Podcasts about set design

Check out Cam's latest novel / audio drama here! Backrooms is a runaway indie horror sensation, but it is also a fascinating smoothie of influences. In this episode, we're cataloguing every touchstone from Stranger Things and Skinamarink to Blair Witch and The Yellow Wallpaper in an effort to understand why this movie is so phenomenally effective. We also take a closer look at the relationship between set design and creature design, the art of subgenre crossovers, and restrained horror endings. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com 00:00 Stranger Things 01:30 Skinamarink 03:13 As Above So Below & Hell House 08:37 Terror vs. Boredom 11:33 Genre Hopping 15:49 Iron Lung 16:41 Performances / Writing / Directing 19:26 Creature Design 23:20 Set Design (as Creature Design) 25:12 The Blair Witch Project 27:00 Paranormal Activity 29:49 Goldilocks Endings 32:43 The Yellow Wallpaper 34:27 Closing Thoughts

With The Late Show with Stephen Colbert coming to an end, Emmy-winning Set Decorator Kim Wannop looks at the design history of late-night television through the rooms we know so well: the desk, the guest chair, the skyline, the curtains, the bandstand, and the host's chair.In this episode of Decorating Pages, Kim breaks down late-night TV set design from Johnny Carson to David Letterman, Stephen Colbert, Jimmy Kimmel, Jimmy Fallon, and Seth Meyers. She looks at Carson's iconic command-center set, Letterman's strange and brilliant NBC office energy, his move to CBS and the historic Ed Sullivan Theater, Colbert's grand restoration of that theater, Kimmel's Hollywood-after-dark lounge, Fallon's warm New York variety show, and Seth Meyers' writer's room with a view.This is a set decorator's look at how late-night shows use similar design staples but create completely different identities for each host. Because in late night, the desk is not just furniture. The room tells us what kind of night we're about to have.Listen to Decorating Pages for production design, set decoration, TV design, film design, Emmy FYC interviews, and behind-the-scenes conversations about the worlds built for screen.

The Helen Hayes nominated set designer, Megan Holden, shares her best practices to create engaging, functional, and kid friendly set designs. 

BraveMaker Podcast 311 — LIVE on YouTubeFeaturing the creative team behind Two Weeks, One FoolLogline:When a man grows suspicious that the girl he's seeing is a stripper, his investigation takes a shocking turn when he crashes one of her performances.Join us for a lively conversation with four dynamic filmmakers bringing Two Weeks, One Fool to life:• Airric Qualls – Actor, producer, screenwriter, and director from Sacramento, CA. Airric is the co-creator of AK Film Group and producing partner of 11th Hour Creatives, where he develops bold, character-driven stories across film and digital media.• Hugo F. Martínez – A Bay Area first-generation Mexican-American filmmaker whose multidisciplinary expertise spans Production Design, Art Direction, Set Design, Prop Fabrication, Carpentry, and Practical FX. His creative fingerprints can be seen in projects like the horror thriller “Blood Wine” (starring Amanda Detmer of Empire) and Hogar HGTV's “El Sabor de Aaron,” a competition cooking show featuring celebrity chef Aaron Sánchez with guest judge Oscar De La Hoya.• Michaela P. Shelton – Bay Area filmmaker, actress, and writer best known as the creator and producer of Reckless Behavior: The Series, the hit dramedy about millennial life in the Bay Area—now streaming on Tubi and Amazon Prime. She also produces short films and centers underrepresented voices with authentic, relatable storytelling.• Derrick Hogan Jr. – Born and raised in the Bay Area, Derrick brings a rich background in sports and theatre to his work in film and television. His mission: climb as far as he can in the industry while staying grounded in the community that shaped him.

In this podcast, I sit down with Reggie Valk, set design lead for Secrets of Strixhaven, to talk about the set's design.

Good afternoon, I'm _____ with today's episode of EZ News. Tai-Ex opening The Tai-Ex opened up 5-points this morning from last week's close, at 35,422 on turnover of $5.9-billion N-T. Shares in Taiwan closed at a historical high Friday with large-cap tech stocks in focus after Israel said it was seeking direct talks with Lebanon. Analysts say market sentiment improved around the region and in Taiwan, investors rushed to buy into tech stocks. Southern Taiwan Sees High Temps Southern Taiwan is seeing summer-like heat today, ahead of a series of weather fronts moving in later this week. The Central Weather Administration has issued heat advisories for Tainan, Kaohsiung, Pingtung, and Taitung, warning of temperatures at or above 36 degrees around midday. Taitung County is also on alert for foehn wind conditions. Independent meteorologist Wu De-rong says today and tomorrow will be sunny and stable (穩定) across the island, with morning fog possible in some areas and afternoon heat comparable to midsummer. Wu says a weak front is forecast to drift near northern Taiwan on the 15th and 16th, bringing occasional brief showers to the north while the rest of the island stays mostly sunny. And another weak front is expected to brush through on the 17th and 18th, bringing intermittent showers to the north and east, with the central and southern regions staying partly cloudy and hot. (NS) Easter truce that wasn't Russia and Ukraine have accused each other of violating (違反) a Kremlin-declared Easter ceasefire as Orthodox Christians gathered to celebrate the holiday. The armed forces on both sides said they had recorded thousands of ceasefire violations… Donna Warder again. Cuba President: US No Valid Reasons to Attack Cuba's President Miguel Diaz-Canel said the U.S. has no valid reason to attack the island or to try to depose him. In an interview aired Sunday, he warned that an invasion would be costly and affect regional security. He said Cubans would defend themselves if necessary. The interview comes amid ongoing tensions between the two countries. Diaz-Canel has accused the U.S. of a hostile (敵對的) policy and expresses willingness for dialogue without conditions. Cuba blames a U.S. energy blockade for its deepening woes, with a lack of petroleum affecting the island's health system, public transportation and the production of goods and services. The arrival of a Russian tanker carrying 730,000 barrels of crude oil in Cuba in March marked the island's first oil shipment in three months. Russia has promised to send a second tanker. UK Olivier Awards The Olivier Awards have recognized top achievements in London theater, opera, and dance for 2026. "Paddington The Musical" wins big, taking home awards for New Musical, Actor-Musical, Supporting Actress-Musical, Supporting Actor-Musical, Director, Set Design, and Costume Design. "Punch" is named Best New Play, while "Oh, Mary!" wins for New Entertainment or Comedy. Rosamund Pike and Jack Holden are honored as Best Actress and Actor in a Play. The Special Award goes to Elaine Paige. The awards were handed out on Sunday, celebrating excellence across various (各種各樣的) categories in the performing arts. That was the I.C.R.T. EZ News, I'm _____. －－－－以下為 SoundOn 動態廣告－－－－ 挺你所想！與你一起生活的銀行 2026/6/30 前使用中信銀行 ATM 完成指定交易就有機會抽中 10,000 點 OPENPOINT。 了解更多>https://sofm.pse.is/8xs6bc 現在把「中信行動銀行 APP」設為桌面小工具 Widget， 出入帳金額不同會顯示不同的插畫圖示，超萌動作或搞怪迷因等你來蒐集！ -- Hosting provided by SoundOn

