Musicians Unmuted Podcast

Labels. Artists generally utilise labels (e.g., freelance musician and educator) as a one-sentence elevator pitch of what they do in the industry. It's commonly seen at the start of biographies, advertisements and social media. Nowadays, labels can be extended to express the details of one's gender, nationality, sexuality and much more. It is no longer just a one-sentence elevator pitch, but rather a way of positioning ourselves in the world by choosing to be identified by these 'labels'. It may just be a few extra words to say or write, but it can create a big impact to the world. What are your thoughts about labels? Leave a comment or e-mail us at musiciansumuted@gmail.com. You can also visit our website at www.musiciansunmuted.weebly.com Music Credits Opening Theme by Daniel Kassulke Closing Theme by Anna Kho

It's a new year - 2023! We're taking a new approach to our podcast at Musicians Unmuted and we are going solo. Each episode will dive deep into a topic about the world of the Brisbane music scene and beyond, and it will be short and sweet. Its purpose is to open a conversation of things we may not often talk about in the music scene, and creating space for discussion and reflection with yourself or with others. We hope you enjoy it! Leave a comment or e-mail us at musiciansumuted@gmail.com Music Credits Opening Theme by Daniel Kassulke Closing Theme by Anna Kho

Episode 39: Versatile Voice features Sarah Maher aka Eleda, a singer-songwriter, trained in classical and contemporary voice, and now a PhD candidate at the University of Queensland, School of Music. Sarah's interest in cross-genre vocal training sparks from her unique experiences during her undergraduate training, which is explored in her research on tertiary education for vocalists. Music Credits Opening Theme by Daniel Kassulke Avoidant by Eleda I Want Less by Eleda Ten by Eleda Don't Leave Me Now by Eleda Closing Theme by Anna Kho

Episode 38: Portfolio of Interests features composer, producer, and performer, Thomas Green. We explore Tom's journey in music from his sparks of interests and passion that led to the product of his music today. In addition to composition, we also discuss his many projects as a producer, performer, as well as a lecturer at Queensland Conservatorium Griffith University. Music Credits Opening Theme by Daniel Kassulke Shugorei by Shugorei Black Square Movement 1 by Thomas Green Passacaglia by Thomas Green Five Quick Tempered Dances Movement 3 by Thomas Green Our Amen by Shugorei

Episode 37: Language Beyond Research features musician, educator, and researcher, Rebecca Lloyd-Jones. Currently completing her doctoral research at University of California San Diego, Rebecca's vast and diverse experiences have informed her practice as a teacher, performer, and researcher in percussion. We discuss how research can feel 'alive' and how the impact of language in research can feed into our everyday lives. Music Credits Opening Theme by Daniel Kassulke Dust (2017-2018) by Rebecca Saunders CYMBALMUSIC II – Centreflow II (1983) by Eleanor Hovda Space Model (1975) by Marta Ptaszyńska Komboï (1981) by Iannis Xenakis The Snakes are Loose (2014) by Natasha Anderson Note: All percussion performances are performed by Rebecca Lloyd-Jones

Episode 36: Obscure Orchestration of Creativity features the multi-instrumentalist, composer, activist, and orchestra director of the Queensland Music Awards winning ensemble, 'Matt Hsu's Obscure Orchestra' - please welcome, Matt Hsu! Did you also know that Matt has completed his PhD studies exploring "Lo-fi in the digital age: Australian indie-folk identity and the contemporary music industry" and contributed to academia as a university tutor at Queensland University of Technology (QUT)? Through our discussions on his many incredible creative outputs, we talk about the origin of Obscure Orchestra that began as a one-man orchestra during his PhD studies and blossomed into an incredible community that represents the people in Queensland and beyond. Music Credits Opening Theme by Daniel Kassulke Eat The World by Matt Hsu's Obscure Orchestra Make Everything (ft. apadalia & LOOPY!) by Matt Hsu's Obscure Orchestra Birdnest Hair (feat. Ashleigh Djokic & Kate Woodhouse)by Matt Hsu's Obscure Orchestra Runes dans le Sable (feat. Lucie Pegna) by Matt Hsu's Obscure Orchestra Welcome To The Neighbourhood (ft. Solchld, Anisa Nandaula, Nima Doostkhah, Naavikaran, Cieavash Arean)by Matt Hsu's Obscure Orchestra

Episode 35: Research Playground explores the creative world of Jodie Rottle! As a flutist, improviser, lecturer, composer and researcher, Jodie shares her seriously fun world of improvisation with nonhumans of toys and instruments! Her research focuses on her creativity in composition and we discuss how that process changed her perception as an individual in music, research and life. Music Credits Opening Theme by Daniel Kassulke Suspension of Disbelief by Jodie Rottle (Excerpt 1) Music for a Memory by Jodie Rottle Public Figure by Jodie Rottle Suspension of Disbelief by Jodie Rottle (Excerpt 2) Everyday by Jodie Rottle

