Podcast appearances and mentions of Taylor Cole

Our friend and theme music composer Taylor Cole returns to us this week to talk about one of our most beloved stars on This Had Oscar Buzz, Shirley MacLaine. After finally winning her Oscar for Terms of Endearment, MacLaine took a few well-earned years off. Her return was this tale of a hardened piano teacher … Continue reading "346 – Madame Sousatzka (w/ Taylor Cole!)"

In this episode we discuss how we're the adult snackboiz podcast, the ponpon style of shirt, the discovery of a downbeat zhjing, the power of a sunglass+ hat combination, the funhouse effects on a YouTube watch, 40 year olds pretending to be teens, women in stem but make it fashion, the beauty of a made up name, wanting a diary with a kill switch, a no-kids condo, and SO MUCH MORE!!!

Superpowers for Good should not be considered investment advice. Seek counsel before making investment decisions. When you purchase an item, launch a campaign or create an investment account after clicking a link here, we may earn a fee. Engage to support our work.Watch the show on television by downloading the e360tv channel app to your Roku, AppleTV or AmazonFireTV. You can also see it on YouTube.Has your business been impacted by the recent fires? Apply now for a chance to receive one of 10 free tickets to SuperCrowdLA on May 2nd and 3rd and gain the tools to rebuild and grow!Devin: What is your superpower?Jay: Understanding the superpower in others.What if storytelling could help children with sensory sensitivities sleep through the night for the first time? That remarkable outcome is exactly what one family reported after experiencing the immersive environment created by Burble Creativity.Jay Goth, CEO of Burble Creativity, has joined forces with inventor Taylor Cole to bring to life a new form of storytelling called "minimally defined immersive storytelling." In this approach, children step into a multisensory tent where lights, sounds, and sparse narrative cues combine to unleash their imagination. "When you're done, each one of them will have their own specific version of that story, which is really cool and very, very new and unique," Jay explained.The tent's multisensory environment has proven especially beneficial for neurodivergent children, particularly those on the autism spectrum. Jay shared a powerful example: "Her child had never slept through the night. And after her story time's telling session, the kid actually slept through the night for the first time in his life. That was remarkable."Motivated by the product's potential to do good, Jay brought his deep entrepreneurial and angel investing experience to Burble. He saw not only an opportunity to make a positive social impact, but also to build a sustainable business around it. Jay and the Burble team made a conscious decision to raise capital through regulation crowdfunding rather than traditional venture capital."I wanted to go directly to the community through a crowdfunding program," Jay said. "So that the members of the community could actively be involved in the development of the company as partial owners."Burble Creativity is currently raising funds through a regulated investment crowdfunding campaign, allowing anyone to invest and become part of the mission to bring this therapeutic storytelling experience to more families. Interested supporters can visit s4g.biz/Burble to learn more about the campaign.Jay's vision for Burble is about more than business. It's about creating tools that foster peace, imagination, and healing for children who experience the world differently. For me, hosting this episode was not just a pleasure—it was a glimpse into a brighter, more inclusive future.tl;dr:Jay Goth explains Burble's innovative storytelling tent, helping neurodivergent children engage imagination and find calm.He shares the tent's success with autistic children, including one who slept through the night for the first time.Jay discusses his path from angel investing to becoming CEO of Burble to promote conscious capitalism.He reveals his superpower: recognizing and nurturing others' superpowers through deep listening and mentorship.Jay encourages community investment via crowdfunding to support Burble's mission and social impact.How to Develop Empowering Others As a SuperpowerJay Goth's superpower is his ability to see the potential in others and help them realize it. Reflecting on his career, Jay said, “My superpower is really understanding the superpower in others.” He explained that his passion lies in identifying what drives people and finding ways to support them in achieving their goals.One touching story Jay shared exemplifies how he uses this superpower. While working in investor relations, he mentored a colleague, Chris Rosgen, helping him develop a strong reputation in the industry as a “real bulldog.” Chris thrived under Jay's mentorship, growing into a respected leader. Jay's guidance left a lasting impact, and the experience remains a cherished memory.Jay also highlighted the importance of listening to others as a key to identifying their strengths. “We have two ears and one mouth for a reason,” he said, emphasizing the need to understand people's passions and help them channel those into their success.Tips for Developing This Superpower:Listen Actively: Focus on understanding someone's passions and goals instead of planning your next response.Identify Strengths: Pay attention to what excites and motivates people to uncover their unique talents.Mentor with Purpose: Provide guidance and support to help others grow into their potential.Encourage Self-Belief: Help people see their own strengths and develop confidence in their abilities.By following Jay's example and advice, you can make identifying and nurturing potential a skill. With practice and effort, you could make it a superpower that enables you to do more good in the world.Remember, however, that research into success suggests that building on your own superpowers is more important than creating new ones or overcoming weaknesses. You do you!Guest ProfileJay Goth (he/him):CEO, Burble Creativity, Inc.About Burble Creativity, Inc.: Burble Creativity has developed a storytelling technology that merges lights, sound, and story in a unique way, empowering readers to actively imagine and personalize the details of the narrative. Burble is a transformative experience that sparks imagination, encourages creativity, and supports cognitive and emotional development.Website: burblecreativity.comCompany Facebook Page: facebook.com/burblecreativityincOther URL: invest.burblecreativity.comBiographical Information: Jay Goth is a seasoned C-level executive with experience in technology, energy, finance, and healthcare. He currently holds the position of CEO of Burble Creativity, where he is preparing  the company to introduce its Story Tent. Jay also has a background in investment banking, investing, and mentoring startup companies.X/Twitter Handle: @jaygothLinkedin: linkedin.com/in/burble-creativityInstagram Handle: @burblecreativitySupport Our SponsorsOur generous sponsors make our work possible, serving impact investors, social entrepreneurs, community builders and diverse founders. Today's advertisers include FundingHope, AMIBA, SuperCrowdLA and Crowdfunding Made Simple. Learn more about advertising with us here.Max-Impact MembersThe following Max-Impact Members provide valuable financial support:Carol Fineagan, Independent Consultant | Lory Moore, Lory Moore Law | Marcia Brinton, High Desert Gear | Paul Lovejoy, Stakeholder Enterprise | Pearl Wright, Global Changemaker | Ralf Mandt, Next Pitch | Scott Thorpe, Philanthropist | Matthew Mead, Hempitecture | Michael Pratt, Qnetic | Add Your Name HereUpcoming SuperCrowd Event CalendarIf a location is not noted, the events below are virtual.SuperCrowdLA: we're going to be live in Santa Monica, California, May 1-3. Plan to join us for a major, in-person event focused on scaling impact. Sponsored by Digital Niche Agency, ProActive Real Estate and others. This will be a can't-miss event. Has your business been impacted by the recent fires? Apply now for a chance to receive one of 10 free tickets to SuperCrowdLA on May 2nd and 3rd and gain the tools to rebuild and grow!  Impact Cherub Club Meeting hosted by The Super Crowd, Inc., a public benefit corporation, on May 20, 2025, at 1:00 PM Eastern. Each month, the Club meets to review new offerings for investment consideration and to conduct due diligence on previously screened deals. To join the Impact Cherub Club, become an Impact Member of the SuperCrowd.SuperCrowdHour, May 21, 2025, at 1:00 PM Eastern. Devin Thorpe, Champion of Social Good and CEO of The Super Crowd, Inc., will lead a session on "The Secret to Higher Investment Returns via Impact Crowdfunding." He'll share powerful strategies and real-world examples that show how aligning your investments with your values can lead to strong financial and social returns. If you're an investor looking to maximize impact or curious about the growing world of impact crowdfunding, this is a session you won't want to miss! Don't miss it!SuperCrowd25, August 21st and 22nd: This two-day virtual event is an annual tradition but with big upgrades for 2025! We'll be streaming live across the web and on TV via e360tv. Soon, we'll open a process for nominating speakers. Check back!Community Event CalendarSuccessful Funding with Karl Dakin, Tuesdays at 10:00 AM ET - Click on Events.Igniting Community Capital to Build Outdoor Recreation Communities, Crowdfund Better, Thursdays, March 20 & 27, April 3 & 10, 2025, at 1:00 PM ET.Regulated Investment Crowdfunding Summit 2025, Crowdfunding Professional Association, Washington DC, October 21-22, 2025.Call for community action:Please show your support for a tax credit for investments made via Regulation Crowdfunding, benefiting both the investors and the small businesses that receive the investments. Learn more here.If you would like to submit an event for us to share with the 9,000+ changemakers, investors and entrepreneurs who are members of the SuperCrowd, click here.We use AI to help us write compelling recaps of each episode. Get full access to Superpowers for Good at www.superpowers4good.com/subscribe

Our exit today has us kissing a little longer, laughing a little longer, staying close a little longer, all thanks to Big Red. This week, we are talking about Get Over It, written by R. Lee Fleming Jr. and directed by Tommy O'Haver.Along the way, we discuss lots of Shakespeare, high school musicals, Only Murders in the Building, Freddie Prinze Jr., Clueless, Tripp not remembering who Shane West is, and the surprising film career of Vitamin C.Plus, Taylor brings an amazing game for Ross and Tripp to play.Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Family Feud is a game show that has delighted audiences for decades by challenging teams of related players to guess answers supplied by randomly selected survey subjects. Completely unrelatedly, our latest special episode, Kinfolk Kerfuffle, has contestants trying to match poll answers submitted by our Discord members. Dave presides as chosen family Tara, Sarah, Adam Grosswirth, and Kim Reed take on handpicked tribe Taylor Cole, Dan Cassino, Larra Morris, and Nick Rheinwald-Jones. It's time to play the Feud Kerfuffle! GUESTS

Taylor Cole is an actor who is perhaps best known for her recurring roles in THE ORIGINALS on the CW in addition to TV Land's IMPASTOR, the CW's SUPERNATURAL, and A&E's THE GLADES. Taylor was a series regular on the NBC hit series THE EVENT. Taylor has since appeared in numerous shows, including SECOND CHANCE, BALLERS, CASTLE, TWO AND A HALF MEN, and NCIS, to name a few.  Taylor is currently starring in A REASON FOR THE SEASON and recently starred in the movies ALOHA HEART, LONG LOST CHRISTMAS, and PUMPKIN EVERYTHING for Hallmark and prior to that starred in ALL IS BRIGHT and SOUTH BEACH LOVE. Other feature credits include ONE WINTER WEDDING and UNLOCKING CHRISTMAS for Hallmark and BAD for Lifetime. Taylor can also be seen in the films THE VIOLENT KIND, which premiered at the 2010 Sundance Film Festival, THE SURROGATES, TWELVE ROUNDS, as well as MTV's ALL YOU'VE GOT. Taylor first debuted in the WB TV series SUMMERLAND as a series regular. We chat about passion and purpose, being clear on what you want, being an 'accidental actor' modelling and volleyball, her new Hallmark film A REASON FOR THE SEASON, no sorry rule, life lessons from her dad, choosing happiness, growth, wanting to get better and dogs! The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Taylor out on: Instagram: https://www.instagram.com/taylorquinncole Twitter / X:  https://x.com/TaylorCole The Boys and Girls Club of Lake Tahoe: https://bgclt.org/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

We take The Cafe on the road on this edition with the fast pace and fun of, "Jingle Bell Run." Ashley Williams and Andrew Walker do all the hard work as they compete on a reality show for big money and possibly big love. For dessert, we find "A Reason For the Season" for Taylor Cole and Kevin McGarry. This Hallmark Mysteries entry finds the two connecting over an old mystery that begins one snowy Christmas Eve in 1989. Join us for all the holiday magic on this edition of The Hallmark Cafe!

10.28.24 Taylor L. Cole, APR TV Host, Exec Producer, Ministry Leader TVwithTLC.com Taylor@TVwithTLC.com @TravelwithTLC Request a meeting, watch my shows, and more https://linktr.ee/TVwithTLC

10.28.24 Taylor L. Cole, APR TV Host, Exec Producer, Ministry Leader TVwithTLC.com Taylor@TVwithTLC.com @TravelwithTLC Request a meeting, watch my shows, and more https://linktr.ee/TVwithTLC

LISTENER MAIL  NEWS & NOTES 1. Week 7 Injury Update. 2. Davante Adams traded to the Jets. 3. Amari Cooper traded to the Bills. 4. Cam Akers traded to Minnesota. 5. Russell Wilson to start for Pittsburgh. 6. Clyde Edwards-Helaire activated. 7. Nick Chubb back with the Browns.  WEEK 7 MUST START/DON'T BOTHERS  WEEK 7 SPORTS INVESTING  WEEK 7 PICKS AGAINST THE SPREAD FANTASY GIRL OF THE WEEK (Taylor Cole)  Check out the website:  www.cffpodcast.comQuestions, Comments, Concerns?  Email us:  cffpodcast@hotmail.comTry our fanline for your voicemail and text message questions:  414-520-8249 

Our exit today has us making our ultimate mixtape and talking about our worst break ups. This week, we are talking about High Fidelity, based on the Nick Hornby novel and directed by Stephen Frears. And, we have picked up a passenger for the episode, friend of the show and quizmaster extraordinaire Taylor Cole! Along the way, Taylor becomes the first person to ever compare High Fidelity to Taxi Driver, Ross uses the word "myopic" way too much, and we discuss the rise of Jack Black, John Cusack as romantic lead, the benefits of talking directly to the camera, Stevie Wonder, the musical and TV adaptations of High Fidelity, and what some actors will do for a great wig. Plus, Taylor brings a fun game to stump Tripp and Ross! Thememusic by Jonworthymusic. Powered by RiversideFM. The Great American Pop Culture Quiz Show, hosted by Taylor Cole. G & T with Greta & Taylor. CFF Films with Ross and friends. Movies We've Covered on the Show on Letterboxd. Movies Recommended on the Show on Letterboxd.