Last episode, you designed the set. You grabbed your clipboard, put on your headset, and built the environment for the Star of your show to thrive. Now it's time to step in front of the camera — because the film crew just showed up, and they're capturing everything. In this electrifying follow-up episode, April Garcia takes the Set Design framework to the next level with a challenge that will make you think twice about every decision you make this week. Are you ready to deliver your best performance yet? Key Takeaways: The Film Crew is Rolling: Imagine a film crew followed you from the moment you woke up this morning. They were in the car. They were at the gym. They were there when you talked to your kids, your partner, your team. What did they capture? Would you be proud of what ends up on screen? You Are the CEO of YOU Inc.: April references Keith Cunningham's The Road Less Stupid to introduce one of the most empowering — and sobering — reframes in the show's history. You are the CEO of your own life. That means you own the results across every department: Sales, R&D, Health, Finances, Relationships, Education, and Personal Development. Every win and every loss is a direct reflection of your management — or your mismanagement. The Board of Directors is Watching: Whether it's a film crew or a board of directors reviewing your performance this month — they saw every phone call, every distraction, every moment you showed up fully and every moment you didn't. What would their report say about the leading character? Two Reasons This Exercise Works: It raises your game. When you imagine someone watching, you naturally bring more intention, more energy, and more excellence to everything you do. It empowers you. The power is entirely in your hands. No one to blame. No circumstances to hide behind. You are the hero — or you're not. That choice belongs to no one else. No One Else is Playing You: This is the line that lands hardest. There is no understudy. No one else stepping into your role as a parent, a leader, a partner, a builder. Only you. And that means only you can decide to show up like the star the role deserves. The Challenge This Week: Carry the film crew with you everywhere you go. Let the imagined presence of that camera be the standard you hold yourself to. Deliver a performance you are proud of — not for the audience, but because you decided to be the hero of your own story. Resource Mentioned:

Before a single word is spoken in a movie, you already know everything about the main character. The messy apartment. The tipped-over vodka bottle. The pizza box on the floor. The alarm clock reading 11am. No dialogue needed — the set has already told the story. In this unforgettable episode of PivotMe, April Garcia introduces one of the most powerful and creative frameworks she's ever brought to the show: Set Design. Recorded from a charming Charleston hotel, this episode will change the way you look at every room you walk into — starting with your own. Key Takeaways: Your Environment Is Already Telling a Story: Every space around you — your office, your bedroom, your car — is communicating something about you before you say a word. The question isn't whether your set is telling a story. It's what story it's telling. Set Design as a Life Framework: April reframes the concept of environment design through the lens of filmmaking. You are not just living in your space — you are the director, the producer, and the star of your own show. It's time to start acting like it. Begin With the End in Mind: Instead of asking "what do I need to do to become that person?", April flips the script entirely. Start with the character you want to be — the extraordinary leader, the wildly organized entrepreneur, the deeply present partner — and design the set for that person first. Fill in the Blank: The main character is ___. April challenges listeners to complete that sentence with intention and then audit every element of their environment against it. Does your set match your character? The Banana Story: In a hilarious and instructive aside, April shares what happens when you leave a banana in your office overnight — and why even the smallest environmental details matter more than you think. One Rule for Today: You are NOT thinking about how to become that person. You are NOT making a to-do list of habits and behaviors. Today, you are only thinking about the set. Design it first. The character follows. Coming Up Next: April teases the next episode, where she dives into how to leverage the presence and pressure of a film crew to step fully into the hero of your story. Notable Quotes: "You haven't met the character yet and you've already made up your mind. That is the power of set design." — April Garcia "Every day, whether you're intentional about it or not, you are designing your set. The only question is — are you doing it on purpose?" — April Garcia Actionable Items: Look around your office and your bedroom right now — write down the story a stranger would tell about you based purely on what they see. Fill in the blank: The main character of my life is ___. List 3–5 specific changes you can make to your physical environment today that reflect that leading character. Put your director's hat on — walk through your space as if you're scouting a film set. What stays? What goes? What needs to be added? Do NOT focus on habits or behaviors yet. Only the set. Trust the process. ---------------- Ready to take this work beyond the podcast? Join us at Collaborate 2026, our once-a-year, in-person transformational experience in Grass Valley, California. Spend 2.5 powerful days gaining clarity, building momentum, and doing the deep work alongside growth-minded leaders. Early Bird pricing ends March 31st, and seats are limited. Reserve yours at www.theaprilgarcia.com/collaborate.

Recorded live at Confex 2026 inside an Evolution Dome, James Dickson sits down with Lefteris Angelidis, CEO and creative director of Visual Architects. They discuss the company's journey from club and festival theming to a full-service creative production house with manufacturing, 3D, robotics and interior design capabilities. The conversation covers how 3D renders and AI speed creative briefs, the importance of in-house synergy between design and production, sustainability through reusable assets, Manchester roots and international projects, and the logistics and opportunities shaping events today. Find out more about Visual Architects  Thanks to our friends at Evolution Dome for helping make these episodes possible. To keep up to date with all the news, subscribe for free here. If you would like to take part in a podcast, then please complete our submission form.

As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm Planet of the Vampires was directed by Mario Bava and released in 1965. American International Pictures had made money with Italian films such as Black Sunday (1960) but would often need to oversee many changes to make the films suitable for an American audience. Their solution was to provide a script and co-produce a film so they could control the content.   The film had a small budget of around $200,000 and although it definitely has its fair share of Schlock, Bava had a reputation for doing a lot on a small budget.  My guests unravel why Mario Bava's reputation and love for this film continue to grow.  Scott Higgins is Professor of Film at Wesleyan University as well as being the Curator of the Wesleyan Cinema Archives.  Russ Hunter is an Assistant Professor in Film & Television Studies at Northumbria University. He has a special interest in Italian genre cinema. Scott says Eugenio Bava (Mario's Father) invented the Schüfftan process before Eugen Schüfftan after whom it was named. You can read more about this here: https://dcairns.wordpress.com/tag/schufftan-process/ Chapters 00:00 Introduction 01:46 AIP involvement 04:14 Italian cinema in 1965 09:01 Dubbing 14:31 Names changes and US appeal 17:28 Mario Bava 21:51 Scott's love for this film 27:12 Bava and Barry 29:22 Special Effects and the Schüfftan process 33:39 Production and Set Design 35:21 Style over coherence 38:33 The alien 41:35 Influences and origins 43:40 Vampires in name 44:20 Legacy 49:06 Recommendations   Recommendations: The Green Slime (1968) by Kinji Fukasaku Tu Vuo' Fa' L'americano by Renato Carosone Danger: Diabolik (1968) by Mario Bava Mario Bava: All the Colors of the Dark by Tim Lucas   NEXT EPISODE: As we approach 1966 on the podcast it is time to talk about my favourite franchise which will be 60 years old this September! A little detour into the beginnings of Star Trek in two week's time.        

