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It's Part One of our Way Too Early 2025-26 Oscars Predictions Special, or Guarantees Special as we should have called it. Screenplays, VFX, Sound, Score, Song, the Shorts, yes - The Shorts, Make-up & Hairstyling, plus Lead Actor and Actress are all discussed. Original Screenplay reveals films where we're heavy + where Vegas leans - 3:07 Adapted Screenplay includes former winners, noms + a UFC champ - 11:37 VFX w/ Avatar & F1 + sentimental favorites & trailers that look good to us - 18:00 Sound Design w/ F1 as the favorite + other blockbusters - 23:00 Original Score has a murderers row of legendary contenders - 25:22 Original Song includes multiples by two films + the Diane Warren rule - 28:48 Documentary Short included the most research ever - 31:48 Animated Short included the least research ever - 35:09 Live Action Short is as clear a vision into the future as we've ever had - 36:44 Make-up & Hairstyling where we share 4 noms, but talk honorable mentions more - 39:26 Lead Actor has huge stars and irrational confidence levels from us in our picks - 41:05 Lead Actress - 47:07 OUTRO - 55:00 - Make sure to go back to the rest of our Oscars Year In Preview Series. We have specials to preview each section of the calendar, plus a Sundance review and a Cannes preview. Also stay locked on our feed for Part Two, where we'll predict the Supportings, Director, Casting, Best Picture and the rest of the 24 Oscar categories. And as always, let us know your thoughts, comments, questions, concerns, and your predictions via our socials. https://linktr.ee/mikemikeandoscar
In this episode we discuss our picks for the major Oscar categories such as Adapted Screenplay, Original Screenplay, Supporting Actor, Supporting Actress, Director, Best Actor, Best Actress, and Best Picture. We debate potential winners, personal favorites, and possible surprises, analyzing performances from movies like ‘Anora', 'The Brutalist', 'A Complete Unknown', and more.
After a brief discussion about plane crashes and measles outbreaks, Asif and Ali preview the upcoming 97th annual Academy Awards. taking place on March 2, 2025 (no medical topic this episode). After discussing the amazing score for ‘Conclave', the guys go over their Oscar picks in the following categories: Original and Adapted Screenplay, Best Director, Best Supporting Actress, Best Supporting Actor, Best Actress, Best Actor and Best Picture. In the course of their conversation they also go into detail on the controversies regarding the film ‘Emilia Perez'. The opinions expressed are those of the hosts, and do not reflect those of any other organizations. This podcast and website represents the opinions of the hosts. The content here should not be taken as medical advice. The content here is for entertainment and informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions. Music courtesy of Wataboi and 8er41 from Pixabay Contact us at doctorvcomedian@gmail.com Follow us on Social media: Twitter: @doctorvcomedian Instagram: doctorvcomedian Show Notes: 'Emilia Pérez' is winning awards. Why is it causing controversy, too? https://www.today.com/popculture/movies/emilia-perez-controversy-explained-rcna186937 Journalist Who Uncovered Karla Sofía Gascón's Racist Tweets Explains Why She Looked for Them: ‘I'm Not a Studio Plant': https://variety.com/2025/film/awards/journalist-sarah-hagi-discovered-karla-sofia-gascon-tweets-1236293396/
SMFM2016500期节目的时候，有听友许愿想听五个人聚齐聊奥斯卡，你看，这不就来了么（央视主持范儿）。这期我们聊了聊10部提名奥斯卡最佳影片的作品，也顺便给大家推荐了几部，我们认为更值得的作品。我们吵了个痛快，也希望大家听个开心~04:05 今年的奥斯卡提名综述10:30 《艾米莉亚·佩雷斯》36:24 《魔法坏女巫》42:33 《粗野派》1:29:18 《无名小辈》1:37:23 《秘密会议》1:56:55 《阿诺拉》2:36:57 《沙丘2》2:39:52 《某种物质》2:45:39 《我仍在此 》2:49:33 《五分钱男孩》2:54:25 虽然没入围最佳影片，但是我们更推荐它们3:03:08 大家的一些预测「什么电苔」出了全新付费专辑《有什么好笑的？》，大家可以直接选择点击如下链接购买完整专辑，收听所有后续更新，https://www.xiaoyuzhoufm.com/podcast-topic/673ac195f373fe5d4d1f7d2f开头bgm：Dreaming by Blondie《阿诺拉》插曲结尾bgm：El Mal by Zoe Saldana/Karla Sofia Gascon/Camille 《艾米莉亚·佩雷斯》想做嘉宾，联系我们：whatfmmovie@163.com孔老师微博@做着学生的孔老师王老师微博@浩浩很含蓄什么电台官方微博@什么电苔某老师B站：什么电苔孔老师 本期阵容：什么电苔 全体主播第97届奥斯卡完整入围名单最佳男主角● 阿德里安·布洛迪 – 《粗野派》● 提莫西·夏勒梅 – 《无名小辈》● 科尔曼·多明戈 – 《监狱剧院》● 拉尔夫·费因斯 – 《秘密会议》● 塞巴斯蒂安·斯坦 – 《飞黄腾达》最佳男配角● 尤里·鲍里索夫 – 《阿诺拉》● 基兰·库利金 – 《真正的痛苦》● 爱德华·诺顿 – 《无名小辈》● 盖伊·皮尔斯 – 《粗野派》● 杰里米·斯特朗 – 《飞黄腾达》最佳女主角● 辛西娅·艾莉沃 – 《魔法坏女巫》● 卡拉·索菲亚·加斯孔 – 《埃米莉亚·佩雷斯》● 米基·麦迪逊 – 《阿诺拉》● 黛米·摩尔 – 《某种物质》● 费尔南达·托雷斯 – 《我仍在此》最佳女配角● 莫妮卡·巴巴罗 – 《无名小辈》● 阿丽安娜·格兰德 – 《魔法坏女巫》● 费莉西蒂·琼斯 – 《粗野派》● 伊莎贝拉·罗西里尼 – 《秘密会议》● 佐伊·索尔达娜 – 《埃米莉亚·佩雷斯》最佳动画长片 ● 《猫的奇幻漂流》 – Gints Zilbalodis, Matīss Kaža, Ron Dyens 和 Gregory Zalcman● 《头脑特工队2》 – Kelsey Mann 和 Mark Nielsen● 《蜗牛的回忆》 – Adam Elliot 和 Liz Kearney●《超级无敌掌门狗：企鹅的复仇》 – Nick Park, Merlin Crossingham 和 Richard Beek● 《荒野机器人》 – Chris Sanders 和 Jeff Hermann最佳动画短片● 《毛发再生的男人》 – Nicolas Keppens 和 Brecht Van Elslande● 《柏树树荫下》 – Shirin Sohani 和 Hossein Molayemi● 《魔糖》 – Daisuke Nishio 和 Takashi Washio● 《漫步至仙境》 – Nina Gantz 和 Stienette Bosklopper● 《噫！》 – Loïc Espuche 和 Juliette Marquet最佳摄影● 《粗野派》 – Lol Crawley● 《沙丘2》 – Greig Fraser● 《埃米莉亚·佩雷斯》 – Paul Guilhaume● 《玛丽亚·》 – Ed Lachman● 《诺斯费拉图》 – Jarin Blaschke最佳服装设计● 《无名小辈》 – Arianne Phillips● 《秘密会议》 – Lisy Christl● 《角斗士2》 – Janty Yates 和 Dave Crossman● 《诺斯费拉图》 – Linda Muir● 《魔法坏女巫》 – Paul Tazewell最佳导演● 《阿诺拉》 – Sean Baker● 《粗野派》 – Brady Corbet● 《无名小辈》 – James Mangold● 《埃米莉亚·佩雷斯》 – Jacques Audiard● 《某种物质》 – Coralie Fargeat最佳纪录片长片● 《黑箱日记》 – Shiori Ito, Eric Nyari 和 Hanna Aqvilin● 《唯一的家园》 – Basel Adra, Rachel Szor, Hamdan Ballal 和 Yuval Abraham● 《瓷器战争》 – Brendan Bellomo, Slava Leontyev, Aniela Sidorska 和 Paula DuPre’ Pesmen● 《政变的配乐》 – Johan Grimonprez, Daan Milius 和 Rémi Grellety● 《甘蔗》 – Julian Brave NoiseCat, Emily Kassie 和 Kellen Quinn最佳纪录片短片● 《死亡数字》 – Kim A. Snyder 和 Janique L. Robillard● 《我准备好了，典狱长》 – Smriti Mundhra 和 Maya Gnyp● 《事件》 – Bill Morrison 和 Jamie Kalven● 《心跳的仪器》 – Ema Ryan Yamazaki 和 Eric Nyari● 《 爱乐唯她：纽约爱乐首位女团员》 – Molly O'Brien 和 Lisa Remington最佳剪辑● 《阿诺拉》 – Sean Baker● 《粗野派》 – David Jancso● 《秘密会议》 – Nick Emerson● 《埃米莉亚·佩雷斯》 – Juliette Welfling● 《魔法坏女巫》 – Myron Kerstein最佳国际影片● 巴西 – 《我仍在此》● 丹麦 – 《拿针的女孩》● 法国 – 《埃米莉亚·佩雷斯》● 德国 – 《神圣无花果之种》● 拉脱维亚 – 《猫的奇幻漂流》最佳化妆与发型设计● 《不同的男人》 – Mike Marino, David Presto 和 Crystal Jurado● 《埃米莉亚·佩雷斯》 – Julia Floch Carbonel, Emmanuel Janvier 和 Jean-Christophe Spadaccini● 《诺斯费拉图》 – David White, Traci Loader 和 Suzanne Stokes-Munton● 《某种物质》 – Pierre-Olivier Persin, Stéphanie Guillon 和 Marilyne Scarselli● 《魔法坏女巫》 – Frances Hannon, Laura Blount 和 Sarah Nuth最佳原创音乐● 《粗野派》 – Daniel Blumberg● 《秘密会议》 – Volker Bertelmann● 《埃米莉亚·佩雷斯》 – Clément Ducol 和 Camille● 《魔法坏女巫》 – John Powell 和 Stephen Schwartz● 《荒野机器人》 – Kris Bowers最佳原创歌曲● 《El Mal》 – 选自《埃米莉亚·佩雷斯》；音乐：Clément Ducol 和 Camille；歌词：Clément Ducol, Camille 和 Jacques Audiard● 《The Journey》 – 选自《六三八》；音乐和歌词：Diane Warren● 《Like A Bird》 – 选自《监狱剧院》；音乐和歌词：Abraham Alexander 和 Adrian Quesada● 《Mi Camino》 – 选自《埃米莉亚·佩雷斯》；音乐和歌词：Camille 和 Clément Ducol● 《Never Too Late》 – 选自《埃尔顿·约翰：永不嫌晚》；音乐和歌词：埃尔顿·约翰, Brandi Carlile, Andrew Watt 和 Bernie Taupin最佳影片● 《阿诺拉》 – Alex Coco, Samantha Quan 和 Sean Baker, 制片人● 《粗野派》 – 提名待定● 《无名小辈》 – Fred Berger, James Mangold 和 Alex Heineman, 制片人● 《秘密会议》 – Tessa Ross, Juliette Howell 和 Michael A. Jackman, 制片人● 《沙丘2》 – Mary Parent, Cale Boyter, Tanya Lapointe 和 Denis Villeneuve, 制片人● 《埃米莉亚·佩雷斯》 – 提名待定● 《我仍在此》 – 提名待定● 《五分钱男孩》 – 提名待定● 《某种物质》 – 提名待定● 《魔法坏女巫》 – Marc Platt, 制片人最佳美术指导● 《粗野派》 – 美术指导：Judy Becker；布景装饰：Patricia Cuccia● 《秘密会议》 – 美术指导：Suzie Davies；布景装饰：Cynthia Sleiter● 《沙丘2》 – 美术指导：Patrice Vermette；布景装饰：Shane Vieau● 《诺斯费拉图》 – 美术指导：Craig L；布景装饰： Beatrice Brentnerová● 《魔法坏女巫》- 美术指导：Nathan Crowley; 布景装饰: Lee Sandales最佳真人短片●一个外星人 – Sam Cutler-Kreutz 和 David Cutler-Kreutz●阿努贾 – Adam