Podcast appearances and mentions of Ashley Judd

Chelsea DeVantez is an Emmy-nominated writer, comedian, and filmmaker. She is also the host of Glamorous Trash podcast. She joins Kate to discuss Hilaria Baldwin's memoir, season two of Secret Lives of Mormon Wives, and the Judd family documentary series. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Support the Show: Patreon.com/PreacherBoys✖️✖️✖️If you or someone you know has experienced abuse, visit courage365.org/need-help✖️✖️✖️Did Candace Owens really try to paint Harvey Weinstein as the victim? In this episode of the Preacher Boys Podcast, host Eric Skwarczynski breaks down Owens' controversial interview with Weinstein—and exposes how media figures like Joe Rogan continue to minimize and mock the stories of sexual assault survivors.We dig deep into:– Candace Owens' take on the Weinstein case and #MeToo movement– Joe Rogan's disturbing reaction and resurfaced Joey Diaz clip about coercing female comics– Survivor testimonies from Weinstein's criminal trials—stories from Miriam "Mimi" Haleyi, Jessica Mann, Jennifer Siebel Newsom, and more– Public accusations from stars like Salma Hayek, Ashley Judd, and Annabella Sciorra– The actual data on false sexual assault allegations (spoiler: they're extremely rare)– How powerful men manipulate media narratives to silence victims and protect their statusOver 90 women have publicly accused Harvey Weinstein of sexual misconduct. This isn't “cancel culture.” It's accountability.

This week, we're firing up the intensity with Heat, Michael Mann's epic 1995 crime saga that brought together two cinematic titans — Al Pacino and Robert De Niro — for the first time ever in a shared scene. (Yes, The Godfather Part II doesn't count — different timelines, folks.) Heat is a gritty, stylish, and emotionally charged cat-and-mouse thriller set against the moody backdrop of Los Angeles. Pacino plays Lt. Vincent Hanna, a relentless LAPD detective with a chaotic personal life and a flair for dramatic yelling. De Niro is Neil McCauley, a cool, calculating career thief who lives by a strict code: never get attached to anything you can't walk out on in 30 seconds flat if you feel the heat around the corner. After a high-stakes armored car heist goes sideways, Hanna starts closing in on McCauley and his crew, which includes a young, twitchy Val Kilmer and Tom Sizemore in full 90s tough-guy mode. The film builds toward one of the most iconic diner scenes in film history — a quiet, tense face-off between Pacino and De Niro — and ends with a pulse-pounding airport showdown you won't forget. With a killer supporting cast (Ashley Judd, Natalie Portman, Jon Voight, and even a blink-and-you'll-miss-him Henry Rollins), a haunting score, and shootouts that still influence action films today, Heat isn't just a movie — it's an experience. Stylish, sprawling, and full of moral gray areas, it's Michael Mann at the top of his game. So buckle up, because this week on Totally 80s and 90s Recall, we're diving deep into the heat, the heists, and that glorious late-90s energy. Don't miss it!   Pandora: https://pandora.app.link/iq8iShjXOLb   Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon Music: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall 

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

EXCLUSIVE: How Wynonna and Ashley Judd Are Finally Bonding After Their Mom's Heart-Wrenching Suicide Aged 76Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Alex Dean, director of The Judd Family: Truth Be Told, a four-part Lifetimes docuseries, which reveals the complex story of Naomi, Wynonna, and Ashley Judd including their triumphs and tragedies across several decades. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director Alexandra Dean's engaging new four-part docuseries, “The Judd Family: Truth Be Told” airs May 10th and 11th on Lifetime, and it's a must watch! Alexandra, Ashley and Wynonna Judd tell the Judd's family's story truthfully and respectfully - exploring the generational trauma that plagued Naomi Judd, her grandparents, parents and daughters; the extreme neglect that Ashley Judd endured growing up, and how The Judds never brought their personal feud on stage with them when performing to millions of adoring fans. The only way “Group Text” happens is with YOUR support and support from mm amazing sponsors! Try VIIA! Head to ⁠⁠Viiahemp.com⁠⁠ and use the code GROUPTEXT This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to ⁠⁠HurrdatMedia.com⁠⁠ or the ⁠⁠Hurrdat Media YouTube⁠⁠ channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tickets for Brandon's "Drunk Black History" shows in Boston, Detroit, and Brooklyn are available at https://www.drunkblackhistory.com/upcoming-shows   Support the podcast by subscribing to our Patreon to get access to hundreds of hours of bonus content, early access to upcoming episodes, and the ability to chat with the hosts! www.patreon.com/mediumpopcorn    On this week's episode, Brandon and Justin review the 1995 classic crime thriller, "Heat" where the great Al Pacino and Robert DeNiro go head-to-head, people die everyday B, and Ashley Judd reminds them of how good the 90's used to be.    Leave us a voice message to share your thoughts and/or movie suggestions at (347) 464-8214   MP Links: - patreon.com/mediumpopcorn   - youtube.com/@MediumPopcornPodcast   - https://www.teepublic.com/stores/medium-popcorn   Hosts: Brandon Collins Justin Brown Medium Popcorn Podcast   "Medium Popcorn" is a production of Casa de Collins LLC.    Special thanks as always to our producer Lluvia Gilliam. 

We're going all the way back to 1999 to discuss the Ashley Judd thriller Double Jeopardy with friend of the pod and returning guest Caroline Boisvert!!! We talk the justice system, a very bad friend, and leaving your fucks in prison on this one! Don't forget to always double check your legal advice you get in prison or from movies!Check out our Patreon for exclusive episodes every week that you won't find here! There are film commentaries, in theater film reviews, and minisodes on different topics every month! See what you're missing at patreon.com/triplemmmpodFollow us on the socials @triplemmmpodClayton - @justhappy2cuShawn - @murphthesmurphEmail - menwholikemenwholikemoviespod@gmail.comIf you're enjoying the pod, give us a rate/review - it helps us out SO much!Don't forget to be kind out there!

Take two aspirin and prepare for a lethal dose of 90s medical horror as we dissect "Dr. Giggles," the 1992 cult slasher that transforms everyday medical tools into weapons of destruction. Larry Drake delivers a maniacal performance as the titular villain whose high-pitched laugh and cringe-worthy puns accompany each of his uniquely gruesome kills.With an impressive body count of 17 victims, Dr. Giggles dispatches his patients using oversized tongue depressors, thermometers through eye sockets, and even a giant band-aid for suffocation. Despite scoring a meager 23% on Rotten Tomatoes, this film has developed a devoted following among fans who appreciate its practical gore effects and unintentionally humorous moments. We explore how the original concept for a serious serial killer story was transformed into the campy horror comedy we see today, much to director Manny Cotto's dismay.Behind-the-scenes trivia reveals fascinating production choices, like the custom-built house that was constructed solely to be blown up in the finale and the oversized props created for unique POV shots. We also uncover casting what-ifs, including Jennifer Aniston and Ashley Judd's auditions for the female lead and Ted Danson being considered for Dr. Giggles himself.Whether you view this film as a guilty pleasure or an eye-rolling exercise in 90s horror excess depends on your tolerance for medical puns and absurd plot holes. But one thing's certain – you'll never look at a routine check-up the same way again. The doctor is in... sane! Head to www.screamsandstreams.com for more information related to our episode.

Former boxer turned actor, Sean Carrigan is best known for his roles as Coach Ivan Garrett on the CW's hit series "All American", his 4-year run as Dr Ben "Stitch" Rayburn on the #1 daytime TV show "The Young & The Restless", and his comedic role as Coach Rafferty in the Emmy nominated Netflix comedy "American Vandal”. Sean has appeared in numerous television productions including CBS's "NCIS Hawaii" "NCIS" & "NCIS Los Angeles", Apple TV's "Everyone Is Doing Great", Netflix's "Lucifer", FX's "Dave", ABC's "Grey's Anatomy" & "Modern Family", The CW's "Hart of Dixie", and Lifetime's "Call Me Crazy", starring opposite Academy Award Winner Jennifer Hudson and directed by Ashley Judd. Sean can also be seen in various feature films including Tyler Perry's "The Single Moms Club", Walt Disney's "John Carter", and as Walt Hansgen in the Twentieth Century Fox - Oscar nominated film "Ford vs Ferrari”. In his latest film, "Grace Point" Sean plays the intimidating antagonist role of Luther Stone, which is currently playing on AppleTV & Amazon Prime. Grace Point is a psychological thriller released in January 2025, featuring Andrew McCarthy and John Owen Lowe.     Want to watch: YouTube Meisterkhan.com (Please Subscribe)

National Garlic day.  Entertainment from 2012. "Shot heard round the world"  American Revolution began, Waco Standoff ends, Oklahoma City bombing, 1st Boston Marathon.  Todays birthdays - Ole Evenrude, Elliott Ness, Jane Mansfield, Dudley Moore, Eve Graham, Tim Curry, Ashley Judd, Kate Hudson.  Charles Darwin died.Intro - Pour some sugar on me - Def Leppard  http://defleppard.com/Working for the weekend - LoverboyGarlic - Pebbles Nursery RhymesWe are young - FunA woman like you - Lee BriceBirthdays - In da club - 50 Cent    http://50cent.com/I'd like to teach the world to sing - The New SeekersSweet Transvestite - Tim CurryGonna find out - Kate HudsonExit - Its not love - Dokken    http://dokken.net/

Fourth-wall breaking? Vicious murders? Intentionally censored curse words? It's all here, baby! This week, the guys talk about Kuffs starring Christian Slater. The less said about Milla Jovovich's role, the better... Next week: Full of Harry Holes. What We've Been Watching: Apollo 13 Sisu Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Kuffs stars Christian Slater, Milla Jovovich, Tony Goldwyn, Bruce Boxleitner, Troy Evans, Ashley Judd, Mary Ellen Trainor and Leon Rippy; directed by Bruce A. Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our season 6 premiere, we are returning to, unveiling, and dissecting the hidden wonders of a film that will forever shake our mental foundations for all time. That film is the 1995 cinematic force known as The Passion of Darkly Noon, written and directed by Phillip Ridley... starring Brendan Fraser, Ashley Judd, and Viggo Mortensen. This episode is a deepm dive, and that is a severe understatement, so it is highly reccommended for the viewer to listen having seen - scratch that, having EXPERIENCED The Passion of Darkly Noon.*   *(Well, there IS self harm with sharp objects but Brendan Fraser is weird about it and it's suppposed to be artsy not shocky but it's still grotesque I dunno it's rated R okay? The dog does die too. And old lady offs herself but she's weird about that too?? Again, discretion, use it.)

