Podcasts about Woolworth

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks to the reason for Jubilee Remembrances 61st Anniversary 2026 in the South this Week. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.Emmett Till Antilynching Act is a United States landmark federal law which makes lynching a federal hate crime and signed into law on March 29, 2022, by President Joe Biden. The bill was named after 14-year-old Emmett Till, who was lynched in Mississippi in 1955, sparking national and international outrage.© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

Episode 517: I will discuss my memories of The radio station WAIT 820 AM in the 1970s, and I will read a menu from The Woolworth Grill Restaurant from The Ford City Shopping Center in Chicago.

Episode 517: I will discuss my memories of The radio station WAIT 820 AM in the 1970s, and I will read a menu from The Woolworth Grill Restaurant from The Ford City Shopping Center in Chicago.

Congress is debating restrictions for ICE this week, we'll go into the funding bill for the Department of Homeland Security; it seems the real negotiations are not between the Democrats and the Republican senators, but between the Democrats and Trump. The "Big Beautiful Bill" provided an additional $75 billion to ICE last July so, if no funding deal is made next week, the Coast Guard and FEMA will be shut down while ICE will continue to operate. Harold Meyerson comments.Next: The Super Bowl is by far the biggest entertainment event of the year in the US, and this Sunday the halftime show will feature Puerto Rican singer Bad Bunny, who has been demanding “ICE Out!” How did the Super Bowl halftime show become the center of resistance to ICE? Dave Zirin​ will explain.Also: On February 1, 1960 four students sat down on stools at Woolworth's lunch counter in Greensboro, North Carolina and ordered coffee and donuts, challenging the rules of segregation with non-violent resistance. They were refused service but were joined the next day by a group of people – sparking a movement to desegregate with sit-ins nationwide.As the Trump administration works to replace multiculturalism with white nationalism – this February – America's 50th observance – Black History month is especially important. From the archives, we revisit an interview with Isabel Wilkerson on her book about the great migration of Black people out of the South: “The Warmth of Other Suns” (originally recorded in 2010).Plus: Your Minnesota Moment: A first-hand account of anti-ICE demonstrations in Minnesota​, and attending Bruce Springsteen's First Avenue performance of "Streets of Minneapolis" – the No. 1 song in America this week.

Arthenia Joyner had had enough. In February 1960, the 17-year-old could buy clothes at the F.W. Woolworth department store in downtown Tampa. But she was forbidden from trying them on first, in case she changed her mind and the garments went back on the rack where a white person would encounter them.And there was no way she could eat at the store's lunch counter, which was for whites only.So when young Joyner's peers planned to stage a series of sit-ins to peacefully protest the policy, she jumped at the chance to participate. By September of that year, a total of 18 department stores in Tampa had desegregated lunch counters.The Tampa Woolworth store closed in the 1990s. Today, a historical marker stands on the site of those history-making sit-ins.The events are also chronicled in the documentary Triumph: Tampa's Untold Chapter in the Civil Rights Movement. You can watch the film for free at wedu.org/triumph.Joyner went on to be an attorney, a Florida State Senator and an icon in Tampa's civil rights history. There's even a library named for her.We recently visited Joyner at her office in Ybor City, where she still practices law. 

February 1st is the 66th anniversary of the Greensboro sit-ins where four African-American student sat in at a Woolworth's, suffering abuse from white racist patrons and eventually jail. Those actions launched the student sit-in movement to end segregation and led to over 70,000 people participating, including civil rights leaders like Martin Luther King, John Lewis, Bayard Rustin and many others. It also led to the formation of the Student Non-violent Coordinating Committee and modern civil rights movement. In our latest, Bob and Scott talk about anniversary of the sit-ins and then discuss it in the context of today's movement resisting Trump and ICE in Minneapolis and communities across the country. -------------------------------

We're touring the sub-continent today, choose your mode of transport — Cape Cart, ox-wagon, horse, mule, on foot? Before the arrival of steam locomotion, roads in South Africa were little more than rutted tracks created by repeated passage of wagons and animal teams rather than purpose-built carriageways. There was no formal road network in the early 19th century: routes developed organically where ox-wagons, horse-drawn carts, and pack animals repeatedly traversed the landscape, linking farms, military posts, and markets. These tracks followed natural contours and river fords, often taking months to traverse over rugged terrain. The primary transport machines on land before railways were ox-wagons and horse-drawn vehicles. The ox-wagon was the backbone of overland transport. It carried heavy goods — from wool bales and foodstuffs to mining equipment — over long distances and difficult terrain. Transport riders, both European and African, led these wagons into the interior, resting at outspans before continuing. Their significance was such that even towns and trails were defined by their routes. Before the age of railways, South African towns grew up along the overland routes forged by ox-wagons, horses and people on foot, and the rhythms of travel on those routes had a profound influence on where settlements were established and how they were spaced. In an era when roads were not engineered highways but repeated trails across the veld, the limits of what an ox-wagon team or a horse-mounted traveller could cover in a day shaped the practical distances between reliable stopping places, watering spots and supply points — and ultimately played a role in the birth and growth of towns. Drawn by spans of oxen, often 8–18 animals harnessed in long teams — these wagons carried goods, families and traders across great distances. Their average pace was slow by modern standards, typically around twenty kilometres per day under good conditions, depending on terrain, weather and the condition of the animals. This daily range was often the practical maximum that wagon drivers would plan for, and that distance became a natural unit for planning journeys, locating inns or out-span grazing grounds, and later for settlements that would service trafficked routes. Because of these constraints, towns tended to appear at intervals that corresponded roughly with a day's travel by ox-wagon or horse — places where travellers could rest, water animals, resupply or trade. These stopping points, sometimes initially little more than a watering hole or crossing on a drift, acquired markets, services and sometimes a church or administrative function as traffic increased and the surrounding countryside was settled. Over time, these logical halting-places evolved into permanent towns serving an increasingly local and itinerant population. The first public railway service in South Africa marked a dramatic shift in land transport. The Natal Railway Companyopened a small line in June 1860, linking Point (Durban) to Market Square using steam traction — this was the earliest operational stretch of railway in the country. Its first locomotive, “The Natal,” carried goods and passengers, representing a novel machine in the South African transport system and signaling a move away from animal-powered haulage. Almost simultaneously, railway construction began in the Cape Colony. In 1858–1862, the Cape Town Railway and Dock Company built the line from Cape Town to Wellington, opening sections to Eerste River and then Stellenbosch by the early 1860s. These early lines employed steam locomotives and rudimentary rolling stock (passenger coaches and goods wagons) — the “iron horse” replacing oxen and horses over these corridors. In 1931, South African entrepreneur Max Sonnenberg opened his first store in Cape Town chosing the name "Woolworths" specifically because the American F.W. Woolworth brand was already a global symbol of retail success.

We're touring the sub-continent today, choose your mode of transport — Cape Cart, ox-wagon, horse, mule, on foot? Before the arrival of steam locomotion, roads in South Africa were little more than rutted tracks created by repeated passage of wagons and animal teams rather than purpose-built carriageways. There was no formal road network in the early 19th century: routes developed organically where ox-wagons, horse-drawn carts, and pack animals repeatedly traversed the landscape, linking farms, military posts, and markets. These tracks followed natural contours and river fords, often taking months to traverse over rugged terrain. The primary transport machines on land before railways were ox-wagons and horse-drawn vehicles. The ox-wagon was the backbone of overland transport. It carried heavy goods — from wool bales and foodstuffs to mining equipment — over long distances and difficult terrain. Transport riders, both European and African, led these wagons into the interior, resting at outspans before continuing. Their significance was such that even towns and trails were defined by their routes. Before the age of railways, South African towns grew up along the overland routes forged by ox-wagons, horses and people on foot, and the rhythms of travel on those routes had a profound influence on where settlements were established and how they were spaced. In an era when roads were not engineered highways but repeated trails across the veld, the limits of what an ox-wagon team or a horse-mounted traveller could cover in a day shaped the practical distances between reliable stopping places, watering spots and supply points — and ultimately played a role in the birth and growth of towns. Drawn by spans of oxen, often 8–18 animals harnessed in long teams — these wagons carried goods, families and traders across great distances. Their average pace was slow by modern standards, typically around twenty kilometres per day under good conditions, depending on terrain, weather and the condition of the animals. This daily range was often the practical maximum that wagon drivers would plan for, and that distance became a natural unit for planning journeys, locating inns or out-span grazing grounds, and later for settlements that would service trafficked routes. Because of these constraints, towns tended to appear at intervals that corresponded roughly with a day's travel by ox-wagon or horse — places where travellers could rest, water animals, resupply or trade. These stopping points, sometimes initially little more than a watering hole or crossing on a drift, acquired markets, services and sometimes a church or administrative function as traffic increased and the surrounding countryside was settled. Over time, these logical halting-places evolved into permanent towns serving an increasingly local and itinerant population. The first public railway service in South Africa marked a dramatic shift in land transport. The Natal Railway Companyopened a small line in June 1860, linking Point (Durban) to Market Square using steam traction — this was the earliest operational stretch of railway in the country. Its first locomotive, “The Natal,” carried goods and passengers, representing a novel machine in the South African transport system and signaling a move away from animal-powered haulage. Almost simultaneously, railway construction began in the Cape Colony. In 1858–1862, the Cape Town Railway and Dock Company built the line from Cape Town to Wellington, opening sections to Eerste River and then Stellenbosch by the early 1860s. These early lines employed steam locomotives and rudimentary rolling stock (passenger coaches and goods wagons) — the “iron horse” replacing oxen and horses over these corridors. In 1931, South African entrepreneur Max Sonnenberg opened his first store in Cape Town chosing the name "Woolworths" specifically because the American F.W. Woolworth brand was already a global symbol of retail success.

Shoppers may be hit with a new unexpected fee if they are using Woolworth's click and collect service. Currently, Click and Collect is free at Woolworths as long as you're buying at least $50 worth of groceries, but the chain is going to change the rules so that all Click and collectors pay $3.50. Woolworths Director of E-Commerce Mark Wolfenden told Ryan Bridge that the price was put in place to simplify the fee on all orders, and to help the company invest in it's services. "It's about making it more sustainable and making sure that we can keep investing in amazing technology and services which honestly Kiwis are demanding it ever more." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Art theft expert, security expert and author of “The Rembrandt Heist: The Story of a Criminal Genius, a Stolen Masterpiece, and an Enigmatic Friendship,” Anthony Amore introduces us to Boston native, Miles Connor Jr., a combination rock star, samurai sword collector, and brilliant art thief. Connor's fascinating motives for stealing art were tied up with his policeman father's passion for collecting, and also for avenging what he felt was a grave insult to his father by a local museum, the Forbes House. His first theft was to break into that museum as a teenager and steal dozens of artifacts. One of his remarkable heists was stealing from the famed Woolworth collection housed in Maine. In one of his more brazen acts, Miles also stole and then helped in repatriating a Rembrandt in order to lessen his sentence for that art theft. Amore's book explores Connors most audacious theft and of the most unusual art crimes in history -- the 1975 theft of Rembrandt's Portrait of Elsbeth van Rijn from the Boston Museum. His reason for stealing the painting was even bolder and more surprising. Today in his eighties, Connor lives on a sprawling property with about a dozen horses in Blackstone, Massachusetts.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com

A potentially momentous discovery. A suspicious fire. A 50-year-old missing person's case. Are they connected? Fast-paced and vividly drawn, The Bolden Cylinder introduces a memorable cast of eccentric characters including: a malodorous collector of early R&B memorabilia, a sultry nightclub singer, a reputed mob boss, a 12-year-old tap dancer, and an inscrutable peddler of voodoo paraphernalia.When Buddy Bolden died in a Louisiana insane asylum in 1931, a quarter century after his reign as the undisputed first “king” of jazz, he left behind no known recordings. But when quirky New Orleans antiques dealer Bruneau Abellard listens to a vintage phonograph cylinder he found in the secret compartment of a sideboard, he wonders if he has stumbled upon an important piece of musical history. In researching his discovery, Bruneau runs headlong into an arson investigation led by his childhood friend, NOPD Detective Bo Duplessis, which in turn may hold the key to a 50-year-old unsolved missing person's case. To untangle their present-day mysteries, Bruneau and Bo must first piece together a perplexing string of puzzles from the distant past. Their parallel investigations immerse them in the rhythm-and-blues subculture of 1960s New Orleans, and transport them to the dawn of the 20th Century, when a brash young musician introduced a new sound to the city, forever changing the course of music history.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Grace is serving up some of her old favourites to curl up to as autumn turns to winter. Award-winning Doctor Who and It's A Sin screenwriter Russell T Davies tells Grace about some of the most important moments in his life – and the comfort food that has seen him through them. The pair discuss love at first sight, recent loss, and how Woolworth's pork and egg pie is a metaphor for life itself

In this special episode of The Halloween Podcast, we're joined by author Norman Woolworth to discuss his latest novel, The Bolden Cylinder, part of the Bruneau Abellard series. We dive into the mysteries behind a vintage Edison cylinder found in a New Orleans antique piece, the unsolved missing-person case it ties to, and how the city's rich musical past—particularly the legend of Buddy Bolden—fueled the story. We talk history, jazz, intrigue, and how one artefact can connect decades of Florida crime, R&B culture, and Southern ghosts of the past. Email: TheHalloweenPodcast@gmail.comwww.TheHalloweenPodcast.comFacebook: www.facebook.com/TheHalloweenPodcast Norman Woolworth: https://www.normanwoolworth.com/ Keywords: Norman Woolworth interview, The Bolden Cylinder, Buddy Bolden history, New Orleans antiques mystery, historical fiction jazz investigation, author interview podcast, The Dark RecordHashtags: #NormanWoolworth #BoldenCylinder #JazzMystery #DarkRecord #HalloweenPodcast #AuthorInterview Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A potentially momentous discovery. A suspicious fire. A 50-year-old missing person's case. Are they connected? Fast-paced and vividly drawn, The Bolden Cylinder introduces a memorable cast of eccentric characters including: a malodorous collector of early R&B memorabilia, a sultry nightclub singer, a reputed mob boss, a 12-year-old tap dancer, and an inscrutable peddler of voodoo paraphernalia.When Buddy Bolden died in a Louisiana insane asylum in 1931, a quarter century after his reign as the undisputed first “king” of jazz, he left behind no known recordings. But when quirky New Orleans antiques dealer Bruneau Abellard listens to a vintage phonograph cylinder he found in the secret compartment of a sideboard, he wonders if he has stumbled upon an important piece of musical history. In researching his discovery, Bruneau runs headlong into an arson investigation led by his childhood friend, NOPD Detective Bo Duplessis, which in turn may hold the key to a 50-year-old unsolved missing person's case. To untangle their present-day mysteries, Bruneau and Bo must first piece together a perplexing string of puzzles from the distant past. Their parallel investigations immerse them in the rhythm-and-blues subculture of 1960s New Orleans, and transport them to the dawn of the 20th Century, when a brash young musician introduced a new sound to the city, forever changing the course of music history.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Mike Chemielewski talked to Norman Woolworth about his second novel, The Bolden Cylinder. Norman talked about why he writes historical novels set in New Orleans and why he is fascinated by the city. Quirky New Orleans antiques dealer Bruneau Abellard is the protagonist in his two books. In The Bolden Cylinder, Bruneau listens to a […]

Send us a textThe only thing more scary than Halloween is a bunch of unsupervised kids in 1978, high on sugar, wreaking havoc on suburbia.  This time the boys wax nostalgic on the Halloween experience in the 70s and 80s.  From horrible Woolworth's boxed costumes to those miserable clods that handed out pennies instead of candy to trick or treaters, we're covering it all.  If you ever filled a pillowcase full of peanut butter taffy twists and micro Snickers, this is the podcast for you.  We also give our best strategies for TP'ing those "non-compliant" houses.  Popcorn balls? Really?

Ron Popeil, inventor of The Pocket Fisherman, the Amazing Smokeless Ashtray, and the Inside-The-Shell Egg Scrambler, was (satirically) awarded an Ignoble Award for Consumer Engineering on 7th November, 1993. But the ‘Infomercial King' had spun an enviable career from his talent for selling; from humble beginnings shilling vegetable choppers on the shop floor of Woolworth's to establishing Ronco, a $55 million ‘As Seen On TV' company that eventually went bankrupt.  In this episode, Arion, Rebecca and Olly consider Popeil's pathological hatred of runny egg whites and reveal an award-winning way to collect samples of whale snot. But wait, there's more! They also talk about the magic price point for Popeil's inventions. It's just $19.99, so ACT QUICKLY... Further Reading: • Popeil interviewed by CBS Sunday Morning (2000): https://www.youtube.com/watch?v=WdLyKjKH_II • ‘All Ronco Product Commercials (Internal Reel)' (1970s-1980s): https://www.youtube.com/watch?v=WfcIPuvZE9I • Homepage of the Ignoble Awards: https://www.improbable.com/ This episode first aired in 2021 Love the show? Support us!  Join 

The Moneywise Radio Show and Podcast Monday, October 6th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management LinkedIn: Moneywise_Wealth_Management

Barbara Hutton, the "quintessential poor little rich girl,” was an American socialite and heiress to the Woolworth dime-store fortune. Tabloids ridiculed her for her seven divorces (including to Cary Grant) as she suffered from anorexia and alcoholism. She threw money at everyone around her, but never got the one thing she wanted: love.  This episode was first published on 11/29/2019. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today's top stories:1 person dead after crash in South Bakersfield Tuesday morning 6-year-old girl dies after suspected DUI crash on East Panama Lane SundayFamily of Rolando Anaya says men should be charged with murder after bar assault Kevin Mays no longer an employee of Cal State Bakersfield BPD searching for hit-and-run suspect in East Bakersfield Crash Book Club airing on KGET+ Wednesday at 1:30 p.m. Woolworth's Lunchonette reveals grand opening date Free concerts at The Marketplace to return ThursdayFor more local news, visit KGET.com. Stream local news for free on KGET+. Visit KGET.com/plus for more information. 

Our five senses constantly make adjustments and compromises—an observation that explains a cryptic comment by Andy Warhol. Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.

The guys discuss Woolworth’s Big W struggles, Cettire’s horror earnings announcement, the benefits of neurodiversity, Dan Andrews’ China vacation and chat to Dave Hyman founder of Lendi, Australia’s low profile unicorn. Thanks for listening! Join us on LinkedIn: https://www.linkedin.com/company/the-contrarians-with-adam-and-adir-podcast Subscribe on YouTube for all our video content: https://https://www.youtube.com/@ContrariansPodcast Follow us on Instagram: https://www.instagram.com/contrarianspod Follow us on TikTok: https://www.tiktok.com/@contrarianspodSee omnystudio.com/listener for privacy information.

Send us a textThe story of Reverend Davidson, the vicar of Stiffkey dominated the newspapers in the early 1930s. This is the story.The Lion and Albert, By  Stanley Holloway was a comic monologue inspired by actual events they had heard about  in 1932. The events in this podcast happened in 1937. Nevertheless, I have put the lyrics here for anyone unfamiliar with the verse.There's a famous seaside place called BlackpoolThat's noted for fresh air and funAnd Mr. and Mrs. RamsbottomWent there with young Albert, their sonA grand little lad were young AlbertAll dressed in his best, quite a swellWith a stick with an horse's head handleThe finest that Woolworth's could sellThey didn't think much to the oceanThe waves they were piddlin' and smallThere was no wrecks and nobody drowneded'Fact, nothin' to laugh at at all!So, seeking for further amusementThey paid, and went into the zooWhere they'd lions and tigers and camelsAnd old ale and sandwiches, tooThere were one great big lion called WallaceHis nose was all covered with scarsHe lay in a somnolent postureWith the side of 'is face on the barsNow Albert had heard about lionsHow they was ferocious and wildTo see Wallace lyin' so peacefulWell it didn't seem right to the childSo straightway the brave little fellerNot showin' a morsel of fearTook 'is stick with the horse's head handleAnd shoved it in Wallace's earYou could see that the lion didn't like itFor givin' a kind of a rollHe pulled Albert inside the cage with himAnd swallowed the little lad whole!Then Pa, who had seen the occurrenceAnd didn't know what to do nextSaid "Mother, yon lion's ate Albert!"And Mother said "Ee, I am vexed"Then Mr. and Mrs. Ramsbottom, quite rightlyWhen all is said and doneComplained to the animal keeperThat the lion had eaten their sonThe keeper was quite nice about itHe said "What a nasty mishapAre you sure that it's your boy he's eaten?"Pa said, "Am I sure? There's his cap!"The manager had to be sent forHe came and he said "What's to-do?"Pa said "Yon lion's ate AlbertAnd him in his Sunday clothes, too!"Then Mother said "Right's right, young feller-I think it's a shame and a sinFor a lion to go and eat AlbertAnd after we paid to come in"The manager wanted no troubleHe took out his purse right awaySayin' "How much to settle the matter?"Pa says "What do you usually pay?"But Mother had turned a bit awkwardWhen she thought where her Albert had goneShe said "No, someone's got to be summonsed!"So that was decided uponThen off they went to the police stationIn front of the Magistrate chapThey told him what happened to AlbertAnd proved it by showing his capThe Magistrate gave his opinionThat no one was really to blameAnd he said that he hoped the RamsbottomsWould have further sons to their nameAt that Mother got proper blazin'"And thank you, sir, kindly, " said she-"What, waste all our lives raisin' childrenTo feed ruddy lions? Not me!"

This week on the Kern County Real Estate Review, we're joined by architect Daniel Cater of Cater Design Group to discuss the ambitious restoration of one of Bakersfield's most iconic buildings — the historic Woolworth's on 19th Street. From sourcing original 1940s materials to deconstructing and rebuilding the last standing Woolworth's lunch counter in the country, Daniel walks us through the vision, process, and purpose behind this project. We also explore what this renovation means for the future of downtown Bakersfield and the broader role of historic preservation in community development.

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks  at the Important Role Children Payed in The Fight for Civil Rights in America. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.© 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

Send us a textGrab your portable tape deck. Make sure it has fresh batteries, and pop in this mixtape!It's something new this week on the podcast: the first mixtape. We are bringing multiple segments from past shows together in one super-sized episode. Every now and then, these will appear as a change of pace from the typical show. Mixtape #1 is all about classic mall stores of the 1970s, 1980s, and 1990s. In total, there are 30 stores that we will take a look back at. The indoor mall is still a popular destination today; however, its heyday was definitely the '70s through the '90s. You didn't need much money, as the 'mall rat' identity only required you to be inside a mall hanging out with friends. Kids of the day could spend hours sitting on benches or wandering the corridors, looking into some of the stores that will be mentioned on this show.How many of these stores did you spend hard-earned money at?Become a supporter on Patreon! $5/mo. gets you access to bonus podcast episodes and more!Helpful Links from this EpisodePurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogWebcam Weekly Wrapup PodcastCJSetterlundPhotos on EtsyListen to Episode 204 hereSupport the show

On the Mike Hosking Breakfast Full Show Podcast for Friday 18th of July, new stats reveal that Jobseeker numbers are still rising – Social Development Minister Louise Upston explains the situation. Some big sporting events are happening this weekend, with the All Blacks' third and final test against France and the Wellington Phoenix's clash against Wrexham. Trish Sherson and Tim Wilson Wrap the Week that was, talking about Woolworth's prize offerings and KiwiRail banning staff from taking sleeping pills. Get the Mike Hosking Breakfast Full Show Podcast every weekday morning on iHeartRadio, or wherever you get your podcasts. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The week has come to an end, and so Trish Sherson and Tim Wilson joined Heather du Plessis-Allan to Wrap the Week that was. They discussed Woolworth's latest promotion freebie and KiwiRail's confusing ban on melatonin and sleeping medications. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The Moneywise Radio Show and Podcast Tuesday, July 15th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management LinkedIn: Moneywise_Wealth_Management Guest: Janelle Capra, President & CEO for the Greater Bakersfield Chamber & Christian Clegg, City Manager website: https://bakochamber.com/  

SEE THE BOYS LIVE - https://www.samtallent.com/   SPONSOR: FACTOR - Support the show and get 50% off plus free shipping on your first Factor box. Use code CHUBBY50OFF at https://www.factormeals.com/CHUBBY50OFF   PATREON EPISODES: https://www.Patreon.com/chubbybehemoth   This week the boys are in Oamaru NZ trying out new hairdos! Nathan identifies as Three now, noticed Sam's wild decision in the Woolworth's, and uses a paper towel sometimes. Sam accuses Pat of having a unique heart, went full Jolsen on the clay, and tells Nathan and Becker about the lady that made Pat and him Bonk. Half the time is wiping.   Nathan Lund and Sam Tallent are Chubby Behemoth   Mutiny Coffee: mutinyonmainstreet@gmail.com   MORE WIDE WORLD: @SamTallent   Also Featuring Patrick Richardson and Jake Becker

Katherine Mitchell's 84-year journey defies the limits of a single identity. Born during WWII in Hungary, she survived war, communism, and displacement before building a multifaceted life in the U.S. As a nationally ranked gymnast turned refugee, talent agent turned screenwriter, single mother turned novelist, Katherine's story is a testament to grit, adaptability, and lifelong learning. In this heartfelt and often humorous conversation, she opens up about the moments that shaped her—from math lessons that sparked logical thinking to the heartbreaks and breakthroughs of a life spent chasing meaning, not just success.Interview recorded in Orange City, FL.Key Takeaways:Katherine was born in wartime Hungary and raised by her grandmother while her mother survived a concentration camp.After escaping Hungary following the 1956 revolution, she began a new life in the U.S., learning English and working jobs from Woolworth's to Wall Street.Her early love for math laid the groundwork for a structured, logical approach that served her across industries.She transitioned from being a gymnast to a playwright, then became a Hollywood agent and screenwriter—all while raising a child alone.After nearly 30 years in California, a major earthquake pushed her to reinvent herself once more—this time as a novelist in Florida.Katherine speaks candidly about dreams deferred, lessons in resilience, and the ongoing pursuit of inner peace and creative fulfillment.Her perspective on compassion and passion is both simple and profound: one is about giving; the other, about being moved to act.Katherine's Bio:It is an arduous task to capsulize 84 years of life that started as a war baby in Europe. Years of being a nationally ranked gymnast ended in escaping from communist Hungary. The refugee saga went from dishwasher to retail jobs, to love, marriage to an actor and on to Hollywood; from talent agent to screenwriter; from broken marriage to single parenting; always taking college courses to better myself. A 6.9 (7.) earthquake triggered my exit from California; becoming a novelist in Florida continued to fulfill years of working for acceptance as an American writer.Connect with Katherine:www.katherinemitchellauthor.com#TheHumanExperiencePodcast Follow Along:Website: https://www.thehxpod.com/Instagram: https://www.instagram.com/thehxpod/Facebook: https://www.facebook.com/getthehxTikTok: https://www.tiktok.com/@thehxpodYouTube: https://www.youtube.com/@thehxpodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The guys question Xero’s massive $4b bet on Melio, Woolworth’s blows $500m on its MyDeal disaster, how do you reduce moral hazard on planes, Adir test drives an EV and chats the growth of Woodfrog. Today's Sponsors: Netwealth: ⁠www.netwealth.com.au⁠/contrarians Vanta: ⁠www.vanta.com/contrarians⁠ Thanks for listening! Join us on LinkedIn: https://www.linkedin.com/company/the-contrarians-with-adam-and-adir-podcast Subscribe on YouTube for all our video content: https://https://www.youtube.com/@ContrariansPodcast Follow us on Instagram: https://www.instagram.com/contrarianspod Follow us on TikTok: https://www.tiktok.com/@contrarianspodSee omnystudio.com/listener for privacy information.

Woolworth's says Kiwi shoppers are getting a good deal from supermarkets. The supermarket giant's blaming GST for New Zealand's grocery prices rising higher than Australia and the UK. They say food prices could rise as much as six percent if the government was to intervene. Woolworths interim managing director Pieter de Wet talks to Heather du Plessis-Allan about the claims. LISTEN ABOVE. See omnystudio.com/listener for privacy information.

In this lively episode of their podcast, Comedy Store regulars Darren Carter and Mike Black dive into a whirlwind of topics with their signature humor. They riff on the chaos and charm of Planes, Trains and Automobiles, swap stories about braving rain and ice, and geek out over computers and phones. The duo shares what makes living in LA unbeatable, from its vibrant scene to quirky gems like revival movie theaters. Plus, they take a nostalgic trip down memory lane with a nod to the classic Woolworth's. Expect laughs, tangents, and a dose of LA love!https://linktr.ee/DarrenCarter https://buymeacoffee.com/darrencarterBecome a supporter of this podcast: https://www.spreaker.com/podcast/darren-carter-pocket-party--3090090/support.

Phil Harding had his hands in as many hits in the 80s/90s as anyone you care to mention. We will only concern ourselves with the better decade as we look into his career as producer/engineer and mixer.1. THE EARLY YEARS (Pre-1980-83)How Phil got into the business in the 70s, working with the likes of Gerry Rafferty (Baker Street!), The Walker Brothers (No Regrets!) and The Clash (White Man in Hammersmith Palais!), etc.Phil moves into the 80s with KIlling Joke and a very unique contribution to Sign of The Times by The Belle Stars. There is discussion on the differences (and similarities) between mixing pop and rock.2. MATT BIANCO/BASIA (1984-88)Working with Peter Collins leads to engineering Matt Bianco's first album which leads to Phil producing the follow up and mixing Basia's first solo LP. Through Peter connections are made with Pete Waterman.General chat on Phil's approach to mixing a track.3. STOCK AITKEN AND WATERMAN (PT 1) (1983-87)Phil enters the world of SAW. Talk of who did what within the team and experiences with Lamont Dozier, Princess, Mel & Kim and early Rick Astley.Further talk on who had "Woolworth's ears" and why SAW didn't produce Pet Shop Boys.4. DEAD OR ALIVE (1986-88)Let's face it, this section is almost exclusively about You Spin Me Round, the first SAW number one and an iconic 80s hit.5. BANANARAMA (1986-88)Working on Venus, Bananarama wanted the Spin-Me-Round hi NRG treatment, leading to a number of massive pop hits.  Also discussed is the Bananarama vocal approach and how it was decided who at the Hit Factory worked on what.EITHER/OR | Does Phil have the Terminator listen to Prince on his ghettoblaster or Robocop listen to MJ on his walkman?Phil can be found Website: philhardingmusic.comTwitter: @phardingmusicFacebook: Phil Harding80sography@gmail.comSend us a text

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks to the final day of Jubilee Remembrances 60th Anniversary 2025 in the South this Week. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"The Movie "Till" premiered in the Fall 2022. It was a Box-Office Hit!Emmett Till Antilynching Act is a United States landmark federal law which makes lynching a federal hate crime and signed into law on March 29, 2022, by President Joe Biden. The bill was named after 14-year-old Emmett Till, who was lynched in Mississippi in 1955, sparking national and international outrage.Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.© 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

All 80 people on board the Delta plane that crashed in Toronto made it off safely. A father of eight on the plane said everything was normal on the flight — until the landing. In those moments, he sent a text message to his family before escaping from the wreckage. Delta CEO Ed Bastian joins "CBS Mornings" exclusively to discuss the Delta plane crash that happened in Toronto Monday.  A CBS News investigation is looking into President Trump's sweeping Jan. 6 pardons, including for violent offenders. One woman said she's worried about her own safety and the safety of others after a Jan. 6 defendant who she previously dated and had prior convictions was released under President Trump's orders. In an interview about his new book, Sen. Tom Cotton says the U.S. needs stronger protections against unauthorized drone flights over military sites, calling the lack of authority to take them down "ludicrous."  Joseph McNeil and the Greensboro Four staged a sit-in at a Whites-only Woolworth's lunch counter in 1960, a protest that lasted more than five months and became a turning point in the fight against segregation. On its 65th anniversary, McNeil reflects on the moment. The inaugural season of Unrivaled basketball is underway in Florida, featuring WNBA stars in a fast-paced three-on-three format. With every game sold out and major investors backing the league, its founders hope to reshape women's sports. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

From sitting at a segregated Woolworth's lunch counter in 1960 to advocating for educational reform today, civil rights pioneer Clarence Henderson shares his remarkable journey of courage and conviction. Henderson recounts his firsthand experience during the historic Greensboro sit-ins and discusses how that watershed moment shaped his lifelong mission as a champion for freedom. Through candid conversation, he offers unique insights on America's progress in race relations, the importance of economic empowerment, and his concerns about modern education. Henderson challenges listeners to defend liberty through personal responsibility and civic engagement, arguing that freedom's price "must be paid in full and upfront."   https://clarencehenderson.com/    Tools for Transcripts is a resource for you to learn how to assess your students using the proven tools that bring life-changing results. We offer classes, coaching, and consulting. Classical Conversations families receive 10% off using the coupon code 10OFF4CC. To learn more, visit www.classicaltools4change.com

This episode will give you all the spots you need to check out in the popular Financial District of New York City! Where is the Financial District in NYC? While most neighborhoods in NYC do a bit of blurring together, the Financial District technically covers most of the southernmost tip of Manhattan. It runs from the West Side Highway on the west to the Brooklyn Bridge and East River on the east. This neighborhood runs from the north, starting at Chambers Street and City Hall and running south until The Battery. Battery Park and Battery Park City are not technically a part of the Financial District, but we will include them as part of our guide to the lowest part of Manhattan. Things to Do in Financial District NYC The Oculus--transportation hub, shopping mall, lots of restaurants One World Trade Center+Observation Deck 9/11 Museum Charging bull  Wall St. Museum of Jewish heritage  The Battery (+ Battery Park City) Brookfield Place Mall (mostly for the view and yachts and park nearby but also a high end mall) Ferry to Staten Island for Statue of Liberty view Pier 17- lots of concerts here Brooklyn Bridge City hall Elevated Acre - Park space with lawn, boardwalk and seasonal beer garden Woolworth building Stone street (cobblestone, no cars) South street seaport  South Street Seaport Museum St. Paul's Chapel - originally built in 1766 and is the oldest surviving church building in Manhattan Trinity Church - Burial place for the likes of Alexander Hamilton, Robert Fulton, Francis Lewis, Angelica Church, and other prominent figures in the early period of the United States NYC Financial District's Best Bars Dead Rabbit - Rated best bar in the world in 2016 Fraunces Tavern Overstory - 64th floor deck with panoramic views WarrenPeace - Dimly lit cocktail bar with friendly staff White Horse Tavern - NYC's 2nd-oldest bar, circa 1880, with a storied history and watering hole for Dylan Thomas, Jack Kerouac, and James Baldwin Carragher's - Soccer-themed sports pub Brickyard Craft Kitchen & Bar Stout NYC O'Hara's Restaurant and Pub - Classic Irish Pub This Episode's You'll Have to Check It Out Segment - Pisillo Italian Panini Bread is sourced from a bakery in Brooklyn and is fresh daily. All ingredients are imported from Italy and these are massive AND delicious sandwiches! Check it out here. Coffee Shops in the Financial District Hungry Ghost Coffee Black Fox Coffee 787 Coffee La Colombe Coffee Workshop Birch Coffee Laughing Man Cafe-technically Tribeca, owned by Hugh Jackman Restaurants in FiDi NYC Fraunces Tavern Joe's Pizza Delmonico's Manhatta - 60th floor, high-end New American cuisine Siena Pizza Eataly El Vez and Burrito Bar Pick A Bagel Los Tacos #1 Smorgasburg WTC Multiple spots in Pier 17, including The Fulton by Jean-Georges JR Sushi (technically Tribeca) Nish Nush (technically Tribeca) Download the full NYC Navigation & Transportation Guide here + join our newsletter here: ⁠https://rebrand.ly/nyc-navigation-guide⁠ Get the NYC Basic Tips & Etiquette book here: ⁠https://amzn.to/4fo5TRj

The Cape Sable seaside sparrow is one of the most endangered birds in the continental United States, numbering only 2,000 or so individuals, all living in the Everglades. Conflicting water management aims in South Florida pitting Big Sugar against the environment is resulting in the state taking drastic measures to pursue survival of the species.In 1960, African American equal rights activists in Tampa followed suit along with those in other cities around the South, staging sit-ins at segregated lunch counters in department stores like Woolworth's. Joining us to discuss this little known aspect of Florida history are Steven Lawson, an historian of the Civil Rights Movement and the former chair of the History Department at USF, and Karla Hartley, Producing Artistic Director of Stageworks Theatre, which will be performing a play based on the sit-ins, "When the Righteous Triumph," March 6-9, 2025, at the Straz Performing Arts Center in Tampa. Our previous episode about oysters featured a documentarian working on a film about oyster bed restoration. That documentary is now available on PBS stations and streaming.Help support "Welcome to Florida" by becoming a $5 a month patron at www.patreon.com/welcometoflorida. Patrons receive exclusive access to our weekly Florida conservation newsletter highlighting the top environmental stories around the state.

The Moneywise Radio Show and Podcast Monday, December 23rd  BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management instagram: MoneywiseWealthManagement Guest: Emily Waite, Direcotr of the Woolworth's Building Follow their Instagram Page for Updates: @historicwoolworth  

Let's take a look back at all the holiday cheer a five and dime store can provide. Travel back to 1954 and enjoy your Christmas as Zach and Mike tell you all about when "Santa Comes To The Big Top" Learn more about your ad choices. Visit megaphone.fm/adchoices

A South Auckland community is on tenterhooks after needles were reportedly found in a food products at a local supermarket yesterday. Needles were discovered in two different food products from Woolworth's in Papakura yesterday. Police are investigating, and the items in question have been removed from shelves, but as Finn Blackwell reports, New Zealand Food Safety are refusing to name the actual products.

Vốn đã thu về nhiều điều tiếng trong thời gian gần đây, hai chuỗi siêu thị lớn của Úc Coles và Woolworth tiếp tục chịu tổn thất nặng nề về danh tiếng, khi bị cáo buộc đánh lừa người tiêu dùng trong các chiến dịch giảm giá 'Down Down' và 'Prices Dropped'.