J. Graves 和 Suchitra Mattai●我不是机器人 – Victoria Warmerdam 和 Trent● 最后的游骑兵 – Cindy Lee 和 Darwin Shaw● 无法沉默的人 – Nebojša Slijepčević 和 Danijel Pek最佳音效● 无名小辈 – Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey 和 David Giammarco● 沙丘2 – Gareth John, Richard King, Ron Bartlett 和 Doug Hemphill● 埃米利亚·佩雷斯 – Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz 和 Niels Barletta● 魔法坏女巫 – Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson 和 John Marquis● 野生机器人 – Randy Thom, Brian Chumney, Gary A. Rizzo 和 Leff Lefferts最佳视觉效果● 异形：罗慕路斯 – Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin 和 Shane Mahan● 更好的人 – Luke Millar, David Clayton, Keith Herft 和 Peter Stubbs● 沙丘2 – Paul Lambert, Stephen James, Rhys Salcombe 和 Gerd Nefzer● 猩球王国 – Erik Winquist, Stephen Unterfranz, Paul Story 和 Rodney Burke● 魔法坏女巫 – Pablo Helman, Jonathan Fawkner, David Shirk 和 Paul Corbould最佳改编剧本（Writing – Adapted Screenplay）● 无名小辈 – 编剧：James Mangold 和 Jay Cocks● 秘密会议 – 编剧：Peter Straughan● 埃米利亚·佩雷斯 – 编剧：Jacques Audiard；与 Thomas Bidegain, Léa Mysius 和 Nicolas Livecchi 合作● 五分钱男孩 – 编剧：RaMell Ross & Joslyn Barnes● 监狱剧院 – 编剧：Clint Bentley, Greg Kwedar；故事：Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield最佳原创剧本● 阿诺拉 – 编剧：Sean Baker● 粗野派 – 编剧：Brady Corbet, Mona Fastvold● 真正的痛苦 – 编剧：Jesse Eisenberg● 九月五日 – 编剧：Moritz Binder, Tim Fehlbaum；联合编剧：Alex David● 某种物质 – 编剧：Coralie Fargeat
Join hosts Matt Diaz and Ernesto Santos as we dive into ALL 23 Oscar nominations and give you our predictions on who we think should and will win the top honors at the 97th Academy Awards.Time Stamps:Awards Recap: (00:08:19)Animated Short Film: (00:15:26)Live Action Short Film: (00:18:26)Documentary Short Film: (00:22:03)Visual Effects: (00:25:07)Editing: (00:35:38)Production Design: (00:38:44)Cinematography: (00:41:10)Costume Design: (00:44:51)Makeup and Hairstyling: (00:46:47)Sound: (00:53:11)Original Song: (00:54:44)Original Score: (01:00:25)Documentary: (01:03:32)International Film: (01:06:58)Animated Film: (01:09:15)Adapted Screenplay: (01:12:20)Original Screenplay: (01:17:44)Supporting Actor: (01:20:25)Supporting Actress: (01:22:29)Lead Actor: (01:26:43)Lead Actress: (01:29:51)Directing: (01:33:45)Best Picture: (01:37:26)
Here's to the final installment in this year's Oscar Contenders series, when Nick and Sophia discuss each nominee in the final four above-the-line categories. They share their write-in votes along with some fun facts for: Adapted Screenplay, Original Screenplay (11:08), Director (20:26), and last but not least, Best Picture (26:49). Less than one week until the Oscars ceremony! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMore content including updated predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich
We are well into awards season now, so before the Academy Awards hit on 3rd March, we go on the record with each of our predictions for the big event.We predict every single award....yes, even the ones nobody cares about! We've even made it into a little game to see who comes out on top. Play along at home, see how you do!In case you want to skip to the awards you care about, below is quick chapter guide.2:37 - Unveil the ale3:20 - Adapted Screenplay, Original Screenplay7:50 - Original song, original score13:20 - International, Animated and Documentary feature20:30 - Costume Design, make-up, production design26:30 - Sound, Editing, Cinematography, Visual Effects35:25 - Live action, animated & documentary short38:30 - Director43:05 - Supporting Actress & Actor50:10 - Actress & Actor56:12 - Best PictureYou can read our reviews of other movies on Letterboxd - Look for CarlMTN and SiMTNFollow us on BlueskyFollow us on FacebookFollow us InstagramFollow us on TwitterSubscribe to our YouTube ChannelLet us know what you think: hello@mtnpod.com
Ep. 297: RaMell Ross on Nickel Boys Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. One of the great films of 2024 and now nominated for Best Picture and Adapted Screenplay, Nickel Boys is the fiction feature debut of RaMell Ross, who adapted Colson Whitehead's novel with Joslyn Barnes, after previously directing the Oscar-nominated Hale County This Morning, This Evening. I was lucky enough to speak with Ross about making the movie, especially crafting the form, screenwriting, representations of race, what he brought from documentary filmmaking, casting, and some of his influences. Ross and his DP Jomo Fray use an innovative mix of extended first-person camerawork to tell the stories of two boys, Elwood (Ethan Herisse) and Turner (Brandon Wilson), in a Jim Crow-era reform school in Florida that's essentially a prison, including additional impressionistic glimpses of the world through archival video and film. (Aunjanue Ellis-Taylor co-stars as Elwood's grandmother, Hattie.) (Note: this interview was recorded earlier.) Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Recorded - 1/11/2025 On Episode 304 of the Almost Sideways Movie Podcast, we dive into the upcoming Oscar nomination announcement and what we expect to see on nomination morning. What are locks to be nominated? What are potential shockers and snubs? We also review 2 new movies to hit theaters wide this week. Here are the highlights: What We've Been Watching (9:45) Todd Indie Screener Review: "Good One" (12:20) Todd Indie Screener Review: "Flow" (15:45) Terry Oscar Anniversary Review: "12 Monkeys" (21:45) Featured Review: "Better Man" (34:50) Featured Review: "The Last Showgirl" OSCAR NOMINATION PREVIEW & PREDICTIONS (48:45) Adapted Screenplay & Original Screenplay (1:00:30) Supporting Actress & Supporting Actor (1:14:40) Actress & Actor (1:28:10) Director & Hot Takes (1:39:20) Picture (1:46:50) Quote of the Day Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Todd: Too Cool for Twitter Adam's Twitter: @adamsideways Apple Podcasts https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m YouTube https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
INTRO - Why we are exactly 75% accurate. Cinematography before that Golden Frog - 1:57 Costume Design & why the goths will not accept us - 4:13 Film Editing and a Mike 1 finally tells us how he really feels about Dune - 6:30 Makeup and Hairstyling and evil Donald Duck - 11:03 Production Design and the catacombs of what could have been - 13:39 Original Score and which makes the chores go the fastest - 16:15 Original Song and how Diane Warren gets in again - 19:15 Sound Design and how Dylan Goes Electric could be melodious - 21:18 Visual Effects and we shall divide the baby in twain - 22:36 International Feature and wishcasting for Ireland - 24:48 Documentary Feature and oops, we almost did it again - 29:30 Animated Feature and why it sucks that so many of these films are too good - 32:46 Supporting Actress and how our pandering to the Irish isn't working at all - 35:21 Supporting Actor and how this is the key to several other categories - 38:32 Original Screenplay and how this category is all over the place - 42:46 Adapted Screenplay and what the popcorn bucket loving world thinks - 45:08 Lead Actor and Mike 2's burger plan to watch The Brutalist- 47:40 Lead Actress and how we both believing a lot of hype right now - 53:58 Director and how drastically things have changed in this category - 59:53 Picture and the post election effect of it all - 1:04:58 Tallies to make us at least look like we can fake it as real pundits - 1:09:19 OUTRO - Let us know your thoughts & predictions, and if you like our show, please leave us some positive ratings and reviews. What's Coming Next from us is a bunch of Film Study Reviews, and some words of wisdom that'll makes your everyday life much better.
