Podcasts about The Ronettes

"MixTape 114 Classic Oldies Favorites" TRACK 1 AUDIO TITLE "Stand By Me" PERFORMER "Ben E. King" INDEX 01 00:00:00 TRACK 2 AUDIO TITLE "The Sound of Silence - Acoustic Version" PERFORMER "Simon & Garfunkel" INDEX 01 02:46:70 TRACK 3 AUDIO TITLE "All I Have to Do Is Dream" PERFORMER "The Everly Brothers" INDEX 01 05:31:35 TRACK 4 AUDIO TITLE "All You Need Is Love - Remastered 2009" PERFORMER "The Beatles" INDEX 01 07:41:11 TRACK 5 AUDIO TITLE "Ring of Fire" PERFORMER "Johnny Cash" INDEX 01 10:36:31 TRACK 6 AUDIO TITLE "Suspicious Minds" PERFORMER "Elvis Presley" INDEX 01 13:00:26 TRACK 7 AUDIO TITLE "Sugar, Sugar" PERFORMER "The Archies" INDEX 01 17:01:33 TRACK 8 AUDIO TITLE "Travelin' Man - Remastered" PERFORMER "Ricky Nelson" INDEX 01 19:36:73 TRACK 9 AUDIO TITLE "Splish Splash" PERFORMER "Bobby Darin" INDEX 01 21:52:10 TRACK 10 AUDIO TITLE "Do You Love Me - Mono Single" PERFORMER "The Contours" INDEX 01 23:49:50 TRACK 11 AUDIO TITLE "Runaway" PERFORMER "Del Shannon" INDEX 01 26:21:04 TRACK 12 AUDIO TITLE "Johnny B. Goode" PERFORMER "Chuck Berry" INDEX 01 28:23:33 TRACK 13 AUDIO TITLE "Tutti Frutti" PERFORMER "Little Richard" INDEX 01 30:49:36 TRACK 14 AUDIO TITLE "I Walk The Line - Single Version" PERFORMER "Johnny Cash, The Tennessee Two" INDEX 01 33:06:73 TRACK 15 AUDIO TITLE "Only the Lonely" PERFORMER "Roy Orbison" INDEX 01 35:20:16 TRACK 16 AUDIO TITLE "Dream Lover" PERFORMER "Bobby Darin" INDEX 01 37:35:34 TRACK 17 AUDIO TITLE "Will You Love Me Tomorrow" PERFORMER "The Shirelles" INDEX 01 39:53:17 TRACK 18 AUDIO TITLE "Brown Eyed Girl" PERFORMER "Van Morrison" INDEX 01 42:17:71 TRACK 19 AUDIO TITLE "You Never Can Tell" PERFORMER "Chuck Berry" INDEX 01 44:58:04 TRACK 20 AUDIO TITLE "I'm a Believer - 2006 Remaster" PERFORMER "The Monkees" INDEX 01 47:27:06 TRACK 21 AUDIO TITLE "Runaround Sue" PERFORMER "Dion" INDEX 01 49:57:73 TRACK 22 AUDIO TITLE "These Boots Are Made for Walkin'" PERFORMER "Nancy Sinatra" INDEX 01 52:11:36 TRACK 23 AUDIO TITLE "Don't Be Cruel" PERFORMER "Elvis Presley" INDEX 01 54:34:24 TRACK 24 AUDIO TITLE "Bye Bye Love" PERFORMER "The Everly Brothers" INDEX 01 56:26:43 TRACK 25 AUDIO TITLE "Misirlou" PERFORMER "Dick Dale" INDEX 01 58:20:52 TRACK 26 AUDIO TITLE "Then He Kissed Me" PERFORMER "The Crystals" INDEX 01 60:24:66 TRACK 27 AUDIO TITLE "(What A) Wonderful World" PERFORMER "Sam Cooke" INDEX 01 62:45:16 TRACK 28 AUDIO TITLE "Do Wah Diddy Diddy - 2007 Remaster" PERFORMER "Manfred Mann" INDEX 01 64:44:71 TRACK 29 AUDIO TITLE "Be My Baby" PERFORMER "The Ronettes" INDEX 01 67:02:23 TRACK 30 AUDIO TITLE "Mambo Italiano (with The Mellomen) - 78rpm Version" PERFORMER "Rosemary Clooney, The Mellomen" INDEX 01 69:23:33 TRACK 31 AUDIO TITLE "Let's Twist Again" PERFORMER "Chubby Checker" INDEX 01 71:23:31 TRACK 32 AUDIO TITLE "Wipe Out - Hit Version / Extended Ending" PERFORMER "The Surfaris" INDEX 01 73:36:28 TRACK 33 AUDIO TITLE "Great Balls Of Fire" PERFORMER "Jerry Lee Lewis" INDEX 01 75:32:13 TRACK 34 AUDIO TITLE "Think" PERFORMER "Aretha Franklin" INDEX 01 77:16:50 TRACK 35 AUDIO TITLE "California Dreamin' - Single Version" PERFORMER "The Mamas & The Papas" INDEX 01 79:20:31 TRACK 36 AUDIO TITLE "Mrs. Robinson - From "The Graduate" Soundtrack" PERFORMER "Simon & Garfunkel" INDEX 01 81:42:59 TRACK 37 AUDIO TITLE "Don't Let Me Be Misunderstood" PERFORMER "The Animals" INDEX 01 85:02:61 TRACK 38 AUDIO TITLE "Oh, Pretty Woman" PERFORMER "Roy Orbison" INDEX 01 87:09:29 TRACK 39 AUDIO TITLE "Always On My Mind" PERFORMER "Elvis Presley" INDEX 01 89:59:40 TRACK 40 AUDIO TITLE "I Got You Babe" PERFORMER "Sonny & Cher" INDEX 01 93:19:73

Viajamos a marzo de 1965 para recordar singles que llegaron a su puesto más alto en las listas de pop estadounidense en este mes de hace 60 años. Nuevo episodio de esta serie en donde, además de disfrutar recordando grandes canciones, podemos palpar la evolución de la música popular y la gran mezcla de estilos que se daban cita en el Billboard Hot 100.Playlist;(sintonía) BILLY STRANGE “Goldfinger” (top 55)SHIRLEY BASSEY “Goldfinger” (top 8)THE BEATLES “Eight days a week” (top 1)THE TEMPTATIONS “My girl” (top 1)THE SUPREMES “Stop! In the name of love” (top 1)THE VELVELETTES “He was really sayin something” (top 64)JOHNNY RIVERS “Cupid” (top 76)SAM COOKE “A change is gonna come” (top 31)THE IMPRESSIONS “People get ready” (top 14)JERRY BUTLER “Good times” (top 64)THE RONETTES featuring VERONICA “Born to be together” (top 52)THE TRADE WINDS “New York is a lonely town” (top 32)THE BEACH BOYS “Please let me wonder” (top 52)JOE TEX “You better get it” (top 46)FONTELLA BASS and BOBBY McCLURE “Don’t mess up a good thing” (top 33)LITTLE ANTHONY and THE IMPERIALS “Hurt so bad” (top 10)RAY CHARLES “Cry” (top 58)JOHN BARRY and HIS ORCHESTRA “Goldfinger” (top 72)Escuchar audio

On this episode, continuing with my Black History Month series of films to talk about Barbarian (2022). This directorial debut from Zach Cregger has unsettling atmosphere, social commentary on issues of gentrification and trust, plus it makes me think about whether I will ever stay at a rental home again. Spoiler free and suspense filled. The artist on my podcast playlist is The Ronettes. Game Over! tee in profile pic by Dethink Tees. https://dethink.bigcartel.com/product/game-over-man-game-over

Luis Herrero y Felipe Couselo analizan al grupo musical femenino estadounidense.

