Podcasts about x men the animated series

Part 2 of my adventure at FanExpo Cleveland! Catching up with actor DJ Qualls and an X-citing visit with George Buza (Beast) and producer Larry Houston from X-Men: The Animated Series and X-Men ‘97! TM & copyright © Comic Book CentralFanExpo logo TM & copyright © Informa FanExpoLarry Houston’s official websiteSubscribe to Comic Book Central's […]

Per X-Men animation tradition, Wolverine needs some memory loss tied to flashbacks and a trip to Canada where he crosses paths with an old teammate and a fight breaks out. Unfortunately, this episode counters the (spoiler-y) director's canon we were following about Sabretooth being offed in Hulk vs. Wolverine being in this same timeline. But on the plus side, more Department H and, more importantly, we get a solid design on Sabretooth. Don't forget to check out last week's episode where we interviewed the Voice of Rogue, Lenore Zann! Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lenore's Memoir A Rogue's Tale: https://amzn.to/43xmjUJX-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

A voice that needs no introduction, Lenore Zann is the voice that many of us hear in our heads when reading Rogue in comics to this day. As the first member of both the original X-Men: The Animated Series and X-Men '97 casts to join us, JC and Rod get to hear some amazing tales about her career, the journey after becoming one of Marvel's most identifiable voices and even finding out how impactful the show was decades after the original broadcast. We spend some time chatting about Lenore's recently released memoir and what comes next for her in addition to X-Men. There are no spoilers for X-Men '97 season 2. Lenore's Memoir A Rogue's Tale on Amazon: https://amzn.to/43xmjUJLenore's Instagram: https://www.instagram.com/lenorezann/ Lenore on X: https://x.com/zannlenoreThe Xavier Files is our offshoot interview show focused on conversations with members of the cast or production team about any X-Men Animated Series.Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men '97"Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

After a LONG voyage at sea, Nightcrawler arrives with refugees to Genosha as the X-Men find someone has infiltrated the institute. Joining us for this episode is LA's Nightcrawler Alain Diaz to discuss his favorite episode of Wolverine & The X-Men starring his favorite mutant!Follow Alain on IG: https://www.instagram.com/amdiaz_art/?hl=en Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

Eric dives into the surprising story of how the Mighty Morphin Power Rangers became part of the Disney family. From Haim Saban's early days as a music producer to building Saban Entertainment, we cover his work in cartoon music, partnerships with Deac, successful shows like X-Men: The Animated Series, and the process of adapting Super Sentai into Power Rangers for American TV. We explore the evolution of Fox Kids, Saban's strategy to gain a cable network, the formation and expansion of Fox Family Worldwide, and the sale to Disney, which transformed the Fox Family Channel into ABC Family (now Freeform). The episode also touches on Disney's use of Power Rangers at the theme parks, the creation of Jetix (later Disney XD), the sale of Power Rangers to Hasbro, and the legacy of ABC Family's “25 Days of Christmas” and the inescapable 700 Club. If you're curious how ‘90s kids' TV, Marvel, Disney, and even televangelist Pat Robertson all connect, this episode unpacks it all. Thanks for Enjoying Synergy Loves Company! https://www.synergylovescompany.com Give back to show: https://ko-fi.com/synergylovescompany YouTube: https://www.youtube.com/@synergylovescompany Bluesky: https://bsky.app/profile/erichsynergy.bsky.social Facebook: https://www.facebook.com/synergylovescompany Instagram and Threads:https://www.instagram.com/synergylovescompany/Read transcript

Future Charles gets captured by sentinels while the modern day team... doesn't really do much. But Bishop and a bunch of character cameos are there and put some heavy stakes on the success of Wolverine and his team to prevent the late 2020's from being a pretty awful place. Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

Some people aren't good parents. Like Magneto. But some kids are the problem. Like Quicksilver. We get X-Men and Brotherhood on this globehopping episode along with the introductions of Nitro (the guy who causes the first heroic Civil War in the comics) and Psylocke! And we finally get our future buddy Charles back. Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

Despite what IMDb told us that last week's bonus episode for the Hulk vs. Wolverine movie being inspired by Incredible Hulk Issue 181, this episode actually more closely follows Wolverine's debut issue. While it definitely takes some creative license, this encounter between Logan, Banner and the Wendigo hits that classic vibe for us (and has a more satisfying ending than the straight to home video movie did).Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

So this is a fun one because it is semi-canon to Wolverine & The X-Men but it isn't available "anywhere". Maybe some light Googling will help you find this mini movie where this animated version of Logan encounters The Hulk for the first time with some members of a Department H run team of mercs. Friend of the Pod Pablo joins us to help fill in some gaps in the comic lore in a not-safe for Nickelodeon animated romp. Pablo on Deeper Issues:Insta: https://www.instagram.com/deeperissuesnerdcast/?hl=en YouTube: https://www.youtube.com/@deeperissuesnerdcast Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

We've been wondering where Kurt has been since his quick scene in the pilot episode. We get the answer along with a surprise appearance from the Pirates of Dark Wa- we mean everyone's favorite trans-dimensional TV executive's crack team of recruiters. Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

THIS VOYAGE, the Treksperts, MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) remember ROBERTO ORCI who sadly passed away February 25, 2025. To honor his contributions to Star Trek as well as cinema, we've assembled a group of fellow writers who worked closely with him over the years including JESSE ALEXANDER, a writer and showrunner for such shows as Hannibal, Lost, Heroes and worked with Roberto and his writing partner at the time Alex Kurtzman on Alias.  STEVEN MELCHING is a writer for such shows as The Clone Wars, Star Wars Rebels, X-Men: The Animated Series and Big Guy & Rusty The Boy Robot and worked with Orci on the Transformers: Prime animated series. Our own ASHLEY E. MILLER worked with him on Fringe and later developed Power Rangers and the follow-up to Star Trek Into Darkness with him for Skydance which Orci was set to direct.  **TREKSPERTS+ SUBSCRIBERS NOW GET COMMERCIAL FREE EPISODES ONE WEEK EARLY! SUBSCRIBE TODAY AT TREKSPERTSPLUS.COM****Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed."Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

So our "mission of the week" framing theory goes out the window as no Professor X drops in from the future. Instead, our favorite swamp rat Gambit breaks into the mansion to steal a power inhibitor (which proves to be a massive issue for every version of Forge ever). JC's Solving for X Appearance: Spotify - https://open.spotify.com/episode/5wkbkzy0eodDWUqu11GNax?si=9jIwv82QQNeIxzTBS1kZuQApple Podcasts: https://podcasts.apple.com/us/podcast/x-men-evolution-day-of-reckoning-pt-1-w-john-carle/id1621533487?i=1000696745830 Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

Future Professor X's Mission of the Week kicks off with Logan and crew sent to save the ENTIRE continent of Africa because Storm is going to do "something" and it's going to be a big something. Listen up as the boys talk about this Storm focused episode and how it compares to the way her history has been shown in other X-Men cartoons.Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

This week, we're absolutely geeking out because George Buza—the legendary voice of Beast from X-Men: The Animated Series and X-Men ‘97—joins us! We talk all things Hank McCoy, his return to the role, and dive into Beauty and the Beast #2, where Beast and Dazzler's short-lived romance takes a wild turn into gladiator-style chaos.George shares stories from his time voicing Beast, what it's like stepping back into the X-Men universe after all these years, and his thoughts on the complex, brilliant, and oh-so-quotable Hank McCoy. If X-Men: TAS was a core part of your childhood (or, let's be real, your entire personality), you do NOT want to miss this episode!Find us on the AIPT Podcast Network. Follow our show to be alerted when new episodes appear the first and third Wednesday of the month. Check us out on social media @xreadspodcast on Twitter, Instagram, and Facebook. For business inquiries, email xreadspodcast@gmail.com. Learn more at https://aiptcomics.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/x-reads-an-x-men-experience--3616281/support.

