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"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.” — Makoto Fujimura"Slow art is an invitation to linger, to notice, and to let the world unfold before us." — Makoto FujimuraYou are a beautiful masterpiece. But the practice of living artfully comes slowly, often through brokenness, weakness, or failure. Contemporary artist Makoto Fujimura integrates traditional Japanese styles with abstract expressionism and Christian theology, to explore the beauty that can emerge from the ashes pain and suffering. Both his art and his writing call us to behold the gift of creation, participate in its redemption, accentuating the cracks and fractures in our lives, so that grace might abound.Makoto Fujimura—renowned artist, writer, and theologian—joins Dr. Pam King to explore the deep connections between art, faith, and flourishing. Fujimura shares how his Japanese heritage and study of traditional Nihonga painting have shaped his understanding of creativity as a sacred act. Through themes of brokenness, beauty, and slow art, he challenges us to rethink success, embrace imperfection, and create from a place of love and abundance. Whether you're an artist, a person of faith, or someone seeking meaning in a hurried world, this conversation will invite you to slow down, behold, and embrace the mystery and beauty of life.Mako Fujimura integrates his artmaking, theology, and culture care advocacy into a beautiful expression of thriving and spiritual health. Through his breathtaking expressionist style, distinctively Japanese methods, and his rooted Christian convictions, he's bringing beauty into being, and inviting us to do the same.In this conversation with Mako Fujimura, we discuss:What art is, what creativity means, and the human capacity for making beautyHow we can live artfully through imperfection, brokenness, trauma, and sufferingHow the practice of a gift economy can lead to mutual thrivingThe slow art of pausing, stopping, and beholding that contributes to our mental and spiritual healthAnd the connection between knowledge and love in a life of creativity and artmaking.Helpful Links and ResourcesFollow Makoto Fujimura on X @iamfujimuraView Mako's art at makotofujimura.comMakoto Fujimura's WritingsMakoto Fujimura's BooksNihonga Art and its TraditionsRefractions: A Journey of Art, Faith, & CultureCulture Care: Reconnecting with Beauty for Our Common LifeSilence and Beauty: Hidden Faith Born of SufferingArt and Faith: A Theology of MakingEpisode Highlights"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know.""Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.”"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer.""Creativity is not about self-expression alone—it is about giving yourself away in love.""Slow art is an invitation to linger, to notice, and to let the world unfold before us."Show NotesMakoto Fujimura discusses the intersection of art, faith, and flourishingThe importance of beholding in a fast-paced worldHow brokenness and imperfection reveal deeper beautyNihonga painting and the wisdom of traditional Japanese artCreativity as an act of love and gift-givingThe Art of BeholdingWhy slowing down is essential for creativity and spiritual growthThe practice of beholding as a way of seeing the world more deeplyHow art invites us to be present and pay attentionThe connection between contemplation, creativity, and flourishing"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see."Creativity, Faith, and Human FlourishingHow art and faith are intertwined in human thrivingThe spiritual discipline of making and creatingWhy true knowledge is connected to love and experience"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know."How community fosters creativity and growthBrokenness, Beauty, and the Theology of MakingThe Japanese tradition of Kintsugi and embracing imperfectionHow Jesus' wounds and resurrection shape our view of brokennessThe gift economy vs. the transactional economy in art"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer."Learning to see beauty in what is discarded or overlookedThe Practice of Slow ArtWhy slowing down is essential for deep engagement with artHow layers in Nihonga painting reveal new depths over time"Slow art is an invitation to linger, to notice, and to let the world unfold before us."How slowing down fosters healing and deeper connectionThe role of patience and attentiveness in both art and lifeLiving a Creative and Generous LifeHow to cultivate creativity in daily life, even outside traditional artsThe role of community in sustaining creative workWhy generosity and self-giving are essential to true creativity"Creativity is not about self-expression alone—it is about giving yourself away in love."Practical steps for integrating creativity into everyday livingPam King's Key TakeawaysWhether you think of yourself as artist, we're all creative. Mako's message is intentionally not just for artists, but is an invitation for all of us to live artfully—no matter what we do for a living.Because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world.And to that end, remember your first love, the playfulness and creativity of giving beauty to the worldA gift economy of beauty offers a