Cet été 1963, il fait, comme d'habitude, très chaud à Los Angeles. Cher qui a abandonné l'idée de chanter un jour à cause de la tessiture de sa voix, suit des cours d'art dramatique chez un des professeurs les plus reconnus de la sphère hollywoodienne. Mais un truc la passionne, le studio où travaille Phil Spector, le producteur qui enchaîne alors les succès à la chaîne et dont son ami, Sonny, est devenu l'assistant. D'abord rejeté par la famille, parce qu'il est assez loin d'avoir le physique de Warren Beatty, la mère de Cher a fini par l'accepter. Mais pas sa grand-mère qui la première fois qu'elle le voit assis dans le salon fait demi-tour puis entre dans la cuisine en disant : C'est quoi ce truc dans le divan ?Et donc, Spector, qui est connu pour ses sautes épouvantables d'humeur quand ça ne se passe pas comme il le veut, est tendu, ce jour-là en studio. En pleine session pour les Ronettes, sa fabuleuse choriste, Darlene Love, ne se pointe pas, accident de voiture, ce qui tombe mal, ils ont déjà pris assez de retard comme ça. Bon, on enregistre quand même, Sonny, tu rejoins les chœurs. Et toi aussi, Cher, Sonny m'a dit que tu savais chanter. Terrorisée avec les genoux qui cognent, Cher se dit qu'elle va se faire la plus petite possible, histoire qu'on ne l'entende pas gâcher la prise. Et après celle-ci, Phil Spector dit : Cher, recule ! Le lendemain, lorsque Darlene Love est de retour, Spector demande malgré tout à Cher de rejoindre les chœurs. Mais à chaque prise, c'est Cher, recule ! Cher, recule encore ! Elle va finir dans le studio B, plaisante Darlene. Mais le résultat est fantastique, Phil Spector, après lui avoir avoué que sa voix couvre toutes les autres, la rappelle à chaque session. C'est incroyable ce qui lui arrive : elle, l'adolescente de 17 ans, se retrouve sur un grand nombre de hits comme celui-ci. Mais même si après les sessions, elle ne passe plus toute la soirée et la nuit, à poser des questions à Sonny à propos de ce que Phil Spector peut penser de sa prestation, Cher fouette toujours autant, s'enferme parfois dans les toilettes en pleurant parce qu'elle redoute le fait qu'on ait dû recommencer autant de fois la prise à cause d'elle. Mais non, les 45 Tours se succèdent et Spector dit avoir trouvé sa team de rêve. Seule ombre au tableau : sa mère pense qu'elle ment. Non, tu ne vas pas au studio pour chanter mais pour faire la fête. C'est vrai, c'est tellement invraisemblable que sa fille puisse avoir un tel job. Et d'ailleurs, si tu chantes, pourquoi n'es-tu pas payée ? Ah mais c'est vrai, ça ! Cher s'en plaint à Sonny, ce à quoi il répond : mais tu es folle ? C'est toi qui devrait payer Spector pour la formation que tu reçois ! Et quand, le lendemain, tout le monde est prêt pour l'enregistrement d'un album de Noël, on entend Spector crier : mais où est Cher ? Chez sa mère, répond Sonny, comme elle n'est pas payée, elle croit qu'elle vient ici juste pour s'amuser. Mais si je te paie, c'est bon comme ça. Spector annule la session. Le lendemain, Cher est présente et repart en fin de journée, avec un joli chèque de 25 dollars.

Laurence Bibot vs. Xavier Van Buggenhout Quelle est la plus belle chanson inspirée d'un flash amoureux ? Quelle est la plus belle chanson inspirée par une rupture amoureuse ? Quelle est la plus belle chanson qui ne parle absolument pas d'amour ? Bonne année ! Suggérez donc à votre adversaire une résolution qu'elle/il devrait tenir. Exprimez cette résolution à l'aide d'une chanson. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

We are holly, jolly, and bright after covering the amazing artists and songs on this classic Christmas album - "A Christmas Gift for You..."This album features some of the premiere vocal groups (The Ronettes, The Crystals, Darlene Love, etc.), as well as LA's legendary Wrecking Crew.Reimagined classics, an original that became a classic, and a whole host of talent is what makes this album feel so warm. Also maybe because it was recorded in August..."A Christmas Gift for You" captures the essence of the holiday season, and we should celebrate the talent that it showcases. (And remember, Phil Spector was a loser!)Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

Episode 171: December Holiday Songs December 18, 2024 There are many holidays in the month of December and you might hear of some that you didn't know about on today's Tales Vinyl Tells. I do love the old rockin' Christmas tunes (Ronettes, Beach Boys and the like) as well as those from Tull, Greg Lake and Dan Fogelberg. Sit back and relax, have a cup of cheer and a good holiday month. You know, if you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells. And I continue to encourage you to show your appreciation for this program by becoming a monthly sustaining member and pledging financial support monthly. There are expenses for putting this program together. You can read more and set up a monthly pledge at patron.podbean.com/talesvinyltellssupport. Thank you so much for giving and showing your support to carry on.

Over two hours of non stop commercial free traditional Christmas music! A new for 2024 Christmas mix! Artists include Bing Crosby, Perry Como, Frank Sinatra, Dean Martin, Ella Fitzgerald, The Temptations, The Ronettes, The Carpenters, The Robert Shaw Chorale, Tony Bennett, Chet Atkins, Eddy Arnold, Johnny Mathis, Julie Andrews and more!  and more! This is a custom mix I created from dozens of old Christmas albums and cassettes I grew up with. This show is unhosted and the Christmas music is uninterrupted. Enjoy!

Retrocedemos sesenta años en el tiempo en busca de singles que alcanzaron su puesto más alto en el Billboard Hot 100 de EEUU en diciembre de 1964. Cuatro nombres se reparten el top 1 en las cuatro semanas del mes. The Zombies se unen a las bandas de la Invasión Británica.Los girl groups y el soul se mantienen como estilos en alza. Beach Boys y Jan and Dean resisten con el sonido de la Costa Oeste y aparecen The Gestures como una de las primeras bandas de garaje que se cuela en las listas de éxitos.(Foto del podcast; The Zombies en 1964)Playlist;(sintonía) TRAVIS WAMMACK “Scratchy” (top 80)LORNE GREENE “Ringo” (top 1)BOBBY VINTON “Mr lonely” (top 1)THE SUPREMES “Come see about me” (top 1)THE BEATLES “I feel fine” (top 1)THE ZOMBIES “She’s not there” (top 2)THE ROLLING STONES “Time is on my side” (top 6)HERMAN’S HERMITS “I'm Into Something Good” (top 13)THE FOUR TOPS “Without the one you love (Life's not worth while)” (top 43)JOHNNY RIVERS “Mountain of love” (top 9)THE NEWBEATS “Everything’s alright” (top 16)THE BEACH BOYS “Dance dance dance” (top 8)JAN and DEAN “Sidewalk surfin’” (top 25)THE FOUR SEASONS “Big man in town” (top 20)THE GESTURES “Run run run” (top 44)THE RONETTES “Walking in the rain” (top 23)THE JEWELS “Opportunity” (top 64)MAJOR LANCE “Somettimes I wonder” (top 64)THE DRIFTERS “Saturday night at the movies” (top 18)Escuchar audio

