Podcasts about singer pur

Manuel Warwitz vom Ensemble "Singer Pur" freut sich auf die Veröffentlichung des neuen Albums "Pilger auf Erden". Am 5. Juli steht das Releasekonzert in der Münchner Johanneskirche an - aber was ist ein Pilger auf Erden? Kathrin Hasselbeck den Tenor danach gefragt.

Singer Pur gibt es bereits seit über 30 Jahren, doch die Besetzung war einem ständigen Wechsel ausgesetzt. Von den Gründungsmitgliedern ist zwar niemand mehr in dem Vokalsolisten-Ensemble, doch der geschaffene Geist „lebt fort“, erzählt Tenor Manuel Warwitz. Er ist seit 2003 bei Singer Pur dabei und berichtet über die Herausforderungen beim neuen Album „Pilger auf Erden“.

The 24th episode of Vortex Temporum podcast brings us a dialogue between Klaus Ospald and Klaus Ospald (1956). Let's check if this German composer agrees with himself.credits:Maíz raíz, menos criatura [2014/2015], for orchestra, piano and chamber choir, on text by Miguel Hernández | Markus Bellheim > piano; Singer Pur; Bavarian Radio Symphony Orchestra; Peter Rundel > conductor // Sopra un basso rilievo antico sepolcrale... [2008], from the Leopardi-Zyklus, for mixed choir, bass tuba, four percussionists and live electronics | WDR Rundfunkchor Köln; Hans Nickel > Basstuba; Schlagquartett Köln; Experimentalsstudio des SWR (Reinhold Braig and Joachim Haas > sound direction); Rupert Huber > conductorvortextemporum.com

Saksa vokaalansambel Singer Pur esitab renessansiajastu helilooja Ludiwg Senfli (u1490-1543) muusikat.

Das Vokalensemble Singer Pur - eine Sopranistin, fünf Herren - gehört seit Jahren zu den besten seiner Art. Werke der Renaissance, also des 16. Jahrhunderts, liebt das Sextett besonders und singt es auch besonders "pur". Sein neuestes Album mit dem Titel "Musica divina" ist der erneute Beweis. Einfach göttlich.

Bei den Regensburger Domspatzen begann alles, 1991 wurden 5 Sänger der Domspatzen nach Köln zu einem Konzert geschickt. Daraus wurde mehr. Viel mehr: es war der Anfang von Singer pur. Die 5 formierten sich als festes Acappella Ensemble und hatten zunächst vor allem Lust auf alles, was sie bei den Domspatzen nicht singen konnten: Jazz, Pop etc. 30 Jahre ist das her. Mittlerweile sind sie zu sechst, 5 Männer und eine Frau, und ihr Jubiläum feiern sie morgen in München mit einem Konzert in der Himmelfahrtskirche.

Among Whirlwinds - der Titel ist Programm: Mit diesem Album will das renommierte Vokalensemble Singer Pur frischen Wind in die noch immer männlich geprägte Musikwelt bringen: Werke von 17 Komponistinnen aus 12 Ländern und rund tausend Jahren Musikgeschichte sollen das Repertoire aufmischen und ein Forum für weibliche Kreativität schaffen.

»Sam mislim, da je v delih skladateljic posebna energija. Že renesančni ustvarjalki Maddalena Casulana in Cesarina Ricci de Tingoli) sta pisali drugače kot njuni kolegi. Morda sploh ne znam opisati, kako drugače, gre pa za določene mehkobo, prilagodljivost in elastičnost, ki me zelo ganejo.« Tako razmišlja Manuel Warwitz iz zasedbe Singer Pur, ki bo na svojem nocojšnjem nastopu na festivalu Europa Cantat v ospredje postavila dela skladateljic. V oddaji pa pozornost namenjamo tudi 74. filmskem festivalu v Cannesu, kjer je slavil francosko-belgijski film Titan režiserke Julie Ducournau. Foto: Zlato palmo je francoska režiserka Julia Ducournau prejela iz rok ameriške igralke Sharon Stone, vir: EPA

1992 hat sich das Gesangs-Ensemble Singer Pur aus fünf ehemaligen Regensburger Domspatzen und einer Sopranistin gegründet. Heute gehören sie zu einer der führenden A cappella-Formationen. Doch auch sie mussten Corona-bedingt eine Vollbremsung hinlegen - viele der Konzerte wurden abgesagt. Nun können sie endlich wieder gemeinsam auf der Bühne spielen. Einfach ist die Situation aber trotzdem nicht, erzählen Claudia Reinhard und Marcus Schmidl.