radical resistance to consumerism, competition, and comparison.Art and the making of beauty is a part of thriving. And the invitation to live artfully starts with a daily practice of slowing down: pause, stop, and behold. Smell the roses. Consider the lilies.And finally, there's a path to beauty through brokenness. Grace comes to us through failure. And strength is made perfect in weakness.And finally, though the wind may be blowing through our lives, may we all learn to behold the moonlight leaking between the roof planks.About Makoto FujimuraContemporary artist Makoto Fujimura is a painter, an author, a speaker, and an imaginative maker with a gift for theological integration.Mako's message is intentionally not just for artists, because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world. Working out of his Princeton, New Jersey studio, his work has been described by David Brooks as “a small rebellion against the quickening of time.” Art critic Robert Kushner placed Mako's art at the forefront of a contemporary movement about “hope, healing, redemption, and refuge, while maintaining visual sophistication and intellectual integrity.”A blend of fine art and abstract expressionism, Mako describes his work as “slow art,” being influenced directly by the distinctively Japanese Nihonga style, which is patient and methodical, using slow drying pigments from ground minerals.Mako's art has been featured in galleries and museums around the world, as well as notable collections in The Museum of Contemporary Art in Tokyo, The Huntington Library in California, and the Tikotin Museum in Israel.From 2012 to 2017, he served as vision director of the Brehm Center here at Fuller Theological Seminary.Mako is the author of several books, including Refractions: A Journey of Art, Faith, & Culture, Culture Care: Reconnecting with Beauty for Our Common Life, and Silence and Beauty: Hidden Faith Born of Suffering. His most recent is entitled Art and Faith: A Theology of Making. And his next book will be available soon—titled, Art Is: A Journey into the Light. And with his wife Haejin, he's producing a new work on Beauty and Justice.Follow him on X @iamfujimura, and view his beautiful work at makotofujimura.com. About the Thrive CenterLearn more at thethrivecenter.org.Follow us on Instagram @thrivecenterFollow us on X @thrivecenterFollow us on LinkedIn @thethrivecenter About Dr. Pam KingDr. Pam King is Executive Director the Thrive Center and is Peter L. Benson Professor of Applied Developmental Science at Fuller School of Psychology & Marriage and Family Therapy. Follow her @drpamking. About With & ForHost: Pam KingSenior Director and Producer: Jill WestbrookOperations Manager: Lauren KimSocial Media Graphic Designer: Wren JuergensenConsulting Producer: Evan RosaSpecial thanks to the team at Fuller Studio and the Fuller School of Psychology & Marriage and Family Therapy.
Monsters, in all their terrifying glory, have preoccupied humans since we began telling stories. But where did these stories come from? In Monsterland: A Journey Around the World's Dark Imagination (Scribe, 2025), award-winning author Nicholas Jubber goes on a journey to discover more about the monsters we've invented, lurking in the dark and the wild places of the earth — giants, dragons, ogres, zombies, ghosts, demons — all with one thing in common: their ability to terrify. His far-ranging adventure takes him across the world. He sits on the thrones of giants in Cornwall, visits the shrine of a beheaded ogre near Kyoto, travels to an eighteenth-century Balkan vampire's forest dwelling, and paddles among the shapeshifters of the Louisiana bayous. On his travels, he discovers that the stories of the people and places that birthed them are just as fascinating as the creatures themselves. Artfully written, Monsterland is a spellbinding interrogation into why we need these monsters and what they can tell us about ourselves — how they bind communities together as much as they cruelly cast away outsiders. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Monsters, in all their terrifying glory, have preoccupied humans since we began telling stories. But where did these stories come from? In Monsterland: A Journey Around the World's Dark Imagination (Scribe, 2025), award-winning author Nicholas Jubber goes on a journey to discover more about the monsters we've invented, lurking in the dark and the wild places of the earth — giants, dragons, ogres, zombies, ghosts, demons — all with one thing in common: their ability to terrify. His far-ranging adventure takes him across the world. He sits on the thrones of giants in Cornwall, visits the shrine of a beheaded ogre near Kyoto, travels to an eighteenth-century Balkan vampire's forest dwelling, and paddles among the shapeshifters of the Louisiana bayous. On his travels, he discovers that the stories of the people and places that birthed them are just as fascinating as the creatures themselves. Artfully written, Monsterland is a spellbinding interrogation into why we need these monsters and what they can tell us about ourselves — how they bind communities together as much as they cruelly cast away outsiders. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Monsters, in all their terrifying glory, have preoccupied humans since we began telling stories. But where did these stories come from? In Monsterland: A Journey Around the World's Dark Imagination (Scribe, 2025), award-winning author Nicholas Jubber goes on a journey to discover more about the monsters we've invented, lurking in the dark and the wild places of the earth — giants, dragons, ogres, zombies, ghosts, demons — all with one thing in common: their ability to terrify. His far-ranging adventure takes him across the world. He sits on the thrones of giants in Cornwall, visits the shrine of a beheaded ogre near Kyoto, travels to an eighteenth-century Balkan vampire's forest dwelling, and paddles among the shapeshifters of the Louisiana bayous. On his travels, he discovers that the stories of the people and places that birthed them are just as fascinating as the creatures themselves. Artfully written, Monsterland is a spellbinding interrogation into why we need these monsters and what they can tell us about ourselves — how they bind communities together as much as they cruelly cast away outsiders. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
Lawrence Armstrong is an acclaimed author, speaker, artist, and Chairman of Ware Malcomb, a leading design firm. With a career over three decades, Lawrence has been at the forefront of innovative leadership, guiding Ware Malcomb to national prominence. His unique approachintegrates art, architecture, and business principles, providing a holistic framework for effective leadership. Lawrence's expertise and thought leadership have made him a sought-after speaker and consultant in business. In “Layered Leadership,” Lawrence Armstrong presents a transformative guide that blends architecture's precision with art's creativity to redefine modern leadership. Through practical advice, real-world examples, and thought-provoking exercises, Lawrence explores the concept of layered leadership—building a robust and dynamic organization by integrating strategy, creativity, and execution. This book equips leaders with the tools to embrace innovation, foster collaboration, and achieve sustainable success in a rapidly changing business landscape.
Our human lives contain both joy and bereavement, Through it all we have Art, a crowning achievement, Art is for communicating the Human Condition, Thereby elevating it, a most valuable mission. [full script below] Ep. 393 - Artfully Happy We begin as always with the Happy Creed. We believe in Happy, in Balance and Growth, of being Mindful and Grateful, Compassionate and Understanding. Yowza Haha My Happy Friends! Our human lives contain both joy and bereavement, Through it all we have Art, a crowning achievement, Art is for communicating the Human Condition, Thereby elevating it, a most valuable mission. Art is a way of interacting with reality, one that asks “How?” Just like Science asks “What?” and Philosophy asks “Why?” Art is a way of accessing Happy in the here and now, Which you can then revisit or share with others by and by. Art, along with Science and Philosophy, is one of the Three Great Considerations of humankind, Because asking “How?” makes us think about quality and skill, About form and content, and depth of heart and mind, And helps us express our Happy creative Will. Art is a way of interacting with the world and the people in it, It can help us form connections and stimulate our souls, It can happen over the course of a lifetime or in less than a minute, It can be about things experienced in passing or passionate life goals. It is craft, it is feeling, it is life, it is history, It helps us make some sense of the Great Mystery, It delves deep and shows us that we are not alone, Because being Artfully Happy goes straight to the bone. Haha Yowza
Do you avoid posting about your art on Instagram because you just don't know what to write? It's a common issue for artists to feel overwhelmed about sharing the art they make on social media because it feels so draining. In this episode, I'm sharing my personal strategy for promoting art on Instagram in a way that feels authentic and energizing rather than a chore. We'll explore the importance of staying connected to your art, the power of authenticity, and the benefits of consistent posting. I'll break down my simple yet powerful three-point system that transforms social posting into a natural extension of your art practice. You'll learn how to build trust with your audience, enhance your creative journey, and turn Instagram into a tool that fuels your artistic growth. Listen if you are interested in... Be deliberate and reflective with your art to strengthen it [4:57] Tip #1: Be authentic on Instagram [8:44] Tip #2: You don't have to be an expert [12:20] Tip #3: Types of social content and how to share it [13:26] Why sharing your art is part of the creative process [16:39] How to review posts and captions to see what resonates and gain insights [22:02] Connect with Nicholas Wilton and Art2Life Get the Free COLOR TIPS PDF here Follow the Sunday Art2Life Vlog here Follow Nicholas Wilton's Art on Instagram Follow Art2Life on Instagram Subscribe on Youtube Subscribe to Art2Life onApple Podcasts, Spotify, Google Podcasts
