Podcasts about eldrich

Send us a Text Message.Join Gav and I for episode 86 as we discuss The Mad Gasser of Mattoon! A series of civilian gas attacks that left people nauseous and temporarily paralysed, was it the work of a disgruntled chemistry teacher, someone taking advantage of the decrease in police force due to WW2 or just a case of mass hysteria? We'll also discuss ‘Ether Eddie' and the 2014 gas attack at Fur FestSupport the Show.Eldrich issue 2:https://www.kickstarter.com/projects/tjcampbell/eldritch-lust-2-sex-tentacles-and-cosmic-horror?ref=ksr_email_mktg_auto_user_new_project_from_creator_youve_backedDeadbolt films Youtube:https://www.youtube.com/user/TheDeadBoltFilmsFOXIES FANTASTIC FABRICATIONS: https://www.facebook.com/profile.php?id=100057588545294THE PODCAST ON HAUNTED HILL: https://podcasts.apple.com/gb/podcast/the-podcast-on-haunted-hill/id1038613969

Send us a Text Message.Join Gav and I for a holiday episode! We're off to the beach,let's see what's washed ashore..penis fish, human hands and feet, chocolate biscuits, the Montauk monster, E.T. and lots more! Make sure you join us!Support the Show.Eldrich issue 2:https://www.kickstarter.com/projects/tjcampbell/eldritch-lust-2-sex-tentacles-and-cosmic-horror?ref=ksr_email_mktg_auto_user_new_project_from_creator_youve_backedDeadbolt films Youtube:https://www.youtube.com/user/TheDeadBoltFilmsFOXIES FANTASTIC FABRICATIONS: https://www.facebook.com/profile.php?id=100057588545294THE PODCAST ON HAUNTED HILL: https://podcasts.apple.com/gb/podcast/the-podcast-on-haunted-hill/id1038613969

Send us comments, suggestions and ideas here! In this week's show we traverse the perilous Backrooms of creepy-pasta fame, using its dark mythology popularized by Kane Pixels as a case-study of the nature and power of liminality. We begin by exploring the liminal space of the backrooms as they first appeared originally in their anonymous creepy-pasta format alongside other images labeled “liminal spaces.” We discuss what liminality even means and how it can be creepy, exhilarating and a powerfully nuanced feature of creation itself. We discover, as with most inspired pieces of art, the horror of the backrooms was a reflection of real world events at the time. Aside from the mental and spiritual aspects, we put on our nerd glasses to explore how liminality functions in the world of natural, physical phenomena. We then conclude the free show by revealing where and when the backrooms photo was actually taken with some light-hearted musing about the synchronicities around this discovery. In the extended show we continue our discussion of liminality by exploring the dread abode of Catholic limbo, why dogs are inherently liminal by nature and how the mighty goddess Hecate rules over this entire domain of related ideas. Heck we even explore, in its entirety, an easily performed ritual by the late Satanic Church founder Anton Lavey designed to elevate the enjoyment of liminal spaces to its maximum degree. We discuss whether the classical minotaur of Crete was trapped in a labyrinth or a maze before exploring in detail the potent magickal ideas of ancient Egypt as they pertain to liminality specifically. Its pretty surprising how old some of these now popular ideas and motifs really are. Then, right before wrapping up we visit the Vault of the Adepts to discuss how liminality is celebrated in the Hermetic tradition and how feminist author Charlotte Perkins Gilman wrote about the backrooms almost exactly how they are portrayed in today's creepypasta but  over 100 years ago. Thank you and enjoy the show! Things we discuss during the free-section of this episode:The Original Backrooms Creepy PastaWhat is Liminality anyway? No Clip Being Spirited Away The Physics of LiminalityKane Pixels BackroomsThe REAL Location of the Original Backrooms ImageIn the extended version of the show (available at www.patreon.com/TheWholeRabbit) we go much further down the rabbit hole and discuss:Liminality in the OccultCatholic LimboDogsGoddess HekateA Satanic Ritual for Liminal SpacesThe Labyrinth vs. The MazeThe Egyptian AkhetVault of the AdeptsCharlotte Perkins Gilman's “The Yellow Wallpaper” Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitMusic By Spirit Travel Plaza: https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSourcesThe Backrooms:https://en.wikipedia.org/wiki/The_BackroomsSupport the Show.

Vecna: Nest of the Eldrich Eye

This Halloween, the ReShoot crew visits (and maybe revisits) what it takes to make good Cosmic Horror with The Endless.We do not, nor do we claim to, own the rights to this film in any way, shape, or form.TW: Suicide, racism, violence, self harm, insanity, deathLinks! Insta, Masta, Discord, Redbubble, Nom Nom

Do you like absurdist irreverent sketch comedy? Do you like Eldrich horror gods? Do you like really long podcasts with a tiny bit on the end about Tim & Eric's Billion Dollar Movie? If you said yes to any of these, this could be the episode for you. Give us a 5 star review you shits. Follow us on Twitter, Instagram and Facebook | @stopcthulhu Hosts Gaz | @GhenGazKhan Matt | @MattsAllFolkz Ronan | @TheRonanThe Liv | @olivia_dady Podcast artwork by Shaun Martland | @mr_picto Music by DEADLIFE | @deadlifecorps Used with artists permission Send your films for the trench or get in contact: stopcthulhu@outlook.com

Millionaire Mavinga, Professor Porter, & Chin the Eldrich dive deeper into the right and wrong into anime. Was Eren right or was Itachi right? If Naruto gets freaky with one of his shadow clones is it gay? And how in the world did Sai pull Ino???????

Another silly podcast with promts to create a stupid and unreasonable stories, this time around we find a detective uncovering a cult, of the occult snail lord it seems, tune in to find out more

With Canyon and Raelius lost to the Chaos Realm and a Eldrich horror god of chaos loose in the city, Glib and SG attempt to lay low. Unfortunately, luck isn't on their side and they have a run-in with one smooth talking bounty hunter. Watch us live every Friday, 6:00pm CST HERE! Enjoy the show? Patreon | Merch Link Follow the Creators! DnDorks TikTok | (DM) @Sir_Superhero | (SG) @momoiscariot | (Glib) @thepandaredd | (Canyon) @nikhilclayton | (Mr. Goodbid) @Naethan_Apollo | (Character Artist) Nickanger

The LVO is back baby!  Several of us were able to make and had a great time.  We recap some of that experience before diving into Eldrich Omens first looks.  … Read More

The gang has picked a fight with Sema Ulwinik, and it may lead to their doom. Mina is unconscious in a building inferno, and Eldrich is making death saves, his body smashed against a wall by the massive Effluvium creature that has absorbed Ulwinik's corpse, reanimating him.    DM - Carman Zacharias Harik Maresplitter Ogumike - Dallas Friesen Mina Irithiil - Taylor Thiessen Eldrich Cade - Paul Villuruel  Ender Daemon - Athreya Varadarajan Produced by Carman Zacharias Background ambience - Tabletop Audio (https://tabletopaudio.com/) 

Sema Ulwinik sheds some light on Cade Sr.'s dark business dealings. Eldrich has a meeting with Neemarii Dgest while Mina continues to try and attain a similar meeting.    DM - Carman Zacharias Harik Maresplitter Ogumike - Dallas Friesen Mina Irithiil - Taylor Thiessen Eldrich Cade - Paul Villuruel  Ender Daemon - Athreya Varadarajan Mixed and Mastered by Carman Zacharias Background ambience - Tabletop Audio (https://tabletopaudio.com/) 

The Party finally finds one another at Semina Held, where Ender meets his mysterious Sema, Nemarrii Dgest, and Eldrich discovers that a secret lab has been set up for him beneath the Semina. Mina and Harik are given a mission to keep an eye out on the newcomers.    DM - Carman Zacharias Harik Maresplitter Ogumike - Dallas Friesen Mina Irithiil - Taylor Thiessen Eldrich Cade - Paul Villuruel  Ender Daemon - Athreya Varadarajan Mixed and Mastered by Carman Zacharias Background ambience - Tabletop Audio (https://tabletopaudio.com/) 

Eldrich and Ender, having just met, must work together to survive. Blue motes of light have possessed the two engineers, Thompson and Poni, and have transformed into mutated creatures, seemingly set on violence.    DM - Carman Zacharias Harik Maresplitter Ogumike - Dallas Friesen Mina Irithiil - Taylor Thiessen Eldrich Cade - Paul Villuruel  Ender Daemon - Athreya Varadarajan Mixed and Mastered by Carman Zacharias Background ambience - Tabletop Audio (https://tabletopaudio.com/) 

Recently there's been a rise in horror stories that deal with gentrification. We talk about real-life urban displacement, and the fictional tales that turn it into cosmic incursions and body-swapping nightmares. Plus, we talk to Sam J. Miller about his new novel The Blade Between, and how he used monsters to explore what happens when a small town in upstate New York gets taken over by urban hipsters and techies. Show notes: www.ouropinionsarecorrect.com/shownotes

I got excited and thought that my 6 month live stream-versary had passed. But as usual I was wrong and it was only 5. My first live broadcast -07-18-20 Part 1 https://3speak.tv/watch?v=unklebonehead/ahlgvvll&utm_source=studio&jwsource=cl Part 2 https://3speak.tv/watch?v=unklebonehead/vusvtukg&utm_source=studio&jwsource=cl First LnP - 10-03-20 https://3speak.tv/watch?v=unklebonehead/ukemobmy&utm_source=studio&jwsource=cl News we talked about https://nypost.com/2021/02/23/canadians-cant-stop-erecting-erotic-snowmen/ https://www.theblaze.com/news/rooster-3-inch-knife-stabs-man-to-death 3Speak was under attack by rouge dev. They have changed domain to 3speak.tv https://peakd.com/hive-181335/@threespeak/announcement-3speakco-is-currently-down-switched-to-3speaktv Time change next week in the us. Radioman had another ghost encounter in his hotel! Inertia wrote this and I read it live on air. https://peakd.com/smurfs/@inertia/a-smurf-story-diggy-and-the-weaponized-impostor-syndrome-of-intersectionality Gabriel and Eldrich's Pig joined us live on air. And a whole lot of dirty memes! --- Send in a voice message: https://anchor.fm/landp/message

Today I'm going to take you through Shadow Over Innsmouth. To reveal the techniques that make this story, and cosmic horror, work. It's one of Lovecraft's finest, and the unique way all the elements come together at the end is amazing. It's a thing that you feel when you read it, but I'm not going to settle for feelings. I'm going to show you how it works.Written in 1931, The Shadow over Innsmouth is tied with At the Mountains of Madness for my Favorite Lovecraft story. I think you read those two and you get the man at his best. This story is more conventionally structured than Call of Cthulhu, which I’ve done a previous video on and it, involves real jeopardy for the protagonist’s body and soul. It’s a tale in five unnamed chapters.The external story here is a young man traveling to a decaying seaport town in New England, finding that it is populated by people who have been mating with fish creatures in the deep, and barely escapes with his life. It’s thrilling. But the internal story is the truly terrifying thing. The first part, which I’m calling sucked in, sets up Innsmouth, and we see the unnamed main character drawn to the place.SUCKED INin the beginning, the character tells us thisI have an odd craving to whisper about those few frightful hours in that ill-rumoured and evilly shadowed seaport of death and blasphemous abnormality. The mere telling helps me to restore confidence in my own faculties; to reassure myself that I was not simply the first to succumb to a contagious nightmare hallucination. It helps me, too, in making up my mind regarding a certain terrible step which lies ahead of me.And upon first reading, you think this certain terrible step is committing suicide. It’s Lovecraft, after all. But it’s not suicide. It’s worse than that. What can be worse than suicide? Well, if you haven’t read it — or you don’t remember, just hang in there with me.If you've watched my earlier, Call of Cthulhu video, you will recognize this weird, geeky, 40-year-old virgin setup. An antiquarian and sightseeing tour is not what I would call a rite of passage. But this, in itself, is foreshadowing, as we will see.The main character is trying to take the train to Arkham, but he's broke, so the station-keeper says:“You could take that old bus, I suppose,” he said with a certain hesitation, “but it ain’t thought much of hereabouts. It goes through Innsmouth—you may have heard about that—and so the people don’t like it. Run by an Innsmouth fellow—Joe Sargent—but never gets any custom from here, or Arkham either, I guess. Wonder it keeps running at all. I s’pose it’s cheap enough, but I never see more’n two or three people in it—nobody but those Innsmouth folks."Don't, don't take the old bus. Trust me on this one, ya never take the old bus.But the ticket agent gives him a bunch of scoop on the town. Including on the founder of the town, Captain Obed Marsh,The old Captain Obed Marsh ben dead these sixty years, and there ain’t ben a good-sized ship out of the place since the Civil War; but just the same the Marshes still keep on buying a few of those native trade things—mostly glass and rubber gewgaws, they tell me. Maybe the Innsmouth folks like ’em to look at themselves—Gawd knows they’ve gotten to be about as bad as South Sea cannibals and Guinea savages.“That plague of ’46 must have taken off the best blood in the place. Anyway, they’re a doubtful lot now, and the Marshes and the other rich folks are as bad as any. As I told you, there probably ain’t more’n 400 people in the whole town in spite of all the streets they say there are. I guess they’re what they call ‘white trash’ down South—lawless and sly, and full of secret doings. They get a lot of fish and lobsters and do exporting by truck. Queer how the fish swarm right there and nowhere else.None of this scares our hero off. In fact, it draws him in. Antiquarian that he is, he starts researching. At the end of Act II he learns about the Esoteric Order of Dagon - which has taken over the town's churches and sees this strange bit of jewelry that has come from Innsmouth. It is intense.It took no excessive sensitiveness to beauty to make me literally gasp at the strange, unearthly splendour of the alien, opulent phantasy that rested there on a purple velvet cushion. Even now I can hardly describe what I saw, though it was clearly enough a sort of tiara, as the description had said. It was tall in front, and with a very large and curiously irregular periphery, as if designed for a head of almost freakishly elliptical outline.It clearly belonged to some settled technique of infinite maturity and perfection, yet that technique was utterly remote from any—Eastern or Western, ancient or modern—which I had ever heard of or seen exemplified. It was as if the workmanship were that of another planet.Among these reliefs were fabulous monsters of abhorrent grotesqueness and malignity—half ichthyic and half batrachian in suggestionAt times I fancied that every contour of these blasphemous fish-frogs was overflowing with the ultimate quintessence of unknown and inhuman evil.And as we break into Act II he can’t even sleep, he’s so excited to go to this creepy weird town.The Road to InnsmouthI’m not going to lie. The first part feels slow and wordy by modern standards. It’s not an error, this is the style that was in use. But the amount of tremendous stuff that is set up skillfully in the start is amazing.And what I’ve noticed the most re-reading Lovecraft is how he manages the ambiguity of the way he conveys information. The first act is a lot of exposition. And we think we have been well-armed with the facts. But, by the end of the story, all of what we think we know about this character is going to shift underneath us and make us feel queasy and... horrified.I think this is a key to the effect that Lovecraft creates. If you know anything about this story, you know we’re walking into a town of people interbreeding with frog-like creatures from the sea. And, that’s disgusting and creepy, but, you know, it could edge over into absurd real quick. Like the Disney treatment of the Hunchback of Notre Dame, but they somehow rope Lin Manuel Miranda into doing a hip-hop mash up of an old pop song, and we wind up with an Escape from Innsmouth chase sequence powered by "Who let the Frogs Out"This is not to mock the tale. I love the story, but just point out that, to pull off horror like this, you have to be masterful with your tone — and he is.So we meet the bus driver. And he’s nasty.He had a narrow head, bulging, watery blue eyes that seemed never to wink, a flat nose, a receding forehead and chin, and singularly undeveloped ears.The fingers were strikingly short in proportion to the rest of the structure and seemed to have a tendency to curl closely into the huge palm. As he walked toward the bus I observed his peculiarly shambling gait and saw that his feet were inordinately immense. The more I studied them the more I wondered how he could buy any shoes to fit them.A certain greasiness about the fellow increased my dislike. He was evidently given to working or lounging around the fish docks, and carried with him much of their characteristic smell. Just what foreign blood was in him I could not even guess. His oddities certainly did not look Asiatic, Polynesian, Levantine or Negroid, yet I could see why the people found him alien. I myself would have thought of biological degeneration rather than alienage.Note how specific this description is. We can see this guy. And this is where Lovecraft really shines. He gives us images so powerful and precise, they stay with you and you often remember them years later. Here’s another example.At last we lost sight of Plum Island and saw the vast expanse of the open Atlantic on our left. Our narrow course began to climb steeply, and I felt a singular sense of disquiet in looking at the lonely crest ahead where the rutted road-way met the sky. It was as if the bus were about to keep on in its ascent, leaving the sane earth altogether and merging with the unknown arcana of upper air and cryptical sky. The smell of the sea took on ominous implications, and the silent driver's bent, rigid back and narrow head became more and more hateful. As I looked at him I saw that the back of his head was almost as hairless as his face, having only a few straggling yellow strands upon a grey scabrous surface.Jesus Christ, get off the bus! As the drive continues, Lovecraft describes the crumbling, creepy town. But this is the bit that sticks with meTwice I saw listless-looking people working in barren gardens or digging clams on the fishy-smelling beach below, and groups of dirty, simian-visaged children playing around weed-grown doorsteps. Somehow these people seemed more disquieting than the dismal buildings, for almost every one had certain peculiarities of face and motions which I instinctively disliked without being able to define or comprehend them. For a second I thought this typical physique suggested some picture I had seen, perhaps in a book, under circumstances of particular horror or melancholy; but this pseudo-recollection passed very quickly.The bus isn’t leaving until the evening, so our unnamed protagonist decides to have a look around.Don't