Podcasts about Voice acting

Hello 2026...Goodbye first Quarter of the 2000's.  Think about that.  If you are a Boomer or GenX or like me call yourself a BOOMER-X you are FEELING THESE YEARS PASS TOO FAST!!! Let's look back at the VO of 202 not with brand names and accolades but with humility and hope! Happy New Year to all the VO Life fans and THANK YOU for another year!!

Caleb McLaughlin, best known for his role as Lucas Sinclair in Stranger Things, reminisces about his experiences growing up on screen, from Broadway beginnings to international fame. Caleb shares his insights on the positive dynamics of the Stranger Things set, the impact of faith and family on his life, and his new projects, including the animated film 'GOAT' produced by Steph Curry. Tune in for an engaging discussion on childhood crushes, career milestones, and the journey of a young actor navigating the complexities of fame and personal growth. Make changing time easier for you and your little one… order Magnetic Me today! New customers get 15% off your first order when you go to https://www.MagneticMe.com 00:00 Introduction 03:31 Caleb McLaughlin’s Broadway Beginnings 05:40 Life as a Young Performer 14:49 Family Dynamics and Sibling Rivalry 18:55 Navigating Crushes and Relationships 26:14 Faith and Grounding 34:57 Reflecting on Stranger Things Journey 35:37 The Audition Process 36:26 Meeting the Cast 38:10 Broadway Connections 39:30 Favorite Characters and Deaths 41:24 Lucas and Max’s Relationship 45:43 Reflecting on Stranger Things 53:52 New Projects: GOAT and Shooting Stars 01:02:52 Voice Acting and Animation 01:05:07 Concrete Cowboy and Personal Growth 01:07:57 Final Thoughts and Farewell

BOSSes Anne Ganguzza and Tom Dheere (The VO Strategist) detail the foundational strategy for achieving your voice acting career goals in the new year. Using a proven five-category system taught by industry veteran Dan Duckworth, Tom provides a structured method for turning ambition into executable action plans. The hosts emphasize that in a career where you wear all the hats, efficiency, education, and a healthy mindset are the keys to long-term success.

This week on Toon'd In!, the year winds down and the clock ticks toward midnight, bringing reflection, gratitude, and a chance to look back at an unforgettable journey.

This week on Toon'd In!, Christmas Eve arrives by the fireside, bringing twinkling lights, warm blankets, and a very special story to share.

Charles Fleischer shares his journey from early stand-up comedy to his multifaceted career in film and art. He discusses his experiences with Asperger's, the intersection of science and creativity, and his unique approach to comedy and merchandising. Fleischer reflects on his collaborations with notable figures in the entertainment industry, his mathematical discoveries, and the impact of the pandemic on his stand-up career. The conversation also touches on his writing endeavors, memorable experiences with co-stars, and the quirky requests he receives on Cameo. Reach Charles on socials IG: @moleeeds2737 https://www.instagram.com/moleeds2737/?hl=en  Website: https://charles-fleischer.com/  Chapters 00:00 Introduction and Early Comedy Beginnings 02:41 Navigating Asperger's and Comedy 05:35 The Intersection of Science and Art 08:14 Musical Influences and Artistic Expression 10:52 Unique Merchandising in Comedy 13:38 Writing and Publishing a Book 16:11 Stand-Up Comedy Post-Pandemic 18:51 Mathematical Discoveries and Prime Numbers 21:51 Film Career Highlights and Collaborations 24:28 Roger Rabbit and Voice Acting 27:19 Reflections on Iconic Roles 30:05 Tupac and Unsolved Mysteries 32:49 Cameo Requests and Fan Interactions 35:14 Final Thoughts and Future Aspirations   Follow Keith on all social media platforms: Support the show on https://patreon.com/rezarifts61  FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! #charlesfleischer #rogerrabbit #comedian    

This week on Toon'd In!, Jim Cummings celebrates the gentle, timeless, and unmistakably beloved Winnie the Pooh as the world marks the bear's 100th Anniversary — just in time for Christmastime.

Join hosts Becky and Kori for a special holiday episode of the 1977 TV show, Will the Real Santa Claus... (S2 E12).CW: public shootingregularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

We've reached the end of 2025 and a full year of monthly installments of The Zelda Universe Podcast. Thanks to all of you for hearing our voices as we discuss these memorable aspects of Hyrule and this wonderful franchise. In this month's installment, Connor, Cayden, and Jared take a look at both characters and enemies that have endured through the ages, then share their thoughts about the challenges Zelda has enduring through those ages. In our feature of the month, Jared shares his appreciation for the minimalist approach the franchise has taken towards voice acting, and the team look towards the voice Link has yet to use. Introduction 0:00 - 4:35 Bomber's Notebook – Malon (Four Swords Adventures) https://zeldauniverse.net/2025/11/01/bombers-notebook-malon-four-swords-adventures/ 4:35 – 22:32 Zelda's Study – Zol (Legend of Zelda, Echoes of Wisdom) https://zeldauniverse.net/2025/11/04/zeldas-study-death-and-rebirth-of-the-zol/ 22:32 - 31:07 Yuga's Art Gallery – Sorrow Flowing Down – Art by Icezimy (Twilight Princess) https://zeldauniverse.net/2025/11/28/yugas-art-gallery-sorrow-flowing-down/ 31:07  - 41:16 Feature – The Top 5 Instances of Voice Acting in The Legend of Zelda Before Breath of the Wild - https://zeldauniverse.net/features/the-top-5-instances-of-voice-acting-in-the-legend-of-zelda-before-breath-of-the-wild/ 41:16 – 1:01:35 Link's Voice 1:01:35 – 1:19:30 See you in 2026! 1:19:30 – 1:20:58

Podcast Show Notes: Juliet Landau on Buffy, Directing, and the Art of Collaboration In this episode Juliet Landau shares her experiences in the film industry, from her collaborative work on 'Ed Wood' to her iconic role as Drusilla in 'Buffy the Vampire Slayer.' She discusses the challenges of directing herself in 'A Place Among the Dead,' her insights on voice acting, and the impact of her podcast 'Revamped.' Juliet also reflects on the complexities of character development in shows like 'Bosch' and the importance of chemistry between actors. The conversation touches on fears in acting, the evolution of marketing in the industry, and even whimsical topics like ice cream flavors and vampire dating sites. Connect with Juliet Landau Instagram: @julietlandau  https://www.instagram.com/juliet_landau/  Twitter/X: @JulietLandau   https://www.tiktok.com/@julietlandau615  Facebook: Juliet Landau Official  https://www.facebook.com/JulietLandauOfficial  Website: julietlandau.com https://www.julietlandau.com/  Revamped Podcast: revampedpodcast.com https://www.revampedpodcast.com/  Chapters 00:00 Introduction to Juliet Landau 02:46 Collaborative Filmmaking: Ed Wood Experience 08:22 Acting Journey: From Direct Hit to Chemistry on Set 12:32 The Art of Acting vs. Stand-Up Comedy 16:03 Directing Myself: A Place Among the Dead 21:05 Voice Acting: A New Dimension 23:22 Revamped: The Buffy Podcast 26:29 The Impact of Buffy on Fans 30:28 Exploring Complex Characters: Bosch 36:33 Fears in Acting and Real Life 43:37 If Not Acting: Exploring Other Passions 47:03 Fun and Quirky Questions: Ice Cream Flavors   Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!     #JulietLandau, #BuffyTheVampireSlayer, #Drusilla, #EdWood, #APlaceAmongTheDead, #RevampedPodcast, #VoiceActing, #ActorDirector, #CultTV, #VampireShows  

Feodor Chin and I talk about his fatherhood journey. He opens up in a very honest way about he and his wife looking to start a family. We talk about the values he looks to instill into his son. In addition, he uses the Bridges family to make a fatherhood analogy. After that we talk about his latest role in the play, Kyoto. We discuss how important this play is right now based on what is happening in the world. Plus, we talk about work he has done in the video game industry. Lastly, we finish the interview with the Fatherhood Quick Five.  About Feodor Chin  Feodor Chin is an award winning LA-based actor from San Francisco, CA. He was classically trained at UCLA. In addition, hes studied at the American Conservatory Theater. Plus, he has studied with renowned acting coach, Larry Moss. A gifted comedian, he was a Maude Night performer at Upright Citizens Brigade Theater for three seasons. TV credits include St. Denis Medical, Big Little, Lies, Good Trouble and American Auto. In addition, he has animation credits that include Marvel's WHAT IF...?, the title role in Netflix's Uncle From Another World, Futurama, Marvel's HIT-MONKEY, and Cartoon Network's Regular Show.  He is the voice of Zenyatta and Lee Sin in the hit video games, Overwatch and League of Legends. He was a performer for the ABC Discovers Talent Showcase, a writer for the CBS Diversity Comedy Showcase, and has never met a braised meat he didn't like. Make sure you follow Feodor on Instagram at @feochin. Plus go to his site to learn more about him over at feodorchin.com. Our Pact Is This Week's Podcast Sponsor OurPact offers unmatched control over your child's smartphone and tablet usage. With features like Schedule-Based App Rules, Screen Time Allowance, Family Locator, View, and customizable Apple and Android settings, you can customize how and when your child uses their device. OurPact's mission is to provide parents with the tools they need to create healthy screen time habits, foster digital balance, and keep your kids safe online. To learn more about OurPact, go to their site over at ourpact.com.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

This week on Toon'd In!, Jim Cummings welcomes the iconic, endlessly joyful, and unmistakably magical Santa Claus!

