Podcasts about american film industry

本期是「4.23世界读书日」特别节目，我们无望做最长的读书日节目，但我们可以做全网最晚上线的！电影巨辩筛选出129本有助于构建电影知识体系的电影书，分类详解每本书的内容和特点，优点和缺点。对大多数人来说，这些书无助于考研升学，无助于搞钱和自我提升，无助于我们每一天的生活，甚至无助于你从电影中享受到更多快乐。它是百分之百全然无用的。但我们聊书的过程中，却真的爽到了，是截至目前录得最爽的一期节目。为什么电影书会让我们这么爽？请谨慎收听。本次节目聊到的129本书（也有的是一套），具体书目详见下方。因为字数限制，部分英文书没有标注英文名。详细时间轴：04:23 防杠声明06:13 电影理论与美学《电影是什么》，安德烈·巴赞《当代电影分析》，雅克·奥蒙、米歇尔·玛利《电影艺术：形式与风格》，大卫·波德维尔、克里斯汀·汤普森《电影理论1945-1990》，弗朗西斯卡·卡塞蒂[Theories of Cinema, 1945-1990, by Francesco Casetti]《电影理论读本》，杨远婴编《电影理论与批评辞典》，雅克·奥蒙《电影研究关键词》，苏珊·海沃德《电影导演的电影理论》，雅克·奥蒙《电影实践理论》，诺埃尔·伯奇《电影声音：理论与实践》，伊丽莎白·维斯、约翰·贝尔顿编《声音》，米歇尔·希翁《作为媒介考古学的电影史》，托马斯·埃尔塞瑟《明星》，理查德·戴尔《电影中的表演》，詹姆斯·纳雷摩尔《宽忍的灰色黎明：法国哲学家论电影》，李洋编33:59 类型电影《电影／类型》，里克·奥特曼《好莱坞类型电影》，托马斯·沙茨《黑色电影：历史、批评与风格》，詹姆斯·纳雷摩尔《西部电影的发明：五十年文化史》，斯科特·西蒙《幻像电影：美国先锋电影1943-2000》，P·亚当斯·西特尼44:09 电影史与国族电影《电影史：理论与实践》，罗伯特·C·艾伦、道格拉斯·戈梅里《世界电影史》，克里斯汀·汤普森、大卫·波德维尔《牛津世界电影史》，杰弗里-诺维尔-史密斯 主编《日本电影史》，佐藤忠男《韩国电影史：从开化期到开花期》，金美贤、韩国电影振兴委员会《意大利电影：从新现实主义到现在》，彼得·邦达内拉《懊悔的迷雾：经典法国电影的文化与情感》，达德利·安德鲁《新浪潮》，米歇尔·玛利《当代法国电影指南》，福克斯、玛利、拉德纳《迷影：创发一种观看的方法，书写一段文化的历史 1944—1968》，安托万·德巴克《魏玛电影及之后：德国的历史想象》，托马斯·埃尔塞瑟《新德国电影史》，托马斯·埃尔塞瑟《闹鬼的银幕》，洛特·艾斯纳[The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt, by Lotte Eisner]64:53 好莱坞《美国电影史十卷本》[History of the American Cinema Volumes 1-10]《古典好莱坞电影：1960年之前的电影风格和制作模式》，大卫·波德维尔、珍妮特·斯泰格、克里斯汀·汤普森《巴别塔与巴比伦：美国无声电影的观众》，米莲姆·汉森《新好莱坞电影导论》，杰夫·金《逍遥骑士、愤怒公牛：新好莱坞的内幕》，彼得·比斯金《低俗电影：米拉麦克斯、圣丹斯和独立电影的兴起》，彼得·比斯金《电影战争：好莱坞和媒体如何限制我们观影》，乔纳森·罗森鲍姆《越战到里根时代的好莱坞》罗宾·伍德《岁月已逝》，凯文·布朗洛《体制的天才：好莱坞大片厂时期的电影制作》，托马斯·沙茨《史诗、奇观和大片：一种好莱坞历史》，谢尔顿·霍尔、史蒂夫·尼尔85:42 影人传记与研究《戈达尔：七十岁艺术家的肖像》，科林·麦凯布《侯麦传》，安托万·德巴克、诺尔·艾柏《帕索里尼传：安魂曲》，巴特·大卫·施瓦茨《罗西里尼的冒险》，泰格·加拉格[The Adventures Of Roberto Rossellini: HisLife and Film, Tag Gallagher]《铸就传奇：约翰·福特的生命与时光》，斯科特·埃曼《万里黄沙万里情：塞尔吉奥·莱昂内传》，克里斯托弗·弗雷林《卡赞自传》，伊利亚·卡赞[A Life, by Elia Kazan]《让·雷诺阿》，安德烈·巴赞《英格玛·伯格曼》，雅克·奥蒙《重访希区柯克》，罗宾·伍德《德莱叶的电影》，大卫·波德维尔《小津与电影诗学》，大卫·波德维尔[Ozu and the Poetics of Cinema, by David Bordwell]《爱森斯坦的电影》，大卫·波德维尔[The Cinema of Eisenstein, by David Bordwell]《弗里茨·朗的电影：视界与现代性的多重寓言》，汤姆·甘宁[The Films of Fritz Lang: Allegories of Vision and Modernity, by Tom Gunning]118:16 电影评论BFI经典电影解读系列《我生命中的电影》，弗朗索瓦·特吕弗《电影时代：宝琳·凯尔评论集》，宝琳·凯尔《美国电影：导演和导演之道，1929-1968》，安德鲁·萨里斯[The American Cinema: Directors And Directions, 