Matt Williams is best known as the creator and executive producer of the hit series Roseanne and the co-creator and executive producer of Home Improvement, one of the most successful programs in television history. Williams joined The Cosby Show during its premiere season and worked as a writer/producer on the show for three subsequent seasons, during which time his work was honored with Emmy and Humanitas nominations, as well as sharing a Peabody Award for outstanding achievement in television writing. He also served as co-creator of the Cosby spin-off, A Different World.In 1989, Williams formed Wind Dancer Production Group with principals Carmen Finestra and David McFadzean. Under the Wind Dancer banner, Williams co-created and executive produced Home Improvement, Carol & Company, starring Carol Burnette, Buddies with Dave Chappelle, Thunder Alley, Soul Man and Costello.Once again, his work received Emmy and Humanitas nominations, as well as winning numerous People's Choice Awards.In film, Williams produced and directed Where The Heart Is, starring Natalie Portman and Ashley Judd. He produced Nancy Meyer's romantic comedy What Women Want with Mel Gibson and Helen Hunt; executive produced the critically acclaimed drama Firelight with Sophie Marceau and served as co-writer and producer of Disney's award-winning Wild Hearts Can't Be Broken. Most recently, Williams co-wrote, produced, and directed Walker Payne, which premiered at the Tribeca Film Festival. The film stars Jason Patric, San Shepard, Drea de Matteo, KaDee Strickland and Bruce Dern.Please enjoy my conversation with Matt Williams.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

Erin and Paul review two films about infestations of creepy-crawly critters: William Friedkin's harrowing 2006 psychological drama BUG, and Frank Marshall's cheerfully junky 1990 horror comedy ARACHNOPHOBIA.

Wayne Wang's "Smoke" doesn't look like a Christmas movie, sound like a Christmas movie or ever feel like a Christmas movie. It really isn't, but the final fifteen minutes of this terrific ensemble film features a moving and poetic Christmas story that makes it worthy of inclusion on this show (hey, it has more Chrsitmas in it than Disney's "Babes In Toyland"). The film stars Harvey Keitel, William Hurt, Forrest Whitaker, Stockard Channing, Ashley Judd, Giancarlo Esposito, Harold Perrineau and Jared Harris. It also has a distinction of winning an obscure MTV Movie Award for a category that was never repeated ever again. Also, Kerry talks about three movies from "1,001 Movies You Must See Before You Die."  Book movies covered: "Smoke" (1995) "Deseret" (1995) "The Phenix City Story" (1955)

Hosts Sonia Mansfield and Margo D. violate their parole and dork out about 1999's DOUBLE JEOPARDY, starring Ashley Judd, Tommy Lee Jones, Bruce Greenwood, and Annabeth Gish. Also discussed: BELOW DECK DOWN UNDER, AMERICAN MURDER: GABBY PETITO, LOVE IS BLIND, and SCAMANDA.Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify YouTubehttp://dorkingoutshow.comhttps://www.threads.net/@dorkingoutshow https://bsky.app/profile/dorkingout.bsky.social https://www.instagram.com/dorkingoutshow https://www.facebook.com/dorkingoutshow

A master criminal (Robert De Niro) and a police detective (Al Pacino) square off to find out if the criminal can pull off one more giant heist before riding off into the sunset. An all-star supporting cast includes Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd, Natalie Portman, Amy Brenneman, Mykelti Williamson, Dennis Haysbert, Diane Venora, William Fichtner, Hank Azaria, Danny Trejo, Henry Rollins and Jeremy Piven.  Directed by Michael Mann.

What do, a discontent department store employee who has an affair with an intense young man, and a wholesome girl who has her baby at a Wal-Mart, have in common? This week on THE MOVIE CONNECTION: KC Watched: "THE GOOD GIRL" (6:30) (Directed by, Miguel Arteta. Starring, Jennifer Aniston, Jake Gyllenhaal, John C. Reily...) Jacob Watched: "WHERE THE HEART IS" (34:45) (Directed by, Matt Williams. Starring, Natalie Portman, Ashley Judd, James Frain...) Talking points include: When the tone is uneven What store would you want to live in? Characters who could use some therapy and more!! Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.com Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Rate and Review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out more reviews from Jacob on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cover art by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Austin Hillebrecht⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Letters by KC Schwartz

Join hosts J.D. Barker, Christine Daigle, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about TikTok uncertainty, Apple's AI, and Instagram Reels. Then, stick around for a chat with Joseph Finder! Joseph Finder is the New York Times bestselling author of 17 suspense novels, most recently the forthcoming The Oligarch's Daughter. His most recently published novel House On Fire is the fourth featuring “private spy” Nick Heller. His books have won numerous awards, including the Strand Critics Award for Best Novel for Buried Secrets (2011), the International Thriller Writers Award for Best Novel for Killer Instinct (2006) and the Barry Award for Best Thriller for Company Man (2005). The Boston Globe has called him a “master of the modern thriller.”  Two of his novels have been made into major motion pictures, including High Crimes, adapted into the hit 2002 movie starring Ashley Judd and Morgan Freeman; and Paranoia, the 2013 film starring Harrison Ford, Gary Oldman, and Liam Hemsworth. A founding member of the International Thriller Writers, as well as a member of the Council on Foreign Relations and the Association of Former Intelligence Officers. Joe is a graduate of Yale and the Harvard Russian Research Center. He lives in Boston.

Obsession can be your downfall. The way the characters are in this movie is horrible, they can't just let things go. But we get it. Some day, Mike and Brandon will solve the Riemann Hypothesis. YOU'LL SEE! Sorry, no video this week, Brandon fucked up the recording. In this episode, we discuss the movie, Heat, from 1995. Directed by Michael Mann. Starring Robert DeNiro, Al Pacino, Val Kilmer, Ashley Judd, and Tom Sizemore. It is available on Disney Plus and Amazon Prime. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Go follow our Youtube channel where ALL of our episodes are posted now: ⁠⁠Specrapular⁠ ⁠(https://www.youtube.com/channel/UC0ppqS8Japy4yT4cVfcGEKw) The next movie we are going to discuss is The Mummy, from 1999. Directed by Stephen Sommers. Starring Brenden Fraser, Rachel Weisz, Arnold Vosloo, Oded Fehr, and John Hannah. It is available on Hulu and Disney Plus. Intro music by: Luis Find more music from Luis at: instagram.com/breatheinstereo Season 7 Episode 10

Oh it's on! One of the most iconic films of all time with an all star cast... Heat! Starring the greatest actors of most any generation, Will and Matt reflect on the improvisation, the brilliant writing, and the epic film from the brilliant Michael Mann.HEATdir. Michael Mannstarring: Robert DeNiro; Al Pacino; Val Kilmer

As far as Ashley Judd race against time thrillers go, HIGH CRIMES probably isn't the one you remember. But it's the one we get to cover, so have at it! Featuring Morgan Freeman as an alcoholic military law expert!

Quite the uplifting movie if you ask us. Just don't break down that mental wall with all that incest shit hiding behind it. In this episode of Specrapular, we discuss the 2003 movie, Oldboy. Directed by Park Chan-wook. Starring Choi Min-sik, Yoo Ji-tae, and Kang Hye-jeong. It is available on Netflix. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Go follow our Youtube channel where ALL of our episodes are posted now: ⁠⁠Specrapular⁠ ⁠(https://www.youtube.com/channel/UC0ppqS8Japy4yT4cVfcGEKw) The next movie we are going to discuss is Heat, from 1995. Directed by Michael Mann. Starring Robert DeNiro, Al Pacino, Val Kilmer, Ashley Judd, and Tom Sizemore. It is available on Disney Plus. Intro music by: Luis Find more music from Luis at: instagram.com/breatheinstereo Season 7 Episode 9

Our show has a storied history of Greek inclusion. There's Costaki, there's Angelo. There are probably more, but I can't think of any right now. Ashley Judd is, to our knowledge, not Greek. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our show has a storied history of Greek inclusion. There's Costaki, there's Angelo. There are probably more, but I can't think of any right now. Ashley Judd is, to our knowledge, not Greek. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Agents Scott and Cam watch Ewan McGregor watch Ashley Judd change wigs while decoding the twisty 1999 spy thriller Eye of the Beholder.  Directed by Stephan Elliott. Starring Ewan McGregor, Ashley Judd, Patrick Bergin, Geneviève Bujold, k.d. lang and Jason Priestley.  You can stream the 2001 making of documentary Killing Priscilla on YouTube.  Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Matt Williams utilizes a character-centric approach in creating and developing iconic television series, including Roseanne and Home Improvement. The Humanitas Prize and 6-time Emmy nominated Evansville native received graduate degrees in directing and acting, and embarked on a host of television commercials, as an actor, before realizing his talent and bliss as the driving force behind impactful, relatable film and television projects. After cutting his teeth as an actor (and de facto writer and re-writer) on the CBN soap, Another Life, Matt produced and joined the writing staff of The Cosby Show during its premiere season. It was there where he learned the relevance of inviting the audience to the family table — a concept that bore fruit with regard to the development of Roseanne. In the years which followed, Matt co-created and executive produced a number of television shows under the umbrella of Wind Dancer, the production company he founded with Carmen Finestra and David McFadzean, the latter whom Matt first met at University of Evansville, which include Home Improvement, Buddies, Thunder Alley and Soul Man. He directed and produced the films Where the Heart Is, starring Natalie Portman and Ashley Judd, about a young woman who delivers a baby in a Wal Mart after being abandoned by the latter's father in the parking lot, and her journey of growth and self-discovery which follows; and Walker Payne, which he also co-wrote, and starred Jason Patric, Bruce Dern, Drea de Matteo and the legendary Sam Shepard and premiered at the Tribeca Film Festival. Additional producing efforts include What Women Want, Bernie, As Cool as I Am and Wild Hearts Can't be Broken. The focus of our discussion was his latest book, Glimpses: A Comedy Writer's Take on Life, Love and All That Spiritual Stuff.Opening Credits: Lobo Loco - Room of Longing B (ID 2240) I CC BY-NC-SA 4.0; Anitek - Bricolage I CC BY-NC-SA 3.0 US. Closing Credits: Útidúr - Grasping for Thoughts I CC BY-NC-SA 3.0.