A finales de los 50, principios de los 60, hacer llegar al público una cancion en EEUU tan sencillo como acercarte a un edificio en el 1619 de Broadway en la calle 49 de Manhattan, en Nueva York. Once pisos con todo lo necesario, músicos, autores, editores, salas de ensayo...una autentica "fabrica de sueños" comandada por Don Kirshner. Nombres establecidos como Jerry Leiber y Mike Stoller o jovenes promesas como Goffin&King , autores de “¿Will You Still Love Me Tomorrow ?“ para las Shirelles como Jeff Barry y Ellie Greenwich de ”Be My Baby” para las Ronettes.Una miriada de famosos desconocidos como Barry Mann-Cynthia Weil, Doc Pomus-Mort Shuman o Bacharach y David, la inequívoca señal de que estabas en el lugar adecuado. Te asombrará saber las maravillas que produjeron y cómo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

A finales de los 50, principios de los 60, hacer llegar al público una cancion en EEUU tan sencillo como acercarte a un edificio en el 1619 de Broadway en la calle 49 de Manhattan, en Nueva York. Once pisos con todo lo necesario, músicos, autores, editores, salas de ensayo...una autentica "fabrica de sueños" comandada por Don Kirshner. Nombres establecidos como Jerry Leiber y Mike Stoller o jovenes promesas como Goffin&King , autores de “¿Will You Still Love Me Tomorrow ?“ para las Shirelles como Jeff Barry y Ellie Greenwich de ”Be My Baby” para las Ronettes.Una miriada de famosos desconocidos como Barry Mann-Cynthia Weil, Doc Pomus-Mort Shuman o Bacharach y David, la inequívoca señal de que estabas en el lugar adecuado. Te asombrará saber las maravillas que produjeron y cómo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Årene mellem 1959 og 1963 er ofte betegnet som et tomrum i historien. Det er det så langt fra, et hav af nye talenter og genre blomstrede, der var instrumental grupperne, dansene, Roy Orbison, Beach Boys, pigegrupperne, Wall of Sound og meget mere. Lyt med til: Shadows, Ben E. King, Chubby Checker, Shirelles, Ronettes, Tornados … Læs videre "Rockens historie 2"

In this episode dubbed 'Seeing Them Live After Show Report,' Doug and Charles take listeners to The Liars Club in Chicago, where they record brief conversations with fans and performers at a live music event. The focus is on the band Soraia, first introduced in S02E01 by guest Dawn Fontaine, who shared how their music had a life-saving impact on her. After Dawn's episode, Charles and Doug interviewed ZoZou Mansour from the band in S02E07. The hosts finally meet the band in person at the Liar's Club and conduct an interview with lead singer Zuzu Mansour, who talks about the influence of music on her life and the songwriting process.The podcast captures the dynamic energy of the concert and provides a vivid account of the live event, including attendee experiences, band interviews, and their impressions of the venue. Fans express their admiration for the bands performing that night, and discuss the club's excellent sound quality and inviting atmosphere.BANDS: Ricky Liontones, Soraia, Tara Who?VENUES: The Liar's Club PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Be My Baby by The Ronettes (1963)Song 1: Can't Let Go by Lucinda Williams (1998)Song 2: Heart Tattoo by Joyce Manor (2014)Song 3: Roxanne's Revenge by Roxanne Shante (1984)Song 4: Adult Diversion by Alvvays (2014)Song 5: Ruby by Kaiser Chiefs (2007)Song 6: Somebody Kill Me by Adam Sandler (1998)Song 7: The Magnificent Dance by The Clash (1980)Song 8: Popcorn by Hot Butter (1972)Song 9: Rocky Top by The Osborne Brothers (1967)Song 10: Me Voy by Julieta Venegas (2006)

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Dave BinckRighteous Brothers “You've Lost That Lovin' Feelin'" from the 1964 album "You've Lost That Lovin' Feelin'" released on Philles. Written by Phil Spector, Barry Mann, and Cynthia Weil and produced by Phil Spector.Personel:Bill Medley - low vocalBobby Hatfield - high vocalDon Randi - pianoTommy Tedesco - guitarCarol Kaye and Ray Pohlman - bassSteve Douglas - saxBarney Kessel - guitarEarl Palmer - drumsGene Page - arrangementsThe Blossoms, The Ronettes, Cher - background vocalsoCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Dave BinckRighteous Brothers “You've Lost That Lovin' Feelin'" from the 1964 album "You've Lost That Lovin' Feelin'" released on Philles. Written by Phil Spector, Barry Mann, and Cynthia Weil and produced by Phil Spector.Personel:Bill Medley - low vocalBobby Hatfield - high vocalDon Randi - pianoTommy Tedesco - guitarCarol Kaye and Ray Pohlman - bass Steve Douglas - saxBarney Kessel - guitarEarl Palmer - drumsGene Page - arrangementsThe Blossoms, The Ronettes, Cher - background vocalsoCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Mr McMahonVince McMahonBill SimmonsHulk HoganUltimate WarriorRandy SavageIron ShiekRowdy Roddy PiperRic FlairShowgirlsColdplayLady GagaBilly StringsThe Cure “Pictures of You”Willie NelsonYounder Mountain String BandMerle FestMamas and Papas “California Dreaming”Rod StewartThe Everly BrothersFrank SinatraThe Ronette's “Be My Baby”The BeatlesThe KinksThe Four Tops “Baby, I Need Your Loving”Dire Straits “Money for Nothing”P DiddySting “Every Breath You Take”Top GunDerek and the Dominos “Bellbottom Blues”The Beach Boys “Pet Sounds”Brian WilsonThe McCoys “Hang on Sloopy”Ritchie Valens“La Bamba”ElvisThe Beach Boys “Good Vibrations”Dan CortezPercy Sledge “When A Man Loves A Woman”Van MorrisonNancy SinatraLee HazelwoodHall and OatesGladys Knight and the PipsTom JonesRoberta FlackDonny HathawayDionne WarwickOrville PeckPaul CauthenTom CruiseAnthony EdwardsHugh Hefner

Please rate & review The Movies on Spotify, Apple Podcasts, or wherever else you listen to the show!--- APARTMENT 7A follows in 2024's tradition of independent directors helming prequels to successful horror franchises. We had THE FIRST OMEN and A QUIET PLACE: DAY ONE. Now, Natalie Erika James takes the reins to ROSEMARY'S BABY, revealing the story preceding Roman Polanski's iconic 1968 movie.This story follows Terry Gionofrrio (Julia Garner), a New York dancer toughing her way through a marathon of auditions to try and land work. It's already difficult to stand out in New York, but doing so right after sustaining a severe foot injury? Impossible.Coping using pain pills, Terry goes on a bender, and after one particularly bad night, is scooped off the street by the wealthy, doting Castavets - Minnie (Dianne Weist) and Roman (Kevin McNally). The childless couple, drawn to the struggling artist, become her benefactors, offering her a gorgeous apartment in the opulent Bramford building: rent-free. (Daniel, stop drooling. You're embarassing yourself.)But as the days and weeks pass, with more pain pills, impossible auditions, and a one-night experience of which Terry can't quite place the details regarding how she ended up in another's bed, she encounters these bizarre nightmares, hallucinatory and threatening in scope. The once high ceilings of her apartment appear to slowly shrink in size. She swears she sees presences lurking round every corner. And the Castavets? They're a bit too friendly, a bit too doting, a bit too...possessive.Natalie Erika James' movie is surreal, theatrical. At times, I'd dare even say, pulpy. The camera bobs and weaves through musical sequences and hallucinations, borrowing from films such as THE RED SHOES and ALL THAT JAZZ. But the sinister beating heart lies in the real-life horror befalling Terry, one about bodily autonomy, sexual assault and an obsession for success that grows to prevail over one's own wellbeing. This grounds the movie so bitterly that I find the surrounding silliness to often be a welcome tonal reprieve from an otherwise all-too-real nightmare. Mix all this with rich, textural photography, a color palette of decadent chestnuts, mustards and moss greens & costumes that teleport me to 1960s New York. The result's a hazy, tense thriller that breathes new life into a nearly 60-year-old franchise, posing James as an exciting new voice in horror.---Follow The Movies on Twitter: @TheMovies_Pod and Facebook: The MoviesCredit Song: "Be My Baby"- The Ronettes