1929–1968]《伟大的电影》系列，罗杰·伊伯特《电影精华：电影经典的必要性》，乔纳森·罗森鲍姆[Essential Cinema: On the Necessity of Film Canons, by Jonathan Rosenbaum]《庸俗的现代主义》，J·霍伯）[Vulgar Modernism: Writing on Movies and Other Media, by J. Hoberman]《艾吉论电影》，詹姆斯·艾吉[Agee on Film: Criticism and Comment on the Movies, by James Agee]《法伯论电影》，曼尼·法伯[Farber on Film: The Complete Film Writings of Manny Farber, by Manny Farber]《电影院与世界：二十年手册生涯》，塞尔日·达内[The Cinema House and the World: The Cahiers du Cinema Years, 1962–1981, by Serge Daney]《电影手册选集四卷本（1950-1978）》[Cahiers Du Cinéma: Volume 1-4, 1950-1978]《60风尚：中国学生周报影评十年》，罗卡编《淋漓影像馆》，李焯桃151:43 产业与制度《美国电影产业》，迪诺·巴里奥编[The American Film Industry, edited by Tino Balio]《好莱坞经济学：极端不确定性如何塑造电影产业》，阿瑟·德瓦尼[Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry, by Arthur De Vany]《国家电影制度》，刘立行《银幕自由：国家电影审查的法律挑战，1915-1981》，劳拉·威腾-凯勒[Freedom of the Screen: Legal Challenges to State FilmCensorship, 1915-1981, by Laura Wittern-Keller]《电影节的历史、理论、方法、实践》，玛莉·德·法尔克158:02 创作与技术《故事：材质、结构、风格和银幕剧作的原理》，罗伯特·麦基《电影剧本写作基础》，悉德·菲尔德《编剧》，威廉·戈德曼《表演的艺术》，斯特拉·阿德勒《电影剪辑技巧》，卡雷尔·赖兹、盖文·米勒《眨眼之间：电影剪辑的奥秘》，沃尔特·默奇《欧洲剪辑大师访谈录》，罗杰·克里滕登《电影语言的语法》，丹尼艾尔·阿里洪《摄影师手记》，内斯托·阿尔曼德洛斯《制作电影：欧洲电影摄影百年史》，欧洲电影摄影师协会《如何拍电影：夏布罗尔导演札记》，克劳德·夏布洛尔《电影风格与技术：历史与分析》，巴里·索特173:38 访谈录《希区柯克与特吕弗对话录》，弗朗索瓦·特吕弗《对话比利·怀尔德》，卡梅伦·克罗《我是奥逊·威尔斯》，彼得·博格达诺维奇《究竟谁拍的这部电影：传奇导演谈话录》，彼得·博格达诺维奇《电影的节奏是心跳：罗贝尔·布列松谈话录》，米莲娜·布列松编《异端的影像：帕索里尼访谈录》，皮埃尔·保罗·帕索里尼《樱桃的滋味：阿巴斯谈电影》，阿巴斯·基阿鲁斯达米《胡金铨武侠电影作法》，山田宏一、宇田川幸洋《后台故事1-5：编剧访谈》[Backstory 1-5: Interviews with Screenwriters]188:48 华语电影研究《中国电影发展史》，程季华、李少白、邢祖文《电的影子》，陈力[Dianying/Electric Shadows, by Jay Leyda]《华语电影工业：方法与历史的新探索》，叶月瑜编《中国电影批评史》，李道新《北影纪事》，杨远婴编《中国电影：一个制度与观念的历史》，启之《银幕艳史：都市文化与上海电影1896-1937》，张真《回望纯真年代：中国著名电影导演访谈录（1981-1993）》，罗雪莹《北京电影学院故事：第五代电影前史》，倪震《看不见的影像》，张献民《台湾电影：政治、经济、美学（1949-1994）》，卢非易《台湾电影年鉴》《跨世纪台湾电影实录1898-2000》《台湾电影百年漂流：杨德昌、侯孝贤、李安、蔡明亮》，叶月瑜、戴乐为《杨德昌的电影世界》，让-米歇尔·付东《无人是孤岛：侯孝贤的电影世界》，詹姆斯·乌登《煮海时光：侯孝贤的光影记忆》，白睿文《三十年细说从头》，李翰祥《香港电影王国：娱乐的艺术》，大卫·波德维尔《香港电影：额外的维度》，张建德《冷战与香港电影》，李培德、黄爱玲编《香港的「中国」》，傅葆石、刘辉编《国泰故事》，黄爱玲编《风起潮涌：七十年代香港电影》，吴君玉编《超前与跨越：胡金铨与张爱玲》，卓伯棠编《乘风变化：嘉禾电影研究》，蒲锋、刘嵚《溜走的激情：80年代香港电影》，家明编《香港电影工业结构及市场分析》，陈清伟《新香港电影丛书》，阿克巴·阿巴斯编《王家卫：不只是拍电影》，约翰·鲍尔斯《银河映像，难以想像》，潘国灵编《光影言语：当代华语片导演访谈录》，白睿文推荐关注：电影巨辩的轻量版：电影巨辩5min联系：邮箱：dyjb1895@foxmail.com合作：dyjb1895（添加微信说明来意）

