Podcast appearances and mentions of charlotte zwerin

The fifth episode of our season on the awesome movie year of 1969 features our documentary pick, the Maysles brothers' Salesman. Directed by Albert and David Maysles with Charlotte Zwerin, Salesman is a key film in the direct cinema movement.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/04/18/archives/screen-salesman-a-slice-of-america.html), Margot Hentoff in The New York Review of Books (https://www.nybooks.com/articles/1969/03/27/wild-raspberries/), and Joe Morgenstern in Newsweek. Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring Josh's personal pick, Ronald Neame's The Prime of Miss Jean Brodie.

Number 19 has something for the whole family: documentary filmmaking, video games, and mild Italian American stereotyping. Chris Pratt is discussed as well as the 1970 Rolling Stones film "Gimme Shelter" by the Maysles Brothers and Charlotte Zwerin. This episode features the voice talents of Miguel Gonzalez and Cristal Time. "Let's Go Over the Plan One More Time" was edited by Edson Choi. "Sicilian Waltz" was composed by Trabant 33. IG: @timemule Questions? Advice? Write to timemule@gmail.com

Ein Blick von außen auf Japan und seine Büroangestellten, die Salarymen: Die costa-ricanische Künstlerin und Fotografin Allegra Pacheco stolpert im wahrsten Sinne des Wortes über die Angestellten, die in ihren Businessanzügen auf dem Bürgersteig schlafen, weil sie betrunken die letzte Bahn nach Hause verpasst. Im Debütfilm erklärt sie sich selbst und uns diese Welt und kommt den Menschen als blonde Fremde erstaunlich nah. Die Salarymen werden sichtbar zwischen Samuraiselbstbild, Loyalität, Überforderung, Alkoholismus, Enttäuschung und Entfremdung von ihren eigenen Familien. Lucas hat da einen sehr kritischen Blick und vermisst die Intensität und den Anspruch von SALESMAN von Albert und David Maysles und Charlotte Zwerin von 1969. Thomas sieht den Film eher als visuell anspruchsvolle Reportage, der es gelingt den Status Quo darzustellen und eine sehr gute Einführung in das Thema bietet, auch wenn daraus keine These folgt. Ein versöhnliches Streitgespräch direkt nach dem Film.

Nikita Gale speaks with Alexander Provan about Tina Turner, Phil Spector, and the prospect of being heard without being controlled. Gale tells the story of the genre-busting song that Turner and Spector, the infamous producer, recorded in 1966, “River Deep—Mountain High”: a commercial failure but a creative breakthrough for Turner, who had previously been defined as an R&B singer and dominated by her abusive husband and bandmate, Ike Turner. Gale, an artist who has often engaged with Turner's music and biography, talks about the song as a symbol for how the music industry determines whose voices are amplified and whose are silenced. She observes that the segregation of cities in midcentury America was echoed on the airwaves, and the definition of audiences via racial and demographic categories has been upheld by record labels, Spotify, and the Grammys.Nikita Gale is an artist who lives in Los Angeles. In addition to co-hosting Medium Rotation, Gale has worked with Triple Canopy on a residency at the Hammer Museum and a related series of performances and publications. Gale's recent and upcoming projects include exhibitions at the California African American Museum (Los Angeles) and LAX Art (Los Angeles), a commissioned performance at MoMA PS1 (New York City), and the record and book INFINITE RESOURCES (Aventures, 2021).In this episode, Gale draws on her essay “Little Girls,” published by Triple Canopy last year, which describes “River Deep—Mountain High” as the zenith of Spector's “wall of sound” technique—and as “the sound of being together—or of being packed together, forced together.” (A reading of Gale's essay by Kaneza Schaal is available as a bonus episode.) Gale connects Turner's effort to transcend the role of R&B singer, Spector's desire to defy genre, and her own frustration as a teenager in Atlanta with radio stations that played rap for Black listeners and alt-rock for white ones. With Provan, she speaks about the production and reception of “River Deep—Mountain High” as part of the trajectory from “race records” in the 1920s to “urban contemporary” in the 1970s to the ongoing subsumption of most genres by pop music.In order of appearance, the music and other recordings played on this episode are: Tina Turner performing in Gimme Shelter (Maysles Films, 1970), directed by David Maysles, Albert Maysles, and Charlotte Zwerin; Tracy Chapman, “Fast Car,” Tracy Chapman (Elektra, 1988); Tyler, the Creator speaking to the press after winning Best Rap Album at the Grammy Awards, 2020; outtakes from the recording of “River Deep—Mountain High,” from Ike & Tina Turner, What You See Is What You Get (Big Fro, 2018); the Ronettes, “Walking in the Rain” (Philles, 1964); Jackie Brenston and his Delta Cats (a.k.a. Ike Turner and his Kings of Rhythm), “Rocket 88” (Chess, 1951); Tina Turner interviewed on “The Late Show with David Letterman,” May 31, 1984; Phil Spector inducting Ike & Tina Turner into the Rock & Roll Hall of Fame, 1991; interview with Phil Spector from All You Need Is Love: The Story of Popular Music (London Weekend Television, 1977), directed by Tony Palmer; Brian Gibson, dir., What's Love Got to Do with It (Touchstone Pictures, 1993).Medium Rotation is produced by Alexander Provan with Andrew Leland, and edited by Provan with Matt Frassica. Tashi Wada composed the theme music. Matt Mehlan acted as audio engineer and contributed additional music.Medium Rotation is made possible through generous contributions from the Andy Warhol Foundation for the Visual Arts and Nicholas Harteau. This season of Medium Rotation is part of Triple Canopy's twenty-sixth issue, Two Ears and One Mouth, which receives support from the Stolbun Collection, the Shelley & Donald Rubin Foundation, Agnes Gund, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

It's obviously not just the film industry that's having trouble during the pandemic; the music industry's working bands have found their main revenue stream of touring currently not an option for this last year. On this episode is Laura Colwell and Stephen Salisbury of the Austin, TX band Sun June, who, between their dreamy “regret pop” and self-directed videos, have a foot in both industries. Here we discuss:- these two Bay Area concert docs of the late '60s;- Janis Joplin and Otis Redding's iconic performances in the former;- the snuff film aspects of the latter;- the forced-mythologized bookending of both;- their cameramen directors D.A. Pennebaker and the Maysles Bros;- and other contributors such as Shelter's co-director and -editor Charlotte Zwerin.Also:- How Sun June literally started out in an editing room;- what their working band entails now with members across multiple cities;- rock critic Robert Christgau's clear-eyed essay “Anatomy of a Love Festival”;- what Albert Maysles told me when I interviewed him in 2000;- how wildly different the industry was financially between now and 1967;- and what techniques these docs can have for a modern band making their own videos and controlling their own image.Colwell, along with being lead singer and keyboard player for Sun June, works in the film industry and has edited features and docs, including Also Starring Austin, about the city's history on film. Salisbury, Sun June's guitarist, also worked in the film industry on films such as Knight of Cups, Song to Song, and the doc Becoming Leslie. He is currently in the graduate program studying microbiology at the University of North Carolina. They both also write songs for the band.Sun June's sophomore album, Somewhere, was just released via Run For Cover and Keeled Scales. You can find out more at the band's website, such as where to stream live performances and, when bands can do so again, tour dates. Checking out their videos page is also highly recommended, too.Monterey Pop and Gimme Shelter are both, respectively, streaming on HBO Max and both, respectively, physically on the Criterion Collection.

This week on Extra Milestone, I'm joined by returning guest and fellow cinephile Andrew McMahon to break down an enticing double feature spanning numerous decades and genres. First up is a cinematic and musical appetizer in the form of Gimme Shelter, the iconic Rolling Stones documentary directed by Charlotte Zwerin and the Maysles Brothers, chronicling the doomed Altamont Speedway concert outside of San Francisco in December of 1969, a tragic failure that swiftly signaled the downfall of the Counterculture Movement. After that, we jump forward to Michael Mann's Heat, a stylish and captivating crime drama featuring the first onscreen collaboration between Al Pacino and Robert De Niro, and which has maintained its legacy as one of the best films of its kind. NOTE: Andrew mistakenly refers to the late Brian Jones as 'Brian Taylor' early in the show due to a confusion with Mick Taylor, Jones's replacement band member. SHOW NOTES: 00:02:02 – Gimme Shelter 00:45:26 – Heat HOSTED BY: Sam Noland and Andrew McMahon MUSIC IN THIS EPISODE: "Gimme Shelter" by The Rolling Stones, "God Moving Over the Face of the Waters" by Moby   Support the show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

This week on Extra Milestone, I'm joined by returning guest and fellow cinephile Andrew McMahon to break down an enticing double feature spanning numerous decades and genres. First up is a cinematic and musical appetizer in the form of Gimme Shelter, the iconic Rolling Stones documentary directed by Charlotte Zwerin and the Maysles Brothers, chronicling the doomed Altamont Speedway concert outside of San Francisco in December of 1969, a tragic failure that swiftly signaled the downfall of the Counterculture Movement. After that, we jump forward to Michael Mann's Heat, a stylish and captivating crime drama featuring the first onscreen collaboration between Al Pacino and Robert De Niro, and which has maintained its legacy as one of the best films of its kind. NOTE: Andrew mistakenly refers to the late Brian Jones as 'Brian Taylor' early in the show due to a confusion with Mick Taylor, Jones's replacement band member. SHOW NOTES: 00:02:02 – Gimme Shelter 00:45:26 – Heat HOSTED BY: Sam Noland and Andrew McMahon MUSIC IN THIS EPISODE: "Gimme Shelter" by The Rolling Stones, "God Moving Over the Face of the Waters" by Moby   Support the show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

A free concert took place in northern California in December of 1969 featuring The Rolling Stones.  It would descend into chaos due to poor planning, rampant drug use and the ill-advised use of the Hells Angels as concert security.   Resources: Joel Selvin, Altamont: The Rolling Stones, the Hells Angels and the Inside Story of Rock's Darkest Day, (New York: Harper Collins), 2016.  Lester Bangs, Reny Brown, John Burks, Sammy Egan, Michael Goodwin, Geoffrey Link, Greil Marcus, John Morthland, Eugene Schoenfeld, Patrick Thomas, and Langdon Winner, Rolling Stone Magazine, "The Rolling Stones Disaster at Altamont: Let It Bleed," January 21, 1970.  Albert & David Maysles and Charlotte Zwerin, Gimme Shelter (1970), http://watchdocumentaries.com/rolling-stones-gimme-shelter/  Note: Meredith Hunter can be seen in the crowd at timestamp 1:18:50. The attack on him begins at 1:23:26.  Sponsors:  Hello Fresh: www.HelloFresh.com/ONCE80 and enter ONCE80 at checkout for $80 off your first month of meal kits.  Away Travel: www.awaytravel.com/ONCE20 and use promo code ONCE20 at checkout for $20 off a suitcase.  Native Deodorants: www.nativedeodorant.com and use promo code ONCE during checkout for 20% off your first purchase. 

 Please allow us to introduce ourselves....we're a podcast...of wealth (of information and opinions) and taste....maybe.   Episode 62 of See Hear Podcast is ready for your earholes. Tim, Sticky (Fingers) and Maurice delve into the documentary about disaster that was The Rolling Stones' free concert at Altamont Speedway on December 6, 1969. The Stones were finishing up their first American tour in 3 years....hugely successful artistically coming after two of the greatest albums in their back catalogue, Beggars Banquet and Let It Bleed.   The tour infamously ended in tragedy when a San Franciscan chapter of the Hells Angels were hired by the Stones to provide security for the payment of $500 worth of beer. From 2019, this does not look to be world's best business practice....needless to say, things didn't go well. Members of the audience (and Marty Ballin of Jefferson Airplane) were beaten by the Angels, they had contempt for the band they were supposedly guarding, and by day's end, Meredith Hunter, a concert goer was pronounced dead after being stabbed by a member of the Angels.   David and Albert Mayles and Charlotte Zwerin were looking to make a bog standard documentary about the Stones' US tour of 1969....instead, their cameras captured events that many have said kicked the idealism of the 1960s to the curb.   We discuss the way the drama of the film is presented, other films featuring the Rolling Stones as subject matter, the image of the band as opposed to the reality, and whether they learned anything as a result. Who was complicit in Meredith's murder? Be aware some of the subject matter may be a little distressing.   You can download the show by searching for See Hear podcast on iTunes, Spotify or Stitcher or you can download from http://seehear.podbean.com …..or whatever podcast app you favour.   If you dig what we do, could you please rate us at iTunes or even better, spread the word that the show exists on social media or at your next barbecue, gig, or marathon run so more folks can tune in.   Please join our friendly Facebook group at  http://www.facebook.com/groups/seehearpodcast   You can send us emails at seehearpodcast@gmail.com to suggest films you'd like us to discuss, give us your thoughts on what we do or anything else music-film related.

David is joined by Matt Gasteier and William Remmers to set an example to the rest of America as to how one can behave in nice gatherings.

This week we have slightly divergent feelings about the time commitment required to watch a six-part series on the Grateful Dead. Plus, Bart interviews Ellen Goldfarb of DARE TO BE DIFFERENT. Group Review Documentary: LONG STRANGE TRIP (2017) / (Director: Amir Bar-Lev / Producers: Alex Blavatnik, Ken Dornstein, Eric Eisner, Nick Koskoff, Justin Kreutzmann) Available to stream on Amazon   Film Featured in Interview Portion: DARE TO BE DIFFERENT (2017) / (Director / Producer: Ellen Goldfarb)   Other Documentaries Mentioned: Gaga: Five Foot Two / 2017 (Director: Chris Moukarbel) Stop Making Sense / 1984 (Director: Jonathan Demme) Bob Dylan: Don’t Look Back / 1967 (Director: D.A. Pennebaker) Searching for Sugar Man / 2012 (Director: Malik Bendjelloul) What Happened, Miss Simone? / 2015 (Directors: Liz Garbus, Hal Tulchin) Gimme Shelter / 1970 (Directors: Albert Maysles, David Maysles, Charlotte Zwerin) 20 Feet From Stardom / 2013 (Director: Morgan Neville) Buena Vista Social Club / 1999 (Director: Wim Wenders) Don't Stop Believin': Everyman's Journey / 2012 (Director: Ramona S. Diaz) Motherland / 2017 (Director: Ramona S. Diaz) What's Happening! The Beatles in the U.S.A. / 1964 (Directors: Albert Maysles, David Maysles) Monterey Pop / 1968 (Director: D.A. Pennebaker) David Bowie: The Last Five Years / 2017 (Director: Francis Whately) Cobain: Montage of Heck / 2015 (Director: Brett Morgan) Kurt & Courtney / 1998 (Director: Nick Broomfield) Song to Song / 2017 (Director: Terrence Malick) Bride of Frankenstein / 1935 (Director: James Whale) The Tillman Story / 2010 (Director: Amir Bar-Lev) Happy Valley / 2014 (Director: Amir Bar-Lev) Lemon / 1969 (Director: Hollis Frampton) Marley / 2012 (Director: Kevin Macdonald) Cassette: A Documentary Mixtape  / 2016 (Director: Zach Taylor) Sun Ra: A Joyful Noise / 1980 (Director: Robert Mugge) Too Funny to Fail: The Life and Death of the Dana Carvey Show / 2017 (Director: Josh Greenbaum) Conspiracy Theory Rocks / 1998 (Creator: Robert Smigel)   Timestamps: 12:41 - Group Review of LONG STRANGE TRIP 26:47 - Interview w Ellen Goldfarb, dire 40:20 - Doc Talk   Website/Email: www.fogoftruth.com disinfo@fogoftruth.com   Credits: Artwork by Hilary Campbell Intro music by Jeremiah Moore Transitional music by BELLS (thanks to Christopher Ernst)

Pour ce deuxième épisode du podcast, j'ai choisi de vous parler d'une de mes chansons préférées de tous les temps : "Wild Horses" des Rolling Stones, qui se trouve sur l'album Sticky Fingers (1971). Je vous raconte l'histoire de cette chanson, son enregistrement, ses paroles, et la façon dont je suis tombée sous son charme la première fois que je l'ai entendue, à 13 ans. Enfin, je vous en offre une version enregistrée à l'arrache dans mon salon, en une prise (j'ai juste ajouté une piste de chœurs, pas pu m'en empêcher). Soyez indulgents, ça ne sonne pas exactement comme du Phil Spector… Pour voir le film documentaire "Gimme Shelter", réalisé par David Maysles, Albert Maysles et Charlotte Zwerin : http://www.youtube.com/watch?v=rEw_FuglGVU Livre "Rocks Off, l'histoire des Rolling Stones en 50 titres", par Bill Janovitz : http://www.payot-rivages.fr/rivages/livre/rocks-9782743633356

Chay talks about feeling down. (Taking a small break whilst I move and reorganise and thought I'd end for the time being on a nice down note, like all the best films) Films mentioned in order: Salesman (Albert Maysles, David Maysles & Charlotte Zwerin, 1968) In the Mood for Love (Wong Kar-Wai, 2000) 8 1/2 (Federico Fellini, 1963) An Autumn Afternoon (Yasujirô Ozu, 1962) News from Home (Chantal Ackerman, 1977) Symbiopsychotaxiplasm: Take One (William Greaves, 1968) Persona (Ingmar Bergman, 1966) Juno (Jason Reitman, 2007)

On Episode 11 Paco and George caught up with musician Dan Deacon right before his set at Outside Lands Music Festival, and we chatted about the infamous and iconic doc Gimme Shelter (1970 film). The original location for the famed concert was right where this interview took place! Gimme Shelter is a 1970 documentary film directed by Albert and David Maysles and Charlotte Zwerin chronicling the last weeks of The Rolling Stones' 1969 US tour which culminated in the disastrous Altamont Free Concert. Great talk!Dan Deacon Twitter: ebaynetflixFollow us on:Twitter: @supdocpdocastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.**Sup Doc has created a Patreon page for those that can help out. We will also be providing unique Sup Doc content for our contributors. If now is not good for you we always appreciate you listening and spreading the word about Sup Doc!