The East Room opened up in 2012 in East Nashville. The independent venue has been a space for up-and-coming local and touring artists as well as a space for dance parties, theater and comedy acts. This week for What Where When-sday our special guest is Taylor Cole, talent buyer and GM of the venue. 

Send us a Text Message.Welcome back to Love on the Pod, where hosts Jessica, Danielle, and Sherri gather around the virtual fireplace to indulge in the cozy comforts of fall with a spirited discussion on the Hallmark movie "Pumpkin Everything." Starring the enchanting Taylor Cole and the charismatic Corey Sevier, this autumnal delight promises to whisk listeners away on a journey filled with seasonal magic and heartwarming romance.Join the trio as they dissect the plot twists, explore the charming small-town setting, and swoon over the undeniable chemistry between the lead actors. From pumpkin patches to cozy cafes, they delve into the movie's nostalgic portrayal of autumn and its timeless themes of love, family, and second chances.With their trademark blend of humor and insight, Jessica, Danielle, and Sherri share their favorite moments, memorable quotes, and personal connections to the story. Whether you're a pumpkin spice aficionado or simply a fan of feel-good movies, this episode offers a delightful escape into the whimsical world of Hallmark.So grab a warm mug of apple cider, cozy up with your favorite blanket, and join the hosts as they celebrate the joys of fall and the irresistible charm of "Pumpkin Everything" in this heartwarming discussion that captures the essence of the season. Thank you for listening to this episode of Love on the Pod! Subscribe, Rate, and Review: Don't miss an episode—subscribe to Love on the Pod on Apple Podcasts, Spotify or your favorite podcast platform. If you enjoyed the episode, please rate and review us! Connect with Us: Email: loveonthepod@gmail.com Instagram: @LoveOnThePod Visit Our Website: For show notes, episodes and more, visit https://www.loveonthepod.com. Stay tuned for our next episode, where we'll discuss another holiday favorite. See you next time!

Dear Mama Monologues are special clips we pull from each episode, filled with an encouraging message from our guest to you. They are released as a bonus mini-sode each week so you have a place you can quickly access words to get you through those tough motherhood moments.Listen to my full conversation with Taylor in Episode 17 of Moms of the Night Podcast.Taylor Cole is a Wife, Mother of 3 and Functional Holistic Nutritionist. When Taylor is not running around with her 3 young babies you can find her empowering women to support their foundations of health through functional testing and going back to basics with whole foods and mindfulness.

On today's episode, I chat with Taylor Cole about the decision that every mama has to make: whether to have more kids and continue to grow your family. Taylor  is a wife, mother of 3 and a Functional Holistic Nutritionist, who recently made the decision with her husband that their latest baby is their last. Together, we talk through this decision  and the wide range of emotions that come with it. She also shares the hilarious story of telling her husband that she was pregnant (unexpectedly!) for the third time. Throughout the episode I also reflect on my own family and the process of deciding whether or not to expand our family. Taylor and I work through it all— both good and bad—and discuss all of the factors that can influence us as mamas to make this decision. LET'S CONNECT: Join our Moms of the Night community on Instagram: @momsofthenightpodcastAnd if you're loving the podcast, be sure to drop a 5 star rating and give us a review - it helps us greatly with reaching moms who also need to hear these words!

Taylor Cole is a Mom, Wife, Real & Whole Foods advocate, Holistic Nutritionist and Functional Therapy Practitioner. Her work as a Holistic Nutritionist was born out of a dire need for balanced energy and to feel her very best after having two babies back-to-back.  Taylor is passionate about identifying the root cause and developing a plan that will leave you nourished, energized, and happy.  Balancing blood sugar, gut health, stubborn weight, hormonal imbalances, bloating, cyclical acne, headaches, mood swings, and cravings are all areas Taylor focuses on with her clients.  Taylor's favorite saying is “let's nourish”, every time you put something in your mouth is a chance to nourish and support every cell in your body. We discuss: How to socialize while still being healthy Managing relationships when you eat clean Helping your kids eat well while still being kids Why breakfast and protein are important New frequency machines to use for your health How to target supplements that work with your body Learn more about Taylor and work with her. http://www.taylorcole.com Follow Taylor on Instagram. https://www.instagram.com/taylorcole/ Learn more about High Vibration Living with Chef Whitney Aronoff on www.StarseedKitchen.com Get 10% off your order of Chef Whitney's organic spices with code STARSEED on www.starseedkitchen.com Follow Chef Whitney Aronoff on Instagram at @whitneyaronoff and @starseedkitchen Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode of The Millennial TeaV Podcast, hosts Candace, Liz and Adrienne, sit down with the one and only Taylor Cole from Laguna Beach Season 2. Taylor takes us on a nostalgic journey as she reflects on her time on the iconic reality show and shares insights into her life post-Laguna Beach.Instagram: @millennialteavFacebook: Millennial TeaV podcastTiktok: @millennialteavpodcastE-mail: millennialteav@gmail.comReddit: millennialteavpodcast YouTube: www.youtube.com/@MillennialTeaVPodcast

You might recognize Taylor Cole from the early 00's reality show Laguna Beach! At the beginning of this year, Taylor made a big decision: To be ‘alcohol-free in 2023'. She's gained so much from this experience, and she's now ready to tell her sobriety story! Taylor shares what it was like to film a secretly booze-infused reality show as a teenager, how that affected her relationship with alcohol moving into adulthood, and the big shift in her life that opened her eyes to the damage that alcohol does to the body. She wants you to know that you don't have to have a ‘problem' in order to say goodbye to alcohol!  Taylor is now a holistic nutritionist and functional therapy practitioner. You can find her on Instagram at @taylorcole Taylor recommends using an Oura ring to gain an eye opening peek into your health! https://ouraring.com Join us inside the Sober Mom Life Cafe! For just $15/month, you get access to weekly meetings, bonus episodes, a Discord chat, a monthly book club, the option to share your story on The Real Sober Moms, and so much more! Learn all about it here: https://mykindofsweet.com/sober-mom-life-cafe/ If you're looking for a community of wonderful sober moms to support you while you build your own sober life, join us inside The Sober Mom Life Facebook group!  https://www.facebook.com/groups/1542852942745657 We have merch!!!! Check it out here! Click here to follow The Sober Mom Life on Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Girls Gone Hallmark, the podcast where Megan and Wendy review the feel-good movies from the Hallmark Channel. Today, we'll be discussing the newest original movie, “Field Day” starring Rachel Boston and Benjamin Ayres. As PTO moms, we had a lot to say about this one. If you enjoy listening to Girls Gone Hallmark, we could definitely use your 5-star ratings and written reviews on your preferred podcast platform. Apple Podcast listeners: Use your phone's podcast app -> find the Girls Gone Hallmark show -> scroll all the way down to the review section -> tap 5 stars and tell listeners why Girls Gone Hallmark is your favorite Hallmark podcast. Hallmark News - October 2023 HALLMARK IS IN ITS TAYLOR SWIFT ERA! Hallmark Media likely put out some big dollars for use of Taylor Swift's “Christmas Tree Farm” song in their 2023 CTC promos.  Sleepy Kitty Paw on Twitter shared that Field Day pulled in 1.52M live viewers and .12 in the key demo. The movie was the top, non-sports, program of the night. Per Hallmark, 3 Bed, 2 Bath, 1 Ghost was a ratings knock out with 3.9 million unduplicated total viewers. It is the network's most-watched 2023 premiere. How many total number holiday movies across all platforms/channels do you think there are this year? Roughly 155. Last year is was 243. About "Field Day" Rachel Boston stars as Jen. Rachel was last in “The More Love Grows” for Hallmark, before that she was in “A Christmas Cookie Catastrophe.” Sadly, Rachel is not in any of this year's CTC movies. Mr. Romance University plays Coach Dan Aldridge. Benjamin Ayres has a whopping 93 acting credits including last year's “Long Lost Christmas.” Most recently he was in a Canadian show called “Family Law.” He will co-star with Laura Vandervoot in “Miracle in Bethleham, PA” on December 21st on HMM. Shannon Chan-Kent plays Kelly. Talk about whopping, Kelly has 286 acting credits. She does a ton of voice work on animated shows like “Strawberry Shortcake,” “Sonic Prime” and “Polly Pocket.” Her last Hallmark credits looks like 2019's “Holiday Date” and “Flip That Romance.” She was also in “The Irresistible Blueberry Farm.” Carmel Amit plays scary lawyer lady Marissa. She has 65 acting credits including last year's “A Fabled Holiday.”  The script was written Julie Sherman Wolfe. Up next for Julie is "Holiday Hotline." She took over the script after the original writer Duane Poole after he passed away. David Winning directed. He previous titles include "Time for Him to Come Home for Christmas," "The Nine Kittens of Christmas," "The 27-Hour Day" and about 80 others. The movie was filmed last fall in Vancouver, Canada. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews. Falling for You - Hallmark Movie Review starring Taylor Cole and Tyler Hynes Autumn in the Vineyard - Hallmark Movie Review featuring Brendan Penny and Rachel Leigh Cook Pumpkin Pie Wars - Hallmark Movie Review with Julie Gonzalo and Rico Aragon My Best Friend's Bouquet - Hallmark Movie Review starring Chaley Rose and Nathan Witte Love, Of Course - with Guest Eric Rutin from Hallmark Mysteries & More Podcast Sweet Autumn - Hallmark Movie Review featuring Nikki DeLoach and Andrew Walker Love at the Thanksgiving Day Parade - Hallmark Movie Review with guests Bran and Dan from Deck the Hallmark

The latest episode of Girls Gone Hallmark is all about Hallmark Channel's newest original movie "3 Bed, 2 Bath, 1 Ghost." It's a hauntingly good episode where Megan and Wendy talk about Hallmark's new era, the charming Madeleine Arthur, and a few 'Did You See That' moments. Don't be scared to give it a listen – it's a real "spirited" discussion! If you enjoy listening to Girls Gone Hallmark, we could definitely use your 5-star ratings and written reviews on your preferred podcast platform. Apple Podcast listeners: Use your phone's podcast app -> find the Girls Gone Hallmark show -> scroll all the way down to the review section -> tap 5 stars and tell listeners why Girls Gone Hallmark is your favorite Hallmark podcast. Hallmark News - October 2023 TMZ reported that the Queen of Christmas Lacey Chabert recently reunited with Mean Girls co-stars Lindsay Lohan and Amanda Seyfried to film a Pepsi ad. Me thinks this might be a Super Bowl ad, maybe? Brant Daughtery announced that he and his wife, Kimberly, are expecting a second baby in early 2024. Daughtery will next be seen in this year's hardest to pronounce title “Joyeux Noel” on October 29th. We're starting to see posters for the Countdown to Christmas movies emerge! And commercials on Hallmark Channel. What do you think of the "Christmas on Cherry Lane" poster? About "3 Bed, 2 Bath, 1 Ghost" Stars Julie Gonzalo and Chris McNally. These two are a real life couple - though I'm not sure if they are married. Seems like they are super private. They did have a baby in June 2022. Gonzalo plays Anna. She has 48 acting credits including Cut, Color, Murder from 2022. We last reviewed her for fan-favorite movie Pumpkin Pie Wars.  Chris McNally plays Elliott. Chris is known for his role as Lucas on When Call the Heart. He has 40 acting credits. Outside of Hallmark, he was seen in Grease: Rise of the Pink Ladies and Firefly Lane - both from 2023. Madeleine Arthur plays ghost Ruby. She was a regular in the now canceled series "Blockbuster," she played Mae in "Devil in Ohio," and she played Chris in all three “To All the Boys I've Loved” movies. The story is by Gregg Rossen & Brian Sawyer. The teleplay included both Gregg Rossen, Brian Sawyer, and Joie Botkin. Gregg Rossen has written a TON of Hallmark movies including The Professional Bridesmaid, The Winter Palace, The Santa Stakeout and more. In fact, his IMDB reads like he's only written Hallmark movies.  Brian Sawyer resume reads almost identical to Gregg Rossen.  Joie Botkin is one of our favorite Hallmark writers. Her next Hallmark film is the Tyler Hynes movie "Never Been Chris'd." Filmed in and around Vancouver, British Columbia, in Canada — more precisely in Burnaby, which is located about 15 to 20 minutes outside of Vancouver.  The movie was filmed from June 12 to June 30, 2023. The rural estate used is known as Copper Stone mansion located in Langley. Other television shows like "Riverdale," "Bates Motel," and "Supernatural" have also used the property. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews. Falling for You - Hallmark Movie Review starring Taylor Cole and Tyler Hynes Autumn in the Vineyard - Hallmark Movie Review featuring Brendan Penny and Rachel Leigh Cook Pumpkin Pie Wars - Hallmark Movie Review with Julie Gonzalo and Rico Aragon My Best Friend's Bouquet - Hallmark Movie Review starring Chaley Rose and Nathan Witte Love, Of Course - with Guest Eric Rutin from Hallmark Mysteries & More Podcast Sweet Autumn - Hallmark Movie Review featuring Nikki DeLoach and Andrew Walker