For our fourth instalment in the Books to Screen series, Hannah was joined by author and friend of the pod Catherine Airey to discuss the adaptation of the moment - Wuthering Heights! This film has attracted so much attention and has been at the centre of the cultural conversation in the last week so it would have been silly not to cover this in this series. In this episode, Hannah and Catherine discuss the controversial casting of a white actor as Heathcliff, whether this was a faithful adaptation or fan fiction, our thoughts on Nelly as a villain, Isabella's new trajectory plus so much more!If you enjoy this episode please do rate, review & subscribe, for more content you can find us over on Patreon. You can follow us via Instagram, X & Tik Tok. You can buy Catherine's novel here or you can pre-order the paperback here. You can follow Catherine via Instagram. Buy tickets for Catherine's upcoming event with Roxy Dunn here. Books & other mentions in this episode: The Hunger Games: Catching Fire by Suzanne CollinsThe Hunger Games: Catching FireTwilightI Capture The Castle (2003)I Capture The Castle by Dodie SmithThe Idiot by Elif BatumanAs Young As This by Roxy DunnThe Odyssey (2026)Vladimir (2026)Margo's Got Money Troubles (2026)The Rachel Incident (Upcoming)Anna Karenina (2012)Anna Karenina by Leo TolstoyWuthering Heights (2011)Wuthering Heights (1939)Promising Young Woman (2020)Saltburn (2023)Rhiannon Lucy Cosslett- Wuthering Heights / Class article Let us know your thoughts by emailing us apairofbookendspod@gmail.com or you can DM us @apairofbookendspod on Instagram. Until next time, happy reading!

Wenig Filme lösten schon vorab soviele Kontroversen aus wie die neue Adaption des Literaturklassikers "Wuthering Heights". Margot Robbie und Jacob Elordi zungenküssen sich durch ein knallbuntes Leidenschafts-Epos, das mit Emily Brontës Roman nur wenig zu tun hat. Für Pia Reiser ist Emerald Fennells fiebriges Stück Fanfiction jetzt schon ein Film des Jahres. Christian Fuchs vermisste bei dem vermeintlichen Skandalstück die ganz finsteren Abgründe – und reibt sich an den Hauptrollen. Aber trotz oder gerade wegen dieser Uneinigkeit ist diese übervolle Episode etwas ganz Besonderes geworden. Ein stürmischer Ritt zwischen Literatur und Kino, inklusive vergangener Verfilmungen, aktueller Whitewashing-Vorwürfe, Setdesign und Kostüm-Besprechungen - und einer Verbeugung vor der gespenstischen Prosa von Emily Brontë. Sendungshinweis: FM4 Film Podcast, 16.02.2026, 0 Uhr

Dancing with the Stars has to deliver a brand-new world every week — live — with choreography, cameras, lighting, and set changes happening at full speed. In this episode of Decorating Pages, Emmy-winning set decorator and host Kim Wannop talks with Production Designer James Yarnell, a 20-year DWTS veteran and ADG-nominated for the show's “Wicked” episode.James breaks down how the DWTS ballroom is designed around the true priority: the dance floor — including how camera movement is choreographed alongside the dancers, how theme weeks are executed on a brutal weekly timeline, and how scenic builds, props, screens, and projection all have to work together without slowing down a live broadcast.Plus: the iconic detail you didn't know you needed — James literally designed the Mirrorball trophy, and later redesigned it into the Len Goodman Trophy.If you love production design, set decoration, live television, and behind-the-scenes craft stories, this one's a must.

In this ScreenFish 1on1 interview, Luc Besson, director of DRACULA, discusses the set design behind his vision of Dracula, revealing what influenced the unique look of the film. He reflects on why Dracula still resonates today and what the line is between love and obsession. Luc also delves into Dracula's internal battle, from fighting God to confronting his own identity, and shares his thoughts on whether Dracula is truly a villain or simply a tragic figure.DRACULA is available in theatres on Friday, February 5th, 2026.

Murderbot is ADG-nominated for Episode 1: “FreeCommerce” — and the production design and set decoration work is a huge part of what makes the show feel so specific, lived-in, and visually smart.Discover the sci-fi production design magic behind the ADG-Nominated Murderbot with Production Designer Sue Chanand Set Decorator Rob Hepburn. From inflatable TPU solar habitats to 3D-printed med labs, they reveal how they brought a warm, lived-in aesthetic to space. Hosted by Kim Wannop, this episode dives into sourcing, greenscaping, LED tech, and the wild storytelling choices that made Murderbot unforgettable.

Hamnet is period filmmaking at its most grounded and immersive. In this episode of Decorating Pages, Emmy-winning host Kim Wannop interviews Production Designer Fiona Crombie and Set Decorator Alice Felton about the design and decoration of Hamnet — from Shakespeare's family home and the glove workshop to the Globe Theatre and garden builds.Topics include period-authentic materials, sightline-conscious furniture choices, hand-stitched textiles, thematic palette shifts, and the art of set storytelling.Directed by Chloé Zhao, Hamnet is based on Maggie O'Farrell's novel and stars Jessie Buckley and Paul Mescal.Hamnet, Chloé Zhao, Maggie O'Farrell, Jessie Buckley, Paul Mescal, Shakespeare, period film, production design, set decoration, art department, Globe Theatre, podcast.