On episode 114 of The Film ‘89 Podcast, Leighton Winstone and filmmaker Kyle Reardon join Steve and Skye as they did two years ago when they celebrated the 50th anniversary of The Godfather. Now they're back to celebrate the 50th anniversary of possibly the greatest sequel ever made, The Godfather Part II. A huge critical success upon it's release, it would go on to be nominated for 11 Academy Awards, winning 6 for Best Picture, Director, Adapted Screenplay, Art Direction/Set Decoration, Original Score and Best Supporting Actor for Robert De Niro. It currently sits at No.4 on the long running IMDB Top 250 and is widely regarded as not only one of the greatest sequels ever made, but one of the greatest films period.
The 96th Academy Awards have exited the building, but we're just getting started on talking Oscars 2024! We discuss the nominees and pick our own winners, while also recapping the "actual" winners from the "actual" ceremony. Will the Cinemaholics agree with the Academy, or even (gasp) each other?! Don't change the channel if you want to find out! Our intro music this week is the opening television intro for "Sickle & Ebert: If We Picked The Winners" from March 24, 1990. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.
One of only 3 films to win the "Big Five" Oscars (Best Actor/Actress, Picture, Director, Adapted Screenplay), Silence of the Lambs was a runaway hit and brought Jodie Foster her second Oscar, and put Anthony Hopkins back into the spotlight! Nick Leshi's City of Kik blogFollow us: Instagram Facebook Watch us on YouTube!
The 94th Academy Awards capped off a huge year for Christopher Nolan's "Oppenheimer" as it won best pitcture, best director (Nolan), best actor (Cillian Murphy), best supporting actor (Robert Downey Jr.) plus three more for seven total Oscars. But two other films that were expected to be the biggest challengers fell flat, with "Barbie" and "Killers of the Flower Moon" combining for a single Oscar. In this special episode of Streamed & Screened, Bruce Miller and Terry Lipshetz break down the surprises and snubs, talk about host Jimmy Kimmel and the pacing of the show, and even take a slight glance ahead to next year. 94TH ACADEMY AWARDS WINNERS BEST PICTURE “Oppenheimer” BEST ACTRESS Emma Stone, “Poor Things” BEST ACTOR Cillian Murphy, “Oppenheimer” SUPPORTING ACTOR Robert Downey Jr., “Oppenheimer” SUPPORTING ACTRESS Da’Vine Joy Randolph, “The Holdovers” DIRECTOR Christopher Nolan, “Oppenheimer” LIVE ACTION SHORT FILM “The Wonderful Story of Henry Sugar” SOUND “The Zone of Interest,” Tarn Willers and Johnnie Burn ORIGINAL SCORE “Oppenheimer,” Ludwig Göransson ORIGINAL SONG “What Was I Made For?” from “Barbie” VISUAL EFFECTS “Godzilla Minus One” FILM EDITING “Oppenheimer,” Jennifer Lame DOCUMENTARY SHORT FILM “The Last Repair Shop” DOCUMENTARY FEATURE “20 Days in Mariupol” CINEMATOGRAPHY “Oppenheimer,” Hoyte Van Hoytema ANIMATED SHORT FILM “WAR IS OVER! Inspired by the Music of John & Yoko” ANIMATED FILM “The Boy and the Heron” ORIGINAL SCREENPLAY “Anatomy of a Fall,” Justine Triet and Arthur Harari ADAPTED SCREENPLAY “American Fiction,” Cord Jefferson MAKEUP AND HAIRSTYLING “Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston PRODUCTION DESIGN “Poor Things,” James Price, Shona Heath and Zsuzsa Mihalek COSTUME DESIGN “Poor Things,” Holly Waddington INTERNATIONAL FEATURE FILM “The Zone of Interest” (United Kingdom) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin.
Ali and Asif are back! In their return episode, the guys preview the 97th Annual Academy Awards Preview, taking place on March 10, 2024 (no medical topic this episode). The guys start off by discussing how Robbie Robertson from 'The Band' was nominated posthumously for writing the music for ‘Killers of the Flower Moon'. And they also mention how John Williams, at age 92, received his 54th academy award nomination for ‘Indiana Jones and the Dial of Destiny'. The guys then go over their Oscar picks in the following categories: Original and Adapted Screenplay, Best Director, Best Supporting Actress, Best Supporting Actor, Best Actress, Best Actor and Best Picture. The opinions expressed are those of the hosts, and do not reflect those of any other organizations. This podcast and website represents the opinions of the hosts. The content here should not be taken as medical advice. The content here is for entertainment and informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions. Music courtesy of Wataboi and 8er41 from Pixabay Contact us at doctorvcomedian@gmail.com Follow us on Social media: Twitter: @doctorvcomedian Instagram: doctorvcomedian Show Notes: Robbie Robertson earns posthumous first Oscar nomination for Killers of the Flower Moon: https://ew.com/oscars-2024-robbie-robertson-earns-posthumous-first-nomination-8548082 Legendary Composer John Williams Continues to Break His Own Oscars Record with 54th Nomination: https://people.com/oscars-2024-john-williams-breaks-his-own-record-with-54th-nomination-8548828 J.J. Abrams apologizes for overusing lens flare: 'I know it's too much': https://www.theverge.com/2013/9/30/4788758/j-j-abrams-apologizes-for-his-overusing-lens-flare How Killers Of The Flower Moon Connects To The Tulsa Massacre Highlighted In Watchmen: https://www.slashfilm.com/1423292/killers-of-the-flower-moon-tulsa-race-massacre-connection-watchmen/ Ryan Gosling Doesn't Want to Watch His Dancing Videos - The Graham Norton Show: https://www.youtube.com/watch?v=I9fUqiav_SA
It's the most wonderful time of year, and there's a lot to cover as we lead to the 96th Academy Awards. As Alex and Nick break down every Oscar nomination, stray topics include an animated film Alex loves, a truly horrific documentary, Downey's lack of humility, an extremely close Best Actress race, Kevin O'Connell as the GOAT sound mixer, the jackass of the awards season, a wide-open Adapted Screenplay category, “Anatomy of a Fall's” chances, “Oppenheimer's” potential win count, and so much more. Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send us mailbag questions at whatareyouwatchingpodcast@gmail.com
With only a few more guild ceremonies remaining and Oscar voting over, we've officially entered the final stretch before the 96th Academy Awards! On today's episode, Sophia and Nick cover the final four categories in their 2024 Contenders series, including: Adapted Screenplay, Original Screenplay (23:35), Director (37:18), and Picture (55:40). Who do you think should win in each category?Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich
Onze review van de kersverse BAFTA-winnaar voor Adapted Screenplay; het voor 5 Oscars genomineerde “American Fiction”. Enjoy!117 minuten81 metascoreTrailerIMDbRedactie: Don ZwaaneveldBedankt voor het luisteren!Volg @dononfilm op Instagram & LetterboxdWord Patron en krijg maandelijks exclusieve content!
Jeff and Rebecca helpfully wade into the Adapted Screenplay Discourse, question framing 2023 as anything other than dominance for the Big 5, peruse the National Book Critics Circle Award nominees, and more. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. For more industry news, sign up for our Today in Books daily newsletter! 2024 is the tenth year of the Read Harder Challenge! Join us as we make our way through 24 tasks meant to expand our reading horizons and diversify our TBRs. To get book recommendations for each task, sign up for the Read Harder newsletter. We'll also keep you informed about other cool reading challenges, readathons, and more across the bookish internet. If you become a paid subscriber, you get even more recommendations plus community features, where you can connect with a community of passionate, like-minded readers in a cozy and supportive corner of the internet. Visit bookriot.com/readharder to sign up. Discussed in this episode: Sign up for Better Living Through Books and the BR Pod newsletter First Edition! The Book Riot Podcast Patreon Kansas introduces anti-book ban bill Independent publishers chip away at Big Five's hold on bestseller lists NBCC awards finalists Oscar nominees are out and apparently Barbie is an adaptation Learn more about your ad choices. Visit megaphone.fm/adchoices
Mario, Tom, and Andy start by talking about their favorite moments in 2023 (1:00), before going deep into the following categories: Supporting Actress (37:45), Supporting Actor (46:45), Sound (59:00), Visual Effects (1:07:15), Costume Design (1:12:30), Hair and Makeup (1:22:00), Original Song (1:28:15), Original Score (1:45:00), Cinematography (2:02:00), Production Design (2:25:00), Editing (2:32:45), Best Actor (2:51:15), Best Actress (3:11:00), Adapted Screenplay (3:31:00), Original Screenplay (3:43:00), Director (4:04:00).
