Podcasts about LD

It's the Season Six Premiere of Improv and Magic!Today, we have an exclusive conversation with the quick-witted actor and writer Jonathan Mangum. He's built a career spanning TV, film, and live comedy, including appearances on Whose Line Is It Anyway?, The Wayne Brady Show, and Drew Carey's Improv-A-Ganza. Jonathan is also known as the announcer on CBS's Let's Make a Deal with Wayne Brady.In this interview, Jonathan Mangum shares his journey to the stage and his creative process as a performer and writer. Whether you know him from improv, television, or live tours, Jonathan Mangum's story is one of humor, persistence, and creative passion.For more information about LD, visit ldmadera.com. Want to sponsor an episode? Reach out and find out how you can get your business/organization promoted on the show.Don't forget to subscribe, and feel free to leave a review!

In his book Targeting Turnover, Dick Finnegan argues that, as the global population ages and more people enter retirement, it is imperative for organizations to retain the talent they already have. In this week's episode, Dick joins Claire and Cammy to discuss: Why turnover is a problem for businesses  The strategies organizations can deploy to reduce turnover  The impact this might have on the L&D industry. You can pick up a copy of Targeting Turnover here. For more from Mindtools and Kineo, visit mindtools.com. There, you'll also find details of our new face-to-face and virtual workshops, each aligned to our Manager Skills Assessment. Like the show? You'll LOVE our newsletter! Subscribe to The L&D Dispatch at lddispatch.com Connect with our speakers If you'd like to share your thoughts on this episode, connect with us on LinkedIn: Claire Gibson Cammy Bean Dick Finnegan

In der neuen Folge "Hot Pink" diskutieren Britt-Marie und Nils u.a. über Björn Andrésens Tod, Lily Allens neues Album, Jacob Elordi als Single, Elijah Wood bei einer Hobbit-Hochzeit, Kourtney Kardashians Vagina-Lollis, Sophie Turner & Chris Martin als Paar, Liam Hemsworths Verlobung sowie Chris Evans & Alba Baptistas Baby. Hört rein!*Wer noch mehr von Britt-Marie und Nils hören möchte, kann das in Ihrem Spin-Off-Podcast "Hot Pink schaut..." tun.- Britt-Marie und Marcel haben die 18. Staffel von "Let's Dance" in zusammenfassenden Folgen alle paar Wochen besprochen. Hier ist Episode 1: "Hot Pink schaut Lets Dance" - Podcast-Folge 1 zu LD 18x00-18x02- Wir haben die 17. Staffel von "Let's Dance" geschaut und mit Marcel wöchentlich darüber diskutiert."Hot Pink schaut Lets Dance" - Podcast-Folge 1 zu LD 17x00- Daneben haben wir bereits die 1. Staffel von "Drag Race Germany" geschaut und die komplette Show besprochen."Hot Pink schaut Drag Race Germany" - Podcast-Folge 1 zu DRG

Gen 4:1-16 LD 40 When we do not love The murderous sins against life The roots of his sin The godly way to keep loving life

ただ走るだけ、ただ飛ぶだけ、ただ投げるだけでない陸上競技の魅力を。日本唯一の陸上『雑談』専門チャンネル『Track Town JPN』陸上競技を追っ掛け、応援していきます。2025年東京世界陸上は国立超満員になりました！次の目標は陸上日本選手権を満員に！出演者への質問もお待ちしています！ track@joqr.net＜出演者＞西本武司さん（EKIDEN NEWS主宰：OTT理事長）加納由理さん（2009ベルリン世界陸上マラソン7位入賞：ランニングアドバイザー）柏原竜二さん（大学院で心理学を勉強中）＜今回の内容＞高畠競歩来場キャンペーン勝木さんポスタープレゼント当選者発表！・フルマラソンディスタンスでサブ3達成勝木選手が市民ランナーを揺さぶるサンリオからキティちゃん頂きました・西本さん、加納さん、柏原さんのネーム入り・いつもよりテンション高い加納さん・サンリオのこと詳しい柏原パパ ・山梨学院陸上競技部への相乗効果あるし夢が広がる・身近にあるので応援グッズで持って行きやすい 良いコラボ・上田さんの題字・サンリオピューロランドでキティちゃん駅伝※また勝手な話しで盛り上がってます日本選手権1万Mが世田谷にやって来る【日本選手権10000m】2026年12月、世田谷区で初開催決定！・2026年12月5日（土）東京・世田谷区立総合運動場陸上競技場で開催・コンパクトな競技場で熱気ある応援・出場目指す地元で練習しているチーム・出場するなら早めに参加標準切っておいたほうが良い・11月22日八王子LDから2027北京世界陸上への道が始まる・集客のための関連イベント実施11月2日柏原さんは全日本大学駅伝で監督バスからレポート文化放送『長谷工グループスポーツスペシャル第57回全日本大学駅伝実況中継』 11月3日は熊谷で東日本実業団駅伝・豪華メンバー・MABPマーヴェリック初陣 楽しみ 朝7時30分に集合 10月の明治ザバスプレゼントはこちらザバス ホエイプロテイン100 キャラメル風味 [TIME 1:05:31]See omnystudio.com/listener for privacy information.

In this episode, Audrey sits down with registered dietitian and founder of Nourished by Taylor, Taylor Lechner, to talk about what really happens when you've been on birth control for 10+ years and decide you're done. They get into why so many women lose their period, come off the pill, and suddenly have acne, anxiety, mood swings, gut issues, or no ovulation — and why it's not just “your hormones being crazy.” Taylor breaks down post–birth control syndrome, the labs she runs (HTMA, gut, minerals, thyroid), how copper and mineral depletion play into PMS and anxiety, and why testing > guessing. If you're thinking about coming off the pill/implant/IUD — whether or not you want to get pregnant — this is the one to listen to.Connect with Taylor:Taylor has a free gift for you all!!! :  Breakup with Birth Control MasterclassIG: nourishedbytayWebsite: https://nourished-by-taylor.com/Taylor Lechner, MFN, RD, LD, is a Registered Dietitian and founder of Nourished by Taylor. She helps women transition off birth control, heal acne, mood swings, and achieve symptom-free cycles with a root-cause approach. Her mission is to help women feel understood, empowered, and no longer dismissed with “that's just part of being a woman."  ✨✨ RISE Tribe - Next Steps✨✨Join us for RISE: The Happiness Summit - for free! - https://www.helloaudreyrose.com/risehappy 11:11 Sound Bath - www.helloaudreyrose.com/1111FREE 7 day Nervous System Reset Group - get daily nervous system reset practices in just 10 min a day, with Audrey as your guide https://www.helloaudreyrose.com/7days Nervous System Reset Training (Free): www.helloaudreyrose.com/reset RISE Sisterhood (private membership for nervous system regulation + spiritual alignment) www.helloaudreyrose.com/sisterhood 

On today's episode, Hayden and LD recap the unfortunate end to the 2025 season with a 3–1 loss to the Portland Timbers in the Wild Card play-in game. Hear their thoughts on the match and what comes next for RSL.