Rivky sits down with stylist and designer Talya Bendel to chat about her collaboration with Haas Bridal. We discuss why she doesn't see her teenage experimentations with modesty as rebellious, why the team wanted to do a mainstream collection, and how the collection shows their point of view as modest dressers. Talya Bendel is a 3x New York Times best dressed designer, film, editorial and event wardrobe stylist. Having launched her namesake brand with her partner Esty Haas the Talya Bendel - Haas Bridal collection was welcomed with rave reviews thanks to a Women's Wear Daily debut feature and a momentous show during NYBW at the Woolworth building in NYC. Talya has been working in the fashion industry for 15 years and has worked for Christian Siriano, designed for Luis Miranda, styled Titus Burgess and worked with Netflix, Warner Brothers, ROC Nation, Paramount and even the Teletubbies, among others. Talya has been featured in Elle France, Women's Wear Daily, Refinery 29, the knot. Talya has been quoted in The Daily Beast and has had her bridal sketch featured in Brides magazine. You can currently see Talya's work on the west side highway on a billboard for Columbia NYPB. Recently Talya, her partner Esty Haas and the Talya Bendel - Haas Bridal brand was nominated for an FGI Rising Star award in the evening wear category. Talya also recently worked on the Uzi Vert pink tape album trailer. This is just the beginning.  https://www.talyabendel-haasbridal.com/ @talyabendel_haasbridal @carpefashiondiem Click here to see the Impact Fashion collection. Click here to get an Impact Fashion Gift Card Click here to get the Am Yisrael Chai crewneck. Click here to join the Impact Fashion Whatsapp Status Click here to take a short survey about this podcast and get a 10% off coupon code as my thanks

Best-Selling Author & Distinguished Carter G. Woodson book award presented to exemplary books written for children and young people each year at the NCSS Annual Conference.My Show looks to the Jubilee Remembrances in the South this Week. I consider it a Privilege to cover the True Foot Soldiers who were physically THERE during the Events that Changed History in American Civil Rights to All.My Guest is author Robert H. Mayer author of the book "In the Name of Emmett Till"The Movie "Till" premiered in the Fall 2022. It was a Box-Office Hit!Emmett Till Antilynching Act is a United States landmark federal law which makes lynching a federal hate crime and signed into law on March 29, 2022, by President Joe Biden. The bill was named after 14-year-old Emmett Till, who was lynched in Mississippi in 1955, sparking national and international outrage.Children played a significant role in Birmingham's crucial civil rights struggle, and this stirring history of the movement, with many photos, news reports, and quotes from all sides, emphasizes the connections between the young people's power and that of the big leaders. Martin Luther King called Birmingham the most segregated city in America, and his Letter from Birmingham Jail is quoted at length. But when the adults' protest lost momentum, the leaders' decision to call on young people galvanized the movement--Hazel RochmanRobert H. Mayer is the award-winning author of When the Children Marched: The Birmingham Civil Rights Movement and the editor of The Civil Rights Act of 1964. As a teacher, Mayer's passion continues to be making history relevant and accessible to young people. His time spent in Jackson, Canton, and McComb, Mississippi, as well as meeting scholars and activists integral to the civil rights movement, fueled the desire to write In the Name of Emmett Till. He lives in Bethlehem, Pennsylvania, with his wife Jan, where he writes, teaches, and tutors youth in a local middle school.The 1955 murder of Emmett Till in Mississippi is widely remembered as one of the most horrible lynching's in American history. African American children old enough that year to be aware personally felt the terror of Till's murder. These children, however, would rise up against the culture that made Till's death possible. Over the next decade, from the violent Woolworth's lunch-counter sit-ins in Jackson to the school walkouts of McComb, the young people of Mississippi picketed, boycotted, organized, spoke out, and marched, determined to reveal the vulnerability of black bodies and the ugly nature of the world they lived in. These children changed that world.© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud   

Jill and Tom opened this week's show by bidding farewell to the Chevrolet Malibu. The long-running midsize model, available only as a sedan in recent years, is being discontinued by General Motors to make production space for an all-new Chevrolet Bolt EV. The hosts also expressed their confusion regarding Tesla's recent dismissal of the company's charging-network staff. Tom commented on a rumor that Tesla may be positioning the charging division for a possible spinoff. Still in the first segment, Jill shares her impressions of the updated Subaru Forester, which features freshened styling, upgraded cabin appointments, and improved connectivity. The 2025 Forester goes on sale soon. In the second segment the hosts welcome Christian Appel of Nikola to the program. The Global Head of Product and Programs at Nikola, Christian talked about the company's new hydrogen fueling stations, its current fuel-cell and electric trucks, and future plans for the zero-emissions vehicle manufacturer. In the last segment Jill is subjected to Tom's “Is it a Pontiac?” quiz, and the hosts chatted briefly about the ongoing Nissan-product fire sale, which includes massive incentives on popular models. 

We are increasingly being oppressed in our own country, but are able to walk around with Bibles. I talk with Michael Woolworth who is taking Bibles into countries where you could be killed for doing so. And, in a miracle, people in those countries are begging to get these Bibles. Michael is with Bible League International and he shares with us what it is like to see a Bible change the life of someone who could be killed for owning one.What does God's Word say? Matthew 28:16-2016 Then the eleven disciples went to Galilee, to the mountain where Jesus had told them to go. 17 When they saw him, they worshiped him; but some doubted. 18 Then Jesus came to them and said, “All authority in heaven and on earth has been given to me. 19 Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 and teaching them to obey everything I have commanded you. And surely I am with you always, to the very end of the age.”Episode 1,355 Links:https://www.bibleleague.org/4Patriots https://4Patriots.com/Todd See this week's discounts and deals before they are gone and get free shipping on orders over $97. Alan's Soaps https://alanssoaps.com/TODD Use coupon code ‘TODD' to save an additional 10% off the bundle price. Bioptimizers https://bioptimizers.com/todd Use promo code TODD for 10% off your order. Bonefrog https://bonefrogcoffee.com/todd Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions. Bulwark Capital Bulwark Capital Management (bulwarkcapitalmgmt.com) Sign up for Zach's FREE 2024 Preview today at Know Your Risk Radio.com. SOTA Weight Loss https://sotaweightloss.com SOTA Weight Loss is, say it with me now, STATE OF THE ART! GreenHaven Interactive Digital Marketing https://greenhaveninteractive.com Your Worldclass Website Will Get Found on Google!