Watch The X22 Report On Video No videos found Click On Picture To See Larger PictureThe people of Germany have had, the left green liberal government is done. They pushed the policies of the [CB]/[WEF] and it destroyed the country.The market is rocketing up, we normally see this after a Presidential election. Rate cuts are coming. In the end Trump will take full control. The patriots outsmarted the [DS] cheating system, we played their game and won. Trump is the President Elect. The [DS] is not finished fighting, the appeals court needs rule on the hush money trial, the elections still need to be certified, this is when the [DS] will strike. Be prepared for chaos during this period. We must win the war. The hunted have now become the hunters.   (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:13499335648425062,size:[0, 0],id:"ld-7164-1323"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="//cdn2.customads.co/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); Economy https://twitter.com/disclosetv/status/1854224108319314426 https://twitter.com/disclosetv/status/1854143440595857795   Trump Economy Starts Already: Dow Futures Absolutely Explode Overnight as Trump Secures Presidency Futures on the Dow Jones Industrial Average Index soared 2.8 percent — approximately 1,200 points — as of early Wednesday morning, according to CNBC. Similarly, S&P 500 futures climbed more than 2 percent, while Nasdaq 100 futures rose 1.6 percent.   Source: thegatewaypundit.com Dow jumps 1,500 points to seal largest postelection advance in over a century https://twitter.com/GRDecter/status/1853807230769918445   comfort in the numbers! Federal Reserve poised to cut interest rates under shadow of Trump's presidential victory The Federal Reserve likely will stick to the business at hand when it wraps up its meeting Thursday with another interest rate cut. Market attention probably will turn to what Chair Jerome Powell has to say about the future. In keeping with policymakers' historical desire to stay above the political fray, Powell likely will avoid direct commentary about what to expect from President-elect Donald Trump.   War Kremlin says 'let's see' if Trump victory will help end Ukraine war   Kremlin takes cautious stance after Trump claims victory Russian sovereign fund floats reset with Trump Foreign Ministry says Moscow has no illusions about Trump Medvedev says Trump is probably bad news for Ukraine  The Kremlin reacted cautiously on Wednesday after Donald Trump was elected U.S. president, saying the U.S. was still a hostile state and that only time would tell if Trump's rhetoric on ending the Ukraine war translated into reality. Source: reuters.com Q https://twitter.com/TrumpVVon/status/1854156178655183129 13. AOC 14. Lady Gaga 15. Taylor Swift 16. Bill Gates 17. Jane Fonda 18. Madonna 19. Mark Ruffalo 20. Kim Kardashian 21. Bruce Springsteen 22. George Clooney 23. Hunter Biden 24. Oprah 25. Robert De Niro 26. Samuel L Jackson 27. Miley Cyrus 28. Travis Kelce 29. Bobbi Althoff 30. Rashida Talib 31. Stormy Daniels 32. Dr. Anthony Fauci 33. George Soros 34. Diddy 35. Eminem 36. Ellen DeGeneres 37. Sean Penn 38. Sharon Stone 39. Ashley Judd 40. Tommy Lee 41. Bryan Cranston 42. Billie Joe Armstrong Bonus Cher will blow her brains out Rob Reiner will set himself on fire Bono vows to drive his car off a cliff Fani Willis reelected as Fulton County District Attorney Fulton County District Attorney Fani Willis has been reelected to her office, the Associated Press reported.

Kaia Alexander live at www.micheauxfilmfest.com Kaia is a thought leader who has coached stars like Garry Shandling, Ashley Judd, Jamie Lee Curtis, and the San Francisco 49ers. As the founder of the Entertainment Business School, her students have sold TV shows and had movies funded. Her coaching moves the needle with a joyful thunder that moves your career forward. She offers public figure coaching and career coaching, in private sessions. Get your ticket today: Elevate Hollywood Live in Los Angeles Nov 10 2024 Connect with your host Kaia all Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1 Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Halloween is over, which means Christmas is creepin' upon us so who better to start making your shopping lists with than Erik Childress and Peter Sobczynski on this week's physical media show. They include a pair of Christmas films including a perennial classic and a more modern one with a Wham twist. The king of the monsters has its origin upgraded to 4K by Criterion. Samuel L. Jackson goes to Yemen and Mel Gibson goes to Vietnam in a pair of military films just before Veterans Day. One of the original babysitter horror films gets a 4K upgrade and you can also see the first French adaptation remade as a particularly awful Ashley Judd film. Finally, there are a trio of film documentaries ranging from Powell and Pressburger to The Monster Squad to the year 1982 plus one of the all-time classic sitcoms gets the Blu-ray treatment. 0:00 - Intro 0:58 – Criterion (Godzilla 4K) 6:29 – Universal (Last Christmas 4K) 13:23 – Paramount (White Christmas 4K, We Were Soldiers 4K) 26:08 – Kino (Rules of Engagement 4K, Fright 4K, Deadly Circuit, Made in England, Wolfman's Got Nards) 52:17 - MVD (1982: Greatest Geek Year Ever) 59:22 – Television on Blu-ray 1:06:42 – New Theatrical & Streaming Titles On Blu-ray 1:14:20 – New Blu-ray Announcements

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 70 of the Director Watch Podcast, the boys discuss the next film in their Carl Franklin series, Out of Time (2003). After the box office failure of Devil in a Blue Dress, and making a Meryl Streep movie (One True Thing) and a standard legal thriller starring Ashley Judd and Morgan Freeman (High Crimes), Carl Franklin's last feature film was his last effort at trying to make a entertaining popcorn films starring Denzel Washington, Out of Time. What sounds like an interesting premise of a small town cop racing against the clock when the woman he is seeing ends up the prime murder suspect in his area of Florida, with the team investigating the crime run by his ex-wife (Eva Mendes). In what feels like a discount Tony Scott film, Franklin isn't able to elevate the movie beyond just being a decent film that Denzel carries to the finish line. Ryan and Jay talk about their thoughts on the film, diving into some heavy Jimmy Buffett references, Dean Cain's filmography, the illogical ending of the film, how much they've loved talking about Denzel Washington films this year, the sad reality behind where Franklin's career is now, as well as give their ranks of the films within this short but important series. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h03m. The guys will be back next week to begin their series on the films of Krzysztof Kieślowski with a review of his film, The Double Life of Veronique. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

The gang dives head first into one of Heather's favorite genres this week: Gerard Butler Trash Action... as they review the movie that spawned the Has Fallen Cinematic Universe, Olympus Has Fallen. While admittedly being a cheesy pie action movie, this non-stop action explosion of a movie was also directed by Antoine Fuqua, so you know it's gonna have some style that AVOD movies from today just don't have. Gerard Butler, Morgan Freeman, Aaron Eckart, Angela Bassett, Robert Forster, and Ashley Judd all do their part to make this popcorn flick the best DVD in the Walmart DVD bin. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/XRRpZlceZ5Uhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)The Maple Syrup Don: StephenJoseph Navarro     Pete Abeyta  and Tyler Noe

Greg, Joe, Producer Marc and special guest and co-founder Paul return to discuss Michael Mann's 1995 crime drama epic "Heat," starring Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Danny Trejo, Ashley Judd, Diane Venora, Natalie Portman, Wes Studi... E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comPrime Cut is on TikTok @PrimeCutPodcastFollow and Subscribe to the Prime Cut Podcast on YouTube at - https://www.youtube.com/@ThePrimeCutPodcastFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/