Savienotās Valstis ieviesušas pirmās nopietnās sankcijas pret Krieviju kopš Trampa stāšanās amatā. Savukārt krievi paspēja izmēģināt jaunu spārnoto kodolraķeti. Tramps izteicies, ka viņu kodolzemūdene nav tālu no Krievijas krastiem. Retorikā spriedze ir atkal pieaugusi. Tikmēr Savienoto Valstu prezidents devies turnejā pa virkni Āzijas valstu, slēdzot jaunas tirdzniecības un sadarbības vienošanās. Svarīgākā tikšanās vēl priekšā - visvairāk tiek gaidīta Donalda Trampa un Ķīnas līdera Sji Dzjiņpina saruna. Tā notiks rīt, 30. oktobrī. Argentīnā nedēļas nogalē notika tā saucamās vidustermiņa vēlēšanas. Kaut arī ir īstenotas itin drakoniskas reformas ar solījumiem tās turpināt, prezidenta Havjera Mileja partija ir izcīnījusi pārliecinošu uzvaru. Aktualitātes komentē Austrumeiropas politikas pētījumu centra pētnieks Armands Astukevičs un portāla "LSM.lv" žurnālists Ģirts Kasparāns. Trampam vienreiz pietiek, Putinam nav gana Vēl pagājušajā trešdienā Divu pusložu studijā spriedām, ka Donalds Tramps pret agresorvalsts vadoni Putinu ir skarbs tikai vārdos. Tomēr jau nākamā diena atnesa ziņu, ka Vašingtona pakļāvusi sankcijām divas lielākās Krievijas naftas kompānijas – „Rosņeftj” un „Lukoil”. Un lai arī ekspertu viedokļos dominēja atziņa, ka reālais posts Krievijas ekonomikai nebūšot nekāds lielais, tomēr gluži pēkšņais pavērsiens Baltā nama saimnieka politikā Kremlī acīmredzami radīja zināmu šoku. Līdz šim Tramps bija paudis, ka neķersies pie sankcijām pret Krievijas naftas ieguves nozari, iekams Eiropas Savienības valstis nepārtraukšot pirkt krievu naftu. Tomēr Putina taktika, ko grūti raksturot citādi, kā Amerikas līdera vazāšanu aiz deguna, acīmredzot ir pārsniegusi „sarkano līniju”, pārāk uzkrītoši bojājot ne vien Donalda Trampa garastāvokli, bet arī viņa prestižu. No Maskavas izskanējušais, ka Krievijas kompānijām noteiktās sankcijas izraisīšot strauju naftas cenu kāpumu pasaules tirgū, neapstiprinās, ciktāl Persijas līča valstis ir gatavas kompensēt deficītu. Tiek ziņots, ka kompānija „Lukoil” sākusi izpārdot savus ārvalstu aktīvus. Var piebilst, ka nule arī Eiropa ieviesusi kārtējo sankciju paketi, kuras nozīmīgākā daļa ir sašķidrinātās dabasgāzes iepirkumu pārtraukšana līdz nākamā gada beigām. Kā Krievijas atbilde Rietumu ekonomiskajam spiedienam acīmredzot jāuztver pirmdienas paziņojums par jaunas raķetes sekmīgu izmēģinājumu, kuru vērojis pats Kremļa saimnieks. Jau 2018. gadā Putins ar pompu izziņoja šī ieroča izstrādi. Spārnotā raķete „Burevestņik”( „Vētrasputns”) esot unikāla, jo aprīkota ar kodoldzinēju, kas padarot tās lidojuma ilgumu un, attiecīgi, sniedzamību praktiski neierobežotu. Eksperti gan apšauba „Vētrasputna” spēju pārvarēt nopietnu pretgaisa aizsardzības sistēmu. Kā telekanālam NBC News izteicies Apvienoto Nāciju Organizācijas Atbruņošanās pētījumu institūta vecākais pētnieks Pāvels Podvigs, „galvenais iemesls, kāpēc neviens cits nav mēģinājis uzbūvēt kaut ko līdzīgu, ir tas, ka tam īsti nav nekāda pielietojuma”. Tikām ar daudz ordinārākām raķetēm un lidrobotiem Krievija turpinājusi graut Ukrainas civilo infrastruktūru. Tiek ziņots arī par vadāmo kaujas lidrobotu uzbrukumiem civiliedzīvotājiem piefrontes zonā, kas ir klajš kara noziegums. Ukraina, savukārt, turpina sekmīgi graut Krievijas militārās rūpniecības objektus. Īpaši tiek atzīmēts raķešu trieciens Brjanskas Ķīmiskajai rūpnīcai, kas ražoja sprāgstvielas un raķešu komponentus. Triecienā izmantotas britu ražojuma raķetes „Storm Shadow”, kas liecina, ka Ukraina saņēmusi sabiedroto atvēli lietot šos ieročus triecieniem dziļi Krievijas teritorijā. Donalda Trampa Austrumāzijas tūre Svētdien, 26. oktobrī, Donalds Tramps uzsāka savas otrās kadences laikā nepieredzēti plašu tūri pa Austrumāzijas valstīm. Vispirms viņš ieradās Malaizijas galvaspilsētā Kualalumpurā, kur risinājās Dienvidaustrumāzijas valstu asociācijas jeb ASEAN samits. Aukstā kara laikā šī organizācija tika radīta ar ASV atbalstu kā pretsvars padomju ietekmei reģionā, tagad tā pārtapusi diplomātiska dialoga un tirdzniecisku sarunu platformā. Kā tiek atzīmēts, Trampa klātbūtne nozīmīgi paaugstinājusi notikuma prestižu, savukārt viņš pats paspodrinājis savu miera nesēja tēlu, piedaloties nolīguma parakstīšanā starp Taizemi un Kambodžu. Jāteic, ka šajā gadījumā, kad jūlijā robežstrīds starp abām kaimiņvalstīm pārauga bruņotā konfliktā, Trampa piedraudējums vērst pret konfliktējošajiem ekonomiskās sankcijas patiešām veicināja karadarbības noplakšanu. Kualalumpurā noslēdzis dažas tirdzniecības vienošanās, Baltā nama saimnieks pirmdien, 27. oktobrī, ieradās Japānā, kur tikās vispirms ar imperatoru, bet pēc tam ar pagājušonedēļ amatā stājušos premjerministri Sanaji Takaiči, pirmo sievieti šai amatā. Mediji uzsver tikšanās izteikti laipno atmosfēru; tās laikā tika līgumiski apstiprinātas jau agrāk panāktās vienošanās – Japānas eksports uz ASV tiek aplikts ar 15% tarifu, un Tokija veido fondu 550 miljardu dolāru apjomā investīcijām Savienotajās Valstīs. Tāpat noslēgta vienošanās par stratēģiski svarīgu minerālu un retzemju metālu piegāžu kārtību. Visbeidzot šodien, 29. oktobrī, Baltā nama saimnieks ieradās savas tūres pēdējā un svarīgākajā pieturpunktā Dienvidkorejā, kur viņu uzņēma prezidents Lī Džejs Mjans. Sarunu centrā, protams, ir joprojām nenoslēgtā Savienoto Valstu un Dienvidkorejas tirdzniecības vienošanās. Tomēr tūres galvenais notikums ir ceturtdien plānotā Donalda Trampa tikšanās ar Ķīnas līderi Sji Dziņpinu, kuras gaidās jau manāmi atdzīvojušies pasaules akciju tirgi. Protams, nozīmīgākais temats abu pasaules politikas supersmagsvaru sarunās būs iespējamā tarifu kara abpusēji pieņemama izbeigšana. Kā zināms, Ķīna kopš kāda laika šai procesā iedarbinājusi jaunu argumentu – savu retzemju metālu piegāžu ierobežošanu Savienotajām Valstīm. Savienoto Valstu valsts sekretārs Marko Rubio kategoriski noraidījis spekulācijas, ka Vašingtona savu ekonomisko interešu vārdā varētu upurēt Taivānas neatkarību. Nav skaidrs, vai un kas šais sarunās varētu tikt spriests par Ķīnas īpašajām attiecībām ar Krieviju un iespējamo šīs ietekmes izmantošanu karadarbības pārtraukšanai Ukrainā. Visdrīzāk jāpiekrīt tiem, kuri spriež, ka šai aspektā rītdiena nekādus būtiskus jaunumus nenesīs. Var piebilst, ka tikmēr, kamēr prezidents Tramps uzturas Austrumāzijā, kontinenta otrā malā sākusi ļodzīties viņa pirms trīs nedēļām sastutētā pamiera konstrukcija. Vakar vakarā Izraēlas premjerministrs Bejamins Netanjahu devis pavēli bruņotajiem spēkiem vērst aktīvus aviācijas triecienus pret Gazas joslas teritoriju. Vīrs ar motorzāģi Ar striktiem taupības pasākumiem valdībai maz cerību izpelnīties sabiedrības atsaucību, tomēr šķiet, ka Argentīnas prezidentam Havjeram Milejam tas izdodas. Pēc pirmajiem diviem valdīšanas gadiem, kuru laikā īstenota radikāla valsts tēriņu mazināšana, svētdien, 26. oktobrī, notikušajās starpvēlēšanās Mileja vadītā partija „Brīvība virzās uz priekšu” guvusi pārliecinošu uzvaru. Kopumā šais vēlēšanās mandātus saņēma divdesmit četri no septiņdesmit diviem parlamenta augšpalātas – Senāta – deputātiem un sešdesmit četri no 257 apakšpalātas deputātiem, attiecīgi 13 senatoru un 64 apakšpalātas vietas tika prezidenta partijai. Šāds parlamenta sastāvs atvieglos viņam uzsāktā kursa īstenošanu – jaunus taupības pasākumus un ekonomikas regulējuma mazināšanu. Līdz šim prezidents samazinājis budžeta finansējumu izglītībai, pensijām, veselības aprūpei, infrastruktūrai un subsīdijām, kā arī atlaidis desmitiem tūkstošu valsts sektora darbinieku, taču opozīcijai izdevies, pretēji prezidenta gribai, palielināt tēriņus valsts augstskolām, atbalstam cilvēkiem ar invaliditāti un bērnu veselības aprūpei. Līdzšinējā Mileja politika ļāvusi būtiski mazināt inflāciju, kas līdz tam sasniedza trīsciparu skaitļus, samazināt budžeta deficītu un atjaunot investoru uzticēšanos. Tomēr ir skaidrs, ka radikālās taupības politikas sekas ir bezdarba pieaugums, ražošanas sašaurināšanās un iedzīvotāju pirktspējas kritums. Tas viss liek runāt par recesijas risku. Šajā situācijā atbalstu Milejam sniedzis viņam simpatizējošais Donalds Tramps. Savienotās Valstis piesolījušas četrdesmit miljardus dolāru lielu kredītlīniju, taču tikai tādā gadījumā, ja esošais prezidents paliek pie varas. Visdrīzāk arī šim faktoram bijusi nozīme prezidenta partijas panākumos. Var piebilst, ka vēlēšanās piedalījušies nepilni 68% balsstiesīgo argentīniešu, kas ir zemākais rādītājs vairāku desmitgažu laikā un tiek uzlūkots kā apliecinājums sabiedrības politiskai apātijai. Sagatavoja Eduards Liniņš.