Episode 34: Planting the Seed features saxophonist, researcher, educator, improvisor, and composer, Mathew Klotz. We explore the fascinating green queen world of music, improvisation, and plants, and how they interact in a chosen space within solo and ensemble context. We also discuss Mathew's representation in music, research and education as a queer individual and mentor as well as his exciting projects, achievements and endeavours! Music Credits Opening Theme by Daniel Kassulke A Short Guide to an Improvisation, composed by Mathew Klotz, performed by Queensland Conservatorium New Music Ensemble Bicton Hill (Improvised Performance) em kay ultra (Improvised Performance) mtm (Improvised Performance) Midnight Rain, composed by Mathew Klotz, performed by Ayesha Gough

Episode 33: Attention to Detail features performer, educator, and music researcher, Hannah Harley. Hannah is a Brisbane based cellist and is currently completing her PhD at University of Queensland. Her research explores the factors of the performers' attention and focus within the contexts of a string quartet. We also discuss the advantages and disadvantages in music research, and also how we can apply the knowledge of music psychology into performance and education. Music Credits Opening Theme by Daniel Kassulke Excerpts from Janacek's String Quartet No.1 "Kreutzer Sonata" (Movement 1 and 2) performed by Meraki String Quartet

Episode 32: Regions of Music Research features Robert Manley. Rob is a multi-talented musician specialising in cello, piano, recorder, and extends his portfolio career in education, composition, and music research. We discuss his passion in regional community music through his PhD research, and his current work in post-doctoral research at University of Queensland. Furthermore, we explore his endeavours in performance and composition that shape his musical identity today. Music Credits Opening Theme by Daniel Kassulke Passacaglia by Handel/Halvorsen (Performed by Eureka Duo) Pale Blue Dot by Folk Duo Yyan and Emily (with Robert Manley) From to here(2020)by Robert Davidson (Performed by Camerata) Duo for Violin and Cello: 3rd Mov. by Don Banks (Performed by Eureka Duo) Light Bathing by Folk Duo Yyan and Emily (with Robert Manley)

Episode 31: The Keys to Opening Doors features pianist, accompanist, composer and educator, Meg Burstow! Meg explored the wonders of classical and jazz music during her study at the Queensland Conservatorium Griffith University. Opening new doors, she indulged in diverse styles throughout her versatile career. Now as an in demand pianist in the Brisbane music scene, Meg has also composed her own jazz fusion compositions and performed with various ensembles throughout Queensland. To find out more, head to her website at www.megburstow.com Music Credits Opening Theme by Daniel Kassulke The Other Side by Meg Burstow Kaleidoscope by Meg Burstow In Space by Meg Burstow The Pentagon by Meg Burstow Atmospheres by Meg Burstow

Episode 30: Follow Your Path features drummer, composer, and educator, Benjamin Shannon. In this episode we discuss his upcoming gigs, projects, and album releases, as well as his Honours research at the Queensland Conservatorium Griffith University featuring the Brisbane Conduction Orchestra. We also dive into the genius of SHAMIN and the positive mind set in following your own path in life. For more on Benjamin Shannon, head to his website at www.benjaminshannondrums.com. You can also check out his ongoing projects at the following links: SHAMIN - https://shamin.bandcamp.com/album/fine-gnaw Milton Man Gogh - https://miltonmangogh.bandcamp.com/ Valtozash - https://valtozash.bandcamp.com/album/boiling-solitude-single Music Credits Opening Theme by Daniel Kassulke 3 Action Formula, Performed by Milton Man Gogh, Composed by Benjamin Shannon Brisbane Conduction Orchestra Rehearsal Snippet 1 (16/08/2021 at Queensland Conservatorium Griffith University) Round Sight (Excerpt) by SHAMIN Brisbane Conduction Orchestra Rehearsal Snippet 2 (16/08/2021 at Queensland Conservatorium Griffith University) Boiling Solitude, Performed by Valtozash, Composed by Andre Bonetti

Episode 29: Conversations of Life features the one and only, Roman Albert! From our conversations of improvisation in rap and music to the inspirational moments in our lives, in this episode we explore Roman's artistry and impact on the Brisbane music scene as a freestyle performer, educator and inspirational speaker! Follow his journey on instagram @roman.is.alive Music Credits Opening Theme by Daniel Kassulke Apple Tree by Life on Earth (Unreleased Excerpt) Oddisee by Bullhorn So You Think by Bullhorn Storm's Coming by Desmond Cheese ft. Roman MC Roll Off The Top by Bullhorn

Episode 28: Stringing Together Passions features cellist, teacher, and conductor, Nicky Griffith. We discuss her versatility and balance between various passions in music, and how she came to pursuing each path in her portfolio career. To find out more, head to her website at https://nickygriffith.wixsite.com/musiclessons Music Credits Opening Theme by Daniel Kassulke John 19:41 from Jesus Christ Superstar, live performance by Lynch & Paterson Musical Theatre Production, conducted by Lucas D. Lynch Radetzky March Op. 228 by Johann Strauss Sr., conducted by Nicky Griffith (QYS Finale 2019) Pines of Rome by Ottorino Respighi, live performance by QYS La Mer (1st Mov) by Claude Debussy, live performance by QYS Curtain Call from Jesus Christ Superstar, live performance by Lynch & Paterson Musical Theatre Production, conducted by Lucas D. Lynch