By the time the '90s arrived, Captain America had fallen out of favor in the comic book and media world. However, as noted by AKAPAD The Film Buff, something remarkable happened during his appearance in X-Men: The Animated Series. This moment not only revived interest in the character but also inspired an entire generation to think more deeply about the Marvel Universe.

By the time the '90s arrived, Captain America had fallen out of favor in the comic book and media world. However, as noted by AKAPAD The Film Buff, something remarkable happened during his appearance in X-Men: The Animated Series. This moment not only revived interest in the character but also inspired an entire generation to think more deeply about the Marvel Universe.

Part 2 we cover the entire leaked Gambit script! PatreonMerchTikTokBskyInstagramPipedream podcastsSpreakerClips used in this episode:The Illuminerdi YT ChannelDeadpool and Wolverine (2024)Deadpool and Wolverine (2024) AssembledX-Men Origins: Wolverine (2009)Item 47 - Marvel One Shot (2012)FRIENDS (1994)Skewed and Reviewed Gareth Von Kallenbach YT ChannelBram Stoker's Dracula (1992)Lost (2004)Ms. Marvel (2022)X-Men (2000)X-Men: The Animated Series (1992)X-Men Theme Song written by Ron Wasserman and composed by Haim Saban and Shuki LevyX-Men ‘97 (2024)Avengers: Infinity War (2018)New Orleans Dixie CollectiveSwing JazzWe're the Millers (2013)Rick and Morty (2013)Music: Kevin MacLeod"Jazz Brunch""Discovery Hit""Miami Nights"“Corncob”“Deadly Roulette”“Devastation and Revenge”“Division”“Dreams Become Real”“Final Battle of the Dark Wizards”“Hitman”“Hot Pursuit”“Interloper”“Laser Groove”“Prelude and Action”“Pyro Flow”“Return of Lazarus”“Supernatural”“Too Cool”“Voice Over Under”“Welcome to HorrorLand”

While we haven't found out what has happened one year prior to the events of Wolverine and the X-Men, we find out part of Xavier's fate and the formal debut of WatX's version of Magneto. Rod and JC are in for the ride for the rest of this season (and really hoping we don't get hit with a cliffhanger...). Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files!Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEw X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

In part 1 of our Gambit episode we go over the history of Gambit's origin, the comics and the X-Men animated series, his successful and unsuccessful cameos in the X-Men movies, and the rise, fall, and rise again of the solo Gambit movie. PatreonMerchTikTokBskyInstagramPipedream podcastsSpreakerClips used in this episode:The Illuminerdi YT ChannelDeadpool and Wolverine (2024)Deadpool and Wolverine (2024) AssembledX-Men Origins: Wolverine (2009)Item 47 - Marvel One Shot (2012)FRIENDS (1994)Skewed and Reviewed Gareth Von Kallenbach YT ChannelBram Stoker's Dracula (1992)Lost (2004)Ms. Marvel (2022)X-Men (2000)X-Men: The Animated Series (1992)X-Men Theme Song written by Ron Wasserman and composed by Haim Saban and Shuki LevyX-Men ‘97 (2024)Music: Kevin MacLeod"Jazz Brunch""Discovery Hit""Miami Nights"

This Episode is EXTREMELY Special to both of us! So join us for an inspiring and insightful conversation with the legendary composer Ron Wasserman! Known for his iconic work on shows like Mighty Morphin Power Rangers and X-Men: The Animated Series, Ron takes us behind the scenes of his musical journey, sharing the stories, challenges, and creative processes that shaped his career. From unforgettable theme songs to his evolution as a composer, Ron offers a unique perspective on the intersection of music and storytelling. Tune in for an engaging discussion on the art of composition, the power of nostalgia, and how music can elevate some of our favorite pop culture moments! Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

A Note from Jacob: If you or someone you know are experiencing a mental health crisis, please call 988.   It was an honor to welcome award-winning actress and singer Lenore Zann to The Jake's Take with Jacob Elyachar Podcast.  A ground-breaking artist and political trailblazer, Lenore Zann's explosive career has spanned the globe with iconic performances and strong political stances. Thanks to her beloved portrayal of Rogue (the superhero fittingly recognized as “the strongest woman in the Universe”) in X-Men: The Animated Series and Marvel Studio's X-Men '97, as well as her roles as Tigra in The Avengers: United They Stand, Chiriko in Fushigi Yûgi, and Star Catcher in My Little Pony. Lenore Zann has become the voice of an entire generation.   Born in Sydney, Australia, she moved to Canada with her teacher parents at the age of eight. With a natural talent for performance, Lenore Zann burst onto the entertainment scene at just nineteen with her haunting portrayal of Marilyn Monroe in the rock opera Hey Marilyn! At twenty-six, she won Canada's national ACTRA Award for Best Actor in a Radio Drama for her performance as Mary Snow in CBC Radio's Salt Water Moon by David French.At thirty, producers in New York sponsored her to play Candy in Unidentified Human Remains and the True Nature of Love by Brad Fraser, first at the Hampstead Theatre in Chicago, followed by an off-Broadway run at the Orpheum Theatre. She followed this by writing and performing her first play, The Marilyn Tapes, first at Don't Tell Mama's Cabaret and another off-Broadway run at The Blue Heron Theatre. With hundreds of credits in TV, film, theater, radio, animation, and interactive games, she has electrified audiences with her performances. Fans tell her she has empowered them in their own lives.   Now, the magical wings of Disney have helped Lenore Zann soar to new heights of fame. Fans and critics alike have hailed her stunning performance in X-Men '97 as Emmy-worthy with both the show and Lenore garnering numerous award nominations, including a Primetime Emmy nomination for Best Animated Production. An album of songs and several feature film and TV roles are currently in the works. A Rogue's Tale is her first book.   Lenore also received the 2024 King Charles III Coronation Medal for outstanding community service, the Duke of Edinburgh Gold Award for Service to Community and Country, the ACTRA Award for Best Actor, and a Lifetime Achievement Award for Contribution to Arts and Culture. She supports organizations such as the Terry Fox Foundation, The Sick Kids Foundation, and St. Jude.  On this episode of The Jake's Take with Jacob Elyachar Podcast, Lenore Zann spoke about returning to the X-Men universe for Disney+'s  X-Men '97, portraying Marilyn Monroe and writing A Rogue's Tale.Let's connect on social media: A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Despite the first sentinel being pulled right from Spider-Man '94, things heat up with the WatX debuts of the Brotherhood (including Domino) and formal introductions to Iceman, Kitty and this very interesting version of Rogue. The end of 2025 feels like it is already going to be rough considering how strong this series is kicking off! Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files!Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEw X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

2024 was quite a year for mutants. This year, 2025 will be dedicated for Cyclops is Waiting for Me to Wolverine and the X-Men. Much like X-Men: Evolution, Rod and JC missed this one during it's original airing but we are already hooked with the show's mystery and the big super hero feel of it. In Hindsight, we missed out. Cyclops is Waiting for Me is our now bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files!Since season 2 of X-Men ‘97 isn't announced yet for 2025, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEw X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