Cam Clarke, American voice actor and memeber of the King Family, joins John Landecker on the show to talk about his latest book titled ‘Now They're All Here: The King Family, Over 100 Years of Entertainment From America's First Family of Song.’ Listen in while Cam shares some of the many stories you’ll be able […]

This week on Toon'd In!, Jim Cummings welcomes the charismatic, endlessly creative, and unmistakably unforgettable James Rallison! Best known as the brilliant mind behind TheOdd1sOut, James has built a storytelling empire filled with sharp humor, heartfelt moments, and a wildly imaginative spirit all his own.In this lively and wide-ranging episode, James takes us behind the curtain of his journey from doodling comics in school to becoming one of animation's most recognizable voices online. From the explosive growth of his YouTube channel to the creation of his Netflix series Oddballs, he opens up about building a career fueled by authenticity, perseverance, and pure creative passion.Jim and James swap stories about the evolution of digital animation, the joy and chaos of online fame, the challenges of staying innovative, and what it means to connect with millions through honesty and humor. From viral storytelling to world-building on a global stage, this conversation is packed with laughs, insight, and behind-the-scenes gold.

In this episode, hosts Becky and Kori talk the 8th Nancy Drew: Girl Detective graphic novel, Global Warning (2007). This graphic novel serves as a sequel to (and contains spoilers for) the 15th Nancy Drew PC game, The Creature of Kapu Cave.Listen to our episode on The Creature of Kapu Cave: https://creators.spotify.com/pod/profile/regularnancydrew/episodes/Episode-106--The-Creature-of-Kapu-Cave-e301lus regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

Welcome to the DMF! I'm Justin Younts, and today I'm diving into my journey into voice acting with the incredible Kris Keppeler. It all started when I was searching for more acting opportunities in Seattle, and someone suggested I try voiceover. I never considered it before, but once I found a coach, I discovered how much I loved combining my singing and acting skills. Voice acting has become a joyful partnership for me, giving me the chance to express emotions and bring characters to life in a unique and powerful way.Transitioning into voice acting came naturally thanks to my background in singing and acting. I learned that voiceover requires conveying emotion without relying on body language—everything comes through the voice. I often visualize a character's posture or state of mind to help me connect with the role.I also share my experiences voicing a wide range of characters, from a beefy crime boss to a heroic ex-thief. Each role demands its own emotional depth, tone, and vocal texture, and I love the challenge of finding what fits. My opera training has been invaluable, teaching me vocal control and how to project emotion effectively.Voice acting is about feeling your way through a script and connecting personally with the character. It's not just reading—it's performing. I encourage aspiring voice actors to embrace their uniqueness and let their experiences shape their work.If you're interested in voice acting, remember: practice is everything. I'm always exploring new characters and finding joy in narrating unusual stories. Whether you're a beginner or looking to grow, keep going and enjoy the ride. Please like, share, and subscribe for more insights into the world of voice acting. Thank you!00:00:00 - Introduction00:00:05 - Transition into Voice Acting00:00:47 - Voice Acting Techniques00:02:22 - Working on a Role00:07:02 - Influence of Singing on Voice Acting00:07:57 - Opera Training and its Impact00:09:28 - Transition into Chris Kepler's Company00:09:34 - Narrating and Audiobooks00:11:35 - Setting up a Home Studio00:12:55 - Working on Audiobooks00:14:05 - ConclusionHere is her website:https://www.kriskeppeler.com/?fbclid=PAZXh0bgNhZW0CMTEAAaf34F6oBy2VEGbLYXHlot2sPgvaGIaIf8qAKbqbVtqHzK1-eIMwAwDRng0KEw_aem_ITCHIEhwWKr_memIv26Zbwhttps://www.instagram.com/kriskeppelerCheck out her YouTube Channel: https://www.youtube.com/channel/UCBpQqs-cpq3z7FLcVTrf0Tw

I would apologize but you get it.... we work hard, we have so much to do.... family, farm, tech, TIKTOK!!!!!  Let's catch up and talk about how things are going with my VO Life!!

Happy Thanksgiving! This week on Toon'd In!, Jim Cummings sets sail aboard the brand-new Disney Destiny cruise ship for an unforgettable special episode featuring an all-star lineup of Disney legends and creative powerhouses: Bill Farmer, Bret Iwan, Tate Donovan, Kaitlyn Robrock, and Nikkolas Smith!In this lively and wide-ranging ocean-view episode, Jim and his guests dive deep into the art, heart, and history behind some of the most beloved characters and stories ever brought to life. From Bill Farmer's decades as the voice of Goofy to Bret Iwan's stewardship of Mickey Mouse, the conversation flows with iconic moments, rare insights, and unexpected laughs. Tate Donovan shares what it was like to embody Hercules, Kaitlyn Robrock gives a peek behind the bow of voicing Minnie Mouse, and Nikkolas Smith discusses the creative spark behind his powerful, visionary art.Together, they explore the craft of character authenticity, the joy and responsibility of shaping generational icons, and the surprises—both hilarious and heartfelt—that come with life behind the mic. Whether they're reminiscing about fan-favorite roles, breaking down creative challenges, or sharing stories you won't hear anywhere else, this lineup brings wave after wave of behind-the-scenes gold.

BOSSes, Anne Ganguzza and Tom Dheere share decades of combined experience, reflecting on the realities of voice acting career longevity. From the cassette tape demo era to today's digital age, the hosts emphasize that sustaining a career for 20+ years requires more than just talent—it demands resilience, strategic goal setting, and a deep sense of gratitude to combat the inevitable inconsistency of the industry.

Send us a textI'm back! And today I'm diving into the end of the year… the big wins, the momentum, and yeah—some of the stuff giving me major heartburn right now.A lot of voice actors don't realize this, but the holiday stretch is prime time for scooping up extra VO work. Tons of actors check out for the season, and they let opportunities fly right on by. Meanwhile, businesses are sitting on leftover budget they have to spend before the year closes. That's your shot to step in and snag projects you might not normally get.I'm also sharing a bit about my own voiceover journey and giving you an update on where things stand with Academy Voices.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

This week on Toon'd In!, Jim Cummings welcomes the charismatic, endlessly entertaining, and unmistakably unforgettable Efren Ramirez! Best known as the iconic Pedro Sánchez from Napoleon Dynamite, Efren has carved out a career filled with cult-classic moments, scene-stealing roles, and a creative spirit all his own.In this lively and wide-ranging episode, Efren takes us behind the curtain of his journey from early auditions to becoming a pop-culture legend. From the unexpected phenomenon of Napoleon Dynamite to his adrenaline-fueled turns in Crank, Crank: High Voltage, and beyond, he opens up about building a career that's equal parts heart, hustle, and pure passion.Jim and Efren swap stories about filmmaking surprises, the power of character authenticity, the wild ride of sudden stardom, and what it means to embrace a role that fans quote decades later. From “Vote for Pedro” to his ever-growing creative pursuits, this conversation is packed with laughs, insight, and behind-the-scenes gold.

Join hosts Becky and Kori for a discussion of the 26th PC game by HeR Interactive, Tomb of the Lost Queen.regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

New Record Label Lets Artists Own Their Masters w/ Don RodriguezDon Rodriguez is a music producer and founder of The I&I Music Studio, a recording studio, record label and music publisher for independent artists.  He's created a new record contract where the artists own their masters and their publishing and the label collects the points: a complete 180 on how the music industry has been operating for the last 70 years! He's here to discuss his studio, the new label and  how independent artists can under a label AND own their masters and publishing.Links:https://www.youtube.com/@TheiandimusicstudioTags:Content Creation,Content Producer,Music,Musician,Music Interviews,Music Producer,Music Production,Podcast Editing,Podcast Producer,Voice Acting,New Record Label Lets Artists Own Their Masters w/ Don Rodriguez,Live Video Podcast Interview,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

(00:00:00) Interview with Voice and Stage Actor Ian Lahlum [Bonus Episode] (00:00:51) Audio Drama Updates (00:02:25) Interview Segment (00:30:35) Feedback Segment In this bonus episode, Austin Peachey sits down with actor Ian Lahlum to talk about his work as an actor on the stage and behind the microphone. J.D. also shares a couple of audio drama updates and responds to some feedback from Jacob. He also mentions several released projects and a few coming soon, in which you can hear Ian as an actor, in case you're not familiar with his work. Full show notes at http://www.audiotheatrecentral.com/222Become a supporter of this podcast: https://www.spreaker.com/podcast/audio-theatre-central--2752762/support.What are your thoughts on the topics we addressed in this episode? Send us your feedback! We'd love to hear what you think! Email us at feedback@audiotheatrecentral.com or give us a call or text to 623-688-2770.Record our show credits for a future episode. Send us a recording of you reading the following and we'll use it in a future episode: Script: "Hi! This is [YOUR NAME] from [YOUR CITY AND/OR STATE]. Audio Theatre Central is a production of Porchlight Family Media. The theme music was composed by Sam Avendaño. The show is produced and edited by J.D. Sutter. Find the website at audiotheatrecentral.com."Email your recording to feedback@audiotheatrecentral.com.