Episode 27: Groovin' On features percussionist, Joe Chow. We discuss his work on jazz vibraphone and latin auxiliary music, as well as his multi-talented career in teaching, arranging, marketing and advertising, and managing his band, Salseros. Salseros is a Brisbane-based salsa ensemble who performs energetic Afro-Cuban dance music. This fiery nine-piece salsa ensemble delights Spanish and English listeners by performing South American classics, jazz standards and pop songs with a salsa twist. Follow Salseros on Facebook at https://www.facebook.com/salserosband/ Music Credits Opening Theme by Daniel Kassulke The featured music excerpts are from Salseros' live performance at Colombian Independence Day Festival 2019: Billie Jean by Michael Jackson / Tony Succar Ain't Nobody by Chaka Khan / Alex Wilson Uptown Funk by Bruno Mars / Tony Succar Shape Of You by Ed Sheeran / Proyecto Sur Blinding Lights by The Weeknd / Unknown.

Episode 26: Portfolio Career features the one and only, Luke Cuerel! Luke leads a portfolio career in performing, composing and teaching. We discuss how the different, yet similar, worlds collide and the advantage in applying improvisational skills in all areas of his career. With so many projects, such as Voltfruit and Expo 88, we talk about how he finds balance in his creative and collaborate career. To find out more, head to his website at https://lukecuerel.com Music Credits Opening Theme by Daniel Kassulke Live Improvisation at Kin Makers by Voltfruit 23-11 by Luke Cuerel Quintet (Upcoming album "Far from the Tree") Generations by Luke Cuerel, composed for Soundstream ECF (featuring Vanessa Tomlinson, Erik Griswold, Cathy Milliken and Gabriella Smart) Hydrogen + Helium by Luke Cuerel, performed by CONCEPT Ensemble Thicker than Water from Expo 88 (Upcoming EP)

Episode 25: Influential Immigrant features the incredibly talented, virtuosic and inspirational, Nozomi Omote. She is a Japanese born classical percussionist who is versatile in various style of music. She is also an active educator and composer. We go back to the roots of Nozomi's upbringing in Japan, and her decision to move to Australia. Throughout her musical journey, we discuss the advantages and disadvantages of being an immigrant and the differences in cultures. Now married with two kids, she continuously takes over the music scene with diverse performances in orchestra, chamber, and her new project with Tom Green, Shugorei. To find out more head to her website at www.nozomi-musician.weebly.com Music Credits Opening Theme by Daniel Kassulke Angles by Shugorei Animal Park by Nozomi Omote Improvisation 2 by Shugorei Once Upon a Dream by Nozomi Omote Our Amen by Shugorei

Episode 24: Time for a Toot features flautist, Monash Lal. We welcome him back from his teaching journey in Regional Queensland, as we discuss his experience in teaching and performing rural, memories during his study as a male flautist and venturing onto new projects back in Brisbane. On top of his talent and wealth of knowledge in flute, he is also a classroom and instrumental teacher and multi-instrumentalist in woodwind, guitar and bass guitar. Now based in East Brisbane, Monash is completing his Master of Music, and continues to teach and perform in his home city. To find out more, head to his website at www.monashlal.com Music Credits Opening Theme by Daniel Kassulke Improvised Performances by members of the Tin Foil Collective: Monash Lal – Flute Mathew Klotz – Saxophone Sophie Ellis – Viola Alex Bull– Percussion Ayesha Gough – Piano

Episode 23: Drum Roll Please for Libby Scott! From one drum to another, we discussed about career opportunities as a drummer and the wild world of the music industry, including songwriting, producing, networking, performing, education and being a female drummer. Libby is an emerging, enthusiastic drummer who made her national debut placing second in 'Australia's Best Female Drummer' competition at the annual Australian Ultimate Drummers' Weekend in Melbourne 2016. She is a graduate of Bachelor of Music (Jazz Drums) at the Queensland Conservatorium Griffith University. She is a versatile drummer of various genres and styles, as seen in her band, Pink Matter, and other live performances and studio recordings. For more information head to her website at www.libbyscott.com.au Music Credits Opening Theme by Daniel Kassulke Giant by Pink Matter Drum Performance 1 by Libby Scott You'll Never Know by Pink Matter Drum Performance 2 by Libby Scott Drum Cover of Macklemore & Ryan Lewis's Can't Hold Us by Libby Scott

Episode 22: Singer-Songwriter features local artist, Jo Davie. We discuss the process of her music making from song writing to singing, as well as her honours research into singer-song writing and the influences from internal and external factors. Further in performance, we talk about the addition of solo instrumental accompaniment to voice and the art of vocal improvisation. Currently working on her solo original project, she hopes to incorporate the beauty of music technology in her future performances. To find out more or keep updated, head to her website at www.jodavie.com or follow her on social media. Jo Davie Graced with jazz sensibilities, exceptional vocal technique and a four-octave range, Jo Davie offers up genuine story-telling. Graduating from the Queensland Conservatorium in 2017, with First Class Honours and the University Medal, Brisbane vocalist Jo Davie burst onto the scene as the 2018 runner-up Folk Alliance Young Artist of the Year, winning audiences and accolades across Australia. Whether performing her own songs or soaring above her raucous gypsy band 'Cigány Weaver', she sings with heartfelt simplicity, technical skill and impressive versatility. Music Credits Opening Theme by Daniel Kassulke Clouds by Cigány Weaver Why Can't We Be Happy by Jo Davie To Start Again by Jo Davie Honey, Please Come and Save Me Now by Jo Davie The River by Cigány Weaver

