of real talk, look no further than Ash Brown. With her infectious positivity and dedication to empowering others, she's sure to become your go-to source for making the most of life. ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

In the documentary “¡Casa Bonita Mi Amor!,” Matt Stone and Trey Parker depict themselves as saviors of the Pink Palace, spending unexpected millions to bring Lakewood's beloved eatertainment icon back from bankruptcy. But a few weeks after the documentary's premiere, it's become clear that the South Park creators haven't figured it all out quite yet. Two Casa Bonita performers — WM. Riley Holmes and our regular guest Joshua Emerson — join producer Paul Karolyi today to talk about why they and more than 70 of their colleagues have petitioned to form a union with IATSE and Actors Equity, and discuss Matt and Trey's response. We broke the story of the Casa Bonita performers pushing to unionize in our newsletter Hey Denver last week. Subscribe now and never miss another important update! Our fall campaign is happening now! It takes a lot to keep City Cast Denver and Hey Denver running strong. Your membership helps us cover the cost of bringing you the local stories you care about. If you believe in what we do, become a member of City Cast Denver today. Every member makes a difference! For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver What do you think about the unionization effort at Casa Bonita? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418‬ Learn more about the sponsors of this October 21st episode: Denver Film Fest Denver Public Library - RSPV to the grand Reopening here Denver Art Museum Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices