Podcasts about Woolworth

Country artist and entertainer Chuck Wicks stops by the Try That In A Small Town podcast for a wild, honest, and surprisingly emotional ride.Chuck opens up about his journey from small-town farm kid and college baseball player to Nashville recording artist, radio host, entrepreneur, and autism dad. He shares the real story behind Stealing Cinderella, what it was like to be turned down by RCA the first time, and how he fought his way back to a record deal.Chuck also talks candidly about raising his nonverbal autistic son Tucker, early intervention, therapies, and the emotional roller coaster of getting an autism diagnosis at Vanderbilt. He explains how that journey has changed his priorities and why he and his wife Cassie (Jason Aldean's sister) feel called to help other parents find resources.From there, the guys dive into:- Chuck's relationship with Jason Aldean and what Jason is really like offstage - How Melorosa Wine was born from Cassie's Cuban family story - Building Shiners, a wild Cirque-style, adults-only residency show in downtown Nashville - The stress of chasing country radio, the power of authenticity, and artists taking shots at radio - The infamous “DipShidiot” segment: road rage, gas station etiquette, youth sports parents, and more Chuck also teases his upcoming movie on Great American Family Network and Amazon Prime, where he sings multiple songs and steps deeper into acting.If you love real Nashville stories, songwriting, small-town values, and unfiltered conversations about parenting, business, and faith, this episode delivers.Subscribe and share if you enjoy the show, and check out the member-only bonus segment for extra songs and stories.3:06 Early mornings, syndicated radio, and sleep routines 5:05 Family trip out West: Jackson Hole, Yellowstone, elk and bison 7:48 Buffalo vs bison and bear talk 10:00 Hunting, backlash on social media, and eating what you kill 13:44 Health, wild game, and clean eating 14:17 Chuck on being 47, staying in shape, and raising his autistic son 15:12 Tucker's autism journey: early signs, testing at Vanderbilt, and therapies 18:49 Nonverbal progress, speech breakthroughs, and hope 19:37 Faith, calling, and why parenting Tucker matters more than career 20:00 Connecting with other autism parents (Joe Don Rooney story) 22:19 Treatments, Lucavorin, red light therapy, and access to resources 24:50 “We wouldn't trade him for anything” – embracing Tucker's journey 26:17 Belt obsessions, airplane routines, and sensory quirks 26:28 Chuck's early life: small-town farm kid and college baseball player 28:46 Discovering his voice in college, almost joining a pop group 31:45 First trip to Nashville, meeting RCA's Jim Catino and singing a cappella 33:56 Development deal, not getting picked up, and starting over 36:18 Four years of grinding, learning to write, and finding his sound 42:40 Second chance: Clint Higham, Chesney camp, and full RCA deal 45:47 Writing Stealing Cinderella from a personal love story 50:00 Singing Stealing Cinderella at Coach Fulmer's daughter's wedding 51:37 Realizing the power of a song to move strangers 52:57 The stress of chasing radio hits and perspective with time 53:18 Other cuts and hits, including Jason Aldean's Don't You Wanna Stay (context: Aldean cut with Thrash) 56:03 How Chuck met Cassie, realized she was Jason Aldean's sister, and dating into the Aldean family 1:00:13 The day after: Jason Aldean's “blessing” phone call 1:02:30 Why Cassie's three kids changed how Chuck approached relationships 1:03:58 Blended family life: ages of the kids and how fast time moves 1:05:25 What Jason Aldean is really like offstage: loyalty, mystery, and staying the same guy 1:06:29 Jason's laugh, tight inner circle, and “it could all go away” mindset 1:08:01 Melorosa Wine: starting a wine company with Jason Aldean 1:09:00 Where to find Mellorosa (online, Kroger, ABC, Princess Cruises, Dubai) 1:09:33 The Cuban family story behind the name and “toast to freedom” 1:10:59 Shiners: Cirque-level, adults-only, comedy show in the historic Woolworth building 1:13:35 Writing Shiners during Covid and building a Nashville residency 1:16:10 The history and civil rights importance of the Woolworth building 1:20:20 What to expect at Shiners: moonshiners, aerial acts, crowd work, and “if you're easily offended…” 1:22:02 DipShidiot segment: explaining the bit 1:22:33 Gas station chaos: Bucky's pump hogs and parking-lot etiquette 1:25:29 Red velvet “Whitey” vs “Witty's” custard mix-up 1:27:31 Red Clay Strays controversy: “radio is dead” comment and why radio still matters 1:30:39 Burning bridges you haven't crossed yet and respecting country radio 1:35:05 Youth sports parents losing their minds vs just being a dad 1:38:01 CMT Awards “edit the chorus” story and learning to be grateful 1:41:03 Road rage story: 75 in a 70 and killing them with kindness 1:43:45 Locker room etiquette: naked close talkers and lifetime fitness stories 1:45:44 Manscaping, gym talk, and ridiculous visual bits 1:46:00 Chuck's upcoming movie: Great American Family Network & Amazon Prime 1:47:04 Coloring hair, beard guard settings, and aging on camera 1:50:02 Closing: Melorosa Wine, Shiners, Chuck's music, coffee collab, and podcast wrap ______________________________________________________________________________________________SPONSORS: The Try That in a Small Town Podcast is powered by e|spaces!Redefining Coworking - Exceptional Office Space for Every BusinessBook a tour today at espaces.comFrom the Patriot Mobile studios:Don't get fooled by other cellular providers pretending to share your values or have the same coverage. They don't and they can't!Go to PATRIOTMOBILE.COM/SMALLTOWN or call 972-PATRIOTRight now, get a FREE MONTH when you use the offer code SMALLTOWN.Original Brands - Our original sponsor since the beginning!!Original brands is starting a new era and American domestic premium beer, American made, American owned, Original glory.Join the movement at www.drinkoriginalbrands.comPeacemaker Coffee CompanyFounded by retired police officer/chief Chris Morris, Peacemaker delivers clean, low-acidity coffee while supporting police, firefighters, EMS, military, veterans, teachers, dispatchers, and medical personnel through donations and programs.https://www.peacemakercoffeecompany.com/________________________________________________________________________________________________Follow/Rate/Share at www.trythatinasmalltown.com -For advertising inquiries, email info@trythatinasmalltown.comProduced by Jim McCarthy and www.ItsYourShow.coSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Martha Banta has returned to the Adirondack Theatre Festival. Martha was ATF's founding Artistic Director for its first 13 seasons, where she directed numerous premieres that went on to be produced in New York City and across the country.She directed the first of many ATF productions in an empty Woolworth's storefront on Glen Street and later helped spearhead its transformation into the Wood Theater. Most recently, Martha directed Mamma Mia! for its return to Broadway and the national tour.

John Canzano talks with Drew Woolworth, Oregon's three-time 6A state golf champion. He's the only person in 86 years of golf history in the state to win the title three times. Woolworth is headed to the University of Georgia on a scholarship. Subscribe to this podcast. Read JohnCanzano.com Suppoer GreshamFord.com

The Moneywise Radio Show and Podcast Wednesday, May 13th  BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Radio Show & Podcast" call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management LinkedIn: Moneywise_Wealth_Management Guest: Augie Petaja, General Manager of The Basement at Woolworth's instagram website The opinions voiced in this podcast are for general information only and are not intended to provide specific advice or recommendations for any individual. To determine which strategies or investments may be suitable for you, consult the appropriate qualified professional prior to making a decision. Augie Petaja & The Basement are not affiliated with nor endorsed by LPL Financial or Moneywise Wealth Management].

Die Top-Meldungen am 13. Mai 2026: Lidl nimmt neuen Anlauf in den USA, Lambertz-Inhaber holt Ehefrau in die operative Führung, Woolworth dünnt Chefetage aus

Trong lúc áp lực sinh hoạt phí tiếp tục đè nặng lên các gia đình tại Úc, hệ thống siêu thị Woolworths thông báo sẽ giữ nguyên giá hơn 300 mặt hàng thiết yếu trong vòng ba tháng tới. Động thái này được xem là nỗ lực nhằm giúp người tiêu dùng bớt áp lực trước giá nhiên liệu và thực phẩm ngày càng tăng cao. Tuy nhiên, thông báo cũng được đưa ra trong bối cảnh Woolworths hiện đang đối diện vụ kiện của cơ quan giám sát cạnh tranh Úc liên quan tới các cáo buộc quảng cáo giảm giá gây hiểu lầm.

IS tej poj niam me nyuam rov qab los rau teb chaws Australia, cov kev cov nyom ntawm Liberal tus nom James Paterson thiab One Nation ib tug neeg ua hauj lwm yeem thaj, Howard Lutnick tej lus teb rau House Committee txog nws cov kev cuam tshuam txog Jeffrey Esptein cov kev ua txhaum sex offending, tsoom fwv Albanese xav thov kho cov childcare li xav thov tsim lub koom haum Early Education and Care Commission, koom txoos taws tswm cia nco txog neeg txum tim tus me nyuam ntxhais Kumanjayi Little Baby cov kev nruam sim, tej metalic dust uas ua rau Australia ib tug me nyuam tsis xeev 5 hnub, NSW tseem yuav tshuaj ntsuam seb puas yog hauv xeev Chris Minns yuam tej cai political donation, ib tug txiv neej raug txhom ntawm NSW vim hais lus phem ntxub lwm tus, peb tug neeg kis kab mob Hantavirus raug coj mus kho ntawm Netherlands, supermarket Woolworth yuav rov qab recycle cov soft plastic, Cob Tsib thiab India cov kev koom tes lagluam thiab tswj kev ruaj ntseg, Nplog thiab Thaib cov lagluam hluav taws xob thiab roj tsheb, Thaib yuav tsis txawv cov kev xa roj tsheb muag txawv teb chaws, hau xeev Victoria yuav tso cov kev sib tw FIFA World Cup 2026 ntawm Federation Square rau neeg Victoria siab, Rwanda cov neeg puas cev cov kev sib tw ncaws pob.

