Podcast appearances and mentions of fiona fiona

Have you ever wondered what could be behind your brain fog? Is a thyroid disorder a forever thing or something that can be improved with intentional nutrition? Fiona Smith, a Certified Nutritional Therapy Practitioner, is on a mission to help her clients naturally support their hormones, brain function and thyroid health. In this episode, Fiona breaks down the detailed practices her clients complete to unpack the deeper “why” on their health journey and get to the bottom of their symptoms with true autonomy. She dives into the gut-brain axis, offering tangible, actionable steps for folks with ADHD to stick to healthy habits in the long term – and covers the one protein that could be directly contributing to brain fog and mental health decline more than any other. Fiona's excitement and joy around sharing real-life solutions to the deeper root problems around gut-brain health and ADHD is palpable and infectious.    HERE'S THE JUICE:   How Fiona teaches her clients to develop a strong relationship with their bodies through symptom journaling and curiosity around their inner knowing The brain-gut bidirectional highway and how fight or flight mode wreaks havoc on your gut Why children are experiencing an over-activation of their immune systems at younger ages What are the non-celiac gluten reactions that can happen in the lens of mental health, and how to test if you may have a non-celiac gluten intolerance? Answering the question: If you have Hashimotos, do you need to cut out gluten forever? A deeper dive into focusing on nutrient density in your diet and the life-changing results that can happen What are the top 5 minerals crucial to thyroid function?   How neurodivergence and ADHD play a role in gut health + taking steps to improve your health and stick to habits with ADHD    Watch the full episode on What's The Juice YouTube Channel  To shop our new PCOS protocol “The Cysters Kit” at 15% off, click HERE   To support our ad-free show, shop Olivia's line of herbalist-formulated supplements for digestion, anxiety, thyroid support, and more by visiting www.organicolivia.com.   Connect with Fiona: Fiona's Instagram Fiona's Website Connect with Olivia: Follow Organic Olivia  Olivia's personal IG Organic Olivia on TikTok Read Olivia's blog posts  

Influencer marketing in the Social Commerce era is an art. As advice changes almost weekly, and the industry's future becomes more malleable than ever, consider this the blueprint for brand success – taken directly from Wild's stratospheric rise.For this episode of Building Brand Advocacy, Paul & Verity are joined by Fiona Macpherson (Head of Influencer Marketing @ Wild). Together, they explore the ever-evolving influencer landscape.With almost 500k followers across social platforms, Wild has emerged as one of the fastest-growing brands in the UK. Fiona shares how influencer marketing became the brand's growth engine, driving customer acquisition across new markets and platforms; all while effectively telling the brand's story. This tactical deep-dive explores:Wild's Step-by-Step Guide to Influencer Campaigns: Get a behind-the-scenes look at how Wild plans, executes and tracks the results of influencer campaigns in 2024. This includes overarching targets, team sizes, budget allocation, and tracking methodologies.The Art of Leveraging Influencers: Delve into the intricacies of content creation, briefing documents, and video content preferences to craft captivating content that resonates. Across diverse channels, the role of different creator sizes in achieving varied content goals is laid out plainly.The 3 Things Every Influencer Marketer Should Hear: Tap into Fiona's invaluable advice for other influencer marketers; including the importance of collaboration, diversifying channels, and embracing failure as part of the learning process.Tune in to unpack the secrets of Wild's success, offering invaluable insight for brand builders navigating Brand Advocacy and creator partnerships in 2024.Rate & review Building Brand Advocacy:Apple PodcastsSpotifyConnect with Fiona:Fiona's LinkedInWild's WebsiteWild's Instagram Hosted on Acast. See acast.com/privacy for more information.

你們可能經常聽說空服員從一家航空公司跳到另一家，但很少有人有三家航空公司的經驗 這個難度在於要從很早的時候就開始飛！ 因為考空服員通常在年輕時就開始考試，然後要快狠準才有辦法跳槽 今天這集要來邀請我在國泰的好同事Fiona，她也有在卡達飛行的經驗，而且她也是星宇航空的開國元老，擁有座艙長的經歷喔。 所以那麼有經驗的人，背後一定有超多故事可以分享 這集就來好好聊一下，這三家航空獨特的地方，一起來聽聽這一集，讓我們熱烈歡迎Fiona！