On this episode of Danatech Talks–a special series from The Huddle–Katrina Flaskerud, MS, RDN, LD, CDCES outlines some of the fundamentals of diabetes technology. Katrina provides a foundational overview of all of the devices out there today and how they differ from each other, how to have conversations with clients about what diabetes technology options may be best for them, and how diabetes care and education specialists and other health care professionals who are less familiar with diabetes technology can get started and learn more.This episode was supported by educational grant funding from Abbott.Explore the latest in diabetes technology as well as trainings and resources on danatech: danatech l Diabetes Technology Education for Healthcare Professionals  Listen to more episodes of The Huddle at adces.org/perspectives/the-huddle-podcast.Learn more about ADCES and the many benefits of membership at adces.org/join. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello listeners! No new episode this week, but we wanted to take the opportunity to revisit our 2021 'documentary special' on product management.  It took a lot more work than our usual roundtable format, but we think it paid off. ;) To make this episode, we spoke to Myles Runham, Sukh Pabial, Danny Seals, and Gemma Paterson, discussing: what product management is what L&D can learn from product management what 'the product' is in L&D - is it L&D itself? For more from Mindtools and Kineo, visit mindtools.com. There, you'll also find details of our new face-to-face and virtual workshops, each aligned to our Manager Skills Assessment. Like the show? You'll LOVE our newsletter! Subscribe to The L&D Dispatch at lddispatch.com Connect with our speakers If you'd like to share your thoughts on this episode, connect with us on LinkedIn: Ross Dickie Ross Garner Owen Ferguson Myles Runham Sukh Pabial Gemma Paterson Danny Seals 