In this episode, Alexanderia Haidara, host of Global Take has a thoughtful discussion with Juanita Ingram. She is an award-winning attorney, television producer, filmmaker, and actress. Mrs. Ingram is the hit producer of her new reality TV show, The Expat International Ingrams, featured on Amazon Prime. The show is a reality documentary series that sheds light on Mrs. Ingram's journey from corporate attorney to stay-at-home wife while living and traveling with her children in another country. The show follows her life abroad and how her family adapts to living in a new culture while dealing with everyday challenges. Juanita discusses how Black American films affect how black people throughout the African diaspora are treated abroad. We explore how the black film industry plays a role in influencing US foreign policy and promoting American democracy abroad. Do the images of Black Americans on television shows and movies affect how Asians view and treat black people in their own countries? Join our discussion online with Global Take! Bio: Juanita, the President, Founder, and Executive Producer of PURPOSE Productions, is originally from Chattanooga, Tennessee, where she received her Bachelor's Degree in Accounting from Tennessee State University. Juanita received her MBA and Juris Doctorate degrees from the University of Memphis. She is a member of Delta Sigma Theta Sorority, Inc., The Links Incorporated Circle City Chapter, and the American Bar Association. Not to forget she is a loving wife and mother of two, currently residing in the United States of America.

On this episode, Cyrus is joined by the great Kabir Bedi, renowned international actor, and now also an author. Kabir and Cyrus talks about Kabir's mesmerising new book 'Stories I Must Tell: The Emotional Life on an Actor', the kinds of stories he writes about in the book, working on the show 'The Bold and The Beautiful', about having such a unique and recognisable voice, being Knighted by the Italian Republic, working in Italian films and how Kabir learnt Italian, and lots more. Kabir also talk about working in films and TV in America, England and Italy, Cyrus and Kabir being on a boat in Macau together back in the day, and more. Kabir also regales us with memories of shooting for the James Bond film Octopussy with Roger Moore, shooting the climax fight in the movie in three continents.Tune in for an amazing conversation.Check out Kabir's book: https://www.amazon.in/dp/9390679400/ref=cm_sw_r_wa_apa_glt_fabc_G9WEW7TEN5NG21ZJH48EFollow Kabir on Instagram: https://instagram.com/ikabirbedi and https://twitter.com/iKabirBediAlso, subscribe to Cyrus' YouTube channel: https://youtube.com/channel/UCHAb9jLYk0TwkWsCxom4q8AYou can follow Antariksh on Instagram @antariksht: https://instagram.com/antarikshtDo send in AMA questions for Cyrus by tweeting them to @cyrussaysin or e-mailing them at whatcyrussays@gmail.comDon't forget to follow Cyrus Broacha on Instagram @BoredBroacha (https://www.instagram.com/boredbroacha )In case you're late to the party and want to catch up on previous episodes of Cyrus Says you can do so at: www.ivmpodcasts.com/cyrussaysYou can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/androidor iOS: https://ivm.today/ios