This week on Toon'd In!, Jim Cummings welcomes the endlessly talented and unapologetically authentic Raven-Symoné and Miranda Maday! From child stardom to creative partnership, this powerhouse duo brings honesty, humor, and a whole lot of heart to the mic.In this vibrant and candid episode, Raven opens up about her decades-long career in entertainment—from animated classics to beloved sitcoms—while Miranda, a producer and savvy creative in her own right, shares insights from her journey behind the scenes in media, digital strategy, and content creation. Together, they explore the joys and challenges of storytelling, identity, and staying grounded in an ever-evolving creative world.Jim, Raven, and Miranda dive into everything from the voiceover process and producing with purpose to the power of representation and building a life that's authentically your own. Expect real talk, laughter, and a behind-the-scenes look at how this duo is using their voices—on and off the mic—to inspire and uplift.

We'd love to hear from you! Reach out to us via this Buzzsprout link to let us know what you're thinking about this episode!Note: Hey, Wayward Friends. This episode (as well as Part 2) references an interview conducted at a fan-run convention panel 5 years ago. During the course of our research for this episode, we discovered that the moderator for that panel, Ada, recently passed away. We wanted to take this moment to send love to all that knew Ada and express gratitude to Ada herself for this iconic panel and all she gave to fandom.Chrisha and Catherine continue their exploration of the 5th anniversary of the "I love you" heard around the world by delving into the much-celebrated Spanish Dub of "Despair." To help them better understand the context in which "Y yo a ti, Cas," happened, they bring on Catherine's friend, Elis. Elis hails from Brazil, where they also have a thriving dubbing industry (in Portuguese, of course!). She shares the cultural context of dubbing in non-English speaking countries―as well as a good portion of her fangirl knowledge about the dubbing process!The three also delve into the history of the moment into which the Spanish Dub was released and the context of the interview with the voice actor, Guillermo Rojas (aka Memo), who spoke the unforgettable line.Part 2 of this episode will look at the interview itself.Credits:Audio of Misha Collins at DarkLight Con 2020: @HasnaaAlaa on YoutubeAudio of the Latin American Spanish dub of "The Truth": @heartsmish on XAudio of Misha Collins discussing the "rogue translator": @mishacollins on XHarleyCon Interview with Guillermo Rojas, Dean Winchester's Latin American voice actor: @egoismht on YouTubeFollow us on Bluesky @thefangirlbiz.bsky.socialJoin our Kofi Discord community at $1/month: https://ko-fi.com/thefangirlbiz/tiersSupport our podcast by buying our new merch: https://www.redbubble.com/people/thefangirlbiz/shopThanks for listening!

Voice actor JP Karliak (Morph in X-Men '97, Gargamel and Razamel in Smurfs) joins us for a fascinating discussion about how nerdy media shapes our understanding of identity, community, and civic participation. As founder of Queer Vox, a nonprofit supporting LGBTQIA+ voice actors, and co-founder of NerdsVote, which works to get nerds involved in democracy, JP brings a unique perspective on how superhero stories and geek culture can serve as gateways to uncomfortable but necessary conversations about representation and social change.Key Discussion Points:How voice actors can use their "notable nerd" status to mobilize fan communities toward civic engagementWhy nerddom inherently connects to empathy and understanding otherness, particularly through franchises like X-MenWhat authentic casting means for LGBTQIA+ characters beyond performative diversityWhy seeking only comfort in entertainment prevents engagement with different perspectivesThe essential role of discomfort in growth and understandingJP brings depth and nuance to these topics through his experience voicing Morph, a non-binary shapeshifter in X-Men '97, while sharing insights about the voice acting industry and the importance of authentic representation both in front of and behind the microphone.The conversation weaves through representation, activism, and the power of storytelling to create change, ultimately highlighting how superhero narratives can serve as modern mythology that helps us process and progress through today's most challenging social issues.Guest Bio:JP Karliak is a veteran voice actor whose characters span animation, gaming, and anime. Notable roles include Morph in X-Men '97, Gargamel and Razamel in Smurfs (2025), Boss Baby in Netflix series, and the Joker in Suicide Squad: Kill the Justice League. In anime, he's known for voicing Kozo Fuyutsuki in Netflix's Neon Genesis Evangelion dub. His gaming credits include N. Tropy in Crash Bandicoot titles and Wolfgang in the Skylanders series. As founder of Queer Vox and co-founder of NerdsVote, JP actively works to create positive change in both the voiceover industry and civic engagement.Connect with JP:WebsiteInstagramQueer VoxNerdsVote**************************************************************************This episode is a production of Superhero Ethics, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Star Wars Generations.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page. You can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Is your demo actually working… or just sitting there collecting digital dust?In this interview, legendary UK VO demo producer Rob Bee breaks down what makes a voiceover demo book work and why so many miss the mark.We dig into:✅ Why most voiceover demos don't convert✅ When to invest (and when not to)✅ Common mistakes voice actors make✅ What producers and clients really listen for✅ How to approach your demo like a business move, not an art projectWhether you're just starting out or thinking about a demo refresh, this episode is a must-listen for serious voice actors who want to get booked more often by the right clients.Chapters00:00 Intro01:45 What Rob really listens for07:20 The problem with DIY demos13:40 What not to include in your demo19:50 When you're actually ready for a demo25:10 Rob's blunt advice for VO hopefulsMore Resources for Voice Actors:The Ultimate Voiceover Demo Landing Page Checklist: https://welcome.vopro.pro/demo-page-checklistVO Pro Community: https://vopro.proWork with Rob Bee: https://b-double-e.co.ukLinks: (When possible, I use affiliate links and may earn a commission. See disclosure below.)▶️ Subscribe: https://vopro.pro/youtube

This week on Toon'd In!, Jim Cummings welcomes the incomparable Alan Oppenheimer — a true titan of voice acting whose legendary career has spanned over six decades! From bringing life (and a little evil) to Skeletor in He-Man and the Masters of the Universe to voicing Falkor the Luckdragon and The Rockbiter in The NeverEnding Story, Alan's voice has defined generations of imagination and adventure.In this lively and nostalgic episode, Alan shares incredible stories from his prolific career across animation, television, and film — from the early days of Saturday morning cartoons to his unforgettable roles in pop culture classics. He and Jim reminisce about the golden era of voice acting, the craft behind creating memorable characters, and the camaraderie that shaped an entire industry.With laughter, wisdom, and a few behind-the-scenes surprises, this conversation is a heartfelt journey through the voices that inspired millions. Alan offers insights into the art of versatility, the importance of finding truth in even the wildest characters, and what it means to stay creative after a lifetime in entertainment.

Join hosts Becky and Kori for a discussion of the 23rd Nancy Drew PC Game, Shadow at the Water's Edge (2010). CW: depression, suicide, suicidal ideationregularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

Most creative careers die in the DMs, not because of bad talent, but bad communication. If you're a part-time voice actor, designer, or creative trying to ditch side hustles and go full-time, this episode is your wake-up call.Cold outreach isn't sleazy, it's essential. You'll learn how to message clients without sounding desperate, the psychology behind outreach fear, and how to flip rejection into opportunity.Free Download: The Beginner's Guide to Cold Email Outreach: https://welcome.vopro.pro/email-guideGVAA Rate Guide: https://globalvoiceacademy.com/gvaa-rate-guide-2/Get The Big Book of VO Client Avatars: 87 real-world profiles to help you find and connect with your dream clients in 15 different VO genres: https://training.vopro.pro/bigbookGet 50% off with code NEWPRO50 at checkout.Or get ClientConnect Plus™ and have it write the first draft of your outreach for you, also at 50% off with the same code NEWPRO50 at checkout: https://training.vopro.pro/clientconnect/Lead generation and targeting: Apollo.io: https://vopro.pro/apolloIf you're tired of waiting for referrals and ready to take control of your career, this is where it starts.#voiceacting #freelancebusiness #voiceovermarketing #creativecareers #clientoutreachLinks: (When possible, I use affiliate links and may earn a commission. See disclosure below.)▶️ Subscribe: https://vopro.pro/youtube

Join Mekel Kasanova as he sits down with the inspiring Star Jackson in this episode of Hawaii's number one podcast, the Kasanova Podcast. Dive into Star's journey from an aspiring actor to a voice acting sensation, as she shares her experiences, challenges, and the relentless pursuit of her dreams. Discover how Star's passion for storytelling and her unique perspective on life have shaped her career, and get inspired by her unwavering optimism and dedication. Whether you're a fan of voice acting, storytelling, or just love a good success story, this episode is a must-listen!Star JacksonLinktree: https://linktr.ee/therealstarjacksonIMDB: https://m.imdb.com/name/nm7657877/BlueSky: https://bsky.app/profile/starjackson369.bsky.socialInstagram: https://www.instagram.com/starjackson369X: https://x.com/starjackson369#acting #voiceacting

This week on Toon'd In!, Jim Cummings welcomes the legendary and endlessly creative Don Hahn! As the producer behind some of Disney's most beloved classics — Beauty and the Beast, The Lion King, and The Hunchback of Notre Dame — Don has helped shape the very heart of modern animation, and now he's here to share the magic behind the magic.In this fascinating and inspiring episode, Don takes us inside the golden age of Disney Renaissance storytelling, offering a rare peek behind the curtain at how some of the most iconic films ever made came to life. From the challenges of pioneering new animation techniques to the emotional storytelling that made audiences around the world laugh, cry, and believe in fairy tales again — it's a masterclass in creativity and collaboration.Jim and Don dive deep into the art of storytelling, the evolution of animation, and the people and passion that bring timeless tales to the screen. With heartfelt memories, behind-the-scenes gems, and a few laughs along the way, this episode celebrates the magic that happens when imagination meets artistry.