這集 2021 年最多人收聽

In classic 1940s Hollywood, aspiring screenwriter Fiona Cross discovers the pitfalls of writing remakes - including, perhaps, romance with an undying legend of the silver screen. Written and Produced by Julie Hoverson Cast List Fiona Cross - E. Vickery Victor Malacard - Cole Hornaday George - Jerry Bennett Margie - Kristina Yuen Andy - Michael Faigenblum Additional Voices - Rhea Lutton, Julie Hoverson,  Reynaud LeBoeuf Music:  Gabriel Garcea (gagamusic.eu) (also available on Jamendo) 19 Nocturne Theme:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson Sound effects found on Soundsnap.com Recorded with the assistance of Ryan Hirst of Neohoodoo Studio Cover Photos:  (courtesy of Stock Xchange.com) "What kind of a place is it?  Why, it's a movie studio office - can't you tell? Where else would you find... a screenwriter?" _______________________________________________     HOUSEWARMING Cast:   [opening credits/Olivia] Fiona Cross, screenwriter   George Webber, producer   Victor Malacard, actor/director   Margie, best friend   Mason, butler   Andy, a Messenger   Instructor voice, on P.A. Landlady   OLIVIA Did you have any trouble finding it? What  do you mean, what kind of a place is it?  Why, it's a film producer's office, can't  you tell?   SCENE 1 MUSIC SOUND EFFICIENT TYPING, PHONES IN THE BACKGROUND GEORGE The bad news is -it's really very good. FIONA [excited] Wonderful! [waitaminute] That's  the bad news? GEORGE Yup. Because we can't use it. SOUND SHEAF OF PAPERS TOSSED ONTO TABLE. FIONA What? But ...but Mr. Webber, you said it  was GEORGE Practically brilliant. I'll even read your  next one, and I don't say that often.  [pauses, thinks] Ever. But, Miss Cross...  you should know by now that writing remakes  is a complete waste of time. There's all  sorts of issues. We don't want to get sued. FIONA But The House on the Peak was made- GEORGE Twenty-odd years ago. It's still dicey.  Whoever owns it could sue us, and after that  fiasco at Champion pictures last year...  We're taking no chances. We're not Metro-Goldwyn-Mayer, you know. FIONA If ... what if I could make an arrangement  with the owner? Would you still be  interested? GEORGE [cagey] Well, I said it was good, but I  never actually said I was interested.  [beat] Come back when you've got a  signature. MUSIC BRIDGE   SCENE 2 SOUND TINNY PHONOGRAPH MUSIC INSTRUCTOR [off mike throughout] And lift. One. Two. FIONA [puffing slightly throughout] All that  work! MARGIE [puffing slightly throughout] Goodness,  Fiona, didn't anyone ever tell you never  adapt? INSTRUCTOR ...five and six. Arms up! FIONA I guess I figured the studio would handle  all that. MARGIE [teasing] Did you just drop off the turnip  truck -Oh, sorry, the porkchop truck. INSTRUCTOR ...seven and eight -keep them up! FIONA [teasing back] You just watch it, we  Piggottsville girls are tough! [puffs a  bit] Now I just have to get up the nerve. MARGIE [sarcastic] Nerve? YOU? I can't imagine! INSTRUCTOR [off] I hear someone talking! FIONA [whispered] Enough nerve to go and talk to  Victor Malacard. MUSIC BRIDGE   SCENE 3 SOUND CAR DRIVES AWAY. WOODSY NOISES FOOTSTEPS ON GRAVEL. FIONA OK, Fee. Let's see what you've got. Scene:  Heroine walks up to big spooky house. She  is nervous. Almost trembling -wait, no  scratch that. She is resolved, plucky.  Much better. SOUND CREAK OF WOOD, BIRD CALL FIONA [slightly spooked] Or not. Come on, Fee.  You can DO this. Plucky heroine, for  goodness sake. Pluck up. SOUND FOOTSTEPS ON GRAVEL. FIONA What a scene. Artfully disheveled garden.  Overgrown and dried out fountain. Huge  mansion in exactly the proper state of  dilapidation. [tries to laugh] I should be  taking notes. SOUND FOOTSTEPS ON WOOD STAIRS FIONA [practicing] Mr. Malacard, I am such a big  fan of--No, I'm sure he hears THAT all  the- SOUND FOOTSTEPS SLOW DOWN, THEN STOP. FIONA [firm] Mr. Malacard. I have a proposition  for--Oh pooh! [ingratiating] Mr.  Malacard. How wonderful to finally meet- SOUND DOOR CREAKS OPEN. FIONA [gasp] MASON [spooky and unwelcoming] May I help you? FIONA [muttered] I bet you get a lot of these  roles. MASON Hmm? FIONA Sorry. Nothing. I would like to speak to  Mr. Malacard. MASON No. SOUND DOOR SLAMS SHUT. FIONA What? Aren't you supposed to say something  like [aping his voice] "I'm afraid Mr.  Malacard... isn't himself today." [normal  voice] and give me a chance to argue with  you? [pause] Huh? SOUND TWO FOOTSTEPS ON WOOD, THEN SHE SITS ON THE  STAIR WITH A CREAK. FIONA [calling over her shoulder] Very well,  then. I'm not leaving. I'll just sit here  until the spiderwebs grow up over me and I  become part of the set! SOUND BIRDS. FIONA [muttered] Or at least until I get up the  nerve to walk back to town. [sigh] Well,  it's kind of nice here, anyway. Peaceful.  [takes a couple of deep breaths] SOUND FOOTSTEPS ON GRAVEL APPROACH VICTOR [coming on mike] Can I help you? FIONA What? Oh! [noises, as she stands] Mr.  Mal--Wait. You can't be--I'm confused. VICTOR [chuckles] I look just like him, don't I?  I'm Victor Malacard the lesser. Call me  Vic. FIONA Fiona Cross. I'm so pleased! I'm a writer,  you see, and-15            VICTOR [cold] So sorry. Father doesn't give  interviews. FIONA Oh, no -I'm a screenwriter. I wrote a  wonderful script- VICTOR [perturbed] He doesn't act any more,  either. FIONA Does he let people finish their sentences? VICTOR [chuckling in spite of himself] All right.  Just point to me when it's my cue. FIONA [deep breath] I wrote a new version of The  House on the Peak, your father's  masterpiece, and I would very much like to  get it produced- FIONA --because I spent a lot of time on it, and  I know he would be flattered if he could  only read it, because, well, the original  was brilliant, but most people DO like sound  nowadays, and this would bring his work back  for more people to see, and if I could just  get his permission, I have a studio which is  VERY interested. VICTOR [pause] My turn? Then... all right. FIONA All right then, what? VICTOR Let me read it. I'll see if it's all you  say it is. FIONA But your father- VICTOR Is old and very ill -one reason I cannot  let anyone into the house. I have all the  authority necessary. I assume you brought your script? FIONA Oh, yes! SOUND SNAPS OPEN SHOULDERBAG, PULLS OUT SHEAF OF  PAPERS. FIONA Really, I'm a much better writer than I must  sound like, from the way I talk. I just get  really- SOUND A COUPLE OF PAGES FLIP VICTOR Come back in a couple of days. Saturday. FIONA Oh, no! I've heard that one before. It's  not so late, I'll wait while you read it.  [BEAT] Besides, I need to borrow your phone  to call a cab. VICTOR [cold] I'm afraid you're doomed to  disappointment on many levels, Miss Cross.  