2024 is winding down, and it's time for Jake's Take with Jacob Elyachar's annual Best of series!  State of the Podcast: But first…let's do the state of The Jake's Take with Jacob Elyachar Podcast! The fifth anniversary season has ended, and what a year! Our downloads were the best since 2021 and crossed the 10,000 and 11,000 lifetime downloads milestones. Listeners were the second best since 2021, with listeners from 71 countries! I want to thank the listeners of the United States, Sweden, Canada, United Kingdom, Singapore, India, Australia, Germany, Thailand, and the Netherlands as they listened to the podcast the most.   Our most downloaded episodes of 2024 were with Canada's Got Talent standouts Geneviève Côté and Matthew Cooper, social media sensations Ana Saia (the eighth most viewed on my YouTube channel) and Brandon Farris; Billboard charting saxophonist Boney James, The Challenge cast members Derrick Kosinski, Jenny West, and Paulie Calafiore, and my friends Paige of Most Likely Podcast and the hosts of AGT Time Pod.   Best of 2024 – Music:  2024 was full of impeccable music! Here are my Top 15 Albums of the year  Previewing 2025: 2025 will be a massive year for the Jake's Take with Jacob Elyachar brand. Nine episodes of the podcast's sixth season have been recorded. Award-winning journalist Shawn Edwards, one of my mentors, will kick off the season. Actors Derek Yates (Days of Our Lives) and the legendary Lenore Zahn (Rogue, X-Men: The Animated Series & X-Men '97), Marcel Katz (the Art Plug), best-selling author Kate Gladdin and our old friend Underground Music Collective founder Gerard Longo are some of the guests that will visit the Jake's Take with Jacob Elyachar Podcast.   America's Got Talent (AGT) is expected to air its twentieth anniversary season during the summer of 2025. Season 20 will be the fourteenth season I have covered since launching the blog in 2011.  I hope to bring some of my favorite acts, creatives, and judges onto my platform that made the NBC talent competition show the juggernaut it is today.  In Memoriam:  Jake's Take with Jacob Elyachar wants to pay homage to several impeccable people who passed away throughout 2024. Charles Osgood, Chita Rivera, James Earl Jones, Johnny Wactor, Liam Payne, Dame Maggie Smith, Martin Mull, Pete Rose, Phil Donahue, Richard Simmons, Dr. Ruth Westheimer, and Shannen Doherty all left remarkable imprints on pop culture, and they will be missed.   We also want to remember guests comedian Kabir Singh, who I had the privilege to speak with him in 2021 when he competed on AGT: Season 16, and actor and model Mike Heslin, who was one of the podcast's first guests in 2019 with his husband and longtime friend Scotty Dynamo. Finally, I would like to pay tribute to two men who impacted my life from 2003 to 2007 while I attended Blue Valley Northwest High School in my hometown of Overland Park, Kansas. My choir teacher, Dale Eaton, and my 12th-grade English teacher, Dr. Rick Pribyl, impacted me and countless students during their time at BVNW. Thank you for the memories, Mr. Eaton and Dr. Pribyl.    Season's Greetings:  Thank you, everyone, for all your support this year! I want to thank all my guests who took time out of their schedules to visit the podcast, as well as the media teams who trusted my platform so their clients could see and share their stories. I also want to give a special shoutout to my family: mom Gloria, dad Matthew, brother Aaron, sister-in-law Whitney, nephew Nash, and niece Emory. I love you all to pieces!   Finally, thank you to the readers and listeners who followed me on this journey! I hope 2025 will be a phenomenal year for all of us!    Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Thank you for joining JC and Rod on this X-Men: Evolution journey. While we were fully prepared for a full on cliffhanger, we were pleasantly surprised with how the series wrapped up. Sadly, we would have loved to see more of this. Join us for one last X-Men: Evolution discussion talking about the 2nd of the two part series finale and our favorite characters and moments of the series. Oh, and see you in 2025 as we move to a bi-weekly schedule for Wolverine and the X-Men! Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is still a ways off, we are finishing up our first ever watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"I do not yearn for an easy life, Magneto. Only a just one." These third and fourth installments of X-MEN: THE ANIMATED SERIES' second season are representative of a revised story structure, adopted at the behest of the Fox Kids executives. Gone is the single, unbroken heavily serialized narrative approach of the first season, wherein episodes that weren't explicitly identified as multi-partners still ended in cliffhangers and flowed directly into the next adventure. This was especially pronounced in the midseason, when animation errors forced delays and the airing of episodes out of script order. Fox understandably wanted to avoid such problems by having the freedom to air episodes as they became available, rather than in a strict sequence. Their edict called for more one-and-one episodes and fewer multi-part stories in general. Knowing that the show's loyal fanbase had certain expectations of an elevated presentation for a Saturday morning cartoon, showrunner Eric LeWald and the production staff came up with an ingenious workaround. Professor Xavier and Magneto's diversion in the Savage Land was conceived as a single episode, to be animated all at once, but written in such a way that it could be easily edited and inserted as segments in other episodes, and therefore serialized across the entire season. These interstitial cutaway scenes did not have to adhere to a rigid order, as long as they generally conveyed the pair being continuously imperiled in some way while narrowly escaping with their lives. Thus, the network's demands were fulfilled while still allowing for a season-long "wraparound" storyline. Without meaning to, this would be one of the ways the series was brought into closer alignment with the subplot-heavy nature of the contemporary comics. In particular, "Whatever It Takes" serves as the first episode to feature distinct A, B, and C-plots for the series. Storm and Rogue's tussle with the Shadow King takes center stage, but Wolverine's solo outing provides a follow-up to the loose end of Morph's return, while drawing a line under his status (for now). Finally, as something akin to a back-up strip in comics, Professor X and Magneto send the episode out by finding themselves in a new, exotic setting and establishing their pattern for the season. Even if nothing critically important is happening, the rapid-fire pace and juggling of plots makes for an easy, immersive watch. With more episodic, single installment A-plots doing the heavy lifting in season two, X-MEN's creative team uses this as an opportunity to explore the cast in greater depth. The result is a round of rotating character spotlights, once again drawing heavily upon the lore of then-recent comics. Whereas the season opening explored Scott and Jean's background with the revelation of Mr. Sinister as a presence menacing them from behind the scenes since childhood, Storm and returning guest star Colossus would receive similar treatment in "Whatever It Takes" and "Red Dawn," respectively. Flashbacks are employed generously to show, if not outright origin tales, pivotal moments from these characters' pasts. Wolverine, Gambit, Rogue, and Beast will each get their turn at such character-centered episodes over the course of the season. This exemplifies an evolution of the show's mission, from successfully selling the X-Men collectively as a fighting team to endearing the young broadcast audience ever more to its individual members. When talking to X-Men loyalists of a certain age to this day, there's a reason why they point to the animated series -- and, whether or not they recall the exact details, this run of episodes -- as the common denominator that made them fans of the characters for life. X-TRA: In more comics-related synergy, issues on sale in the month of these episode airings feature Scott and Jean getting engaged. Their nuptials would go a bit smoother in print than the version seen on screen. Conversely, Colossus receives much kinder treatment in animated form. His second appearance in "Red Dawn" comes just a few months after the longtime X-Man joined Magneto's Acolytes, itself the culmination of a series of personal blows in which Colossus lost his brother, parents, and sister in short order. One such tragedy also involved a confrontation with Omega Red in only his second comics story.