On this supersized episode of the Gold Derby Show, editors and experts Joyce Eng and Christopher Rosen make their final 2024 Oscar nominations predictions in all 23 categories. Live-action Short, Documentary Short, Animated Short (1:41) International Feature, Documentary Feature, Animated Feature (11:48) Visual Effects, Sound, Score, Song, Production Design, Makeup & Hair, Editing, Costume Design, Cinematography (18:03) Original Screenplay and Adapted Screenplay (37:34) Supporting Actor (43:52) Supporting Actress (48:06) Actor (1:02:09) Actress (1:10:31) Director (1:17:58) Picture (1:26:00) After the predictions, Joyce and Chris answer some listener emails (1:27:51) and then recap the 2024 BAFTA Awards nominations and tweak some of their "final" Oscar predictions (including Best Supporting Actress, Best Director, Best Actor) after the BAFTA results (1:41:38). Email us at slugfests@goldderby.com. Make your final Oscar picks at https://www.goldderby.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Wie jedes Jahr zu dieser Zeit gibt es wieder unsere große Top-10-Folge mit den besten Filmen des letzten Jahres, sowie den Gewinnern unserer zahlreichen Bonuskategorien! Übersicht: 0:00:00 - Frage der Woche: "Was ist der Film aus diesem Jahr, an den ihr euch am wenigsten erinnern könnt?" 0:01:21 - Die Top-10-Filme des Jahres 2023 1:22:00 - Bonuskategorien! //// ACHTUNG, SPOILER! //// // Jörn: 10. Jawan 09. Dungeons and Dragons 08. John Wick: Chapter 4 07. Suzume 06. No One Will Save You 05. Barbie 04. Evil Dead Rise 03. Baby Assassins 2 Babies 02. Spider-Man: Across the Spider-Verse 01. Broker // Patrick: 10. Still: A Michael J. Fox Movie 09. Das Lehrerzimmer 08. How to Blow Up a Pipeline 07. John Wick: Chapter 4 06. Past Lives 05. The Holdovers 04. Bottoms 03. Oppenheimer 02. Spider-Man: Across the Spider-Verse 01. Babylon // Joe Ryder: 10. War Sailor 09. Das Rehragout-Rendezvous 08. John Wick: Chapter 4 07. The Flash 06. Oppenheimer 05. Killers of the Flower Moon 04. Godzilla Minus One 03. Fast X 02. The Banshees of Inisherin 01. Barbie — Der schlechteste Film des Jahres: Meg 2: The Trench / Infinity Pool — Gute Vorsätze (bzw. Aufgaben) für das neue Jahr: Jörn: 3 animierte Filme, die weder japanisch- noch englischsprachig sind Patrick: 3 Filme in denen unerwarteterweise jemand mitspielt der in einem deiner Top 1 Filme die Hauptrolle hatte — Filme die WIR nicht verstanden haben: The Fabelmans / Rebel Moon Part 1 — Filme die DIE nicht verstanden haben: Babylon / Evil Dead Rise — Der „WTF geht hier ab?“-Film des Jahres: Beau Is Afraid / Babylon — The Ryde Person for the Wrong Job: David Lynch als John Ford in The Fabelmans / Michael Douglas in Ant-Man: Quantumania — Die Film-Asis des Jahres: Offensichtlicher Asi: Jason Momoa in Fast X / Die Männer aus Women Talking Hintenrum der Asi: Robert de Niro in Killers of the Flower Moon / Lydia Tár — Filme, die besser mit Joe in der Hauptrolle gewesen wären: Beau Is Afraid / Scream VI — Bester Film von 2022, den wir erst 2023 gesehen haben: Im Westen Nichts Neues / Dragon Ball Super Super Hero — Prognose für den besten Film 2024: Mickey 17 / Mickey 17 — Oscarprognosen: Oppenheimer bester Film / Barbie bestes Adapted Screenplay, Ryan Gosling bester Nebendarsteller, Emma Stone beste Hauptdarstellerin — Film den wir leider nicht mehr geschafft haben: Inu-Oh / Godzilla Minus One — Eine letzte Bonusempfehlung: Polite Society / Jigen Daisuke Erreichen könnt ihr uns wie immer unter www.facebook.com/rydeorwrong, https://twitter.com/RydeWrongPod, https://www.instagram.com/rydeorwrong oder per E-Mail unter rydeorwrongpodcast@gmail.com. Unser Episodenarchiv findet ihr auf https://rydeorwrong.podcaster.de. Alle Musik von Willi im Wald: http://williimwald.bandcamp.com Folge direkt herunterladen
Happy New Year! Siobhan and Marcelo celebrate by talking awards season 2023! They talk about Barbie moving to the Adapted Screenplay category before focusing on their main topic: Best Cinematography. They talk about the 2003 Oscar winner for Best Cinematography, Master and Commander: The Far Side of the World. Then they talk about their favorites of 2023. But also they talk about all this: Rebel Moon, Maestro, The Iron Claw, The Holdovers, Showing Up, Anyone But You, The Color Purple, and a whole lot more. Check out past episodes: TalkFilmSociety.com/tfspod Join our Discord for more awards talk and to get updates on everything TFS: TalkFilmSoc.com/Discord
On the first episode of THE HOT MIC in 2024, Jeff Sneider and John Rocha talk all the big entertainment news including Steven Yeun departing Marvel's Thunderbolts as Sentry over scheduling issues and if this means Thunderbolts might be in trouble. They also talk the Safdie brothers officially announcing their professional separation, The Rock's comments on his Safdie movie, BARBIE being moved to Adapted Screenplay category, the controversy over Sharmeen Obaid-Chinoy's female led Star Wars comments, John Willaims unretiring, the comical AWFJ awards categories, The First Omen and Mean Girls trailers, Jeff's Night Swim review, and more!____________________________________________________________________________________Chapters:0:00 Intro and Rundown3:27 Steven Yeun Out as Sentry, Is Marvel's Thunderbolts In Trouble?16:14 Benny Sadie Reveals That The Sadie Brothers Have Split Up20:28 The Rock Talks Working with Benny Safdie and NOT Leaving 4 Quadrant Films24:15 Jenna Ortega to Possibly Star in Taika Waititi's Next Film30:55 Sharmeen Obaid-Chinoy's Star Wars Comments Piss Off a Bunch of Weak Ass Men38:09 BREAKING NEWS: Carrie Coon to Star In The Lotus Season 3 on MAX42:40 Streamlabs and Superchat Questions53:30 David Ayer Says He's Done Trying to Get His Cut of Suicide Squad Film Released56:52 Margot Robbie's Harley Quinn Comments, Who Should Play Harley Next?1:04:00 BARBIE Is Only in Consideration for Best Adapted Screenplay for the Oscars1:07:45 Vili Fualaau Criticizes May December Movie and He Was Not Consulted1:11:45 Golden Globes Predictions, Jeff's Hatred of the Golden Globes1:18:38 ALLIANCE OF WOMAN FILM JOURNALISTS Releases Some Anti-Feminist Awards1:24:40 Streamlabs and Superchat Questions1:31:33 The First Omen, Death and Other Details Trailer Reactions1:34:47 Steven Yeun Set to Star in Lee Isaac Chung's Next Movie1:35:40 Ke HUy Quan to Lead a New Action Film from 87North1:37:55 Final Streamlabs and Superchat QuestionsFollow John Rocha: https://twitter.com/TheRochaSaysFollow Jeff Sneider: https://twitter.com/TheInSneiderThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5632767/advertisement
On episode 197 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Zach Laws, and Josh Parham to discuss their 2024 pre-Fall festival Oscar predictions. In less than three weeks, the Fall film festivals will be in full swing around the globe, as dozens and dozens of films premiere with great optimism that they will have what it takes to carry over in the award season conversation. While we know most of the film festival lineups and where everything will be playing, no one can predict at this exact moment in time what the nominations and winners will be come March 2024. With this in mind, we are at the start of a brand new Oscar season, thus the AW team has come together to give their first podcast Oscar predictions before the world premieres at the Venice, Telluride, and Toronto Film Festivals. Erik has been covering the monthly Oscar predictions on the site, but these predictions are the first chance for Ryan, Josh, and Zach to talk with Erik as a group and see where everyone is right now, who are the early frontrunners, and which films have what it takes to make it all the way to Hollywood's biggest night. Their conversation covered the Best Picture category, as well as Best Director, both Original and Adapted Screenplay, and all four of the acting categories. Among the several films that were highlighted the most in the team's conversation include Oppenheimer, Killers of the Flower Moon, The Zone of Interest, Barbie, Past Lives, The Holdovers, Dune Part Two, Maestro, May December, Anatomy of a Fall, Air, Saltburn, The Killer, Ferrari, Nyad, Priscilla, The Iron Claw and Poor Things, with a hand full of other titles like Asteroid City, Dumb Money, Spider-Man: Across the Spiderverse, The Color Purple, Long Day's Journey into Night and Rustin also getting some