I refuse to read on demand, and you cannot  come in. FIONA But it's miles to the nearest- VICTOR You'd better start walking. I will see you  on Saturday. MUSIC TIME PASSES   SCENE 4 SOUND DOOR OPENS. CRACKLE OF WAXED PAPER. VICTOR [warning] I am not going to--[surprised]  What is that? FIONA Lunch. You're not going to what? VICTOR You brought - FIONA If there's one thing that Hollywood taught  me, it's come prepared for a siege. You're  lucky I didn't have time to make pastrami  and onion sandwiches, though they work a  whole lot better in an office. VICTOR Work... better? FIONA Nothing like the chance you might stink up  someone's office to motivate them to give  you five minutes. VICTOR [chuckles] FIONA Want some? VICTOR What? Oh, no -I've eaten. FIONA [snort] Hospital food, I bet -all bland and  toothless. It's always like that when  someone in the house is sick. VICTOR No, [sighs, then, resigned] no -if there's  one thing Mason makes certain of, it's that  the food is good. FIONA That your butler? Or is he some kind of  nurse? VICTOR Some kind... um, something. FIONA [bright, teasing] So, did you read it yet? VICTOR There's hardly been time- FIONA [Sweetly] Then why waste it talking to me? VICTOR [sad] It's not something I get to do very  often. Talking. To someone. FIONA Read the script, and I promise I'll come  back and talk up a storm. SOUND DISTANT THUNDER VICTOR [sigh, pause] Speaking of storms, it looks  like rain. If you need to walk back to  town, you'd best get started. FIONA I'm a farm girl. We're built tough. And  reasonably waterproof. VICTOR [chuckle ruefully] SOUND DOOR SHUTS. MUSIC TIME PASSES   SCENE 5 SOUND CRICKETS, NIGHT SOUNDS, RAIN [a beat] DOOR  OPENS VICTOR Tsk. Do you know what time it is? FIONA Judging from the position of the stars, what  little I can see of them -my watch says  about 9. VICTOR [a beat, then] I read it. FIONA [gasps, then tight] And? VICTOR It's brilliant. FIONA Really? VICTOR Here's your release. My lawyer can validate  it in the morning. FIONA Oh! I could kiss you [SHE DOES] VICTOR [shaken] I... Miss Cross...! FIONA Fiona. You know, you really do look like  your father. You're lucky. He was really  something, back in the day. It's those  eyes. VICTOR Yes, I... [with emphasis] He... SOUND CAR APPROACHES, STOPS. VICTOR What? Who the devil--? FIONA My cab. I arranged for it to pick me up at 9. Siege or not, I'm not sleeping on  anyone's doorstep but my own. Thanks again! SOUND RUNNING FOOTSTEPS ON GRAVEL. FIONA [off] ...and if you're ever in town...! VICTOR [yelling slightly] Of course...! SOUND CAR DOOR SLAMS SOUND HOUSE DOOR SQUEAKS OPEN. VICTOR [sadly to self] ...not. SOUND SLOW FOOTSTEPS ACROSS THE PORCH. MUSIC   SCENE 6 SOUND TENNIS, CROWD, IN BACKGROUND THROUGHOUT. MARGIE So, they loved it. Did you write yourself a  part? FIONA What? MARGIE Oh, come on-don't tell me you only aspire  to be the pen and not the face? FIONA I just enjoy writing. I'm in complete  control of the world. Everyone in my story  has to listen to me and do what I say. MARGIE But acting is where the fame is. FIONA Who wants fame? VOICE ON P.A. [filter] Number 33, Court 1 is open. MARGIE Are we getting close? SOUND RUSTLE OF PAPER FIONA Should be next. MARGIE So you're in it for the money? FIONA No... I guess... I'm in it to ... to see it  happen. MARGIE [pause] Are you explaining or should I order  another drink? FIONA I want to see things from my imagination up  there on the screen. I want to create  something that people will remember. MARGIE And you don't want to be famous or rich?  You're nuts. FIONA Rich would be OK, but famous just means you  never get away. That must be why Mr.  Malacard lives out in the country -to get  away from the craziness. MARGIE Craziness? In Hollywood? Perish the  thought! [pause] So, can I have your part? FIONA [laughs] There aren't really any good  female roles in the House on the Peak. MARGIE Will I sound hopelessly undereducated if I  admit I've never actually seen this fabulous  item? FIONA You never--? Where did you grow up, a cave?  I mean even in Piggottsville, it showed for  three whole nights -and then each year near  Halloween. I think the theater proprietress musta had a thing for Malacard. MARGIE Spare me the down home gossip and tell me  about this masterpiece. FIONA Well, it's sort of modeled on this story by  Edgar Allen Poe- MARGIE Didja have to get permission from him, too? FIONA Shush. He's been dead for -I dunno, a  century? Besides, it's not really the same  idea, just the tone. See, there's this guy  who goes home after his father's death, to  see his twin brother who he hasn't seen in  years- MARGIE Which one was your mysterious actor? FIONA Oh, Victor Malacard played both brothers.  It was groundbreaking at the time -using  cutaways and doubles- MARGIE Is this important? FIONA [chuckles] I guess not. But the brother  who'd been away was a man of the world, very  caught up in business, and the one who  stayed was a strange lonely man who talked  to himself- MARGIE [sarcastic] In a silent film, no less. FIONA [agreeing] Malacard was a genius. They've  got their eye on this new fellow -he was in  that film, "Laura"- MARGIE Stick to the point! FIONA Tsk. So it turns out the house is alive,  and must have a family member in residence  or it will die. But the one who stayed  would live forever, barring falling out of a  window, which is what'd happened to their  father. MARGIE Foul play? FIONA You got it -turns out one of the sons had  killed dear old dad to take his place as  head of the family, and live forever. MARGIE Was it the creepy one? VOICE ON P.A. [filter] Number 34, court 3 is open. SOUND GLASS PUT DOWN, BAGS SNATCHED UP FIONA I'll tell you whodunnit... but only if you  beat me. MUSIC   SCENE 7 SOUND CAR DOOR SLAMS. FEET ON GRAVEL. FEET SLOW DOWN. FIONA Oh. Hullo! SOUND CAB DRIVES AWAY VICTOR I heard you coming. FIONA Oh, and here I thought old Igor your butler  was a warlock or something. VICTOR Mason is a lot of things, but--[pause]  What's that? More scripts? FIONA No, silly. It's a picnic. VICTOR A what--? FIONA Pic. Nic. Food to eat outside so as not to  bother those inside whom shall not be named. VICTOR But, you- FIONA I promised I would talk up a storm, didn't  I? If Hollywood taught me one thing, it's  to keep my promises. VICTOR Well. [bemused, but pleased] Very well,  then. SOUND FOOTSTEPS ON GRAVEL. DOOR OPENS [OFF]. MASON [off] Sir? VICTOR [calling] Don't worry, I'll stay where you  can see me. MASON [off] Very good, sir. FIONA Wow, he sure keeps you on a short leash. VICTOR [deep with meaning] So true. FIONA Well, this looks good -and see, there's a  window right there where your keeper can  peep out and make sure nothing improper  happens. SOUND BLANKET SPREAD, THINGS BEING TAKEN OUT OF  PICNIC BASKET VICTOR [deep sigh] FIONA [sincere] I do understand. My gramma raised  me -she was from the old country, very wild  Irish, and hospitals would never, never do.  