It all comes down to this. The two part series finale of X-Men: Evolution brings most of the stories to a head with Apocalypse and a scheme to activate all the world's dormant X-genes. Join Rod and JC in these final two episodes of Evolution (including next week) as we get to look at the end of a series with 20 years of hindsight to compare to. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is still a ways off, we are finishing up our first ever watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: Evolution has shown just how much potential the New Mutants can have with this final episode before the series finale with the introduction of Danielle Moonstar. And we get a guest appearance from friend of the pod and someone who makes JC's Pokemon fanaticism look like rookie stuff, Kellie Faciane-Whisler, aka PokeKellz. While some "rules" may get broken in the episode, this one took us on a ride and we loved having Kellie join us for it! Find Kellie Everywhere! Instagram: https://www.instagram.com/pokekellz/?hl=en Streaming: https://www.twitch.tv/facianea Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

You can't have an X-Men cartoon series that doesn't dedicate at least one episode to the relationship between Rogue and Gambit. And while hot goth Rogue and fboy facial hair Gambit aren't the same as their comic counterparts, it's about time we got to see them spending some time embracing southern hospitality. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A deep-dive into the very first X-Men movie ever made, and the WEIRDEST Marvel comic of the 90s! We'll take you behind-the-scenes on how Fox Kids took the leap from X-Men The Animated Series, to making a live-action TV movie based on the X-Men - and what went wrong! We'll also explore the wild success of the X-Men comics in the 90's, Jubilee leaving the X-Men, the creation of Generation X, and their battle with Aerosmith! Then we'll deep-dive the movie itself to pull apart the dodgy special effects, the wonky script, and the most awful Marvel villain of all time! Plus we'll also bring you TONS of X-Men trivia and history about Banshee, Jubilee, Emma Frost, and weird new mutants like Skin, Mondo, Husk, Chamber, Emplate, Synch and more! Support the show and get awesome bonus episodes at https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

A deep-dive into the very first X-Men movie ever made, and the WEIRDEST Marvel comic of the 90s! We'll take you behind-the-scenes on how Fox Kids took the leap from X-Men The Animated Series, to making a live-action TV movie based on the X-Men - and what went wrong! We'll also explore the wild success of the X-Men comics in the 90's, Jubilee leaving the X-Men, the creation of Generation X, and their battle with Aerosmith! Then we'll deep-dive the movie itself to pull apart the dodgy special effects, the wonky script, and the most awful Marvel villain of all time! Plus we'll also bring you TONS of X-Men trivia and history about Banshee, Jubilee, Emma Frost, and weird new mutants like Skin, Mondo, Husk, Chamber, Emplate, Synch and more! Support the show and get awesome bonus episodes at https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

After being gone for half a season, Spyke and the Morlocks return as mutant tensions erupt in Bayville. Is the energy drink that poisoned mutants back? No. Not at all. But at least high school jocks somehow got free laser cannons. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

With Professor X's son David debuting here, this is one of the episodes that hurts when you know a fifth season never happened. Diving deeper into Xavier's past is always fun and knowing about the potential of his son compared to comics and other media, it's a little bit of a kick to the shins. Oh, and Professor X in all media continues the trend of being awful with exes. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Getting our Wolverine-focused episode of the season, we get to see X23 in action again along with the debut of Evolution's versions of Omega Red and Madam Hydra (a.k.a. Viper) and the only ever appearance of Gauntlet. As Rod points out, this is full fledge super hero action and (mostly) a full move away from the high school drama of the early seasons. And we are pretty sure X23 takes out full squads of Hydra soldiers. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Whatever happened, you're still part of the team! You're still one of the X-Men!" Much like the comics from which X-Men: The Animated Series drew so much of its inspiration, season 2 would immediately see the show begin to double down on its history and build out an ever-expanding mythology. No longer obligated to present stories at an entry level, the show took full advantage of its serialized format to springboard plots off the backs of its own previous plots. To that end, season 2 opens with a bombshell: the return of Morph, long thought dead since the events of the series' opening two-parter. This came as a shocking and satisfying twist, rewarding loyal viewers for their continued interest. And if it came at the cost of invalidating the show's edgiest, most ground-breaking moment? So what! This was comics, after all, or at least comics-on-Saturday-morning. Further to that, Morph had proven to be an unexpected fan favorite based on initial impressions, so a reversal of fortune was arguably worth it not merely for a big reveal, but to offer a path back to semi-regular appearances for the character. The revolving door of death would be one of the many ways the show was brought more into alignment with the tropes of the comics. More direct echoes could be traced in the form of Scott and Jean's wedding, which would occur in the comics a mere four months later. Likewise, new anti-mutant antagonist Graydon Creed and his homegrown militia, the Friends of Humanity, had made their print debuts a little over six months prior to the airing of "Till Death," part 1. Henchmen the Nasty Boys are utilized prominently beginning in part 2 and throughout the season, despite having appeared in exactly one comics storyline from 1992 (and in lieu of an older and more infamous group that preceded them in the Marauders). All this, with little in the way of reintroductions to our principal cast. From a critical standpoint, this approach for a season premiere might politely be described as "inaccessible" to say the least. Owing to many of these changes was no doubt the arrival of X-Men line editor Bob Harras in an official capacity as Story Consultant. To Harras, inaccessibility was a feature far more than a bug. During his tenure overseeing the X-office at the height of the speculator era, the more tangled, sprawling, and convoluted the storytelling, the better. For the industry's many eager young collectors, the complex nature of the X-Men's history, combined with the present-day storylines whose conclusions typically offered more questions than answers, there was a desperate need to Make It All Make Sense. Helping Jenny and Tim to Make It All Make Sense on this installment of X-Position is Keithie, not unlike Beast, joining the episode in progress. All told, this two-parter delivers a satisfying, intricately-plotted opening salvo that will be representative of the season as a whole. Thematically, the story makes excellent use of deception as a recurring motif. From Wolverine's brawl with a robotic duplicate of Cyclops, to the mutant-impersonating crisis actor disrupting President Kelly's inauguration, Graydon Creed's subsequent manipulation of the media, and right down to Morph's duplicitous divide-and-conquer scheme to use the X-Men to undo the X-Men, truly nothing is as it seems. And that's to say nothing of Morph's return from a seemingly certain death. It's fitting, then, that standing atop all of this subterfuge is the riddle wrapped in a mystery inside an enigma known as Mr. Sinister. His presence will loom large throughout the series following this maleficent animated debut. To its credit, the script makes effective and logical use of Sinister as Morph's corrupting benefactor, and even manages to flesh out his ultimate motives more decisively over the course of 22 minutes than 6-plus years worth of comics appearances had managed. Though taking its cues ever more from the comics, this stands as an example of the finite nature of the animated series imposing a storytelling discipline that occasionally outshined its source material.