Have you ever felt like a background character in your own life? Join Kyle McMahon as he explore this intriguing concept with the stars of Hulu's "Interior Chinatown," Executive producer Taika Waititi, author Charles Yu and stars Jimmy O. Yang, Ronny Chieng, Chloe Bennet, Sullivan Jones, Lisa Gilroy, Archie Kao and Tzi Ma all speak with Kyle with candid insights into the groundbreaking series. Based on Charles Yu's novel, these discussions reveal how it humorously challenges Hollywood stereotypes and conventions, while also resonating deeply with personal experiences of identity and representation. Switching gears, the episode also highlights a refreshing take on love and vulnerability through the lens of the new romantic comedy "Sidelined: The QB and Me." Grammy nominated Deborah Cox discusses her inspiring role in the film and Sienna Agudong and Noah Beck open up about their creative process and the courage needed to express unconditional love. We discuss the inspiration behind their roles and how personal significance fuels their passion projects. From the layered storytelling of "Interior Chinatown" to the heartfelt narrative of "Sideline, the QB and Me," this episode promises to captivate listeners with fresh perspectives and engaging conversations. So, whether you're a fan of thought-provoking television or charming romantic comedies, there's something here for everyone.Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming: https://www.deathandgrief.show/Chapter-One-The-Diagnosis-AKA-WTF/---------------Get all the Pop Culture Weekly podcast info you could want including extra content, uncut interviews, photos, videos & transcripts at: https://podcast.popcultureweekly.comWatch celebrity interviews at: https://www.facebook.com/realkylemcmahon/videosor Kyle McMahon YouTube at: https://www.youtube.com/officialkylemcmahonRead the latest at http://www.PopCultureWeekly.comFollow Kyle on:Facebook: http://www.facebook.com/realkylemcmahonInstagram: http://www.instagram.com/kmacmusicYouTube: https://www.youtube.com/@popcultureweeklyWebsite: http://www.kylemcmahon.me
If your studio is just a space to exercise, you're in trouble. Consumers today expect memorable experiences and personal connections. Fortunately, Studio Grow is in the experience business. Discover how to differentiate your studio with Coach Caroline Plambeck in Episode 632, Senses in Sync: Crafting a Multisensory Journey. Evoke emotions and encourage loyalty in immersive environments that tickle multiple senses. The recipe for success: Fine-tune your tunes: match your music to your brand, modality and mood Nurture nose jobs: incorporate subtle signature scents to cultivate familiarity Keep in touch: foster physical and emotional feelings through tactile encounters Entertain the eyes: enhance visual appeal through lighting, color, design and decor Compose your symphony: thoughtfully combine each element to make magic Artfully engaging the senses in your studio can make a powerful physical and mental impact. Explore the opportunities in Episode 632. Catch you there, Lise PS: Join 2,000+ studio owners who've decided to take control of their studio business and build their freedom empire. Subscribe HERE and join the party! www.studiogrow.co www.linkedin.com/company/studio-growco/
Welcome to another episode on The Coaching Podcast focusing on how to communicate ARTfully, where we discuss the art of authentic communication and leadership presence. Today, we have the incredible Hilary Blair, a leadership communication consultant, coach, and former drama teacher, who brings a unique perspective on navigating business relationships. In this episode, we'll explore essential topics, including why friction is inevitable but conflict isn't, and how to use your authentic voice in communication. Hilary will share insights on balancing team success with individual excellence and reveal how leaders can enhance their presence. From communication hacks to the lessons we can learn from the drama world, get ready to discover how to activate the talent within your organization and embrace the power of being truly present. Let's jump in! 1.29: Do you prefer the aisle or window seat? 2.44: Friction is inevitable and conflict isn't. Friction - is remaining present and in relationship. Conflict - is when the walls go up and we start lobbing things at each other. 5.52: What's a communication hack we can bring into these friction conversations? Say this in your head: Can I get you a cup of coffee (maintain eye contact and presence)! "Own the awkward." 9.36: The four ways to activate (executive) presence are: 1) To see other people. 2) To allow yourself to be seen. 3) To choose the energy you are showing up with. 4) To receive being seen (deepest connection and the hardest one). 12.27: "We hire people for their individuality and then we work on getting conformity and groupthink!" 14.29: How can coaches improve their presence? (Remain in relationship) Acknowledge that this soft skill MATTERS! 22.06: All feedback is constructive! Hone your ability to give feedback. "If we don't embrace the discomfort of staying in a friction-fraught world, we miss the fruitful outcomes." 24.09: What can coaches and leaders learn from the drama world? 1) Allow and celebrate our individuality! 2) Bringing discipline to an art form (repetition and practice). 3) Embodyment - integrate the full integration of our bodies. 27.21: How do you let individual talent thrive and bring out the best in a team? You have to adapt your communication (there are tools and there are skills - focus on improving your skills). Allow the superpowers to come out (by celebrating) each individual and let the team know. 32.27: What makes a great coach? "Have been there." 35.10: Disruptive coaching idea that will change the way we coach in 2030? We need to focus on learning the "skills" of being human and in relationship. We don't have one authentic voice because it depends on the situation. Our authentic voice has the breath and the balanced stereo. To learn more about becoming a workplace coach or advancing your coaching skills, visit: www.coachem.cc or email: info@emmadoyle.com.au About Hilary Blair - Activating the Talent Within Your Organization Being authentic and present is essential in the business world today. Presence is active and fluid, not a destination or a box to be checked on a leadership development form. It's similar to balance needing nuanced adjustments to remain connected and in relationship. Presence is a verb. I'm a leadership communication consultant and coach who brings years of professional experience as a business owner, entrepreneur, and artist to every interaction. So I understand leadership growth and team development firsthand which deeply influences our programs and coaching. Our sweet spot is supporting the larger and midsized companies that are seeking to activate the power of the individuals on their teams – you hired or promoted them because you see the potential and we assure it's surfaced and embodied. When not on the road, I can be found gardening–or since I live in Colorado–covering plants to protect them from hail. I also enjoy hiking, golfing, and curling up with a novel and a dog. Connect with HilaryWebsite: ARTiculateRC.comLinkedIn: https://www.linkedin.com/in/hbarticulate/
In this week's episode I speak to Allison Canales a conscious marketing mentor and medicine woman. Her work supports leaders in weaving artistry and ethical marketing to come alive online. We discuss many aspects of marketing that we do not often hear about and this episode will help you to grow your business from the heart and to make a powerful impact. Listen in if you're ready to hear:How to bring your multi faceted layers through in your marketingWhy cultivating your personal priorities is so impactful on your businessHow to live an offline life while being present online for your businessHow being less present can reap greater fiscal rewardsWhat specifically about your frequency and energy is important in your marketingHow I get to meet the most interested and interesting people online and have THE BEST most REAL and INTIMATE relationships in real lifePlus, if you are ready to take your next step, I invite you come to a community call, message me on Instagram, share the podcast and tag me, engage! You get to be a part of the community, just by joining in! This is your opportunity to have the heartfull connections that you desire!Meet Allison:Allison Canales is a conscious marketing mentor and medicine woman. Her work supports leaders in weaving artistry and ethical marketing to come alive online. Through a bold edge and fresh perspective, she elevates the voices of feminine visionaries and thought leaders to create unparalleled brands and businesses. Find Allison here:On Instagram: IamallisoncalaesEmail List: https://allisoncanales.myflodesk.com/814189b3-8838-4c53-a2a0-e84ab3f94007Freebie Magnetic Content Generator - https://allisoncanales.myflodesk.com/uyyocfglpn=Next Steps:If you're curious about your Human Design, you can get your free 'Embody your Design' chart and Report worth £49 for free as a gift from Ebonie HERE If you want to get Ebonie's Kismet Codes Oracle Deck, go here: https://www.ebonieallard.com/kismet-codes-deck-oneTo talk to Ebonie about anything in this episode you can whatsapp her or DM her on Instagram. If you have enjoyed the podcast, please rate, subscribe and leave us a review as it really helps more people find us. Thank you. If you leave a review and send me a screenshot I'll send you a £10 credit note to use at https://shop.ebonieallard.com/
Renowned Canadian artist Julia Veenstra is joining the podcast today to talk about one of her mantras: “Living and Working Artfully.” Julia is known for capturing vivid landscapes, and also known for her love of gardening. As a lifelong artist, Julia brings another viewpoint to the garden, including form, shape, color and composition. Come join Janey and Julia for a discussion on how living artfully can change the way you look at your garden. It can help identify what might be missing to really make your garden speak to you. Julia's passion for her art and her garden can remind us all to slow down, and live artfully.Watch videos of Julia's gorgeous garden here.Check Julia's YouTube channel out.Julia's Instagram.Love what you're hearing? Make sure to check out DPWR on YouTube!Store.Instagram.Dig, Plant, Water, Repeat is produced in association with Caloroga Shark Media. Hear other shows from Caloroga Shark along with subscription info and Merch with free shipping here!