So when she took ill at the end, I had to  look after her. And the farm. Just the two  of us, right up til she passed. VICTOR So being tired of the sticks, you came right  out to Hollywood, no training wheels or  anything? FIONA Oh, I figure I'll go back someday -not to  the farm, but to the country. Being down  here -well, down there -is tough -there  are so many people everywhere. VICTOR Better than being lonely- FIONA You can be lonely in a crowd just as easy as  on a farm, and it's much noisier. The  crowd, I mean. VICTOR More material for your writing. FIONA I don't agree. I figure growing up pretty  much alone is why I have such a good  imagination. Keeping myself occupied,  making up folks to talk to. VICTOR [moving in romantically] And you enjoyed my  --my father's film so much that you decided  to put words to it? FIONA [slightly breathless] I... I didn't so much  write them as sort of translate what he  already said. VICTOR [deep and husky] And very well too. FIONA [gasp, deeply important] Before this goes  any further, I have to say something. VICTOR [snapping out of it] I--we--of course, we  shouldn't- FIONA Since the studio is picking up the cost of  lunch, we have to talk business. I hope you  don't mind. VICTOR [vastly relieved, deep breath] Of course.  Mm, that smells good. No pastrami and  onions? FIONA [laughing] No. [serious] See, the studio  wants to know if we can add a girl -a  romance -to the story. Seems everything  just has to have a love interest these days. VICTOR [sharp] A what? FIONA And a happy ending. They don't want- VICTOR No! Under no circumstances! They're not  going to ruin my--[through gritted teeth]  my... father's vision -with sentimental  claptrap. FIONA [teasing] Really? Sentimental claptrap is  all the rage nowadays. [change of tone,  satisfied] Good. That's what I thought,  but they won't listen to me. Business over. VICTOR But you- FIONA Oh, don't get me wrong, I like romance as  much as the next girl, but it would weaken  the drama. Try a taste of this. VICTOR Um, yes. [takes a bite] That's -mmm,  that's delicious. The drama, you say? Have  you been writing for very long? FIONA This is my first script. That I've  completed, anyway. I've got lots of ideas,  but this one just sort of made me finish it.  It's a bit of an obsession, I guess. VICTOR You should write more. It was very good.  [pause, then throaty] Maybe... romance...  next time. FIONA [oblivious] Maybe. I guess it's easier to  write what you know, though. VICTOR [still making his move] Really? No romance  on the horizon, no beau back home on the  farm? FIONA [reacting, almost breathless] No -no one.  I've ... never... not really, anyway... Oh.  [long indrawn breath, then a teasing  whisper] Your butler's watching us. VICTOR [breaks away] Blast! I can't even--!  [muttered growl] Look at him. [heavy sigh,  then businesslike] This has been very  pleasant, Miss Cross, but I must go- SOUND GETS UP, FOOTSTEPS ON GRAVEL, MOVING QUICKLY FIONA Hmph? SOUND BITING A CARROT MUSIC   SCENE 8 SOUND BUSY LUNCH COUNTER MARGIE So do you make a habit of scaring off men? FIONA Well -there was this boy back at Jefferson  junior high ... No, I'm teasing. I've  never had much of a chance to try -guess  I'm just a natural. MARGIE And he was circling in for the kill, ready  to land a knockout, when- FIONA The ref appeared and he threw in the towel.  You don't usually think of grown men as  needing a chaperone. MARGIE Maybe he's old fashioned and is trying to  look out for your reputation or something. FIONA Old fashioned I would buy. He's got this  courtly way about him...just like his  father, at least the way he was on the  screen. This sort of graceful way of moving  that expresses so much. MARGIE And what was he expressing just before the  bell rang to call the match? FIONA Well... [blushing] He wasn't afraid -I can  say that for sure. MUSIC   SCENE 9 SOUND CAR DRIVES AWAY, FEET ON GRAVEL VICTOR You found your way back? FIONA The picnic was to thank you. Now I'm  buttering you up in case I want to remake  another one of your father's films. VICTOR So what's in the bag this time? Dare I  guess? FIONA No, silly. It's a surprise. I figure, not  leaving the house much, you don't get to  have a lot of fun. VICTOR My... father- FIONA Exactly. So, I figured I'd bring the some  to you. VICTOR Fun? FIONA I remembered you had a swimming pool. VICTOR Pool? But--But there's no water- FIONA And swimsuits don't clank. SOUND CLANK OF SOMETHING METAL IN BAG VICTOR Then, what--? FIONA We-e-ell, can we go look at the pool? VICTOR Uh--yes? SOUND FEET ON GRASS FIONA I hope you don't mind my coming up here like  this. I'm just so exuberant. Or is that  the right word? VICTOR Well, you sound exuberant to me. FIONA Aha, the pool. Oh, good, it's nice and  clean. VICTOR Mason sees to the grounds as well as the  house. FIONA So, here. SOUND CLANK AS BAG IS SET DOWN, UNTYING OF KNOT VICTOR I--I'm intrigued. What do you have there? FIONA Keep in mind, I'm kind of unsophisticated,  here. Another girl might have brought  champagne or something. I hope this isn't  too disappointing. SOUND METAL CLANK VICTOR I can't even tell what those are -I see  metals and wheels, and- FIONA Silly, it's roller skates! MUSIC   SCENE 10 MARGIE Roller skates? You had a chance to romance  a bigwig, and you took him roller skates? FIONA The pool was perfect -I couldn't resist. MARGIE And the two of you rolled around the bottom  of the pool like children? FIONA More or less. Well, mostly me. He was a  bit too dignified to give it a fair shake. MARGIE But you didn't roll around like grownups? FIONA What? MARGIE Nothing. MUSIC   SCENE 11 SOUND CAR DRIVES AWAY, FEET ON GRAVEL FIONA Hello? [beat, then chuckles] Maybe he  didn't see me coming, for once? SOUND FOOTSTEPS IN LEAVES FIONA Hello? How tragic. A perfectly good cab  ride wasted. [worried] Maybe his father's  not doing well. SOUND DOOR OPENS MASON Miss? FIONA Oh, gosh -sorry! I guess I kind of  expected Vic to be around somewhere. He  usually is. MASON He's busy. Inside. [ominous] Would you  like to come in? FIONA Oh, Vic said it's- MASON It's no problem. Really. FIONA Sure. Thanks a lot. SOUND FOOTSTEPS ON GRAVEL FIONA I can always, go, you know. I don't want to  be a bother. MASON No bother. You're quite welcome here. SOUND FOOTSTEPS SLOW A BIT ON THE WOODEN STAIRS FIONA It'll be interesting to see inside. VICTOR [distant] Fiona? Is that you? SOUND RUNNING FEET APPROACH VICTOR [angry, worried] What's going on? Mason?  [beat] Fiona? FIONA Just looking for you. Mason said you might  be inside. VICTOR [angry hiss] Inside? Get out of here,  Fiona. Just go. We'll be talking about  this, Mason. SOUND FOOTSTEPS DOWN STAIRS INTO GRAVEL FIONA [puzzled] Victor? VICTOR [whispered] I don't want you going in and...  catching anything. Understand? FIONA All right. Um, sorry? VICTOR [cold] Goodbye. [up] Mason! MUSIC   SCENE 12 GEORGE [very serious] Thank you for coming in, Miss  Cross. We have a bit of a problem. FIONA You couldn't get that actor, Price? GEORGE More serious than that. [heavy pause]  Mr. Malacard. FIONA What happened? Is Vic's dad OK? GEORGE Sorry, I meant the son. He rang up  yesterday and said, well... said you've been  pestering him. FIONA [shocked] ...pestering? GEORGE Yes. He said he'll pull the permission for  the film if you bother him again. FIONA [nearly in tears] B-but... I--He never  said- GEORGE [fatherly] Just lay off, at least until the  film is finished. Once it's in  distribution, you can pester him all you  want. FIONA Oh! [sobbing] SOUND CHAIR SCRAPE, RUNNING FOOTSTEPS, DOOR BANGS  OPEN. MUSIC   SCENE 13 SOUND COCKTAIL LOUNGE, MANY ROWDY PEOPLE IN  BACKGROUND FIONA [very down] Pestering. That's what he  said. Apparently. Vic couldn't even tell  me to my face, [breaking down into tears] he  had to send it through- MARGIE There, there. [calls] Waiter! Bring  another one. [half whispered] A double. FIONA No. I really shouldn't. [moping again] I  guess I deserve it -he didn't say I could  come back, but... The picnic was NICE.  Everything was nice. He was nice. Real  nice. I thought. MARGIE They all seem nice -say, you didn't let him  ... have his wicked way with you, didja? FIONA What? No! [melting] I mean, he almost  kissed me at the picnic, but the butler was  watching. MARGIE That's it, then. The butler did it.  Probably threatened to quit or something.  Good help is a lot harder to find in this  town than pretty girls. [lecturing] Most  servants are just actors waiting to be  discovered -they're just not very good, or  they'd be able to act like servants. FIONA [almost a laugh] Hmph. MARGIE That's better. What you need is a night at  a dance hall -meet some nice guys, wear  yourself out, then you can sleep. I  promise, all you'll be worrying about in the  morning is your bunions. MUSIC   SCENE 14 SOUND PERSISTENT CITY NIGHT NOISES. SOUND PHONE RINGS, OFF [PAUSE] THEN POUNDING ON A  DOOR FIONA [waking] Yes? Mm-what? LANDLADY [very annoyed] Phone for you. MUSIC   SCENE 15 SOUND CAB PULLS UP, DOOR SLAMS, RUNNING FEET ON  GRAVEL FIONA [panting] SOUND FEET RUN UP WOOD STAIRS, POUNDING ON DOOR FIONA Hello? Hello? SOUND DOOR SWINGS OPEN MASON [very calm] Oh, good. Come in. FIONA Mason? What happened? You said it was an  emergency? SOUND FOOTSTEPS, DOOR CLOSES, FOOTSTEPS CONTINUE  UNDER MASON This way, miss. FIONA [getting more panicky] But, is Vic hurt?  Did his father...? What could he --what  could he want me here for? MASON Through here. SOUND DOOR OPENS MASON The master will be right in, Miss. SOUND DOOR SLAMS SHUT. FIONA [gasp, then yelling] You could at least  turn on a light! [to herself] Which  master? Maybe I'll finally- SOUND DOOR OPENS MASON [off] Just through here, sir. SOUND RELUCTANT FOOTSTEPS MASON [off, condescending] I think this will help  with your --mood, sir. VICTOR [coming on] I can't think of anything worth  getting me up in the middle of the--Fiona?  [truly upset] MASON [off, condescending] Now everything will be  better. FIONA Oh, Vic, I shouldn't have come. I'm so  sorry! Please don't- VICTOR Oh, no! No! FIONA But Mason called me. He said- VICTOR Mason! That filthy--!! SOUND DOOR SLAM CUTS HIM OFF FIONA What is it? VICTOR We must get you out of here! SOUND RUNNING FEET, POUNDING ON WINDOWS, TRYING TO  GET THEM TO OPEN FIONA I don't understand, Vic? VICTOR Blast it Fiona, help me. FIONA No. I want to know what's going on. VICTOR Is this one of those things Hollywood taught  you? Take a bad situation and make it  worse? FIONA No. Oh, here [grunt as she helps try and  push] I wasn't going to ... to not help.  I'm just confused. VICTOR [grunt, then angry noise] No use, they're  sealed. FIONA They are glass. There must be a chair or  something- VICTOR It's never that easy -trust me. This way.  Come on. SOUND RUNNING FEET, SLAM AGAINST CLOSED DOOR BOTH are getting BREATHLESS FIONA Locked! VICTOR Maybe down here! SOUND MORE RUNNING FOOTSTEPS FIONA Don't you know your own house? VICTOR [harsh laugh] Don't slow down. SOUND RUNNING, SCRAMBLE, RATTLE OF LOCKED DOOR FIONA Victor, wait! VICTOR No! I will NOT let him get you! SOUND POUNDING ON DOOR, BUT SLOWER VICTOR [sobs] I won't let IT! FIONA Victor. Breathe, Victor! VICTOR I'm so sorry, Fiona. I don't understand why  it brought you here. FIONA It? Oh! [dawning] Um, I guess everyone  agreed the story needed a bit of romance. VICTOR What? FIONA Your house. It's just like the film -or  close to it -isn't it? VICTOR How could you think--How could you know? FIONA I told you I have a good imagination. VICTOR But you- FIONA And you're the one and only Victor Malacard. VICTOR You're mad! I would have to be- FIONA Almost 60. I looked it up. And you don't  look a day over 35. Coincidentally, the age  you were when you went into seclusion. You  look like him, move like him -even the way  your lips move when you talk -not even  father and son can be THAT much alike. VICTOR It's... the house. FIONA And Mason? VICTOR Mason's not a... person. Just part of it.  The house. He... speaks for it. FIONA And watches over you. VICTOR Keeps me prisoner, you mean. [sadly] And  now, you too. Fiona, I am so dreadfully- FIONA Shh. [calling] Mason? I want to talk to  you -whatever you are. MASON [deep, on filter] Yes miss? VICTOR [yelling] You let her go, you wretch! FIONA Shh. Victor. It'll be fine. VICTOR No...! FIONA Yes. [SOUND -brief kiss] If there's one  thing I learned in Hollywood, it's there's  always room for negotiation. [calling,  sweetly] Mason? MUSIC, fades into-   SCENE 15 MUSIC 1960S BUBBLEGUM POP ON A TINNY RADIO,  DISTANT, WITH BIRDS AND OUTDOOR NOISES.   SOUND MOTORCYCLE APPROACHES, STOPS FIONA [coming on] Ah! Over here, Bobby! Oh! I  was expecting- ANDY Sorry! I'm Andy -Bobby retired. FIONA [chuckles] It's so hard to keep track.  Well, then, Andy. Do you have my packages? SOUND LOADING UP WITH PACKAGES AS HE SPEAKS ANDY Yup, packages from Woolworth's and Mays, a  big bundle of magazines, and here's one from  the studio -a film canister -gee do you  have your own theater? That's way out  there, man, I mean ma'am. FIONA [chuckles] Just leave everything on the  porch. The butler will see that it all gets  inside in one piece. And here's my latest  screenplay -hardly a fair trade, but an  easier trip, eh? Get it to George -no,  wait... I mean Harold, don't I? Harold  Mills is in production these days, right? SOUND SCRIPT CHANGES HANDS ANDY Umm... [working up to say something] So  you're Fiona Cross Malacard? The one who  wrote Trapped by Love? That was a groovy  flick, even if it is kind of ancient. FIONA Well, thank you, Andy. [chuckles] I guess. ANDY But you don't look--I mean, you're really  much--oh, criminee. I mean to say- FIONA You're trying not to say I must be older  than I look? ANDY Uh-huh. FIONA I'll take the compliment. I put it down to  clean country air, good healthy food... VICTOR [way off] Fiona? Was that the deliveries? FIONA ...and a wonderful husband. ANDY Having servants don't hurt neither, eh? FIONA [ironic] No -no, it don't. MUSIC TO END  