take the bus? Don't get off the bus? I mean how hard is this? But trust me, Lovecraft is not just having the protagonist wander into trouble to tell a story. There are reasons for this behavior.THE RIME OF THE DRUNKEN MARINERIn his rambles. He gets word of the town drunk, Zadok, who will spill the beans if you give him likker. So he grabs a pint and goes looking for scoop. And the town drunk tells him this crazy tale and confirms what we should already know if we’ve been paying attention, the whole town is turning into fish. And that the townspeople have been sacrificing children to the creatures on the other side of the reef just offshore. And that the plague that wiped out the town was really creatures swimming in and attacking the town. At the end of the Rime of the Drunken Mariner, Zadok sees something out in the sea and runs away screaming.ESCAPE FROM INNSMOUTHSo he gets back to the bus stop and… wouldn’t you know it. The bus is broken and he’s going to have to spend the night. No need to build this up brick by brick. The townspeople try to kill him. He makes a daring escape from this hotel room, and the town is full of man/fish/frog creatures hunting for him. There are two things that a very interesting about this. As he’s eluding the pursuers in the town, he looks out to sea.For at a closer glance I saw that the moonlit waters between the reef and the shore were far from empty. They were alive with a teeming horde of shapes swimming inward toward the town; and even at my vast distance and in my single moment of perception I could tell that the bobbing heads and flailing arms were alien and aberrant in a way scarcely to be expressed or consciously formulated.And this is what I mean when I say that Lovecraft succeeds at the level of the image. And it's worth asking but how does Lovecraft keep this sequence from degenerating into absurdity. Cause it's going to 11. There’s willing the suspension of disbelief, but that can be broken. And, while you are reading, the instant you think, “Well, this is a bit much” the spell evaporatesHe does it in two ways -- First he's very specific.Drawing inside the hall of my deserted shelter, I once more consulted the grocery boy's map with the aid of the flashlight. The immediate problem was how to reach the ancient railway; and I now saw that the safest course was ahead to Babson Street; then west to Lafayette--there edging around but not crossing an open space homologous to the one I had traversed--and subsequently back northward and westward in a zigzagging line through Lafayette, Bates, Adam, and Bank streets--the latter skirting the river gorge--to the abandoned and dilapidated station I had seen from my window.He’s described everything about the town, including the layout, with such precision, that it seems real. In fact, in part III he goes for this walk through the town to get to Zadok, and it seems to be a bit pointless. Like how much atmosphere are you going to hit a guy over the head within one story. But now it all pays off because the time he spent on description seems to ground the place so he can be more over the top and not lose you.The second way is that the protagonist is arguing against what he’s telling you the whole time. He doesn’t want to believe it.Later, as he eludes his pursuers, we get this:Something was coming along that road, and I must lie low till its passage and vanishment in the distance. Thank heaven these creatures employed no dogs for tracking--though perhaps that would have been impossible amidst the omnipresent regional odour. Crouched in the bushes of that sandy cleft I felt reasonably safe, even though I knew the searchers would have to cross the track in front of me not much more than a hundred yards away. I would be able to see them, but they could not, except by a malign miracle, see me.And then as they approach he doesn’t look at first. As he retells it, he tries to find any way it might be a dream — because he doesn’t want to remember this as true.Can it be possible that this planet has actually spawned such things; that human eyes have truly seen, as objective flesh, what man has hitherto known only in febrile phantasy and tenuous legend?And yet I saw them in a limitless stream—flopping, hopping, croaking, bleating—surging inhumanly through the spectral moonlight in a grotesque, malignant saraband of fantastic nightmare. And some of them had tall tiaras of that nameless whitish-gold metal . . . and some were strangely robed . . . and one, who led the way, was clad in a ghoulishly humped black coat and striped trousers, and had a man’s felt hat perched on the shapeless thing that answered for a head. . . .And then he faints dead away.So up until now, I think it’s been a good, but not great story. It’s very well-crafted. Sure, it’s written in a style that’s a bit wordy for today’s taste, but it’s very solid. But it's, you know, a story that you could read as a cautionary tale about getting on creepy buses.The Inner TwistBut Part V is where it becomes unforgettable. That's where we hit the twist, the WRENCHING in the internal story. What, is the internal story here? It's easy to miss because up to this point it's only had one beat.And it was all the way back in Part One. Some 22,000 words ago. He’s coming of age. And he’s researching the family history. He wants to know who he is and become who he is supposed to be. And holy s**t does he find out. Because this is, for all the Eldrich and Cosmic horror, A COMING OF AGE STORY. He tells us in the first sentence and we totally miss it. But this coming of age is what makes this so terrifying.So he escapes Innsmouth, and, sometime later, having put the whole thing from his mind, goes to visit relatives who have some of his great-grandmother’s jewelry. And the first piece out of the box is one of those strange and creepy Innsmouth tiaras. Then he puts the pieces together.My great-grandmother had been a Marsh of unknown source whose husband lived in Arkham—and did not old Zadok say that the daughter of Obed Marsh by a monstrous mother was married to an Arkham man through a trick? What was it the ancient toper had muttered about the likeness of my eyes to Captain Obed’s? In Arkham, too, the curator had told me I had the true Marsh eyes. Was Obed Marsh my own great-great-grandfather? Who—or what—then, was my great-great-grandmother? But perhaps this was all madness.And that's when the dreams start.One night I had a frightful dream in which I met my grandmother under the sea. She lived in a phosphorescent palace of many terraces, with gardens of strange leprous corals and grotesque brachiate efflorescences, and welcomed me with a warmth that may have been sardonic. She had changed—as those who take to the water change—and told me she had never died. Instead, she had gone to a spot her dead son had learned about, and had leaped to a realm whose wonders—destined for him as well—he had spurned with a smoking pistol. This was to be my realm, too—I could not escape it. I would never die, but would live with those who had lived since before man ever walked the earth.He contemplates suicide, but decides against it and embraces his destiny, fully coming of age in the end.No, I shall not shoot myself—I cannot be made to shoot myself!I shall plan my cousin’s escape from that Canton madhouse, and together we shall go to marvel-shadowed Innsmouth. We shall swim out to that brooding reef in the sea and dive down through black abysses to Cyclopean and many-columned Y’ha-nthlei, and in that lair of the Deep Ones we shall dwell amidst wonder and glory for ever.So let’s break this down.This is a story circle. Lots of people have talked about these. I think it started with Campbell and the Hero's journey. And this one is the Hero's journey through the lens of the Magnificent Dan Harmon. There’s a link to Dan's explanation of it in the description. Don’t worry about the particulars right now -- just watch how it fits. He needs to know who he is. He goes to Innsmouth and searches out the truth. And he finds it, even though he doesn't completely understand it when he does. Then he must struggle to escape. He returns to the real world. Gets a job in Insurance (as boring and real-world as it can be.) But he’s changed by the experience. An utterly horrifying way.So the external story is a thriller. The character goes through life and death struggle. But in the last bit something crazy happens. Oh, he becomes who he really is, but that means that who he thought he was has to die. This is always the case with coming of age stories, but it’s powerfully horrifying here because the human part of him is what dies. The story splits as the thing inside him takes over.I mean wow! This is amazing. It’s an inversion of the traditional coming of age plot. Because we as readers never notice that the character’s weaker, less capable, less mature self is dying. But when the character’s weaker self is his or her humanity!?!Woof. That’s intense. That’s blasphemous. That’s a great horror story.We have met the monster and it is us.Protip: Watch the video for outtakes of me reading some impossibly large Lovecraftian words Get full access to How It's Written by Patrick E. McLean at patrickemclean.substack.com/subscribe