In der neuen Folge "Hot Pink" diskutieren Britt-Marie und Nils u.a. über Klaus Doldingers Tod, Kim Kardashians Gehirnaneurysma, Claudia Winklemans + Tess Dalys Abschied von Strictly, Drew Barrymores Füße, Janelle Monáe als Zeitreisende, Joe Manganiellos Verlobung, Christine Baumgartners Hochzeit und Vanessa Kirbys Baby. Hört rein!*Wer noch mehr von Britt-Marie und Nils hören möchte, kann das in Ihrem Spin-Off-Podcast "Hot Pink schaut..." tun.- Britt-Marie und Marcel haben die 18. Staffel von "Let's Dance" in zusammenfassenden Folgen alle paar Wochen besprochen. Hier ist Episode 1: "Hot Pink schaut Lets Dance" - Podcast-Folge 1 zu LD 18x00-18x02- Wir haben die 17. Staffel von "Let's Dance" geschaut und mit Marcel wöchentlich darüber diskutiert."Hot Pink schaut Lets Dance" - Podcast-Folge 1 zu LD 17x00- Daneben haben wir bereits die 1. Staffel von "Drag Race Germany" geschaut und die komplette Show besprochen."Hot Pink schaut Drag Race Germany" - Podcast-Folge 1 zu DRG

Dr. Al Grauer hosts. Dr. Albert D. Grauer ( @Nmcanopus ) is an observational asteroid hunting astronomer. Dr. Grauer retired from the University of Arkansas at Little Rock in 2006. travelersinthenight.org From July 2025. Today's 2 topics: - Recently, my Grandsons, Dane and Hank joined our asteroid hunting team at the Catalina Sky Survey 60 inch telescope on Mt. Lemmon. The most interesting of our discoveries, 2017 KJ32 is only 16 feet in diameter, orbits the Sun once every 315 days, and can come closer to us than the communications satellites.    - My Catalina Sky Survey teammate Carson Fuls discovered a 33 foot diameter asteroid which has about a 1.1% chance of impacting the Earth on 569 encounters with our planet between 2045 and 2116. Its name is 2017 LD. It is on the list of the most likely objects to strike the Earth in the next hundred years as reported on NASA's Sentry Earth Impact Monitoring table.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

TEXT: Lev 19:1-3, LD 39 The holiness of God's people, reflecting His holiness, involves respect for His authority and for those whom He has placed in authority 1. The basis for proper response to authority 2. The response to God's authority 3. The response to human authority

What if the most annoying part of a long hike—a pebble in your shoe—was actually your greatest asset as a trainer?On this episode of Lessons from Learning Leaders, we welcome Jeff Weaver—director of training at J.J. Taylor Companies for 15 years and now founder of A Pebble in Your Shoe Consulting. Jeff is sharing his philosophy (and presentation title) that challenges how we think about behavior change and learning.Jeff's journey started at Polk County schools and took him through Disney and Target, experiences that shaped his unique approach to L&D. He argues that to get people to change their behavior, you need a catalyst for change—something that can't be ignored. That, he explains, is the gift of the pebble.Tune in to discover:* The Power of Pleasant Uncomfortableness: How to intentionally design moments that force learners to stop and fix a problem.* The Disney First Impression: Jeff shares a brilliant training technique he learned at Disney that uses a seemingly unprepared start to create a lasting, emotional lesson on preparation.* Marketing Your Learning: Why L&D professionals should think of training like product marketers, using branding and jingles to create cultural touchstones that stick.* The CEO Question: Are you worried about being “too silly” in front of executives? Jeff has a perfect answer for why you should facilitate for fun and effectiveness, no matter who's in the room.Don't miss Jeff's session, “The gift of the pebble in your shoe,” at the 2026 Training Conference and Expo, where he'll also be running the Podcasting Lab.Key Takeaways* Pebble = Catalyst: A “pebble in your shoe” is a metaphor for a necessary, uncomfortable catalyst that forces behavior change.* Emotion Drives Memory: Memorable training is often emotional and action-oriented, hitting a place beyond just logic.* Branding Works: Use advertising and marketing techniques—like jingles and catchphrases—to make core concepts un-ignorable cultural touchstones that stick long after training ends.* Challenge Traditional L&D: Broaden your view of training beyond traditional adult learning theories to incorporate the powerful tools of entertainment and marketing.Jeff Weaver's Consulting:* A Pebble in Your Shoe Consulting Get full access to Lessons from Learning Leaders at lessonsfromlearningleaders.substack.com/subscribe

Tired, unfocused, or craving sugar by 3 p.m.? In this Ask a Nutritionist mini, Brandi Buro, MS, RD, LD, shares why that afternoon energy crash happens and how to beat it -- without more caffeine or sweets. Learn quick, real-food strategies to balance your blood sugar, stay hydrated, and boost your focus naturally, so you can finish the day feeling steady and energized.

Tired, unfocused, or craving sugar by 3 p.m.? In this Ask a Nutritionist mini, Brandi Buro, MS, RD, LD, shares why that afternoon energy crash happens and how to beat it -- without more caffeine or sweets. Learn quick, real-food strategies to balance your blood sugar, stay hydrated, and boost your focus naturally, so you can finish the day feeling steady and energized.