Over the lifetime of Unstoppable Mindset, I have met many of our guests on LinkedIn. My guest this time, Wallace Pond, is by far one of the most fascinating and engaging people I have had the honor to talk with. Dr. Pond was born into a military family based at the time in Alabama. I do tease him about his not having an Alabama accent and he acknowledges that living on a military base is largely why he does not naturally possess a Southern way of speech. Dr. Pond has lived, worked, and studied in North America, Latin America, the Caribbean, Europe, Asia, and the Middle East. He has served as a teacher, a professor and within the corporate world he has held a number of positions including several within the C Suite arena. We get to explore his life journey including learning of a mental health crisis that led him to a career change a few years ago. During my time with Wallace, we talk about many subjects including God and religion, Leadership and what makes a good and real leader. Wallace talks about diversity and how we are focusing so much on tribal issues within our culture that we are losing the art of conversation. Dr. Pond will tell us about his project, the Transformation Collaborative which is an effort to promote real change in how we can become better versions of ourselves. I leave it to Wallace to explain. At the end of our podcast episode Wallace and I agreed to record a second episode in the near future. I'd love your thoughts about what you hear on this episode. Any questions you want me to ask Dr. Pond next time? Please pass them on. About the Guest: Dr. Pond, founder, IdeaPathway, LLC, the Transformation Collaborative™, and Life Worth Living, LLC, has been a missiondriven educator and leader for over 30 years. For the last 20 years, Wallace has been a senior leader in higher education, holding both campus and system level positions overseeing single and large, multi-campus and online institutions of higher education in the US and internationally. He has served as chancellor, president, COO, CEO, CAO (Chief Academic Officer), and board member, bringing exceptional value as a strategic-servant leader through extensive experience and acumen in strategic planning, transformational change, change management, crisis management/turn around, organizational design and development, P&L, human capital development, innovation, new programs, and deep operational expertise among other areas of impact. He has recently added psychotherapy to his practice and provides counseling services as an LPCC under supervision. You can see his counselor profile here. His many thought leadership articles are available at www.WallacekPond.com. Wallace began his career as a high school teacher and adjunct professor and spent six years in the elementary and secondary classroom working primarily with at-risk youth. He was also a public-school administrator and spent another six years as a full-time professor and administrator in the not-for-profit higher education sector, working in both on campus and online education, bringing education to underserved students. Additionally, Wallace has over 15-years of executive, private sector experience, creating a unique and powerful combination of mission-driven and business focused leadership and insights. Ways to connect with Wallace: www.wallacekpond.com www.transformationcollaborative.net https://www.linkedin.com/in/wallace-pond-47b05512/ https://www.amazon.com/Leadership-Real-World-Executive-Turbulent/dp/B08C49FQ6Q/ref=sr_1_1?crid=1UIJFVM71G3RZ&keywords=leadership+in+the+real+world&qid=1704824712&s=books&sprefix=leadership+in+the+real+worl%2Cstripbooks%2C159&sr=1-1 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hi and welcome to unstoppable mindset. Welcome wherever you happen to be. I really am glad you're here with us. I'm Mike hingson, your host today. Our guest is Wallace Pond, a man of many talents. He's been very much involved in helping people and transforming he's got bachelor's, master's and PhDs all, well, I won't say all over the place, but, but he has a number of degrees. Yeah, we, we won't give them all away. I'll let you do that. And he's also now even becoming involved in more things relating to psychotherapy. So I'll have to have him talk to my cat and see if we can do something. Yeah, never, never sure that works. Is, does it? Wallace, but anyway, welcome to unstoppable mindset. We're glad you're here.   Wallace Pond ** 02:08 Well, thank you so much, Mike. It's just a pleasure to be to be on the show with you. I appreciate what you got to be previously, and really appreciate also kind of the work that you do and what you've accomplished, and I think you have a really healthy and helpful perspective on a number of things, in particular diversity, but I think need to be that more people need to hear so I appreciate the opportunity to be with you well. Thank   Michael Hingson ** 02:37 you. I appreciate that, and would love to work with you any way that we can. Why don't we start on your podcast episode by you telling us kind of maybe a little bit about the early Wallace growing up and all that sort of stuff.   Wallace Pond ** 02:51 Yeah. So I was born in the deep south in the early 1960s very different time. My father was in the Air Force, so even though we were in Alabama, I was born into a desegregated military environment. This the in Montgomery, Alabama, the city was not desegregated. There were still separate bathrooms and water fountains for, quote, colored people, yeah, but on the Air Force Base, it was at least as desegregated as as the military could be at that time. But my folks and my family, both from Idaho, of all places, when my son was born there, about 30 years ago. He was the fifth generation from Idaho. My folks went back to Idaho when I was about, Gosh, nine years old.   Michael Hingson ** 03:49 So was it the military, though that influenced you not to have an Alabama accent?   Wallace Pond ** 03:54 Yeah. Probably parent, parents and military both. Okay, yeah, yeah. So my little sister and I, we were in Alabama and Georgia, Maryland before we went back to Idaho. But yeah, we sort of never got that southern accent, although given an opportunity, I can slip into it, and I certainly recognize it, yeah,   Michael Hingson ** 04:17 well, and I love to use the words y'all and all y'all. And I know the difference between the two, which a lot of people don't, but it's   Wallace Pond ** 04:25 a third. There's a third, which is the plural possessive, all, y'all. Oh, all, y'all, that's right, yeah, yeah, which, which, not everybody, which, you don't hear all the time. But no, you're in the South. Yeah.   Michael Hingson ** 04:37 I love language. Anyway, so you were saying so, yeah.   Wallace Pond ** 04:44 So moved out to Idaho, back to Idaho. That's where my folks were from. And kind of feel like I, you know, some really formative years, nine to probably 18 or so in Idaho, and just had. You know, the the great pleasure over both when I was a child, living with my parents, and then also once I was independent, out of the home. Probably lived in. I could, I could, you know, calculate it, but lived in probably a dozen states, half a dozen countries. Uh, visited 39 or 40 countries. So just one of those people, you know, some folks, one model is to kind of grow up somewhere and be from there, and that's, you know, kind of how you identify. And then there's other folks, like I who just, you know, it's a very different perspective, and it's, you know, a lot of moves, a lot of different experiences, I think my wife and I, we've been married 34 years, and we stopped moving quite so much in the last, oh, probably 15 but I think we've moved 11 times. And in fact, the last kind of big adventure was we spent a couple years over the United Arab Emirates. I was a CEO running a company over there, as well as a college president, at the same time doing both in Abu Dhabi, and that kind of a long arc where I am now. But there was through that. There was there was kind of like K 12 experience, university experience, corporate experience, so pretty kind of broad based, you know, personal and professional background. As you said, I more recently got into into the field of psychotherapy as an actual therapist. That was kind of an interesting career shift, but, but really timely and probably one of the most congruent decisions I've ever made in my life, in terms of, you know, making a life decision that turned out to align with what I wanted to be true and what was making sense for me at The time. So kind of a long arc, but here we are. Here   Michael Hingson ** 07:03 we are. Where did you? Where did you go to college? Yeah, so   Wallace Pond ** 07:07 initially, University of Utah, okay, and I, and I pursued a degree in Spanish and Hispanic literature, which also kind of was not purposeful, it wasn't part of a plan, but it really had a significant impact on some of the things I did in my life, and certainly some of the cultural experiences I had as a student, I lived in Spain and Mexico as well, and then as a professional and as an adult, I also lived in Puerto Rico for three years. So Spanish and Spanish culture kind of a big part, at least earlier in my career, up through probably, I think I was, I left Puerto Rico in 2013 after three years there. So that was, that was kind of the undergraduate. And then, as you mentioned, I have, I have multiple I have three different graduate degrees, two two masters and a PhD in the one at Boston University that was back in the 90s, and then a PhD in education. And then I went back to school for the fourth time, about, Gosh, three or four years ago, when I decided I wanted to go into the helping professions again and be a counselor, and so that was a master's in clinical mental health. And I've been practicing. I've been seeing clients for about three years. I've been I've been seeing clients post grad, in both private practice and in a community health setting. Now for geez, I graduated in July of last year, so I probably, oh, maybe little over 1200 1300 hours of counseling at this point. So that's the educational story. Well,   Michael Hingson ** 09:05 I have to ask, since we talked about language and you spend some time at Boston University, yeah, and so on, did you ever learn to talk Bostonian?   Wallace Pond ** 09:16 So kind of like my experience in the south, you can do it, yeah, I can slip into it. I actually kind of enjoy it. I yeah, I do too, you know. But no, it's not something that I that I ever, ever adopted for myself.   Michael Hingson ** 09:33 I lived in Windsor mass for three years, so I spent some time in the Boston area,   Wallace Pond ** 09:40 great town, you know, Boston. I did a lot of that work, actually overseas, in an overseas program in Germany, of all places. So it's kind of a long, winding road. I've   Michael Hingson ** 09:52 heard that one of my favorite restaurants in Boston closed around or just before the time of the pandemic, Durkin park at uh. And near Fennell Hall, yeah, Quincy Market, I heard that Durgan closed, yeah?   Wallace Pond ** 10:06 And, well, and that was not unique to them. I mean, yeah, the pandemic was pretty rough on restaurants, and a substantial number all over the country didn't, didn't make it through that? Yeah,   Michael Hingson ** 10:20 yeah. It's kind of sad. Long before the pandemic, the Carnegie Deli in New York closed, which was one of my favorites, and I knew the owner, but I think, yeah, and I don't even think they can, I don't even think they mail order anymore. I   Wallace Pond ** 10:36 don't know, but I do. I do remember, I do. I'm have some experience with the Carnegie Deli, because that's where I was introduced to pastrami. No better place, yes. And I didn't know I was a pastrami fan until then,   Michael Hingson ** 10:55 and the sandwiches were so small, yeah?   Wallace Pond ** 10:56 Well, right, yeah, it was a workout, like doing curls, lifting the sandwich. Yeah, I unfortunately, one of the things that happened being introduced to pastrami at the Carnegie Deli was I became kind of a pastrami snob. And so you know that my first introduction was as good as it gets. So yeah, it's hard for me to for pastrami to match up since then. Oh, gosh, that was a while ago.   Michael Hingson ** 11:23 Oh, it is. It's really hard. I'm still spoiled by the first Caesar salad I ever had. When my wife and I got married, we spent part of our time in Palm Springs, and then we went and spent the rest of our honeymoon in Phoenix and went to a hotel and stayed at a hotel called the point Tapatio, which had a restaurant up on top of the mountain. On one side, you could see Phoenix. On the other side, you could see Scottsdale. And we ordered Caesar salads that they made at tableside. And back then, in 1982 it included the rig and everything else. And it's still the best Caesar salad I ever had.   Wallace Pond ** 11:57 Yeah. Well, most people alive today are young with, oh, I would say most people born since maybe 819, 80 or so. Have you know, there used to be raw egg and a lot of stuff. Yeah, I don't know if you remember Orange Julius. Oh, yes, yeah, they used to get a raw egg. Was one of the ingredients you could get beat up in a in a smoothie. Yeah, those days are, sure. Guy, oh,   Michael Hingson ** 12:23 the days. Well, Steven, so, so what did you I was going to say, what did you do after college? But that's really kind of hard, because there's a lot of, a lot of after colleges for you. But you said Spanish wasn't really part of the plan, but yet, that's what you you did for an undergraduate degree? How come? Yeah,   Wallace Pond ** 12:43 so this is kind of a funny thing to even admit, but a lot of me back up a step. So my father, he had some kind of intuition, some kind of insight. He really believed it would be helpful for me, maybe really in terms of life experience, maybe in terms of just a skill set to be bilingual. And even back in high school, he started like, I'd come home and he put like, a pamphlet on my bed about, you know, Spanish language, or Spanish class or something like that, you know. And when I got to the University of Utah, I thought, you know, a little bit based upon his, you know, you know, suggestions and support. I i took a few Spanish I remember taking, you know, Spanish 101, then I kind of like that Spanish 102, I was a communications major at the time, and to be honest, I still don't know what that means, Mike, but I was a communications major, and at that time, it was the single largest major on campus, and you could not get courses you sent. You could not register for communications courses, and there were people who were being forced to spend an extra year or more at the U just to get the courses they needed to graduate. And in the meantime, I had said, Well, I'll get a minor. And I thought, well, if I'm gonna get a minor, I probably need to be able to speak it. So I decided to do a study abroad in Spain. Went to school at the University of Seville, four days a week, four hours a day, immersed in Spanish and subjects being taught in Spanish. And by the time I got back, I had, I had earned so many credits in Spanish that there was a pretty quick path to a degree in Spanish and and I didn't have to worry about the problem of not getting courses in in communication, communications, yeah, yeah. So when I got back to the and I also got a bunch more credit by passing some tests, some clap tests, and ended up, you know, with a degree. Did another study in Mexico, ended up with a degree in Spanish. Mentioned Hispanic literature. It just it was the path of least resistance, and something that I really enjoyed. So that's how that happened. I mean, there truly was no plan.   Michael Hingson ** 15:12 Well, things work out, though may not have been part of the plan, but it certainly sounds like it worked out well for you, and it helped integrate into everything that followed, which is always a good thing. It absolutely did. Yeah, I know when I went to UC Irvine starting in the fall of 1968 I entered the year that they had their first graduating class. So the first graduation was for seniors. Was 69 but they also had graduate school, they had medical some medical schools and so on. And very quickly, the school had become known for science, and a lot of people wanted to go off and become doctors. So the year that I entered 1600 people enrolled in organic well or enrolled in biology, and they all wanted to go off and be doctors and all that. And the biosci people said, Okay, well, before you can really be serious about a bio sci major, you're going to have to take a year of organic chemistry   Wallace Pond ** 16:24 that that that that weeded a few folks out, didn't it? From the   Michael Hingson ** 16:29 beginning of my freshman year to the end of my sophomore year, the number of students in biology dropped from 1600 freshmen to 200 sophomores.   Wallace Pond ** 16:38 Yeah, yeah. That's a, I think, a typical experience with I took organic chemistry much later in life. It's another kind of part of my minding journey. But I took an entire pre med curriculum after I finished my PhD, just for pure Self edification. And you know, I was always troubled by the fact that I got through three degrees without really having a good science Corps. And so while I was working as a professor at a college, I ended up taking, well, all but one course of a pre med curriculum. And I remember exec, I remember organic chemistry, and I remember just kind of that, that moment, that realization, where you cannot fake this, no you will put in the time, or you will not get out. Well, I did that. I   Michael Hingson ** 17:29 got my master's degree, my bachelor's and master's in physics, so I did not take organic chemistry. But I know everybody was complaining about memorizing all the reactions and all that and and, you know, I respect it, but I'm glad I didn't have to take it.   Wallace Pond ** 17:44 Yeah, I enjoyed it, but it was also something that, you know, it, like I said, it's not something you can fake, no, it's a completely different animal than than inorganic chemistry. Fascinating, really fascinating, actually, yeah, but definitely requires some mental effort.   Michael Hingson ** 18:06 I enjoyed hearing people talk about it, and enjoyed listening to all of that, but it was different than what I enjoyed doing. And I loved physics, and was especially always interested in the philosophy of physics, the history and philosophy, and of course, one of the big debates about physics is, is it really a quantum and does God throw dice, or is it, is it in reality that there is really determinism and and that's a question that physics still hasn't answered yet. Some people think it has, but it hasn't yet well,   Wallace Pond ** 18:38 and the answer to that question has huge implications for psychology and free will, sure   Michael Hingson ** 18:42 it does all of that. Sure it does, sure, and I am sure that eventually it will all get realized. And you know, my belief is that there are basic laws of the universe and that there are laws that we have to obey to to really progress, but it's our choice. And I, and I am absolutely a firm believer in the fact that there is such a thing as free will and choice.   Wallace Pond ** 19:09 Yeah, and I, I it may be, it may be that we at some point come to some kind of melding of the two, whereby there is some level of free choice or agency, but that that's highly influenced by underlying physics principles of some sort. Correct? Exactly? Yeah, yeah. Ray Kurzweil, the   Michael Hingson ** 19:35 futurist and inventor and a man I worked for for a few years when he was developing the Kurzweil Reading Machine created a doc, or there is a documentary about him. And at the end, he said, you know, everybody keeps wondering if there is a God, and he said, there isn't yet, because we haven't invented it. And I do not buy into Ray's I don't buy into Ray's argument that I don't think that works. Yeah. Yeah, but it is interesting and but you're right, it all really does come down to in psychology, a question of free will, a question of so many different things, and I and eventually will understand it   Wallace Pond ** 20:13 well. And there's an in there other related concepts, you know, for example, the notion of growth mindset, which is a really interesting concept, Carol Dweck, out of Stanford, was the one who kind of popularized this. But the idea that growth mindset, as opposed to fixed mindset, suggests that our futures are malleable, that that our ability to to learn, to grow to achieve objectives is at some significant level determined by whether or not we believe that we can grow and change and progress through new talents and perspectives, etc, versus the extent to which we believe it's more fixed, and that those limits are kind of innate, and there's a there's a potential physics element to that as well. Having said that, I do believe in mostly it's just observation that it absolutely is possible to to grow dramatically, intellectually, spiritually, academically, I'm Trying to some other examples might be things like emotionally, that we are, you know, capable. That's why we have neocortical functions, right, as human rights, right, even separate from other mammals, we have parts of our brain that do stuff, right, you know, that are that are pretty amazing, and that allow for pretty intense evolution. And I don't mean evolution in the historical sense, although that has its own place. I mean as individuals, right? You know, the ability to kind of evolve in the context of our environment. So it we probably won't have a final answer any of that before you and I are gone. But it is a, it is a topic that I find fascinating. Oh,   Michael Hingson ** 22:30 I do too, and, and, of course, the the other part of the question is, you say we may not have an answer before we're gone. Will we really be gone or whatever? So there's, there's that too, right?   