Was passiert, wenn eine einfache Ja-oder-Nein-Frage auf 128 Menschen, 30 Mikrofone und eine virtuelle Welt trifft? Und wie erzählt man daraus eine spannungsgeladene Show, die gleichzeitig Quiz und Reality ist? In dieser Folge des "Credit to the Edit Podcast" geht es um genau diese Grenzfrage, erzählerisch wie montagetechnisch. Im Mittelpunkt steht die neue Original-Show "Yes or No Games" (zu sehen ab dem 16. Januar 2026 bei Prime Video): ein Format, das klassische Quizmechaniken mit Reality-Elementen und Virtual Production verbindet. Gemeinsam mit den Gästen wird diskutiert, wie Spannung entsteht, wenn hunderte Erzählfäden gleichzeitig entstehen, und wie der Schnitt aus riesengroßen Menge an Material klare Dramaturgie formt. Es geht um Materialaneignung dutzender Tonspuren, um die Frage, wann O-Töne die Spannung erhöhen oder verhindern, und um das ständige Austarieren von Live-Gefühl und erzählerischem Flow. Dabei wird schnell klar: Diese Show entsteht nicht erst im Schneideraum. Dramaturgische Entscheidungen werden bereits im Development getroffen: durch Musik, durch Set-Design, durch das immer wiederholte Durchgehen der Show in zahllosen Teammeetings, also eben durch die bewusste Reduktion von Möglichkeiten. Und der Schnitt wird dann zur archäologischen Arbeit: Dialoge freilegen, Figuren finden, Inseln bauen, ohne den Flow des Quiz zu brechen. Daher sprechen wir mit zwei zentralen Stimmen der Produktion: der Senior Producerin Anna Eva Heymer und dem Head-Cutter Daniel Quack die zusammen Einblicke geben, wie eng Redaktion, Regie, Producing und Montage bei diesem Format verzahnt waren. Und warum man manchmal erst im Schnitt versteht, was man eigentlich gedreht hat.   Zu Gast Anna Eva Heymer ist Senior Producerin bei ITV Studios Germany und verantwortet diverse Show- und Reality-Formate für Streamingplatformen und (klassisches) TV. Mit einem starken Fokus auf Dramaturgie und Formatentwicklung begleitet sie Projekte von der ersten Idee bis in die Postproduktion. Zu den Formaten, an denen sie maßgeblich beteiligt war, zählen Licht aus (2024, Prime Video), Song Clash (2023, VOX), Dance Dance Dance (2016/2017, RTL) und Let's Love – Eine Hütte voller Liebe (2021, RTL Zwei).   Daniel Quack arbeitet seit vielen Jahren als Filmeditor im Reality- und Showbereich. Seine besondere Expertise liegt in der Strukturierung extrem komplexer Produktionen. Zu den Formaten, die er geschnitten hat, zählen Licht aus (2024, Prime Video), Good Luck Guys (Staffel 1 & 2, 2023 / 2024, Joyn) und Let's Love - Eine Hütte voller Liebe (2021, RTL Zwei) sowie Der Promihof (2025, RTL/TV-Ausstrahlung).    Reinhören! Warum? Weil diese Folge zeigt, wie moderne Unterhaltung erzählt wird, nämlich im Wechselspiel von Technik, Intuition und klaren Entscheidungen. Und weil sie eine seltene Innenansicht bietet, wie Schnitt bei großen, komplexen Showformaten wirklich entscheidend ist. Timeline-Shortcuts 00:14 Anmoderation 03:18 Was ist „Yes or No Games"? Quiz trifft Reality 08:21 Development: Skripte schreiben für die Realität 15:15 Die Tonspur-Archäologie: Wenn man hört, aber nicht sieht 23:05 O-Töne vs. Live-Atmosphäre: Was den Fluss stört 33:04 Der Cube: Schnitt und Virtual Production 46:45 Der wichtigste Tipp: Sichten, sichten, sichten! 52:03 Kategorien: Das Schnitt-Quiz 64:18 Abmoderation Weiterführende Links Format Yes or No Games – Offizielle Seite bei ITV Studios Germany Gäste & Team Anna Eva Heymer – Senior Producerin, ITV Studios Germany Daniel Quack – Head-Cutter „Yes or No Games" Artikel & Pressemeldung Yes or No Games – Prime-Video-Pressemeldung: „Yes or No Games: Prime Videos erste Quizshow startet im Januar"  

It's Nerd Roll of Fortune time! We're covering psychic phenomenon, high fantasy books, the usefulness of film and TV critics, and theater set design! Plus: Only Murders in the Building season 5; is it holding up? And a trailer review for the new Paul Rudd/Jack Black/Thandie Newton/Steve Zahn Anaconda movie!

Concept Designer Nick Stath and our BRAND NEW Learn Squared instructor Nick Stath drops in for this episode of the Learn Squared podcast to talk about his incredible new course INTERIOR CONCEPT DESIGN, which is available now! Nick covers all that went into the course and how his experience on films like Alien: Romulus and the upcoming Godzilla vs Kong: Supernova allowed him to push and refine his workflow further to ensure students get the purest knowledge from him. Jump in to catch this and plenty more. LEARN FROM NICK https://www.learnsquared.com/courses/interior-concept-design NICK'S first appearence on the podcast https://www.youtube.com/watch?v=-Dl2Xdg1E6g - FOLLOW NICK https://www.artstation.com/nick_stath https://www.instagram.com/nick_stath https://www.nickstath.com https://www.linkedin.com/in/nick-stath-82241bb9/ - FOLLOW LEARN SQUARED ( ALL First Lessons are FREE!) https://www.learnsquared.com https://www.instagram.com/patreon https://www.instagram.com/learnsquared https://www.twitter.com/learnsquared https://www.linkedin.com/school/learnsquared - YOUR HOST https://www.artstation.com/dhanda https://www.instagram.com/dhandatron https://www.twitter.com/dhandatron

We speak with the editor of ‘Magazine C’, a title celebrating iconic chairs. Plus, Piers Hanmer talks set design in his book ‘Distracted by Fashion’, and ‘No Way Back’, a magazine celebrating music journalism.See omnystudio.com/listener for privacy information.

In this podcast, I sit down with Corey Bowen, the lead set designer of Magic: The Gathering® | Marvel's Spider-Man, to talk about the set's design.