Author and historian Adam Selzer talks to WGN Radio’s Dave Plier about how Chicago invented the US film industry at the turn of the 20th century, stories about Thomas Edison, Essanay Studios, Charlie Chaplin and more with their timeless book ‘Flickering Empire’.

On this episode, I am joined by Jefferey Norris from the "Chuck Goes 2 the Movies" podcast, and we sit down to talk through the history of the American Film Industry. From the earliest stop motion animation to the blockbusters we enjoy today, movies have been a part of our culture and lives on a nearly daily basis. We discuss the eras of film and how porn influenced the direction of the industry. Grab a glass and join us for some fun! Sources: http://www.historyoffilm.net/movie-eras/history-of-cinema/ https://www.sothetheorygoes.com/the-evolution-of-cinema/ https://screenrant.com/golden-age-movies-worth-watching-today/ https://www.jstor.org/stable/1026142 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On this week’s 51%, the CEO of a Planned Parenthood in New York says the COVID-19 pandemic brought out more protestors, and female film students want a more accessible path to directing. Planned Parenthood of Greater New York, like other health services organizations, responded to the COVID-19 pandemic by relying more on telehealth. Planned Parenthood […]

Pre-code Hollywood was the brief time in the American Film Industry when the motion picture production code was not being enforced. Wes explores how the films of this time period have influenced modern TV and film. A few of the films Wes discusses in this episode are "The Public Enemy" (1931), "Safe in Hell" (1931), and "It Happened One Night" (1934). He also talks about the career of Warren William, who was an actor known as "The King of Pre-Code".If you have any questions or have a topic you would like to be covered on a future episode, please email us at thebasementdiariespodcast@gmail.com, we'd love to hear from you! Stay tuned for The Basement Diaries on Tuesday, May 7th. and the next Checking in with Wes on May 17th. You can catch up on past episodes at thebasementdiariespod.com. Thanks for listening!

This stand-alone podcast covers stardom, fandom, and horror film reboots. Episode Notes: Heffernan, Kevin. “Risen from the Vaults: Recent Horror Film Remakes and the American Film Industry.” In Merchants of Menace: The Business of Horror Cinema, edited by Richard Nowell. Bloomsbury Academic, 2014. Jowett, Lorna, and Stacey Abbott. TV Horror: Investigating the Dark Side of the Small Screen. I. B. Tauris, 2013. Kiefer-Newman, Katherine. “Agent of Change: A Multiplicity of Female Tricksters in Two Decades (1990S and early 2000S to 2010) of Postmodern American Movies,” n.d. Landay, Lori Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture. University of Pennsylvania Press, 1998. Larsen, Karen, and Lynn Zubernis. Fandom At The Crossroads: Celebration, Shame and Fan/Producer Relationships. Cambridge Scholars Publisher, 2011. Smith, Justin. “Vincent Price and Cult Performance: The Case of Witchfinder General.” In Cult Film Stardom: Offbeat Attractions and Processes of Cultification, edited by Kate Egan and Sarah Thomas. Palgrave Macmillan UK, 2013. Williams, Linda. “Film Bodies: Gender, Genre, and Excess.” In Film Genre Reader III, edited by Barry Keith Grant. University of Texas Press, 2003.