Varme sommeraftnerBløde blide vindeInsekters sang mod fuglefløjtSol der brænder på kindenbagved en dybdeEn uro - et åbent dirrende spørgsmålDøden - hvornår, hvorfor, hvordan?Døden der ligesom sætter en grænse omkring varme sommeraftenerMorten Prahl, august, 2025

In der neuen Folge "Hot Pink" diskutieren Britt-Marie und Nils u.a. über Diane Keatons Tod, Nicki Minajs Kreditkartenrechnung, Justin Trudeau & Katy Perry als Paar, Kevin Federlines Enthüllungs-Autobiografie; eine anatomisch korrekte, lebensgroße Puppe von Henry Cavill; Kim Kardashians Schamhaar-Strings, Tom Greens Hochzeit und Scott Hoyings Baby. Hört rein!*Wer noch mehr von Britt-Marie und Nils hören möchte, kann das in Ihrem Spin-Off-Podcast "Hot Pink schaut..." tun.- Britt-Marie und Marcel haben die 18. Staffel von "Let's Dance" in zusammenfassenden Folgen alle paar Wochen besprochen. Hier ist Episode 1: "Hot Pink schaut Lets Dance" - Podcast-Folge 1 zu LD 18x00-18x02- Wir haben die 17. Staffel von "Let's Dance" geschaut und mit Marcel wöchentlich darüber diskutiert."Hot Pink schaut Lets Dance" - Podcast-Folge 1 zu LD 17x00- Daneben haben wir bereits die 1. Staffel von "Drag Race Germany" geschaut und die komplette Show besprochen."Hot Pink schaut Drag Race Germany" - Podcast-Folge 1 zu DRG

Owen Small, a research assistant at Trinity College Dublin, shares how ADHD and dysgraphia impact his day-to-day in adulthood. Owen discusses how the self-knowledge from a diagnosis helped to reduce his stress around handwriting and productivity, provides insight into the ‘tides' of motivation that can accompany ADHD, and shares advice for fellow individuals with LD. 

According to Donald Taylor and Egle Vinauskaitė's recent AI in L&D: The Race for Impact report, 'creating learning content' and 'learning design tasks' remain the primary use cases for AI in learning and development. But should they be? In this week's episode of The Mindtools L&D Podcast, L&D consultant Heidi Kirby joins Ross D and Claire to discuss: the obvious appeal of using AI to scale learning content; why Heidi believes outsourcing development to AI is a mistake; what L&D could or should be using AI for, if not content generation. In 'What I Learned This Week', Ross mentioned the website mcbroken.com. For more from Mindtools and Kineo, visit mindtools.com. There, you'll also find details of our new face-to-face and virtual workshops, each aligned to our Manager Skills Assessment. Like the show? You'll LOVE our newsletter! Subscribe to The L&D Dispatch at lddispatch.com Connect with our speakers If you'd like to share your thoughts on this episode, connect with us on LinkedIn: Ross Dickie Claire Gibson Dr Heidi Kirby  

How do you know if your L&D team has slipped into tunnel vision? When the same mindsets, metrics, and default solutions keep showing up - even as the business around you changes. In this episode of Learning at Large, we're joined by Mark Sheppard, Diagnostic Learning & Development Lead at General Motors, who's spent 35 years exploring how to break free from the L&D echo chamber. He shares practical ways to challenge your own assumptions, borrow smarter ideas from other disciplines, and build politically savvy strategies that make a real business impact. Ep. 74 Brought to you by Elucidat.  Want more insights? Get the latest tips, expert advice, and best practices from top L&D leaders - delivered straight to your inbox. The Learning at Large newsletter brings you monthly insider content to help you create and scale impactful learning. Subscribe now and never miss an edition!

Patients with malabsorptive conditions—like short bowel syndrome, bariatric surgery, or chronic GI disorders—are at high risk for vitamin and mineral deficiencies. In this episode, Christina Rollins sits down with clinical dietitian Gabriela D. Gardner, RD-AP, CNSC, LD, to explore evidence-based strategies for assessing, supplementing, and managing micronutrients in these complex patients. Gabriela shares practical tips for monitoring lab values, navigating product selection, and helping patients manage multiple supplements without feeling overwhelmed. Whether you're a dietitian, clinician, or healthcare professional, this episode offers actionable insights to optimize patient care and improve outcomes.Listen now and learn how to confidently support patients with malabsorptive conditions.

EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

LD and Will discuss the Ocean's calling festival! Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Making sure kids get the nutrition they need is always important—but for families managing food allergies, it can feel especially challenging when safe food options are limited. We're joined by FAACT Medical Advisory Board Member, Owner of ALnourished, and Registered Dietitian, Alison Cassin, MS, RD, LD, to talk about how to meet essential nutritional needs, smart ways to swap ingredients, and when supplements may be helpful. Together, we'll explore practical strategies for building a healthy, balanced life with food allergies.Resources to keep you in the know:FAACT's Reading Labels for AllergensFAACT's Food Allergies, Healthy Snacks for All Ages - PodcastFAACT's Powerhouse Eating for Teens and College Students with Food Allergies Pt. 1 - PodcastFAACT's Powerhouse Eating for Coaches and Caregivers Managing Students with Food Allergies Pt. 2 - PodcastALnourished Website - Alison Cassin, Food Allergy NutritionYou can find FAACT's Roundtable Podcast on Apple Podcasts, Pandora, Spotify, Podbay, iHeart Radio, or wherever you listen to podcasts.Follow us on Facebook, Instagram, BlueSky, Threads, LinkedIn, Pinterest, TikTok, and YouTube.Sponsored by: DBV TechnologiesThanks for listening! FAACT invites you to discover more exciting food allergy resources at FoodAllergyAwareness.org!

Another album, another tour, another country to call home, and another beautiful woman. In some ways, the early ‘90s were business as usual for Michael Hutchence. However, his relationship with his bandmates in INXS was changing, the musical landscape was changing, and some other changes, none for the good, were right on the horizon. LD's ETSY SHOP: https://cinemascentscandleco.etsy.com Apply for the 1% Club https://cornwellcasting.com/1club/ Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Weird War Tales #70! Featuring: The return of LD to the WWT! Vampires at sea! Self-serving jerks! (Other than Max!) More Hembeck! All this and some more lies within, but first...you gotta get clickin'!  Our Facebook Page is https://www.facebook.com/weirdwarpod Max is on Bluesky @maxpocalypse We are on Youtube at https://www.youtube.com/@WeirdWarriorsPodcast Opening Music: "Behind Enemy Lines" by Rafael Krux from https://freepd.com/epic.php Closing Music: "Honor Bound" by Bryan Teoh from https://freepd.com/epic.php Podcast Banner and Icon Art by Bill Walko: http://www.billwalko.com/ and http://www.theherobiz.com/