Join Megan and Wendy on their latest episode of Girls Gone Hallmark, as they take you on a journey to the enigmatic "Mystery Island". In this episode, they delve into their impressions of the latest Hallmark Movies and Mysteries film, "Mystery Island," which was created by the same mind behind the hit series "Mystery 101." Tune in to discover whether Megan and Wendy believe this new movie lives up to expectations. If you enjoy listening to Girls Gone Hallmark, we would greatly appreciate it if you could take a moment to leave us a positive review and 5-star rating on your preferred podcast platform. Hallmark News - October 2023 It's been reported that the driver that killed Treat Williams in June 2023 has been charged with gross negligence. In a weird twist, apparently the driver and Williams knew of each other - both having worked in Vermont's theater production. Ryan Koss, the driver that allegedly turned left in front of Williams' moving motorcycle, faces up to 15 years in prison if convicted.  Christmas Con has announced the Hallmark stars who will be in attendance during the fan convention taking place on December 8-10 in New Jersey. Names include Hallmark biggies like Tyler, Andrew, Lacey, Jonathan Bennett, Paul Campbell, Kimberly Sustad, and more.    About "Mystery Island" This movie was filmed in Panama according to an interview given by Director Nicholas Humphries. The mansion used throughout the film is known as Villa Bonita Panama. Written by John Christian Plummer who has written the “Mystery 101” series, “Curious Caterer Dying for Chocolate and Grilling Season,” and “Francesca Quinn PI.”  Elizabeth Henstridge stars as Dr. Emilia Priestly. She was in 2019's “Christmas at the Plaza” and 136 episodes as Jemma Simmons on Agents of SHIELD. Charlie Weber plays Jason Trent. Trent has 41 acting credits on IMDB including last year's “Christmas Bedtime Stories” and 90 episodes of “How to Get Away with Murder.” Kezia Burrows plays friend and 5% investor Jane Alcott. She has 39 acting credits but this appears to be her first movie for Hallmark. Related: Megan and Wendy review "Mystery 101" Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews. Falling for You - Hallmark Movie Review starring Taylor Cole and Tyler Hynes Autumn in the Vineyard - Hallmark Movie Review featuring Brendan Penny and Rachel Leigh Cook Pumpkin Pie Wars - Hallmark Movie Review with Julie Gonzalo and Rico Aragon

My son and I attended a TEDx yesterday, and I found a theme running through most of the presentations - the importance of taking risks. Have you ever gone to a TEDx?  You've probably watched a TED talk on their website or on your TV.  They are on YouTube as well.  My favorite is the one by Sir Ken Robinson titled "Do Schools Kill Creativity?" But back to yesterday and the theme.  The presenters weren't talking about education, but I could see how so much of what they shared was applicable to our lives as educators and parents.  There were some definitely genius connections made! Listen in to hear about a few of the presentations and see how they can connect to your life! Would you like more information about the presentations I mentioned?  We attended the TEDx Temecula on September 30, 2023.  The speakers I mentioned are Dr. Smita Malhotra, Taylor Cole, and Connie Stopher.  It will take a couple of months for the recordings to be posted on YouTube but be sure to check for them!  The presentations were great!

Come along with Megan and Wendy on their newest Girls Gone Hallmark episode! In this episode, they share their thoughts on "Haunted Harmony Mysteries: Murder in G Major," which stars Tamera Mowry-Housely, Marco Grazzini, and Risteárd Cooper. Will this Hallmark movie hit all the right notes or fall flat? If you enjoy listening to Girls Gone Hallmark, we would greatly appreciate it if you could take a moment to leave us a positive review and 5-star rating on your preferred podcast platform. About "Murder in G Major" This movie was based on the novel “Murder in G Major (A Gethsemane Brown Mystery) by Alexia Gordon. It's the first book in a series of 5. The script was written by Arthur Vandalay. He has no other writing credits according to IMDb. Filmed on-location in Ireland. Stars Tamera Mowry-Housley as Gethsemane Brown. She has 36 acting credits, including “Dream Moms” which premiered earlier this year. She is noticeably missing from this year's Countdown to Christmas.  Risteárd Cooper co-stars as Eamon. Risteárd Cooper is a comedian, writer, actor, and singer. While he has mainly worked on stage, he has also made appearances in several popular UK series such as No Offence, Quiz, and Delicious. Moreover, he has also acted in Christopher Nolan's acclaimed movie, Batman Begins. Adam Fergus (Inspector O'Reilly). Fergus has 31 acting credits and has appeared on shows such as “Supernatural” and “Scandal.” Marco Grazzini (plays Griff). He has 49 acting credits including “Hearts in the Game” and “Right in Front of Me” for Hallmark. He's also in 33 episodes of “Virgin River” on Netflix from 2020-2023. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews. Falling for You - Hallmark Movie Review starring Taylor Cole and Tyler Hynes Autumn in the Vineyard - Hallmark Movie Review featuring Brendan Penny and Rachel Leigh Cook Pumpkin Pie Wars - Hallmark Movie Review with Julie Gonzalo and Rico Aragon

In today's brand new episode of Girls Gone Hallmark: Megan and Wendy review 'Guiding Emily', which premiered on Hallmark Movies and Mysteries on Friday, September 8, 2023. Listen in to what they liked and what they wished for. Plus, a campaign for Matty Finochio. We need your 5-STAR ratings and reviews. If you are an Apple Podcast listener, please leave us a rating and review and tell others why they should give Girls Gone Hallmark a listen. If you listen outside of Apple Podcasts, we'd gladly love your reviews there too! Apple Podcast Reviews: Write your review here (hot tip: use your app to write the review, not a desktop version). About "Guiding Emily" Guiding Emily was filmed in Vancouver, British Columbia as well as Victoria. This movie was based on the novel of the same name by Barbara Hinske. It's also one of four in a series. Buy your own copy here ($14) Guide dog "Garth" was played by Owen, who is training to be a real life guide dog. Sarah Drew plays Emily. She has 49 acting credits including a long-running role as April Kepner on "Grey's Anatomy." She previously starring in "Christmas in Vienna" on Hallmark. Antonio Cupo plays Matthew. He has 74 acting credits including a role on "UnREAL" as well as Hallmark movies "Love at the Thanksgiving Day Parade," "Garage Sale Mysteries," "A Glenbrooke Christmas," "Christmas at the Golden Dragon," and "A Winning Team." Eric McCormack, best known as Will Truman from "Will and Grace" has 79 acting credits and voices the dog, Garth. The screenplay was written by Betsy Morris who has 9 writing credits including "The Wedding Veil Inspiration," "A Kismet Christmas" and "SnowComing." Director Andy Mikita has 32 directing credits, including episodes of Hallmark series "Cedar Cove," "The Good Witch," and "Chesapeake Shores" as well as "Virgin River" from Netflix. Matty Finochio plays co-worker hero Drew and with 100 acting credits - this guy deserves a leading role in a Hallmark movie. Peter Benson, another very busy actor and director, plays dog trainer Mark. Toby Levins plays fiancé Connor and has appeared in both "UnREAL" and "Once Upon a Time" as well as a ton of Hallmark supporting actor roles. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews. Falling for You - Hallmark Movie Review starring Taylor Cole and Tyler Hynes

Welcome back to another exciting episode of Girls Gone Hallmark! This week, Megan and Wendy dig into "Love in the Great Smoky Mountains: A National Park Romance." But, as always, they're not afraid to give their honest opinions. Does this movie live up to the Hallmark standard of romance and charm, or does it fall short? Your 5-STAR ratings and reviews are so helpful to our podcast. Tell other Hallmark movie fans why they should give Girls Gone Hallmark a listen. Write your review here (hot tip: use your Apple Podcast app to write the review, not a desktop version). About "Love in the Great Smoky Mountains" This is the third movie in the “A National Park Romance” series from Hallmark Channel. It was filmed in the Great Smoky Mountains in Tennessee, as well as Fall Creek Falls State Park and Knoxville, TN. According to the National Park Conservation Association website, the southeastern United States was formerly inhabited by the Cherokee Nation. Their hunting grounds included the mountains and valleys that are now encompassed by the Great Smoky Mountains National Park. Arielle Kebbel plays Haley James. She has 77 prior acting credits, including Hallmark movies "A Bride for Christmas" and "A Brush with Love." She's was also Lindsay (Dean's wife) on Gilmore Girls for 9 episodes, the feature film "John Tucker Must Die" and 3 episodes of "UnREAL." Zach Roerig plays Rob. This appears to be his first Hallmark movie. Other acting credits include his 171 episode run as Matt Donovan on "The Vampire Diaries," 281 episodes on daytime soap "As the World Turns" and 6 episodes as Cash on "Friday Night Lights." This was written by Bruce D. Johnson who has 10 writing credits including Hallmark's "Journey of My Heart" and "Love on the Slopes." Danny J. Boyle served as director. He has 43 previous directing credits including "Nightmare School Moms" and "The Man with My Husband's Face" both from this year. Supporting cast including Danielle Vega as Sky and Kai Braden as Troy Winters. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews. Falling for You - Hallmark Movie Review starring Taylor Cole and Tyler Hynes

Join Megan and Wendy as they share their thoughts on Tyler Hynes' debut film for Hallmark, "Falling For You," in their latest Hallmark movie review. This charming movie has become a fan favorite since its release in 2018 and Girls Gone Hallmark is excited to share their take on it with you. Tune in to discover what they liked and wished for in this heartwarming film. We're excited to hear your thoughts and would greatly appreciate a 5-STAR review on Apple Podcasts. Let other Hallmark movie fans know why you love our podcast and why they should give us a listen. Write your review here (hot tip: use your Apple Podcast app). About "Falling For You" "Falling For You" originally premiered on October 6, 2018. 6.6/10 rating on IMDB. Filmed in Squamish, British Columbia. Some scenes were filmed at Quest University in Squamish's library and atrium as well as the Sunflower Bakery & Cafe. Tyler Hynes plays visiting businessman/bachelor Zac Malone. This was his debut movie for the Hallmark Channel. Of course he's gone on to becoming the King of Hallmark since splashing onto the Hallmark scene. Taylor Cole plays Lacy. She currently has 64 acting credits, including “Aloha Heart” from this year and “Long Lost Christmas” from 2022. Do you remember the a series called “Summerland” starring Lori Laughlin. Fun fact: “Summerland” was Taylor Cole's first acting gig where she played Erika Spalding for 21 episodes.  Related: Listen to a smokin' hot Tyler Hynes review "A Picture of Her" Movie based on the book “Baking for Keeps” by Jessica Gilmore. Buy it here (Amazon, $12.77) Script was written by Joie Botkin who has 20 previous writing credits including this summer's “Love's Greek to Me” and “# Xmas” and “Our Italian Christmas Memories from last year's Countdown to Christmas.  Peter DeLuise directed. He currently has 80 directing credits including last year's “Hanukkah on Rye,” tons of “When Calls the Heart” episodes. He also has 55 acting credits including “The Unauthorized Full House Story” - all roads lead back to Lori Laughlin. Peter DeLuise is also the brother of Michael DeLuise who played TJ on Gilmore Girls. Also stars Lini Evans as Patty, Brandi Alexander as Beth, and Chris Shields as Golden Bachelor Ben. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews.

Are you loving our new original intro music, listeners? We're joined this week by its composer and our friend Taylor Cole to muse on the genre musical biopic with 2015's Love and Mercy. The film follows different chapters of Brian Wilson's life and mental wellness journey, with Paul Dano taking on Wilson's life as he … Continue reading "251 – Love and Mercy (with Taylor Cole!)"

Rachel had a chance to sit down with Hallmark star Taylor Cole during the recent Christmas Con in Kansas City For our first interview with Taylor https://www.youtube.com/watch?v=MF-etYt5x3U Our Christmas podcasts are at https://www.youtube.com/watch?v=X4f2KtBPzUE&list=PLXv4sBF3mPUDo41tHqhkjHCvedmZwLzHx Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram HallmarkiesPodcast.com Get some of our great podcast merch https://www.teepublic.com/stores/hallmarkies?ref_id=8581 Please support the podcast on patreon at https://www.patreon.com/hallmarkies Follow Rachel's blog at http://rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirl

Taylor Cole is a Client Analyst at LFM Wealth Management based out of Chapel Hill, NC. She joins the show today to discuss how she transitioned into financial planning from a career as a nanny. If you are a career changer considering a career in financial planning, this is an episode for you! Listen in as Taylor divulges how her journey was sparked by a random career guidebook encounter, which led her to seek knowledge from financial radio shows and local planners. She also shares the insights she gained as she details her transition into the field, choosing her CFP program, enduring the initial "firehose" phase, and mastering the art of client meetings. You'll learn strategies for confidence-building, ideas to attract more women into financial planning, and the unique advantage career changers can leverage to thrive in the field. You can find show notes and more information by clicking here: bit.ly/46Vbbkr

Eric had the pleasure of chatting with the incredibly talented Madison Smith about his acting journey, his love for hockey, and the sunny Vancouver weather. We bonded over our shared Canadian roots, and he even whipped up a signature cocktail for him called the Psycho Killer. Madison also revealed his favorite football team, The Seattle  Seahawks, while Eric professed his devotion to the Detroit Red Wings.We delved into the world of costumes and wardrobe as Madison shared insights into his character Robbie's look in the movie Nicky & Nora and his work on the Hallmark series. From tactical vibes to casual styles, we explored how costume designers helped shape the characters Madison portrayed. We also touched on fan reactions to his acting, upcoming projects, and of course, the much anticipated Hallmark Mystery prequel, Aurora Teagarden Mysteries: A New Begining!But our conversation wasn't just about acting and costumes - we also talked about our favorite ice cream flavors, the importance of Hawaiian pizza, and Hollywood crushes. We shared stories about golfers Taylor Cole and Brooke Burns, reminisced about the Backstreet Boys, and even discussed the perfect walk-up song for Madison's character, Robbie. Don't miss this entertaining and insightful conversation with Madison Smith that covers everything from acting, costumes, and fan reactions to food, sports, and beyond!Signature Cocktail: Psycho KillerComes from the famous mixologist Jillian Vose of New York City's famed Irish bar, The Dead Rabbit. This is probably not a cocktail most people will be able to make with the booze they have on hand, but it is a delicious complex cocktail that is worth a trip to the liquor store.  Ingredients:2 ounces Irish whiskey (The Dead Rabbitt uses Redbreast 12-year-old)3/4 ounce cocoa nib-infused Campari*1/2 ounce Marie Brizard white creme de cacao1/2 ounce Banana Liqueur  Giffard Banane du Brésil2 dashes absintheDirections:Add the Irish whiskey, cocoa nib–infused Campari, white creme de cacao, banana liqueur and absinthe into a mixing glass with ice. Stir until well-chilled.Strain into a Nick & Nora glass.Follow us on social media: Instagram: @hallmarkmysteriesandmoreYoutubeOr visit our website. This podcast was created by fans for fans and is NOT affiliated with or sponsored by Hallmark or the Hallmark Channel.