Behind the Scenes with Iconic Gaffer Jim Planchett! Join Adam Chase Rani and Christine Chen on the Get Reelisms Podcast as they chat with renowned gaffer Jim Plannette. Jim shares insights from his illustrious career, working on classics like E.T., Braveheart, Young Frankenstein, and many more. Discover the challenges and rewards of lighting some of Hollywood's most memorable films, the impact on personal life, and the importance of luck and timing in the film industry. This is a must-watch for filmmaking enthusiasts who want to learn from a true industry veteran!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Jim Plannette For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.comWEBISODE version of the Podcastgetreelisms.com  00:00 The Realities of Working in the Film Industry 00:46 Introduction to the Get Reelisms Podcast 01:11 Meeting Jim and His Work on E.T. 02:54 Jim's Favorite Film Projects 04:19 Challenges and Memorable Moments in Filmmaking 05:16 Jim's Journey into the Film Industry 06:39 Union Struggles and Early Career 07:20 Working on Iconic Films: From Andromeda Strain to Chinatown 09:57 Balancing Personal Life and Film Work 15:30 Shooting in Black and White: Young Frankenstein and Beyond 20:33 The Evolution of Black and White Film 21:48 Behind the Scenes of Ocean's 11 24:41 Challenges in Production Design 28:19 Filming Braveheart: A Unique Experience 33:52 Working with Steven Soderbergh 35:54 Conclusion and Future Plans Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Join me in this fun and personal chat with Heidi Miller, Set Decorator for the Emmy-nominated Jimmy Kimmel Show. Heidi takes us backstage, revealing her process for designing dynamic, comedic sets every night. Discover insider stories, unique celebrity guest requests, and how Emmy recognition shapes her creative vision. Perfect for fans of comedy, production design, and late-night television. Subscribe for more behind-the-scenes episodes of Decorating Pages!

Learn about the magic behind projection set design. Zavier Taylor talks about his love for design and working with some of the major theater companies in the region.

In this podcast, I sit down with Andrew Brown, the set lead designer of Edge of Eternities, to talk about the making of the set.

Anna Arendt is a photographer and visual artist living and working in Berlin whose images explore memory, silence, loss, and the invisible links between personal history and larger events. Her work often moves between personal, historical, and symbolic worlds, shot in black-and-white to capture places where the past and present meet.Anna was born in the German Democratic Republic and was 24 when The Wall fell, at which time her daughter was two. Her parents were born 1940 in Germany, children of war. Both of her grandfathers had been soldiers, who had been in Poland between 1940 and 1942. One came back 2 years after the war was over, the other one never returned.As a child Anna found a secret shelf that contained photo albums of her family. "It is where I discovered the power of a picture. A picture taken in summer 1940. A young family, my grandmother, her baby and my grandfather in a German uniform. A picture full of contradictions, carrying ambivalent feelings even today."Anna graduated with a degree in Fine Arts and Set Design and then received a one-year grant from the DAAD to study photography at the School of Visual Arts in New York. For 15 years, she worked as a set and costume designer for opera, drama, and puppet theater, collaborating with directors at theaters across Germany and Switzerland.Anna recently published her first book, Vanishing, with Charcoal Press. Photographed mostly between Germany and Poland over 15 years, the work slides back and forth through time like a blood memory. Walking naked through the dark forest, wolves circling, howling. A daughter becoming a mother becoming a grandmother becoming a child. Haunted villages, and souls in jeopardy. The harsh reality of the past merges seamlessly with moments of rapture that feel plucked from a Grimm fairy tale.Photography has now become the center of Anna's creative life. She continues to develop long-term projects that reflect her search for meaning in places marked by beauty, pain, and the mysteries of time. Alongside her artistic work, she also works with disabled people in an art workshop, sharing the joy of creative expression.In episode 260, Anna discusses, among other things:The origins of her photographyGrowing up in East GermanyBeginning to understand her family historyThe fall of the Berlin wall in 1989Being ‘connected to pictures'The importance of visiting Poland and its significance for her familyThe cast of characters in the book, including wolves…….And her friend, who sadly diedAllowing the photograph to tell her what it wants to be (and where)How Charcoal Press came to publish the bookHer collaboration with publisher Jesse LenzHaving a day job and a change of identityWhat she's currently up to in the darkroom EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Step inside the unsettling beauty of Apple TV+'s Severance with Set Decorator David Schlesinger. In this episode of Decorating Pages, host Kim Wannop explores how Schlesinger helped craft one of television's most visually unique series—discussing the creation of the iconic resin boardroom table, the significance of the duck-rabbit sculpture, why monochromatic palettes matter, and the story behind those wild vending machines. Plus, how much of the Keir shrine was intentional? Get an insider's look at the obsessive detail that fuels the design language of Severance—from fabricated tents to custom powder-coated podiums.Severance Apple TV+, Set Decoration, David Schlesinger, Production Design, Behind the Scenes, TV Design Podcast, Kim Wannop, Set Decorator Interview, Severance Set Design, Art Department in Film/TV

Today we are replaying an episode with Yiselle Santos Rivera. Yiselle is Director of Justice, Equity, Diversity, & Inclusion at HKS and is also a former AIA|DC Chapter President, co-founder of LA IDEA, and WIELD event founder. She is a natural community builder and has been heavily involved with JEDI initiatives both on a local and national scale for which she has been recognized with numerous awards.We talk about: - Crafting her career path in terms of employers and project types to better align with her interest to design spaces that heal- How Yiselle created communities around her interests and identities and how her leadership elevated others but also opened doors for her- The specifics of her role as JEDI director: how she splits time, her current initiatives, JEDI focused client work, bridging difficult conversations with clients and colleagues, and her tips for those interested in starting a JEDI movement at their own companies- The circular benefits of mentorship and Yiselle's Hogwarts house!More Episodes you Might Enjoy:038: Olivia Asuncion: Architect, Ramp Enthusiast, and Accessibility Advocate022: Gabriella Bermea: Advocate and Arquitecta018: Alexandra Chaves: Women in Architecture and Storytelling with 'Profiles'(Bonus 002) Set Design with Dominique Dawson008: Evelyn Lee: Tech, Transformation, and Disruption within Architecture(Bonus 006): Q&A with Architecture Graduates - Sofia Daly029: Patricia Ramallo: Behind the Scenes at NCARB

In this episode of Queer Cinema Catchup, Allison and Joe are again joined by guest Andrew from the Queer Frame Archive to discuss Carl Theodor Dreyer's 1928 silent film masterpiece, 'The Passion of Joan of Arc.' The trio delves into the film's historical context, production details, and its interpretation through a queer lens. They explore Joan of Arc's life, her trial, the significance of the film's unique cinematography, and the controversies it faced upon release. Andrew also shares insights from his work documenting queer representations in early cinema. Available on Max and now in the public domain, this iconic film is dissected for its enduring impact and artistic achievements.00:07 Introducing Andrew and Queer Film Archive01:04 First Impressions of The Passion of Joan of Arc01:40 Synopsis and Cinematic Techniques03:09 Restoration and Comparison with Michael04:32 Carl Theodor Dreyer: The Visionary Director06:29 Andrew's Viewing Experience and Insights07:56 The Power of Editing 15:31 Historical Context of Joan's Trial33:47 Joan of Arc: A Queer Icon?38:00 Joan of Arc's Evolving Identity39:52 The Crucible and Self-Perception42:59 Joan's Clothing and Gender Identity46:14 Behind the Scenes 48:32 Production Controversies and Challenges51:15 Set Design and Filming Techniques53:55 Acting Challenges and Realism01:00:52 Streaming Experience and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

Traveling doesn't mean your podcast has to hit pause.In this episode of As It Relates to Podcasting, I'm sharing how to stay consistent with your show even when you're living out of a suitcase. Whether you're hopping between countries, speaking at events, or managing life between two homes, this episode walks you through the exact tools, setup, and mindset you need to keep your show on track—without compromising quality or your sanity.From simplifying your tech to planning content that travels well, I'll show you how to create a portable podcasting process that fits your lifestyle. This is your permission slip to hit record—even if you're not in your perfectly curated home studio.