“The fraud of men was ever so / Since summer first was leafy” — Balthasar’s song, Much Ado About Nothing In episode six, we look at that vexing question of whether or not Will Shakespeare was a complete and utter conman. We’ll follow those who dug up rivers, cracked codes, turned to grave-robbing, or occasionally just wrote really, really long books to find the answer. We’ll hear from Mark Twain, Sigmund Freud, William Wordsworth, and learn some surprising theories as to why Queen Elizabeth I was the Virgin Queen (or was she…?). It’s a journey from the 1560s to our era and back again, and somehow I manage to bring up Golden Girls, England’s greatest treasure hunt, George W. Bush and Dame Agatha Christie! Confused? You still will be after listening, but I hope you’ll enjoy this incredibly long investigation of the madness that is the authorship question. You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can listen to the podcast at iTunes or download direct from Libsyn. We also have a Spotify playlist, which will be updated each week as we work through the plays. The website for the podcast is https://podcastshakespeare.com/. On the website, you will find an evolving bibliography. Contents 00:00 - Introduction / searching for Shakespeare 09:33 - Delia Bacon / candidate Sir Francis Bacon 24:50 - Mark Twain / Ignatius Donnelly, codebreaker 35:05 - Dr. Owen's machine / Mrs. Gallup and Mr. Arensberg 41:45 - J. Thomas Looney / candidate Edward De Vere, Earl of Oxford 1:04:40 - Other candidates / Christopher Marlowe 1:09:35 - Oxford gets another chance / "Anonymous" 1:13:41 - The "Masquerade" connection 1:18:49 - William Shakespeare 1:37:38 - The enduring appeal of theories / My theories 1:47:15 - The "Declaration of Reasonable Doubt" / hail and farewell Links mentioned: Due to the nature of the episode, I have done a separate permanent Authorship page at https://podcastshakespeare.com/further-reading/the-authorship-question/. Some links below. SIR FRANCIS BACON (1561 – 1626) on Wikipedia John Aubrey’s biography and details of his death in Brief Lives (1693) The Francis Bacon Society (“Baconiana”) Supporters of Bacon Delia Salter Bacon (1811 – 1859): at Wikipedia “William Shakespeare and His Plays: An Enquiry Concerning Them” in Putnam’s Monthly Magazine of American literature, science and art, Issue 37, January 1856 The Philosophy of the Plays of Shakespeare Unfolded, 1857 Nina Baym, “Delia Bacon: Hawthorne’s Last Heroine“ Nathaniel Hawthorne, “Recollections of a Gifted Woman” in The Atlantic Monthly, January 1863 Ralph Waldo Emerson, unpublished letter to George P. Putnam regarding Delia Bacon, published by Vivian C. Hopkins in the New England Quarterly, vol 33 no 4, Dec 1960 (JSTOR access required) Catherine E. Beecher, Truth Stranger than Fiction (1850) comments on the Bacon/MacWhorter affair without using names Walt Whitman,“Shakespeare Bacon’s Cipher” Ignatius Donnelly, The Great Cryptogram (1888) Elizabeth Ward Gallup: The Bi-Lateral Cypher (1910) The Tragedy of Anne Boleyn, being a discovery of the ciphered play of Sir Francis Bacon inside the Shakespeare First Folio (1911) [see also, this article on the play at Anne Boleyn Novels] Dr. Orville Ward Owen, Sir Francis Bacon’s Cipher Story (1893-95) Mark Twain, Is Shakespeare Dead? (1909) Henry W. Fisher, Abroad with Mark Twain and Eugene Field, Tales they told to a fellow correspondent, (1922) – see page 49 for Twain and Fisher’s anecdote Queen Elizabeth being a man. Walter Conrad Arensberg: The Cryptography of Shakespeare -(1922) see also The Cryptography of Dante – (1921) EDWARD DE VERE, 17TH EARL OF OXFORD (1550 – 1604) at Wikipedia Poems at Wikisource Family tree and the famous fart anecdote of James Aubrey “Renunciation” poem from Palgrave’s Golden Treasury, ed. Francis T. Palgrave, 1875 Supporters of Oxford John Thomas Looney (1870 – 1944) at Wikipedia The Church of Humanity Shakespeare