This week we tackle questions from our March Webinar titled The Secret To Getting Ahead in Hollywood. We host a webinar every month. Register for the next one using the link below.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptsMichael Jamin:You're listening to Screenwriters Need to hear this with Michael Jamin.Everyone, it's Michael Jamin. Welcome back for another episode of Screenwriters. Need to hear this. We're doing a q and a, another q and a as if you're new here. So at once a month, Phil and I, we do a free webinar on screenwriting. And sometimes we talk about writing, sometimes we talk about breaking into the business. Sometimes we talk about at Get industry types to attend your event that's coming up. Each one, each month is a different topic and it's about an hour long and it's free. But we got a lot of questions at the end and it can only have time to answer so many of them. So here are the ones that I missed. So thank you all for coming, for listening. Here are the ones that I couldn't get to.Phil Hudson:Yeah. And this is for the March webinar. And we also have the April webinar questions to get through too, because oh, weMichael Jamin:Got some many questions. A lot,Phil Hudson:Lot of questions.Michael Jamin:The March webinar, what was on, I'm so sorry Phil, I'm putting you on the spot. What was that one for?Phil Hudson:Let's, let's see if I can pull it off. One second.Michael Jamin:Yeah,Phil Hudson:Pressures on. Ding to, I've got it up. The secret to getting ahead in Hollywood. Four things you must know.Michael Jamin:Yeah, the secret to getting ahead. Okay, so here are the questions. Yeah,Phil Hudson:So hit me, Phil. Now to be clear, there are several, there were a lot of questions here. I mean, there were like 70 questions we didn't get to. That webinar is an hour long and it's dedicated to 15 to 20 minutes of q and a. And you actually, you try to push through a lot of the stuff to get to the questions. And despite that, we still have so many. So I have removed duplicate questions. So in our last episode, doing the February q and a, you answered a bunch of these and there are other questions we've already talked about on the podcast or you have talked about on your social media. So if your question is not here and we don't answer it, apologize. But that's already been discussed pretty in depth. So lots of great content just go to at Michael Jamin writer to learn more or look at past podcast episodes related to your topic because we've covered a lot of this alreadyMichael Jamin:@MichaelJaminWriter on Instagram and TikTok and Facebook.Phil Hudson:So yeah, @MichaelJaminWriter, right?Michael Jamin:Just making sure. No, I'm sorry. I dunno,Phil Hudson:My own name. Mi... Michael Jamin, some other guy.Michael Jamin:Yeah.Phil Hudson:So cool. Well, question number one, Robert Cowie asked, is there such a thing as a perfect script or is it in the eye of the beholder?Michael Jamin:No. Such a thing. As a matter. As a matter of fact. And it's a great question. I remember working on, just Shoot Me, this was my first staff writing job. And some of the older, more experienced writers, great writers in that show, people Hall I'll interview on the podcast. They turned a script. And I remember reading it thinking, oh my God, this is hilarious. This is gold. And then they would get notes from the Showrun. I'm like, w w what? Why are they getting, this is perfect. And you can always improve. You could always make it be better or slightly different. The Showrun runner was looking for something a little different, but there's no such thing, no writer ever turned a script. You could be Shakespeare, you would get notes. It's just how it works. So there's no such thing as a perfect script.Phil Hudson:Writing is rewriting, and eventually you reach to a point where you stop because you could just spend forever trying to make it better. And then five years from now, you're going to look back and think, that was horrible. I could have done better. Yeah, because you're progressing in the art, right? Yeah. You use Picasso as an example all the time about mastery. And in the course, I think he even show examples of his work as a teenager moving into his twenties. And then he becomes so good at the rules, he can bend the rules and become something truly unique. And that's the path of mastery in any craft.Michael Jamin:Yeah. Yeah. Cool. And that's actually part of the fear as I was talking to my wife Cynthia this morning, cause I'm putting, getting ready to put my book out, a paper orchestra, and I'm like, once I put it out, I can't stop tinkering with it. I'm done. I no can no longer tinker with it. I'm done. And that's going to be a little difficult for me because I can't, there, there's always things that I wish I could do different when I look it over and it's like, no, you got to let it go. And now she's like, well, that's what your second book is for, is to do things differently in your second book, but you got to let it go at some point.Phil Hudson:Yeah, excellent point. Jenin, Macumba music. And I apologize if I mispronounce that I have a pitch meeting with a big league company. I am terrified. Any tips on how a pitch meeting should go?Michael Jamin:You should pitch them what you think it should be and then you should be open to hearing their ideas and incorporate their ideas and make them feel ownership in it. Because if you say, no, no, no, this is my way, the highway, well, they're not going to have any pride of ownership, but if they bounce an idea off you and they go, oh, and that excites you. Oh, that's interesting. Yes. Even if it is your idea, but they're just rephrasing it. I love that. Make them feel like it's their idea. Make 'em feel like you're being heard, that they're listening, that you're listening to them. That way they will fight more because it's their own, now it's theirs. So they'll fight for it. So 'em in them inPhil Hudson:It's a collaborative medium, despite the fact that you're the writer. It's many hands, lots of people, lots of iterations of it. What gets submitted and is not what you shoot. What you shoot is not necessarily what's going to air because there's editing, there's lots of iterations of this.Michael Jamin:And I tend to fall in love with whatever draft I'm working on, and then we'll get a note that's terrible and I'll do the note and I'm like, oh, this is pretty good because I fall in love with whatever. And then my partner will say, don't you remember how much you hated this note.Phil Hudson:That's so funny. One note, it's a bit of a tangent, but I think is an important note here. You've said in the past what you do when you're doing a new version is every day when you sit down, you save a new draft of your script so that you can always go back and you keep that. That's not directly related to pitching, but I think it does speak to keeping your versions so that you can see how it changes and grow and go back.Michael Jamin:Yeah, that's a good point. I'm going to talk more about that. But the truth is, I save him to make myself feel better, but I almost never look at 'em. I almost never go back to them. ButPhil Hudson:Glad whenMichael Jamin:You have to allows me the, but it gives me the freedom to tear it apart. I go, I still have it, I have it. If I want it now, I can just tear it apart and feel good. But if I didn't save it, I probably wouldn't want to let go of it.Phil Hudson:Yeah, it's playing. That's what your wife taught me in acting classes we're we're going to play. Yeah, right. Cool. Bobby Kin, excuse me, Bobby Kenon, any thoughts for making the transition from playwriting to screenwriting or television writing?Michael Jamin:Well, it's good for you that you're doing that story. Story. What difference does it make whether you put it on a stage or a screen, a large screen or a small screen, who cares? It's funny, when I'm writing for television, do you think I care if someone watches it on 40 inch television or on their six inch iPhone? Do I care? It doesn't change the way I'm writing it? Maybe they'll be able to see less, but I don't really, that's not my business. That's their problem. So it doesn't really change anything. It tips from becoming a playwright. Well, obviously now you have more sets to play with because on in a play, you literally can't have too many sets because where are you going to put 'em all? How are you going to get stage them? And so plays tend to be a little more talky, whereas a TV show or a movie tends to be like, well, let's wa what are we watching now? Oh, the characters on a rollercoaster. Okay, you can't do that in a play. But is story structure a story structure? And if that's something you want to learn, for sure, we got a course, you've go to michaeljamin.com/course, and we teach story and story structure. SoPhil Hudson:Yeah, there's another question in here and it's kind of buried, so I apologize. I'm not going to find the person who said it, but they asked the question. Oh, here it is. Mark Mohawk. And I think that's a fake name. It's not really. Yeah, mark Mahaw. I was going to say, yeah, I, I'm worried I'm saying something.Michael Jamin:I was going to make a joke about his name.Phil Hudson:Can you talk aboutMichael Jamin:Mark, what is itPhil Hudson:In? I think this relates to that, talking about different sets and things. When you talk more about shooting things on your own, when shooting diy, would you prioritize dialogue for budget purposes?Michael Jamin:Well, I prioritize story. The priority is you could shoot everything on your phone. The only thing you have to have is good sound. And I would, that's critical. If the sounds bad, I don't care. You don't want to, if I'm hearing wind noises more than the dialogue, if I'm hearing the background actor of more than the foreground actor, that's a problem. So sound is really important. More so than camera, work lens with camera, you're going to shoot it on, but prioritize dialogue. You should prioritize tell telling a good story. So if you could tell a story with no dialogue, that's fine too.Phil Hudson:Yeah. Aaron Sorkin, lots and lots of dialogue. Yeah. Lots of other writers. No dialogue. I think the movie Drive, have you seen Drive?Michael Jamin:Loved it. Very fluff. Yeah.Phil Hudson:Blew my, blew my mind. Dude. Barely talks. Barely talks. Yeah. But it's so emotive and so expressive and it's just so masterfully shot. Yeah. Yeah. So you're saying if it calls for it or if that's your style, and maybe that will develop your style. I think in film school, it was an indie film school that I went to, and they focused a lot on that. It's like what assets and resources do you have? And utilize the tools that you have to make what you can. Yeah. That might be a park bench. And you've talked about that as an example in the webinar you did.Michael Jamin:Yeah.Phil Hudson:Park bench. Two people talking could be boring. Put it in the living room. It's one of the greatest shows ever made.Michael Jamin:Yeah. All in the family, right? Yeah. Yeah. Yep.Phil Hudson:Cool. All right. This is another one of those dub boy, d a u boy. B o y I. Sorry, I slotted that. All right. Your recommendation for new writers to be good or contribute in a writer's room?Michael Jamin:What's my recommendation? Yeah,Well just know that you're not getting paid what the more senior writers are getting paid. And so, God, I was just listening to, who was I listening to? Saying the same exact thing, which is relax. I mean, you're a new writer. Just relax, soak up, learn, be a sponge. Don't feel like you have to argue, don't feel like you have to contribute too much. Y you're Jo, you're going to be white knuckling it the first several months, if not seasoned, because you're going to be in way over your head. So just absorb, don't feel compelled that you have to contribute as much as everybody else. My feeling, because just talking to hear yourself talk is not helpful to the rest of us.Phil Hudson:I was talking to a friend who is a staff writer on his first season, and he said, I asked him how it went and asked him if he was nervous to talk. And he's like, what I found interesting is I knew better than to talk very much only when I had a good idea, but I didn't feel that the people just above him, the story editor and senior story editor were talking enough, they were not contributing enough. Oh,Michael Jamin:They were not.Phil Hudson:And feedback from the showrunner, he said, was that the showrunner agreed that those people were not carrying their weight. So at what point, what's the transition point? At what point do you feel like you should be contributing more?Michael Jamin:And it's really hard to know. I mean, that's why it's so important. AndPhil Hudson:Maybe we should clarify for people too. What are those levels, right? Because it's story, it's staff writer, story editor, senior story editor,Michael Jamin:No, executive storyPhil Hudson:Editor. Executive story editor. And then it's was itMichael Jamin:ScriptPhil Hudson:Co-producer,Michael Jamin:Producer,Phil Hudson:Producer. Go ahead.Michael Jamin:Super. Then supervising producer, then co-executive producer, then executive producer. And so the higher up you go, the more you're expected to contribute. And that's why in the beginning, I didn't even know what a good pitch was. I didn't know what a good pitch was versus a bad pitch. The more you learn, the more, yeah. I mean, that's one, when we talk about it in the course, I think one of the valuable parts of the course is hopefully when you go through it, is you get a sense of what a good idea is and what's what story structure is. So you should know you damn well should be known at the end of the course. What constitutes a good pitch? What does this be? What should that beat be? What is a story? How does a story unfold? How does the scene unfold? This is all important stuff that, so you're not just throwing out ideas. I think a lot of problems, Hey, what if, well, we're not pitching, we're not playing. What if right now we're actually trying to break the story. And we're not free reigning right now. Now we're further down the road.Phil Hudson:Just a note, note on the value of that segment about knowing what a good idea is this season in the Tacoma FD writer's room, when I was sitting there, I'm trying not to talk other than I'm answering a question or providing research, because that's kind of my role. And I remember you were all trying to figure out what are we going to do for the cold open of this episode? And you were thinking of an interesting reason to get our firefighters there. And for whatever reason, this story popped in with my friend had a roommate who jabbed an EpiPen into his leg backwards, and it hooked into his thumb, but he was super drunk, and so firefighters had to come. And I just pitched that and I just remember everyone be like, that'll work. And they wrote it up and that was the working cold open. And it changed and it didn't work because they did something very similar later. But I was like, oh, perfect. That was a good idea. Proper time to bring it up. And it worked like that, right? Then that came from your course.Michael Jamin:Oh good. Yeah.Phil Hudson:Yeah. Cause I wouldn't have pitched anything. First of all, you say don't talk if you're an assistant, but secondly, I did. I knew it was a good pitch because of your course, and that's why I opened my mouth and it was on the board for a week. So yeah. Yeah. Made me feel warm and fuzzy.Michael Jamin:Absolutely.Phil Hudson:Awesome. Lorenzo, can you name a couple of screenwriters you respect and you think could be a good source of technical mastery?Michael Jamin:Well, John Hughes, I, I don't know him personally or, I dunno if this person talking about people I know personally. I mean, I love John Hughes. The Breakfast Club is a play, is a stage play, but it was a movie, but it feels like a stage play. So it very talky and wonderful and so authentic. And it really felt, he remembered what it was like to be a teenager.Phil Hudson:All of his movies capture that time. I mean, it's a John Hughes movie. You know what it is when it's coming up becauseMichael Jamin:Yeah. So is there anybody better than him? That's my opinion. No, but that's the style of writing that I like. So Sure.Phil Hudson:Michael Scott, and I think, I don't know if you want to bring this up, but occasionally when you do the webinar, you will give away a free access, a free seat in your course. Lifetime access.Michael Jamin:Yeah, that's a good reason to show up.Phil Hudson:Michael Scott won. Michael Scott was our winner. Oh,Michael Jamin:That's right. He won. Yeah.Phil Hudson:Yeah. So Michael Scott said, do you recommend attending PGA West Producers Guild of America events and networking with showrunners? I think he might mean wga a West.Michael Jamin:Yeah. I've never been to a PGA Producer's Guild event. I don't even know what kind of events they have. And show runner goPhil Hudson:The West, I think means he, he's means wga a, but Michael, I'm sorry. I've forgot that wrong.Michael Jamin:Well, I would, I'd go, but I wouldn't go for a net. I wouldn't go to network. Net networking is gross. People smell it a mile away. I say network with people at your own level, which might be which, whatever level you're at, that's who you network with. Don't network. You don't have to kiss the ass of the show of some showrunner. He or she will smell it a mile away network with people at your own because they rise up. They'll rise up as assistants become whatever, agents, managers, writers, that's your friend group. That's your circle.Phil Hudson:Yeah. I've talked in the past about the Writer's Guild of America Foundation who puts on these events. They have this thing called the Golden Ticket. And when I first moved here, that was what I did. I paid the money for that, and it got me a front row seat at all of these events. And what that allowed me to do was just have a better learning experience and the opportunity to have conversations with these people if I wanted to. And I remember I went to the WGA in Hollywood, and I was riding the elevator up, and I wrote up with John August, and I had met him at Sundance where I was doing translation work. So I was like, oh, hey John. And he was like, oh, hey. And I was like, yeah, I was the Sundance translator. He was like, oh yeah, that's right.And he was like, you enjoying la? And I was like, yeah. And that's all I said to him. And it's cause it just wasn't the right time to attack the guy who's had to go talk on stage and read the room. I understood dynamics, just acknowledge I knew who he was and we'd met before. That was it. That was the most networking I did at any of those events outside of the other people who had paid for the golden ticket and because we were talking to each other every week and sitting there and going to the festival that they put on, I met a lot more people through doing those things.Michael Jamin:That's your net. That's networking. It's not gross. It's not, Hey, what can you do for me? Hey, let's just chat. Yeah. We have something in common.Phil Hudson:Cool. Danny Casone, I'm probably messing that up. How do you develop better writing skills and how do you find someone to bounce your ideas off of?Michael Jamin:Well, the one thing we have in our course is a private Facebook group, and those people trade scripts, and they've all been through my course, so they have some degree of knowledge. So that's a great way to do it. But what was the first part? How do youPhil Hudson:Develop better writing skills?Michael Jamin:Oh yeah. You take classes. That's how you do it. You learn. I How are you expected to do it? How are you expected to do it on your own when you don't know? Yeah. Read. That's why you take a course.Phil Hudson:Read, read and apply. That's the other thing is you can get too caught up in learning how to do something. And that is a form of procrastination because you're not sitting down to execute. You're going to learn a lot more by executing and reading it and realizing how bad it is than you would learning and learning and learning and not sitting down and just doing the work. So yeah, don't procrastinate, just do the work and you'll learn a ton. But as far as ideas, like you said, it's the private Facebook group or the people you're around, all those things. Someone else asked in here, although I'm not a member of the course, can I sign up for the private Facebook group as long as I'm carrying my weight and contributing,Michael Jamin:No, sorry. Sorry.Phil Hudson:You got a lot of those requests.Michael Jamin:Sorry. Because that's just the role to get in. It's like the people who put skin