In this episode, Michelle and Chase sit down with Amber Watts to explore a transformative approach to employee development: Everboarding. Amber shares insights from her book From Onboarding to Everboarding: Redefining Employee Development, challenging traditional views of onboarding as a one-time event and reframing it as a strategic, ongoing process that fuels long-term performance, retention, and growth.  Key Takeaways: Everboarding begins after the welcome packet. It's about building systems that evolve with your people. Onboarding is a strategy, not an event. Leaders play a critical role in reinforcing key messages and creating a culture of continuous enablement. It's a relay, not a race. Ownership of development shifts across HR, L&D, employees, and leaders, each carrying the baton at different stages. Mid-career professionals matter too. Everboarding isn't just for new employees, it's about staying adaptive, relevant, and growth-focused throughout an employee's journey. Growth is self-driven, but leaders are powerful partners. Development isn't always about promotion, it can be about deepening expertise and staying engaged. You don't need a program - you need a plan. Amber shares practical advice for organizations to implement an everboarding strategy. Everboarding is a growth lever for organizations. It shifts the focus from simply getting someone started to keeping them growing, a mindset that's essential in today's fast-changing workplace.   Follow Amber on LinkedIn Website: radicalgrowthworks.com Got a question? Ask us! Do you have a question you'd like to hear answered on Career Dreams? You can submit an audio recording of your question to be featured on an upcoming episode!  Like it? Share it! If you're finding value in exploring your Career Dreams through this podcast, please share it with your friends, followers and colleagues! Also, your ratings and reviews help others find the show...so please, let us know what you think! You can share your Career Dreams with us anytime via email: careerdreams@forumcu.com. To learn more about making your Career Dreams come true at FORUM Credit Union, visit our website:  https://www.forumcu.com/careers Dream on!

Why does L&D so often feel like the drive-thru window of requests—'one leadership program, hold the ROI please'? As L&D professionals, it's not who we understand ourselves to be. So how can we flip the script so that we're seen and treated as strategic business partners? In this week's episode of The Mindtools L&D Podcast, we're joined by Jess Almlie, author of "Order taker no more!" We discuss: What keeps us stuck in an order taker role? What are the foundations of great strategic business partnering? What might a move into this new role look like? You can find out more about Jess, her work and book on her Almlie Consulting website. In What I Learned This Week, Gemma mentioned the Tree Equity Score website.   Sadly we don't have a photo of Ross on a horse. For more from Mindtools and Kineo, visit mindtools.com. There, you'll also find details of our new face-to-face and virtual workshops, each aligned to our Manager Skills Assessment. Like the show? You'll LOVE our newsletter! Subscribe to The L&D Dispatch at lddispatch.com Connect with our speakers If you'd like to share your thoughts on this episode, connect with us on LinkedIn: Jess Almlie Ross Dickie Gemma Towersey

LD is OLD so let's chat!!! Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Human Side of AI at Work Brian Murphy, Global Head of Learning & Development at NTT DATA, shares his perspective on how AI is reshaping work and productivity. Drawing on his experience at Microsoft, AstraZeneca, and Citi, Brian argues for a human-centric coalition between people and machines. He explores how L&D and HR can steer organizations through AI transformation, ensuring it's about value creation and capability — not just cost cutting.   Timestamps: 00:00 - Start 01:44 - Intro 03:45 - Challenges of redesigning work around AI 11:45 - Just a cost-cutting exercise? 16:08 - Role of people function in ensuring benefits, lessening friction 23:18 - An evolution of performance consulting 33:08 - Training AIs versus ‘training' AIs 43:01 - How to be human-centric while deploying AI 51:01 - End   Contact: LinkedIn: linkedin.com/in/johnhelmer X: @johnhelmer Bluesky: @johnhelmer.bsky.social Website: learninghackpodcast.com

In this episode of the Wise Woman podcast, Erin Doppelt interviews her dear friend Becki Yoo about her new cookbook, Naturally Nourished Kids. They discuss the importance of whole foods in children's diets, the controversies surrounding children's nutrition, the viral soccer mom email controversy, Becki's accidental free birth with her third, and the evolution of Becki's cookbook. Becky shares insights on sneaking supplements into kids' diets, creating a "perfect" meal day for children, and postpartum nourishment traditions. The conversation also touches on the influence of Korean cuisine in Becki's cooking and the significance of involving children in the cooking process. Throughout the episode, Becki emphasizes the importance of nourishing our bodies and honoring the food we eat and food as prayer. Erin highly recommends this cookbook for families looking to raise healthful and happy kiddos. Ali Miller, RD, LD, CDE and Becki Yoo, MS, RD, LD are real food focused functional medicine dietitians on a mission to empower parents to use food-as-medicine. They've created a game-changing cookbook, Naturally Nourished Kids, which blends a low-glycemic anti-inflammatory approach with delicious recipes that connect the dots between nutrition, mood, behavior and overall well-being. From baby led weaning to "making healthy hip", this book offers solutions for every stage of childhood. Miller and Yoo guide parents to confidently navigate the complex world of food with clear goals on how to support balanced minds and bodies through nourishment. Catch Ali and Becki on the Naturally Nourished Youtube channel for bite-sized bi-weekly videos on recipes and functional medicine or dive deep with the Naturally Nourished Podcast with weekly releases. Find more about Ali, Becki, and Naturally Nourished offerings at: www.alimillerRD.com Connect with Ali @AliMillerRD and Becki @BeckiYooRD on social Kids Essentials Bundle: these are the foundational supplements I give my children dailyhttps://alimillerrd.com/products/kids-essentials-bundle Cellular Antiox & Bio-C Plus: these are the formulas I referenced opening a capsule of to put into honey and here is a video of us making the Medicinal Honeyhttps://alimillerrd.com/products/cellular-antioxhttps://alimillerrd.com/products/bio-c-plushttps://www.youtube.com/watch?v=q7RZC8FyxkI Where to find us@beckiyoord on Instagram@alimillerrd on Instagram Alimillerrd.com for supplements, labs, functional medicine consults & programs Naturally Nourished Podcasthttps://www.naturallynourishedrd.com/podcast Naturally Nourished YouTubehttps://www.youtube.com/naturallynourishedRD Naturally Nourished Kids: available now on our website alimillerrd.com or all major booksellers!https://geni.us/NaturallyNourishedKids FREE Bonus guide to Naturally Nourished Kids: https://alimillerrd.com/pages/naturally-nourished-kids-bonus Bonus Guide IncludesA sneak peek at our Naturally Nourished Kids GuidelinesHow to build a Balanced Smoothie & ShakeLabel Lingo worksheet to decode tricky food packaging3 early access featured recipes from the book3 never-before-seen recipesOur go-to Kids' Essential SupplementsFunctional Immune Support for times of illnessA ready-to-go Grocery ListOur favorite trusted brands and productsA full 1-week meal plan with food-as-medicine focus