This week as part of ANDOR APRIL, we're breaking down the artistry of the costumes and set design that defined ANDOR's first season. Whether it's the ruggedness of Ferrix, the iconic closet of Mon Mothma, or the sterile and uninviting nature of Narkina 5, ANDOR brings us some of the most authentic people and locations that define its prestige quality. As a reminder, our podcast will be LIVE from the Holonet News Stage at Star Wars Celebration Japan on Sunday, April 20 at 11AM JST. Learn more ⁠⁠here⁠⁠. We hope to see you there! Website: http://www.friendsoftheforcepod.comLinktree: https://linktr.ee/friendsoftheforceBluesky: https://tinyurl.com/36zwf8ayThank you to all of our Patrons, including our Luminous Beings: Brian, Emma, Jenn, Jules, Lucy, Soulcatcher, and Travis.#StarWars #Andor

In this podcast, I sit down with Tarkir: Dragonstorm Set Design Lead Adam Prosak to talk about the set's design.

Clemente Collector (Theo) is joined by Chris From Missouri, DoubleD Vintage Baseball Cards (Dylan) and Legends Never Die (Jake) to rank the 1960's Topps baseball card sets from 1-10! What set will be #1? The guys also pick out their favorite card from each set! The rankings are based on 3 categories: Set Design (40%), Stars/Rookies (40%), Inserts/Subsets (20%).Link To YouTube Episode⁠⁠Use promo code SPLENDID for 10% off your entire order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zion Cases⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow Splendid Sports on Instagram

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft speaks with Production Designer Kato Lawton, along with film students Austin and Andy, about their experiences on the ECR 2024 feature film 'A Mess of Memories.' The discussion delves into the parallels between method acting and production design, the creative process behind crafting detailed and immersive sets on an indie budget, and the personal backgrounds that led each guest to their current roles in the film industry. Key topics include the challenges of working on a hoarder's house set, the importance of understanding character for effective production design, and valuable lessons from past experiences that contributed to their current skills.       Episode Timestamps     00:00 Introduction to Method Acting in Production Design 00:35 Welcome to Trilith Institute Talks 01:06 Meet the Guests: Kato, Andy, and Austin 01:57 Kato's Journey to Production Design 05:04 Austin's Path to Filmmaking 09:40 Andy's Background in Theater and Film 11:52 The Role of a Production Designer 14:18 Challenges and Creativity in Indie Filmmaking 15:50 Building the Hoarder House Set 21:19 Leadership and Team Management in Production Design 27:30 Valuable Feedback from Non-Filmmakers 28:40 Happy Accidents in Filmmaking 29:56 Production Design Tricks and Techniques 31:35 Challenges of Filming in a Hoarder's House 34:57 Influences and Inspirations in Production Design 38:34 The Art Department Experience 47:48 Advice for Aspiring Production Designers 50:43 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

Case and Sam are joined in this episode by many of the people behind the independent Star Trek fan production, Farragut Forward! Tune in for interviews with Dave Moretti, Paul Sieber, Johnny K, and John Broughton!   Overview   In the latest episode of "Another Pass," hosts dive into the intricacies of the independent Star Trek fan film project, "Farragut Forward," a labor of love that has spanned nearly 20 years. Key discussions include the challenges of independent filmmaking, covering aspects like budget constraints and the collaborative spirit of passionate crew members. Interviews with key figures such as executive producer and set designer Dave Moretti, screenwriter Paul Sieber, and director Johnny K shed light on creative solutions for set design, character development, and directing under constraints. The episode also explores post-production challenges, costume design, team dynamics, and the broader impact of Starship Farragut within the fan film community. Wrapped up with reflections on personal growth and lessons learned, listeners are encouraged to engage with Farragut Forward on platforms like YouTube and follow updates on future projects.   Notes Introduction to Farragut Forward (00:01 - 11:39) Hosts introduce the podcast "Another Pass" and the topic: Farragut Forward Farragut Forward is a Star Trek fan film project Case Aiken has been involved with Starship Farragut for almost 20 years The project has been ongoing for about 20 years Recently released Farragut Forward, set in the movie era of Star Trek Independent Filmmaking Challenges (11:39 - 22:51) Discuss the difficulties of independent filmmaking Limited budget and resources Case was a producer and production manager on Farragut Forward Many crew members contributed their own money and resources Emphasize the collaborative nature of the project ️ Set Design and Production (22:51 - 33:52) Interview with Dave Moretti, executive producer and set designer Dave's background in community theater Challenges of building sets in limited space and time Creative solutions for set design and construction Emphasis on creating depth and realism in the sets ️ Visual Effects and Set Pieces (33:52 - 44:57) Discussion of favorite set pieces, including the Klingon Bird of Prey bridge Challenges of creating believable sets on a limited budget Use of creative techniques to enhance the visual appeal Importance of volunteer efforts in set construction Screenplay Development (44:57 - 54:47) Interview with Paul Sieber, screenwriter and actor Paul's history with Starship Farragut and fan films Development of the Prescott character Evolution of the story from previous Farragut episodes to Farragut Forward Character Development and Lore (54:47 - 01:03:59) Discussion of the Prescott character's backstory and evolution Explanation of the Mirror Universe storyline Development of other characters in the Farragut universe Balancing fan expectations with original storytelling Directing Farragut Forward (01:03:59 - 01:12:10) Interview with Johnny K, director of Farragut Forward Johnny's approach to visual style and cinematography Challenges of shooting on limited sets and timeframes Balancing fan expectations with creative vision Production Design and Challenges (01:12:11 - 01:22:13) Discussion of set design and construction challenges Time constraints for shooting on temporary sets Balancing creative vision with practical limitations Importance of safety on set ⏱️ Time Management in Filmmaking (01:22:13 - 01:29:38) Challenges of shooting complex scenes in limited time Strategies for prioritizing essential shots and coverage Balancing creativity with practical constraints Importance of planning and adaptability Team Building and Collaboration (01:29:38 - 01:40:11) Discussion of assembling the production team Importance of finding skilled and passionate volunteers Networking within the fan film community Balancing different skill sets and personalities Creative Problem-Solving (01:40:11 - 01:50:09) Examples of overcoming production challenges Adapting to unexpected issues during filming Importance of flexibility and quick thinking Balancing creative vision with practical limitations ️ Post-Production and Editing (01:50:09 - 01:59:14) Discussion of the editing process for Farragut Forward Challenges of working with limited footage Balancing pacing and storytelling in the edit Importance of maintaining the overall vision during post-production Costume Design and Production (01:59:14 - 02:08:28) Interview with John Broughton, executive producer and costume designer Discussion of creating accurate Star Trek uniforms Challenges of producing movie-era costumes Importance of attention to detail in costume design Project Management and Leadership (02:08:28 - 02:17:39) John Broughton's role as executive producer Challenges of managing a large volunteer team Importance of clear communication and motivation Balancing creative vision with practical constraints Story Development for Future Projects (02:17:39 - 02:24:46) Discussion of the writing process for Farragut 2024 Collaboration between multiple writers Importance of creating a strong story foundation Balancing fan expectations with original ideas Fan Film Community and Legacy (02:24:46 - 02:34:43) Reflection on the impact of Starship Farragut Discussion of the wider Star Trek fan film community Challenges and rewards of long-term fan projects Importance of passion and dedication in fan filmmaking Future of Farragut and Fan Films (02:34:43 - 02:44:31) Plans for upcoming Farragut projects Discussion of the evolving fan film landscape Challenges of maintaining momentum and interest Importance of innovation and quality in fan productions Personal Growth and Lessons Learned (02:44:31 - 02:54:58) Reflections on personal development through fan filmmaking Lessons learned about leadership and collaboration Importance of managing expectations and relationships Balancing passion for the project with real-life responsibilities Wrapping Up and Recommendations (02:54:58 - 03:16:16) Final thoughts on Farragut Forward and its production Encouragement for viewers to watch the film on YouTube Discussion of other podcasts and projects Closing remarks and future episode teaser  