Open up your heart! Open up your heart! Open up your heart, let Kimbra pull you out!On this episode, Kirk goes for a swim in the extra-buoyant waters of Kimbra's 2011 pop stomper "Cameo Lover." It's an intricate musical narrative told through shifting time-feels, retro drum beats, leaping vocals, and sneaky key changes, and it's just the song to raise our spirits after a long, dark winter.Written by: Kimbra JohnsonAlbum: Vows (2011)Listen/Buy: Apple Music | Amazon | SpotifyALSO FEATURED/DISCUSSED:“Somebody That I Used to Know” by Gotye from Making Mirrors, 2011“Settle Down,” “Plain Gold Ring” and “Sally I Can See You” by Kimbra (Plain Gold Ring by George Stone) from Vows, 2011“In My Bones” by Jacob Collier from Djesse Vol. 3, 2020“Be My Baby” by Jeff Barry, Ellie Greenwich, and Phil Spector as performed by The Ronettes, 1963OUTRO SOLOIST: Dan NervoThis episode's outro soloist is the fantastic Dan Nervo. Dan plays guitar in the San Francisco Bay Area in bands like Neon Velvet, and also teaches private guitar lessons. Hit him up if you want to get good at guitar: https://www.facebook.com/DanNervoGuitarLessons/----LINKS-----RECAST RECOMMENDATION: "Fade to Black" by Howard Levy & Chris Siebold from Art + Adrenaline, 2018(also featuring "Chip Monkey" by Kick the Cat (YouTube) and "Sinister Minister" by Bela Fleck and the Flecktones from Live Art, 1995)SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------SEPTEMBER 2024 WHOLE-NOTE PATRONSMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoyRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreySEPTEMBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans & Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizMichael YorkClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan Laserbrian john peterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyAlan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

“She loves attention - she'd sing to a pineapple.” - La La Brooks of The Crystals, on today's Doll: Ronnie SpectorRonnie needs no introduction. With her sister Estelle and her cousin Nedra, Ronnie broke down barriers and paved the way as pop music royalty and rock-and-roll's original bad girl. The fabulous Ronettes even boasted the likes of the Beatles AND Rolling Stones in their leagues of fans! But Ronnie's story is just as much of survival as it is of rock-and-roll. Neither would've been possible without her fiery unbreakable spirit. Hear about Ronnie's 5-decade career of “mascara, miniskirts, and madness” on today's episode of the Dolls Podcast, available wherever you stream your podcasts

A dvar Torah on parashat Eikev by Ezra Furman. With rain, love, the Ronettes, the Shma, Rabbi Chanina and awe.

Joey Dee and the Starlighters were Stars of the early 1960s. Joey wrote and sang “The Peppermint Twist”, a #1 song in 1962 that was integral to the worldwide twist dance craze phenomenon. They became the house band at The Peppermint Lounge in NYC, where people lined up each night to get in to rub elbows with the Stars of that era including Jackie Kennedy, Judy Garland and John Wayne.The band went on to have a number of other hits, and the list of famous musicians who played with Joey Dee includes Jimi Hendrix, Ronnie Spector of the Ronettes and Felix Cavaliere of The Rascals.My featured song is my reimagined version of Dobie Gray's hit, “The ‘In' Crowd” from the album PGS 7 by my band, Project Grand Slam. Spotify link.---------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.-----------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Nuevo capítulo de la serie Billboard Hits en donde cada mes te invitamos a retroceder 60 años en el tiempo para recordar algunas de las canciones que alcanzaron su puesto más alto en el Billboard Hot 100 en este mismo mes de hace seis décadas. Los grupos de la invasión británica, el soul de la Motown y los girl groups conviven en las listas de éxitos convirtiéndose, independientemente de su estilo, en la música popular.(Foto del podcast; Florence Ballard, Mary Wilson y Diana Ross, The Supremes en Londres, 1964)Playlist;(sintonía) THE VENTURES “Walk don’t run 64” (top 8)THE BEATLES “A hard day's night” (top 1)THE BEATLES “I should have known better” (top 53)PETER and GORDON “Nobody I know” (top 12)DEAN MARTIN “Everybody loves somebody” (top 1)THE SUPREMES “Where did our love go” (top 1)THE MIRACLES “I like it like that” (top 27)THE MARVELETTES “You’re my remedy” (top 48)EARL JEAN “I’m into something” (top 38)THE DRIFTERS “Under the boardwalk” (top 4)THE ROLLING STONES “Tell me (you’re coming back)” (top 24)THE RONETTES “Do I love you?” (top 34)THE JELLY BEANS “I wanna love him so bad” (top 9)PATTY and THE EMBLEMS “Mixed-up, shook-up girl” (top 37)CONNIE FRANCIS “Looking for love” (top 45)BARBARA LYNN “Oh baby we got a good thing going” (top 69)DIONNE WARWICK “A house is not a home” (top 71)DUSTY SPRINGFIELD “Whisin’ and hopin’” (top 6)THE DIXIE CUPS “People say” (top 12)Escuchar audio

In this week's episode, Micajah and Rob sit down to discuss the definitive 1960's girl group album; Presenting the Fabulous Ronettes featuring Veronica. This Phil Spector produced album has a few of the truly great pop songs from the early 1960s.

Label: Philles/Coll. 3210Year: 1963Condition: M-Price: $12.00The A side was originally released on Philles 111. However, the B side of this limited-edition release on Collectables was never released, before or since, on vinyl or CD. (That's why I don't tag this 45 as a reissue.) I had a bit of a jaw-dropping moment when listening to it, for as a huge fan of Spector's Philles productions, it was like discovering a long lost, never released Beatles studio recording. For those who aren't already fans of Darlene Love, she was, in the view of many, the best singer in Phil Spector's stable of talented girl-group vocalists. Aside from the handful of classics she released under her own name, she also sang lead vocals on the Crystals' "He's a Rebel" as well as on "Zip-A-Dee-Doo-Dah," a hit for Bob B. Soxx and the Blue Jeans. You'll notice that Dave Marsh places two of her 3 chart singles in his list of the 1001 greatest singles of all time ?? this one and "Wait Til My Bobby Gets Home." In addition to these, Love hit Billboard's Hot 100 with the amazing "A Fine Fine Boy." But somehow, "Strange Kind of Love" must have got lost on one of the studio tapes, only emerging much later. This Collectables release is the first (and only) appearance of the song on 45 rpm vinyl.Incidentally, the tune's writers (who actually recorded on their own under various names, including the Trade Winds) have credits to numerous classic 1960s hits, including "New York's A Lonely Town," "Do I Love You?" by the Ronettes, and "Soldier Baby" by Candy & the Kisses.