in the game, they've been to the lessons, they're contributing with their knowledge with what they've learned. It's not social hour. It's like it's class. So it's like saying, Hey, can I just go to med school and contribute? Well, no, you're either in or you're out. Yeah.Phil Hudson:The And the quality of every interaction in that group is better because everyone is coming at it from the same foundation.Michael Jamin:Yeah. Yeah. I do think they're very serious. I do think the quality of the conversations in that private Facebook group, cause I see it, the comments and I believe comments, it's very high. It's much higher than, say, way higher than Reddit, way higher than some public Facebook group. It's way, hi. It's just higher.Phil Hudson:One example I'll give on that, A friend of mine was like, you got to join this Facebook group. It's awesome. And I joined and I was just trying to introduce myself. I was like, Hey, I'm Phil. I'm new the group. I just wanted to share this thing that I heard about Steve Spielberg said that the opening shot of every film is a metaphor for the whole thing. And I got berated by 50 people saying, I thought everybody knew that this is, what do you mean you're just learning? And I was like, you guys are dicks. I'm out. And I just left the group because I was like, you are not my people and I do not want to be in here with you.Michael Jamin:Yeah, there's a people, yeah, exactly. People on social media could be dicks and I don't see any of that going on. Maybe because I think they know. I'll kick 'em out if I see thatPhil Hudson:You will. Another on that note. So one thing you and I have to do for the course is there's this whole thing that you did with me, which is coming up with an idea, breaking an idea, writing the idea, and getting a pilot. And it was a pilot episode of Tacoma fd, and we still have to go over that final script because someone was like, Uhland. And the group was like, Hey, Phil, did you guys ever, did you finish it? I was like, I did. I need a, it's printed. I just need to send it to Michael so he can give me notes.Michael Jamin:Yeah, we'll do that'll talk.Phil Hudson:And he was like, well, I was just revisiting and I always thought this be this moment at the end of your act too. And I was like, dang, that's better than what I wrote. And then he was like, then maybe this is how the Eddie comes back. I was like, dang it, that's better than what I wrote. Right? This is just, they're thinking about story at the same way. And I was like, I learned some valuable things off of those two comments, and he hasn't even read the script.Michael Jamin:So yeah, it's a good group.Phil Hudson:Yeah. All right. Manola films, can you please talk about the show Bible? What is a show bible and do we need 'em, I think is the ultimate question.Michael Jamin:No, I don't think you need, no. The show Bible, when we work on a show is the writer assistant or the S script supervisor will assemble the episodes that we've shot and put it together and for whatever reason, whoever needs to look at it. I'm like, who wants to look at this? When you're pitching, you think you need a show, Bob, because you want to sell a show, but you're not going to sell a show. So what are you worried about? Your writing sample? Your script is a writing sample. It's a calling card. It's for you to get more work. Why put the, you're not going to, what are you going to do with the Bible not pitching anybody? And if you do pitch someone and they want a Bible, fine, they'll put together a Bible. But that's not what the point of your main goal right now is to have a killer script as a writing sample. That's hard enough. Forget about a Bible.Phil Hudson:There's another writer who's pretty active on TikTok and social media, and he was talking about a Bible, and I asked him, I was like, what do you think the value of the show Bible is? Because I've heard I shouldn't need one. He's like, well, you got to know where your story's going. So when you pitch, you can answer the question, what's where are we going? What's going on? So understand that much about it if you're in the opportunity to sell it. But he wasn't advocating for what I think the pros and the experts are referring to as a bi bible, which is this character and his backstory and his arc through seasons one through 10. And this is the, it's not the detailed, it's just know where you're going with your story. There are also some really interesting Bibles story, Bibles that are available online that I won't link to because they're not our ip. They're not something that you want to link out to, but you can search for 'em and find them. That again, is literally what you said. It's something that an assistant does for the show.Michael Jamin:SoPhil Hudson:Monica, and by the way, it's to help the writers, the new staff writers. We had new writers on Tacoma FD this season, and they were asking me for that, and we didn't have a Bible, and so I had to send 'em all the scripts and they had to read through all the scripts instead of just reading a bible to understand what stories have been told, who the charactersMichael Jamin:Are. They should be reading the scripts anyway. They should. That's the thing. There youPhil Hudson:Go. Yeah. Okay. I'm putting that on you guys. If you're listening. Sorry, you didn't complain when I sent you the script. Yeah. Monica B, what about if you work in a different area of Hollywood, for example, does that experience help when you are ready to pitch a script?Michael Jamin:No. No, it doesn't. I mean, it's great that you're working in Hollywood. Maybe you can make some connections, but if you are working in post and you don't want to, if you want to be a screenwriter, just know not where we, that's not the bullpen. That's not where we're pulling talent from. You're close, the closer you can get physically to the job you want, the better. So you're getting close, but eventually you want to get in on the production side, you want to get closer to the writers. It's good that you have that job, but it's not a transferrable skill.Phil Hudson:I've turned down those jobs because it's not the direction I want to go. Okay.Michael Jamin:Yeah.Phil Hudson:So Flyboy 2 43 is starting out writing as a hobby part of the way to become a professional in your spare time if you're at the bottom.Michael Jamin:Yeah, you should be writing. Yeah. If you enjoy writing, you for sure if you like writing, but if you don't like writing, if you're not writing as a hobby, then what makes you think you're going to like it as a profession?Phil Hudson:Philip Mullings Jr. Can you use scripts that you've written on a show as a staff writer in your portfolio?Michael Jamin:Well, I don't have a portfolio. None of us have a portfolio. We just have writing. We have scripts that we've written. So if you were creditPhil Hudson:Staff, right, you have a credit that your agent's putting out there.Michael Jamin:Yeah. But if you were, say you were on a let's staff writer on floppy in the Boys on the Disney Channel, and you wrote a script, fantastic. But if you're trying to get work on some other show, a sophisticated adult show you're floppy in the boys script that was produced is not going to be of any service. So you know, have to have a writing sample that will match the tone of the show you want to work on.Phil Hudson:Yeah. Got it. Alex Zen Draw comics. What do screenwriters do when they're having health problems that may hinder their writing pursuits?Michael Jamin:Well, what are you going to do? I mean, if your health comes first, what are you going to do? You have to be healthy enough to write and healthy enough to work. So that's a problem. What do you do? You know, focus on getting healthy.Phil Hudson:I wanted to include this one because it's an area we haven't talked much about, which may be like the W G A health benefits and some of those benefits that you get from being in the guild. I can tell you, as someone who previously held an insurance license, disability insurance is probably a good idea for most people, which is if you are unable to perform your work for which you get paid, you can get a percentage of that pay. Now, that is not an endorsement for anybody or anything, but it is something to consider for every adult. If I get a hand, if I get handicapped or something, how am I going to pay my bills?Michael Jamin:Yeah. It's just very hard to prove disability if you're a writer, because as long as you have a functioning brain, you can still write. So disability's easier if you're working on a construction because you can't, how are you going to climb a ladder? But if you're hard to prove if you're a writer,Phil Hudson:Interesting. As far as the WGA benefits go for the health plan, I mean, what does that look like? And I think, correct me if I'm wrong, but you have to earn a certain number of points or pay a certain amount into the Guild Fund every year to maintain your benefits.Michael Jamin:The health benefits being in the Writer's Guild gets you health insurance as well as pension, but you have to earn a certain number of points every year to continue qualifying for them.Phil Hudson:And if you don't qualify, is that like a Cobra situation where you're paying out of pocket for those benefits or you get youMichael Jamin:Accrue points so you have a certain, the more you work, the more points, and then if you're unemployed for a year, usually you just draw this point bank that you have and that'll deplete itself after pretty quickly depending on how long you've, your history is. And then after that, you can have a COBRA situation where you get to pay out of pocket,Phil Hudson:Which is expensive. Yeah, but prioritize your health. That's something I'm learning the older I get, especially having children now and people who rely on me is your health is the number one thing, because without it, you cannot provide for your family. You cannot do anything. So Right. Make time for that. All right, Peter Cat, this feels very Russian. Peter, p i e t e r k e t e l a a R. I apologize to everybody for my poor phonetics. What kind of stock do you put in a blacklist score of eight for a pilot in hand already?Michael Jamin:I have no idea what an eight means or what, I barely know what the blacklist is, so I'm going to say, what kind of stock do I put in that zero considering I don't even know the question.Phil Hudson:I knew that was going to be the answer to the question, which is why I included it. Because for those of us who are what we call pre WGA people trying to break into the industry, we put a lot of stock in the blacklist and what that means. But I had a volunteer at Sundance that I met years ago. She had a script that one was on the blacklist, and she had meetings about it, and then she rewrote the whole thing and changed it all up and spent two years focusing on that script instead of walking away from it and working on another good piece of material. And a lot of my conversations were pitching things to her because of your course that ultimately she was like, well, that was in my first draft. That was in my first draft. And she's just getting lots of bad feedback. So the points don't matter. The listing can get you meetings with people, but ultimately you still got to be able to put in the work, and you have to have multiple samplesMichael Jamin:Because multiple samplesPhil Hudson:That might get you into a room, but what else do you got?Michael Jamin:You tell me you got an eight or whatever, or 108 on blacklist. I don't really care. Let me just read the script. I'll decide whether I think the script is good or not. I get to decide that and whoever, whoever's reading it gets to decide. So yeah, it's not like, oh, this person's got an eight right this way. No, I don't care whether you got a zero. If it's I read it, I decide.Phil Hudson:Yeah. Another question from Peter, this was from the webinar where you talked about networking should be at your level or beneath you, right? Because yeah, and we talkedMichael Jamin:About this. That's why I feel this episode. It's my opinion.Phil Hudson:What should my beneath me look like?Michael Jamin:Oh, well, I mean, it's anyone, it's, I mean, I don't know. ThisPhil Hudson:Might be two, taking two as too. So lemme just throw the other one out. What is something that is beneath me? What is something I shouldn't spend my time doing?Michael Jamin:Well, right. Nothing's beneath you. So if your neighbor is saying, Hey, I want to shoot a movie in my backyard, sure, I'll do it. I'll help if I'm just above that level. Yeah, not, it's like, because anybody who's showing any kind of ambition, who's just trying a student at a film school, whatever, get involved in them. If they're going to get out of film school, if they want to stay in the industry, they'll stay in the industry and then they'll work their way up and then you'll be right there with them because you're helping them under their projects. And maybe they'll help you on theirs. That's your class, that's your graduating class. So is anything beneath you? No. As long as you have the time to do it, get involved these, because no one, it's so interesting when I talk about stories from my past, I think it's easy to, and I talk about, oh, this person I know this famous person, this or this successful person, that successful person at the time, they weren't successful. They were just people, and most of them didn't mount to anything in the industry, but some of them did. And that's, some of them did. That's it. So you know, get involved in everybody.Phil Hudson:But it goes back to the thing that's a common theme on our podcast, which is serve everybody. Give as much as you can without any expectation of receiving. Because if you're doing it because you, you're betting all your cards on that horse, everything you got on that horse to win the race, and then they fall out. Well, yeah, there's some manipulation and some self-serving that goes there, and intention has a smell, so we, you're going to stink. It's not good.Michael Jamin:I worked in a show called, I was a PA on a show called Hearts of Fire, which was Marky Post in John John Ritter, and also Billy Bob Thornton was on it actually. And it was a Linda Bloodworth Thomason show. And so there was two young staff writers in that show, which I kind of hung out with them a bit because they were closer to my age and they were, because they were staff writers. Maybe they're a story editor, I don't remember, but they're low. They were low and very low in the totem pole. And I hung out with them because they were closer to my level and they were nice to me. Those guys turned out to be David Cohan and Max Muk, who created Will and Grace years later. I didn't know that at the time. They were just a couple guys my age, a couple years older, and that who I didn't have to kiss anybody's butt, they, I was at pa, so they were definitely above my level, but still they weren't setting in the world on fire at thePhil Hudson:Time. Yeah.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You could unsubscribe whenever you want. I'm not going to spam you, and it's absolutely free. Just go to michaeljamin.com/watchlist.Phil Hudson:All right. Taylor Cole, I have had a consistent career as a film producer. How can I best transition into television? I'm assuming television writing.Michael Jamin:Oh, yeah. With TV writing, how can you be? Basically, you're where everyone else is. My answer to you is the same as everyone else. Write scripts, show them. If you have a movie that did really well, give a hit movie that you should have no trouble. You should, people fi, if you made a movie that no one saw, you're going to have a problem. If you made a hit movie where there a breakout at Sundance, people are going to find you. People are going to find you. And that's how I've been doing the whole webinar. I don't want to say too much because I, I've, I've coming up, I want to talk about examples of this, about people who breakout people and how they broke out. And I'm going to talk more about it. And so sign up for one of my webinars that michaeljamin.com/webinar. But, cause I'm going to talk about this for about an hour, but how can you, my advice to you is the same as everyone else. I hope you're, you're following me everywhere and just soaking it up because it's no different for you.Phil Hudson:Yeah, there you go. Shane Gamble. I live in New York City. Do you think it is better to move to LA or should I focus on the network I've currently built here?Michael Jamin:Where's Hollywood? And Hollywood is in la? There is some, obviously there's theater, there's probably more theater in New York than it is in LA that interests you. In the end, you're probably going to have to come out to Hollywood. There's not much of a network out there. This is where it is. I'm from New York. I moved out here because this is where Hollywood is, so yeah.Phil Hudson:Yep. Now there's writing there too, but if you don't have the network there in the writing space,Michael Jamin:Some shows are shot there. But the writing, most of the time the writing's done here. 30 Rock was shot and written in New York, but that's only because Tina Fay didn't want to leave New York. Everybody else does it here.Phil Hudson:Yeah.Michael Jamin:So you might get a job. Let's say you've got a job in New York writing on 30 Rock. Great. How are you going to make a career? Because that show is done. It's not on the air anymore.Phil Hudson:Good point, right? Ariba, how do I work through the problem of getting stuck between my script? Any exercises that I could help work through that I'm currently writing a short film and I find myself stuck midway.Michael Jamin:You don't understand story structure. You didn't break your story cro correctly, which is why you're stuck, which is why you don't know what your characters are going to do. You don't know what to do it. So I don't have any quick fixes for you. I could teach you story structure. I could teach you, which is what the course is. No, I don't have a tip. I teach, I teach you how to become a writer. There's no tips. It's not a tip situation.Phil Hudson:And the course is currently closed. Maybe it's not. When this comes up, probably will be. But the course is currently closed and we open it up once a month at this point for people who want to join. So yeah, best way to know about when is to sign up for the webinars because there's some specials in the webinar and you have a chance to win the course. But also, typically I can not going to promise that every time. I don't want to speak for you, Michael, but yeah, that is typically the best way to find out when the course is going to reopen.Michael Jamin:Yeah. Yeah. But yes, unfortunately I don't have any tips. I don't have any exercises. I, I'm going to teach you how to become a writer. I, I'm going to teach you how to write basically if you want, want to take the course.Phil Hudson:One of our really early episodes of the podcast talked about writer's block and about how, sorry, you're a professional and you talked about that recently on another webinar as well. So that's some place to look for some advice on this as well, is work through it, make it happen. But you got to learn the story structure.Michael Jamin:Yeah.Phil Hudson:Cool. K M C, if I'm writing an entire series, are the accumulation of episodes enough or should I spread out to other writings too?Michael Jamin:Why we write an entire series? That's first question.Phil Hudson:That is advice.Michael Jamin:You got to write one scriptPhil Hudson:That is advice people get, Michael, is you should write an entire series.Michael Jamin:No, write one script. Write one episode that just killer. Write one. Just one. A lot of times, and we were talking, we talked about this privately where someone wrote an entire series and you read it and you're go, no, you just basically took the contents of your pilot and script and spaced it off on 10 episodes. So you have structure 10 episodes of they No Structures. They have 10 episodes of garbage, of they have 10 episodes of Boring when they should have just made one episode. That was great.Phil Hudson:Their intuition for what an entire series is was literally a pilot and everything else was just pipe and unnecessary, confusing, meandering and a lot of, I think one of the early critiques I got in writing, and I've heard many times and felt many times for other people, is a lot of things happening, but no one's doing anything.Michael Jamin:Yeah, yeah. You know, don't want your writing to be that. Learn. There's studies, study your screenwriting. That's what I'm saying. Yeah. So study what a story is. Oh,Phil