When feeding your family feels confusing and chaotic, this episode is your reset. Functional-medicine dietitian Ali Miller (RD, LD, CDE) shows how to move from “immediate” choices to environmental shifts to true habit rewiring—simplifying dinner with 5–7-minute protein sears, sheet-pan veggies, and one slow-cook a week. We talk “God foods” vs. ultra-processed products, why kids' moods track their blood sugar, and how to make your kitchen the hearth again—less frantic, more joyful. Ali's brand-new book, Naturally Nourished Kids turns big ideas into doable family routines (like bone-broth queso, cabbage chips, and rainbow sheet-pans). We also dig into guiding teens toward ownership (guided choices, smart carb-plus-protein pairings), and how probiotics + mineral-rich bone broth support calmer brains and sturdier immune systems. For a deeper dive into food-as-medicine and anxiety, explore Ali's Anti-Anxiety Diet resources and her Naturally Nourished Podcast. Then queue up this episode on your favorite app and pass it along—because a calmer kitchen can change a whole household. Learn more about your ad choices. Visit megaphone.fm/adchoices

Resources mentioned:Core Vocabulary Words:  https://textproject.org/vocabulary-instruction/core-vocabularyAcademic Word List: https://www.wgtn.ac.nz/lals/resources/academicwordlist/information/thesublistsMini Matrix Maker: https://www.neilramsden.co.uk/spelling/matrix/Academic Word Finder:  https://achievethecore.org/page/1027/academic-word-finderOne Look Dictionary and Thesaurus:  https://www.onelook.com/Online Etymology Dictionary:  https://www.etymonline.com/Coh-Metrix Common Core Text Ease and Readability Assessor:  https://soletlab.adaptiveliteracy.com:8443/BONUS RESOURCE: The Collins Cobuild dictionary provides student friendly definitions, and game-like challenges.https://www.collinsdictionary.com/us/dictionary/english Produced by Noble Academy, a school for students with learning differences in Greensboro, NC. https://www.nobleknights.org/

Welcome to season 5 of the Blue and Gold Chat podcast. This season is dedicated to providing practical wisdom that parents of students with learning differences can use every single day. Produced by Noble Academy, a school for students with learning differences in Greensboro, NC.  https://www.nobleknights.org/

Welcome to Thursday on Wake Up! 1st hour: AFP Ryan Mulvey is Senior Policy Counsel at Americans for Prosperity Foundation 2nd Hour: US Congressman David Schweikert 3rd hour: LD 17 State Senate Candidate Chris King! plus the real reason Jimmy Kimmel got canned. Only on the Live the Dream Media network!

A heartbreaking story out of Mississippi, where 21-year-old Delta State University student Laderius “LD” Green was found hanging from a tree on campus. Authorities are investigating the case as a possible suicide, but the disturbing circumstances have sparked calls for transparency and answers from the community. See omnystudio.com/listener for privacy information.

The Rickey Smiley Morning Show began with a heartbreaking story out of Mississippi, where 21-year-old Delta State University student Laderius “LD” Green was found hanging from a tree on campus. Authorities are investigating the case as a possible suicide, but the disturbing circumstances have sparked calls for transparency and answers from the community. Later in the show, Nick Cannon reflected on his personal growth, admitting he needed time to heal from his divorce with Mariah Carey before taking on the responsibilities of fatherhood for his now 12 children. Closing out the hour, rapper Jeezy thrilled fans by announcing an Atlanta and Las Vegas residency for October and December, promising an intimate experience blending his classics with storytelling about his journey. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Systems, skills and the eight levers of learning transformation. Lori Niles-Hoffman, learning strategist and data evangelist, joins John to explore how L&D can escape legacy mindsets and regain strategic impact. Drawing on her new book, Lori outlines the eight key levers for enterprise learning transformation, why ecosystems matter more than platforms, and how AI is reshaping the role of the learning professional. Timestamps 00:01:43 - Intro 00:03:46 - What brought her into the world of learning tech? 00:07:03 - What convinced her of the need for this book? 00:12:58 - What are ‘the 8 Levers'? 00:24:06 - Stakeholder management 00:26:13 - Why is knowledge management lumped together with marketing? 00:33:03 - Ecosystems thinking 00:39:34 - Strategic alignment – a no-brainer? 00:40:17 - Why hasn't L&D tackled its long-standing challenges to date? 00:48:58 - Will AI make us all systems designers? 00:57:43 - Lori's interesting take on AI ethics Follow & Contact LinkedIn: linkedin.com/in/johnhelmer X: @johnhelmer Bluesky: @johnhelmer.bsky.social Website: learninghackpodcast.com

An insightful podcast episode redefines "wasted time" as a crucial act of mental autonomy, especially for those with neurodivergent minds. The host, Jennifer, connects this idea to her own experience with NVLD, explaining how structured "pause time" is essential for recharging and creative thinking. By balancing productivity tools with intentional rest, individuals can reclaim their time from hustle culture and live a more meaningful life without guilt.

Marty Dubin, a clinical psychologist and author of Blindspotting: How to See What's Holding You Back as a Leader, joins us to explore six leadership blind spots that may be affecting your work: identity, intellect, emotion, motive, traits, and behavior.  These areas offer L&D professionals a framework for strengthening self-awareness and managing the many roles they take on. Marty explains the “why” behind analyzing blind spots, shares actionable steps for adopting new behaviors, and provides strategies to prevent strengths (“gifts”) from becoming weaknesses (“gaps”). Drawing on his experience as both entrepreneur and business coach, Marty also discusses the value of emotional agility, the four types of intelligence, and how to align your identity with your role—even amid rapid change.  Resources:   LinkedIn: https://www.linkedin.com/in/martin-dubin/   Website: https://www.martindubin.com/   Book: https://www.amazon.com/dp/B0DRZFK8J6?tag=bk00010a-20&th=1&psc=1&geniuslink=true  

Is it up to the humble L&D pro to change people's behavior at work? Or is it up to everyone? In this week's episode of The Mindtools L&D Podcast, return guest Kevin M. Yates (aka The L&D Detective) speaks to Anna and Ross D about: How to isolate the impact of training at work What other factors influence performance How L&D pros can demonstrate the value of their roles. You can find out more about Kevin's work at kevinmyates.com For more from Mindtools and Kineo, visit mindtools.com. There, you'll also find details of our award-winning Content Hub, our Manager Skills Assessment, our Manager Skill Builder and our custom work.  Like the show? You'll LOVE our newsletter! Subscribe to The L&D Dispatch at lddispatch.com Connect with our speakers If you'd like to share your thoughts on this episode, connect with us on LinkedIn: Ross Dickie Dr Anna Barnett Kevin M Yates