Fiona is one of the most positive and resilient people I've ever met. From growing up in a country town where her disability was ignored rather than accepted. To the loss of a parent and how she has grown to love who she is, exactly as she is.  Connect with Fiona:  Fiona's website: https://fionademark.com.au/ Fiona's Instagram: https://www.instagram.com/blind_inspirational_speaker/ Connect with Peta: Instagram: @petahooke Website: www.icantstandpodcast.com Email: icantstandpodcast@gmail.com Episode Transcript: https://www.icantstandpodcast.com/post/See omnystudio.com/listener for privacy information.

Today on The Natural Birth Podcast we have Fiona Fiona is a mum of 3 boys. Her five year old and her 2.5 year old were both born in the UK, and her (at the time of the recording) 14 week old Hamish, was born at home in Australia. Fiona is a birth and postnatal doula, a hypnobirthing childbirth educator and runs the positive birth program and local pregnancy and postnatal support groups in her hometown of Ballina in NSW Australia. She is committed to supporting families through pregnancy, birth and early parenthood and helping them to do this in an informed, empowered and supported way. She recently had a gorgeous, empowering and fully supported birth at home with her family around her, bearing witness to their newest member of the family joining them earthside. She was attended by her midwife Libby who's previously been on the podcast sharing her brith stories, and a Doula. In this episode we will hear about all of her three births today the focus on the last home birth with Hamish. Curious about Fiona? Find her on insta as @bumps_birth_and_beyond Learn More about THE NATURAL BIRTH COURSE HERE www.thenaturalbirthcourse.com