Tiffany & Co was one of the first companies to introduce fixed pricing. Then became the luxury brand of New York. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not so secret techniques that took famous businesses from mom-and-pop to major brands. Stephen Semple is a marketing consultant, story collector and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients, so here’s one of those. [Maven Roofing Ad] Dave Young: Welcome back to the Empire Builders Podcast. Stephen Semple is right there. I’m Dave Young and we’re talking about empires. We’re talking about the businesses that started small and grew into empires. And today we’re talking about, man, these guys have been, I mean, a long time ago. I don’t know. I’m anxious to know the history because I don’t know the history. Stephen Semple: 1837. Dave Young: 1837. And I’m trying to think if I’ve ever been in one of their stores. Maybe. I’ve walked by a couple of them. Stephen Semple: Yes. Dave Young: We’re talking about Tiffany & Co. So that one, Breakfast at Tiffany’s, the little blue box, all of that. Stephen Semple: All of that. Well, and here’s the thing I’m going to say. Anytime I’m in a mall or somewhere that has a Tiffany’s, I always go and take a look at the display windows. And I cannot tell you how many photographs I have of Tiffany’s display windows. Tiffany’s display windows. Dave Young: I have walked by Tiffany’s. Yeah, yeah. Stephen Semple: Tiffany display windows are the best in the business. No one does it better. I will go out of my way to go see one. I probably have got 50 pictures in my phone of Tiffany displays. They’re spectacular. And they update them. Their website, here’s one of the other things that’s crazy. I don’t know how often they update their website, but I continually go back and take a look at their website and it’s almost always completely redone with brand new photography, brand new feature items, brand new stories. But here’s the interesting thing. So they were founded in 1837. Today there are about 300 stores worldwide, 14,000 employees. They do five billion in revenue. A chunk of the company was bought by LVMH back in 2021 at a valuation of $16 billion. Everyone recognizes the Tiffany Blue Box. It’s a part of pop culture. And it’s frankly, probably one of the largest, most recognizable luxury brands on the planet. Did not start out in jewelry. Dave Young: Oh, gosh. Oh, gosh. Now I have to guess. Stephen Semple: What do you think it started out as? Dave Young: Probably not… It was 1837, so it wasn’t cars. Stephen Semple: 1837. Dave Young: No? Stephen Semple: No. Nope. They started off selling stationary, paper, ribbons, and small little items. Dave Young: Really? I was about to guess watches, but that… No. Stephen Semple: Yeah. Dave Young: They’d still be making watches if that was the case. Stationary. Stephen Semple: Yeah. It was located on Broadway in New York, and it was originally Tiffany, Young and Ellis. And the first day they sold $4.98 worth of stuff. Dave Young: Wow, that’s a start. Stephen Semple: Yeah. Dave Young: Got to start somewhere. Stephen Semple: But here’s some of the first bold things that they did. So we got to remember, it’s 1800s and shopping was a negotiation game. Everything was bartered. Okay? What they did, and retailers would argue with you at that time, it was part of the fun, part of the adventure. You can imagine this conversation, right? People like negotiating. They want to feel like they’re getting a deal. Even today, how often do we hear this? They want to feel like they’re getting a deal. And here’s what Tiffany’s did. They said, “Screw that. We’re introducing fixed pricing. No haggling, no exceptions.” And at that time, that was considered crazy. Now, it’s interesting. Here in Canada, along a similar timeline, company which is no longer around today, but grew to being one of the biggest businesses in Canada was a retailer called Eaton’s, and it was founded by Timothy Eaton. Same thing, fixed pricing. Fixed pricing. Dave Young: You know what you’re going to spend. And if you don’t want to spend that, walk away. Stephen Semple: They started out right away with, “We’re going to do something different.” Now, they very quickly, after a few years, they very quickly pivoted from stationary to jewelry. Here’s what Charles Tiffany noticed, and it’s a big deal. And before I share this, I want to share part of our marketing approach, because this is where I think there’s a real parallel. We believe as Wizard of Ads Partners that you want to be the company that has thought of first and liked the most. Now, our partner, Gary Bernier, has put a really nice little twist on this that I think really helps people. He likes to ask it this is like the most for, fill in the blank. Dave Young: Sure. Stephen Semple: And if you can’t fill in that blank and it can’t be 20 things and like the most because of fill in the blank. Okay? Dave Young: And I think I would even tie the context of whatever it is that you do, right? Unless that’s what you’re talking about. When I talk to a client, the simple thing is, we just want to make you famous for this in your town. Stephen Semple: Right. Here’s what Charles Tiffany noticed. America did not have a luxury identity yet. Paris did. Dave Young: Okay. Stephen Semple: London did. New York, not yet. So he decided to create one. Dave Young: Nice. Stephen Semple: Thought of first for luxury. And even today, if I say Tiffany’s, immediately you’re like, “Oh, that’s special.” Immediately. Dave Young: Yeah. Yeah. Well, and so when you have set pricing, even if it’s not diamonds, right? If it’s just stationary and it’s good stationary and it’s priced higher than maybe you could negotiate for it down the street, it becomes luxury in the minds of people, right? Oh, I got the Tiffany stationary instead of the Woolworth stationary. Stephen Semple: So Tiffany’s even to this day does this book called the Blue Book, which has got all sorts of amazing items in it. So in 1945, they launched the Blue Book. And from the research I’ve been able to do, it was the first mail order catalog in the United States. Dave Young: Wow. Okay. Stephen Semple: And it became a desire machine. People who had never been to New York, let alone Paris, could see luxury. Imagine owning the items aspire to it. Now, it’s not clear which came first, the Blue Book or the Tiffany Box, but I think it was the blue book. This blue became so powerful that in 1998, Tiffany worked with Pantone to create the color Pantone 1837. It’s called 1837 because that’s the founding year of Tiffany’s and trademarked the color. Tiffany’s owns that color. No one else is allowed to use it. We’re going to talk about the box a little bit more later. So let’s go back to 1848. Nine years after opening, there’s an opportunity to change the face of Tiffany’s and really establish it as an icon. And this is where Charles Tiffany really understood what he was doing because he has this opportunity and he grabs a hold of it with both hands and it changes everything. Europe is in chaos because of the revolution, right? French aristocrats are selling off their jewelry to survive. Charles goes to Paris and buys a massive amount of royal jewels that have been sold at auction. All pieces with a history. He brings them back to the United States, and this is a game changer in two ways. First of all, America now saw firsthand what European luxury looked like and it became aspirational. And Tiffany’s understood what they were selling was desire. You could now wear this prince or this princess’s jewelry. It also positioned Tiffany’s as the king of diamonds. And it changed how America saw wealth. So Tiffany’s now had four powerful things, fixed pricing to eliminate friction, desire at scale because of the Blue Book, a symbol in the Blue Box, and a leadership position in the marketplace. Dave Young: All these brand codes. Yeah, yeah. Stephen Semple: Right? Dave Young: Mh-hmm. Stephen Semple: Right. Dave Young: And you stick with it. Stephen Semple: Oh, it gets better. Oh, he leans into this. So in 1853, Charles buys out his partners and he renames the business, Tiffany & Co. It’s the 1870s, and it’s now the gilded age in the United States is really happening, which really creates this desire for status symbol. So in 1877, the largest canary yellow diamond was discovered, 287 carats uncut. And there it is, Charles, who sweeps in, buys it for $18,000. And this became the Tiffany Diamond, more on this later. Because in 1878, around the same time, like a year later, there’s another large sale of jewelry, and it’s the jewels of Isabella, the second the queen of Spain, becomes available. Where’s Charles? Right fricking there. Dave Young: Oh yeah. Stephen Semple: But the biggest defining moment came nine years later in 1887, the French government decides to sell off the French crown jewels at auction. Charles Tiffany bought one third of the things being auctioned. Dave Young: Oh, man. And did he buy them for resale or is there a Tiffany museum we can go look at? Stephen Semple: Well, everything except the Tiffany Diamond. All the other things were bought for resale, because now back to the Tiffany Diamond, Charles takes it to Paris, hires George Kunz to cut the diamond and it’s cut to 82 facets and the final cut weight, 128 and a half carat weight. Now, here’s something I didn’t know about the Tiffany Diamond. While the Tiffany Diamond is often on display, it has only been worn by four women. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell] Dave Young: Let’s pick up our story where we left off and trust me you haven’t missed a thing. Stephen Semple: While the Tiffany Diamond is often on display, it has only been worn by four women. Dave Young: Wow. Stephen Semple: Mary Whitehouse in 1957, Audrey Hepburn in 1961, Lady Gaga in 2019 and Beyonce in 2021. Dave Young: No kidding. Stephen Semple: Another fun fact, Breakfast at Tiffany’s, which we all think of, came out in 1961, but there was no cafe in Tiffany’s until 2017. You can now go have breakfast at Tiffany’s. Dave Young: Yeah. And when did the song come out? It was way after the movie. It was in the ’90s maybe. Stephen Semple: Yeah. Now here’s the other cool thing is in New York, the Tiffany’s building. If you go buy the Tiffany’s building at night, all the lights are the Tiffany Blue. You walk and you’re like, “Oh God, that’s Tiffany’s.” It’s amazing. In this adding of doing all these things just as cemented Tiffany’s in our heart, our mind, our soul, in terms of what is Tiffany’s. We immediately know what is Tiffany’s. And Tiffany’s ends up doing this amazing early work. We could do a whole episode on what Tiffany’s did with silversmithing. We could do a whole episode on what Tiffany’s did around lamps. We could do a whole episode on Tiffany’s window displays and how they do it. I mean, I could do four episodes on Tiffany’s with the things I learned about it. The photography on the website is outstanding. If you want to really understand how to display things and show things, study Tiffany’s. Like the Blue Box, you can buy the used Blue Boxes on eBay. There’s a market for them on eBay and they’re not cheap. Amazing. Amazing. They decide they want to own, thought of first for luxury and like the most because of status. They just absolutely own that place in our minds. Dave Young: I’m just glancing at their website. One of the things I love is they call their jewelry hardware. Like that’s the hardware department. Stephen Semple: Right. Talk about fits but doesn’t fit in a strange thing. And you would think that Tiffany’s would have to give it some sort of fancy name. They’re like, no, the fancy name is Tiffany. Dave Young: Yeah, exactly. Stephen Semple: That’s all you need to know. If I said to you, “Hey, Dave, I went and bought some…” I wouldn’t even have to say fancy. I bought some Tiffany hardware. You don’t need to say anything else. Tiffany ends up becoming the descriptor that immediately says this thing is special. Right? Dave Young: Oh man. They have a bocce ball set. I think Wizard Academy needs that. It’s only $3,750. Stephen Semple: There you go. Dave Young: But they’re the Tiffany blue balls. Stephen Semple: Yeah, that’s cool. Dave Young: That’s a weird thing to say. But yeah. Stephen Semple: So here’s what I found interesting. They were innovative on fixed pricing. They’re also innovative on the fact that luxury was not yet a thing in the United States and they did a mail order catalog. And then when they suddenly realized that this is what they’re going to do, Charles Tiffany really leaned into those opportunities that came out of Europe and went, “I’m going to buy as much as I can get my hands on.” When you think about going to an auction and walking away with a third of the things that were put up for sale. But what he recognized is he was going to bring that back and suddenly in the United States, people are going to go, “Oh my God, this is the way we should be.” Dave Young: Even if I can’t buy it, I want to go in and see it. Stephen Semple: Right. Dave Young: And I might buy something just to get the box. Stephen Semple: Bingo. Dave Young: Or a bag. Yeah. Stephen Semple: When you consider five billion in revenue across 300 stores, what they sell per store is also remarkable. Dave Young: Oh, I believe it. Stephen Semple: Also remarkable. Dave Young: And I think about this. There’s sort of two paths in business. You can go the luxury most expensive in the market route, or you can go be the Walmart and try to take the low ground and say, “We always will save you money.” And Tiffany’s knows you’re never going to save money by shopping at Tiffany’s. Stephen Semple: Oh God, no. Dave Young: Ever, ever, ever. And here’s the dirty little secret for other retailers and other home service businesses. And you’re worried about being the most expensive in your market, but here’s what it allows you to do. It allows you to be who you’re going to be, and it allows you to have a higher ad budget in particular. So the path to being the famous one in your town, the being known for what you do and being liked because of it, that path is made easier by selling the most expensive items in town. Stephen Semple: Yes. And it would be easy. Dave Young: It’s almost counterintuitive till you do the math. Stephen Semple: Right. And it would almost be easy for somebody to say, “Yeah, but Tiffany’s doesn’t advertise much,” but they do. Their stores are in the most prestigious locations. Dave Young: Yep. Stephen Semple: With the best location in the most prestigious location, and I can tell you what they spend on those window displays that get changed, I’ve never gone past the Tiffany’s twice where it’s the same display. I have no idea how regular… It’s not, “Oh, we put it up and leave it for a season.” It’s a month, probably less. Dave Young: There’s somebody that’s got… That’s their job. Stephen Semple: And the website, you look at that website and it’s not the homepage that changes, Dave. If you go back to Tiffany’s website a month from now, it’s completely changed. The whole feel of it, the whole photography, and you look at that photography, they’re spending- Dave Young: Oh, it’s gorgeous. Stephen Semple: … a boatload of money on that, but that’s their marketing. That’s their marketing is every time I come back, I get this new, different, special feeling. Every time I walk past the Tiffany store, new, special experience and feeling. That’s marketing, man. Dave Young: We can’t be the only ones that think of it this way, but not all marketers do, is that you have to calculate the total cost of exposure and include expensive real estate in that, right? Stephen Semple: Yes. Dave Young: Being on the most exclusive block in town costs a lot of money, and that’s money you don’t have to spend on advertising. Stephen Semple: Correct. That premium that you’re spending to be in that high visibility location is marketing dollars. Dave Young: Yeah. And that- Stephen Semple: And probably the best marketing dollars you’re ever going to spend. Dave Young: Absolutely, because it’s permanent, right? Stephen Semple: Yes. Dave Young: If you can own it, if you don’t… And when you talk about demographic targeting, guess who walks around the nicest places in town? The people that can shop at Tiffany’s. So you don’t need to find them. They’ll find you because that’s where they are. Stephen Semple: And here’s the other interesting thing. If you were going tomorrow to buy the Tiffany’s bocce balls, while you could order them online, you would want to go into the store. Dave Young: Oh, of course. Stephen Semple: You’d want to go into the store because the stores are special. Dave Young: Yeah. Stephen Semple: So when I got looking at Tiffany’s, I started realizing that in the early days, Charles Tiffany did a lot of innovative things. And in fact, one could say he kind of invented in the United States the luxury category and they did an amazing job on it. Dave Young: He figured out the DNA of this company carved it in stone. Stephen Semple: Yeah, literally. Dave Young: Literally carved it like that’s the hardware. The hardware is the color, the whole deal, right? It’s the color, the locations, all the things. They know who they are and what that tells you also is you know what you’re going to do, but you also know what you’ll never do. Stephen Semple: Yes. Dave Young: Right? Stephen Semple: Yes. Dave Young: If they never sell any of these bocce balls, there’s not going to be a bargain corner where I can pick them up for a hundred bucks. Stephen Semple: And the other part I’m always impressed with, here’s a company that started at 1837 and is still around and still being true to itself. It’s remarkable. Dave Young: Yeah. Stephen Semple: Remarkable. Dave Young: Awesome. Now I got to go find Tiffany’s. Stephen Semple: There you go. But their window displays are spectacular. Spectacular. All right. Awesome. Dave Young: Thanks for bringing us the Tiffany’s story. Now I’ve got that song in my head. Stephen Semple: I look forward to the bocce balls. Dave Young: Well, you have to bring them. Stephen Semple: Yeah. Yeah. I realize that. Thanks, man. Dave Young: Thanks, Stephen. Thanks for listening to the podcast. Please share us, subscribe on your favorite podcast app and leave us a big, fat, juicy five star rating and review at Apple Podcast. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.

Die Top-Meldungen am 28. April 2026: Bundesregierung plant Zuckerabgabe, CEO verlässt Woolworth und: Alkoholfreie Alternativen treiben Henkell Freixenet an.

Australia correspondent Nick Grimm spoke to Lisa Owen about how in Australia, the retail giant Woolworth's has been fronting allegations its been offering customers dodgy discounts and how there's a campaign to recruit New Zealand bus drivers to Australian shores.

Alberto believes Starry is a strange name for a soda. Eddie remembers Blue Chip Stamps. Elissa only dated guys from rival high schools. Steve is off today. Want to see this episode? Watch it on YouTube by following this link: https://youtube.com/TheM25Show Visit www.TheM25Show.com and hit the Sponsors link. Contact us by email at magpiepodcastnetwork@gmail.com or send us a text message at (562) 739-7029. *Disclaimer* Alberto is the one with access to these accounts. Messages for specific members of the show will be forwarded. Messages could also be read/listened to on the show. #PodcastingSomethingMore Michael Seril Fitness: Founded in 2005, MSF has motivated and inspired thousands of clients in Whittier, California over the last 15+ years. They are also a leader in Pay It Forward events that have benefited thousands of families in their community. Visit https://msf-strong.com/ for more information. Tacos Che & More: Be sure to book Tacos Che & More for all your catering needs. What makes them different from most taco catering businesses is that they cook up, at your request, a variety of different types of meals and of course tacos. Call and ask if they are able to prepare the meal of your choice. (951) 442-4587 or visit them on Facebook https://www.facebook.com/tacosche05

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks to the reason for Jubilee Remembrances 61st Anniversary 2026 in the South this Week. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.Emmett Till Antilynching Act is a United States landmark federal law which makes lynching a federal hate crime and signed into law on March 29, 2022, by President Joe Biden. The bill was named after 14-year-old Emmett Till, who was lynched in Mississippi in 1955, sparking national and international outrage.© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

Episode 517: I will discuss my memories of The radio station WAIT 820 AM in the 1970s, and I will read a menu from The Woolworth Grill Restaurant from The Ford City Shopping Center in Chicago.

Episode 517: I will discuss my memories of The radio station WAIT 820 AM in the 1970s, and I will read a menu from The Woolworth Grill Restaurant from The Ford City Shopping Center in Chicago.

Congress is debating restrictions for ICE this week, we'll go into the funding bill for the Department of Homeland Security; it seems the real negotiations are not between the Democrats and the Republican senators, but between the Democrats and Trump. The "Big Beautiful Bill" provided an additional $75 billion to ICE last July so, if no funding deal is made next week, the Coast Guard and FEMA will be shut down while ICE will continue to operate. Harold Meyerson comments.Next: The Super Bowl is by far the biggest entertainment event of the year in the US, and this Sunday the halftime show will feature Puerto Rican singer Bad Bunny, who has been demanding “ICE Out!” How did the Super Bowl halftime show become the center of resistance to ICE? Dave Zirin​ will explain.Also: On February 1, 1960 four students sat down on stools at Woolworth's lunch counter in Greensboro, North Carolina and ordered coffee and donuts, challenging the rules of segregation with non-violent resistance. They were refused service but were joined the next day by a group of people – sparking a movement to desegregate with sit-ins nationwide.As the Trump administration works to replace multiculturalism with white nationalism – this February – America's 50th observance – Black History month is especially important. From the archives, we revisit an interview with Isabel Wilkerson on her book about the great migration of Black people out of the South: “The Warmth of Other Suns” (originally recorded in 2010).Plus: Your Minnesota Moment: A first-hand account of anti-ICE demonstrations in Minnesota​, and attending Bruce Springsteen's First Avenue performance of "Streets of Minneapolis" – the No. 1 song in America this week.

Arthenia Joyner had had enough. In February 1960, the 17-year-old could buy clothes at the F.W. Woolworth department store in downtown Tampa. But she was forbidden from trying them on first, in case she changed her mind and the garments went back on the rack where a white person would encounter them.And there was no way she could eat at the store's lunch counter, which was for whites only.So when young Joyner's peers planned to stage a series of sit-ins to peacefully protest the policy, she jumped at the chance to participate. By September of that year, a total of 18 department stores in Tampa had desegregated lunch counters.The Tampa Woolworth store closed in the 1990s. Today, a historical marker stands on the site of those history-making sit-ins.The events are also chronicled in the documentary Triumph: Tampa's Untold Chapter in the Civil Rights Movement. You can watch the film for free at wedu.org/triumph.Joyner went on to be an attorney, a Florida State Senator and an icon in Tampa's civil rights history. There's even a library named for her.We recently visited Joyner at her office in Ybor City, where she still practices law. 

February 1st is the 66th anniversary of the Greensboro sit-ins where four African-American student sat in at a Woolworth's, suffering abuse from white racist patrons and eventually jail. Those actions launched the student sit-in movement to end segregation and led to over 70,000 people participating, including civil rights leaders like Martin Luther King, John Lewis, Bayard Rustin and many others. It also led to the formation of the Student Non-violent Coordinating Committee and modern civil rights movement. In our latest, Bob and Scott talk about anniversary of the sit-ins and then discuss it in the context of today's movement resisting Trump and ICE in Minneapolis and communities across the country. -------------------------------

We're touring the sub-continent today, choose your mode of transport — Cape Cart, ox-wagon, horse, mule, on foot? Before the arrival of steam locomotion, roads in South Africa were little more than rutted tracks created by repeated passage of wagons and animal teams rather than purpose-built carriageways. There was no formal road network in the early 19th century: routes developed organically where ox-wagons, horse-drawn carts, and pack animals repeatedly traversed the landscape, linking farms, military posts, and markets. These tracks followed natural contours and river fords, often taking months to traverse over rugged terrain. The primary transport machines on land before railways were ox-wagons and horse-drawn vehicles. The ox-wagon was the backbone of overland transport. It carried heavy goods — from wool bales and foodstuffs to mining equipment — over long distances and difficult terrain. Transport riders, both European and African, led these wagons into the interior, resting at outspans before continuing. Their significance was such that even towns and trails were defined by their routes. Before the age of railways, South African towns grew up along the overland routes forged by ox-wagons, horses and people on foot, and the rhythms of travel on those routes had a profound influence on where settlements were established and how they were spaced. In an era when roads were not engineered highways but repeated trails across the veld, the limits of what an ox-wagon team or a horse-mounted traveller could cover in a day shaped the practical distances between reliable stopping places, watering spots and supply points — and ultimately played a role in the birth and growth of towns. Drawn by spans of oxen, often 8–18 animals harnessed in long teams — these wagons carried goods, families and traders across great distances. Their average pace was slow by modern standards, typically around twenty kilometres per day under good conditions, depending on terrain, weather and the condition of the animals. This daily range was often the practical maximum that wagon drivers would plan for, and that distance became a natural unit for planning journeys, locating inns or out-span grazing grounds, and later for settlements that would service trafficked routes. Because of these constraints, towns tended to appear at intervals that corresponded roughly with a day's travel by ox-wagon or horse — places where travellers could rest, water animals, resupply or trade. These stopping points, sometimes initially little more than a watering hole or crossing on a drift, acquired markets, services and sometimes a church or administrative function as traffic increased and the surrounding countryside was settled. Over time, these logical halting-places evolved into permanent towns serving an increasingly local and itinerant population. The first public railway service in South Africa marked a dramatic shift in land transport. The Natal Railway Companyopened a small line in June 1860, linking Point (Durban) to Market Square using steam traction — this was the earliest operational stretch of railway in the country. Its first locomotive, “The Natal,” carried goods and passengers, representing a novel machine in the South African transport system and signaling a move away from animal-powered haulage. Almost simultaneously, railway construction began in the Cape Colony. In 1858–1862, the Cape Town Railway and Dock Company built the line from Cape Town to Wellington, opening sections to Eerste River and then Stellenbosch by the early 1860s. These early lines employed steam locomotives and rudimentary rolling stock (passenger coaches and goods wagons) — the “iron horse” replacing oxen and horses over these corridors. In 1931, South African entrepreneur Max Sonnenberg opened his first store in Cape Town chosing the name "Woolworths" specifically because the American F.W. Woolworth brand was already a global symbol of retail success.

We're touring the sub-continent today, choose your mode of transport — Cape Cart, ox-wagon, horse, mule, on foot? Before the arrival of steam locomotion, roads in South Africa were little more than rutted tracks created by repeated passage of wagons and animal teams rather than purpose-built carriageways. There was no formal road network in the early 19th century: routes developed organically where ox-wagons, horse-drawn carts, and pack animals repeatedly traversed the landscape, linking farms, military posts, and markets. These tracks followed natural contours and river fords, often taking months to traverse over rugged terrain. The primary transport machines on land before railways were ox-wagons and horse-drawn vehicles. The ox-wagon was the backbone of overland transport. It carried heavy goods — from wool bales and foodstuffs to mining equipment — over long distances and difficult terrain. Transport riders, both European and African, led these wagons into the interior, resting at outspans before continuing. Their significance was such that even towns and trails were defined by their routes. Before the age of railways, South African towns grew up along the overland routes forged by ox-wagons, horses and people on foot, and the rhythms of travel on those routes had a profound influence on where settlements were established and how they were spaced. In an era when roads were not engineered highways but repeated trails across the veld, the limits of what an ox-wagon team or a horse-mounted traveller could cover in a day shaped the practical distances between reliable stopping places, watering spots and supply points — and ultimately played a role in the birth and growth of towns. Drawn by spans of oxen, often 8–18 animals harnessed in long teams — these wagons carried goods, families and traders across great distances. Their average pace was slow by modern standards, typically around twenty kilometres per day under good conditions, depending on terrain, weather and the condition of the animals. This daily range was often the practical maximum that wagon drivers would plan for, and that distance became a natural unit for planning journeys, locating inns or out-span grazing grounds, and later for settlements that would service trafficked routes. Because of these constraints, towns tended to appear at intervals that corresponded roughly with a day's travel by ox-wagon or horse — places where travellers could rest, water animals, resupply or trade. These stopping points, sometimes initially little more than a watering hole or crossing on a drift, acquired markets, services and sometimes a church or administrative function as traffic increased and the surrounding countryside was settled. Over time, these logical halting-places evolved into permanent towns serving an increasingly local and itinerant population. The first public railway service in South Africa marked a dramatic shift in land transport. The Natal Railway Companyopened a small line in June 1860, linking Point (Durban) to Market Square using steam traction — this was the earliest operational stretch of railway in the country. Its first locomotive, “The Natal,” carried goods and passengers, representing a novel machine in the South African transport system and signaling a move away from animal-powered haulage. Almost simultaneously, railway construction began in the Cape Colony. In 1858–1862, the Cape Town Railway and Dock Company built the line from Cape Town to Wellington, opening sections to Eerste River and then Stellenbosch by the early 1860s. These early lines employed steam locomotives and rudimentary rolling stock (passenger coaches and goods wagons) — the “iron horse” replacing oxen and horses over these corridors. In 1931, South African entrepreneur Max Sonnenberg opened his first store in Cape Town chosing the name "Woolworths" specifically because the American F.W. Woolworth brand was already a global symbol of retail success.