We're talking more Pokemon plus Katamari Impressions! Hosted by Perry Burkum (@PBurkum), Casey Gibson (@case_jets), Alex Culafi (@culafia) (0:00:10) Intros and Hellos Thank you for listening! We can tell that you are a good-looking person. Peep the discord: https://discord.gg/XPByvgvByQ Please write in to the show at TNPmailbag@gmail.com Tweet us @TalkNintendoPod and Instagram us at talknintendopodcast Please consider supporting us on Patreon! For just $1 you can get access to tons of exclusive content! Check us out at www.patreon.com/nwr

In this episode, hosts Becky and Kori discuss the second short story in the Nancy Drew: Girl Detective volume of Ghost Stories, America's Got Terror (2008). regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

Frank and Squeaks break down a busy week in geek news before diving into two fresh reviews and a long chat with voice actor Eliah Mountjoy. We talk Netflix's Catan project, Stranger Things' finale heading to theaters, Blumhouse picking up Something Is Killing The Children, convention safety after the Emiru incident, and Halo landing on PlayStation. Reviews include Gen V Season 2 and It: Welcome to Derry Episode 1. Eliah then joins to talk Marvel Rivals, bringing Bucky Barnes to life, and the craft of voice acting. Timestamps and Topics 01:10 Question of the Week - Favorite box office flops that we love 04:42 Netflix developing Catan project 08:41 Stranger Things series finale will play in theaters 11:46 Blumhouse lands Something Is Killing The Children 15:04 Emiru incident at TwitchCon - convention safety and parasocial boundaries 24:10 Halo coming to PlayStation 28:51 Console wars timeline and what "the end" looks like 38:19 Quick sponsor shout for Smurfs Blu-ray 38:38 Review - Gen V Season 2 53:20 Review - It: Welcome to Derry Episode 1 01:08:10 Interview - Eliah Mountjoy on Marvel Rivals and voicing Winter Soldier Key Takeaways Netflix is expanding board game adaptations with Catan and exploring series or film options. Stranger Things is treating its finale like an event by putting it on the big screen. Blumhouse grabbing Something Is Killing The Children shows horror's momentum in both live action and adult animation. The Emiru assault at TwitchCon highlights the need for tighter security and better creator safety guidelines. Halo on PlayStation feels like the final shot in the console wars and a nod to platform-agnostic futures. Gen V Season 2 keeps The Boys universe sharp with character-first chaos. It: Welcome to Derry starts strong with mood and mystery, even if the spectacle is still ramping up. Eliah Mountjoy frames Bucky as a survivor balancing light and dark, focusing on grounded choices over super-heroics. Quotes "Hook is the box office flop I will defend to my last breath." "Stranger Things going to theaters is a victory lap and a thank you to fans." "It feels like the end of the console wars." "Acting is reacting." "Bucky has existed in both worlds, good and bad, and he's trying to live with that." "Directing for VO is finding the truth in the take, not chasing a line read." Call to Action If you enjoyed this one, follow and subscribe, drop a rating, and share the episode with a friend. Reviews help more geeks find the show. Use the hashtag #GeekFreaksPodcast when you post your take. Links and Resources All news discussed comes from GeekFreaksPodcast.com Guest - Eliah Mountjoy: Website eliahmountjoyvo.com, Instagram @eliahmountjoy, Twitter @EliahMountjoy. #WelcometoDerry #Voiceover #GenV Follow Us Website: GeekFreaksPodcast.com Facebook: facebook.com/thegeekfreakspodcast Threads: threads.net/@geekfreakspodcast Patreon: patreon.com/GeekFreakspodcast Twitter: twitter.com/geekfreakspod Instagram: instagram.com/geekfreakspodcast Listener Questions Send your questions or hot takes for next week's show. DM us on Instagram or Twitter, or reach out through GeekFreaksPodcast.com. Apple Podcast tags: Geek Freaks, Halo, PlayStation, Stranger Things, Something Is Killing The Children, Emiru, TwitchCon, Convention Safety, Parasocial Relationships, Gen V, It Welcome to Derry, Stephen King, Eliah Mountjoy, Marvel Rivals, Winter Soldier, Voice Acting

This week on Toon'd In!, Jim Cummings welcomes the endlessly talented and unmistakably animated Jason Marsden! From voicing Max Goof in A Goofy Movie to Speedy in Teen Titans and Chester in Fairly OddParents, Jason's voice has been a constant companion to generations of animation fans—and now, he's bringing that same charm and charisma to the podcast booth.In this lively and nostalgia-packed episode, Jason takes us behind the mic to explore his journey from child actor to voiceover veteran, sharing how he found his place in the world of cartoons, live-action, and everything in between. He opens up about navigating Hollywood, the evolution of the voice acting industry, and what it's like to grow up alongside the characters he voices.Jim and Jason dig into decades of friendship, the changing landscape of fandom, and how voice actors are finally stepping into the spotlight. With unforgettable stories from recording sessions, convention floors, and the wacky world of ‘toon life, this episode is a heartfelt celebration of staying playful, staying passionate, and staying true to your voice.

We got an OG cast since Balex is on a boat. But we do some ramblin before diving into a juicy Pokemon ZA discussion. Hosted by Perry Burkum (@PBurkum), Casey Gibson (@case_jets), Alex Culafi (@culafia) (0:00:10) Intros and Hellos (0:04:58) Ramblin (0:10:48) Pokemon Legends ZA (1:04:57) Good Bye Thank you for listening! We can tell that you are a good-looking person. Peep the discord: https://discord.gg/XPByvgvByQ Please write in to the show at TNPmailbag@gmail.com Tweet us @TalkNintendoPod and Instagram us at talknintendopodcast Please consider supporting us on Patreon! For just $1 you can get access to tons of exclusive content! Check us out at www.patreon.com/nwr

Join hosts Becky and Kori for the seventh Nancy Drew PC Game, Ghost Dogs of Moon Lake (2002).regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