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft is joined by renowned puppeteer Raymond Carr, film student Sophie, and aspiring TV writer, Andy. They delve into the resurgence of puppetry through social media, Raymond's illustrious career, and his work with the Jim Henson Company on projects like LazyTown and Crank Yankers. The conversation covers the technical and artistic aspects of puppet production, tips for aspiring puppeteers, and the importance of finding a supportive creative community. Additionally, Raymond shares insights into creating powerful characters through puppetry, citing examples from his own experiences on shows like Netflix's 'Eric,' Smiling Friends, and the PBS Kids' show 'Splashin Bubbles.'       Episode Timestamps     00:00 Introduction to Puppetry Boom 00:45 Meet the Guests: Raymond, Sophie, and Andy 01:42 Raymond's Journey: From Clowning to Puppetry 05:22 Finding Your Creative Tribe 13:55 The Jim Henson Workshop Experience 16:55 Getting Started in Puppetry Today 26:27 Greek Gods in a Diner: A Unique Comedy Script 27:18 Wardrobe, Set Design, and VFX Challenges 27:37 Puppetry in Film: From Mannequins to Eric 28:39 The Art of Puppetry: Techniques and Challenges 30:13 Jim Henson's Legacy and Puppetry's Versatility 32:29 The Technicalities of Puppetry in Different Shows 36:12 Directing and Collaborating in Puppetry Projects 44:17 Upcoming Projects and Exhibits 47:47 Final Thoughts and Farewell     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

In this podcast, I sit down with Yoni Skolnik, the lead set designer for Aetherdrift, to talk about the design after it was handed off for set design.

On today’s show, it’s time to dive deep into the movie that has been consuming our thoughts, conversations, and TikTok feeds, Nicole Kidman’s new erotic drama Babygirl.From some strange on-set stories that will make you see the movie in a different way to the fascinating reason why Antonio Banderas was cast and the hidden details behind particular scenes, there are so many layers to peel back and discuss when it comes to Babygirl.And of course, we need to urgently dissect the movie’s viral sex scenes…but our opinions on them might be a little polarising.And we haven't forgotten about Weekend Watch! Today we have an incredible new TV series starring one of our favourite actresses to recommend to you, and a new Netflix comedy that everyone is talking about. THE END BITSListen:A Brutally Honest Review Of Gladiator llA Brutally Honest Review Of Nobody Wants This Subscribe to The Spill Newsletter by clicking here. Subscribe to Mamamia GET IN TOUCH:The Spill podcast is on Instagram here.Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! WANT MORE?If you’re looking for something else to listen to why not check out our hilarious and seriously unhelpful podcast The Baby Bubble hosted by Clare and Jessie Stephens.Or click here to listen to the hosts of Mamamia Out Loud open up about creativity and how they stay inspired. Read all the latest entertainment news on Mamamia... here. CREDITS Hosts: Laura Brodnik & Em VernemExecutive Producer: Kimberley Braddish Audio Producer: Scott Stronach Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

I recorded this podcast two years ago when I handed off the Aetherdrift vision design to the Set Design team. Hear my thoughts on Magic's latest set as it came fresh out of design.

Shelly Walker's talents and creativity are reflected in her scenic art and set design, as well as in pasta! Rebecca and Shannon chat with this Great Falls native about her work on movie sets and more! Shelly Walker's IMDB: https://www.imdb.com/name/nm13039766/

Click ⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore to sign up and receive 30% off your first year to distribute your music to the whole world! Nolan Lem's work has been featured internationally at venues such as the Museum of Modern Art Buenos Aires, Pioneer Works , L'HOSTE Art Contemporain , and the Danish National Museum of Music. He has participated in a number of residencies, including IRCAM, MassMoCA, Cité Internationale des Arts, and the Bemis Center for Contemporary Arts. Nolan joins us to explore his fascinating work with interactive sound systems and sonic machinery. Drawing from his unique background in saxophone performance, electrical engineering, and computer music, Nolan shares how he creates immersive audio-visual environments that bring together technology, sound, and systems thinking. From his time at Stanford's CCRMA to his current research at Chalmers University, discover how Nolan's innovative approach is pushing the boundaries of contemporary sound art. Connect with Nolan: ✏️ Website ✏️ ⁠Instagram⁠ Pick up my ⁠⁠⁠⁠⁠new LP "I" on vinyl⁠⁠⁠⁠⁠ in its full spinning colorfulness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ while they last

Celebrate the end of 2024 with a special Best of Decorating Pages Podcast episode! Host Kim Wannop revisits the year's highlights, featuring inspiring conversations with Emmy-winning designers, deep dives into iconic films through the Design Film Study series, and must-read book recommendations for film and TV enthusiasts. This episode includes behind-the-scenes insights from fan-favorite episodes like Beetlejuice 2 with Mark Scruton and The Penguin with Kalina Ivanov, plus highlights from The Crown and Ripley. Whether you're a design lover, a film enthusiast, or curious about Hollywood's creative process, this episode is the perfect recap of a memorable year in production design.