I showed up late and only got to record two hours of the show. Eldrich's Pig joined us as well as r0nd0n. Link to Eldrich's podcast on Aureal. You can also find it on Anchor.fm https://app.aureal.one/podcast/9791 What is Aureal? Its a new podcast app for the Hive blockchain! https://peakd.com/hive/@blockanarchist1/aureal-the-development-updates --- Send in a voice message: https://anchor.fm/landp/message

This week, Josh and Dietrich discuss Eldrich horror, which has seen an explosion in popularity over the last few years. The pair discusses the unfortunate history of the genre, particularly in its founding author, and looks at ways modern creators have explored how to make it their own, while simultaneously addressing the racial issues inherent in the genre. Josh raves about Clive Barker and a storytelling podcast that brings the Elder Gods to the Ozarks. Dietrich looks at a short story pitting one of the unfathomable terrors against the greatest mind in the western canon, and an HBO series that uses Eldritch terror to highlight racism in the Jim Crow era. In addition, Josh raves about the second book by one of his favorite authors, and Dietrich explains what he'd rather be doing instead of this podcast. (Editor's Note: An unfortunate glitch resulted in the last few minutes of the recording being lost, particularly the discussion on the astonishing podcast Old Gods of Appalachia. We can't recommend this storytelling podcast enough, and hope you'll check it out on your own.) You can send questions or comments to playlistquestions@gmail.com.