Have you struggled to find the resources you need to teach your older SPED students the skills they need to transition into adulthood? Do you want to take your job preparedness lessons beyond just filling out applications and job interviews? You know they need more, you know each of them may need something different, and now you’re trying to teach them necessary vocational and life skills... virtually.    Help is on the way in the form of practical advice as well as access to valuable resources - some free.   Fiona from SPED Adulting will be with us today sharing strategies and tips to use with SPED students as they prepare to transition into adulthood.   In this episode you will learn: The job preparedness lessons students really need to learn  Why it’s crucial to work with students on soft skills and job etiquette  How to cover the practical aspects of having a job with your students  Practical, actionable ways to increase student participation in virtual learning Links and Resources FREE Resources   Connect with Fiona Fiona’s Blog Find Fiona on IG Fiona’s TPT Store - Adulting Made Easy Connect with Dawn Distance Learning Freebie My Digital Products My Distance Learning Products Find me on IG   Subscribe Are you subscribed to my podcast? Trust me, you definitely want to do that so you don’t miss a thing! Click here to subscribe in iTunes! Leave a Review If you are loving the podcast, I would be really grateful if you left me a review over on iTunes, too. Those reviews help other teachers find my podcast and I love hearing what you think about the podcast as well. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what part of the podcast you found to be the most helpful!

Today, we continue the conversation with the Managing Partner of a private Occupational Therapy practice in Brisbane focusing on supporting children and families. Completing her PhD in 2011, Fiona Driver has since presented at international events and multiple academic environments in support of children experiencing “the joy of childhood”.Having two young children herself, she has served as an accepting and uplifting sounding board for me, as our children are only one day apart in age and we used to be neighbors. During the critical years of childhood development, we as parents carry our own baggage and expectations for our children’s growth markers. Having just experienced a unique time in our history during Covid-19 Isolation, where kids came home for weeks and months, rather than the usual time spent w teachers and other students; parents have been exposed more than ever to how their kids act/react/behave. But have we been able to see who they really are? Are we able to look beyond the shield of expectations we have for them? Have we merely been exposed to who we really are as parents!?!I brought Dr. Fiona on the call today to speak some knowledge, experience and some soothing into us parents, so we can begin enjoying childhood as much as they are!The Goods on Fiona:Fiona is the Managing Partner of a private Occupational Therapy practice, focusing on supporting children and families. She is a registered and experienced Occupational Therapist, and completed her PhD in 2011. Fiona has presented at state, national and international events, and been involved with teaching and learning in university, school and professional environments. She is a member of the OTA Queensland Divisional Council, UQ and ACU OT Program Advisory Boards, and the IMCH Board (early childhood education). Fiona has a passion for supporting all children to thrive, and experiencing the joy of childhood.Contact Fiona: Website: www.occtherapy.com.au LinkedIn: @fiona-jonesGo to http://www.bit.ly/InTheGamePodcast to become part of this growing community of DREAMERS!