Shoppers may be hit with a new unexpected fee if they are using Woolworth's click and collect service. Currently, Click and Collect is free at Woolworths as long as you're buying at least $50 worth of groceries, but the chain is going to change the rules so that all Click and collectors pay $3.50. Woolworths Director of E-Commerce Mark Wolfenden told Ryan Bridge that the price was put in place to simplify the fee on all orders, and to help the company invest in it's services. "It's about making it more sustainable and making sure that we can keep investing in amazing technology and services which honestly Kiwis are demanding it ever more." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Art theft expert, security expert and author of “The Rembrandt Heist: The Story of a Criminal Genius, a Stolen Masterpiece, and an Enigmatic Friendship,” Anthony Amore introduces us to Boston native, Miles Connor Jr., a combination rock star, samurai sword collector, and brilliant art thief. Connor's fascinating motives for stealing art were tied up with his policeman father's passion for collecting, and also for avenging what he felt was a grave insult to his father by a local museum, the Forbes House. His first theft was to break into that museum as a teenager and steal dozens of artifacts. One of his remarkable heists was stealing from the famed Woolworth collection housed in Maine. In one of his more brazen acts, Miles also stole and then helped in repatriating a Rembrandt in order to lessen his sentence for that art theft. Amore's book explores Connors most audacious theft and of the most unusual art crimes in history -- the 1975 theft of Rembrandt's Portrait of Elsbeth van Rijn from the Boston Museum. His reason for stealing the painting was even bolder and more surprising. Today in his eighties, Connor lives on a sprawling property with about a dozen horses in Blackstone, Massachusetts.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com

A potentially momentous discovery. A suspicious fire. A 50-year-old missing person's case. Are they connected? Fast-paced and vividly drawn, The Bolden Cylinder introduces a memorable cast of eccentric characters including: a malodorous collector of early R&B memorabilia, a sultry nightclub singer, a reputed mob boss, a 12-year-old tap dancer, and an inscrutable peddler of voodoo paraphernalia.When Buddy Bolden died in a Louisiana insane asylum in 1931, a quarter century after his reign as the undisputed first “king” of jazz, he left behind no known recordings. But when quirky New Orleans antiques dealer Bruneau Abellard listens to a vintage phonograph cylinder he found in the secret compartment of a sideboard, he wonders if he has stumbled upon an important piece of musical history. In researching his discovery, Bruneau runs headlong into an arson investigation led by his childhood friend, NOPD Detective Bo Duplessis, which in turn may hold the key to a 50-year-old unsolved missing person's case. To untangle their present-day mysteries, Bruneau and Bo must first piece together a perplexing string of puzzles from the distant past. Their parallel investigations immerse them in the rhythm-and-blues subculture of 1960s New Orleans, and transport them to the dawn of the 20th Century, when a brash young musician introduced a new sound to the city, forever changing the course of music history.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Grace is serving up some of her old favourites to curl up to as autumn turns to winter. Award-winning Doctor Who and It's A Sin screenwriter Russell T Davies tells Grace about some of the most important moments in his life – and the comfort food that has seen him through them. The pair discuss love at first sight, recent loss, and how Woolworth's pork and egg pie is a metaphor for life itself

In this special episode of The Halloween Podcast, we're joined by author Norman Woolworth to discuss his latest novel, The Bolden Cylinder, part of the Bruneau Abellard series. We dive into the mysteries behind a vintage Edison cylinder found in a New Orleans antique piece, the unsolved missing-person case it ties to, and how the city's rich musical past—particularly the legend of Buddy Bolden—fueled the story. We talk history, jazz, intrigue, and how one artefact can connect decades of Florida crime, R&B culture, and Southern ghosts of the past. Email: TheHalloweenPodcast@gmail.comwww.TheHalloweenPodcast.comFacebook: www.facebook.com/TheHalloweenPodcast Norman Woolworth: https://www.normanwoolworth.com/ Keywords: Norman Woolworth interview, The Bolden Cylinder, Buddy Bolden history, New Orleans antiques mystery, historical fiction jazz investigation, author interview podcast, The Dark RecordHashtags: #NormanWoolworth #BoldenCylinder #JazzMystery #DarkRecord #HalloweenPodcast #AuthorInterview Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A potentially momentous discovery. A suspicious fire. A 50-year-old missing person's case. Are they connected? Fast-paced and vividly drawn, The Bolden Cylinder introduces a memorable cast of eccentric characters including: a malodorous collector of early R&B memorabilia, a sultry nightclub singer, a reputed mob boss, a 12-year-old tap dancer, and an inscrutable peddler of voodoo paraphernalia.When Buddy Bolden died in a Louisiana insane asylum in 1931, a quarter century after his reign as the undisputed first “king” of jazz, he left behind no known recordings. But when quirky New Orleans antiques dealer Bruneau Abellard listens to a vintage phonograph cylinder he found in the secret compartment of a sideboard, he wonders if he has stumbled upon an important piece of musical history. In researching his discovery, Bruneau runs headlong into an arson investigation led by his childhood friend, NOPD Detective Bo Duplessis, which in turn may hold the key to a 50-year-old unsolved missing person's case. To untangle their present-day mysteries, Bruneau and Bo must first piece together a perplexing string of puzzles from the distant past. Their parallel investigations immerse them in the rhythm-and-blues subculture of 1960s New Orleans, and transport them to the dawn of the 20th Century, when a brash young musician introduced a new sound to the city, forever changing the course of music history.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Mike Chemielewski talked to Norman Woolworth about his second novel, The Bolden Cylinder. Norman talked about why he writes historical novels set in New Orleans and why he is fascinated by the city. Quirky New Orleans antiques dealer Bruneau Abellard is the protagonist in his two books. In The Bolden Cylinder, Bruneau listens to a […]

Send us a textThe only thing more scary than Halloween is a bunch of unsupervised kids in 1978, high on sugar, wreaking havoc on suburbia.  This time the boys wax nostalgic on the Halloween experience in the 70s and 80s.  From horrible Woolworth's boxed costumes to those miserable clods that handed out pennies instead of candy to trick or treaters, we're covering it all.  If you ever filled a pillowcase full of peanut butter taffy twists and micro Snickers, this is the podcast for you.  We also give our best strategies for TP'ing those "non-compliant" houses.  Popcorn balls? Really?

Ron Popeil, inventor of The Pocket Fisherman, the Amazing Smokeless Ashtray, and the Inside-The-Shell Egg Scrambler, was (satirically) awarded an Ignoble Award for Consumer Engineering on 7th November, 1993. But the ‘Infomercial King' had spun an enviable career from his talent for selling; from humble beginnings shilling vegetable choppers on the shop floor of Woolworth's to establishing Ronco, a $55 million ‘As Seen On TV' company that eventually went bankrupt.  In this episode, Arion, Rebecca and Olly consider Popeil's pathological hatred of runny egg whites and reveal an award-winning way to collect samples of whale snot. But wait, there's more! They also talk about the magic price point for Popeil's inventions. It's just $19.99, so ACT QUICKLY... Further Reading: • Popeil interviewed by CBS Sunday Morning (2000): https://www.youtube.com/watch?v=WdLyKjKH_II • ‘All Ronco Product Commercials (Internal Reel)' (1970s-1980s): https://www.youtube.com/watch?v=WfcIPuvZE9I • Homepage of the Ignoble Awards: https://www.improbable.com/ This episode first aired in 2021 Love the show? Support us!  Join 

The Moneywise Radio Show and Podcast Monday, October 6th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management LinkedIn: Moneywise_Wealth_Management

Barbara Hutton, the "quintessential poor little rich girl,” was an American socialite and heiress to the Woolworth dime-store fortune. Tabloids ridiculed her for her seven divorces (including to Cary Grant) as she suffered from anorexia and alcoholism. She threw money at everyone around her, but never got the one thing she wanted: love.  This episode was first published on 11/29/2019. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today's top stories:1 person dead after crash in South Bakersfield Tuesday morning 6-year-old girl dies after suspected DUI crash on East Panama Lane SundayFamily of Rolando Anaya says men should be charged with murder after bar assault Kevin Mays no longer an employee of Cal State Bakersfield BPD searching for hit-and-run suspect in East Bakersfield Crash Book Club airing on KGET+ Wednesday at 1:30 p.m. Woolworth's Lunchonette reveals grand opening date Free concerts at The Marketplace to return ThursdayFor more local news, visit KGET.com. Stream local news for free on KGET+. Visit KGET.com/plus for more information. 