Identified in Edward De Vere, 17th Earl of Oxford (1920) The De Vere Society of Great Britain The Shakespeare Oxford Fellowship Why I Became an Oxfordian at the “Shakespeare Authorship Sourcebook” Charlton Ogburn: The Mysterious William Shakespeare: The Myth and the Reality (1984) “The Man Who Shakespeare Was Not (and who he was)“, Harvard Magazine, November 1974 Michael Brame and Galina Propova, Shakespeare’s Fingerprints (2002), discussed in Washington University News, January 23, 2003 Percy Allen, Life Story of Edward De Vere (1932) Trailer for Anonymous, directed by Roland Emmerich (2011) GENERAL DOUBT The Declaration of Reasonable Doubt Hester Dowden, the medium who apparently confirmed both Bacon and Oxford had written the plays, at different times – at Wikipedia. WILLIAM SHAKESPEARE (1564 – 1616) The First Folio at the Bodleian online Shakespeare suing for minor debts – at ShakespeareDocumented.org The Shakespeare Authorship Page – a vital resource David Kathman: “Why I Am Not An Oxfordian“, originally published in The Elizabethan Review, at the Shakespeare Authorship Page “Shakespeare’s Eulogies“ at the Shakespeare Authorship Page “Dating the Tempest“ “How We Know That Shakespeare Wrote Shakespeare: The Historical Facts“ with Tom Reedy James Shapiro, Contested Will: Who Wrote Shakespeare? (2010) Irvin Leigh Matus, “The Case for Shakespeare“, The Atlantic, October 1991 Samuel Schoenbaum, Shakespeare’s Lives, 1970 William F. Friedman & Elizebeth Smith Friedman: Wikipedia: He | She The Shakespeare Ciphers Examined, Cambridge, 1957 Ralph Waldo Emerson, Representative Men – chapter 6 “Shakespeare or the Poet” (1850) Terry Ross, “The Code that Failed: Testing a Bacon-Shakespeare Cipher“ at The Shakespeare Authorship Page Don Foster: Elegy for WS, reviewed in The Observer, June 2002 The moot trials of Shakespeare: 1987 trial – at PBS 1987 trial – the New York Times A 1993 trial at the Boston American Bar Association – at PBS Giles Dawson and Laetitia Kennedy-Skipton, The Survival of Manuscripts, from Elizabethan Handwriting, 1500-1650: A Manual, W.W. Norton & Co, 1966 at The Shakespeare Authorship Site Muriel St Clare Byrne, “The Social Background“, in A Companion to Shakespeare Studies, page 190, edited by Harley Granville Barker and G.B Harrison (1934) William Wordsworth, Scorn not the Sonnet (c. 1807) Robert Browning, House (1876) Robert Bell Wheler: Historical Account of the Birth Place of Shakespeare (1806) CHRISTOPHER MARLOWE (1564 – 1593) Marlovian theory of authorship MISCELLANEOUS CANDIDATES Wikipedia’s list of 87 (at July 2018) Robert Frazer, Silent Shakespeare (1915) PDF Gilbert Slater, The Seven Shakespeares (1913) Michaelangelo Florio, aka Crollalanza Roger Manners, Earl of Rutland, in Claud Walter Skyes’ Alias William Shakespeare, Aldor, 1947 Henry Neville, a very peculiar theory – with Tom Veal’s response OTHER LINKS QUOTED Catullus, Poem 5 Kit Williams’ Masquerade John Keats’ Lamia Aeschylus’ Eumenides Clips: Sergei Prokofiev, “Montagues and Capulets”, from Romeo and Juliet (ballet), 1935 Franz Schubert, Im Fruhling, D.882 performed by Barbara Hendricks Gerald Finzi, Love’s Labour’s Lost, op. 28: Dance, Aurora Orchestra conducted by Nicholas Collon Gaetano Donizetti, Overture to Roberto Devereux (feat. God Save the Queen), Royal Philharmonic Orchestra conducted by Sir Charles Mackerras John Dowland, Galliard for the Queen and Robert Dudley Hakan Parkman, “Take, O Take These Lips Away” (Madrigal) from 3 Shakespeare Songs, sung by Singer Pur choir “Bonny Peggy Ramsey” (traditional) performed by Tom Kines on Songs from Shakespeare’s Plays and Popular Songs of Shakespeare’s Time Ambroise Thomas, Hamlet (1868), 1994 recording, London Philharmonic Orchestra conducted by Antonio de Almeida: Thomas Hampson (Hamlet) – singing part of his “Doubt not that I love” letter June Anderson (Ophélie) – Ophélie’s mad scene and death, Act IV