A voice can be an instrument, a mirror, and sometimes a battlefield. That's the ground we cover with actor-singer Winter Andrews aka the “indie sorcerer”—as we trace how mimicry, rhythm, and empathy shaped both his acting and his music. From being moved by Regina Spektor's allegory in Samson to discovering the strange peace inside Hozier's Shrike, Winter opens up about the songs that taught him to hold big feelings without apology. We talk Chester Bennington's quiet ache amid the roar, Imogen Heap's ghostly minimalism, Dermot Kennedy's raw folk energy, and Phoebe Bridgers' gentle delivery of devastating stories. Then Jeff Buckley brings the hopeful melancholy that still lights the way.With that map in hand, we step into Winter's upcoming EP, Till the Moon Fades Away, and the world he built across four originals. Wildfires starts small and blooms into a cinematic swell, setting the promise that intimacy and grandeur will meet. The Lovers is a three-act love story threaded by one telling word—if—moving from yearning to union to elegy, with strings by Rob Moose amplifying the sweep of time. Babel rises from shame and self-loathing into a towering confession, a song years in the making that demanded the right vocal arc and tempo to match its storm. Across the Snow closes like the aftermath of hard nights, born through a character to reach truths that were too raw to face head-on.If you love singer-songwriter storytelling, indie folk drama, cinematic ballads, and vocal-forward production, this conversation will hit home. Follow all things Winter Andrews on Instagram and TikTok (@ItsWinterAndrews)https://music.apple.com/us/playlist/winter-andrews-mix/pl.u-MJEGINqbr81. Samson - Regina Spektor2. Shrike -  Hozier3. Numb - LINKIN PARK4. Hide and Seek - Imogen Heap5. After Rain - Dermot Kennedy6. Zombie - YUNGBLUD7. You Missed My Heart - Phoebe Bridgers8. Morning Theft - Jeff Buckley9. Wildfires - Winter Andrews10. The Lovers - Winter Andrews11. Babel - Winter Andrews12. Across the Snow - Winter Andrews Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Anne Ganguzza sits down with Billy Collura, a powerhouse agent with over 30 years at CESD New York. Billy shares his unique perspective on the dramatic evolution of the voice acting industry, from the early days of union-only radio spots to the current market dominated by non-union and digital opportunities. This conversation provides essential insight into the biggest voice acting trends that have shaped the industry and reveals the simple, authentic quality that makes a voice actor successful today. 00:03 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:06 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:12 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:23 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:34 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit vobosscom slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) Slash VIP-membership to sign up today. It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO boss. Now let's welcome your host, Anne Ganguzza.  01:08 - Anne (Host) Hey everyone, Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am thrilled to welcome someone who truly defines what it means to be a powerhouse in the voiceover industry. With more than 30 years at CESD New York, Billy Collura has been at the forefront of commercials and beyond, representing talent with a direct and grounded approach that has earned him the trust of clients and voice actors alike. I think it's fair to say that he doesn't just follow the changes in the business. He really helps to shape them. So, Billy, I am so excited to have you here on the podcast.  01:44 - Billy (Host) Thank you for asking me. Yeah, this is so nice, yeah.  01:47 - Anne (Host) Yeah, I love it, and of course we're like on opposite coasts here, so you're on my home coast and so I do miss New York quite a bit and we did have a little.  01:58 - Speaker 2 (Announcement) How often do you get out here, pardon me, do you get out here often?  02:00 - Billy (Host) Do you ever get out. You know what?  02:01 - Anne (Host) Not as often as I should. I really have now started to say I'm only coming out during the warm season because I'm done with the snow. Yeah, I hear you. But I would imagine like do you travel like elsewhere in the wintertime in New York, Because I know I stay here.  02:22 - Billy (Host) I travel a lot in general um during the course of the year, but um you know, I right now I'm upstate in well. I'm up in the Hudson Valley and in the city of Hudson, which is two hours North of Manhattan, so I go back and forth Um in the winter time. No, I'm usually, I don't know, I'm usually in the Northeast sometimes.  02:43 - Anne (Host) Okay, Are you a skier? Are you a skier? No, absolutely not, Absolutely not. That was, that was what a lot. What kept a lot of people on the East coast? Um, in my area anyways, they're like oh no, I have to be able to ski in the winter.  02:56 - Billy (Host) No, I don't like the cold.  02:57 - Anne (Host) Well, I have a. I have a mountaineer in California, Uh huh.  03:00 - Billy (Host) Uh-huh.  03:02 - Anne (Host) Oh my gosh. Well, anyways, it's so nice to see you again. It's been a while. I saw you at VO Atlanta and I'm just really thrilled that I have the opportunity to talk to you. I know how busy you are, but I'm just so excited that the bosses are going to get this opportunity to really benefit from your wisdom. And so, benefiting from the wisdom speaking of that, you've been at CESD for over three decades. Um, that's, that's amazing. So how would you say that your role as an agent has evolved during that time?  03:37 - Billy (Host) Well, you know like it started when I started. Um, it'll be. Um, it'll be 32 years in May. Oh my gosh, when I started, voiceover was a smaller industry and I dabbled in a little bit of everything, okay.  03:55 - Speaker 2 (Announcement) I did commercials.  03:57 - Billy (Host) There really wasn't. There was no internet back then. So we did radio and TV commercials and industrials and I'm not even sure cable was around when.  04:08 - Anne (Host) I started. I hear you. You know we didn't have computers, any of that.  04:13 - Billy (Host) So we did a little bit of everything. And then, you know, and promos, promos were a thing, and narration and trailers, and so, you know, we did a little bit of all of that. And then, as the industry kept getting bigger and bigger, we started specializing. And all of a sudden, in animation, I dabbled in gaming, but I also, you know, but pretty much my focus was commercials, because that's where the money is, you know, and that was the day where it was just, you know, it was just TV and radio, and you made the actors made a lot of money. Yeah, it was only union, we only worked on union jobs. And now fast forward to now, where 60% to 70% of my desk is non-union. We started doing non-union in 2019. Okay, the union opportunities have pretty much dried up, and I say that, but it's ebb and flow.  05:22 I mean right now this year it was a slow summer for some reason. It was like the old days, it was really slow and I mean that union and non-union. And then I go away on vacation and it just like exploded while I was away and I've been and since then I've been playing catch up and it's been so busy with union, lots of union stuff with non union. Yeah, so it's been great there.  05:49 Yeah. So I mean that's changed and I guess for me what's changed for me is because now I specialize much more on commercials. I do have a few non-union accounts, but I have my large union study accounts, steady accounts. Um, so most of my work, uh is you know, is in the commercial world. I also happen to handle the audio books, but I always say I'm not an audio book agent. I'm the agent at CESD that handles the audio books.  06:18 - Speaker 2 (Announcement) So it's a little difference.  06:20 - Billy (Host) Um so, but the audio book, what I do love about it. You know an an an agent who left um cause she was having. She got married and had babies and she said, take the audio books. They're the nicest people in the world. And I got to say they really are, and so I've kept it.  06:36 I love it. The people are so nice. Um, I really, really enjoy it. So that you know, so I I've been doing that. I also do ADR and loop group stuff, again very specialized, and there really aren't a lot of industrials. Now I know some of the other. I'm one of five, six agents in the department and then there's another two agents that work with agencies that cater to medical industrials.  07:04 - Speaker 2 (Announcement) So they're doing I don't do personally.  07:05 - Billy (Host) I don't do a lot of industrials. I think a lot of the industrials have gone to the pay-to-play sites, so but the union stuff, the medical ones, they are still at the big agencies. I just personally don't happen to have those. I would say maybe the commercial aspect of right Healthcare like pharmaceuticals and that sort of thing is huge and more and more of those blue chip companies are going non-union and those rates are you know.  07:34 - Anne (Host) Sure. What do you attribute that? Why is that happening? What do?  07:39 - Billy (Host) you attribute it to is when it started, when digital work started happening, and these great companies, the Droga5s and there was so many, that's just the first one they were doing great work with the digital work. You know, they were just with stuff before even streaming, when they were just doing they were making commercials for digital work and they were doing fine work. They were doing really good work and these companies, these blue chip companies, were saying, hey, you did that for this much money, why don't you just take all of our network stuff? And that's how I remember, like 10, 12 years ago, a large fast food chain started going, you know, went totally non-union. And then the large fast food chain started going, went totally non-union.  08:25 Then there would be some that because they had a celebrity voice on certain spots, and then they would get a third party and more and more I feel like these agencies, these digital agencies, just kept getting better and better at it and the actors were getting better and better at it. And it's not like the cable stations that you see up here that you know these infomercial things that you know that you can tell it's non-union. You know I've fallen and I can't get up kind of stuff. These. They're doing great work.  08:56 - Anne (Host) I can't tell, are they doing great work because they have great actors or are they doing great work because the entire production value of it?  09:05 - Billy (Host) Yes.  09:06 - Anne (Host) Yes, yes, you know, people are getting better at it.  09:09 - Billy (Host) The voiceover people certainly, and it's not even I mean the voiceover so many people. Covid just changed the game and everybody you know voiceover was the one business in town that didn't shut down during.  09:23 - Speaker 2 (Announcement) COVID.  09:24 - Anne (Host) And every I always say every jaboni with a mic, you know, just set up a studio at home and said I'm going to do voiceover, and not only you know they were well-established Broadway and TV and film you know everybody was doing it and that's and that's so interesting because I would say the majority of people that you know cause I was I was super busy coaching during COVID and I just had so many people that just wanted to like make the demos and get into the industry. But I had a lot more of the talent that were more beginner right to intermediate. But I would imagine that with COVID, with celebrities right them wanting to get into voiceover because what else was there? Because they weren't able to go into a studio, and so I would say that a good portion of that, I would say a good portion of people that were getting those jobs, were probably the celebrities right.  10:27 - Billy (Host) Absolutely coaching. You know they just kept getting better and better at it. And you know, and, and we're willing to work for low wages, I mean that's the other thing. And you know we always say somebody takes a job for $100. You know it's just a race to the bottom. Yeah, you know, if you're gonna add, because you know we don't work on the non union stuff, we don't work on the non-union stuff, we don't work on certain things. I won't work on stuff just because it's not worth my time.  10:48 - Anne (Host) Sure.  10:49 - Billy (Host) And I don't mean to be like, oh, but $250 is a lot to some people. Oh yeah, for all the work that I have to go into it, for me to do it and have my assistant do it and doing the editing to maybe get it, it's just not worth it. But I do. I mean that's usually. My threshold is 250.  11:10 - Anne (Host) And I understand that because I always tell people, because I do a lot of non-broadcast narration, coaching and demos, and I'm always telling people they're like, well, I want an agent. I'm like, well, an agent doesn't get excited about non-broadcast stuff because it's a one and done thing. You don't make your money on that, and so typically you want to have a tip top commercial demo because that's where they're going to be making their money with the residuals and and that sort of a thing. So would you do? You think it has to do with the sheer volume of people that got into voiceover as well. If you've got enough, you know, if you throw spaghetti against the wall right there, some of them will stick. And so then I started to drive down. I'm going to say it started to drive down maybe the prices, uh, or people willing to do the work for less, because it just got to be competitive.  