Hudson:So write a good poem becauseMichael Jamin:If you had known what a story is, if that person had known what a story is, they wouldn't have done that. They wouldn't have wasted all that time.Phil Hudson:Well, I gave him the notes and at the end he's like, you, because I'd only read the pilot and I was like, well, this might be this and this is kind of how structure, what your pilot would be. He's like, you just described my full season. I was like, yeah, man. Yeah. SorryMichael Jamin:Dude. Yeah. Sorry. You screwed up. Yeah.Phil Hudson:Aaron Brown. What are your favorite examples of screenplays We should read?Michael Jamin:Anything you should read. Good. You should read bad. You should read if it's good. You got a stack on screen, please?Phil Hudson:Yeah. I've got Ladybird ready, player one, aliens, which is one of the most popular scripts I think people are recommended to read. James Cameron Unforgiven, which is the script that famously sat inside of blanking on his name.Michael Jamin:Was it Clint Eastwood?Phil Hudson:Clint Eastwood, yeah. Sat, he bought it, put it in his desk, and then waited, I think like 20 years till he was old enough to play the part. And one in Oscar one multiple Oscars. I got Drive, which we talked about recently. This is one of my favorite scripts, Armageddon, which was a big block buster, but just a bunch of scripts that I think were stood out. But I think when Oscar season comes out, the studios release their nominated scripts and you can find 'em publicly. So that's a great place to go to find really good stuff. These are what the industry says are the best scripts right now.Michael Jamin:And you can also go to the Writer's Guild in West Hollywood, or actually it's HollywoodPhil Hudson:Fairfax. Yeah, li It's in Hollywood. Fairfax. Yeah.Michael Jamin:They have a public library. You don't have to be a member, you have to make an an appointment. That's it. And you can read for free a bunch of scripts. Read good ones, read bad ones. If you read a bad one, why don't I like this? And don't say it because it's boring. No. What exactly do you not like about this? If you see a good one, why do you want, what do you like about this script? Why do you want to turn the page? What makes you want to and be specific, not because it's compelling, say it. No, because what about it? It makes you want to turn the page and so you can learn from good or bad.Phil Hudson:Yeah. Awesome. We got a few more questions here and then we'll wrap it up. Michael. Yeah. Kaya, Kaya link, again, probably ruining your name. I apologize. How long should these sample scripts be? Wait, how long should a sample sample be?Michael Jamin:If you're writing a half hour or an hour long, it should be match, whatever. If you're a drama writer, it's going to be an hourPhil Hudson:There. There's a note at the back end of this. It says, feature, should I be writing fe? I'm putting this together fe Should I be writing features every time or should I try TV scripts and all those different things.Michael Jamin:I think you should write whatever you want to write, whatever kind of writer you want to be. Personally, I think you'll learn more from being a television writer than you'll. You'll learn more in a year than you would learn in 10 years. Writing features just because of you're learning. You're working alongside other writers who are experienced. It's like, I don't even know why you wouldn't want to be a TV writer first and then move into feature writing if that interests you. But you'll learn so much from working aside alongside professional writers. There's so much to be gained from that. Whereas if you're working in features home alone, good luck. Good luck.Phil Hudson:On that note too, the industry is focused on TV right now, not features, and they're really a handful of people writing features. Yeah. It's not to say you can't be that, and there's always the indie feature side of things that you can do to write, but I mean, effectively, this is the same advice you gave on TikTok recently on that clip you did, right? Starting television and then move, expandMichael Jamin:Out. I think so, yeah.Phil Hudson:And Michael's got a lot of great stuff. We talked about it before, but go check about @MichaelJaminWriter on TikTok and Instagram and Facebook and Twitter and everywhere. Yeah. All right. Gianna Armin trout. How should you study other TV shows to learn story structure, breaking a story, et cetera? What should I be looking for when I'm watching other shows?Michael Jamin:Yeah, I, and that's exactly what the course goes into. I mean, the problem is if you want to just watch, go ahead. Watch as much as you can, but what you're not going to know what to look for, you're not going to know. That's the problem. And the same thing with reading. I think it's, you're just probably not going to know. And so I explained in the course, this is what you need to be looking for. These are the moments, these are the act breaks. These are the middle of two, this is the top of three. This is what you need to be looking for. These are the patterns you're going to see in smartly written indie movies, smartly written blockbusters and smartly written foreign films. And they all have a lot in common. And just because you and television as well, and just because you think, well, I don't want to learn story structure because that's formulaic and it's not formulaic. These are just things that a good story has. These are just things they have in common. SoPhil Hudson:When I was in film school, we were given the task of picking whatever show we were going to write a spec episode of, and then getting a stopwatch out and then timing the scenes. That seems logical, but ultimately what you don't realize is that's what the editing is. That's not necessarily what the script was and what it was written as. Yeah. And yeah, it's not hitting the important points, which is what beat should I be hitting here? How soon do they introduce this information?Michael Jamin:And I don't even get that. What are you going to do? You're going to write with your stopwatch next to you, or you're going to write and you go, oh, this is page three. This better happen. What do you mean? How are you supposed to make that work?Phil Hudson:That's a lot of screenwriting advice. Michael, this page on pageMichael Jamin:Three, this happened, I don'tPhil Hudson:Understand it. By page 10, this needs to happen at the end of a page 25, this moment should happen. And page 45, this should have page 60. This should happen, right? That's traditional, open, most screenwriting books. And IMichael Jamin:Don't get that. If you were to write a story, whether it's for television or just a story, and like I say, this is what happens. You need to have at the bottom of act one, if now, if you're bottom act one is on page 15 or 17, does it really matter? Does it really matter? What difference does it make it? You're off by page and a half. What the, who cares? And you could always cut it a little bit. If I don't, I don't know. I just don't approach writing that way. It's like it's a story. Whether you want to put the story on a television or on a stage or write it in a book is, and you get to decide whether you want it to happen on 19 or 17, what difference does it make? Really? What difference does it make?Phil Hudson:There you go. Hi, waha Henry are pitch decks, the new calling card. I've been asked to submit pitch decks instead of a script.Michael Jamin:Who asking? Who's asking you these? I want to know. I want names. Who's asking?Phil Hudson:My experience in Hollywood is that they are the people who are not actually producers.Michael Jamin:There is the problem. I want to know if you're a good writer first, if I'm going to get into business with you for anything, whether I'm going to finance your movie, and I don't finance movies, but that or staff you on a show, I want to know, can you write, can you tell a good story? That's the first thing. And if you can't, I don't really care what your pitch deck looks like.Phil Hudson:I had done some work for a production company out here, and the producers were like, well, we'd love to read what you have. And I was going to send my script. And they're like, do you have a story bible? This goes back to the earlier question. I said, I don't, do you have an example of what story Bible you want to say? This was years ago before I realized kind of your advice on this. And they sent me, this is one we think is really good, and it was a pitch deck. That was what piqued their interest. And then they read the script and it's like, these people are just trying to make a dime. They're not necessarily trying to put out the best content that they can, and they're intermediaries and they're not the guy with the overall deal at a studio that can just walk in and present what they want to make.Michael Jamin:Yeah, justPhil Hudson:It's aMichael Jamin:Different level. I don't understand. It's all smoke and mirrors, I think, whoa, the picture that looks great. Really. Are you trying to get hired as a writer or not? Yeah, I'm not a graphic artist.Phil Hudson:Generation X. How can you find someone to read your work who has experience and won't steal your idea?Michael Jamin:Well, where do I be doing this?Phil Hudson:Two notes on that one. I know, right? That's why I brought it. Yeah, that's why I put it in here.Michael Jamin:Where do you begin? Well, your agent will submit it and we'll only submit it to reputable places. Then the question is, well, how do you get an agent? And that'll be talking about that on all my webinars I got, I'll talk about it again at some point. How do you worried about They want to steal your idea? Well, who you're giving it to. Don't give it to some clown at Starbucks. What was the other question?Phil Hudson:How do you get someone with experience to read your work? Oh,Michael Jamin:How do you get someone to experience? Well, you have to bring more to the table. Why? Why would they, like I have experience, why would I want to read your work? If I'm staffing for a TV show, I will go out to agents and managers. Give me the, I'm not going to, I don't go to people off the street. Yeah. I don't hire people off the street, so don't give me your work. Cause I'm not going to hire you. I'll get it from an agent. Well, how do you get an agent? That's a different question. Yeah, but it's not, you don't get people like me to read your work. You. No, you don't. I mean,Phil Hudson:I think this fall, I will have known Michael for 10 years. I've asked him to read maybe three things.Michael Jamin:Yeah, it's a big deal. It's a big deal to get somebody to read again. You're telling him to sit down. Somebody said that to me on DM Me. It's like, Hey, would you mind reading my screenplay? Would I mind giving up my Saturday afternoon sitting down, reading your thing, coming up with notes, getting on the phone with you, deliver my notes? What if I said to my dentist, Hey, my two hurts. Would you mind taking a look at it? My dentist say, no, not a problem. Not at all. Go call my office. Make an appointment. Bring your insurance card and your credit card for the deductible. That's what he would say. Yeah, it's business. It's professional that. What do you expect? No.Phil Hudson:Michael kindly offered to read something and I sent him the first script I wrote, and he referred to it as a Frankenstein. And I was like, oh my gosh, I know nothing. And this was five years into studying on my own. And I didn't send you anything else to read until it was a spec I wrote in film school. So that was probably three years later. And then the last thing I sent you to read was just last year. And that was the first good thing. That was the first thing. And your note on the second thing is, I can tell you're a competent writer and you can capture the voice of the show, but all your other notes were about my structure. It still wasn't there.Michael Jamin:And then the third piece was you're like, okay, now you're finally getting it right. Yeah. Now you're finally getting it.Phil Hudson:Yeah. And I consider myself egotistically to be a smart guy, but it really took off when Michael put his course together for me. And I'm your biggest advocate for that thing. All right. Danny Casone again. Have you met Mike Judge and Mark Marinn? They're geniuses, by the way.Michael Jamin:I've worked side by side with both of them. Mark more so than Mike, because I was the showrunner of Mark's Maron show on i c. So we worked side by side for four years. Mike, a little bit less, but I wrote on King of the Hill and Beaver and Butthead and Beaver was in Butthead he would send us, well, we write the scripts, and then he would send us which videos he wanted to make fun of. And so we would watch those. Then we'd go to the booth with him, we'd watch it over his shoulder, we'd pitch jokes, and then he would run into the booth and do the voices and kind of change, do it the way he wanted to do it. But yeah, but they're both great guys. Both of them are great.Phil Hudson:There you go. All right. Final questions. There's two, but one of them is like eight questions because it's the same question we get every single time you do a q and a or anything else. Same question. So I'm going to read two. First one, amalgamation of things. Should I use a script consultant? What are your opinions about people who call themselves professional readers, who give notes? Can you recommend a good script reading service? And how much should I person pay for that service? Do you have any readers or reader services to recommend any or to avoid?Michael Jamin:Okay. Woo. I would avoid anything called a service. Anything. If you can find a retired screenwriter or a screenwriter who has time on their hands and go check out their imdp, pay I mdb paid, check out their credits, read their work. If you could find something like that, and there are people that exist, those are the ones you want to pay and pay them. Whatever they ask, the more experience they have, pay them more. I personally, I would rather find someone with more and more experience and pay them more. If they want double because they have, they've been doing for 20 years, I'll pay double because skimping just doesn't help you. I'd pay. Their expertise is worth every penny. That's what I would say with these services, you're finding people, many of them just hiring people, aspiring writers with no more credits or than you do, no more experience than you have. And they're giving you notes and you're paying for it, and they're completely unqualified to tell you anything. They read their training brochure and that's it. And that's not how it works. A man. Now, what a else do you have to say?Phil Hudson:No, I was just going to say, I think one of the things you can think about too, to get a little tell that I just discovered this week, so I mentioned that I was asked to sign on to help a screen, a Sundance project, because of my experience with Sundance. And I think that it helps them think they're going to get a little bit ahead with having a couple other alumni and fellows on that roster. And they were going to put me in as a script consultant. I went to go see what that would look like on imdb. And right there in that same thread, it's like script doctors and script consultants go under miscellaneous crew, not writers.Michael Jamin:And it isPhil Hudson:The bottom. That's the same place where I put my writer's assistant, my writer's PR credit down there, because it's just not a value. It doesn't do anything in those. People may get hired to do work at a studio level, but I wouldn't hire them to do that on my script. You need to doMichael Jamin:That job. I dunno if they get hired a studio level.Phil Hudson:I don't knowMichael Jamin:If that's a thing.Phil Hudson:So supposedly it's a thing, but you need to know how to write. And so find a writer to give you the feedback or find the writing and how to write to give you feedback. And that's again, what your private Facebook group does and what your course does for people.Michael Jamin:Find a screenwriter who has time on their hand. Maybe they're supplementing their income, but they have good credits and they know they've worked. Don't find someone who's a professional consultant reader or whatever. I would stay away from that.Phil Hudson:And last question, which is similar vein, but I think on a high note, BW asked, what does Michael think of submitting scripts to the Academy? Screenwriting contest, which is the fellows, the Nichols Fellowship.Michael Jamin:Oh, okay. Is that, I didn't realize they were the one posted.Phil Hudson:The academy is the Nichols Fellowship.Michael Jamin:Okay. Do that one. That's a prestigious one. If you win, if you come in, if you place, eh, doesn't really help you.Phil Hudson:I've, I've heard of Quarterfinalists and semi-finalists getting some meetings off of that because it's so competitive. And the right, the that's read by actual professionals are donating their time to read and score those. Right. So it's It's definitely has more clout than anything else.Michael Jamin:But yeah, go for it. Also, go for, if you have any fellowships, do those. Sure. If they're industry things, yeah. Sometimes you can get involved in the studios offer various,Phil Hudson:But this goes back, but just this whole thing goes back to just be careful where you're spending your money as a writer. Because you can spend thousands of dollars submitting scripts to festivals thinking that award or that laurel on your website or on your script is going to help you get ahead and it will do nothing for you. And they're all, a lot of them, not all of them are money making machines to fund whatever they're doing at the festival. And I can tell you firsthand that that's the case. I'veMichael Jamin:Spoken about what I would do to break into the industry if I had to do it today. I'm going to do a few a webinar. I'm going to devote a webinar to that topic again probably in a few months. Cause I have other ones I've already planned out. We're going to do first. Get on them. It's free. It's free. That's all I got to say about that. MichaelJamin.com/webinar.Phil Hudson:Perfect. Alright, Michael, I think it's a good place to call it for the today. Anything else you want to add? Time of death,Michael Jamin:Phil.Phil Hudson:Time of death is.Michael Jamin:Time of deathPhil Hudson:Is 50 something minutes. It's a long one. Yeah. Great.Michael Jamin:All right, everyone.Phil Hudson:Yeah. Beyond that, some things you can do to support yourself in writing. So again, you don't have to sign up for Michael's course. Michael's giving a lot of stuff. If you don't have the money, you That's okay, Michael. I will. That's okay. Just make sure people are clear here because they may not know you are offering 0% financing effectively on all these things. If you want to sign up when registration's open, you can do a painful a three month or a six month plan because you said you want to make it as affordable to everyone as possible. There were some partners we had that were adding financing and we removed that option just to make sure. Yeah, it was fair to everybody who wanted to get in,Michael Jamin:And if you can't pay, that's fine. You can go, I got a free lesson. Go to michaeljamin.com/free. If you want to get on my free newsletter where I give out three free tips a week, MichaelJamin.com/watchlist. If you'd like to download some scripts that I've written and read them because they think it'll help you, and they probably will. You can also find those on my website. We got a ton of free stuff. We got this podcast. So yeah, just enjoy. Take it in, take it in. Did youPhil Hudson:Mention the watch list?Michael Jamin:I did. That's our new, yeah, Michael Gemma do com watchPhil Hudson:List. Oh, I was thinking about thinking about all this stuff was blanked for a second. All right. Well, everybody, thank you so much for your time and listening in. Hopefully this was helpful to you and make sure you sign up for the webinar where you do get an opportunity to ask Michael questions live and we dive into more detailed stuff, michael jamen.com/webinar Again for that.Michael Jamin:All right everyone, we'll see you on the next one. Thanks for listening. Bring your questions next time. Awesome.Phil Hudson:Thanks Phil.Michael Jamin:Then keep writing in. Thanks. Keep writing everyone. That's our motto. Phil came up with that. Keep writing. Yeah,Phil Hudson:One good thing. You're welcome guys.Michael Jamin:See ya.Phil Hudson:This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving your review, and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagra

"It made the thing that I love the most hard - being a mom." - Taylor Cole Kim and Kezia talk with Taylor about being a sober mom. She shares about her sober journey from heavy binge drinking, blacking out and drinking to soothe her social anxiety. She talks about all that sobriety means to her now as a mom of three young child and through the lens of a practicing nutritionist. Taylor discusses how her relationship to her husband, Kevin, was rooted in drinking as a young college aged couple together, and how she is learning to move past it. She shares how she has begun to work on rediscovering ways to exist in a world that focuses so much on alcohol. http://www.taylorcole.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/kim-kearns/support

In this episode, Matt Blank speaks with Taylor Cole.  Taylor is a member of the US parachute team, CTO of the Navy's technology lab in Southern California, stuntman, and long-time BASE jumping community organizer. His open-minded and logical approach to BASE jumping may appear in contrast to his wild antics, but after listening to this conversation we hope you gain some valuable insights into his unique and innovative approach to risk analysis and performance. Among other things, Matt and Taylor discuss canopy flight, teamwork, and the training it takes to be a world-class competitor and BASE jumper. 

The magic of the veil continues with "The Wedding Veil Expectations" starring Lacey Chabert and Kevin McGarry. Megan and Wendy recap and review the newest movie in the "The Wedding Veil" franchise, plus breakdown what they liked and what they wished for. Also, don't skip through the weekly Hallmark news as Megan and Wendy would like to make a clarification to last week's episode. Email the show: meganandwendy@gmail.com Girls Gone Hallmark hosted by Megan and Wendy is a weekly review podcast. Listen in as they recap and review original Hallmark movies. This week's movie is "The Wedding Veil Expectations" starring Lacey Chabert. New Podcast Episode Schedule for 2023 Starting the first week of January, new episodes of Long Story Short with Megan and Wendy will move to Thursdays. There is no need to make any changes to your favorite podcast app. Brand new episodes will appear in your podcast feed on Thursdays starting January 5th, 2023. Girls Gone Hallmark listeners will find new episodes on Tuesdays starting January 3, 2023. Bonus recap episodes of Hallmark Channel's new original series "The Way Home" will begin on Wednesday, January 18, 2023. More Hallmark Talk? Join Our Girls Gone Hallmark Facebook Group Join our Girls Gone Hallmark Facebook Group! Tons of great people - just like you - who love Hallmark movies. We're talking new movies, favorite movies, actors, Hallmark gossip, and so much more. Free to join, so click the link below or search "Girls Gone Hallmark" in Facebook Groups. Don't miss out on: Girls Gone Hallmark - Hallmark Movies Fan Group Hallmark News and Notes On January 2, 2023 Hallmark updated their online Terms of Use to include forbidding language that is "racist, homophobic, gender identity and orientation or otherwise objectionable.” In late December it was announced that Hallmark will film a 2023 Christmas movie at the historic Biltmore Estate in Asheville, North Carolina. As of today, the title is “A Biltmore Christmas” and stars Kristoffer Polaha and Bethany Joy Lenz. According to Bethany's Instagram shooting began on Monday, January 9th.  Christmas Con announced a summertime fan convention for June 9-11th in Overland Park, Kansas. According to their website, tickets go on sale January 13th and the celebrity guests already expected to attend are: Jonathan Bennett as the official host, Walker, Campbell, Brennan Elliot, Taylor Cole, Melissa Joan Hart, Jen Lilley, and Cameron Mathison. Christmas Con Kansas - (summer 2023) Christmas Con New Jersey - (winter 2023) “The Dog Lover's Guide to Dating” came in at 17/150 in the top 150 original cable telecasts for Sunday, January 1st per showbuzzdaily.com. Wondering Where to Watch Hallmark Movies? Our current favorite way to watch Hallmark Channel movies is via Frndly TV. This app has 40+ channels, both live and on-demand, including all three Hallmark Channels! Our favorite feature is the 72-Hour Look Back which allows you to scroll BACKWARD in the guide to watch or record anything you might have missed over the last three days. You can start a 7-day free trial and see which channels are available here! Avery and Peter try to keep the romance alive while renovating the old house they bought and juggling work, but everything takes on a new perspective when they get some news they've been hoping for. Photo: Autumn Reeser, Alison Sweeney, Lacey Chabert Credit: ©2022 Hallmark Media/Photographer: Allister Foster About "The Wedding Veil Expectations" This is the 4th movie in “The Wedding Veil” franchise. Of course the first three movies premiered last year in January and February. The original “The Wedding Veil” was the most-watched non-holiday original Hallmark premiere in over a decade in 2022. Related Podcast Episode: Listen to our recap of "The Wedding Veil" This movie franchise is based on the 2007 novel “There Goes the Bride” by Lori Wilde