Wallace Pond ** 22:45 Yeah, yeah. And I, you know, as part of my own mental health journey, you know, I'm a counselor, but I'm also, you know, in our field, we have this, this, this concept of wounded healer. And, you know, I didn't, you know, just randomly pop up one day in, you know, going from being a corporate executive or a university president to being a psychotherapist, I had my own journey as well mental health journey, and I put myself certainly in that category of of wounded healer. But when we think about, you know, the human experience, right? And as we think about the kinds of things that, just either by chance or by purpose, end up being part of that journey, for me, being exposed to Buddh principles and Buddhist thoughts, Buddhist ideas was really critical in my own healing and the whole notion of impermanence and afterlife. The Buddh take on that, I think, is really compelling. And this idea that there is an afterlife in the sense that we are all comprised of elements and molecules and atoms that will continue on in multiple forms, and that we're comprised of atoms and molecules that have been around, you know, that belonged, that were part of someone in the Roman Empire and part of someone in Greek times, and part of someone on the Savannah, or some animal on the savannah millions of years ago. And although it may not be sort of a Christian notion of an integrated afterlife as some version of yourself, right? I find that the Buddhist perspective really compelling. This idea that you know, the energy, the mass, the mole, the atoms that comprise us do continue on. And there may, in fact, be some integrated version of. That, who knows, you know, my father passed away a few years ago, and and one of the ways that I have, one of the ways that I have grieved that, and one of the ways I have dealt with that loss, is I frequently talk to him, and every you know, and every now and then I'll ask him, you know, you know, I'll tell him, gosh, I wish he could let me know what happened like. So what is it? You know, where are you? Are you know, do you have consciousness? And you know, maybe some way, sometime he'll answer. But for me, right now, a big part of of of that healing in that, in that grieving has been to maintain that relationship with Him through conversation.   Michael Hingson ** 25:45 And should I believe absolutely, I think there's a lot to be said for for the merits of what you were just describing. And the issue, I think, is that, if we also go back to what really is God, you've got the Christians who have tried to shape God in the sense in their image, more than the other way around, and others have done that too, but, but the reality is what really is God, and I think God is the underlying principle for all of us, and I think that we're all part of that God. And so when your father died, or my wife passed away in the end of 2022 there they are still there. I love to tell people that I am absolutely certain that Karen monitors me, and if I misbehave, I'm going to hear about it. So I have to behave, otherwise, I'm going to be in serious trouble.   Wallace Pond ** 26:45 Yeah, you know, there's an interesting I just, I'm just about to finish an absolutely profound book by an author, physician, philosopher. His name is Gabor Mate. He was a survivor of the Holocaust. He was a child of an infant. Actually, the book is called The Myth of normal, absolutely seminal, fabulous, fabulous book, just in general, but also resonates with me on my own mental health journey and as a counselor. But he makes reference in the book to to the actress as Ashley Judd and and a quote of hers, a phrase of hers, which is, I want to, I don't want to mess up the the quote. It is, surrendering to a god you don't believe in the idea that you know, you don't have to believe in a deity in any sort of, you know, codified religious, you know, institutional way to still surrender to, to, to a sense of, of, of a higher power, yeah. And I just, I, you know, I just really appreciated that quote from Ashley Judd, and I think it's really applicable, this idea that we don't have to be dogmatic. We don't have to be it's, you know, an ethical, institutional approach to surrender to a god we don't believe in. You know, that that we can surrender to something bigger, something beyond our own physical existence   Michael Hingson ** 28:24 well and in the Buddha oriented world, it is also, isn't even a matter of surrendering. It's a matter of believing you're a part of and being willing to progress and grow. And oh, I can't resist telling one of my favorite jokes, and I've not done it on here before, I used to listen to Hal Holbrook doing Mark Twain tonight. Oh, okay, we did a great imitation of Mark Twain. And I don't know if it was actually Mark Twain that said it, but I attribute it to Mark Twain. But I heard Hal Holbrook say it. He said, You know, when we die, we're going to go to heaven, and when we go to heaven, assuming we go to heaven, we're going to probably be up on a cloud, and we're going to have harp music in the background, and we're going to study, and the more we study, the more we progress, and the more we progress, the more we study. And we're just going to be up there. We're going to study and study and study and progress and progress and progress. And if that isn't hell, I don't know   Wallace Pond ** 29:15 what is that that sounds like a Mark Twain. It   Michael Hingson ** 29:17 does sound like a Mark Twain, and I would suspect that it really came from him somewhere. Oh, gosh, but, but, you know, the the reality is that I think we impose way too many limitations on God and our relationship with God, and it's and it doesn't help us to do it. And I, you know, I hear what Ashley Judd is saying, but again, I think it's not so much a surrender as it is recognizing you're a part of   Wallace Pond ** 29:48 Yeah. That makes sense to me too. Michael, so what   Michael Hingson ** 29:50 did you do when you graduated from college? Initially, I will, I'll tell you the first time, what did what kind of our career path did you go on to?   Wallace Pond ** 29:58 Yeah? So in me. Immediately, I just went to work as a as a school teacher in a in a school for at risk youth in Salt Lake City. I taught Spanish, but I also taught English and introductory algebra and earth science. And, you know, a very common kind of thing in in small schools, you're a generalist, unlike, you know, in large districts, where you kind of, you just teach English all day or whatever.   Michael Hingson ** 30:33 Yeah, I grew up in my teachers were generalists,   Wallace Pond ** 30:36 yeah, yeah. And we also had an intense Outdoor Program in that school. So it was really interesting. We did, you know, we did, you know, snow camping, and we did survival, you know, hikes in southern Utah, you know, just what you could carry on your back. And, you know, through the desert for days, in addition to the, you know, the school work, or the classroom work, which itself was also not very traditional. So, you know, for example, we the classes were a mix of ages. You know, I taught classes with, you know, 1213, year olds and 17 year olds in the same class. It was just, it was dependent upon, you know, academic inclination, desire to be in a big, you know, particular course, you know, in that school was actually pre K, 12, so, you know, just some amazing, amazing experiences for me and for the and for the students, you know, 30 plus years later, whatever it was, 3435 years later, I still remember, you know, I have this, this image, and it's just such a poignant, touching image, particularly when we think about at risk youth and at Risk teenagers, I think we don't always have a very charitable view of kids that don't fit in, and adolescents and teens, you know, that that oftentimes are considered to be, you know, kind of unrefined or self centered or whatever. And I had this image. I still see it. We the this, the school had had a downstairs and an upstairs. And I remember one of my students, he was 18 years old. And, you know, this is back in, gosh, the 80s, and he, would, you know, black leather. You know studs on the leather. You know Jack boots. You know wallet on a chain. You know the kids about, you know, six two and about 190 pounds, the kind of kid that would scare the hell out a lot of people just looking at him, you know, but I had this mental image of of him walking down the stairs, and he's holding the hand of a four year old, helping the four year old down the stairs. I even get a little emotional thinking about it, 35 years later, you know the kind of kid that is so misunderstood, the kind of kid that you know has struggled so much to fit in, the kind of kid who you know is just constantly been battling between, you know, authenticity and acceptance. And here he is, you know, going down the stairs, holding the hand of a four year old preschooler to help him get down the stairs. And I just can't imagine a more poignant vision, yeah, and, and that was a, you know, those kinds of things were common experiences for me in those first couple of years teaching in that environment after my undergraduate work, I   Michael Hingson ** 34:01 spent a number of years living in and around well, I lived in New Jersey and worked in New York, but even before living there, company I worked for allowed me to travel to sell because we were being so successful, we couldn't just do it all from the phone in Southern California. So I stayed at a hotel, oftentimes in the middle of New York, near Times Square. And when I went out at night, there were people, are you? Do you remember the old the guardian angels?   Wallace Pond ** 34:34 Oh yeah. So   Michael Hingson ** 34:36 this guy would come up to me and he said, I'm with the guardian angels. He said, I just want to walk with you, just to make sure you stay safe. And safe. And I said, you know, you don't really need to. I'm really good. We said, we're going to anyway. And when what I've always realized, though, and he was good company, he was great. But what I also realized is that, in general, if you treat people well and. So if you don't act like a jerk, then they're going to, most likely treat you well as as well. And yeah, I never did have a problem with anyone in New York. I had a couple people who would come up to me and say, Does your dog bite? Because I always had my guide dog right, right? And I never knew why they asked. And so my response was, Well, you know, he's not trained to do that, but I wouldn't want to be the person to try to find out. And actually, the reason I use that answer was right. My first guide dog was a golden retriever, and one day we were at UC Irvine on campus, and some students would bring their dogs to college, and then then just let them roam. And a bunch of them organized a pack, and they actually came after me and my guy dog, Squire, who was this wonderful, loving golden retriever, right? And so we were walking, and these dogs were coming up on us from the rear, and Squire jerked away from me. I still had his leash, but he jerked away. So I lost grip on the harness. He turned around and crouched down and growled at these dogs. I've never heard him do that. Oh, wow. And they all just stopped and backed up and somebody else was watching. And he told me later, they just walked away with their tails between their legs, wow. Yeah, and you know, so, like I said, it's all about love, but I think it goes both ways. That with a dog, I wouldn't want to be the person to try to find out whether if they attacked me, my dog would bite. But I think also it's just as true with people. I'm not quite as sure today with all the drug stuff going on, but you know, the reality is, I think for the most part, people really are going to treat you well if you treat them well. Yeah,   Wallace Pond ** 36:47 I don't, I don't challenge that. Michael, I but what I would say is, I think one of the, one of the genuine sort of societal problems, manifestations, let's call it, of the kind of polarization and tribalism that's becoming more and more common. Yeah, is, you know, the deeper that people turn into their own tribe, right? You know, the the more that people insulate themselves from other people that you know don't share their views or their background or their culture. I think one of the real, potentially profound dangers of this tribalized tribalism, and whether it's, whether it's in social media or, you know, where we congregate, you know, face to face, and the deep polarization, not just you know you're wrong, but you're wrong and you're bad, is, is, I think, one of the things that we're really in danger of through that tribalism and isolation is that I think we are broadly use, losing the capacity to navigate conversations, relationships, conflict, agreed with, with people that aren't Like us, right? And I think that's potentially dangerous.   Michael Hingson ** 38:22 I think it's absolutely dangerous, because   Wallace Pond ** 38:25 that skill, that ability to survive to in the face of someone who has very different beliefs, and to get through that without unhealthy conflict, to get through that without casting, you know, aspersions, to get through that without personal attacks, I think is is critical to kind of a functioning society, because we are always going to have diverse perspectives, diverse religions, diverse cultures, diverse political perspectives. That's always going to be true. So the extent to which we are able to navigate that in a productive way is really critical, and I fear that we are because we turn towards what we know with tribalism that we're just losing the opportunity to engage other people who may be quite different than we are, and do that successfully, whereas The you know, turning inward to the tribe actually exacerbates? Well,   Michael Hingson ** 39:44 yeah, there's a lot of truth to that. I guess I'm a little bit of an oddity, even in, I think, among some blind people in that having never seen to me, somebody with a. Skin color is simply a concept, and the it doesn't matter to me about about color, and I work very hard to make sure that I continue with that kind of attitude, because it doesn't really matter to me what a person's skin color is and have never seen it. Haven't ever seen different skin colors. And frankly, I know I can say with certainty I don't care. Now, not everybody necessarily knows me well enough to believe that, but it is still true, because having never seen it. You know intellectually, I know what red is, I know what blue is. I know what Black is. I know what white is, and we can talk about it in terms of wavelength of light too. But you know it's it's still not something that becomes an issue for me. And it amazes me when I hear people talking about and demonstrating prejudice about different skin colors and so on, because it's just not something that really is an issue for me, and I'm always amazed by it. Yeah,   Wallace Pond ** 41:08 it's interesting point you make. I mean, just engaging the life, just engaging life in general, in the absence of visual stimuli, you obviously are have honed very finely other senses. But this idea, you know, and in our culture, in in Western and particularly American culture, it is profoundly visual,   Michael Hingson ** 41:36 yeah, oh, it is, Oh, absolutely, you know. And look, I know blind people who are very prejudiced, and maybe some of them never saw but they've learned it. Fortunately, I'm blessed that I refuse to learn that concept.   Wallace Pond ** 41:50 That's interesting thought, isn't it? You know, I know that we have learned to be incredibly judgmental based upon visual stimuli, right? Is someone short? Are they tall? Do they have acne? You know, are they overweight? What clothes are they wearing? You know, they have the right shoes. And you may be able to determine some of that through other senses at some point, but you would never initially engage someone based upon that perspective, because you wouldn't have it. Mm, hmm. So a very interesting thought, you know, and I,   Michael Hingson ** 42:33 I know my wife and and I also believe my wife was, although she was cited, never really had that kind of prejudice, because she grew up with around people of different skin colors and different races and so on. But we would be talking about sometimes political debates, and she would say, well, so and so knows about that, because he's black. And I would sit there and go, huh? Because I if there was, you know, I couldn't tell that they were black, you know. And it amazed me, and it didn't change my opinion at all. Now, the fact that he was a politician, that's a different prejudice, but that's another story, right? But, but, you know, they're fun to pick on, but, but, you know, the bottom line is that that we've really got to get somehow over some of these things. And I agree with you that the art of conversation, the ability to converse, the ability to really interact with other people, is being lost because of so many things, and that is so unfortunate. Yeah,   Wallace Pond ** 43:38 and I don't want to be Pollyannaish, I mean, or oversimplified a situation. I mean, like I said, I was born in Montgomery, Alabama in the 1960s and there was no need for social media, for people to make judgments, to isolate, you know, to to, I mean, it was legislated. It was it was policy. I mentioned, you know, the colored water fountains and bathrooms. So this is not new. It's, you know, that kind of thing was, has existed in many, many contexts. I think, I think what's qualitatively different today a couple things. One is the existence that the medium, you know, mass media and social media, have a kind of power that I that didn't exist before a platform and an anonymity. You know, you can, you can say things and do things today that wouldn't have been acceptable because you would have been accountable, yeah, in the past, right? It was attached to you individually. So I think that's, that's one change. I think another change is whether we call it, you know, civility, or whether we call it norms, you know, I'm. I'm, you know, I'll be 60 next year. So, you know, I've been around for a little while, but not that long, compared to some people, but in terms of norms, just in the last call it 510, years, maybe even less than 10. I've been just stunned, frankly, by the things that it's now kind of okay to say and do. Yeah, you know that that we just sort of blown through the guard rails? You know that I think, used to kind of exist. It wasn't that you couldn't think it. It wasn't that it didn't exist. It was that there were some sort of norms about what it was sort of okay or acceptable to say or do, kind of in a in a civil society. And I think we've really blown through those guardrails. Social media has helped that politics.   Michael Hingson ** 45:54 What's one example of that?   