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the '60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the '70s and '80s, girl groups from the Emotions to Exposé rebooted dance music. In the '90s, En Vogue, TLC and Destiny's Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You'll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you'll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the '60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the '70s and '80s, girl groups from the Emotions to Exposé rebooted dance music. In the '90s, En Vogue, TLC and Destiny's Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You'll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you'll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Music That Made WE volume 4 continues with Gwen Ruby, producer of Herbal Elegance in Los Angeles. She's chosen 10 songs that make up their story, with a soundtrack that includes The Ronettes, Blink 182, and Alan Menken. & Stick around for Viktor's hidden bonus track.   The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] –

The Music That Made WE volume 4 continues with Gwen Ruby, producer of Herbal Elegance in Los Angeles. She's chosen 10 songs that make up their story, with a soundtrack that includes The Ronettes, Blink 182, and Alan Menken. & Stick around for Viktor's hidden bonus track.   The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] –

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the '60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the '70s and '80s, girl groups from the Emotions to Exposé rebooted dance music. In the '90s, En Vogue, TLC and Destiny's Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You'll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you'll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the '60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the '70s and '80s, girl groups from the Emotions to Exposé rebooted dance music. In the '90s, En Vogue, TLC and Destiny's Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You'll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you'll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the '60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the '70s and '80s, girl groups from the Emotions to Exposé rebooted dance music. In the '90s, En Vogue, TLC and Destiny's Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You'll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you'll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Hit Parade show page. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

BRITTANY SPANOS, Senior Writer at Rolling Stone and co-host of podcast ROLLING STONE'S 500 GREATEST SONGS OF ALL TIME spoke to Bill about This exclusive podcast from Rolling Stone tells the stories behind the "500 Greatest Songs of All Time." Hosts Brittany Spanos and Rob Sheffield dissect Rolling Stone's iconic list and explore the magic and mythology behind the songs on this in-depth new series. From classics like Fleetwood Mac's "Dreams" to The Ronettes' "Be My Baby," and modern-era hits like The Killers' "Mr. Brightside," and Britney Spears' "...Baby One More Time," we talk to artists and insiders about what makes these the greatest songs of all time.

Don Randi is a keyboard player, bandleader, longtime nightclub owner (no easy feat in L.A.) and a veteran of one of the most prolific and successful group of Los Angeles studio session musicians known as The Wrecking Crew.He began his career as a professional pianist and keyboard player in 1956, gradually establishing a reputation as a leading session musician. In the early 1960s, he was a major contributor, as musician and arranger, to producer Phil Spector's "Wall of Sound". He also played piano on "These Boots Are Made For Walkin'," by Nancy Sinatra, and The Beach Boys' "Good Vibrations". He's  played on over three hundred hit records, working with musicians such as The Ronettes, Darlene Love, Linda Ronstadt, Quincy Jones, Cannonball Adderley, Herb Alpert, Neil Diamond, The Jackson 5, James Brown, Sarah Vaughan, Frank Zappa and many, many more!He appeared on, and wrote for, many motion picture and television soundtracks, commercials and pop albums during the 1960s and 1970s. He also recorded albums of piano jazz music under his own name and as the leader of a trio with Leroy Vinnegar and Mel Lewis. These included Feelin' Like Blues (1960), Where Do We Go From Here (1962), Last Night (1963), and Love Theme From "Romeo And Juliet" (1968).In 1970, he opened the Baked Potato Jazz Club, and formed his own group, Don Randi and Quest, as the house band. The band have subsequently recorded over 15 albums and were nominated for a Grammy in 1980 for the album New Baby.In 2008, as a member of the "Wrecking Crew", Randi was inducted into the Hollywood RockWalk.Source: https://www.last.fm/music/Don+Randi/+wikiSource: https://www.wreckingcrewfilm.com/Source: https://www.thebakedpotato.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the Show.

Como cada comienzo de mes te ofrecemos nuevo capítulo de esta serie dedicada a recordar singles que alcanzaron su puesto más alto en el Billboard Hot 100 hace 60 años. Viajamos a mayo de 1964, el mes en donde, tras tres meses con The Beatles en el top1 de las listas, por fin dos artistas estadounidenses vuelven a alcanzar la cima, Louis Armstrong y Mary Wells. La factoría Motown sigue afianzándose como el gran baluarte de resistencia a los invasores británicos, el soul sigue creciendo como nueva tendencia musical, Chuck Berry reaparece tras su estancia carcelaria y Henry Mancini mantiene en lo alto la música instrumental.Playlist;(sintonía) HENRY MANCINI “The Pink panther theme” (top 31)SAMMY KAYE “Charade” (top 36)LOUIS ARMSTRONG “Hello Dolly!” (top 1)MARY WELLS “My guy” (top 1)THE BEATLES “Love me do” (top 1)THE DAVE CLARK FIVE “Bits and pieces” (top 4)DUSTY SPRINGFIELD “Stay awhile” (top 38)THE REFLECTIONS “(Just like) Romeo and Juliet” (top 6)THE RONETTES “(The best part of) Breakin’ up” (top 39)JAN and DEAN “Dead man’s curve” (top 8)CHUCK BERRY “Nadine (is it you?)” (top 23)THE VIBRATIONS “My girl Sloopy” (top 26)THE KINGSMEN “Money (that’s what I want)” (top 16)THE WAILERS “Tall cool one” (top 38)MARTHA and THE VANDELLAS “In my lonely room” (top 44)IRMA THOMAS “Wish someone would care” (top 17)OTIS REDDING “Come to me” (top 69)THE COASTERS “T’ain’t nothin’ to me” (top 64)KING CURTIS “Soul serenade” (top 51)Escuchar audio

Phil Spector er for mange selve lyden av 60-tallet, med sin patenterte Wall Of Sound-produksjonsteknikk og velskrevne poplåter med grupper som The Ronettes og The Righteous Brothers. Men bak all musikken og bravuren stod en høyst usikker og paranoid mann, som terroriserte alle han var glad i, og som skulle, mange år etter sin suksess, ende opp som drapsmann.Med: Mick Brown & Jon Vidar Bergan.

Garage rock prince Ty Segall joins the LSQ podcast on the heels of his awesome fifteenth (!!!) studio album, Three Bells, to talk about the roots of his sound: how he first fell in love with rock and roll thanks to oldies radio (Beatles, Ronettes, Kinks) and a pile of vinyl records gifted by a Laguna Beach neighbor (Alice Cooper, Black Sabbath, Bowie), doing musical theater in high school, moving to San Francisco in search of like-minded weirdos and finding his community there, and more. We also talk about his quest to always be trying something new, and what sounds and styles he still hopes to explore. Ty and his band are on tour in North America now. Get tickets and details here.