Over Beatrice - Joanne Metcalf, ‘Io sono amore angelico’ uit Il Nome del bel Fior, door Singer Pur en The Hilliard Ensemble - Johann Christoph Bach, ‘Mein Freund ist Mein’ uit Hochzeitskantate, door Zefiro Torna & Ghalia Benali

Over de dichter en zijn meesterwerk - Paolo da Firenze, ‘Godi Firenze’, door Ensemble Perlaro - Anthony Holborne, ‘Infernum’, door Musicall Humors - Joanne Metcalf, ‘Maria III’ uit In Nome del bel Fior, door Singer Pur en The Hilliard Ensemble

A-Cappella-Musik von John Cage bis zum Volkslied | Vokalensemble Singer Pur

Im Rahmen eines Benefizkonzerts in der Kölner Philharmonie fing alles an. Damals, am 8. März 1992, also genau vor 25 Jahren, stand das Vokalensemble Singer Pur zum ersten Mal auf der Bühne. Kathrin Hasselbeck hat Claudia Reinhard und Marcus Schmidl vor ihrem Jubiläumskonzert im Prinzregententheater zum Interview getroffen.

24 Lieder zum Advent | Singer Pur

Greetings!  Remember me? While “Pushing The Envelope” has continued with its radio presence, airing on Saturday mornings from 10 – Noon EST on WHUS / Storrs, CT (tune in: http://www.whus.org/listen-live ).  The podcast, on the other hand, has had to take a back seat to grad school.  That being said, it’s not every day we have the opportunity celebrate John Cage’s 100th birthday. Enjoy! Joel Episode 16: John Cage 100th Birthday PTE Podcast (9-8-12) Dream / A Room         composer: John Cage / piano: Bruce Brubaker           Glass Cage Arabesque Recordings (2000) The Seasons    composer: John Cage / American Composers Orchestra, cond. Dennis Russell Davies            The Seasons    ECM New Series (2000) Five / Songbooks        Singer Pur       Electric Seraphim       KuK (1998) 4'33" - live radio performance            composer: John Cage Suite for Toy Piano     composer: John Cage / toy piano: Stephen Drury                 In A Landscape       Catalyst (1994) Williams Mix (1952)  John Cage        OHM: the early gurus of electronic music Ellipsis Arts (1999) Six (1991)       composer: John Cage / percussion: Glenn Freeman    Three2 / Twenty-Three / Six / Twenty-Six         Ogre Ogress (1999) http://ogreogress.com/ One6 A (1990)            composer: John Cage / violin: Christina Fong       ONEviolin            Ogre Ogress (1998) http://ogreogress.com/ In A Landscape           composer: John Cage / piano: Margaret Leng Tan Musicworks #52      Musicworks (1992)   http://www.musicworks.ca/ Sonatas I - IV for prepared piano        composer: John Cage / prepared piano: Boris Berman            Sonatas and Interludes for Prepared Piano      Naxos (1999) http://www.naxos.com

Darin: "Es, es, es und es", Melodie und Text: N. N., Singer Pur.