Episode 21: Production in Pop features ENIJAE, Senija Hadzich and Jake Barker, pop production and song writing duo based in Queensland (Gold Coast/Brisbane). In this episode we discuss the history of ENIJAE and how they started out, as well as the magic that goes behind the production team and within the pop industry. We also talk about the positives and negatives of the music production industry and advice they have for others with the same passion. ENIJAE Specialists in crafting sophisticated pop music through their production and songwriting, ENIJAE are an Australian duo comprised of Jake Barker and Senija Hadzich. Drawn together by their pop sensibilities, ENIJAE harnessed their power for writing and electronic production at the Queensland Conservatorium of Music. ENIJAE has since been creating glossy, dynamic and densely produced pop music, pulling inspiration from renowned producers such as Max Martin and Steve Mac as well as the expansive sounds of K-Pop and Euro-Pop. For more information head to their website at https://enijaemusic.com or follow them on SoundCloud at https://soundcloud.com/enijaemusic Music Credits Opening Theme by Daniel Kassulke When Will I Learn? - Cooperr. Promises - Isabel Wood Feel Alive - Anthem Rose Like I Do - Cooperr. Danger To You - Cooperr. *All pop tracks are written (with the artists) and produced by ENIJAE

Episode 20: Voice on Video explores the world of a versatile vocalist, educator, researcher and now local YouTuber, Julia Nilon, and her journey into vocal coach react video content, editing, and the ever expanding YouTube community. In addition, we discuss the importance of vocal pedagogy, research and vocal health. Find out more about Julia on YouTube, Instagram, Facebook, or her website at https://www.jvoxstudio.com. YouTube: https://www.youtube.com/c/JuliaNilon/ Facebook: https://www.facebook.com/jvoxstudio/ Instagram: https://www.instagram.com/jvoxfox/ Julia Nilon is an active vocalist and contemporary singing specialist with almost a decade of teaching experience. She is a graduate of Queensland Conservatorium of Music with Bachelor of Music and Masters in Vocal Pedagogy. She is currently undergoing a doctoral research exploring vocal events/function in repertoire. Throughout her studies she has performed Jazz, Pop, RnB, Blues and Musical Theatre in a professional capacity with quartets, duos and vocal ensembles. She particularly enjoys writing and directing solo cabarets and has also gone into musicals as a Vocal Director (La Cage Aux Folles, 2017; You’ve Been Trumped, 2017). In 2018, Julia taught internationally with M Academy China Beijing and worked with national debuting artists and is now back in Australia pursuing her career goals and future endeavours. Music Credits Opening Theme by Daniel Kassulke YouTube excerpts from Julia's videos in order: 1. VOCAL COACH REACTS | JOJO "MAN".... I'VE BEEN WAITING FOR THIS. 2. VOCAL COACH REACTS | 소향 Sohyang YOU RAISE ME UP 불후의명곡 ... INSPIRING. Truly. 3. VOCAL COACH REACTS | DIMASH KUDAIBERGEN... SOS... FIRST TIME LISTENING TO HIM EVER. 4. VOCAL COACH REACTS | First Time Listen.... NIGHTWISH, FLOOR JANSEN Ghost Love Score... holy heck. 5. VOCAL COACH REACTS | MAMAMOO... Immortal Songs Medley... can I even deny a bias at this point...

Episode 19: Practice of Productivity features woodwind multi-instrumentalist and educator, Luke Carbon. Originally from Brisbane and now based in Melbourne, Luke Carbon is an artist of passion, practice and productivity. In this episode, we discuss the impact of the Melbourne lockdown and the highs and lows during this time. We also discuss how it has affected music practice and performance, education, mental and physical health and the community. Luke Carbon is a woodwind multi-instrumentalist and educator based in Melbourne. An orchestral musician, chamber player, and fluent improviser, he attended the Australian National Academy of Music during 2015-2016 and was awarded a Master of Music Research, the Musica Viva Chamber Music Prize, and a programming award for his exploration of third stream music. www.lukecarbon.com Purchase your copy of 'Brightest Threads' now from Bandcamp at https://lukecarbon.bandcamp.com/track/davidson-brightest-threads Music Credits Opening Theme by Daniel Kassulke Brightest Threads by Robert Davidson featuring Luke Carbon, Stuart Byrne, Natasha Fearnside, and Robin Henry Bled Out by Ryan Walsh The Sea Meets Infinity by Paul Dean (Live Performance) featuring Luke Carbon and Thea Rossen New York Counterpoint Movement 3 by Steve Reich