This exclusive podcast from Rolling Stone tells the stories behind the “500 Greatest Songs of All Time." Hosts Brittany Spanos and Rob Sheffield dissect Rolling Stone's iconic list and explore the magic and mythology behind the songs on this in-depth new series. From classics like Fleetwood Mac's “Dreams” to The Ronettes' “Be My Baby,” and modern-era hits like The Killers' “Mr. Brightside,” and Britney Spears' “...Baby One More Time," we talk to artists and insiders about what makes these the greatest songs of all time. Listen here and subscribe to Rolling Stone's 500 Greatest Songs of All Time on the iHeartRadio app or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

This exclusive podcast from Rolling Stone tells the stories behind the “500 Greatest Songs of All Time." Hosts Brittany Spanos and Rob Sheffield dissect Rolling Stone's iconic list and explore the magic and mythology behind the songs on this in-depth new series. From classics like Fleetwood Mac's “Dreams” to The Ronettes' “Be My Baby,” and modern-era hits like The Killers' “Mr. Brightside,” and Britney Spears' “...Baby One More Time," we talk to artists and insiders about what makes these the greatest songs of all time. Listen here and subscribe to Rolling Stone's 500 Greatest Songs of All Time on the iHeartRadio app or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

This exclusive podcast from Rolling Stone tells the stories behind the “500 Greatest Songs of All Time." Hosts Brittany Spanos and Rob Sheffield dissect Rolling Stone's iconic list and explore the magic and mythology behind the songs on this in-depth new series. From classics like Fleetwood Mac's “Dreams” to The Ronettes' “Be My Baby,” and modern-era hits like The Killers' “Mr. Brightside,” and Britney Spears' “...Baby One More Time," we talk to artists and insiders about what makes these the greatest songs of all time. Listen here and subscribe to Rolling Stone's 500 Greatest Songs of All Time on the iHeartRadio app or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

This exclusive podcast from Rolling Stone tells the stories behind the “500 Greatest Songs of All Time." Hosts Brittany Spanos and Rob Sheffield dissect Rolling Stone's iconic list and explore the magic and mythology behind the songs on this in-depth new series. From classics like Fleetwood Mac's “Dreams” to The Ronettes' “Be My Baby,” and modern-era hits like The Killers' “Mr. Brightside,” and Britney Spears' “...Baby One More Time," we talk to artists and insiders about what makes these the greatest songs of all time. Listen here and subscribe to Rolling Stone's 500 Greatest Songs of All Time on the iHeartRadio app or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

Notre 1ère invitée s'appelle Laryssa Kim.Basée à Bruxelles, Laryssa Kim est une chanteuse et compositrice italo-congolaise. Son premier album, Contezza, est sorti en 2024 sur le label City Tracks. Contezza représente le chemin de la prison mentale à la libération, vers un amour mature vaste et inconditionnel pour la vie, pour soi-même et pour les autres. Ses premières incursions dans la musique ont eu lieu à Rome où elle écrivait et se produisait avec des musiciens de reggae et des DJ. Une période qui lui a permis de consolider ses forces instinctives à travers le live. En 2008, elle déménage à Amsterdam et s'immerge dans la danse contemporaine et le théâtre. Basée à Bruxelles depuis 2013, Laryssa a confirmé son intérêt pour l'électroacoustique en complétant un programme de master au Conservatoire Royal de Mons en composition musicale acousmatique.On pénètre dans « Contezza » comme on sombre dans un sommeil duveteux. Durant ces trois premières pistes, Laryssa Kim nous emmène donc aux confins de sa contezza, un mot italien ancien et éculé signifiant « conscience ». Jouant avec les langues comme avec les sons, comme autant d'artefacts invisibles témoignant de ses origines italo-congolaises, Laryssa se meut dans l'hybride et les contrastes.Carrefour où se rencontrent Brian Eno, Enya et Erykah Badu, Contezza est donc affaire de voyage intérieur. Le résultat d'un repli qui, comme pour la majorité des humains en 2020, survient avec la pandémie de Covid-19. Certaine de devoir mettre un terme à sa carrière, Laryssa profite surtout de cette pause forcée pour approfondir sa connaissance des pratiques de méditation et sa curiosité pour l'ésotérisme, l'astrologie, la magie, les oracles chinois. Tout en gardant farouchement les pieds sur terre, Laryssa s'autorise à jouer avec les signes et les sens. Instinctivement, c'est d'amour qu'elle veut parler sur ce nouvel album. L'amour et ses déceptions, mais aussi ce qu'il peut nous apprendre sur nous-mêmes, lorsqu'il s'évanouit comme un rêve, comme une marée faite de plaisirs et d'angoisses, miroirs de nos failles les plus mystérieuses. À l'instar des grands maîtres d'une esthétique clair-obscur, par-delà bien et mal, que sont David Lynch et Miyazaki. Très vite, elle conçoit l'album comme un processus rituel, magique : un exorcisme par la beauté lui permettant d'éloigner un mauvais œil qu'elle suspecte lui coller à la peau. Loin de donner des leçons, Laryssa invite humblement à l'introspection créative, à l'invention perpétuelle de soi, sans répit, au gré du jeu et de l'ouverture aux détails infinis du quotidien. Comme le bourdonnement du frigo ou l'horloge des toilettes de sa mère, à Rome, qui trouvent une nouvelle place dans les mini-univers oniriques de la contezza de Laryssa, à la fois ancienne et tournée vers les techniques de composition les plus contemporaines. Une exploration spirituelle en soi-même que Laryssa envisage à la manière d'un Jodorowski : profonde et fondamentalement ludique à la fois, loin des certitudes et des dogmes dangereux…Morceaux interprétés au grand studio- L'Attente Live RFI- Blue Velvet, extrait de l'album- Ma Chi Sei Live RFI. Line Up : Laryssa Kim, voix, machines.Son : Mathias Taylor & Jérémie Besset.► Album Contezza (City Tracks 2024). Puis nous recevons l'artiste québécoise Terez Montcalm pour la sortie de Step OutEn plus de trente ans de carrière, la Québécoise Thérèse Montcalm (Térez à la scène) publie enfin son dixième album Step Out. Elle a pris le temps pour le concevoir, puisque son prédécesseur date de neuf ans déjà. Et comme elle aime surprendre, après avoir alterné disques en français («Risque», «Parle Pas Si Fort», «Quand On S'Aime»…) et en anglais, oscillant tour à tour entre jazz, rock et chanson («Voodoo», «Songs For Shirley Horn»), c'est en compagnie du fameux guitariste français Jean-Marie Ecay (et sous l'égide du producteur Régis Ceccarelli, fils d'André, dit «Dédé», ainsi que de l'ingénierie du célèbre Dominique Blanc-Francard) qu'elle nous revient pour un album cédant cette fois la part belle à cette bonne vieille soul intemporelle. S'ouvrant sur la même rhythm pattern que le «What's Going On» de Marvin Gaye (qu'évoque également «Holding On»), la plage titulaire démontre que le temps n'a pas de prise sur le timbre rauque, puissant et écorché de la grande Térez. La guitare d'Ecay et les arrangements de Ceccarelli s'appuient fermement sur le groove qu'y imprime la paire rythmique que constituent les excellents Laurent Vernerey (Laurent Voulzy, Jean-Louis Aubert, Albin de la Simone… basse) et Nicolas Viccaro (batterie). Au registre des covers particulièrement bien senties, on distinguera celles du «She's Not There» des Zombies (également repris en son temps par Santana), du «Be My Baby» de Spector via les Ronettes (en deux versions, une langoureuse et une exaltée), du «Don't Make Me Over» de David et Bacharach (tel qu'adapté chez nous par les Surfs sous le titre «T'en Vas Pas Comme Ça»), ainsi que du «Reach Out I'll Be There» des Four Tops (dont Claude François fit ce «J'attendrai» qu'elle interprète également ici d'une poignante manière), du «T.R.O.U.B.L.E» de Leiber et Stoller via Elvis et du «Lady Day And John Coltrane» du regretté Gil Scott-Heron (avec le trombone de Philippe Georges).Morceaux interprétés au grand studio- J'attendrai Live RFI- Lady Day, extrait de l'album- Be my Baby Live RFI voir clip. Line Up : Terez Montcalm, guitare-voix, Jean-Marie Ecay à la guitare. Son : Benoît Letirant & Mathias Taylor.► Album Step out (Spectra Music / Side Street Music / L'autre Dist. 2024).Concert 26 mars 2024 au studio de l'Ermitage.