On this episode of the Split Screen Podcast, host Shah Shahid is joined by James Amatuzio to discuss all the Nominees of the upcoming 90th Academy Awards. SHOW NOTES: James and Shah play a version of screw, marry, kill, as they outline who they want to win, who is most deserving, and who will end up winning the awards, in each of the major categories. The Academy of Motion Pictures & Arts is the highest award to be won in the American Film Industry, or Hollywood. [ https://en.wikipedia.org/wiki/Academy_Awards ] The full list of nominees for the 90th Oscars can be found here: [ http://oscar.go.com/nominees ] The detailed categories discussed on today's episode are: Actor In A Leading Role. Actress In A Leading Role. Supporting Actor In A Leading Role. Supporting Actress In A Leading Role Director Picture Original Screenplay Adapted Screenplay. Shah introduces a conspiracy theory regarding the Best Actor nominees. Shah wants 'The Shape Of Water' to win everything! Shah's Movie Review of Oscar nominated 'Get Out': [ http://blankpagebeatdown.com/movie-review-get-out-2017-an-unexpected-thriller-that-keeps-you-guessing-until-the-end/ ] Shah’s Movie Review of the Oscar nominated ‘Coco’: [ http://blankpagebeatdown.com/movie-review-coco-2017/ ] Shah’s Movie Review of the Oscar nominated ‘Baby Driver’: [ http://blankpagebeatdown.com/movie-review-baby-driver-2017-edgar-wrights-magnum-opus-to-epic-storytelling/ ] Shah’s Movie Review of the Oscar nominated ‘Blade Runner 2049’: [ http://blankpagebeatdown.com/blade-runner-2049-2017-movie-review-elevating-the-sci-fi-genre-with-philosophical-ideaologies/ ] CONTACT INFO: James' Twitter: @jamatuzi [ https://twitter.com/jamatuzi ] Follow the Podcast on Twitter: [@splitscreen_pod](https://twitter.com/splitscreen_pod) Follow Shah Shahid on Twitter: @theshahshahid [ https://twitter.com/theshahshahid ] Like Us On Facebook: Blank Page Beatdown [ https://www.facebook.com/blankpagebeatdown/ ] Want to be a guest on the show? Or for any other inquiries e-mail Shah: shah@blankpagebeatdown.com WHERE TO LISTEN TO THE SHOW: Apple Podcasts: [ https://itunes.apple.com/us/podcast/split-screen-podcast/id1056295660?mt=2&at=1001lbaw ] Stitcher: [ http://www.stitcher.com/podcast/split-screen-podcast ] Cast Box: [ https://castbox.fm/channel/Split-Screen-Podcast-id1157098?country=us ] Google Play Music:[ https://play.google.com/music/listen#/ps/I2vyhoadr45j64iaswnp4mqmeiu ] Tune In: [ http://tunein.com/radio/Split-Screen-Podcast-p887032/ ] Radio Public: [ https://play.radiopublic.com/split-screen-podcast-GZ1QJX ] #Oscars #AcademyAwards #SplitScreenPodcast #Oscars90 #90Oscars #BestActor #BestPicture #GaryOldman #JamesFranco #SallyHawkins #Dunkirk #ChristopherNolan #BabyDriver #EdgarWright #CallMeByYourName #LadyBird #GetOut #JordanPeele #TheDisasterArtist #TheBigSick #Logan #TheShapeOfWater #GuillermoDelToro

Today we talk about Foreign Films and why we think the American Film Industry is lacking some of the soul of Foreign Film markets, as well as talk about some of our favourite foreign films. See acast.com/privacy for privacy and opt-out information.

On this week's 51%, the CEO of a Planned Parenthood in New York says the COVID-19 pandemic brought out more protestors, and female film students want a more accessible path to directing. Planned Parenthood of Greater New York, like other health services organizations, responded to the COVID-19 pandemic by relying more on telehealth. Planned Parenthood was deemed an essential service and has remained open throughout for in-person visits. New York has been reopening in different regions in phases. We spoke with President and CEO Laura McQuade, about the pandemic, abortion access, and protests outside its centers. This interview was recorded before protests over the death of George Floyd in Minneapolis. From #OscarsSoWhite to #MeToo, the American film industry has been struggling to demonstrate its commitment to equality. The latest study from the Annenberg Inclusion Initiative showed, male directors outnumbered women 20 to 1 in the top-grossing films of the last 13 years. At the University of Southern California, which is one of the nation's premier film schools, one student production is making waves. Cate Young has more. Principal photography on "Spit It Out, Margo!" wrapped before LA's lockdown began. With post-production happening remotely, the fate of Ella's film is still up in the air. That's our show for this week. Thanks to Tina Renick for production assistance. Our executive producer is Dr. Alan Chartock. Our theme music is Glow in the Dark by Kevin Bartlett. This show is a national production of Northeast Public Radio. If you'd like to hear this show again, sign up for our podcast, or visit the 51% archives on our web site at wamc.org. And follow us on Twitter @51PercentRadio This week's show is #1612.