Our five senses constantly make adjustments and compromises—an observation that explains a cryptic comment by Andy Warhol. Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.

The guys discuss Woolworth’s Big W struggles, Cettire’s horror earnings announcement, the benefits of neurodiversity, Dan Andrews’ China vacation and chat to Dave Hyman founder of Lendi, Australia’s low profile unicorn. Thanks for listening! Join us on LinkedIn: https://www.linkedin.com/company/the-contrarians-with-adam-and-adir-podcast Subscribe on YouTube for all our video content: https://https://www.youtube.com/@ContrariansPodcast Follow us on Instagram: https://www.instagram.com/contrarianspod Follow us on TikTok: https://www.tiktok.com/@contrarianspodSee omnystudio.com/listener for privacy information.

Send us a textThe story of Reverend Davidson, the vicar of Stiffkey dominated the newspapers in the early 1930s. This is the story.The Lion and Albert, By  Stanley Holloway was a comic monologue inspired by actual events they had heard about  in 1932. The events in this podcast happened in 1937. Nevertheless, I have put the lyrics here for anyone unfamiliar with the verse.There's a famous seaside place called BlackpoolThat's noted for fresh air and funAnd Mr. and Mrs. RamsbottomWent there with young Albert, their sonA grand little lad were young AlbertAll dressed in his best, quite a swellWith a stick with an horse's head handleThe finest that Woolworth's could sellThey didn't think much to the oceanThe waves they were piddlin' and smallThere was no wrecks and nobody drowneded'Fact, nothin' to laugh at at all!So, seeking for further amusementThey paid, and went into the zooWhere they'd lions and tigers and camelsAnd old ale and sandwiches, tooThere were one great big lion called WallaceHis nose was all covered with scarsHe lay in a somnolent postureWith the side of 'is face on the barsNow Albert had heard about lionsHow they was ferocious and wildTo see Wallace lyin' so peacefulWell it didn't seem right to the childSo straightway the brave little fellerNot showin' a morsel of fearTook 'is stick with the horse's head handleAnd shoved it in Wallace's earYou could see that the lion didn't like itFor givin' a kind of a rollHe pulled Albert inside the cage with himAnd swallowed the little lad whole!Then Pa, who had seen the occurrenceAnd didn't know what to do nextSaid "Mother, yon lion's ate Albert!"And Mother said "Ee, I am vexed"Then Mr. and Mrs. Ramsbottom, quite rightlyWhen all is said and doneComplained to the animal keeperThat the lion had eaten their sonThe keeper was quite nice about itHe said "What a nasty mishapAre you sure that it's your boy he's eaten?"Pa said, "Am I sure? There's his cap!"The manager had to be sent forHe came and he said "What's to-do?"Pa said "Yon lion's ate AlbertAnd him in his Sunday clothes, too!"Then Mother said "Right's right, young feller-I think it's a shame and a sinFor a lion to go and eat AlbertAnd after we paid to come in"The manager wanted no troubleHe took out his purse right awaySayin' "How much to settle the matter?"Pa says "What do you usually pay?"But Mother had turned a bit awkwardWhen she thought where her Albert had goneShe said "No, someone's got to be summonsed!"So that was decided uponThen off they went to the police stationIn front of the Magistrate chapThey told him what happened to AlbertAnd proved it by showing his capThe Magistrate gave his opinionThat no one was really to blameAnd he said that he hoped the RamsbottomsWould have further sons to their nameAt that Mother got proper blazin'"And thank you, sir, kindly, " said she-"What, waste all our lives raisin' childrenTo feed ruddy lions? Not me!"

This week on the Kern County Real Estate Review, we're joined by architect Daniel Cater of Cater Design Group to discuss the ambitious restoration of one of Bakersfield's most iconic buildings — the historic Woolworth's on 19th Street. From sourcing original 1940s materials to deconstructing and rebuilding the last standing Woolworth's lunch counter in the country, Daniel walks us through the vision, process, and purpose behind this project. We also explore what this renovation means for the future of downtown Bakersfield and the broader role of historic preservation in community development.

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks  at the Important Role Children Payed in The Fight for Civil Rights in America. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.© 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

Send us a textGrab your portable tape deck. Make sure it has fresh batteries, and pop in this mixtape!It's something new this week on the podcast: the first mixtape. We are bringing multiple segments from past shows together in one super-sized episode. Every now and then, these will appear as a change of pace from the typical show. Mixtape #1 is all about classic mall stores of the 1970s, 1980s, and 1990s. In total, there are 30 stores that we will take a look back at. The indoor mall is still a popular destination today; however, its heyday was definitely the '70s through the '90s. You didn't need much money, as the 'mall rat' identity only required you to be inside a mall hanging out with friends. Kids of the day could spend hours sitting on benches or wandering the corridors, looking into some of the stores that will be mentioned on this show.How many of these stores did you spend hard-earned money at?Become a supporter on Patreon! $5/mo. gets you access to bonus podcast episodes and more!Helpful Links from this EpisodePurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogWebcam Weekly Wrapup PodcastCJSetterlundPhotos on EtsyListen to Episode 204 hereSupport the show

On the Mike Hosking Breakfast Full Show Podcast for Friday 18th of July, new stats reveal that Jobseeker numbers are still rising – Social Development Minister Louise Upston explains the situation. Some big sporting events are happening this weekend, with the All Blacks' third and final test against France and the Wellington Phoenix's clash against Wrexham. Trish Sherson and Tim Wilson Wrap the Week that was, talking about Woolworth's prize offerings and KiwiRail banning staff from taking sleeping pills. Get the Mike Hosking Breakfast Full Show Podcast every weekday morning on iHeartRadio, or wherever you get your podcasts. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The week has come to an end, and so Trish Sherson and Tim Wilson joined Heather du Plessis-Allan to Wrap the Week that was. They discussed Woolworth's latest promotion freebie and KiwiRail's confusing ban on melatonin and sleeping medications. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The Moneywise Radio Show and Podcast Tuesday, July 15th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management LinkedIn: Moneywise_Wealth_Management Guest: Janelle Capra, President & CEO for the Greater Bakersfield Chamber & Christian Clegg, City Manager website: https://bakochamber.com/  

SEE THE BOYS LIVE - https://www.samtallent.com/   SPONSOR: FACTOR - Support the show and get 50% off plus free shipping on your first Factor box. Use code CHUBBY50OFF at https://www.factormeals.com/CHUBBY50OFF   PATREON EPISODES: https://www.Patreon.com/chubbybehemoth   This week the boys are in Oamaru NZ trying out new hairdos! Nathan identifies as Three now, noticed Sam's wild decision in the Woolworth's, and uses a paper towel sometimes. Sam accuses Pat of having a unique heart, went full Jolsen on the clay, and tells Nathan and Becker about the lady that made Pat and him Bonk. Half the time is wiping.   Nathan Lund and Sam Tallent are Chubby Behemoth   Mutiny Coffee: mutinyonmainstreet@gmail.com   MORE WIDE WORLD: @SamTallent   Also Featuring Patrick Richardson and Jake Becker