consideration.It was a detailed, exciting podcast that we hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h16m.We will be back next week to preview the 2023 Telluride Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Movie fans Dennis and Broderick reimagine the Oscars as economic development awards. They ask the questions are You and Your Organization Oscar Worthy? Entering the annual IEDC awards is a great way to measure your organization against your peers. Plus Broderick and Dennis reveal their favorite movies and which Marvel character they would be! Production design – Your Image Everyone, every business, and every organization has an image Do you know what your image is? Cinematography – Visual Impact Branding, photography and graphics, website Is your website up to date? Editing - Being Concise Distilling down your accomplishments Annual report Original Screenplay, Adapted Screenplay, Original Score, Costume Design, Makeup and Hairstyling, Sound Mixing, Sound Editing- Your Story Your personal brand and your organization's brand How are you telling your story? Are you telling your story? If you don't tell your story someone else will Selling blue sky Directing – The Board How did the board perform? Board self-assessment Board performance is tied to the CEO Onboarding process Supporting actor – Your team Do you have the right team and the people in the right seats? The work is easy….people are hard Actor- You How was your performance? Did you reach your goals? Best Picture – Your body of Work and Achievements How did you and your organization do? Did you have one major accomplishment or several smaller ones? Do people gravitate toward your organization? Entering the IEDC awards is an excellent way to measure your organization The Oscars
Youtube video: https://youtu.be/jL2UfD-2pbc Submit a topic/question: https://forms.gle/yGfYKbmJDRLvdbGm9 In this episode, Jake goes over the Oscar Nominations. He explains who he wants to win and why. What did you think of the nominations? Send feedback to us by: 1. Commenting on the YouTube video 2. Sending a voicemail: https://anchor.fm/movietalkwithjandc 3. Sending an email: movietalkcandj@gmail.com Timecodes: 00:00 Intro 01:31 Original Song 02:21 Short Subject Documentary 03:18 Live Action Short Film 04:02 Animated Short Film 04:55 Original Screenplay 06:54 Adapted Screenplay 08:38 Production Design 09:35 Makeup and Hairstyling 10:25 Costume Design 11:46 Sound Design 13:19 Original Score 14:48 Visual Effects 15:45 Cinematography 17:15 Editing 18:37 Directing 20:20 Supporting Actress 23:14 Supporting Actor 24:35 Best Actress 28:03 Best Actor 29:30 International Feature 30:49 Documentary 31:22 Animated Feature 31:56 Best Picture 34:22 Outro Intro/outro music: https://www.bensound.com --- Send in a voice message: https://anchor.fm/movietalkwithjandc/message
We are days away from the 95th Academy Awards and it's finally time for our last episode before the Big Night! Here to share all of her insight with Nick and Sophia is returning guest and Gold Derby Senior Editor, Joyce Eng. They break down the 23 categories into three groups. First is 'In The Bag,' which includes the most predictable winners of the night, from Visual Effects to International Feature. Then in Toss Up, things get a bit dicier with categories like Adapted Screenplay, Original Score, and Makeup and Hairstyling (34:06). Finally, in Anybody's Guess (59:51), they debate the most contentious categories, including Actress, Actor, and all of the shorts! Share your predictions with us and then tune in for the Oscars this Sunday on ABC at 3:30 p.m. PT/6:30 p.m. ET for red carpet coverage before the ceremony at 5 PT/8 ET.Follow Joyce Eng on Twitter @joyceeng61Follow us on Twitter and Instagram @oscarwildpod with more content and up-to-date predictions @ oscarwild.squarespace.comFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan Adamich
For the final (!) episode in their Oscar Contenders series, Sophia and Nick are joined by friend of the pod and master pundit of AwardsWatch, Erik Anderson, to break down the last four above-the-line Oscar categories. They navigate the trenches of Adapted Screenplay before traveling the symphonic multiverses in Original Screenplay (23:35), which correlate exactly with the nominees in Best Director (44:24). Last but not least comes Best Picture, where they share their emotional journeys through the year of film in 2022 and what they think of this group of contenders (1:10:08). As always, find out what they think should win for each category and what their write-in votes would be.Follow Erik Anderson @ awardswatch.com, on Instagram @awardwatch & on Twitter @awards_watchFollow us on Twitter and Instagram @oscarwildpod with more content @ oscarwild.squarespace.comFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan Adamich
Recorded - 3/5/2023 On Episode 213 of the Almost Sideways Movie Podcast, we went LIVE on YouTube to give our final Oscar preview while also revealing the winners of the major categories of the Almost Sideways Awards. Be sure to tune in live to our YouTube channel immediately following the Oscar ceremony on Sunday, March 12th for our reaction show (with audio posted to the podcast later). Also sign up for our 15th annual Oscar Challenge (link below and at almostsideways.com). Here are the highlights: (7:00) Animated Film (12:35) International Film (17:30) Documentary (24:00) Original Score (29:15) Original Song (36:00) Makeup/Hairstyling (42:10) Visual Effects (46:15) Editing (54:30) Sound (1:00:20) Costume Design (1:07:20) Production Design (1:14:45) Cinematography (1:21:25) Adapted Screenplay (1:29:00) Adapted Screenplay: A.S. WINNER (1:36:30) Original Screenplay (1:41:30) Original Screenplay: A.S. WINNER (1:47:45) Supporting Actress (1:59:25) Supporting Actress: A.S. WINNER (2:05:10) Supporting Actor (2:12:05) Supporting Actor: A.S. WINNER (2:15:00) Actress (2:24:00) Actress: A.S. WINNER (2:28:50) Actor (2:37:45) Actor: A.S. WINNER (2:44:35) Director (2:49:40) Director: A.S. WINNER (2:55:40) Picture (3:07:30) Quote of the Day REGISTER FOR THE 15TH ANNUAL ALMOST SIDEWAYS OSCAR CHALLENGE!!! https://forms.gle/o31hK5RzE8rdVeKKA YouTube https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Geek Girl Soup is your source for the latest news on the Spirit Awards and the Oscars! Join hosts Susan, Kelly, and Cort as we recap the Spirit Awards and make predictions for next week's Academy Awards. We discuss all-things-“Everything Everywhere All at Once” and celebrate Stephanie Hsu's first individual win! We're thrilled that “Women Talking” won the Robert Altman Award and are disappointed that Jeremy Pope and “The Inspection” went away empty-handed. We ponder how shows such as “Severance,” “Station Eleven,” and “Abbott Elementary” were considered “independent” when they seemed to be back by bid studios. What do we know?For the Oscars, we share our opinions on why “The Fablemans” and Spielberg may take Best Picture and Best Director awards, and why we're hoping “Women Talking” will win Adapted Screenplay. Quotes:“If anyone else had won that award, that would have been my Denzel versus Al Pacino moment.” “It's like, ‘You'll be working soon.' ‘But I need the insurance now just in case. That's the point of it.'”A few highlights:The Bullitt Frontier Whiskey Producer's Award/AdWhat makes a film or TV show “independent” and the voting guidelines of Film Independent (we're all voting members)Best Actor speculation for the Oscars (Brenden vs Colin)Ke Huy Quan's incredible comeback story and his year without health insuranceThe New Scripted and Non-Scripted Series at the Spirit AwardsAward Recognition for Everything and Stephanie Hsu's Performance-Original music by Garrett ThompsonFollow us on Instagram @GeekGirlSoupContinue the conversation on FacebookListen to Cort's podcast with Brad at PureFandom.comCheck out Susan's movie stats on Letterboxd Email your questions and comments to GeekGirlSoup@gmail.comGeek on!
Don your finest ooglith cloaker for another walk down the ginger fur carpet... it's the 2nd Annual Lowie Awards! In this very specific, literature-leaning, Star Wars-centric version of the Oscars, we completely reject the Academy's definition of Adapted Screenplay and continue to revel in our favorite year of 1997 before everything just devolves into an all-out Andor lovefest!