Thomas Wolfe said it best, “Culture is the arts elevated to a set of beliefs”. A school culture and a home culture can have a profound impact on children's social, emotional, and cognitive development. Executive Function engages the brain's self-guiding system that takes us from challenges to mastery, from self-blindness to self-awareness, and from indifference to self-compassion. And that's why it is important that growing brains and young learners from kindergarten through high school receive specific guidance to develop these skills with a strong cultural guardrail that sets the stage for future resilience in anticipation of elevated demands and ongoing everyday unpredictability.Today's episode features a team from the Springer School and Center from Cincinnati, Ohio who discusses how their school engages the school leadership, teachers, students, as well as parents to cultivate and promote the ProEF Culture. Springer's Principal Eldrich Carr, School psychologist and Center Program Coordinator Dr. Mary Mulcahey, and Springer's Director of Learning Programs Carmen Mendoza will share how best to help children that we know need help.About Dr. Mary Ann Mulcahey, Eldrich Carr, and Carmen MendozaSpringer School and Center in Cincinnati, Ohio, has many dedicated professionals, including  Dr. Mary Ann Mulcahey, Eldrich Carr, and Carmen Mendoza. Springer is the only school in the region devoted entirely to the education of children with learning disabilities (LD) in grades 1-8. Springer is a unique environment where children learn the tools and strategies to address their learning disabilities and to find real success in school and throughout their adult lives.Through its outreach programs, parents and professionals develop an understanding of learning disabilities and the most effective means to address them. Springer School and Center is the leading LD resource for children, families, and professionals throughout southwestern Ohio, northern Kentucky and southeastern Indiana.Dr. Mary Ann Mulcahey, a clinical psychologist, is a Center Program Coordinator and educates parents and professionals through the development of courses. Her most popular courses help to educate the community about executive functioning.Eldrich Carr is Springer's Principal and is responsible for the day to day school operations. He works with families, teachers, and school leaders to develop an outstanding program for students who attend Springer.Carmen Mendoza is Springer's Director of Learning Programs and oversees curriculum and programming for students, parents, and the community.Websites:www.springer-ld.orghttps://www.springer-ld.org/ld-resources/blogHelpful ArticlesConquering the Chaos: Getting a Grip on Paper Clutter in the HomeRebuilding Relationship with a Child in the Habit of FibbingSupport the show (https://mailchi.mp/7c848462e96f/full-prefrontal-sign-up)