Notre 1ère invitée s'appelle Laryssa Kim.Basée à Bruxelles, Laryssa Kim est une chanteuse et compositrice italo-congolaise. Son premier album, Contezza, est sorti en 2024 sur le label City Tracks. Contezza représente le chemin de la prison mentale à la libération, vers un amour mature vaste et inconditionnel pour la vie, pour soi-même et pour les autres. Ses premières incursions dans la musique ont eu lieu à Rome où elle écrivait et se produisait avec des musiciens de reggae et des DJ. Une période qui lui a permis de consolider ses forces instinctives à travers le live. En 2008, elle déménage à Amsterdam et s'immerge dans la danse contemporaine et le théâtre. Basée à Bruxelles depuis 2013, Laryssa a confirmé son intérêt pour l'électroacoustique en complétant un programme de master au Conservatoire Royal de Mons en composition musicale acousmatique.On pénètre dans « Contezza » comme on sombre dans un sommeil duveteux. Durant ces trois premières pistes, Laryssa Kim nous emmène donc aux confins de sa contezza, un mot italien ancien et éculé signifiant « conscience ». Jouant avec les langues comme avec les sons, comme autant d'artefacts invisibles témoignant de ses origines italo-congolaises, Laryssa se meut dans l'hybride et les contrastes.Carrefour où se rencontrent Brian Eno, Enya et Erykah Badu, Contezza est donc affaire de voyage intérieur. Le résultat d'un repli qui, comme pour la majorité des humains en 2020, survient avec la pandémie de Covid-19. Certaine de devoir mettre un terme à sa carrière, Laryssa profite surtout de cette pause forcée pour approfondir sa connaissance des pratiques de méditation et sa curiosité pour l'ésotérisme, l'astrologie, la magie, les oracles chinois. Tout en gardant farouchement les pieds sur terre, Laryssa s'autorise à jouer avec les signes et les sens. Instinctivement, c'est d'amour qu'elle veut parler sur ce nouvel album. L'amour et ses déceptions, mais aussi ce qu'il peut nous apprendre sur nous-mêmes, lorsqu'il s'évanouit comme un rêve, comme une marée faite de plaisirs et d'angoisses, miroirs de nos failles les plus mystérieuses. À l'instar des grands maîtres d'une esthétique clair-obscur, par-delà bien et mal, que sont David Lynch et Miyazaki. Très vite, elle conçoit l'album comme un processus rituel, magique : un exorcisme par la beauté lui permettant d'éloigner un mauvais œil qu'elle suspecte lui coller à la peau. Loin de donner des leçons, Laryssa invite humblement à l'introspection créative, à l'invention perpétuelle de soi, sans répit, au gré du jeu et de l'ouverture aux détails infinis du quotidien. Comme le bourdonnement du frigo ou l'horloge des toilettes de sa mère, à Rome, qui trouvent une nouvelle place dans les mini-univers oniriques de la contezza de Laryssa, à la fois ancienne et tournée vers les techniques de composition les plus contemporaines. Une exploration spirituelle en soi-même que Laryssa envisage à la manière d'un Jodorowski : profonde et fondamentalement ludique à la fois, loin des certitudes et des dogmes dangereux…Morceaux interprétés au grand studio- L'Attente Live RFI- Blue Velvet, extrait de l'album- Ma Chi Sei Live RFI. Line Up : Laryssa Kim, voix, machines.Son : Mathias Taylor & Jérémie Besset.► Album Contezza (City Tracks 2024). Puis nous recevons l'artiste québécoise Terez Montcalm pour la sortie de Step OutEn plus de trente ans de carrière, la Québécoise Thérèse Montcalm (Térez à la scène) publie enfin son dixième album Step Out. Elle a pris le temps pour le concevoir, puisque son prédécesseur date de neuf ans déjà. Et comme elle aime surprendre, après avoir alterné disques en français («Risque», «Parle Pas Si Fort», «Quand On S'Aime»…) et en anglais, oscillant tour à tour entre jazz, rock et chanson («Voodoo», «Songs For Shirley Horn»), c'est en compagnie du fameux guitariste français Jean-Marie Ecay (et sous l'égide du producteur Régis Ceccarelli, fils d'André, dit «Dédé», ainsi que de l'ingénierie du célèbre Dominique Blanc-Francard) qu'elle nous revient pour un album cédant cette fois la part belle à cette bonne vieille soul intemporelle. S'ouvrant sur la même rhythm pattern que le «What's Going On» de Marvin Gaye (qu'évoque également «Holding On»), la plage titulaire démontre que le temps n'a pas de prise sur le timbre rauque, puissant et écorché de la grande Térez. La guitare d'Ecay et les arrangements de Ceccarelli s'appuient fermement sur le groove qu'y imprime la paire rythmique que constituent les excellents Laurent Vernerey (Laurent Voulzy, Jean-Louis Aubert, Albin de la Simone… basse) et Nicolas Viccaro (batterie). Au registre des covers particulièrement bien senties, on distinguera celles du «She's Not There» des Zombies (également repris en son temps par Santana), du «Be My Baby» de Spector via les Ronettes (en deux versions, une langoureuse et une exaltée), du «Don't Make Me Over» de David et Bacharach (tel qu'adapté chez nous par les Surfs sous le titre «T'en Vas Pas Comme Ça»), ainsi que du «Reach Out I'll Be There» des Four Tops (dont Claude François fit ce «J'attendrai» qu'elle interprète également ici d'une poignante manière), du «T.R.O.U.B.L.E» de Leiber et Stoller via Elvis et du «Lady Day And John Coltrane» du regretté Gil Scott-Heron (avec le trombone de Philippe Georges).Morceaux interprétés au grand studio- J'attendrai Live RFI- Lady Day, extrait de l'album- Be my Baby Live RFI voir clip. Line Up : Terez Montcalm, guitare-voix, Jean-Marie Ecay à la guitare. Son : Benoît Letirant & Mathias Taylor.► Album Step out (Spectra Music / Side Street Music / L'autre Dist. 2024).Concert 26 mars 2024 au studio de l'Ermitage.

This episode was originally released September 27, 2023.Laura Flam is one of the authors of the book "But Will You Still Love Me Tomorrow?"The book serves as an oral history of the girl groups that made up the 1960's music scene. The girl group sound, made famous by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the Sixties. While many girl group songs rose to the top of the charts and shaped the trajectory of pop music in the process, many of the artists remain all but anonymous to most listeners. In this episode of the podcast, Frank discusses the young women behind some of the country's most popular songs. Flam reveals the challenges many of the artists faced while navigating the music industry at such a young age, and at a time when America was just beginning to reconcile a history fraught with racism. Flam also shares what became of many of the members of girl groups after music tastes changed. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This exclusive podcast from Rolling Stone tells the stories behind the “500 Greatest Songs of All Time." Hosts Brittany Spanos and Rob Sheffield dissect Rolling Stone's iconic list and explore the magic and mythology behind the songs on this in-depth new series. From classics like Fleetwood Mac's “Dreams” to The Ronettes' “Be My Baby,” and modern-era hits like The Killers' “Mr. Brightside,” and Britney Spears' “...Baby One More Time," we talk to artists and insiders about what makes these the greatest songs of all time.See omnystudio.com/listener for privacy information.