Austin, Brendan, or Colin? Cate or Michelle? Angela or Jamie? And can anything beat Everything Everywhere All at Once for Best Picture? Awardist host Gerrad Hall is joined by EW editor in chief Patrick Gomez and awards correspondent Dave Karger to break down 10 top categories — Picture, Director, Actor and Actress, Supporting Actor and Actress, Original and Adapted Screenplay, Animated, and Documentary — with our predictions for who will win the Oscar in each. Learn more about your ad choices. Visit megaphone.fm/adchoices
Host Alison Herman talks to writer-director Sarah Polley about finding a balance between reality and allegory in a film adapted from a fictional novel based on true events, how her process has changed since becoming a parent and recovering from a head injury, what writing (and rewriting) this film taught her about rigor, and much more. Sarah Polley a writer, director, and actor. She wrote and directed the 2006 film AWAY FROM HER, which earned her first Academy Award nomination for adapted screenplay, as well as the 2011 film TAKE THIS WALZ, the 2012 documentary STORIES WE TELL, and is the writer of ALIAS GRACE, the 2017 miniseries adaptation of Margaret Atwood's novel. Most recently, Sarah is the writer and director of WOMEN TALKING. The film is adapted from the Miriam Toews novel that was inspired by true events, and stars Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, and Frances McDormand as a group of women who have only two days to decide how to take action against a group of men who have been arrested for years of abuse toward the women in the remote and isolated Mennonite community. WOMEN TALKING premiered in December 2022 and is currently nominated for the Academy and Writers Guild Awards for Adapted Screenplay, as well as the Academy Award for Best Picture. Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
audio, you gotta love it :) SFT's first Sundance (3:30) - Underrated: The Stephen Curry Story - L'immensita - In My Mother's Skin - You Hurt My Feelings OSCAR Wants & Will Win's (22:00) - Sound (22:00) - Musical Score (23:10) - Make-up & Hairstyling (24:05) - Live Action Short (25:15) - Costume Design (26:30) - Animated Short (27:30) - Visual Effects (29:00) - Production Design (30:00) - Original Song (31:20) - International Feature (33:10) - Editing (34:00) - Documentary Short (35:35) - Documentary (36: 50) - Cinematography (38:10) - Actor (39:10) - Actress (40:50) - Supporting Actor (42:00) - Supporting Actress (42:50) - Animated Feature (43:45) - Adapted Screenplay (44:45) - Original Screenplay (46:40) - Director (47:35) - BEST PICTURE AKA BEST FILM (48:45) Most Overlooked of 2022 (55:30) ON THE SLATE: MISSING/AUDIBLE wowowowowowowwo it's oscar season and we can't wait to see how close our predictions are going to be. We always love this time of the year and look forward to celebrating movies ALL DAY, ALL YEAR LONG, BABY!!! --- Support this podcast: https://anchor.fm/sweetfilmtalk/support
Host Greg Iwinski talks to Ryan Coogler and Joe Robert Cole about their collaboration process for BLACK PANTHER and BLACK PANTHER: WAKANDA FOREVER, rewriting a screenplay while – and as part of – grieving, space-saving ways to write a half-dozen languages into your script, and more. Ryan Coogler is a writer-director whose credits include the 2013 biopic FRUITVALE STATION and the CREED franchise. Joe Robert Cole is a writer-director who has written for the series THE PEOPLE VS. O.J. SIMPSON: AMERICAN CRIME STORY, and wrote and directed the feature film ALL DAY AND A NIGHT. Ryan and Joe cowrote the screenplay for BLACK PANTHER as part of Phase Three of the MCU. The film was nominated for a Writers Guild Award for Adapted Screenplay and became the first superhero film to be nominated for an Academy Award for Best Picture. BLACK PANTHER: WAKANDA FOREVER – their latest project together and the sequel to the 2018 film – follows Queen Ramonda, Shuri, M'Baku, Okoye and the Dora Milaje during their fight to protect Wakanda from intervening world powers in the wake of King T'Challa's death. As the Wakandans strive to embrace their next chapter, the heroes must band together with Nakia and Everett Ross to forge a new path for their beloved kingdom. The film was released in November 2022. It's currently playing in theaters and will be available to stream on Disney+ starting February 1, 2023. Greg Iwinski is an Emmy-winning comedy writer and no-award-winning performer whose writing includes LAST WEEK TONIGHT and THE LATE SHOW WITH STEPHEN COLBERT. He recently finished writing the first season of GAME THEORY WITH BOMANI JONES on HBO, and can be found on Twitter @garyjackson. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
It's Stephen's 4th pick: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the 1964 film directed by Stanley Kubrick. Often cited as one of the best comedy films of all time – as well as simply one of the best films generally – this was Kubrick's follow-up to Lolita, released two years before in 1962.Its making began with the director's desire to produce a movie about a nuclear accident during the Cold War. As he was doing research for the project, someone suggested he read Peter George's book, Red Alert, and he eventually bought the rights for it and began working with the author on an adaptation. As they began to write, Kubrick at some point came to the conclusion that there was no real way to depict the scenario he was interested in without it seeming absurd, so they decided to lean into that absurdity and make it a satire, which is a departure from the more serious depiction of the novel. Satirical author Terry Southern (perhaps best known by movie fans as a co-writer of Easy Rider a few years later) was brought in to help with the tone. The casting of Peter Sellers was instrumental in getting the film made, with Columbia Pictures making it a condition that the actor play 4 roles – one more than he had in 1959's The Mouse that Roared. Originally, he was set to also play Major Kong, the bomber pilot, though perhaps against his better wishes since he wasn't comfortable with the character's Texas accent. But an injury forced him out of the role and it was recast with Slim Pickens, though not before it was offered to John Wayne. Another change of note is that the film legendarily originally ended with a giant pie fight between all the personnel in the War Room. The film was originally set to open in late 1963, but was delayed due to the assassination of President John F. Kennedy. Instead it was released in January 1964 to good box office and it was eventually nominated for 4 Academy Awards – Best Picture, Director, Actor (Peter Sellers), and Adapted Screenplay – though it won none. It did however win 4 BAFTA awards, including Best British Film and Best Film From Any Source. And it was nominated for or won other Guild and Critics awards. As for our purposes, it only appeared in the top 10 of one of Sight & Sound's polls once, when it was ranked the 5th greatest film by directors in 2002. In the 2012 polling, it was ranked #117 by critics and #107 by directors. Among the directors who included it in their top 10s were Lawrence Kasdan, Michael Mann, and Amos Poe. Produced by Stereoactive Media --- Send in a voice message: https://anchor.fm/stereoactivemovieclub/message
Jacob, Kenzie, and Adriano come together to talk about Jordan Peele's latest 'Nope' and to continue their 2022 Summer checkpoint by talking about Original and Adapted Screenplay.To avoid 'Nope' spoilers skip to 1:14:00Support this podcast at — https://redcircle.com/oscars-central/exclusive-content
Jacob and Ricky are joined by Michael, Nicole, Dan and Ryan to have a little fun with a draft regarding their personal missed Oscartunities in the Adapted Screenplay category.Support this podcast at — https://redcircle.com/oscars-central/exclusive-content
Submit a topic/question: https://forms.gle/yGfYKbmJDRLvdbGm9 In this episode, Jake goes over the 2022 Academy Awards. He discusses his thoughts on the winners, losers, and telecast itself. What did you think of the show? Send feedback to us by: 1. Commenting on the YouTube video 2. Sending a voicemail: https://anchor.fm/movietalkwithjandc 3. Sending an email: movietalkcandj@gmail.com Timecodes: 00:00 Intro 00:30 Thoughts on the Telecast 04:20 Skipping & Original Song 04:40 Original Screenplay 04:55 Adapted Screenplay 05:25 Production Design 05:41 Makeup & Hairstyling 06:03 Costume Design 06:32 Sound Design 06:53 Original Score 07:08 Visual Effects 07:48 Cinematography 08:15 Editing 08:34 Directing 09:16 Supporting Actress 09:30 Leading Actress 10:06 Supporting Actor 10:36 Leading Actor 10:55 International Feature 11:11 Documentary Feature 11:33 Animated Feature 12:02 Best Picture 13:23 Outro Intro/outro music: https://www.bensound.com --- Send in a voice message: https://anchor.fm/movietalkwithjandc/message
Will Smith slapping Chris Rock on live television was probably the most truthful ten minutes anyone in Hollywood or watching at home had seen in five years. It was ugly. It was violent. It was disturbing. It was unforgettable. And it was the truth. A real thing happened that couldn't be scripted. There is a reason this uncensored clip of Will Smith slapping Chris Rock has over 90 million views when the Oscar telecast only had 16 million. It's because it was the truth at a time when the “Left” did almost everything they could to obscure it. The Academy was trying so hard to boost its ratings and satisfy the Wokerati who watched every move they made, every joke told, and every fashion choice. Ever since 2020, people in positions of power have been terrified of losing that power, and the best way to do that is to make Twitter mad with some kind of transgression or to violate an accepted social norm.The Oscar ceremony was produced by a Black man, Will Packer. Two of the hosts were Black women, Regina Hall and Wanda Sykes. The Best Picture contenders were intersectional and inclusive - two films directed by women (The Power of the Dog and CODA), one film directed by a Black man (King Richard), and one from Japan by an Asian director (Drive My Car). The first film with a predominantly deaf cast took the lead and ultimately won Best Picture. Who could ask for anything more?No writer in 2022 could conceive of anything this dramatic, and if they could, they would not be allowed to write it because it would be too offensive. Only white characters are allowed to be written as bad. Black characters, or any marginalized groups, must always be portrayed as perfect. Yet, there was an event millions witnessed with their own eyes. There was no way to gaslight us over it, no way to memory-hole it. It was, simply, the truth. It seemed clear that Will Smith believed he was in the right when he marched on stage and hit Chris Rock. He believed he was still in the right when he sat down and shouted, “keep my wife's name out of your f*cking mouth.” He thought the crowd would applaud him. They didn't. They fell silent. I did what everyone else was doing - I looked around at the people next to me and said, “was that real?” A woman sitting behind me said, “I have children watching at home.”No one really knew what to do after that. You could feel the tension in the room that was filled with well-meaning, mostly white liberals who were in shock at what just happened. But thanks to Chris Rock pulling it together and announcing the next award, the show could go on. His face said it all. He quickly regrouped, having had a lifetime of dealing with bullies and having to hide his pain lest he is bullied even more, and gave out the prize for Documentary Feature to Questlove's The Summer of Soul, or When the Revolution Could not be Televised.” Like everyone else there, I was in shock, but I didn't know it. I was just waiting for the endless ceremony to finally end. Everything that came after “the slap” was a blur.You might not know it if you are part of the industry, but if you macro out, you will see their social justice voting choices everywhere. People in the future will look back on these awards and see nothing but “woked out” Oscar winners. Jessica Chastain won for playing Tammy Faye, who was sympathetic to AIDS patients (LGBTQIA), Jane Campion won for Best Director (a woman and an LGBTQIA-themed film), and Best Picture to the first film with a predominantly deaf cast. Best Supporting Actress was the first Afro-Latina, openly queer Ariana DeBose. Supporting Actor was Troy Kotsur (the first deaf male actor to win). CODA's director won Adapted Screenplay, with the only white male to win a major award, Kenneth Branagh winning Original Screenplay for the film that should have won Best Picture, Belfast. And last but not least, the Best Actor winner was Will Smith, only the fifth Black actor to win in the category. As they did their “good puritan” parade of deserved winners and waited for their pats on the back to show that real change had occurred, reality crashed through their glass bubble - leaving a mess that would need cleaning up. Hollywood and the Oscars have built a house of cards that denies reality at every turn to sell a preferred version of it. By the time the Oscars were over, we all just hurried out of the theater as fast as we could. I am never invited to the Governors Awards afterwards so I just found the garage. The valet asked me, “how was the show?” “Well,” I said and he bowed his head, “yeah I heard about Will Smith.” He did not look sympathetic, though. He looked annoyed. Many people would take Smith's side after that night. He was probably one of them. I drank some bourbon when I got home and went to sleep. It wouldn't be until the next day that my friend called me that I realized just how shaken up I was by the event. You don't see that kind of thing at the Oscars. When my friend asked me about it I could not help but burst into tears. And as I did this I could hear Twitter scolding me for being a white woman centering myself. Shock