Episode 18: Overseas Opportunities explores percussionist, collaborator, curator, improviser and educator, Joyce To's, positive experience and influence in her international studies abroad at University of Toronto with Aiyun Huang and fellow colleagues. We elaborate on the decisions and considerations for overseas studies, especially during this pandemic, the opportunities and experiences available overseas in comparison to Brisbane, and lastly the technology available today to promote live concerts that collaborate performers all over the world! Go check out Joyce To and Tyler Cunningham's live digital concert series, Nothing Else Left to Read, at the following link: https://youtu.be/qNPcqOHyIK0 Nothing Else Left to Read is a digital concert series exploring new online mediums as a basis for live performative frameworks. This series focuses on celebrating emerging artists, new compositions and innovative developments during this digital age. Music Credits Opening Theme by Daniel Kassulke The Tyalgum Sessions: Catching the Wind by Concept Ensemble and Charulatha Mani (Live Performance - Opening) Sunflowers by Joyce To (Field Recording) Gold Creek Movement 3: Water by Joyce To and Nozomi Omote (Field Recording) Coral Speak by Kate Moore (Live Performance) The Tyalgum Sessions: Catching the Wind by Concept Ensemble and Charulatha Mani (Live Performance - Ending)

Women of Noise (WoN) is a dynamic platform celebrating and featuring the work and stories of women and non-binary creatives in the global community. It aims to provide an all-inclusive space for the diverse and prolific work of female-identifying and non-binary creatives. WoN began as a concert series (formerly 'Noisy Women') and has been enjoyed by many in Brisbane to celebrate International Women's Day. This concert featured women in music throughout musical development to today. Also tune in to 4ZZZ(102.1) on Sundays at 2-5 am to hear the 'Women of Noizzze' Radio Show. 'Women Write Now' Blog Interviews released each 2nd and 4th Wednesday of the month. https://womenofnoise.com/ Phoebe Bognár is a Sydney-based flutist, composer, curator, improviser and founder and artistic director of Women of Noise. Her approach to music is sewn with vibrancy and fluidity, and explores a diverse range of genres, repertoire and styles. Phoebe has given numerous performances across the globe as a soloist, in ensembles and festivals; sharing music with audiences in Sydney, London, Berlin, Oslo, Brisbane, Finland and the United States of America. Phoebe delights in genre-bending collaborations, art forms and disciplines. She explores new and exciting ways of creative expression which intertwine vocal techniques, technology, and relationships with built and natural environments within flute playing and composition. https://phoebebognar.com/ Phoebe Bognar's Note: "Around the 34:00 mark: when I talk about not programming a concert of completely ‘Black, Indigenous, People of Colour’ composers’ I mean to say I would rather go beyond programming for the sake of programming, but to commit to amplifying and uplifting voices in every single part of Women of Noise and music making. Another note around this section is that there are many organisations doing the work of listening, amplifying and working towards justice. This is to be celebrated and acknowledged. But the work is continual and must be an ongoing commitment." Music Credits Opening Theme by Daniel Kassulke vanishing points (2020) by Phoebe Bognár legacy of ill placed tracks (2017) by Phoebe Bognár Phoebe Bognar and Clayton Thomas Improvisation (un)reasoning (2020) by Phoebe Bognár I Want You To Panic (2019) by Elizabeth Shearon

Episode 16: Asian Persuasion features Asian Brisbane musicians, Flora Wong (violinist) and Cara Tran (pianist). In this episode we discuss the advantages and disadvantages of being an Asian musician in the Brisbane music scene, and what we represent as role models of race - from our cultural influences of Asia and Australia to our impact as individuals for the future generation. BrisAsia Festival features rich culture, traditions and an atmosphere that celebrates Brisbane’s cultural diversity. The festival showcases Asian dance, visual arts, food, music, film and more. From breakdancing competitions to live concerts, and colourful cosplay events – there’s something for everyone! Back for its eighth year on February 1st to 29th in 2020, it was held across multiple venues, such as SunPAC, Visible Ink Youth Hub, QPAC, Queen Street Mall, Aspley Central, Boondall Wetlands Environment Centre and more. Keep your eyes and ears out for the annual festival! For updates head to www.brisbane.qld.gov.au. Music Credit Opening Theme by Daniel Kassulke Winterstate - First Movement (Live Performance) by Chris Perren Flora Wong and Luke Cuerel Improvisation (Live) at Kin-Makers 3 Winterstate - Second Movement (Live Performance) by Chris Perren Baliya (Premiere Live Performance)by Brenda Gifford Samurai Loops (Live Performance) by Chris Perren

Episode 15: Brisbane bassist, Matty Cook, joins us for this podcast episode, as we discuss his musical journey of gigging and teaching. From the affects of COVID-19 to cruise gigs and the night life music industry, to his experiences at jam nights, tertiary studies and what it's like to have a music teacher as a parent. Most importantly, the influences and decisions that led to his successful career today. Head to Fortitude Valley for Live Music, at featured venues such as The Met, Cloudland, Crowbar, Brightside, Outpost Bar, Press Club, Woolly Mammoth, Netherworld, Ric’s Bar, Foundry, Finn McCool’s, Black Bear Lodge, Doo-Bop Bar, Elixir Rooftop Bar, Suzie Wongs Good Time Bar, Beirne Lane, The Sound Garden, Birdees, Pig ‘N’ Whistle, Empire Hotel, Brunswick Hotel, and Waterloo Hotel. Music Credits Opening Theme by Daniel Kassulke Song For My Father by Horace Silver Footprints by Wayne Shorter (Terrence Blanchard Version) Swinging at the Haven by Elis Marsalis Strasbourg St. Denis by Roy Hargrove Sir Duke by Stevie Wonder