When the biggest villain in the series has been unleashed, let's not address it beyond the cold open. Makes sense to JC and Rod. Instead the X-Men get the cold shoulder from Bayville as the Brotherhood become unlikely heroes (despite being the cause for the original disaster) paired up with the mention of an election. That's not awkward timing at all. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: Evolution's home stretch kicks off with this Apocalyptic follow-up to Season 3 as the X-Men and Magneto take different paths to how to approach this big bad. Meanwhile, Rogue and Nightcrawler don't see eye to eye on what to do with their stone mother. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Coming off of an emotional first season in the role, Rod and JC get to chat with the incredible Matthew Waterson about taking on the role of Magneto. Between taking over such an iconic voice to finding his character in a love triangle to exploring if in fact "Magneto was Right", Matthew graces us with some amazing stories about his first foray into the world of the X-Men. Find Matthew on Instagram: https://www.instagram.com/mjwaterson The Xavier Files is our offshoot interview show focused on conversations with members of the cast or production team about any X-Men Animated Series. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men '97 "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Joanna Robinson and Dave Gonzales, coauthors of the book MCU: The Reign of Marvel Studios, out in paperback this week.I really loved the book, it dives into what is the main flywheel of mainstream entertainment, for better or for worse, and dives into the fascinating history of the MCU. Whether you're a fan of Marvel movies or just someone living in a world dominated by them, the book is a really interesting look into contemporary filmmaking and the pressures and economics and just simply human scale of these massive operations.We spoke about Marvel's journey from underdog to cultural icon, how its moviemaking process has changed over time, and what it was like covering a narrative that was developing in real time.Robinson and Gonzales can both be found on the podcast Trial by Content, and the book can be found wherever books are sold.This interview has been condensed and edited. Dave and Joanna, thank you so much for coming on.GONZALES: Absolutely.ROBINSON: Thanks for having us.I really, really love this book. So happy to see it out in paperback. I guess I'll just kick it off with an easy one: What were each of your first experiences with Marvel? How'd you get into this?ROBINSON: As in the comic books or the films?Anything.ROBINSON: Anything at all. Gosh, I think X-Men: The Animated Series was my introduction, back in my infancy. It really got into the world they created, the various characters, their character sets, the trading cards, and then everything spirals out from there. That was my introduction.GONZALES: Mine was probably with the comics. I might have had some X-Men: The Animated Series in there, but I got much more into the comics around late 1993, early '94, when I happened to buy a Spider-Man issue that was part of “The Trial of Peter Parker.” Suddenly I had questions: Why was Peter Parker on trial? How many different Spider-Man books were there? Because I bought an issue of The Spectacular Spider-Man, but the next part of “The Trial of Peter Parker” was The Amazing Spider-Man.That led me to get a cubby at my local comic book shop in Louisville, Colorado, which was Time Warp Comics at the time. That was my way in, just being a comic book fan. I also jumped in on one of the longest and mostly considered worst Spider-Man arcs, but loved it. So imagine how good “good” Spider-Man was to me as a child, because I got weaned in on “bad” Spider-Man.Amazing. One reason I really dug the book is that it's about the MCU, but it's also about Marvel, the history of this entire company, and its very different evolution over time, from the '60s to the period of the '90s. What was it like trying to cover not just a film series, but a big franchise with a lot of moving parts as part of an even bigger company with even more moving parts?ROBINSON: A good question we asked ourselves was both where to start and where to end, and where to end was a constant, ongoing question mark. I'll let Dave address that. But in terms of where to start, there were certain things we felt we had to backdate, because there were players involved in the major “How did Marvel Studios come to be?” question and you had to know who they were, why they were important, how did we get here and what were the stakes? Being able to loosely explain who's Stan Lee, who's Perlmutter, who's Avi Arad, who are all these people, helped us tell that story without losing the audience entirely by throwing a bunch of new names at them. Dave, what about ending the book?GONZALES: Oh, ending the book. That was super fun. We started right as Avengers: Endgame was in theaters. I remember seeing Endgame and knowing that Joanna and I were going to work on this, so we started off thinking, what a fantastic hill that Marvel climbed, this interconnected universe with three phases. Everything surely was planned out from the beginning and could only go up from here. The book was originally “The Rise of Marvel Studios,” because we thought surely this was just up and up and up.Then the pandemic hit — which was very good for us, having to write the book and just sit down and figure out what it was. It also gave us and a lot of sources a pause to regain our footing. As Marvel started rolling out, we tried to peg an end date. I wanted it to be Blade to Blade when we started, but Mahershala Ali's project has still not come out, so that became an impossibility. Then WandaVision premiered and suddenly there was this whole other aspect to the story we were trying to tell. So we wanted to do that and just tried to report things as they went along.We were blessed and cursed by the year that we published the hardcover, October 2023. As we were turning in the final part of the book in January and February, a whole bunch of Marvel news started breaking. Ike Perlmutter left Disney; Victoria Alonso, who was a big mover and shaker in Marvel Studios, was let go, so we had to report that out; Jonathan Majors went on trial.It was only in a panic over all those things that I really ended up appreciating what we had done just by thinking of all these topics so thoroughly for several years. Even though we were tacking new endings on, it wasn't that hard to make it feel like it was a whole arc because we were kind of working there anyway. I wouldn't say I'd've enjoyed releasing the first version of this book in one of Marvel's worst financial years and most critical years ever, but I do think it provided an interesting little tie-off or a fascinating ellipses that allowed us to be relevant and, more importantly, in the year 2024, look like we knew exactly what we were talking about in Marvel's rebounds.That's a really good point. When I met you on tour, a key thing you were getting at was that the idea that Marvel has not had a slump before is naive, and also ahistorical. A fun thing about the book is that you go through all these different eras, and sure, there's an easier story and probably a more polished, corporate story that's ever upward, toward Excelsior, all that crap.But you really do cover the pits and troughs of this. There was Iron Man 2; there was Thor: The Dark World; there was that period of time between the assorted Spider-Mans. What was that perspective like, particularly as it was coming out and as you were able to talk about the issues in 2023?ROBINSON: It was important for us, just on a basic journalistic level, to try to tell as much of the story as possible. We're fans of Marvel, of the movies, but as long as I've known Dave, both of us have been people who don't like to feel like we're not being told the whole story. We don't want the PR version of something — we want to know all the messy details as well. And it's not to knock Marvel or have any kind of “gotcha” moment. It's to say, “Okay, they had these various pitfalls, these various problematic people that they were working with, X, Y and Z. Look what they accomplished anyway.” That's the story in broad strokes. It was important for us to be able to acknowledge the stumbles along the way.When we found ourselves in a 2023 space where everyone was saying Marvel is cooked, or Marvel used to know exactly what it was doing from the beginning and now they're just making it up — no, they were always making it up. They just did it so well, you didn't notice. That gave us a better perspective to be able to say, let's just slow down. We were looking ahead to 2024, saying they're only putting out one movie and two shows next year. If those hit, then you'll start to hear that Marvel's back, baby. Then Deadpool & Wolverine makes a gajillion dollars and Agatha All Along is a pretty solid hit for them.So I think that “Marvel is over” narrative that was so prevalent a year ago is now the question, “Is Marvel back?” Looking even further forward at the next couple of big projects coming, I think Captain America: Brave New World is going to be a tough one for them. I don't know if that's going to hit the way a lot of people want it to. I think Thunderbolts is going to be hit for them, and I think The Fantastic Four: First Steps is going to be hit for them. They're still getting their bearings, but to your point, it was a bit naive to say they've been nothing but successful and now they've run off a cliff. Dave, what do you think?GONZALES: It was just a less interesting narrative, ultimately. I actually found myself getting less adversarial the more we learned, especially being a fan when all this started around 2008. There was this idea that Joanna was talking about, which is even a fan perspective today, that if something doesn't work out it's because we've been denied something at some creative step. Like, you know what, screw those guys; we want to do Harrison Ford as Red Hulk instead, or something like that.But it's not that at all. There are a whole bunch of different drama and production and business problems, and all these things come together to make these gigantic machines of a movie work. It was really important for us to drill down on Marvel Studios and get into those ups and downs, because a lot of times you can try to compare Marvel Studios to something through contrast, through Warner Brothers trying to do it with DC back in the early 2010s. Everybody started trying to launch an interconnected universe from the first movie, but all you could really say is that Marvel's worked and these others didn't. The details of the alchemy are in the tiny stories and little conflicts. That's why I think they were so important to track, be they how movie stars look or how we use CGI to make movie stars look. Tracking that over at Marvel Studios was just as important as how many movies Tony Stark was going to be in.Can you speak more to how much of this was on the fly? One of my big takeaways from your book was just how much things aren't necessarily set in stone during the production of a movie, and how sometimes one person's smart idea, regardless of where it comes from, can drastically alter what a lot of folks think was written in stone in 2007.ROBINSON: That idea of “best idea wins” — without ego; best idea from whomsoever — was a prevailing concept at Marvel. Kevin Feige was also this really interesting figure that has no comparison at any other studio. He's head of the studio, a creative producer, a storyteller in his own right and someone who wanted to make movies as a kid and thought he would be a director. He wound up an executive, but he has that storytelling sense. When Marvel was putting out fewer films and TV shows — or no TV shows at all and just a few films a year — the process was, “Go shoot your movie. Bring me, Kevin Feige, back the pieces and I'll tell you what you're missing.” They had this built-in reshoot window where you could go and add scenes where he felt like you hadn't really nailed this character, or cut this action out to bump up the action over here a bit more. They had this rough-drafting process with the master editor being Kevin Feige himself. There's no system like that at any other studio.That works so well for them, and in doing so, they're able to cement over the cracks and make it all feel like one smooth story that they're telling, because that refining process is built into their filmmaking process. Once the mandate comes from Disney, from Iger on his way out the door, from Chapek in his seat for a while, that they need to compete with Netflix and all these other streaming services, that they need more and more content — then the pace becomes untenable for that revision process that made them so solid in the first place.You talk about Feige not having an analog. I was really shocked reading the book because there's not even anything recent. You have to go back to Cecil B. DeMille for someone who has that producer, authorial presence. He's really a fascinating figure, and it's a key takeaway from the book that I loved. It really highlights the people who make these movies, not just the corporation. It's actual human beings who do this kind of stuff, often with long continuities. Do you want to speak about some of that?GONZALES: Definitely. Actually, while you were talking, I was wondering if part of the chip on Zack Snyder's shoulder was because someone at some point told him he was going to be a Kevin Feige and he's been chasing that ever since.A lot of the Marvel continuity that's been going on is still going on, even after our new chapter. It's been interesting to see how it's developed. It could be that the best idea wins, but then they also have that old school, in-house process where the starting team is very often the same people and has been since phase one. You put together a bullpen of concept artists, so you're constantly using concept art. Not only is that smart from a design standpoint for making a movie, but then you can have those things scanned and it goes directly into making toys. So at the beginning, there's no fight about bringing on these design creatives super early on.Where we start to see the wear and tear is, as Joanna was saying, with this output increase. All of the pressure starts being put on post-production, which is the place where you can't make more time. The solution is to hire more people, and because of that, the job of keeping things consistent falls to Victoria Alonso.She does a pretty good job considering that she's working a 24-hour, seven-days-a-week work schedule because the industry is so messed up. It was never built to do stuff like this. In a lot of ways, the way the VFX industry is structured is still from the '90s turn of the century, when you would bid on a number of shots to do and get money for that number of shots. You'd have to work those shots until they get approved by the director. There isn't an extra budget, and there isn't an overtime, which was a fine way to do it when there were three or four VFX shots in every movie. But now that we're in the 200s or some such, there's a natural strain put on that, and it's impossible to budget on the VFX side. They have to underbid because there's a limited amount of work. If Marvel decides they don't like you, as much as a third of your entire year's work can just not come to your company.As Marvel ages into it, we get a lot of people who are able to make their careers there, from Kevin Feige to Mary Livanos, who's doing great things on Agatha and seems really close to being ascendant. We have Brad Winderbaum, who's been made head of streaming now to take some of that pressure off Kevin. You have all these great continuities. You're less likely to see continuities in visual effects artists, just because of how they're going recently. When Joanna and I were interviewing people