11:56 - Billy (Host) It did.  11:57 There's so many people doing it now, so many people, and especially in the non-union world, there's so many opportunities out there and you know, with the pay to plays and I've kind of changed my tune a little on the pay to plays and I kind of see they're there for a reason. They're a great, you know, tool for learning, for getting the experience, for the auditioning. And I and I learned recently when I was at a conference in Holland and met the CEO from Voices 123. And I learned that they love to put people together and to put the actor and the company together. Take it off the platform and do your thing.  12:41 They don't want to micromanage, like there are other pay-to-plays that micromanage everything.  12:45 But I really found that you know, oh, that's really nice, and then people can make money that way. They're not interested, they're just interested in making the match. So, but, that being said, there are so many people that are doing this now and, yeah, driving down the prices because you know, they may be this may not be their full-time gig, it just may be a side hustle for them. So, yeah, sure, an extra $200, an extra $100, an extra $350. That can accumulate. But unfortunately then they're like well, you did it last time for $100. Why can't you? So it's hard, it's hard.  13:21 - Anne (Host) It is, but would you say that the amount of jobs is diminishing or no, it's just as volume you know, I don't see volume as normal.  13:33 - Billy (Host) I'm busy, you know, but I don't know, like, like I said, this summer was slow with the opportunities, with the, with the auditions. I find that my casting directors, my union casting, just my casting directors in general, um, they, you know, I have some that are busier than others, some I will hear from, you know, once every other month, and then some I will hear from three or four times a week. You know, um, so it's and it's all you know. There's no logic to it.  14:03 - Anne (Host) And then on the um isn't that the truth. Yeah, and then um after all these years, wouldn't you think like you could? You could predict, you know.  14:14 - Billy (Host) I would say to actors you know, I'm not booking, it's just one phone call, it's one job, don't forget. They're only picking one person, but yeah, yeah, picking one person. You, yeah, you know, only picking one person you know and you don't know.  14:25 - Anne (Host) That's a way to put it in perspective. Actually, if you think about it, but in 400,.  14:30 - Billy (Host) You know how many people are auditioning.  14:31 That's why with select VO. You know that only allows you X amount of people to submit. So if they, if the agency says, if they invite you and they say you can only submit three people per role, they won't let you submit a fourth person. So you really have to be smart and we're not the type of agency that will send you know to ten people and then, sophie's Choice, the three that I want. You know, I don't believe in that. I don't. I feel it's a waste of time of the actor. It's certainly a waste of time for my assistant and for me to have to listen to, then you have to listen to them Exactly.  15:10 - Anne (Host) What's the point, you know, and so that translates to me to a good relationship with everybody that's on your roster, absolutely, that that knowledge of their capabilities and you can communicate, uh, back and forth to make sure that the two of you are are, you know, keeping up with one another, and you would be the one that say, okay, I'm going to handpick this audition and send this to this many people, because you're the one that has to do the work right To send it the top three, to the. So the client.  15:43 - Billy (Host) Yeah, absolutely so. It's my reputation and there are some casting directors that you know they will.  15:48 I will submit a list and they will pick who they want to hear you know, back up, if I lose, or if we lose somebody, who else would you like? Or, you know, sometimes they'll say these are the three I want to hear. Send me one of your choice that maybe I, somebody, I don't know, um, and then there are certain casting directors that will micromanage and they have to. They, you know they will only see these people and they're, you know, not flexible. But it just kind of makes me a better agent.  16:14 - Anne (Host) That's why we're.  16:15 - Billy (Host) Cesd is an exclusive agency. We don't oversign in the union or non-union world. We're still building up our non-union roster. You know we're still doing that, but that's where we have the most amount of opportunities. You know, in the non-union world, Sure, Plain and simple.  16:34 - Anne (Host) Absolutely, absolutely. So what would you say after all these years? What's kept you loving your job?  16:42 - Billy (Host) Because it's different every day. You know, that's the— that's the thing. I never know what's ahead of me. So I, you know, I just love. Every day there's some, there's a new challenge, there's something new. Also, recently I have a new assistant who I adore and I love teaching him. He's a little sponge and he wants to learn.  17:09 And so that kind of inspires me to want to teach him, and you know so that that is. I guess that's the difference, and also being able to, because the business has changed. Remotely, you know, I can start earlier, I'm not in the office, I I can work later, you know. It just kind of like the whole. It's such I don't want to say a relaxed, but I feel I feel more relaxed Now. It could be because I've been doing this for a hundred years, but I just feel relaxed, I enjoy what I do. I don't feel the pressure. I don't feel like there's no such thing as a voiceover emergency If somebody screws up or, you know, if I've given you know there's no such thing.  17:51 - Anne (Host) Bravo to that. I always say there's never a VO emergency.  17:54 - Billy (Host) No, there's never a first you know, if something went wrong, don't freak out. How?  17:59 - Anne (Host) do we fix it? How do we?  18:00 - Billy (Host) fix it, that's all you know.  18:02 - Anne (Host) Now, that's from your perspective. What about your client, your casting director? Your client's perspective? Are there VO emergencies? Yeah, there could be, that's on them, not on me. Yeah, okay, I love that.  18:13 - Billy (Host) I don't, you know, I wanna help fix the problem, you know, sure so. And I mean, yeah, you know, it's always something. Fortunately I haven't had any of those emergencies in a while. But you know, the other night I was it was nine o'clock my time and an LA. It was an LA agency booking a client. She happened to be on the West coast, so it worked out okay, but it was nine 30. And I was like you know, I'm old, I can't stay up. And then I thought, and I got a text from the casting director she goes we want to book so-and-so. I left all the information on the email. So I was like, oh well, I have to finish Gilded Age, this episode, and then, as soon as I'm done, I will get on my computer.  18:56 - Anne (Host) I love it, that's great?  18:59 - Billy (Host) I guess yeah. So that's what keeps me going. The relationship with my clients, I don't. It's different because back in the day, actors used to come into the office to audition. West Coast was different because you guys were MP3ing long before, because you all wouldn't get in a car and drive a half hour to the studio.  19:20 - Anne (Host) But in New York, well, because of the traffic.  19:24 - Billy (Host) Yeah, yeah, and that's why you couldn't get to three auditions back in the day, but it was our job in New York to get you, you know, to get you from the Upper West Side down to Wall.  19:34 - Anne (Host) Street over to Midtown yeah, I know so many voice actors who still um go into studios to audition in New York. I mean, I almost don't hear about it anymore, except for well, I'm sorry, excuse me to go into the go on for booking.  19:48 - Billy (Host) No for bookings, they will.  19:49 - Anne (Host) They encourage that now but I have heard people in the last couple of years. I mean it's not every day, but sometimes they are going in. I don't know if it's to audition or if it's to actually do the job it's usually you know there's one or two the studios.  20:03 - Billy (Host) You know a couple of the studios that do auditioning, because that's what changed? Oh, okay, that makes sense, like all the advertising agencies that were in-house casting directors and those casting directors ended up going to the studios in New York and they have in-house casting directors, so they will encourage the Sonic Unions. The. Headrooms the Sound Lounges they will encourage hey, if the client is local to New York, boom, have them come in. Oh, that makes sense. And it kind of opened up because not everybody got SourceConnect especially our older clients.  20:40 It wasn't cost effective for them for that one audition every other month. It wasn't so the foreign language people, they weren't getting it because there weren't enough opportunities. But especially I I want to say the older clients they really weren't getting so this kind of opened up. If you lived in New York you could still send an MP3 and you're able to go to Sound Lounge for the booking that was always that's always a nice caveat.  21:06 - Anne (Host) So I'm sure people ask you this all the time. Commercial voiceover has changed, evolved over the years. Advertisers have changed how they buy and consumers have changed, I think, how they listen. What would you say is what sort of things have changed in terms of trends for commercial VO? What are you looking for now that maybe is different than what was relevant maybe five, even five or 10 years ago, Because I know probably you're going to say like 30 years ago it was more of that announcer sort of style, it was promo. But you know, maybe five, 10 years ago, what has changed?  21:43 - Billy (Host) You know, it was the, you know, when I first started. It was the time, when, you know, Demi Moore started with Keds and there was that raspy, damaged sound that has kind of you know, demi Moore started with kids and she there was that raspy damage sound that has, kind of you know, was such a thing for so long and our and I know our women back then, you know, were the most successful.  22:04 - Anne (Host) I coveted that which is not a part of my genetic makeup at all. I'm like I can't, I can't get a raspy.  22:11 - Billy (Host) No, if you don't, you know you can't put oh, I woke up with a, you know, with a sore throat today. I sound great I should audition. No, you shouldn't. Exactly. So that was. You know, that was always the thing and yeah, it was the rough and tough announcers and you know all those, all those guys, and then that kind of went away and it was the John Corbett kind of sound and he was you.  22:31 he stuck around for a long time as a prototype and now it's Paul Rudd and Rashida Jones and then. So those trends kind of changed. But then about 10 years ago, everything you know really were, it was people of color. You know they wanted voices for actors and that really opened up a wide, you know a wider net. There was no general market anymore because they used to say, you know, they were very specific, we want a Caucasian voice. But now you only see that if you're doing a demo for the on-camera and the on-camera actor happens to be a certain color. But they want authenticity. I remember you know getting. Now, everybody, especially in the union world, they want authenticity. I remember you know getting. You know everybody, especially in the union world, they all want to check boxes. You know, yeah, yeah, they, yeah, so they, you know it's all ethnicities. You know we want non-binary people and I'm like what does a non-binary person sound?  23:27 - Speaker 2 (Announcement) like I don't, it took me you know.  23:29 - Billy (Host) Then I realized oh, they don't really, they're just checking off boxes, but for the, you know, for the African-American community, they were in vogue. They were, you know, I would get breakdowns, all ethnicities, and the prototypes would be Viola Davis, Tiffany Haddish and Angela.  23:49 Bassett, Do the math you know, so that was a thing. And Angela Bassett do the math. You know, so that was a thing. And I think you know, I still think that that is happening. But I'm finding a trend like that is kind of changing, where general market is truly general market. Now they want, you know, it's everybody, it's everything.  24:09 - Anne (Host) That's great. Yes, I love to hear that.  24:12 - Billy (Host) That's the way it should have been, but unfortunately it was so the other way for so long and then it shifted and now it's kind of evening out.  24:21 - Anne (Host) Sure.  24:21 - Billy (Host) Sure, I don't know.  24:23 - Anne (Host) Well, I mean, that's what I was thinking would happen at some point. Right, it would even out and it's kind of nice to hear that that's happening.  24:31 I mean, I wouldn't want it to go another extreme you know, at all, you know, and especially because the world's a little chaotic right now and I know that it's affecting companies and their advertising, and so that to me says gosh, I hope that there's still as much opportunity for everybody as there ever was. And so that's just one of those things where I think if there was a slow part of the season, maybe it's people, you know. I think there's companies trying to gauge like what's happening and what's going to be what's going to work for them in terms of advertising.  25:08 And it's not so much the voice, but the whole, the whole thing, yeah, the whole, all of it On camera, all of it, all of it. How are they going to advertise it to be effective?  25:18 - Billy (Host) And I think you know, and I think that and this is just me I feel like voice wise, I feel that the union world is more tries to check the boxes, much more than the non-union world.  25:32 - Speaker 3 (Announcement) I truly than the non-union world.  