Fellow podcaster, drummer and educator, CJ Nash and I come together to discuss the power of podcasts. As hosts of Brisbane music podcasts, we discuss the advantages and disadvantages of setting up a podcast, how it affects the listeners and music scene, and what it takes to uphold it throughout our portfolio music careers. To find out more about Sundowner Drum Talks, follow the podcast on Facebook, Instagram, Twitter and SoundCloud. Other Australian and Brisbane podcasts you can follow include After the Show, Friends with Benefits, Shuffology, Franky Walnut, Heavy Music Interviews, OzMade, The Music, My Songs Suck, Flawless, Australian Music Diaries, The Music Show, Jaytech Music, Australian Rock Show, The J Files, Like A Version, Live At The Wireless, Australian Music Podcast, Ben Sorensen’s Real Country, Listen Now with Matt and Sam and many more. Music Credit Opening Theme by Daniel Kassulke This is Not A Love Song by New Clear Vision Phobias by New Clear Vision Game of Life by New Clear Vision LIMERENCE OR LOVE by Mattytwohats Rainy Day Trippin by Woodstock Road

Episode 13: Musician's Money features guests Tracie Comber and Shelise Vandal. As we social distance ourselves during the coronavirus, we discuss the effects and issues on musician's income and expenses. Including topics from teaching, performing, casual work to expenses of living costs, instruments, equipment and what money can do to contribute towards the Brisbane arts industry. #SupportTheArts The featured venue in this episode is BackDock Arts located at 103 Brunswick Street, Fortitude Valley. The venue features Live Music, Graffiti Art, Performance Art and an Open Gallery of Brisbane's artists. Find out more on their Facebook page at https://www.facebook.com/BackDockArts/ Music Credits Opening Theme by Daniel Kassulke Rhythm Song by Paul Smadbeck, performed by Tracie Comber and accompanied by Tsoof Baras How Could I Ever Know from The Secret Garden, performed by Shelise Vandal All Of My Friends by Drew Fornarola, performed by Shelise Vandal at Underground Broadway 7evens by Pete Riley, performed by Tracie Comber Funk Loops by Cameron Sinclair, performed by Ba Da Boom Percussion Screw Loose from Crybaby, performed by Shelise Vandal

Episode 12: We're back! Here's an exclusive behind the scenes episode that looks into the history of the podcast and features commentary on some of the highlights in Season 1! Prepare for an all new Season 2! Hosted by Anna Kho. Recorded and Edited by Anna Kho. Find out more at... Website - www.musiciansunmuted.weebly.com Facebook - www.facebook.com/musiciansunmuted Soundcloud - www.soundcloud.com/musiciansunmuted Daniel Kassulke - www.danielkassulke.com Music/Episode Credits: Episode 3-11 Opening Theme by Daniel Kassulke Episode 1-2 Opening Theme by Anna Kho Episode 1 Recorded and Edited by Maya Luski Episode 2-11 Recorded and Edited by Daniel Kassulke Closing Theme by Anna Kho A special thank you to Maya Luski and Daniel Kassulke for all your work. May I do you both proud with the future episodes. :)

Episode 11: Peter Breen features the one and only, Peter Breen. On December 1st, 2017, Musicians Unmuted held a concert in dedication of our past podcast guests as well as honouring Breen's achievements, contributions and support for the Brisbane music scene. In this episode, we get to know more about the man himself, his projects through Jugglers Art Space, such as The Stairwell Project, what drives his passion and motivation, and the future of Jugglers Art Space and the young generation of artists. The venue featured is Jugglers Art Space. Now in its 14th year, Jugglers Art Space Inc. is an Artist Run Organisation committed to supporting emerging artists across a broad range of genres. The once venue in Fortitude Valley was founded in 2002 to address the critical shortage of exhibition, performance and studio spaces available in Brisbane and to provide a vehicle for cultural inquiry. For more information or to donate, head to http://www.jugglers.org.au/ Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Music Credits: Musicians Unmuted Theme by Daniel Kassulke Improvising In The Stairwell by Lachlan Hawkins Free Improvised Vibraphone by Anna Kho Lights Out by Lachlan Hawkins

Episode 10: Musicians' Health features Jo Lagerlow, Jodie O'Brien and Michael Thrum. Health is essential to life, and music has the power to positively or negatively affect one's health. The episode includes various discussions on the role of music in relation to physical and mental health, including musculoskeletal, audiology, music therapy, and music performance anxiety, and how it can affect us as musicians, educators, or contributors to the health of others. The venue featured in this episode is the Royal Brisbane and Women’s Hospital (RBWH). It is Queensland’s largest hospital and provides a wide range of clinical services in the heart of Brisbane. RBWH employs more than 6,000 multidisciplinary staff that together provides life-saving treatment to over half a million people each year. In 2017, RBWH celebrates 150 years of caring for Queensland. The modern-day RBWH supports and produces world-leading research and education, and is a prominent innovator in the pursuit of ever-improving patient outcomes. ‘The Stairwell Project’ curated and directed by Peter Breen, began at RBWH performing live music in various spaces, including the stairwell, foyer, cafeteria, hallways and oncology outpatients area - for more information go to http://www.jugglers.org.au/stairwell-project/. We will be discussing more of this in episode 11, featuring Peter Breen. Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Music Credits: Musicians Unmuted Theme by Daniel Kassulke Vermont Counterpoint performed by Jo Lagerlow Brahms 2nd Sonata performed by Michael Thrum Moreton Bay performed by Michael Thrum Searching performed by Jodie O'brien