like ILM for Hulk, occasionally we'd do a person that was in three or four movies. Now, like for Guardians of the Galaxy Vol. 3, there was a team of about 12 people at Framestore who make animals look good. They just come in for that movie to make animals look incredibly good. They did it the whole time, but they're not as legacy as other parts of the Marvel development studios — which I hope will change, because there are some people who are really good at making Hulks. And if you've made Hulks for 20 years, shouldn't those be the people that are making Hulks in Brave New World? We'll have to see.ROBINSON: I love that you mentioned Cecil B. DeMille. As we were putting this whole story together and realizing that they bring all these teams in-house, Dave and our coauthor Gavin and I, we are to varying degrees students of old Hollywood history, and we had this realization that it's just the old Hollywood studio system. You're putting actors under contract for nine movies, all this other stuff, and we felt so smart. Then I was talking to someone who worked at Marvel and they were like, “Oh yeah, Kevin says that all the time.” I was like, oh, I thought we really put something together. But at least we were right! We were consciously doing this.I think that industrial element of it is really interesting. A key thing that changed the way I see the film industry was realizing that every movie is basically a corporation that briefly exists. Every movie is an entire apparatus, with a CEO operation and departments and all that. Then it folds and you move on to the next one.With Marvel, though, the circus never closes; it's just onto the next city. It was really interesting to see its place in the industry. Like Dave was saying, the limiting reactant for some of this is just the number of animators on the earth who are capable of making this kind of stuff. It's so cool to get a look inside this apparatus through the book.ROBINSON: Thank you.GONZALES: What an apparatus. It's really interesting to me, even now, as we are pending the return of the Russo brothers, who are just able to find this and also find the emotion in it.In Endgame, the Tony Stark “I am Iron Man” moment was the last insert. They had to go to dinner with Robert Downey Jr. and Joel Silver and have Silver be like, “You'd be dumb not to do it, Robert,” because Downey didn't want to go back there. He's a weird dude, but for him, it felt like in order to get to what he needed to do, he had to take off a scab that had formed and get back into the character. Whereas the Russo brothers are like, we built a workout system and we have our smoothies and every day is trying to make the machine work. Somehow, through the alchemy of those two things, the machine works, and occasionally we get these story moments that feel like they were created individually for that movie.That, I think, is the mystery that the book is trying to unravel. At the beginning, it's untapped storytelling potential. Everyone's like, if you don't have the X-Men, if you don't have Spider-Man, what do you have? There's so much in just proving that you have good stories. Now that you're the biggest game in town, that idea of, “Are you going to make me feel anything?” is so much different than what the initial promise was, that they're going to bring Thanos to the screen and you're going to understand who he is and what he wants. That was the big lift. Now there's a whole simultaneous saving of the industry, and bestowing status on different actors. There's just so much more mixed up in it now. It's amazing we got where we did.The book is also a really interesting look at the transition from being a super underdog. As you describe in the earliest chapters of the book, Marvel was bankrupt, and all the executives were folks who fell out of the toy industry or Revlon. The folks who were in charge came to it in the manner of somebody accidentally having to join a carnival, and then eventually it becomes the hegemonic juggernaut of everything, in many ways the thing that people stand against. In the book, watching the perception around it change and then internally having to adapt to that change in perception was a really cool tension.ROBINSON: My favorite indicator of that underdog status versus top-of-the-world status versus wherever we are now is the making of the first Iron Man movie. Marvel Entertainment in New York — who was, to your point, chiefly concerned with merchandising and toys — had the attitude, “Okay, go make your cute little movie. If it doesn't cost us any money, you can go do your little cinematic experiment in Hollywood and we don't really care that much. Just make sure you don't spend any of our money. Other than that, go have fun.”And they make Iron Man, and Iron Man is a massive, smash hit, and all of a sudden the people in New York are like, we're forming something called the Creative Committee. We would like a lot of intake. We want to be part of this. This is the big shiny thing, and everyone wants to weigh in on it. So it's really interesting to track this going from a weird little project they were doing out in Los Angeles to The Thing for Marvel. You can track it by who needs to have an opinion about what and when they start to care.GONZALES: One of my favorite moments — it's after the book chapter “Marvel vs. the Creative Committee” — is when Kevin Feige gets on stage himself to unveil the entirety of phase three, which includes Captain America: Civil War and Avengers: Infinity War and everything. That is such a telling moment for me. He had just won his battles with these behind the scenes. He's fully in full control. Black Panther is coming. Joss Whedon is in the edits for Avengers: Age of Ultron, in the audience, but they already know he's not coming back.There was a version of a chapter in the book that was just me going through that and being like, here's why each one of these announcements is like Kevin Feige spiking a football in the face of someone that told him he couldn't do it. That's still the purest creative energy I've seen. “We could finally do it!” burst out of Marvel. I think they've been more reserved since, even with some big announcements, but I like to go back and look at that just to see the pivot point when Marvel was the underdog. It was like, we want Black Panther, we want Captain Marvel, but the studio won't let us do it. Then Kevin Feige gets up and goes, “Here are the next 10 years of your life.” It's just such a joyous moment.ROBINSON: We love that moment. We talked to people behind the scenes who were working at Marvel at the time about it, and there's a reason that whole presentation wasn't at a Comic-Con. It wasn't at D23. It was its own thing at the El Capitan Theater in Los Angeles, and internally, they jokingly called it Kevin-Con. It was this whole thing, and part of it was that they weren't ready to announce certain things at Comic-Con.But part of it was this moment for Feige who fought various personalities across the various companies to get control of the narrative. And I agree, Endgame is of course in all of history going to be looked at as the pinnacle of achievement at Marvel. But I actually think it might be Kevin-Con at the El Capitan Theater, when Chadwick Boseman comes out and Robert Downey Jr. and Chris Evans are there to anoint him as the future of the franchise. That, of course, comes with its own terrible poignancy. We were really lucky to talk to Chadwick Boseman for the book before he passed away. These were things that happened while we were writing the book. History was constantly happening as we were trying to frame this entire narrative.If there's a protagonist in the book, it feels like it's Kevin, even in the earliest days when he was advising on the Fox products. Having read the book and then seen Deadpool & Wolverine — which, as you mentioned, went on to become a phenomenal financial success — it was really cool to come away with a little more admiration for the role that Kevin had in some of the Fox properties. Seeing that manifest in the MCU was just really nice.ROBINSON: I love that he got to have his Wolverine story, given that it all starts with him in a trailer with Hugh Jackman saying it needs to be bigger, it needs to be bigger, it needs to be bigger. I love that.GONZALES: I don't even know if it's still called that, but Joanna used to call that the “Feige fix-it.” Instead of developing these things by always going forward and introducing younger Avengers, he's actually much more interested in reaching back. There were good things there. Or, I guess the generous way to think about it is rewarding the fans that were around before it was the Marvel Cinematic Universe. Like, “You didn't waste your time with X-Men: The Last Stand. I know it might have felt like that occasionally, but here's this. Or Andrew Garfield. Yeah, maybe we treated him badly, but don't worry. You didn't waste your time with that because boom, here it is paying off in the Marvel Cinematic Universe.”Initially there was some hesitancy about Marvel homework. Do I need to have seen these things to do these things? But ultimately, if we're just talking dollars and cents, the nostalgia play has made them a billion dollars so many times that it doesn't surprise me that Deadpool & Wolverine is a huge hit just by being a swan song for the Fox movies.ROBINSON: I was personally incredibly gratified to finally get Channing Tatum as Gambit. That was a very important moment for me.My favorite version of the Feige fix-it was putting the storyline from Thor: The Dark World into Endgame and making Thor: The Dark World, the most universally mocked and reviled MCU film, an integral part of their biggest triumph. All of a sudden that's wrapped into the larger tapestry in a way so you can't just toss it in the garbage and say, oh, don't bother watching Thor: The Dark World — now you have to watch it to understand everything you're seeing in Endgame, which is certainly not a movie you're ever going to skip.It's a magic trick that really works and almost shouldn't work as well as it does. But even how they were able to get the Infinity Stones, almost taking elements of the first couple films that were dropped or introduced somewhat randomly and then doing that. It's a trick that they keep on pulling.GONZALES: Kevin Feige will say this, but we're coming up on 80 years of comic book history, and if there's one thing that comic books do more than any other medium, it's just use the same story. How could you have another angle on this story? They have so much A/B testing on what we like about this character, or what we'll buy about a certain character, it's interesting to see Marvel adapt that along with what sort of story you like on the Hollywood side of it.But yeah, we're going to see Captain America: Brave New World and finally see that Celestial that came out of the ocean in Eternals. Every Marvel property contributes something, we're told. Except the Inhumans; that never happens.The book is MCU: The Reign of Marvel Studios, and it's a fascinating look at the intersection of the humanity behind these movies and the technology of these movies. And if there's one figure that reminds me of that in particular, obviously, one of the most central people in the Marvel universe is Green Steve. Let's talk a little about him before we wrap this one up.ROBINSON: He's my favorite! Green Steve, a Chippendales dancer that was painted green in order to make sure they understood how the green light on skin would be captured accurately for the Hulk. Green Steve was one of my favorite anecdotes we got, and it was out of the book for a while before we worked it back in. Dave, what do you want to say about Green Steve?GONZALES: I love Green Steve. I love that this bodybuilder from Long Island can technically say he played the Hulk in a sort of way. In theory, because it's a whole CGI character, he might have played the Hulk close to how much Mark Ruffalo played the Hulk in that first movie. I love that story.Pretty early on, we brought in Gavin Edwards, our third author, to help us do a book, since Joanna and I had never done a book before. We were starting to put together the notes and I was like, can we please have a mid-credits scene? Can we just have a chapter in the middle of the notes?ROBINSON: That was Dave.GONZALES: I held onto that for as long as possible. I remember in one of the final meetings after we turned in the draft, we pitched it up to the editor and they were like, “That's really fun,” and I thought, oh thank god. That was a really early idea, and Green Steve fits that perfectly; it's a super interesting story that doesn't really belong anywhere else, but will stick in your mind as, Marvel literally tried everything to make the best Hulk. So I'm very happy that it's the mid-credits chapter — and remains the mid-credits chapter! Even when we added another chapter in, we were like, where does this go? Not before Green Steve.ROBINSON: He's got the final word for sure.Amazing. The book's out of paperback now. Where can folks find it? Where can they find you? And what's next?ROBINSON: “All good and evil news agents.” That's what the Empire Magazine folks say. All good and evil bookstores or any online book purveyor is where you can find our book. Dave does a tremendous podcast called Fighting in the War Room, which I love to listen to, so you should listen to that. And together we do a podcast called Trial by Content that y'all should listen to.GONZALES: Joanna's on a fantastic podcast called the House of R with Mallory Rubin over on The Ringer, where she covers lots of cool pop culture things. If you want to go to a bookstore and don't know exactly which one to go to, you could head to theMCUbook.com. That will forward you to our publisher's website, which has links to your Barnes and Nobles, your Amazons, your Bookshops.org, and will help you track down the book near you. And look for us in a couple more years with something similar.Thanks for coming on.ROBINSON: Thanks, Walt.GONZALES: Thank you.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Actor and Storyteller Lenore Zann Interview | The Brett Allan Show | A ROGUE'S TALE: A MEMOIR WATCH HERE! https://www.youtube.com/watch?v=NLxz7loI2pA&t=244s After this year's explosive success of Marvel's X-Men ‘97 on Disney+, the highly anticipated memoir of series star Lenore Zann (aka Rogue) is here. An award-winning actor, singer, writer, and four-term elected politician, Zann has crafted a stirring autobiography about overcoming multiple challenges while navigating life's journey during uncertain and dangerous times. Beloved by fans worldwide for her portrayal of the powerful, yet lonely superhero Rogue in the original X-Men: The Animated Series, Zann's own “origin story” is, like the sexy southern belle herself, super-charged - with lots of spice to go along with the “Sugah”! And, when personal tragedy inspired Zann's gut-wrenching performance in this year's Primetime Emmy-nominated episode Remember It, the universal outpouring of emotion by viewers “broke” the internet. Fans continue to share stories online and in person about how Zann's critically acclaimed performance as Rogue has helped shape their lives, giving them the strength to overcome their own fear, loss, and grief, as well as learning to accept themselves as they are. Inspired by these fans to tell her story to a wider audience, Lenore Zann presents A ROGUE'S TALE: A MEMOIR. Connect with us on our website for more amazing conversations! www.brettallanshow.com Have you got some feedback? Let us know! openmicguest@gmail.com Follow us on social media! Facebook / thebrettallanshow Instagram / brettallanshow YouTube / @thebrettallanshow LinkedIn / brett-allan-009458168 Support the show! VENMO @-Brett-Allan-7 Cash App @brettallanshow74 PRE-ORDER ON INDIGO BOOKS: https://www.indigo.ca/en-ca/a-rogues-... SAVE TO YOUR WISH LIST ON AMAZON: https://a.co/d/1SJYcz0 Learn more about your ad choices. Visit megaphone.fm/adchoices