Wallace Pond ** 45:59 Yeah, so something that comes to mind is, you know, people flaming other people online and social media, right? Personal attacks, yeah, particularly when people are vulnerable. You know, if you're face to face, or if you're in a, you know, a group that's co located with other people if you are on the phone, even, right? It was much, much harder, yeah, to launch those sort of personal, corrosive attacks on people than it is now. You know, I think in politics, you know, there are politicians now who say things, oh yeah, that you couldn't say and survive as a politician,   Michael Hingson ** 46:51 and still shouldn't, but do, yeah,   Wallace Pond ** 46:55 even 10 years ago, let alone 2030 Yeah, it's not that politicians didn't think it, or weren't capable, you know, of it. It's just, you know, I think of like criticism of families, of of war heroes, yeah, you know. Or just weird stuff, like, when did that become? Okay? Yeah?   Michael Hingson ** 47:18 Oh, I hear you. And social media has certainly not helped the process. No,   Wallace Pond ** 47:24 I think what it's done is it's anonymized, least in your mind, if not literally,   Michael Hingson ** 47:30 yeah, which is so scary. I hope we grow up and learn, but you know, we'll see. So what you taught for a while, then what did you go do?   Wallace Pond ** 47:43 Yeah, so again, I never really had a plan. And I know for some people, plans are helpful, important. They provide security. I truly, Michael, never had a quote plan for anything that happened in my life. You know, I've done everything from Teach bilingual kindergarten to run large corporations domestically and internationally, and I've just never had a plan. I've taken advantage of opportunities, and I've kind of pursued things that felt exciting or right, but I I've never really had a plan. So, you know, after my initial teaching experience, I ended up marrying someone who said, Look, I'm going to go work in Germany. I have a job over there. And if you want to come, you can come. If you're not, I'm leaving. So we ended up getting married and going over there together, and we're over there for a few years working for the Department of Defense and Education roles. And then came back to the US, did some more K 12 work, then went full time into higher education, as a as a professor, teaching people to be teachers, as well as Spanish and linguistics. Then moved into the corporate world for a while, came back into higher education, did some senior roles, including President, CEO at a few different institutions of higher education, some in the US, some abroad, and been in the C suite several times in corporate settings, Chief Operating Officer, Chief Executive Officer, the last kind of formal thing I did, working for someone else and or working for a board, I guess I would say, was in the Middle East, United Arab Emirates, and fascinating, wonderful experience. Just so glad I did it. Yeah, for. A cultural perspective, from a growth perspective, the hardest job ever done as a CEO. Never experienced quite that combination of challenges as a CEO, but just a fabulous experience in my wife and younger daughter, who's now off away at college. They lived there in the winter and were able to escape in the summer. I was not, you know, 120 degrees in 85% humidity. Yeah, yeah. Winter's stunning, beautiful, but summer is really hard, yeah. And they would come back to the mountains, you know, Colorado in the summer. But, and something's really interesting to happen when I came back from that. You know, this is kind of interesting. It helps explain, sort of, how did I go from that to working as a psychotherapist, and I still do consulting work and support organizations with transformational change and leadership and things like that. But So how does one go from the CEO of a of a company in Abu Dhabi and the president of a college system to going back to school for the fourth time and becoming a mental health counselor? And the short version to that is when I got back from the UAE, I asked myself a very different question for the first time than I would have in the past. So in the past, the question would have been something to the effect of, you know, what's the next job? And I was in a position to have some time off and kind of decompress. And I didn't ask that question. I asked a very, very different question, which was, what do I want to be true in my life? And I had some support with a counselor for that question, and kind of how I kind of fleshed the answer out and and when I was when I had come up with the answer of what I want to be true in my life, it became very clear that I could not do what I'd always been doing and achieve what I wanted to be true in my life, Those didn't align anymore, and so I had to think very differently about what I was going to do going forward. And that was not so ironically, the same time, but I began to really, really experience some pretty intense mental health challenges, which I had never experienced before. I mean, I had never even really experienced anxiety before like that. I I was my experience was so different for so long, 50 plus years. But when it changed, it point. It changed pretty rapidly and pretty dramatically, and I found myself in a situation where mental health and mental health challenges were now, were kind of Central, and I really had to figure some stuff out. And so that happened at the same time I was kind of pursuing that question of what I want to be different in my life, or two in my life. And what came out of that, in addition to my own kind of healing journey, was this idea that one of the ways that I could achieve, one of the things that I wanted to be true in my life, was to be in the helping professions and to and to leverage my own mental health journey to help others, to be, as I mentioned earlier on, the call A wounded healer, which, by the way, is the case for a lot of counselors. A lot of therapists are wounded healers. And so that's how I kind of got to the place of going back to school and being a counselor, and how that decision had kind of the most congruence, the most alignment of probably any life decision I've ever made, personal or professional, in terms of a decision that supported what I wanted to be true. And that started, gosh, a little over three years ago, is when I went back to school, and now, as I mentioned, I've been seeing clients for, gosh, since December 21 still as a student. And then now I have a private practice. I also work for a community health operation and agency, and I made that choice because I want I didn't want to be in a situation where a client was that could ever I don't want to be in a situation where someone couldn't see me because they couldn't pay and so that's what community health is. It is a. Um, it is a very different environment than private practice. I do both. It is people, you know, court mandated, lot of alcohol and drug substance abuse issues, domestic violence, really, really intense challenges. And I love the work. Sometimes it's overwhelming, but it allows me to really contribute in the ways I've wanted to contribute to people who really desperately need it and may not have the means to pursue that otherwise.   Michael Hingson ** 55:37 Well, you certainly set your your mind and your goals on a on a lofty, although I don't think an impossible task, but given everything that you've done, it's probably reasonable to say you're going to, going to do a pretty good job of helping to to accomplish some of that, or at least make the world better because of it. And you know that's that's hard to argue with. I'm really impressed, and look forward to seeing how the progress goes. Tell me about the transformation collaborative you founded that you also have a couple of LLCs that you've created along the way. Yeah. So the transformation   Wallace Pond ** 56:16 collaborative that was also in that same period of time where I had asked that question, what do I want to be true in my life, versus just what's the next job? And it was a really interesting process. It was about nine months, 12 months, kind of a rotating group of people just kind of brainstorming, noodling on, you know, if we were going to build a consultancy from scratch based on what we know as professionals, based upon our experience, you know, engaging with consultants as as consumers of consultancy, what would it look like? And we came up with it was kind of two, it turned out, you know, through that process, the sort of two driving elements came out of that. One was, we probably have to reinvent the consultancy itself. Because one of the things that kept coming up in the in that brainstorming conversation stuff, was that, you know, the traditional, particularly, you know, the big consultancies, that traditional model is just woefully inadequate. Much of the time. It's overpriced, you know, it's it's superficial, it's on the outside. I won't go into details about all the things that are broken with it, but, but basically, you know what happens is an agency, you know, has a couple of meetings, you know, they put together a report, they throw it over the wall, they have a celebration dinner, they go on to the next client. You know, there's no sense of accountability. There's no role in execution. I'm not talking ever, just broadly. That's yeah, so we the first thing we decide is, you know, what, if we're going to do this, we're not going to do it that way. In fact, we refer to ourselves as embedded partners. We don't call ourselves consultants. Our goal is to, really, you know, to play a role in getting the client from A to B, you know, including actually providing labor, bandwidth, accountability, execution. So that's the first thing that was very different, and also different in terms of how we operate. I told you previously, before we were on the air, you know, we don't have non disclosure agreements with our partners. We don't have, you know, non competes. It's very different. We don't skim out the top, we don't take commissions, but none of that stuff. You know, it's a very different model. The second thing that we determined as part of that process was, you know, if we're going to bring, really bring value, and we're going to be doing what we want to do, you know, we want congruence between what we're doing what we want to do? It really can't be about incremental stuff. It can't be transactional. It can't be, you know, help with a computer program, or, you know, help with a compliance issue. There are lots of folks that do that, lots of agencies that do that. They do it really well, but if we were going to be embedded partners, and if we were going to be doing what we wanted to do, it had to be transformational. It had to be supporting organizations to reinvent themselves for the world they're in, not the one they were founded in. And so those two things came out of that process, and that's what the transformation collaborative. Transformation collaborative is. There's two main things we do. One is supporting organizations through some version of reinvention, transformation, innovation, and the other is leadership. You know, we. We take, we are pretty kind of harsh in our assessment of what we view as leadership deficiencies, even leadership crisis in many organizations today. And so we've developed a model for kind of the competencies and traits that we believe are required for leaders to be effective today, and more importantly, we've developed a program to support that, and we don't call it leadership development, because we feel like that's also not what this is. That's a buzzword. It's a buzzword, and I think it's also a little bit even tainted, because so much leadership development is about the wrong stuff. We refer to it as leadership discovery. And the way the program operates is we support leaders in discovering themselves, as people, as leaders, as identifying elements of of that skill set and traits that they can gravitate towards and really develop or not develop, but can really leverage. Let's use that word to be more effective. And you know, just give you just a really quick example. You know, where of the mind that leadership is rarely, rarely anymore about technical skills. It's rarely about, you know, a leader's own labor, all the stuff that's been traditional leadership stuff is just price of entry. Now, you know, if you aren't, you know, skilled with PNL, if you, you know, can't work well with a board, if you don't have basic management skills, then that's a very different problem. And you know, we see kind of the primary role of leaders today, in addition to facilitating change and transformation, is human capital. The idea being that everything else is a commodity financing, technology, you name it. That's all has a very short shelf life, shelf life, but as a leader, if you can develop powerful, powerful human capital in your organization, that's not a commodity, that's a deep competitive advantage, and it's about ensuring that Your organization is successful, because you make other people successful, yeah, not because you are an individual rock star with your technical skills or business savvy   Michael Hingson ** 1:02:48 interesting. One of the things that I used to do when I managed and led sales teams and people in companies is I always would say to them, you know, I hired you because I know you can do the job, but at least you sold me on the fact that you can do the job. Some people did a better job of selling and didn't necessarily be as successful as I would have liked, but that's okay, but, but my job isn't to boss you around. My job is to work with you to figure out how I can add value to make you more successful. And the people who got that and who were willing to work on that with me were successful, and we figured out what each other's skills were, and sometimes I taught them things that they didn't know. And went both ways, but we worked together and they were more successful. It's all about collaboration. Yeah,   Wallace Pond ** 1:03:41 it's collaboration. And, you know, in a big element, and the collaboration is part of that, in our view, in our view, just at the transmission collaborative, a big chunk of that human capital piece. It's not just, it's not just leveraging labor. In fact, the last thing, right, that's the last thing it is. What it's about is in you know, in fact, we, we like eschew terms like employees, labor, workforce, workers, because we feel like that commoditizes The people who can potentially bring value in the organization. Yeah, it's our belief that if leaders can engage the people in their organization as human beings, if they see the workforce as humanity, and that's and that's, you know, as simple as that is, you will not hear leadership development organizations say that. We'll say it that way, no. But if leaders can see people in their organization as humanity and can address. As such, and can see them as human beings who don't stop being human at the office door. It's not easy. It's hard to put on a spreadsheet. It's a long term proposition, but if an organization truly wants to be sustainable, if they truly want to outgrow or grow at a rate greater than the competition, it is not going to come from commodities like their next technology or even their access to capital. It's going to be do they have, do they have people in the organization that are fully engaged, that are committed to the organization because they feel valued and taken care of. That's, you know, again, it sounds very simple. That's not language you typically hear in a conversation like this, no,   Michael Hingson ** 1:05:59 and it's not necessarily easy to make happen, but if you do it and you learn how to do it, the more you do it, the easier it becomes. You know, I have heard many people say that they really love their job to the point where it's not a job anymore. It says it's a labor of love. It is what they love to do. And I think as a leader, part of my responsibility is to help people explore that opportunity with whatever they're doing, and the ones who truly discover that they love what they do will will do the very kinds of things that you're talking about.   Wallace Pond ** 1:06:41 Yeah, and you know, one of the things that kind of is frustrating to us, if not even confusing to us at the transformation collaborative, is the extent to which, I mean, again, sometimes we take kind of a harsh position, but the extent to which people should kind of know better are, are, you know, either just doing the wrong thing or clueless, yeah, you know. And one of the big organizations, one of the big consultancies that we still have a lot of faith in, is Gallup, and that's because they're, you know, they have such massive data sets, and they really get it in terms of the people piece. They really, really get it in terms of, you know, the human piece. And, you know, employee engagement detachment continues to decline, you know, from four years ago, they continue. The data is just in for 2023 you know, and they continue to feel lower levels of satisfaction and less connection to mission and purpose. And as a result, they are more and more disengaged. And that's just profoundly expensive to organizations, yeah, to have these huge payrolls of people that are disengaged and and they don't get it. And yeah, get it, yeah, and the data is there, right? And the and folks are are communicating what's not working for them. Yeah,   Michael Hingson ** 1:08:23 it's pretty straightforward, but people are listening Exactly,   Wallace Pond ** 1:08:26 yeah, and you know, people, they don't feel like they have authority in what's expected. Their managers are not giving them good feedback and coaching. You know, they might be managing time and resources, but they're not developing their people. No one asks anyone's opinion about contributing to goal setting or improvement or innovation. They don't feel like the organization gives a rat's ass about their well being, you know, their sense of purpose being part of a team, I said in a recent LinkedIn post just a few days ago. You know, this is not rocket science. I put it all caps, which I almost never do. This is not rocket science. And yet, there are so many leaders that just seem baffled by what's going on. And kind of, one of our goals at the at the transmission collaborative with our leadership Discovery Program, is to really, really get leaders over that hump, you know, and help them develop a completely different perspective. Now, you said it's not easy to do, and that's true, but it's not just because it's an it's a new approach, new skill set, right, new way of thinking, not just because, you know, organizational structures and compensation and culture doesn't necessarily support it, but it's also really hard because. Is, even if you're that kind of leader, that behavior is not traditionally rewarded for you as a leader, right? Like it, you know, it doesn't fit well into the you know, performance, you know, reports to the board and you know, on the fourth slide of the PowerPoint, it's, you know, it doesn't fit well into short term results. And so to do that as a leader, takes a tremendous amount of courage, and it's a really big risk, because you will be speaking a language that many people around you do not speak, that people you report to do not speak, and that has not been traditionally rewarded. So it's, it's, you're right. It is very hard to do for multiple reasons.   Michael Hingson ** 1:10:52 I hear you, you know what? We have been going almost 70 minutes, and I'm going to have to end because, because we have been going almost 70 minutes, yeah, but I think we should do another one of these.   Wallace Pond ** 1:11:06 I'd love to. In fact, I know that a whole bunch of the questions we kind of talked about before, I know we didn't even get   Michael Hingson ** 1:11:13 to, even get to so I would like to, yeah, I'm   Wallace Pond ** 1:11:16 totally fine. I love that. You know, these are the kinds of conversations I really, really enjoy Michael. I, you know, I don't think we do enough. You know, one of the things that I talked about, what I want to be true in my life, and what have I changed, and whatever, I dedicate a lot of time now to engagement, interactions, connections that I can't monetize, that, you know, that aren't about deliverables, that don't connect to some performance goal, but just are nourishing. Yeah, you know, just, and that's worth a lot, yeah? And I feel that's kind of what today's been. So I really appreciate that opportunity.   Michael Hingson ** 1:12:01 Well, if people want to reach out to you, maybe talk with you further, or consult or are use your your efforts and so on. How do they do that?   Wallace Pond ** 1:12:11 Yeah, so there's a couple ways to do that. If they want to go poke around on the transformation collaborative website, website, then they'll see a lot of stuff about, you know, research. We've done things, we've published trends, services. We provide both with transformation and leadership, discovery.