25:33 - Billy (Host) I truly believe the non-union world they're gonna pick the best voice for the job, no matter what ethnicity you are.  25:41 I find, and I just because of the actors that I speak with, not only because I speak with my non-union actors in general so much more, just simply because there's so much opportunity there. But I notice, with my union actors I just don't A I don't really have that many opportunities for them. But you know it is. I speak to certain ones more, a lot more than the others. But I don't find that, I find it much broader in the non-union world. I mean it's a different and I've learned so much about the non-union world. I mean it's a different and I've learned so much about the, the non-union community and how. You know how different it is. I feel that it is much more I don't know how to say it. It's much more of a community, I feel.  26:27 I feel that they, they really are supportive of each other, they help each other. It's not as competitive or as petty competitive as it can sometimes be in the union world, it's just, and I think it's fabulous that they really everybody's out to help each other much more in that community.  26:52 - Anne (Host) Well, that's refreshing to hear. I like that from you, Absolutely. So then for you, for talent on your roster. What sort of qualities are you looking for in any talent that might appear on your roster? You know what's funny.  27:06 - Billy (Host) When I first started, you know, when COVID happened first thing, when I and I did a lot of these classes, first thing I was like, obviously the first thing was do you have SourceConnect? You know if?  27:17 - Speaker 2 (Announcement) you have SourceConnect, because so few?  27:18 - Billy (Host) people did.  27:19 - Anne (Host) You went right to the top of my list.  27:22 - Billy (Host) Yeah, if you had SourceConnect, and then it's, you know, and then it's just about reading the copy, and that's the same basic thing is, how do you read copy? Some of my most successful people, my white actors over 40, I have a couple of them and they just read copy. So well, I don't know what it is, they just they're just, they're just great they were. And so, yeah, there's. You can't teach it, it's, you know, it's just natural. This one particular guy, yeah, does he have that Paul Rudd feel to him? Just that guy next door, just that real comfortable, relaxed, nothing pushed, that's how he is in life and that's how it comes across Right, right. Oh, there was something else.  28:06 Oh, I did this one class and there was this woman, you know, like late 20s white woman, and there was just something. I was on a panel, I was one of three people and, oh my God, she was. There was just something about her read that made me crazy and like the next day I was like I have, you know, I want to set you up. I love you, you know, I love you the best. And now, here we are. I love you, know, I love you the best, and now here we are, fast forward to probably a little more than a year. She is one of my most successful actresses on my roster. And what is it about her? I don't know. She's just fabulous. You know, she just, she just reads. It's just, it's honest.  28:50 - Anne (Host) So I'm always looking for that honest. I like that honest, yeah, authentic, yeah. And I like, with that honest, I like that honest, yeah, authentic, yeah. And I like how you know we've heard for for so long right, bring you to the party, bring you to the party, it's that. I think that's so important. And and we throw it around like, oh yeah, okay, I can bring me, but and yet so many people still try to perform, uh and and if they really can just stop in their own head and and just bring themselves to the party because, like you and I like talk like there's something about like I really like Billy, and it's, it's, it's like an intangible thing and it's your personality, right, it's, it's how we connect.  29:23 - Billy (Host) And I think that's what's so right away. The first time we met, we would just like exactly.  29:30 - Anne (Host) I think that's the same thing for voice actors. If you can, you know, if, if you've got a great personality and you're like one of those people that you can connect with right away, I mean that's what I think we're looking for, that authenticity it's you're not trying to, you know, push anything and and this is who you are and I love to hear that, because I keep telling people gosh, you are enough. I mean it really is. Please don't try to be anything other than yourself, because I really like you.  29:55 - Billy (Host) Yes, and so many voice actors. They forget that.  30:00 - Speaker 2 (Announcement) you know this is acting and I said you know you got to get out of your head into your gut.  30:05 - Billy (Host) Whether you're selling peas for 99 cents, it doesn't matter. You have to be, you know, honest and authentic with it, so important. Now I have to ask the question authentic with it, so important?  30:14 - Anne (Host) Now I have to ask the question because you know probably everybody does. And what do you think about the threat of AI in the industry, and especially now that there's? It's not even just voice, it's on camera too.  30:27 - Billy (Host) Yeah, yeah. So I mean, we keep our eye on it. We read every contract, we read every contract, we read every breakdown. You know SAG is doing their best. Bless their hearts.  30:42 You know, nava is you know, above and beyond, what they're doing with the rules and the legislation and what they're doing. You know it's coming, it's not going away and it's going to get better and better. So we just try to keep our eyes and ears on everything and try to follow the rules and say, nope, large deal right now. And there was a huge component with um. They wanted an AI replica and fortunately, the person um doing it was like no, I've heard replicas of my voice and they're not, and they never sound as good as the real thing.  31:27 - Anne (Host) Um, so that's a really interesting point because I know for a fact that that's true, because I, you know back in the day. Well, back a few years ago, I started really delving deep into that and researching companies and how they made voices, and I've heard a lot of voices and there are some people who are amazing actors but yet their voice doesn't translate. Well, either it's the AI technology that has not given, it's just it's not doing the right thing for them and, yeah, it doesn't translate.  31:56 - Billy (Host) Yeah, and he said no, I, I will not. It's my, it's my voice, it's my reputation, and I will be available whenever they need me. They were like well, what in case he's what? You know? What if he's away on vacation?  32:08 - Anne (Host) Yeah, he said there are no VO emergencies. No, there are no VO emergencies, Right, there's no VO emergencies.  32:15 - Billy (Host) So yeah, so are we concerned about it? Yeah, am I concerned, absolutely, but you know I can't lose sleep over it.  32:23 - Speaker 3 (Announcement) It's coming.  32:24 - Billy (Host) You know, it's coming, and so we just have to manage it and make it work to our advantage.  32:30 - Anne (Host) Yes, I agree, I agree, I and make it work to our advantage. Yes, I agree, I agree, I love that. So I'm very excited because you're going to be doing a class for us, a VO Boss workshop, in November. As a matter of fact, it's going to be November 12th. Can you tell us a little bit about what we're going to be doing in that class?  32:48 - Billy (Host) Well, what I usually do is I like to just kind of give my spiel about what I've been doing and I guess the do's and don'ts of the proper way to get in touch with an agent, what to expect, what not to expect from you know. Once you're submitting to an agent, I just try to, I try to just say the things you know, kind of give the tips that actors need to know. You know what's proper, what's not, what's gonna get you. You know what's gonna get you seen, what's gonna get you heard. You know what makes it easy for me, the agent.  33:24 And I've come to also realize that it works differently from agency to agency. So I can only speak to what works for me, um, at CESD, um, but we'll, you know, I'll talk about that and I'll just talk about my feelings on on what it takes, what tools you're going to need and I mean like literal tools, what kind of demos you're going to need, that sort of stuff. Do a little Q and a and then read some copy, you know and anybody that does come to the class.  33:54 um, it's gotta be commercial copy, because that's that's what I do, you know um. I, I'm, I'm not going to be able to judge you on your animation copy or you know that kind of stuff. That's not really what I do. So we'll, you know, we'll do that and we'll tear it apart and hopefully get to two pieces within the class.  34:14 - Anne (Host) Yeah, I love that. We'll see. Yay, well, I'm very excited for that and, bosses, I'll be putting a link so that you can sign up for it, because I'm quite sure it's going to go quickly. Now my last question is because you said you're in upstate New York and I, you know, I have my own, like my own, nostalgic memories of upstate New York, and so, for me, I'd be riding a horse, you know, in in the countryside. So if you weren't an agent, philly, what would you be doing right now? Oh God, would you have a different career? Would you be retired and riding horses, or?  34:49 - Billy (Host) Yeah, well, you know, I've only had three different jobs in my life, okay, well, you know, other than high school jobs. I was an actor slash waiter, and then I became an agent. You know Like I've been it's you know. So I moved to New York to be an actor and that didn't happen, but I always kind of I was. I had a friend who was a commercial casting director and so I used to go in and help him out at the casting calls.  35:20 That was back in the days of Polaroids and signing up and I really was fascinated by it. And he would you know. And he kept saying there's an opening at this agency. Do you want to go? And I would go and audition, you know, to be an assistant. Sure, and then boom, boom, boom.  35:35 And then, it just so happens, he said CED, because we weren't CESD at that point it was looking to expand the voiceover department and was I interested, and my partner at the time said go and audition. I mean go and audition, apply for the job, cause one of these days you will make more money than me. And so you know. And um and so um, and now, every year, every year. I'm still in touch with him and I call him and I say thank you, greggy, for allowing me to have this job.  36:08 - Anne (Host) Here's my annual income report allowing me to have this job.  36:11 - Billy (Host) Here's my annual income report yes, so anyway, yeah. So I've thought about this. What do I do? I'm too old to be a waiter.  36:23 - Anne (Host) I'm not going to go back, though I think I would be really good at it.  36:25 - Billy (Host) I have these- I agree, actually, you've got the social I think I could do. Yeah, so do I go. But when I retire, whenever that is, I want to social. I think I could do. Yeah, you know, so do I go. But you know, when I retire, you know, whenever that is, I'm on a travel. I just love to travel, that's, that's my thing. So you know. You know, I feel like when this is behind me, that I will, you know, I'll just travel. I'm not going to be on a horse up here, but I always had.  36:50 You know, sometimes I've had, you know, I don't know if I even want another. You know job and I'm at that point now where you know, I'm old and I don't want another career. It's not like I'm. You know, I'm going to be an artist, or you know, I once thought I thought well, maybe I'll just go do community theater somewhere.  37:07 - Speaker 2 (Announcement) I have a friend.  37:08 - Billy (Host) I have a friend, interestingly enough, a little older than I am, lives in Chicago and he started taking an acting class just for the hell of it.  37:16 - Anne (Host) For the hell of it.  37:17 - Billy (Host) And he said, the others they love it because they have somebody to play the old man in all those scenes. And I thought, oh my God, that's great, I could do that. Yeah, I love that. I thought yeah, why not community theater you? Know, if that was it. Now there's no community theater in New York City, so if that's where I retire, you know. But if I was to retire up here, you know that would interest me, and you know because I am a lover of theater, so I do.  37:46 - Anne (Host) Yeah, Well, I feel like you kept yourself in the acting world, you know by being an agent I mean in that you know, it's still like a. It's still you're very much immersed in it, and so I feel like, if that was your one love, you came to New York, by the way. Where did you come from?  38:02 - Billy (Host) I grew up in Waltham Massachusetts, oh okay. Okay yeah, just a little outside of. Boston.  38:07 - Anne (Host) Yeah, very familiar with it. I went.  38:09 - Billy (Host) Yeah, I grew up in Waltham and then I went to UMass, Amherst and then to New York.  38:14 - Anne (Host) That was my. Oh, fantastic, yeah, there you go. Well, my gosh, it has been such a pleasure chatting with you today. I mean, I could go on. I feel like we could go on, but at some point, I do have to quit at some point.  38:32 But yeah, thank you so so much for sharing your wisdom. It's been really a joy talking with you. I'm so excited for November. Guys, bosses, remember November 12th. Get yourself to vobosscom and sign up to work with this gentleman. He's amazing, and I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses like Billy and myself, and find out more at IPDTLcom. Guys, have an amazing week and I'll see you next week. Bye, bye.  39:05 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Send us a textCrazy Anthony and VO TrendsIn this episode, Anthony is a bit crazy because he drank too much coffee and we discuss where we think the VO trends are and where to double down for your voice over business.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