Katherine Mitchell's 84-year journey defies the limits of a single identity. Born during WWII in Hungary, she survived war, communism, and displacement before building a multifaceted life in the U.S. As a nationally ranked gymnast turned refugee, talent agent turned screenwriter, single mother turned novelist, Katherine's story is a testament to grit, adaptability, and lifelong learning. In this heartfelt and often humorous conversation, she opens up about the moments that shaped her—from math lessons that sparked logical thinking to the heartbreaks and breakthroughs of a life spent chasing meaning, not just success.Interview recorded in Orange City, FL.Key Takeaways:Katherine was born in wartime Hungary and raised by her grandmother while her mother survived a concentration camp.After escaping Hungary following the 1956 revolution, she began a new life in the U.S., learning English and working jobs from Woolworth's to Wall Street.Her early love for math laid the groundwork for a structured, logical approach that served her across industries.She transitioned from being a gymnast to a playwright, then became a Hollywood agent and screenwriter—all while raising a child alone.After nearly 30 years in California, a major earthquake pushed her to reinvent herself once more—this time as a novelist in Florida.Katherine speaks candidly about dreams deferred, lessons in resilience, and the ongoing pursuit of inner peace and creative fulfillment.Her perspective on compassion and passion is both simple and profound: one is about giving; the other, about being moved to act.Katherine's Bio:It is an arduous task to capsulize 84 years of life that started as a war baby in Europe. Years of being a nationally ranked gymnast ended in escaping from communist Hungary. The refugee saga went from dishwasher to retail jobs, to love, marriage to an actor and on to Hollywood; from talent agent to screenwriter; from broken marriage to single parenting; always taking college courses to better myself. A 6.9 (7.) earthquake triggered my exit from California; becoming a novelist in Florida continued to fulfill years of working for acceptance as an American writer.Connect with Katherine:www.katherinemitchellauthor.com#TheHumanExperiencePodcast Follow Along:Website: https://www.thehxpod.com/Instagram: https://www.instagram.com/thehxpod/Facebook: https://www.facebook.com/getthehxTikTok: https://www.tiktok.com/@thehxpodYouTube: https://www.youtube.com/@thehxpodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The guys question Xero’s massive $4b bet on Melio, Woolworth’s blows $500m on its MyDeal disaster, how do you reduce moral hazard on planes, Adir test drives an EV and chats the growth of Woodfrog. Today's Sponsors: Netwealth: ⁠www.netwealth.com.au⁠/contrarians Vanta: ⁠www.vanta.com/contrarians⁠ Thanks for listening! Join us on LinkedIn: https://www.linkedin.com/company/the-contrarians-with-adam-and-adir-podcast Subscribe on YouTube for all our video content: https://https://www.youtube.com/@ContrariansPodcast Follow us on Instagram: https://www.instagram.com/contrarianspod Follow us on TikTok: https://www.tiktok.com/@contrarianspodSee omnystudio.com/listener for privacy information.

In this lively episode of their podcast, Comedy Store regulars Darren Carter and Mike Black dive into a whirlwind of topics with their signature humor. They riff on the chaos and charm of Planes, Trains and Automobiles, swap stories about braving rain and ice, and geek out over computers and phones. The duo shares what makes living in LA unbeatable, from its vibrant scene to quirky gems like revival movie theaters. Plus, they take a nostalgic trip down memory lane with a nod to the classic Woolworth's. Expect laughs, tangents, and a dose of LA love!https://linktr.ee/DarrenCarter https://buymeacoffee.com/darrencarterBecome a supporter of this podcast: https://www.spreaker.com/podcast/darren-carter-pocket-party--3090090/support.

Phil Harding had his hands in as many hits in the 80s/90s as anyone you care to mention. We will only concern ourselves with the better decade as we look into his career as producer/engineer and mixer.1. THE EARLY YEARS (Pre-1980-83)How Phil got into the business in the 70s, working with the likes of Gerry Rafferty (Baker Street!), The Walker Brothers (No Regrets!) and The Clash (White Man in Hammersmith Palais!), etc.Phil moves into the 80s with KIlling Joke and a very unique contribution to Sign of The Times by The Belle Stars. There is discussion on the differences (and similarities) between mixing pop and rock.2. MATT BIANCO/BASIA (1984-88)Working with Peter Collins leads to engineering Matt Bianco's first album which leads to Phil producing the follow up and mixing Basia's first solo LP. Through Peter connections are made with Pete Waterman.General chat on Phil's approach to mixing a track.3. STOCK AITKEN AND WATERMAN (PT 1) (1983-87)Phil enters the world of SAW. Talk of who did what within the team and experiences with Lamont Dozier, Princess, Mel & Kim and early Rick Astley.Further talk on who had "Woolworth's ears" and why SAW didn't produce Pet Shop Boys.4. DEAD OR ALIVE (1986-88)Let's face it, this section is almost exclusively about You Spin Me Round, the first SAW number one and an iconic 80s hit.5. BANANARAMA (1986-88)Working on Venus, Bananarama wanted the Spin-Me-Round hi NRG treatment, leading to a number of massive pop hits.  Also discussed is the Bananarama vocal approach and how it was decided who at the Hit Factory worked on what.EITHER/OR | Does Phil have the Terminator listen to Prince on his ghettoblaster or Robocop listen to MJ on his walkman?Phil can be found Website: philhardingmusic.comTwitter: @phardingmusicFacebook: Phil Harding80sography@gmail.comSend us a text

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks to the final day of Jubilee Remembrances 60th Anniversary 2025 in the South this Week. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"The Movie "Till" premiered in the Fall 2022. It was a Box-Office Hit!Emmett Till Antilynching Act is a United States landmark federal law which makes lynching a federal hate crime and signed into law on March 29, 2022, by President Joe Biden. The bill was named after 14-year-old Emmett Till, who was lynched in Mississippi in 1955, sparking national and international outrage.Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.© 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

All 80 people on board the Delta plane that crashed in Toronto made it off safely. A father of eight on the plane said everything was normal on the flight — until the landing. In those moments, he sent a text message to his family before escaping from the wreckage. Delta CEO Ed Bastian joins "CBS Mornings" exclusively to discuss the Delta plane crash that happened in Toronto Monday.  A CBS News investigation is looking into President Trump's sweeping Jan. 6 pardons, including for violent offenders. One woman said she's worried about her own safety and the safety of others after a Jan. 6 defendant who she previously dated and had prior convictions was released under President Trump's orders. In an interview about his new book, Sen. Tom Cotton says the U.S. needs stronger protections against unauthorized drone flights over military sites, calling the lack of authority to take them down "ludicrous."  Joseph McNeil and the Greensboro Four staged a sit-in at a Whites-only Woolworth's lunch counter in 1960, a protest that lasted more than five months and became a turning point in the fight against segregation. On its 65th anniversary, McNeil reflects on the moment. The inaugural season of Unrivaled basketball is underway in Florida, featuring WNBA stars in a fast-paced three-on-three format. With every game sold out and major investors backing the league, its founders hope to reshape women's sports. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Cape Sable seaside sparrow is one of the most endangered birds in the continental United States, numbering only 2,000 or so individuals, all living in the Everglades. Conflicting water management aims in South Florida pitting Big Sugar against the environment is resulting in the state taking drastic measures to pursue survival of the species.In 1960, African American equal rights activists in Tampa followed suit along with those in other cities around the South, staging sit-ins at segregated lunch counters in department stores like Woolworth's. Joining us to discuss this little known aspect of Florida history are Steven Lawson, an historian of the Civil Rights Movement and the former chair of the History Department at USF, and Karla Hartley, Producing Artistic Director of Stageworks Theatre, which will be performing a play based on the sit-ins, "When the Righteous Triumph," March 6-9, 2025, at the Straz Performing Arts Center in Tampa. Our previous episode about oysters featured a documentarian working on a film about oyster bed restoration. That documentary is now available on PBS stations and streaming.Help support "Welcome to Florida" by becoming a $5 a month patron at www.patreon.com/welcometoflorida. Patrons receive exclusive access to our weekly Florida conservation newsletter highlighting the top environmental stories around the state.