Episode 9: Music Education features Julia Nilon, Aaron Jansz and Jack Walton. Education has affected us all - inspired, influenced and engaged. However, a system always has its flaws and a discussion of its issues and a reflection on our roles as teachers or contributors can assist in improving a better education for the future generation. The venue featured in this episode is Iona College's Iona Performing Arts Centre in Lindum. The 500-seat auditorium has a raked floor and concert lighting system. The fully-equipped performance stage incorporates an orchestra pit, excellent audio equipment and modern multi-media facilities. The venue is managed by qualified staff who assist students in all aspects of stage, sound and lighting management learning. The venue also includes three rehearsal spaces, foyer area, box office, and the gallery. The versatile space caters for competitions, concerts, performances, cocktail receptions, exhibitions, breakfasts, lunches and dinners, as well as small meetings or functions. For more information go to https://www.iona.qld.edu.au/our-school/places/iona-performing-arts-centre/ Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Music Credits: Musicians Unmuted Theme by Daniel Kassulke Honey Please Come Save Me performed by Jo Davie La Colombe by Skinny Jean Canberra (Lines) by Sonny Flynn Hugo Shanmugapriya by Charulatha Mani

Episode 8: Technically Music features music technologists Anna Whitaker, Greg Olley and Thalia Collettis. With guest host, Daniel Kassulke, this month's chat encompassed pastries, addressing archaic attitudes towards gender in the music technology industry, the rigours of live sound, an unforgettably forgettable Kurt Vile gig, and we learn how Thalia and Daniel accidentally collaborated on a feature film. The featured venue is the State Library of Queensland (SLQ)located on Stanley Place, South Brisbane. It was founded in 1896 and plays a lead role in serving all Queenslanders, through state-wide library services and partnerships with over 340 public libraries, including 23 Indigenous Knowledge Centres. Library members can also book rooms for study or practice piano. Piano rooms are located on level 3, and are free to book for all library members. Numerous performances have also been hosted at SLQ, including concerts by QSO and Kupka’s Piano. There are also free performances outside the Library Shop on Monday mornings at Knowledge Walk, Level 1. For more information head to their website www.slq.qld.gov.au. SLQ also has a venue called ‘The Edge’. The space is open to the public to book electronic devices, including a recording studio! For more information head to www.edgeqld.org.au. Hosted by Daniel Kassulke Recorded and Edited by Daniel Kassulke. Introduction spoken, recorded and edited by Anna Kho. Music Credits: Musicians Unmuted Theme by Daniel Kassulke Sticks and Stones by Daniel Kassulke PSA by Thalia Colettis Everything I Could Never Tell You by Jo Davie [recorded and mixed by Anna Whitaker] Bull by Anna Whitaker Salt Water by Strangely Enough [written by Greg Olley] Untitled by Thalia Colettis Change by Strangely Enough [written by Greg Olley]

Episode 7: Scoring Goals features some of Brisbane's young composers, Samuel Dickenson, Callum Kennedy and Jasmin Leung, of diverse backgrounds, inspirations and creative minds. Influences from Western classical, new music to electronics and contemporary music, these young minds share personal experiences in their creative output through composition and performance. The venue featured in this episode is the Old Museum Building. Old Museum Building is the site of cultural and educational facilities for over 110 years, and was constructed in 1891 for the Queensland National Agricultural and Industrial Association. The venue consists of the concert hall and multipurpose studios (3 heritage studios), which cater for theatre, dance, music productions, seminars, public lectures, conferences, workshops, private functions, dinners and more. The William Anderson organ built around 1890 and installed during 1997. It is also home of Queensland Youth Orchestra (QYO) since the beginning of 1989. For more information go to their website at http://oldmuseum.org/ Directed and Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Episode was recorded at Visible Ink. Music Credits: Musicians Unmuted Theme by Daniel Kassulke Inside on a Rainy Night by Samuel Dickenson A Whisper with the Clouds by Callum Kennedy A Short History of Life by Jasmin Leung Xenocide by Samuel Dickenson 5 Observations in Nature by Jasmin Leung My First LSDJ by Callum Kennedy