Corona Virus is having a huge impact on the lives of us all. It is a scary time when we are fearful for our families health and well-being and our businesses. Family businesses across the world will be trying to balance all of the conflicting priorities that exist and will need support to do so. In this episode I offer guidance as to where to get advice, where to get support and some tips on remote working and remaining positive during this exceptionally difficult time. The resources we mentioned in the episode are as follows: https://www.ifb.org.uk/advice/for-owners/covid-19-guidance-for-businesses/ (https://www.ifb.org.uk/advice/for-owners/covid-19-guidance-for-businesses/) https://www.gov.uk/government/topical-events/coronavirus-covid-19-uk-government-response (https://www.gov.uk/government/topical-events/coronavirus-covid-19-uk-government-response) https://www.familybizunited.com/coronavirus (https://www.familybizunited.com/coronavirus) You can email Fiona: Fiona.Graham@ifb.org.uk As always you can contact me at russ@tfamilybusinesspartnership.com Support this podcast

Welcome to Episode #57 –Improving your reputation- Fiona Birch   Who is Fiona? Fiona spent 9 years as a trainer / exercise physiologist. Mostly in men’s sports (rugby union, rugby league and aussie rules). In fact, she was one of the only female athletic trainers in Australia in men’s sports at the time. She was the Sports Medical Director at Griffith University for the 1994 World University Games and Assistant Medical Director for the 1994 ITU World Cup Triatlon. She was a competitive athlete from age 6 to 18, then a professional lifeguard, and has spent the last 9 years competing in triathlons. So nothing shocks her. She’s seen and heard it all. She understands it from the athlete’s perspective, the team’s perspective and the association’s perspective. And just as important – the fan’s perspective.     This show you’ll learn: How to build your brand withstanding a crisis Crisis management Reputation How to use data, analysis and content strategy     If you would like to find out more about Pro Athlete: https://proathleteonline.com/ fbirch@proathleteonline.com   Follow Pro Athlete: https://www.facebook.com/proathleteonline/ https://www.instagram.com/proathleteonline/ https://twitter.com/fi_birch https://www.youtube.com/channel/UCqZG4Y_a9MVo2NAK6ZvRNog     Join our Motorsport Sponsorship Group: http://bit.ly/Motiv8Sp   Learn more about MotiV8 Training: Motiv8training.com.au   Reviews: Have some feedback on the show? I would love to hear it! Please leave a review on itunes or stitcher and I will read them out on next week’s show, good or bad! Every review will go in the draw to win a prize.   Thank you again for taking the time to listen to the podcast!

前几天韩国女星雪莉的死亡引起了全球的轰动，让大众的视野再一次聚焦到韩国娱乐圈。说到明星就不得不提到明星们的粉丝群体，也就是饭圈。雪梨去世的真相也许很长一段时间都无从得知，但对于波云诡谲的娱乐圈而言，饭圈就是距离明星最近的群体。今天我们请来了资深饭圈女孩Fiona：一起来聊聊饭圈那些事儿嘉宾Fiona，资深饭圈女孩，2010 年入圈，曾是韩国女歌手 雪莉 所在团体 F(x) 的粉丝，目前在韩国男团 Astro 中国后援团担任韩语翻译。1，一些饭圈的关键词：2，你我本无缘、全靠我花钱？饭圈女孩的基本素养都有哪些？3，饭圈女孩的日常：和普通人生活在两个世界4，如何看待娱乐圈花边？5，饭圈女孩会永远都是饭圈女孩吗？IC实验室出品！感谢收听，欢迎订阅。

Coming soon to wherever you get your podcasts, Hollow + Substantial. In this trailer, Fiona + Fiona explain how their name came about and what they’re going to be discussing in the coming weeks.

"We can't talk about Ireland and not talk about the weather!" - Fiona Fiona is born and raised in Dublin, Ireland and she is here to share her recommendations when visiting the Emerald Island! I also share a person story where I play 'detective' and find my distant relatives the old fashion way (aka no internet!) Enjoy! For more information check out traveltalk.ioSound Editing: Evan Kolesar

As big as "hair metal" was in the late-80s, there were very few women singers that were as big as the boys and could hold their own next to them. That is, except for Fiona, who released a string of hard rock albums from the mid-80s to the early 90s scoring a couple moderate hits in the process. She is probably best known for her electric duet with fellow genetic lottery winner Kip Winger, "Everything You Do (Your Sexing Me)" which barely missed the top 40 in 1989. However, what makes Fiona Flanagan truly demand your respect is what all she accomplished when the music career petered out. She had the foresight to enroll in UCLA and become an accountant, which she did for many years before settling down as a mom to raise her kids in New Jersey.  In this absolutely enlightening conversation we discuss the state and treatment of women in rock during that time and whether she ever felt exploited by it (her answers may surprise you), what caused her to go into accounting, and her experience working with Bob Dylan on the set of Hearts of Fire. She's one of the most articulate and intelligent guests we've ever had. Prepare to be amazed.  http://www.fionarock.com/