Because Walt put a "bug" (or tracking device, if you will) on Gus's car. He does not watch the 2007 film Bug starring Ashley Judd. We would like to thank Gwen Static (https://soundcloud.com/deepwhale) for composing our theme song, and Trent Peters (http://instagram.com/theathleticbookworm) for creating our great podcast art.

In this episode of Healing & Human Potential, we're sharing our honest opinion on what the Health + Wellness industry is doing wrong and giving you strategies to tackle your food cravings + emotional eating. Plus, we'll dive into our insights to avoid the pressures of society to meet certain beauty standards so you can feel confident in your own skin! Our guest, Koya Webb is a professional athlete turned holistic health coach + wellness entrepreneur as well as a published author. Today, we're sitting down + sharing our best health tips, the benefits of detoxing and different biohacking methods so you can feel empowered to start taking preventative measures and ensure you're feeling your best! We'll cut through the noise + share the secrets to living an overall healthier lifestyle that actually feels aligned for you and isn't just about what's trending… So tune + let's start setting our body up for success by fueling it in a way that feels best for YOU! === EPISODE TIMESTAMPS: 0:00 - Intro 2:56 - The Change That's Needed in the Health + Wellness Industry 6:25 - Why Adjusting Your Workout to Your Lifestyle Is Important 8:40 - Health Tips From a Nutritionist 14:33 - The Freedom in Discipline 17:14 - What I Eat In a Day As A Nutritionist (On a Fertility Journey) 24:56 - Womb Wellness 31:19 - Strategies to Avoid Emotional Eating 35:00 - Falling In Love with Your Body 41:00 - Different Types of Detoxing + Their Benefits 48:54 - Koya's Top Health Hacks 1:00:07 - Finding The Courage to Go All In   ===   Koya Webb is an internationally recognized yoga teacher, celebrity holistic health coach, author, speaker, & vegan activist whose core mission is to promote daily self-care, oneness & eco friendly living to combat some of the world's biggest challenges including mental health, social injustices & global warming. Koya's expertise has been featured on national media outlets such as Goop, Forbes, NBC, CBS, The Steve Harvey Show, Essence, the cover of Oxygen, and more. She also starred in the reality show “Yoga Girls”, and she's had a roster of celebrity clients including Stevie Wonder, India Arie, Ashley Judd, Rev Michael Bernard Beckwith, and Les Brown. Instagram: https://www.instagram.com/koyawebb/ Website: https://koyawebb.com/   ===   Have you watched our previous episode with Mark Hyman?   Watch on YouTube: https://youtu.be/0hVBwVoSV5M   ==== Alyssa Nobriga International, LLC - Disclaimer This podcast is presented solely for educational and entertainment purposes. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or any other qualified professional. We shall in no event be held liable to any party for any reason arising directly or indirectly for the use or interpretation of the information presented in this video. Copyright 2023, Alyssa Nobriga International, LLC - All rights reserved.   === Website: alyssanobriga.com Instagram: @alyssanobriga TikTok - @alyssanobriga Spotify - https://open.spotify.com/show/6b5s2xbA2d3pETSvYBZ9YR Apple Podcast - https://podcasts.apple.com/us/podcast/healing-human-potential/id1705626495