This holiday season we're kicking it back to our 2021 Holiday Help Series! In finishing up the Holiday Rewind series, we welcome Taylor Cole & Madison Hatch from the Stepped Up Coparenting. Taylor and Madison have a really incredible story about how they became coparents and podcast hosts! I'm excited to jump into their story and learn how they got to where they are and talk a little bit about how they navigate the holidays as a blended family.You can connect with Taylor & Madison:On Instagram: @steppedup.coparentingOn Facebook: @steppedup.coparentingStepped Up Coparenting Podcast: LISTEN HERE If you're interested or know someone who might be interested in coming on the podcast to talk about babies, parenthood, and everything in between — email the podcast at babymakingpod@gmail.com Don't forget to subscribe, follow us on Instagram @thebabymakingpodcast and on Facebook at The Baby Making Podcast!Support the show

Kerrie & Stephanie review the latest Hallmark and Lifetime holiday movies!A Country Christmas Harmony stars Brooke Elliott and Brandon QuinnThree Wise Men and a Baby stars Andrew Walker, Tyler Hynes, and Paul CampbellLong Lost Christmas stars Taylor Cole and Benjamin AyresBe sure not to miss the fun over on Instagram (and Facebook, but mostly Facebook)Instagram: @loveandnonsensepodcastFacebook: Love and Nonsense Podcast - you can vote for which movie we talk about in the next episode in our Instagram stories!

S4 E19:  Can Alyx Vance pull off another upset against Jason Todd? Talking points include: Floating bloody crowbars, Find out more about Taylor and The Nerd Stash Network hereDiscover where else Super Bracket Bros can be found hereSee the current bracket at the pinned post at the top of the page of our FacebookVote on the all the matchups on our InstagramGet in contact with us: superbracketbros@gmail.comCheck out Eli and his many good things hereBig thank you to our current Patrons for helping support the show: Andrew, Matt, Emily and Kate Support the show

Often, many Christians are unsure as to what to do when it comes to serving in their local church. Today, my wife and I walk through the many options one could have at their church and how they can use creative thinking to create ways to serve. 

Megan and Wendy reminisce a little while they recap and review Hallmark's "Marry Go Round." This movie premiered as part of Hallmark Channel's Fall Into Love line up and it stars Amanda Schull and Brennan Elliott. What did you think about "Marry Go Round?" Email us your thoughts at meganandwendy@gmail.com. Megan and Wendy recap Hallmark's newest movie "Marry Go Round" starring Amanda Schull and Brennan Elliott. We'd Love Your 5-STAR Reviews! Hey, did you know that you can leave a review in Apple Podcasts even if you don't listen to our podcast in that app? Yes! On a desktop version. Click here to leave a review. Need more help on how to leave a review? Check out this tutorial. Get In On Our Hallmark Facebook Group We love the Hallmark community we have in our Girls Gone Hallmark Facebook group! Lots of people who know a lot about Hallmark movies! Come join! Join the Girls Gone Hallmark Facebook Group Hallmark News (As of September 14) E! News reports that Candace Cameron Bure shared news about her newest Christmas movie which will premiere on GAC in November. It is called "A Christmas…Present."  The synopsis sounds like any other CCB holiday movie but also says “Through a series of transformative events, Maggie learns to embrace the reason for the season.” So expect a heavy lean towards faith and family. Also, Bure and her production company will serve as EP. Two new fall movies added to the Fall Into Love lineup includes: "Pumpkin Everything" starring Taylor Cole and Corey Sevier. This movie will premiere on Saturday, October 8th. Another called "Autumn in the City" stars Aimee Teegarden and Evan Roderick. This will premiere on Saturday October 15th. News About "Marry Go Round" Amanda Schull stars as Abby. 2000 "Center Stage" is one our favorite dance movies. Schull plays a teenage ballerina. Great music, great dancing, cheesy story.She's also been in "Pretty Little Liars" and "Suits."Brennan Elliott plays Luke. The director of "Marry Go Round" was David Weaver. He also directed Brennan Elliott in 2021's "Open By Christmas."

Megan and Wendy reminisce a little while they recap and review Hallmark's "Marry Go Round." This movie premiered as part of Hallmark Channel's Fall Into Love line up and it stars Amanda Schull and Brennan Elliott. What did you think about "Marry Go Round?" Email us your thoughts at meganandwendy@gmail.com. Megan and Wendy recap Hallmark's newest movie "Marry Go Round" starring Amanda Schull and Brennan Elliott. We'd Love Your 5-STAR Reviews! Hey, did you know that you can leave a review in Apple Podcasts even if you don't listen to our podcast in that app? Yes! On a desktop version. Click here to leave a review. Need more help on how to leave a review? Check out this tutorial. Get In On Our Hallmark Facebook Group We love the Hallmark community we have in our Girls Gone Hallmark Facebook group! Lots of people who know a lot about Hallmark movies! Come join! Join the Girls Gone Hallmark Facebook Group Hallmark News (As of September 14) E! News reports that Candace Cameron Bure shared news about her newest Christmas movie which will premiere on GAC in November. It is called "A Christmas…Present."  The synopsis sounds like any other CCB holiday movie but also says “Through a series of transformative events, Maggie learns to embrace the reason for the season.” So expect a heavy lean towards faith and family. Also, Bure and her production company will serve as EP. Two new fall movies added to the Fall Into Love lineup includes: "Pumpkin Everything" starring Taylor Cole and Corey Sevier. This movie will premiere on Saturday, October 8th. Another called "Autumn in the City" stars Aimee Teegarden and Evan Roderick. This will premiere on Saturday October 15th. News About "Marry Go Round" Amanda Schull stars as Abby. 2000 "Center Stage" is one our favorite dance movies. Schull plays a teenage ballerina. Great music, great dancing, cheesy story. She's also been in "Pretty Little Liars" and "Suits." Brennan Elliott plays Luke. The director of "Marry Go Round" was David Weaver. He also directed Brennan Elliott in 2021's "Open By Christmas."

Guest Star Taylor Cole (Sarah Blake) shares stories about fighting a haunted painting with Sam and Dean. She talks about getting the giggles with Jared and Jensen. Hear about her crazy scream. Rob and Rich share some real-life stories of haunted paintings. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

S4 E9:  A couple of FPS protagonists take each other on this week as Captain Price duels it out with Alcatraz! Can Call of duty's greatest warrior stand up to the over powering technolgy of the nano suit? Find out with as we dive in alongside Nerd Stash's Taylor Cole! Talking points include: Cigar smoking, suit itching, and how the real winner was an island all alongFind out more about Taylor and The Nerd Stash hereCheck out the Super Bracket Bros PATREON Subscribe to help keep the lights on here and to discover never before heard content from Jay and Eli!Discover where else Super Bracket Bros can be found hereSee the current bracket at the pinned post at the top of the page of our FacebookVote on the all the matchups on our InstagramGet in contact with us: superbracketbros@gmail.comCheck out Eli and his many good things here

In this episode, hosts Katherine Troyer and Toni Tresca conclude their exploration of Wes Craven's meta-franchise as they discuss the 2011 horror film Scream 4.  Episode Highlights: We examine how this film speaks to a new decade's fears and concerns as it situates the familiar Scream saga into a post-9/11, social media-saturated, technology-driven world. Surprisingly for once, we are fully on-board for the cold openings and we talk about how they contribute meaningful to the bigger themes of the film. We celebrate Sidney's command that we don't mess with the original and the ways that this message resonates with the larger remake culture that preys on our nostalgia for the original text even as it asks us to prefer the new text. And finally we ask whether or not someone can be a final girl if they fabricate their own trauma.    A Dose of Scholarship: We reference Alexandra West's book The 1990s Teen Horror Cycle as well as Taylor Cole's essay "Technology, Media, and the Slasher Formula in Scream 4," which can be found in the "The Neo-Slasher" special of Horror Homeroom, available here.   This podcast episode first aired on April 10, 2022. This episode was edited by the terrific Jackson O'Brien! Twitter/Instagram: @NightmarePod1; YouTube: Such a Nightmare channel; Email: suchanightmare.pod@gmail.com; ALL LINKS

Our 2nd Favorite Valentine episode is Falling for You. It may be our most contentious episode because we have several disagreements except for our love of Tyler Hynes (our Valentine)! He plays Zac Malone, a software engineer, sent to a small town to troubleshoot his budgeting software. There he meets Lacey Hathaway, played by Taylor Cole, a radio DJ that lost her funding because of his software. Lacey has an idea on how to raise money and she's going to need Zac's help to do it (hint: it involves baked goods with a potential side of sex). In this episode we discover the nepotism behind the flawless Hallmark cookies, explore our inner Disney princesses and get into a few hair pulling fights over the movie's work/life balance. A line from the movie is 'stressed spelled backwards is desserts' and we can't stress how much we loved covering Falling for You. 

We are bellying up to the bar tonight with Taylor call a entrepreneur, adventure, and all around different kind of thinker. Have you ever wondered if you think different? We will find out tonight.   Burblecreativity.com Facebook- The Above The Bar Podcast   Instagram- The Above The Bar Podcast   Twitch- The Above The Bar Podcast   Twitter- The Above The Bar Podcast 

In finishing up the Holiday Help series, we welcome Taylor Cole & Madison Hatch from the Stepped Up Coparenting. Taylor and Madison have a really incredible story about how they became coparents and podcast hosts! I'm excited to jump into their story and learn how they got to where they are and talk a little bit about how they navigate the holidays as a blended family.You can connect with Taylor & Madison:On Instagram: @steppedup.coparentingOn Facebook: @steppedup.coparentingStepped Up Coparenting Podcast: LISTEN HERE If you're interested or know someone who might be interested in coming on the podcast to talk about babies, parenthood, and everything in between — email the podcast at babymakingpod@gmail.com Don't forget to subscribe, follow us on Instagram @thebabymakingpodcast and on Facebook at The Baby Making Podcast!___________________________________________________________________________Music : Roa - FreedomWatch : youtu.be/OS7r703elnsStream / Download : fanlink.to/Roa_FreedomLicense : roamusic.wixsite.com/roamusicSupport the show (https://www.buymeacoffee.com/babymakingpod)

If we let the women tell it! Originally a 3.5 hour conversation before the edits. Let's get some perspectives going. Topics include: 02:17 - Tune starts the podcast 16:19 - How do you know if you are a good b*tch 19:31 - Are dudes as dumb as they portray themselves to be 30:42 - Are the Dakotas a real place? 33:31 - What does depression look like? 43:42 - Seeing the God within us 45:00 - #HELPHARLEYHEAL 01:05:03 - INTERMISSION: Silk Sonic, "Smoking Out The Window" 01:09:37 - Having self-awareness in your low frequency 01:18:32 - Ah shit 01:41:51 - What would you be doing on your OnlyFans 01:47:37 - Threesome topic is back 02:12:50 - Support Black-Owned Businesses: @shopsolsolstice, @creativelyrae and @kneadzwork #RIPCHIEF Season Finale is on November 29th, thank you guys for continuing to support the podcast. Follow the Instagram @thepodcastforyou and also the host @themusichomie. See you guys next week!

Megan and Wendy talk the complete list of Hallmark's Countdown to Christmas preview! Included are all 40+ movies Hallmark will air this holiday season which begins October 22, 2021. How many movies are making it onto your "must watch" list this Christmas season? Better question: Have you see Tyler Hynes' new haircut? Email the show at meganandwendy@gmail.com. Megan and Wendy preview Hallmark Channel's 40+ Countdown to Christmas movies. Just in the nick of time, Hallmark Channel released their complete list of Countdown to Christmas movies for 2021. Nothing like telling viewers what to expect two days before the first Christmas movie (You, Me & the Christmas Trees) is to air. You can listen to our Countdown to Christmas preview episode here (this only includes the first nine movies Hallmark originally announced) Hallmark's Countdown to Christmas Preview Now what's that you mentioned about Tyler Hynes? #Hynies how are we feeling about Tyler's new look? We've said for a whole year that we needs to run fingers through his Eddie Munster slicked back hair to see what's up it. Happy to see it shortened up. An Unexpected Christmas, premiering November 26, 2021 tops our list for the number one Hallmark Christmas movie to watch this season. View this post on Instagram A post shared by

FX on Hulu's take on comics series Y: The Last Man has finally made it to air -- and Taylor Cole has finally made it over from The Great American Pop Culture Quiz Show to talk about it with us! How is the show different from the comics? Can Diane Lane's hair still be a national treasure if her roots are a plot point? And does a certain Hero need to get written out of the story? We went Around The Dial with Frogger, Scenes From A Marriage, Miracle Workers, and 30 For 30's take on the '86 Mets before carefully selecting TV's smartest (and hottest) characters to get us Extra Credit at pub quiz. Taylor sent us a care package containing his Canon submission for Wet Hot American Summer: First Day Of Camp before Momoa won and copaganda lost. And Tara's non-regulation Game Time taught us all a lot. Make 90 minutes disappear Yorick-style by listening to an all-new Extra Hot Great! GUESTS