This one's a doozy - 4 versions of "Be My Baby" and a close relative! The first-born by The Ronettes is so good it's disqualified from the Bo Diddley Awards. We discuss Ronnie's "vibrato in a phone booth," Hal Blaine's boom-crash, the smiley backing vocals and so much more! The second child comes from the same year of 1963, it's by The Georgettes. Girl group workhorse Rickie Page makes you almost forget the absence of the Wall of Sound! A visit from a kissin' cousin comes third, "Don't Worry Baby" by The Beach Boys. Is Brian Wilson's homage to Ronnie and Spector about a love triangle between a boy, his car, and his girl? The difficult middle child is by Antipodean adorables The Pleazers. Jangle & fuzz, what else do you need? Well, this one has more than even that! The baby of the bunch is by Reperata and the Delrons, who rebel against the dirtbag sound of 1970 by evoking the Golden Age of Girl Groups. This one will make you happy, just wait & see!!

Exactamente el 1 de febrero de 1964 The Beatles alcanzan el número 1 con su primer single lanzado en el mercado americano. Los artistas estadounidenses aún no podían imaginarse la fiebre que se iba a desatar, la inminente llegada de la invasión británica o lo que iban a cambiar las cosas en los gustos de los jóvenes. En esta nueva entrega de nuestra serie dedicada al Billboard Hot 100 recordamos canciones que llegaron a su puesto más alto en este mes de hace 60 años, dando forma a la música popular del momento.Playlist;(sintonía) THE MARKETTS “Out of limits (top 3)THE BEATLES “I want to hold your hand” (top 1)LESLEY GORE “You don’t own me” (top 2)RICKY NELSON “For you” (top 6)THE FOUR SEASONS “Dawn (go away)” (top 3)THE RIVIERAS “California sun” (top 5)THE RIP CHORDS “Hey Little Cobra” (top 4)JIMMY GILMER and THE FIREBALLS “Daisy petal pickin’” (top 15)AL “HE IS THE KING HIRT “Java” (top 4)THE COOKIES “Girls grow up faster than boys” (top 33)THE RONETTES “Baby I love you” (top 24)THE GIRLFRIENDS “My one and only Jimmy boy” (top 49)THE CRESCENTS featuring CHIYO “Pink dominos” (top 69)GINNY ARGEL “Dumb head” (top 50)OTIS REDDING “Pain in my heart” (top 61)MAJOR LANCE “Um, Um, Um, Um, Um, Um” (top 5)BON and EARL “Harlem shuffle” (top 44)HENRY MANCINI and his ORCHESTRA “Charade” (top 36)DIONNE WARWICK “Anyone who had a heart” (top 8)Escuchar audio

Most working people have that day gig – accountant, engineer, admin, hospitality. The job pays the bills and puts food on the table. We don't tend to think of being a musician as a day job category. Welcome to episode 110 of See Hear Podcast. Through the 20th century, there was always some group of musicians who had that “day job” status – playing for corporate functions, teaching people to instrumental skills, and being the faceless people providing the grooves and melodies behind your favourite records. Remember the shock you felt realising that the Beach Boys weren't playing their own instruments on Pet Sounds? Or The Monkees? The collective of Los Angeles session musicians who became known as The Wrecking Crew (via drummer Hal Blaine's autobiography) provided the music for tons of songs that music fans consider pop pantheon. There were other collectives of course – Motown had the Funk Brothers, Stax had Booker T and the MGs, and there were the collectives in Muscle Shoals and Nashville. Film maker Denny Tedesco is the son of Wrecking Crew guitarist, Tommy Tedesco. In the mid 90s, Denny started making a documentary that took nearly 20 years to make. Financing for licensing rights was a big part of that duration, but in the end, he created a wonderful film that opens a window to the world of that period of time when Sonny and Cher, Frank Sinatra, The Mamas and the Papas, The Ronettes, and The Beach Boys all had one thing in common – The Wrecking Crew. Even if the general public had no idea who Carol Kaye, Hal Blaine, Tommy Tedesco, Earl Palmer or Plas Johnson were, the “name” artists certainly did and revered their work. For episode 110, Tim, Kerry and myself discussed Denny's documentary as well as our own favourite records from that period, the difference between WC and other famous session groups, British session musicians, social context, and economics. Tim also has an interesting spin on why session musicians may not feel the need to brag about their work……. If you want to catch up on the film, it's currently available on Beamafilm, Prime and (in October / November 2023) SBS On Demand. Very excitingly, we will be having Denny Tedesco on See Hear in early 2024 to talk about his new film The Immediate Family about another group of LA session musicians from the 70s. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en You can download the show by searching for See Hear on whatever podcast app you favour. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Fox: Another lady hanger-on is out and about promoting her book so of course she is dragging her famous ex through the mud. Messi: What is so special about Messi!? Please explain it to us! How about The Fishing Addict?! Palette Cleansers: We watch and react to a lady cop getting owned for covering up a Ring camera and a Jersey Mike's employee that has had enough. FUCK YOU WATCH THIS!, THE BEAR!, BE MY BABY!, THE RONETTES!, BARBARIAN!, ISRAEL!, J-BOYS!, CAPITALIST PIG DOG!, UKRAINE!, SELFISH!, GOLD DIGGER!, JULIA FOX!, KANYE!, YE!, UNCUT GEMS!, SAFDIE BROTHERS!, NEW YORK FASHION!, YOU'RE A SURVIVOR!, BOOK!, DOWN THE DRAIN!, BUY MY BOOK!, I'M FUCKED UP!, CAMERON DIAZ!, CAPTAIN PHILLIPS!, DRUG USE!, EXTERNAL DRESS SHIRT!, SUBOXONE!, OPIOIDS!, VOCAL FRY!, THE ARTIST!, LAWSUIT!, ATTENTION!, DATE!, RAW DOGGED!, GEORGE CLOONEY!, MICHAEL FASSBENDER!, DOMESTIC ABUSE!, WIFE!, HOSPITAL!, MESSI!, APPLE TV!, JORDAN!, LEBRON!, SOCCER!, GRETZKY!, HIGHLIGHTS!, GOALS!, ASSISTS!, MESSI MEETS AMERICA!, THE FISHING ADDICT!, SUBSCRIBERS!, RING CAMERA!, COP COVERS DOORBELL CAMERA!, CUSSED OUT!, TOLD OFF!, OWNS!, DASHCAMS!, F-SLUR!, JERSEY MIKE'S!, KAREN!, CELIAC DISEASE!, CHANGE GLOVES!, DISRESPECT!, NOT CUTE!, UPSET!, TACO BELL!, CARL'S JR!, FUCKED UP!, STEALING!, JAKOB!, SIX DOLLAR BURGER!, N WORD!, EXPENSIVE!, MOBILE ORDER!, RECORDING!, GREETING!, TRUDEAU!, CROOK!, BOOPAC!, ACRONYMS!, PATREON!  You can find the videos from this episode at our Discord RIGHT HERE!

Laura Flam is one of the authors of the book "But Will You Still Love Me Tomorrow?"The book serves as an oral history of the girl groups that made up the 1960's music scene. The girl group sound, made famous by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the Sixties. While many girl group songs rose to the top of the charts and shaped the trajectory of pop music in the process, many of the artists remain all but anonymous to most listeners. In this episode of the podcast, Frank discusses the young women behind some of the country's most popular songs. Flam reveals the challenges many of the artists faced while navigating the music industry at such a young age, and at a time when America was just beginning to reconcile a history fraught with racism. Flam also shares what became of many of the members of girl groups after music tastes changed.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.