Star Trek V: The Final Frontier is a movie that begs the audience to ask many questions. Why does God need a Starship? Why is Captain Kirk climbing the mountain? How many “Rows” are in “Row Row Row Your Boat”? And more! From Farragut Forward, William Jay joins Case and Sam to attempt to answer a few of these questions.   Overview In the latest episode of the podcast, hosts Case Aiken and Sam Alicea, along with guest William J., delve into the complexities of "Star Trek V: The Final Frontier," celebrating the film's significance within the franchise on its 35th anniversary. They provide an engaging overview of the movie's production challenges, particularly highlighting William Shatner's directorial debut and the budget constraints faced. The discussion covers character dynamics, including an analysis of Kirk, Spock, McCoy, and the antagonist Sybok, as well as critiques of pacing, plot structure, and the film's attempts at humor. The hosts explore pivotal scenes, such as the Yosemite sequence and the galactic barrier climax, while offering constructive suggestions for improving character development and overall narrative flow. The episode concludes with reflections on the film's legacy within the Star Trek canon and a look at upcoming podcast topics, ensuring listeners are informed and engaged in the broader Star Trek conversation.   Notes Introduction and Overview (00:00 - 10:01) Podcast hosts Case Aiken and Sam Alicea introduce the topic: Star Trek V: The Final Frontier Guest William J. joins to discuss the film Mention of Star Trek's 35th anniversary and William Shatner's recent comments Movie Context and Production (10:02 - 20:24) Discussion of Star Trek V's place in the franchise Comparison to previous films directed by Leonard Nimoy William Shatner's directorial debut and its challenges Budget and production issues highlighted Character Analysis and Plot Elements (20:24 - 28:41) Examination of Kirk, Spock, and McCoy's roles Discussion of Sybok as the antagonist Critique of the film's pacing and structure Yosemite Scenes and Ship Issues (28:41 - 40:23) Analysis of the extended Yosemite sequence Critique of the Enterprise's technical problems Discussion of the film's attempts at humor Alien Encounters and Rescue Mission (40:23 - 52:10) Examination of the Nimbus III setting and inhabitants Analysis of the rescue mission sequence Critique of Uhura's dance scene and its place in the film Sybok's Powers and Ship Takeover (52:10 - 01:01:40) Discussion of Sybok's psychological abilities Analysis of the Enterprise crew's reactions Critique of the logic behind Sybok's plan God Entity and Galactic Barrier (01:01:40 - 01:08:31) Examination of the film's portrayal of a god-like entity Discussion of the galactic barrier concept Critique of the film's climax and resolution Visual Effects and Set Design (01:08:31 - 01:18:07) Analysis of the film's special effects Discussion of budgetary constraints on visuals Comparison to effects in other Star Trek films Proposed Improvements (01:18:07 - 01:26:25) Suggestions for improving the film's plot Ideas for better character development Proposed changes to the film's pacing Alternative Plot Ideas (01:26:25 - 01:35:20) Discussion of potential alternative storylines Suggestions for improving Sybok's character Ideas for enhancing the film's themes Franchise Impact and Legacy (01:35:20 - 01:44:09) Analysis of the film's impact on the Star Trek franchise Discussion of its place in Star Trek canon Comparison to other odd-numbered Star Trek films Final Thoughts and Recommendations (01:44:09 - 01:54:24) Overall assessment of the film's strengths and weaknesses Recommendations for potential viewers Discussion of the film's place in Star Trek history Wrap-up and Future Topics (01:54:24 - 02:16:12) Summary of key points discussed Mention of upcoming podcast topics Information on where to find the hosts and guest online  

Welcome to the ⁠Events Demystified Podcast⁠, hosted by ⁠Anca Platon Trifan, CMP, DES, WMEP⁠. In this episode of the Events Demystified Podcast, Anca sits down with Shelby Ring, CEO of Brand Narrative Video Production, to explore the art of brand storytelling through video production. Tune in as Shelby shares insights on crafting compelling narratives, overcoming challenges in video marketing, leveraging AI tools for content creation, and managing complex production timelines. Plus, discover fun facts about Shelby and tips for founders who struggle with being on camera. Use code TREEFAN to get 10% off the masterclass: "The Art Of On-Camera Interviews" GUEST BIO Shelby Ring is the Chief Cat Herder and lead Cinematographer at Ruby Riot Creatives, an Austin, TX, and Charleston, SC, digital marketing firm specializing in photo + video brand campaigns. When Shelby's not directing a shoot or geeking out in Final Cut Pro, you might find her stuffing her face with fried chicken or Blues Fusion dancing. Shelby is a champion and an advocate for entrepreneurs everywhere and believes business is one of the best ways to make huge, sustainable changes in today's society. Catch her podcast, The Ruby Hour, to learn expert on-camera and branding tips.

INTRODUCING MONET TALKS! SUBSCRIBE WHEREVER YOU GET YOUR PODCASTS!! This week Monét Talks with Libra legend Adore Delano; they get into collabing on music together, their astrological signs, and if she'd go back on Drag Race.  Created by and starring: Monét X Change, Executive Producers: Patrick Minor and Jay Difeo, Produced By: Jonathan Mitchell and Robbie Soares, Creative Director: Patrick Minor, Associate Produced by: Tracy Marquez, Edited and Shot By: Dalton Belew, Audio: Land Romo, Director of Photography: Brent Bailey, Set Design & Art Direction: Samuel Keamy-Minor, Monét Talks Theme written and produced by Monét X Change, Cannon Mapp, Eritza Laues, Mr. International. Follow Monét: @monetxchange To watch the podcast on YouTube: https://bit.ly/MonétTalksYouTube Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/MonétTalks If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: https://bit.ly/MonétTalks Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this podcast, I sit down with Jules Robins, lead set designer of Duskmourn: House of Horror, to talk about the design of the set.

In this episode, I sit down with Set Design Lead Ian Duke to talk about the later design of Bloomburrow.

In this podcast, I sit down with Set Design Lead Michael Majors to talk about the set design for Modern Horizons 3.