Send us a textThis week on The Less Stressed Life, Amy Rawls joins me to talk about why you are not what you eat, but what you digest, assimilate, and eliminate. We dig into the difference between digestive enzymes taken with meals and systemic enzymes taken away from food, how enzyme capacity develops in babies, and why so many gut and skin issues trace back to poor digestion.If you have struggled with food sensitivities, skin flares, or supplements that do not seem to work, this conversation will help you understand how enzymes can make all the difference.Enjoy 10% off Transformation Enzymes as a podcast listener by using code LESSSTRESSEDKEY TAKEAWAYSWhy digestion, not food alone, drives symptomsHow enzymes decline under stressThe role of digestive versus systemic enzymesWhy infant enzyme capacity explains early skin and gut flaresFood sensitivities are often a digestion problem, not a food problemABOUT GUEST: Amy Rawls, MS, RD, LD, FMNS, CGN is a registered dietitian specializing in integrative and functional nutrition with a focus on root cause healing and mind-body optimization. She serves as Director of Clinical Services and Education at Transformation Enzyme Corporation, where she leads practitioner education, clinical support, and research on enzyme therapy. Amy has presented nationally and internationally on the role of nutrition and enzymes in supporting whole-body health. WHERE TO FIND:Website: https://www.transformationenzymes.com/Instagram: https://www.instagram.com/enzymeamy/Email Amy: clinic@tecenzymes.comAdditional Education: https://www.mycliniciantoolbox.com/WHERE TO FIND CHRISTA:Website: https://www.christabiegler.com/Instagram: @anti.inflammatory.nutritionistPodcast Instagram: @lessstressedlifeYouTube: https://www.youtube.com/@lessstressedlifeNUTRITION PHILOSOPHY OF LESS STRESSED LIFE:

This week on Dawnversations, I'm joined by Gretchen Zimmermann, MBA, RD, LD, CDCES, CSOWM, VP of Clinical Strategy at Vida Health. Gretchen has spent her career cutting through the noise around obesity and nutrition — and in this episode, she helps us separate fact from fiction.We bust some of the most common myths about weight loss, obesity, and “quick fix” diets, plus talk about why lasting health is a whole lot more complex than calorie counts and willpower. We even touch on The Biggest Loser and what that show got wrong (and right) about changing your body.Whether you've struggled with weight yourself, or just want a clearer picture of how nutrition and obesity really work, this conversation is packed with insight and honesty. ✨ Listen in and walk away with a fresh perspective on food, health, and what it really takes to feel your best.Find Gretchen Zimmermann here:INSTAGRAM: @gretchenzimmermann.rdVida Health | www.vida.com

Do you want to know what it is like to be one of  'Our True Crime Podcast' Patreons?  Here is a sneak peek. This episode was released in January on our Patreon platform. Due to circumstances, we were unable to produce an episode this week, so we thought it was a perfect time to revisit an episode that originally aired on Patreon. Join us! The Petit family lived in an idyllic, quiet, tree-lined neighborhood of Cheshire, Connecticut. Dr. William Petit, a respected endocrinologist, his wife Jennifer, a beloved nurse, and their two daughters—17-year-old Hayley, a bright and driven high school senior, and 11-year-old Michaela, a sweet and creative child—made their home at 300 Sorghum Mill Drive. By all accounts, the Petits were a picture of suburban success. But on the evening of July 22, 2007, an unassuming trip to the local Stop & Shop set in motion a chain of events that would shatter their world. Join Cam and Jen on this episode of Our True Crime Podcast entitled “The Cheshire Murders: The Petit Family.” LD by @octoberpodVHS Music by @theinkypawprint Sources: http://www.cnn.com/2012/01/27/justice/connecticut-home-invasion-sentencing/index.html?hpt=hp_t1 https://abcnews.go.com/US/petit-trial-coroner-describes-teen-daughters-death/story?id=14607151 https://www.nbcconnecticut.com/local/charges-against-steven-hayes/2059089/?amp=1 https://www.registercitizen.com/news/article/Komisarjevsky-complete-list-of-charges-12058464.php The Cheshire Murders (Television production). HBO https://www.nbcnews.com/news/us-news/connecticuts-top-court-overturns-death-penalty-state-n409256 https://web.archive.org/web/20190910201036/http://www.nbcnews.com/id/20706697/ns/dateline_nbc-crime_reports/t/desperate-hours#.Xo9cXYhKiUk https://medium.com/the-true-crime-times/the-cheshire-murders-innocence-lost-1e4bec712e09 https://web.archive.org/web/20100926195121/http://www.nypost.com/p/news/local/twisted_texts_of_killer_G8iLnVxkF0WgpcTcOeC4QM https://www.cbsnews.com/news/petit-family-murder-trial-new-evidence-testimony-paints-graphic-picture-of-conn-home-invasion/ https://archive.today/20120723165500/http://www.courant.com/community/cheshire/cheshire-home-invasion/hc-komisarjevsky-fair-trial-1110-20101109,0,2009741.story https://www.usatoday.com/story/news/2017/07/17/cheshire-connecticut-home-invasion-murders-10-years-later/483863001/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Make America Healthy Again Part 2 with Dr. Gary Huber and Chelsea Dorsett, RD, LD

As learning and development professionals, we spend most of our days thinking about how we help others build their skills. But how many of us neglect our own development while doing so? It's what L&D advisor, writer and speaker David Kelly calls 'The Irony of L&D', and in this week's episode of The Mindtools L&D Podcast, David joins Ross G and Claire to discuss: how to make time for personal development how to build this habit among your team the extent to which AI makes personal development existential for L&D professionals. To find out more about David, find him on LinkedIn. There you'll also find his article, 'The Irony of L&D: We Often Forget Our Own Development'. In 'What I Learned This Week', Ross G discussed 'chimping'. David discussed Josh Cavalier's guidance on AI prompting with JSON. For more from us, visit mindtools.com. There, you'll also find details of our award-winning Content Hub, our Manager Skills Assessment, our Manager Skill Builder and our custom work.  Connect with our speakers If you'd like to share your thoughts on this episode, connect with us on LinkedIn: Ross Garner Claire Gibson (who it turns out works every second Friday) David Kelly

Sometimes you can't wait for research to tell you what to do — you just have to go ahead and do it. We get back on L&D with Clara, Mindy and Heather. Subscribe now to get early access to this episode. Our newest podcast, “The Retrievals, Season 2” is out now. Search for it wherever you get your podcasts, or follow it here: lnk.to/retrievals2 To get full access to this and other Serial Productions and New York Times podcasts on Apple Podcasts and Spotify, subscribe at nytimes.com/podcasts.To find out about new shows from Serial Productions, and get a look behind the scenes, sign up for our newsletter at nytimes.com/serialnewsletter.Have a story pitch, a tip, or feedback on our shows? Email us at serialshows@nytimes.com