is shock, though. You can't police it out of your nervous system. It doesn't really matter how hard people try to make things true that isn't true. Sooner or later, truth bubbles to the surface. The idea that “words are harm” and that no joke can offend a marginalized group is one of the many bizarre Orwellian delusions we are all forced to accept now. So many people tried to make this about “white privilege” and “anti-black.” The Guardian's Tayo Bero says that the Academy has seen worse and her example of this is John Wayne being restrained from approaching the stage while Sasheen Littefeather accepted Marlon Brando's award:It's also not just about what Smith did; it's where he did it and who was watching. Anyone who has been following these shows can see that Smith is being held up to much stricter standards than white men who have behaved just as badly or even worse in those settings. In 1973, John Wayne had to be restrained by six security guards when he tried to rush the stage and attack the Native American actor and activist Sacheen Littlefeather. Littlefeather was on stage to accept the best actor award on behalf of Marlon Brando, who was boycotting the awards in protest at Hollywood's depictions of Native Americans.She has no way of knowing what John Wayne planned to do had he gotten to the stage. She assumed she knew for sure he would attack her, but no one knew what he planned to do. That they restrained John Wayne, a prominent WHITE actor, doesn't occur to Bero. Imagine if security had tried to restrain Will Smith. She has an audience and a platform, and she must give them what they want, which is a way to make white people feel bad for being justifiably horrified at this act of violence. The new cult-like movement that has infected the ruling class in this country is about denying what is real, what you know, what you can see with your own eyes and replacing it with dogma. As a white person, you aren't really allowed to criticize or dissent. They believe that your “whiteness” is the source of all of society's problems, that you are born with it, and that you can do nothing else but shut up in the face of something so unequivocal as what Will Smith did to Chris Rock:Watching my white liberal friends shrink back and say nothing because they do not believe it is their “place” is disgusting to me. It is an illustration of why people don't stand up to bullies. It took Jim Carrey to say what needed to be said. After that, more people found the courage to speak out and thus helped the Academy get closer to some kind of action against Smith. But Smith resigned before they could do anything. I am not someone to stand in the moral judgment of others. I see an entire movement now to forgive Will Smith, and honestly, I am supportive of that, as long as it applies across the board. This is not a community that is supportive of forgiveness. It is a community that accuses, condemns, and destroys. When it stops being that way, I will be happy to be more forgiving of Will Smith's remorse and apology. The truth is that having the freedom to say what you feel, or tell a joke, even if it's an offensive one, probably makes us less violent as a species. As Ben Shapiro puts it:The social compact by which verbiage and violence remain strictly separated is a delicate one. For most of human history, words were treated as punishable by physical response — dueling was commonplace in societies for centuries, familial retaliation for insult was regular, and wars were even fought over verbal slights. But over time, civilized people traded away the privilege of personal use of force in favor of rules; truly offensive words could sometimes meet with social disapproval or even ostracization, but certainly not violence.Now we seem to be reversing the trend. The entire theory of “microaggressions” suggests that if you are offended, it is because someone has “aggressed” against you — and aggression requires response. To deny someone's preferred pronouns is now an act of “erasure” amounting to violence, since the person so slighted might feel damaged in their sense of worth or authenticity. Once we reconnect the severed link between words and violence, civilization will begin to break down.Will Smith went into the Dolby on March 27th, thinking it was the night of his life. His family was with him, including his wife Jada, whose battle with alopecia had motivated her, as with all things Will and Jada, to live it out loud and proud by shaving her head. She would not wear a wig. She would not hide what she was struggling with because that isn't how Will and Jada live. Whatever it is that causes them the pain, they wish it away with empowerment. Jada brags about her grandmother introducing her to “self-pleasuring” at 9 and why that was so great. Will brags about how okay he is with Jada's many lovers. In that sort of mindset, how does anyone have a clear sense of right and wrong if nothing is ever wrong because everything is always right? Their self-help claptrap sounded good for a long time. In one night, though, it all came tumbling down like a house of cards. All of it. Will and Jada live, love, laugh out loud. They distort every painful thing into an easily forgiven non-mistake. It is much easier to wade into dangerous waters without realizing it when you have no moral line.Every boundary was crossed openly and on television or video. They seemed compelled to just leave nothing private because THEY had all of the answers, THEY were the enlightened ones, THEY have it all figured out. So when a joke is made about Jada - the all-knowing, all-seeing wise love goddess - that is like disrespecting Lord Jesus himself. And that is why Will Smith probably believed the crowd would be with him. His wife seemed to be, and she is all-knowing and all-seeing.Back on Planet Earth, though, Chris Rock had no way of knowing whether she had alopecia or not - assuming he follows every utterance at the “Red Table” is wishful thinking. I had no idea she struggled with the condition until after I had made a joke on Twitter about her bald head. I thought it was a fashion choice because she looks great bald, and not everyone does. His joke about Jada looking like Demi Moore in GI Jane was funny to those old enough to remember that movie. Back then, Moore was a lot like the Smiths are today -she believed in challenging perceptions, living out loud, and bragging constantly about her own empowerment, especially as she shaved her own head and beefed up her body to win the praise of her peers. In truth, she was mocked for it because she appeared a narcissist of the highest order, like so many icons of the 80s and 90s. This was way before our culture was re-ordered into oppressed and oppressors, where your status depends on where you land in that paradigm. Back in the 90s, in the last gasp of individualism, personal success and icon status were everything. Now you see some of the relics of that era trying to cling to their status, like poor Madonna. Tom Cruise, ever the nice guy, has to still be the King of Scientology while also clinging to his status as an action hero. Will Smith and Jada Pinkett Smith were born out of that era but as Black celebrities, they did not expire the way the white ones did. They held onto their status. Empowerment is out, marginalization is in, and in a country with mostly white, mostly “straight” people, how do they become marginalized? How can they be victims if they just spent decades becoming empowered and living their best lives? That is why there are many new categories of gender, sexuality, and everything else - even size acceptance. Anyone can be in an oppressed or marginalized group if they fit into these or one of the many other categories.That is how you get to words being harm, where an offensive joke about a perceived or self-proclaimed marginalized group is WORSE than a slap across the face on live television.Laughing relieves tension. Laughter brings us together. Laughter is a way to connect even if we don't speak the same language. We understand what laughing means. That is why it is so important to preserve the freedom to be FUNNY, even if it means you might offend some people. It occurred to me after March 27th that much of an entire generation might not understand what comedy is for. They might not understand what jokes are supposed to do. If you dissect them bit by bit you can find so much wrong with them. But the whole point of a joke is not to do that. It's to startle you into laughter so you can release some of the built-up pressure inside.It's true that not everyone finds the same things funny, but it should not be the job of comedians, or comedy shows, to make sure their humor is for everyone. Late-night comedy, so-called, with Jimmy Kimmel, Stephen Colbert, and John Oliver isn't funny. Not in the slightest bit. It is a magic mirror for the Left, which only finds making fun of Trump supporters and Republicans funny. But that isn't funny. Funny would be making fun of the self-important, self-serious, sanctimonious, uptight Left. They hardly ever do it because they are too afraid.That we don't have humor in our lives that is allowed to be free is very likely why it seems like we slip further into collective madness every day. This is why Ricky Gervais' Golden Globe video has more views than any Oscar ceremony at any time in their history:Ricky Gervais is the only comedian who should ever host the Oscars. They need someone unafraid of them and the morality police of Twitter. It is the only way to get back any sort of sanity and freedom.If you are wondering why Trump won in 2016 and why he continues to resonate, draw crowds, and is currently being polled to beat Biden- this is why. By 2016, the Left had already turned America into a country where speech, language and every other thing was heavily monitored. That is why Trump was such a force to be reckoned with. He not only challenged the rules, he spit in the face of them. There is power in that, but there is even more power right now than there ever has been because we have become disconnected from the truth on the Left. It has simply been nonstop gaslighting by the media to force people to believe what they want to be true. The Democrats are trapped under the thumb of Twitter. Many of them are simply resigning rather than face an election season where they're about get steamrolled. The majority in this country can't stand what's happening to it at the hands of the Left. Even if, when you bring this up, they will start melting down over “Democracy Itself” and January 6th. As usual, they are digging in the wrong place and can't see what's about to happen to them. It begins and ends with how a culture polices humor. Imagine any cult. Think about what kinds of jokes would be allowed. Now think about Putin or Xi, or Stalin or Hitler, and imagine what kinds of jokes would be allowed under their reign. Now you see why it has become so dangerous for our country to find ourselves here, a country that went through a bloody revolution for the right to tell offensive jokes. Words are harm; words are violence; silence is violence. Criticizing the government, questioning the vaccine or masks, and refusing to use the right pronouns are all the ways the left is sabotaging itself by thinking this country is ready to become Tumblr circa 2013. No society can survive if jokes are so bad that they inspire one man to walk up to another man and slap him across the face. We have to get back to a place where we can survive an offensive or insulting joke. We have to allow parents to talk openly about what worries them in their children's classrooms. We have to be able to debate things without fear of being destroyed or fired.We have to fight back against big tech oligigarchs policing the citizenry, no matter what it takes. We have to find a way back to truth - and the best way to do that is to let comedians, writers, artists and journalists out of their cages. And let freedom ring. Otherwise, this country will fall into a kind of Orwellian nightmare that will destroy it. We might be living through the end of the era of great movies and the Oscars. We might be seeing the end of great books. All of them will bear the mark of their time - showing a creative class that was so afraid of criticism that they stopped telling good stories, and people stopped watching them. When the Hays Code was implemented in the 1930s, it cleaned up Hollywood movies for two decades. The films made back then were covered with a veneer of phoniness. Anyone watching them today will think, why are they all acting and talking like that? Why do they never show toilets or pregnant women? It was the last time we lived through an era like this one. And just like those movies are easily recognizable for their time, so too will everything produced now and for the foreseeable future be easy to recognize as the “woke” era. It took twenty years for Hollywood to break away from the Hays code and tell more naturalistic stories. I imagine we're about halfway there now. Until then, comedians and writers will have to find subversive ways of getting their messages out, as Stanley Kubrick did in Lolita or Hitchcock did in Psycho. I would like to think the slap at the Oscars was a “hinge moment.” But I think it's more likely it's just the beginning of what will be a very dark time in our history. Like all of us on Oscar night, however, we don't have much choice but to make it through another day. There is always hot coffee and a sunrise. We're alive, and that's all that matters in the end. Get full access to Free Thinking Through the Fourth Turning with Sasha Stone at sashastone.substack.com/subscribe
Listen as Derek and I focus on some of the toughest categories for the 94th Academy Awards such as Original and Adapted Screenplay, Best Editing, and yes even Best Picture. We also talk about films we would've loved seen nominated and what winning Best Picture truly means to us.