Need a VPN? Please use this link www.1201beyond.com/dromevpn and we have a Patreon as well... www.patreon.com/1201_Beyond --- Support this podcast: https://anchor.fm/radiodrome/support

Aviso: Para melhor imersão, use fones de ouvido. Com ajuda a caminho de Águas Profundas, Bombardo e seus novos amigos irão descobrir que o caminho parece ser mais perigoso do que eles imaginavam . Roteiro: Adão Domingos. Revisão: Marcos Souza. Auxiliar de edição: Renan Caicque. Edição e sonorização: Luiz Massis - Tem um podcast e precisa de edição? Maiores informações em 11-98110-4317 Com as vozes de: Marcos, como Bombardo. Luiz, como soldado 2. Renan, como Vince e soldado 4. Adão, como Modric. Isabelle Leal, como Uriel. Álvaro Castilho, como Soldado 1 e soldado 3. Kell, como Duquesa Thacher. Heavy, como Eldrich. Siga-nos nas rede sociais Twitter Facebook Youtube Instagram E-mail: rollcastrpg@gmail.com As artes destes personagens foram feitas por Álvaro Castilho. Confira mais em arte_castilho #RollcastRPG #AudioDrama #Storytelling #StorytellingBR #PodcastBR #DnD #Fantasiamedieval

n this episode, Josh and Kelso dive into Eldrich horror and abominations with the movie Event Horizon. CW for some mention of suicide.A list of all the movies covered on DGITW can be found at http://bit.ly/2pyhU01The recommended viewing list for all episodes can be found at http://bit.ly/2pyiv1LJosh Ickes can be found on Twitter as @spartickes and Instagram as @josh.ickesKelso Rowland can be found on Twitter and Instagram as @kelsorowlandTheme music by d.notive on Twitter as @dnotiveInterlude music by {DEFAULT.MODE.NETWORK} on SoundCloudYou can find the podcast updates on Twitter and Instagram @dgitwcast

Mark Rosewater, lovingly referred to as Maro by the Magic: The Gathering community, sat down with Cory Vincent and Eddie Villanueva to talk about all things MTG. We talk about the teams new approach to storytelling, Maro's excitment for the new Kaladesh set, the likely hood of a Magic: The Gathering movie, and he even answeres some questions we drummed up from our local Sacramento community of Magic Players.   Topics include: Kaladesh, storytelling, eldrich moon, development, mechanics, movies, promos, commander, eldrazi, steam punk, duels of the planeswalkers

Nicole busts into the Moonbase 2 this week as young Mikey is still away and so madness follows akin to any Eldrich horror. The main stories of this week are a butt ton of Master Mind Creations figures had finished versions revealed all colored up and looking pretty as well as MP Inferno and a new SD Acree 3rd party figure that appears to transform? neat.

Mike & Ian discuss indie games.  Learn more, subscribe, or contact us at www.southgatemediagroup.com  Be sure to rate this episode on iTunes.  It really helps other people find us.  Thanks!  

Mike, Michael, Theresa & Ian discuss indie games.  Learn more, subscribe, or contact us at www.southgatemediagroup.com  Be sure to rate this episode on iTunes.  It really helps other people find us.  Thanks!  

This time around DM and Dr. B talk about the new board game Eldrich Horror.

Join Alex and Tigs as they discuss rumors, legends, myths and weird facts as well as Bastion, Beyond: Two Souls, Mirror's Edge, Wind Waker HD, Pokemon X, 140, Beat Buddy, Eldrich, Metro: Last Light, Splinter Cell: Blacklist, Second Life and more on this episode of Griefed! Recorded on October 23rd 2013.