Episode 6: Freedom of Speech features some of Brisbane's most talented, young free improvisers, including Andrew Ball, Brodie Mcallister, and Hannah Reardon-Smith. Through their diverse influences in jazz, classical, cross-genre and other styles, the musicians share their experience in finding a platform that expresses their artistic vision and taste. The venue featured in this episode is the Judith Wright Centre of Contemporary Arts. It lives and breathes creativity, both as a boutique performing arts venue and as a home to internationally-recognised arts organisations and creative industry tenants. The facility includes the Performance Space, Shopfront, Theatre Rehearsal Space, and Multipurpose Room, which caters for live performances, meetings, film shoots and screenings, workshops and seminars, through to major product launches, trade shows, arts festivals, awards nights, conferences and classes. More information at http://judithwrightcentre.com/ Directed and Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Episode was recorded at Visible Ink. Music Credits: Musicians Unmuted Opening Theme - Daniel Kassulke CThonic Fanfare - Barega Sax Quartet, composed by Andrew Ball Improvisation 1 (Thinking Aloud) - Hannah Reardon-Smith Multiphonics - Brodie McAllister Emu Wars - Rogue Three (Hannah Reardon-Smith, Brodie Mcallister and Ryan Williams) Home - Con Artists, arranged by Brodie McAllister Groove Machine - Barega Sax Quartet

Episode 5: No Strings Attached features some of Brisbane's string musician entrepreneurs - Monique Bartkowiak (also known as Monique Clare), Kieran Welch and Annie Silva. On a different journey from the norm of orchestral string players, the musicians share their experience in finding their passion in personal projects and diverse career paths. The venues featured in this episode is a part of City Sounds. It is Australia’s largest free live music program, presenting local and touring bands and artists in the Queen Street Mall, Post Office Square, South Bank and other locations around Brisbane each week. With everything from alternative and folk, to jazz and electro, and everything in between. - www.visitbrisbane.com.au/the-city-sounds Directed and Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Episode was recorded at Visible Ink. Music Credits: Opening Theme - Daniel Kassulke Makeshift Town - Monique Clare Trucksea - Nonsemble ft. Dean McGrath The Countless Cathleen (traditional) - The Boxties Chicago (Sufjan Stevens cover) - Nonsemble Disappear - The Mulberry Collective Bricks - Nonsemble ft. Shem Allen

Episode 4: The Mastermind features some of Brisbane's multi-talented artists including Connor D'Netto, Chris Perren and Joshua Rivory, who compose, produce, record, curate, direct, perform and do many other roles in various projects. The venue featured in this episode is The Nickson Room in The Zelman Cowen Building at The University of Queensland, St Lucia Campus. The venue hosts diverse performances every year, as well as provide a recording space for artists, such as Nonsemble, Argo, The Australian Voices and Topology. Many amazing talents have graduated from this tertiary institution, including Tim Munro. Directed and Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Music Credits: Opening Theme by Daniel Kassulke Iri Ansa by Josh Rivory Chamber Symphony No.1 by Connor D'Netto Go Seigen vs. Fujisawa Kuranosuke Movement 2 by Chris Perren Lion by Joshua Rivory String Quartet No. 2 in E minor by Connor D'Netto Go Seigen vs. Fujisawa Kuranosuke Movement 3 by Chris Perren

Episode 3: Being Heard features some of Brisbane's finest, young and inspiring vocalists - Erin Fitzsimon, Kayleigh Pincott and Kieran Stevenson. The performance venue featured in this podcast is the Brisbane Jazz Club, which hosts the Jazz Singers' Jam Night run by Ingrid James and many other amazing musicians, acts and festivals. Directed and Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Support Kayleigh's debut CD here - https://pozible.com/project/kayleigh-pincott-solace Music Credits: New Podcast Intro by Daniel Kassulke Constant Beat by Inigo (Erin Fitzsimon on vocals) Black & Blue by Kieran T. Stevenson I Wonder Where Our Love Has Gone; vocals by Kayleigh Pincott How We Love; vocals by Kayleigh Pincott Go by Kieran T. Stevenson Souls by Inigo (Erin Fitzsimon on vocals)

Episode 2: The Instrumental Voice features Brisbane's illustrious young jazz musicians, Sophie Min, Helen Svoboda, and Lachlan Hawkins. The performance venue featured in this podcast is the Queensland Performing Arts Centre, which includes the Lyric Theatre, Concert Hall, Playhouse, Cremorne Theatre and the outdoor Green Lawn. Directed and Hosted by Anna Kho. Recorded and Edited by Daniel Kassulke. Music Credits: Zoodle Suite by Helen Svoboda Orbit by Helen Svoboda (Min/Svoboda/Hawkins Trio) Lights Out by Lachlan Hawkins Beauty of Glass by Sophie Min (Min/Svoboda/Hawkins Trio) Praeludium II arranged by Lachlan Hawkins (Hawkins and Min)

Episode 1: My Life As A Musician features Queensland Conservatorium Griffith University percussion alumni, Tsoof Baras, Caleb Colledge, and Jamee Seeto. The performance venue featured in this podcast is the Queensland Conservatorium, and includes the Basil Jones Orchestral Hall, Ian Hanger Recital Hall, Conservatorium Foyer and the Conservatorium Theatre. Directed and Hosted by Anna Kho. Recorded and Edited by Maya Luski. Music Credits: Musicians Unmuted Theme by Anna Kho ETNA by SoundStruck - https://www.youtube.com/watch?v=eDXdf9QAzPo Caged Wings by Anna Kho - https://www.youtube.com/watch?v=7nSoPGoxeYE