Fifty years ago, Francis Ford Coppola's adaptation of Mario Puzo's bestselling novel premiered in movie theaters to near-universal acclaim, spent twenty-three consecutive weeks at number one at box office, and became the highest-grossing movie of all-time. Starring Marlon Brando, Al Pacino, James Caan, and Robert Duvall, the film won the Oscars for Best Picture, Adapted Screenplay, and Best Actor for Brando - which he refused to accept. In the years since, it became the first chapter of a trilogy and has been named by the American Film Institute as the second-greatest film in American cinema. If you haven't figured it out by now, Legends Podcast is ready to make you an offer you can't refuse. It's The Godfather. For more geeky podcasts visit GonnaGeek.com You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com
In this 11th and final in a series of episodes leading up to Oscar night 2022, rewind to early 2017 when the Academy of Motion Picture Arts and Sciences gave Best Picture, Adapted Screenplay, and Supporting Actor to Moonlight and six awards (Director, Leading Actress, Production Design, Cinematography, Musical Score, and Song) to its Best Picture co-nominee La La Land! Includes an objective play-by-play of how “Envelopegate” unfolded on stage. Plus, the usual spoiler-free plot setups, behind-the-scenes fun facts, listener shout-outs, trivia, and highlights of that year's Oscar telecast in the feature "The Good, the Bad, and the Outrageous"!
- Apple Releases iOS 15.4 and iPadOS 15.4 - Apple Releases macOS Monterey 12.3 - Apple Releases Security Updates for Big Sur and Catalina Macs - Apple Releases watchOS 8.5 - watchOS 8.5 + iOS 15.4 = Apple Watch Restoration from iPhone - Apple Releases tvOS 15.4 - Apple Outs HomePod Software 15.4 - Counterpoint: Apple Watch Owned the Global Smartwatch Space in 2021 - ReelGood: Apple TV+ Series “Servance” Was Most Streamed Series in First Week of March - Apple TV+ Releases Trailer for “They Call Me Magic” - “CODA” and “Ted Lasso” Win Five Critics Choice Awards - "CODA" Wins BAFTAs for Adapted Screenplay and Supporting Actor - Sponsored by SimpliSafe: Get a free indoor security camera plus 20% off with Interactive Monitoring - at SimpliSafe.com/macosken - Sponsored by Better Help Online Therapy: Get 10% off your first month at BetterHelp.com/MacOSKen - Power what we do next for as little as $1 a month. Join the Mac OS Ken Test Kitchen at Patreon at Patreon.com/macosken - Send me an email: info@macosken.com or call (716)780-4080!
- Apple Releases iOS 15.4 and iPadOS 15.4 - Apple Releases macOS Monterey 12.3 - Apple Releases Security Updates for Big Sur and Catalina Macs - Apple Releases watchOS 8.5 - watchOS 8.5 + iOS 15.4 = Apple Watch Restoration from iPhone - Apple Releases tvOS 15.4 - Apple Outs HomePod Software 15.4 - Counterpoint: Apple Watch Owned the Global Smartwatch Space in 2021 - ReelGood: Apple TV+ Series “Servance” Was Most Streamed Series in First Week of March - Apple TV+ Releases Trailer for “They Call Me Magic” - “CODA” and “Ted Lasso” Win Five Critics Choice Awards - "CODA" Wins BAFTAs for Adapted Screenplay and Supporting Actor - Sponsored by SimpliSafe: Get a free indoor security camera plus 20% off with Interactive Monitoring - at SimpliSafe.com/macosken - Sponsored by Better Help Online Therapy: Get 10% off your first month at BetterHelp.com/MacOSKen - Power what we do next for as little as $1 a month. Join the Mac OS Ken Test Kitchen at Patreon at Patreon.com/macosken - Send me an email: info@macosken.com or call (716)780-4080!
Our guest this week is Toronto-based award-winning producer, director and storyteller SHASHA NAKHAI! Shasha's storytelling work has taken her all over the world, like the Hawaiian coastline in THIRTY EIGHT MINUTES, a Cold War bunker in THE HOLE IN RESERVOIR HILL, the engine room of a decaying ship in THE UNSINKABLE CAPTAIN JOHN, the Philippine sugar mills in THE SUGAR BOWL and the front lines of Nigeria's energy crisis with TAKE LIGHT. Shasha's received a Canadian Screen Award nomination for Best Web Program or Series, Non-Fiction for LOVE LETTERS FROM EVEREST. She and her partner Rich Williamson, received another Canadian Screen Award nomination for Best Short Documentary for FRAME 394. It was named TIFF's Top 10 and shortlisted for an Academy Award for Best Short Documentary. With over a decade of documentary experience, Shasha directed her first drama feature with partner, Rich Williamson, called SCARBOROUGH. It was adapted from the award-winning novel by Catherine Hernandez. Shot documentary-style over the course of a school year, the film follows 3 children from a low-income community that find compassion, community, and resilience in an unlikely place. At TIFF 2021, SCARBOROUGH was first runner up for the People's Choice award, received an Honourable Mention for Best Canadian Feature and won the Shawn Mendes Foundation Changemaker Award! Now, SCARBOROUGH has 11 Canadian Screen Award nominations! For Best Motion Picture, Achievement in Direction, Adapted Screenplay, John Dunning First Feature Award, and so much more! Twitter: @ShashaNakhai SCARBOROUGH: @ScarbFilm Instagram: SCARBOROUGH: @scarbfilm Facebook Fan page/website: SCARBOROUGH: @ScarbFilm Scarbfilm.com Kenya-Jade Pinto https://www.kenyajade.com/ SCARBOROUGH's Canadian Screen Award Nominations Best Motion Picture, Achievement in Directing, Performance by an Actor in a Leading Role, Performance by an Actress in a Leading Role, Performance by an Actress in Supporting Role, John Dunning First Feature Award, Achievement in Cinematography, Achievement in Casting, Achievement in Sound Mixing, Achievement in Sound Editing, Adapted Screenplay @thecdnacademy https://www.academy.ca/nominees/?utm_source=nominees_announced&utm_medium=linktree_link&utm_campaign=nominee_announcement Level Film @levelFILM Route 504 PR @route504pr Podcast Team Head Producer and Editor: Winnie Wong @wonder_wong Editor: Shayne Stolz @shaynestolz Graphic: Vicki Brier @brier2019 To listen to the podcast: https://linktr.ee/firecrackerdept Subscribe to our newsletter at https://www.firecrackerdepartment.com and follow us @firecrackerdept!
Welcome to the first Cinema Faith podcast in two years! Covid changed everything and Cinema Faith was no exception. Our website has been mostly dormant since March of 2020, but...
Chandler and Carolina review (and predict the Rotten Tomatoes scores for) the critically-acclaimed and Chanolina-acclaimed international features DRIVE MY CAR and FLEE. Together, they received seven Academy Award nominations—including Picture, Director, Adapted Screenplay, and International Feature for DRIVE MY CAR, and Animated Feature, Documentary Feature, and International Feature for FLEE.
"Nomadland" is easily the most critically acclaimed film of the year. Winning the coveted Golden Lion at the Venice Film Festival, the Audience Award at the Toronto International Film Festival, the most critics prizes for Best Picture, Director, Actress, Cinematography, Editing & Adapted Screenplay, there is barely any aspect of this film that has not been praised. One area you wouldn't necessarily expect to be just as meticulously crafted though is the sound of the film. We were lucky enough to speak with Supervising Sound Editor/Sound Designer/Additional Re-Recording Mixer, Sergio Diaz, Supervising Sound Editor/Re-Recording Mixer, Zach Seivers, and Production Sound Mixer, M. Wolf Snyder about their nuanced work on the film. Take a listen down below and enjoy this deep dive into the sound of "Nomadland," now currently streaming on Hulu. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture
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