There's just so darn much happening, where do you stop?  More congressional democrats have asked Joe Biden to step down today, and so did Ashley Judd.  Does the Biden family care?  Does Joe know?  Ask Us Anything in Segment 2.  

Bleav Host Robert Land asks Kentucky Wildcats Insider Aaron Gershon (Bleav in Kentucky Host) for all the scoop on Rockets 1st round pick Reed Sheppard. (:50) How does Sheppard translate to the NBA? (2:05) Misconceptions about Sheppard? (3:40) Can Sheppard's great shooting be outlier? (5:37) Does he have ball handling & leadership to play PG? (6:39) Why didn't Sheppard & Dillingham start? (8:10) Was he affecting winning as much as analytics say? (10:12) Excuse for bad game in NCAA Tourney loss? (12:23) Personality & Character? (14:50) Was it time for Calipari to go? (17:12) Ashley Judd story (19:40) Was Minnesota perfect spot for Dillingham? Subscribe on Youtube, Spotify, Apple & iHeart X @HSTPodcast #reedsheppard #rockets #kentuckywildcats

Also: Six adults were injured in a Glen Allen shooting; Ashley Judd was in Richmond to campaign for Biden–Harris 2024 and more local news.

Wednesday – Were you a troublemaker as a kid? We talk TV's and old electronics. Darryl Payne from Pawfection Dog Training is in for Animal House. Orlando Sentinel columnist Scott Maxwell on losing a pet and working with Ashley Judd bringing awareness to mental health issues. Plus, WOKE News, JCS Trivia & You Heard it Here First.

On this week's episode of Unclear and Present Danger, Jamelle and John watched “A Time to Kill,” Joel Schumacher's 1996 adaptation of a 1989 John Grisham novel by the same name.Starring Sandra Bullock, Samuel L. Jackson and Matthew McConaughey, with supporting performances from Kevin Spacey, Oliver Platt, Charles S. Dutton, Ashley Judd, Donald Sutherland, Kiefer Sutherland and Chris Cooper, “A Time to Kill” concerns the trial of Carl Lee Hailey, a black man on trial for capital murder after killing the two men who assaulted his 10-year-old daughter. When Jake Brigance, a white lawyer who previously defended Hailey's brother, takes the job to keep Carl Lee out of the execution's chamber, the small Mississippi town of Canton, where the film takes place, is plunged into chaos. Brigance and his team must navigate national attention, a skilled and ambitious prosecutor, and a revitalized Ku Klux Klan, willing, able and eager to derail the trail and stop Brigance by any means necessary. All the while, Brigance must handle the strain on his family and his marriage.The official tagline for “A Time to Kill” was: “A lawyer and his assistant fighting to save a father on trial for murder. A time to question what they believe. A time to doubt what they trust. And no time for mistakes.”You can find “A Time to Kill” to rent or buy on demand at iTunes and Amazon.For our next episode, we're watching “Chain Reaction,” a science-fiction thriller directed by Andrew Davis and starring Morgan Freeman and Keanu Reeves.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1995 cyberpunk film, “Virtuosity.”

Naomi Judd and her daughters, Ashley Judd and Wynonna Judd, have navigated through significant family challenges. The renowned country music family has confronted childhood abuse, mental health struggles, and Ashley's influential role in the #MeToo movement. In this episode, Kiki Monique links up with Pablo The Don, a culture and music critic, to dissect the intricate dynamics and conflicts within the Judd family. Together they delve into themes of codependency, familial secrecy, and the impact of trauma on their creative expression. Together, they underscore the significance of breaking the cycle of generational trauma and highlight the transformative power of autonomy and chosen family.  @pablothedon Learn more about your ad choices. Visit megaphone.fm/adchoices

***TRIGGER WARNING** This episode contains discussion on suicide. Tap in to hear Tezlyn Figaro break down the latest in the tic-tok ban, Megan Thee Stallion with additional facts about men and sexual harassment in the workplace. Tezlyn also discusses the new Biden administration suicide prevention plan and how that policy may benefit Megan Thee Stallion     See omnystudio.com/listener for privacy information.

We're taking a short break on The Assignment, and today we're bringing you a powerful episode from the latest season of All There Is with Anderson Cooper. Following Naomi Judd's death by suicide in 2022, her daughter Ashley discovered her body. In a poignant and candid discussion, Ashley Judd opens up about the challenges she has confronted in addressing her own mental health struggles, the profound sense of loss she experiences, and the enduring presence of her mother's spirit in her life. Learn more about your ad choices. Visit podcastchoices.com/adchoices

 Gregg Jarrett, Fox News Legal Analyst and NYTimes Bestselling author and Leo Terrell, Fox News Contributor and Civil Rights Attorney discuss the ridiculous and hyperbolic reaction from the left to Trump's comments where he used the term “bloodbath” - I guess they forgot Joe's comments ini 2020, Madonna's desire to blow up the White House, Ashley Judd's stained panties and Kathy Griffin's severed head. Enough already.See omnystudio.com/listener for privacy information.

Trigger Warning: This episode discusses sexual violence and human trafficking.  How do you turn life's biggest challenges into strength and fuel for activism?  Learn from Emmy and Golden Globe-winning actor Ashley Judd as she shares how her experiences being exploited as a child have taught her that “it is [her] birthright to heal.” She is joined by Catherine Chen, CEO of Polaris, the organization working to end sex and labor trafficking, for which Ashley is the spokesperson and activist. This is a solution-forward dialogue that helps to better understand the causes, systemic factors, and opportunities to improve this large issue, which is too often invisible.  In this episode: What constitutes sex and labor exploitation How men play a role and can take action to prevent trafficking  How pornography contributes to the continuation of harmful behaviors How traffickers use coercion and grooming to lure people in  The urgent need for societal and economic reforms to effectively fight these crimes This is a personal, riveting and inspiring conversation that informs and provides hope, despite the heavy topics. We all have a responsibility to open our eyes to how we might be unknowingly upholding or allowing vulnerable people to become victims of trafficking. Ashley and Catherine provide a passionate and uplifting way in. Timecodes: Quotes: "It is my birthright to heal. I am healing. I was born to heal. Healing is my mandate. I am healing right now" - Ashley Judd "Trafficking happens because our systems are broken. We start with the fundamental, which is we don't have enough economic equity, we don't have enough basic income equity in the United States." - Catherine Chen "I was commercially sexually exploited when I was 15 years old and I was ‘allegedly' modeling in Japan. It was commercial sexual exploitation. So, I had a lot of healing to do" - Ashley Judd About Guests: Catherine Chen  Catherine Chen is the CEO of Polaris, an organization at the forefront of the fight against sex and labor trafficking in the United States. For more than twenty years she has led significant initiatives, including raising awareness about migrant workers in Qatar and launching the Partnership for Freedom with President Obama. Her work has influenced policy change and fostered innovative approaches to combating trafficking. She has also held key roles at Humanity United, Save the Children, and served on the Homeland Security Advisory Council. A Stanford and Columbia University alumna, she is a board member of N-A-P-A-W-F and a founding member of Chief, a network for 15 000 women executives. Ashley Judd Ashley Judd, is a celebrated actress and a passionate advocate for social justice and women's rights. Ashley has journeyed to over 22 countries, engaging directly with communities to fight gender inequality and male sexual violence. Her experiences are vividly captured in her New York Times bestselling memoir, "All That Is Bitter & Sweet." Ashley holds degrees from the University of Kentucky and Harvard's Kennedy School, where her work on gender violence earned the Dean's Scholar Award.Her TED Talk on online misogyny has garnered over two million views. Ashley was Time magazine's Person of the Year in 2017 as one of the Silence Breakers. In 2019, the United Nations honored her as Global Advocate of the Year. Guest Socials:  Polaris: Instagram: https://www.instagram.com/polarisproject/ Youtube: https://www.youtube.com/user/polarisproject1 Facebook: https://www.facebook.com/polarisproject Twitter:  https://twitter.com/polaris_project Ashley Judd:  Instagram: https://www.instagram.com/ashley_judd Youtube: https://www.youtube.com/@Ashley_Judd Facebook: https://www.facebook.com/AshleyJuddOfficial Twitter: https://twitter.com/ashleyjudd?lang=en   Tags:  #Masculinity #Men #ManEnough #activism #metoo #enough #feminism #humantrafficking #womanhood #community  Learn more about your ad choices. Visit megaphone.fm/adchoices

When Naomi Judd died by suicide in 2022, after a long struggle with mental illness, her daughter Ashley found her. In this deeply moving, revealing, and insightful conversation Ashley Judd talks about the trauma she has worked hard to face, the grief she now feels, and how her mother's spirit is still very much alive in her life.