This week on Toon'd In!, Jim Cummings welcomes the bold, bilingual, and unmistakably magnetic Carolina Ravassa! Best known for her electrifying performances as Sombra in Overwatch and Raze in Valorant, Carolina brings her signature spark, global perspective, and fearless creativity to the mic—and now, to the podcast booth.In this dynamic and inspiring episode, Carolina takes us on a journey through her multifaceted career—from growing up between cultures to breaking into the voiceover world and stealing the hearts of gamers worldwide. She opens up about the power of embracing identity, the magic of bringing animated characters to life, and how her passion for acting, dancing, and filmmaking all come together in the booth.Jim and Carolina dive into everything from game-day adrenaline to the evolution of Latinx representation in animation and gaming. With stories from the recording studio, the convention circuit, and the indie film scene, they share plenty of laughs, heartfelt reflections, and behind-the-scenes moments that highlight the life of a modern voice actor.

You could walk past these prolific actors and not even notice you're among stars - until they open their mouths You could walk past these prolific actors and not even notice you're among stars - until they open their mouthsGuests:Nolan NorthVeronica TaylorDavid SobolovLearn More:Find out more about the Armageddon Expo hereFind The Detail on Newsroom or RNZ Go to this episode on rnz.co.nz for more details

This week on Toon'd In!, Jim Cummings welcomes the bold, spirited, and endlessly charismatic Daniel Logan! Best known for portraying young Boba Fett in Star Wars: Attack of the Clones and bringing the legendary bounty hunter to life in The Clone Wars, Daniel brings a unique blend of action, heart, and fan-favorite legacy to the mic—and now, to the podcast booth.In this fast-paced and heartfelt episode, Daniel takes us back to his days on set as a 13-year-old stepping into the Star Wars galaxy, and how that one iconic role launched a lifelong connection to fans and the franchise. He opens up about the challenges of growing up under the helmet, the joy of returning to voice Boba Fett in animation, and the lasting impact of being part of a cinematic universe that shaped generations.Jim and Daniel explore everything from lightsabers to legacy—diving deep into the behind-the-scenes moments that shaped his career, the power of fan communities, and the evolution of Boba Fett from mysterious villain to complex antihero. Along the way, they share laughs, swap stories from the sound booth, and reflect on what it means to find your voice—on screen and off.

My father had that saying .... stop spinning your wheels! I knew EXACTLY what he meant... do YOU??

Join hosts Becky and Kori for a discussion of the fourth Nancy Drew PC Game, Treasure in the Royal Tower (2001). regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

On this episode of The Wyce Thoughts podcast we bring out the listener mail bag and read some of your questionsWebsiteFollow on X Follow on YoutubeFollow  Purple Pit Studios on X

This week on Toon'd In!, Jim Cummings welcomes the rugged, heartfelt, and unmistakably captivating Roger Clark! Best known as the voice and performance capture artist behind Arthur Morgan in Rockstar Games' epic Red Dead Redemption 2, Roger brings a rich blend of stagecraft, storytelling, and frontier grit to the booth—and now, to the podcast mic.In this thoughtful and wide-ranging episode, Roger shares the journey that led him from classical theater to becoming the voice of one of gaming's most iconic outlaws. He opens up about the emotional depth and physical demands of bringing Arthur to life, the years-long process behind Red Dead's cinematic storytelling, and how stepping into cowboy boots changed his life forever.Jim and Roger dive deep into the craft of performance capture, the magic of immersive storytelling, and the quiet power of characters who speak with more than just their words. Along the way, they swap tales from the booth, reflect on the evolving world of video game acting, and even wrangle a few laughs from the wild west of voiceover work.

On this week's episode, we welcome voice actor, Holly Chou (Jubilee from X-Men '97), to chat about naughty nickelodeons, voice acting efforts, giant water bottles, and so much more.See Holly Chou at L.A. Comic-Con, booth 867!Jordan and company are going to be at L.A. Comic Con this year, September 26th - 28th at table JO7September 26th - Jordan and Jesse!September 27th - Jordan and Eliza!September 28th - Jordan and Rob!Pre-order Jordan's new Predator comic!Pre-order Jordan's new Venom comic!Donate to Al Otro Lado, any amount helps right now.Buy signed copies of Youth Group and Bubble from Mission: Comics And Art!~ NEW JJGo MERCH ~Be sure to get our new ‘Ack Tuah' shirt in the Max Fun store.Or, grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On.Follow brand new producer, Steven Ray Morris, on Instagram.Listen to See Jurassic Right!