The voice of Morph in X-Men 97, JP Karliak joins us and shares his experience taking the role of the iconic returning fan favorite. Between "Morph Smash", how he puts himself into many of his roles, and founding awesome organizations like Queer Vox and Nerds Vote, JC and Rod get to hear some awesome stories from the X-Men's chaotic comic. Find JP on Instagram: https://www.instagram.com/jpkarliak/ Queer Vox: https://queervox.org/Nerds Vote: https://www.nerdsvote.com/ The Xavier Files is our offshoot interview show focused on conversations with members of the cast or production team about any X-Men Animated Series. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men '97 "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In a "unique" season 3 finale, JC and Rod talk about one of their lesser favorite antagonists during X-Men: Evolution, Nature. Some of the kids head out on a Caribbean cruise while Iceman tosses out 90s references and Magma finds out more about her powers. Cyclops is Waiting for Me is our weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way, we've also launched our companion show The Xavier Files with interviews of members of the X-Men community including voice actors from the series! Since season 2 of X-Men ‘97 is now a ways off, we are returning for the second half of our first watch through of X-Men: Evolution. "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP) All our links: https://linktr.ee/cyclopsiwfmpod Affiliate Links: X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men Evolution DVDs & Video: https://amzn.to/3WFgQGJ X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Animated Series and X-Men '97 voice actor Lenore Zann joins Agents of Fandom ahead of the release of her new memoir 'Lenore Zann: A Rogue's Tale.' She discusses the similarities between her and Rogue, X-Men '97 updates, her career in politics, and even a date with Keanu Reeves.Become a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

Cable arrives from the future and Colossus battles Juggernaut this week on X-MEN: THE ANIMATED SERIES! DJ and Sal continue their mutant journey with season 1 episodes 7-8, "Slave Island" and "The Unstoppable Juggernaut"! Original Recorded on 7/17/24 for early access become a member! https://www.patreon.com/OnlyStupidAnswers More DJ! https://www.youtube.com/djtalkstrash https://www.twitter.com/djtalkstrash https://www.instagram.com/djtalkstrash More Sal! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/comicpop https://www.twitter.com/salsayswhat https://www.instagram.com/comicpopofficial Theme Music by: Steven James Schmidt For exclusive bonus podcasts like What We're Into, Spiderversity, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

Back in Ira's DJing days, he put together literally hundreds of sets. An interesting pattern developed during that time: no matter how much his skill increased as he went (and it did), some sets just worked better than others. Some were great, others weren't, and no amount of skill could make a set great that wasn't from the outset. So...just how much of greatness comes from the Muse? And how much is due to skill and within our control? We discuss! Also, Josh recommends Chernobyl on Max, and Ira recommends X-Men: The Animated Series which is on Disney+.

Callisto kidnaps Cyclops so she can have his Morlock babies and Logan does the Sad Wolverine meme this week on X-MEN: THE ANIMATED SERIES! DJ and Sal continue their mutant journey with season 1 episodes 5-6, "Captive Hearts" and "Cold Vengeance"! Original Recorded on 7/17/24 for early access become a member! https://www.patreon.com/OnlyStupidAnswers More DJ! https://www.youtube.com/djtalkstrash https://www.twitter.com/djtalkstrash https://www.instagram.com/djtalkstrash More Sal! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/comicpop https://www.twitter.com/salsayswhat https://www.instagram.com/comicpopofficial Theme Music by: Steven James Schmidt For exclusive bonus podcasts like What We're Into, Spiderversity, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

Before delving into the second season of X-Men: The Animated Series, our periodic explorations of the X-Men on film continues with another special episode! Up next for the burgeoning 20th Century Fox franchise is fan-favorite sequel X2: X-MEN UNITED. Jenny and Tim are joined by Keith Langston for a retrospective on the 2003 summer spectacular that in many respects established the template for big budget superhero blockbusters. As a paltry $75 million production, 2000's X-MEN was very much a story of managed expectations. However, by achieving the rare hat trick for a comic book movie of being faithful to the source material, receiving critical acclaim, and (more importantly) making money, a sequel was all but assured. Time had only been kind to the principal players: director Bryan Singer saw his stock rise considerably on the back of the film's success, and Hugh Jackman's performance as Wolverine proved to be a star-making role. Halle Berry, meanwhile, had since gone on to win a historic Academy Award for Best Actress in 2002. Producer Lauren Shuler-Donner cemented her reputation as a hitmaker, and was rewarded with a vastly increased budget to do the same - but more! - with X2: X-MEN UNITED. Suffice to say, everything is a little more polished this time around. The costumes, the props, the make-up, the sets, the effects, and particularly the action, are all a cut above X-MEN's modest trappings. X2's set pieces are grand and memorable individually, in ways its predecessor's are not. And while the fight choreography stands out for its jarring and dated generous use of "wire-fu," this was very much in keeping with the style at the time. Other early 2000s aesthetics threaten to date the film, but instead have a grounding effect - anchoring the fantastic elements in a reality that feels tangible and familiar. From Bobby Drake's domestic troubles to Jean's unfortunate triangle hair, it feels like these charactergs and conflicts occupy the world outside your window (or at least that of 2003). The overall result is incredibly important and effective in selling the metaphor of mutants as a real-world persecuted minority. All told, it's tempting to look back on X2 and call the film dated. A fallacy that implies it has aged badly. On the contrary, X2 simply remains both as good and as bad as it ever was. What stands out as glaringly messy today - in terms of plot, characters, and pacing - didn't work in 2003 either. But what the picture gets right - the cast, the performances, the effects and action scenes - still holds up remarkably well. Though once considered the gold standard in superhero filmmaking, the reality is that X2 has always been characterized by high peaks and low valleys. It's to no great shock that it has since been surpassed in prestige by subsequent efforts; after all, X2 is competing with another 21(!) years worth of genre films. Uneven though the movie may be, X2's reputation isn't sustained merely on the strength of nostalgia. It truly cashes in on the inherent, restrained potential of the first film, taking the franchise to new heights. In that sense, it can be said that X-MEN walked so X2 could fly.

Magneto makes his debut in X-MEN: THE ANIMATED SERIES! Now that the show has established its core team, it's time to introduce some the X-Men's most iconic enemies. Not just the master of magnetism, but Wolverine's arch-rival, Sabretooth! DJ and Sal unpack these early episodes, "Enter Magneto" and "Deadly Reunions", and discuss how they contradict the continuity of X-MEN '97! Original Recorded on 6/19/24 for early access become a member! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers More DJ! https://www.youtube.com/djtalkstrash https://www.twitter.com/djtalkstrash https://www.instagram.com/djtalkstrash More Sal! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/comicpop https://www.twitter.com/salsayswhat https://www.instagram.com/comicpopofficial Theme Music by: Steven James Schmidt For exclusive bonus podcasts like What We're Into, Spiderversity, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

Join the next stage of Mutant Academy's evolution as DJ and Sal explore the icon X-MEN: THE ANIMATED SERIES, starting with the 2-part premiere, NIGHT OF THE SENTINELS! Discover how Jubilee met Wolverine, Storm, Cyclops, Gambit, Rogue and the rest of the X-men! Original Recorded on 6/19/24 for early access become a member! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers More DJ! https://www.youtube.com/djtalkstrash https://www.twitter.com/djtalkstrash https://www.instagram.com/djtalkstrash More Sal! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/comicpop https://www.twitter.com/salsayswhat https://www.instagram.com/comicpopofficial Theme Music by: Steven James Schmidt For exclusive bonus podcasts like What We're Into, Spiderversity, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

In the Season 1 finale episode of X-Men: The Animated Series, tensions grow as anti-mutant "fever" consumes the nation.