Welcome to episode 82 of I Like Art Podcast featuring Canadian artist Julia Veenstra. Julia is a multi-passionate entrepreneur- artist, gallery owner, gardener and founder and creator of the Square Foot Show. In this episode artist and host Sara Glupker chats with Julia about her childhood and career as an artist and mother to five children. Julia talks about her many life passions and her passion for living an artful life. Julia and Sara also talk about the upcoming Square Foot Show- an online art show featuring 52 international artists (including Julia and Sara this round) and how you can collect work from the show and even win original art! Stay tuned for the end of the episode as Julia also reveals a special offer only for ILA podcast listeners! Thank you so much for tuning in to this week's episode and please check out all of the links below to get to know and follow Julia Veenstra and to connect to the upcoming Square Foot Shows. If you love the show, we would love for you to follow and subscribe or even write a review! Sara releases new episodes on Tuesdays and loves to share her passion for art for everyone, sharing the stories of today's living artists, telling stories from the studio and most importantly- using this space to encourage YOU discover your creative voice and live more creatively! Thank you again for listening and joining Sara on this creative adventure! About this episode's featured artist: Julia Veenstra is a renowned Canadian artist and entrepreneur known for her lively composition and vibrant use of colour. Having lived in various countries through her life, Julia incorporates diverse influences into her impressionistic and representational style—it's no surprise, then, that her work is found in collections across the globe. She chooses acrylic as her medium of expression due to its immediacy and the ability to create bright and vivid colours. Julia's artistic journey has led her to focus on capturing the vivid landscapes of her native Canada, for which she has gained national recognition, including a feature on the coveted Royal Winter Fair poster. As an entrepreneur, she's made a significant impact on thousands of artists and collectors worldwide through initiatives like Square Foot Show, Artlabel, and her new gallery, Crown and Press. You can often find Julia in her studio, a converted garage, at her home on Beach Boulevard in Hamilton. Connect with this episode's featured artist Julia Veenstra here: Website: https://juliaveenstra.com/ Instagram: https://www.instagram.com/jveenstraartist/ YouTube Channel: https://www.youtube.com/@juliaveenstraartist Julia's Gallery: Crown and Press Gallery website: https://crownandpress.com/en-us Crown and Press Gallery on Instagram: https://www.instagram.com/crownandpressgallery/ More info about the Square Foot Show is here: Website: https://squarefootshow.com/ Instagram: https://www.instagram.com/squarefootshow/ *Special coupon code for an artist print from Julia Veenstra's website: Use code: Julia-Ten-Once on Julia's Website: https://juliaveenstra.com/ for a one-time discount of 10% off of one of Julia's Prints! You can watch this podcast interview here on YouTube: https://youtu.be/unWLiEDJDTA Things mentioned during the episode: Trisha Romance, Artist: https://www.instagram.com/trisharomance/ Book: God is (Not) in Control by Jason Clark YouTube Channel: Erin the Impatient Gardener: https://www.youtube.com/c/TheImpatientGardener Follow I Like Art Podcast on Instagram: https://www.instagram.com/ilikeart.podcast/ Watch the latest I Like Art Podcast Interviews on YouTube: https://www.youtube.com/@ILikeArtPodcast Find Sara Glupker- Podcast host here: Instagram: https://www.instagram.com/saraglupker Website: https://www.saraglupkerart.com Facebook: https://www.facebook.com/SaraStrongGlupkerArtist
The conversation is about copyright law and its intersection with art. Deborah Reid, Esq., an artist and attorney, discusses her journey behind writing the book “Copyright Artfully Explained, The Illustrated Legal Reference for Visual Artists”. She explains the importance of copyright registration and the concept of fair use. Here is the link to purchase the book: https://store.bookbaby.com/book/copyr... *Illustrated artfully with the help of Mary Atwood: • From Lens to Legacy: Mary Atwood's Ar... The conversation also touches on the challenges posed by AI and the protection of intellectual property in the digital age. Other topics include trademarks, patents, trade secrets, and the use of stock images and Creative Commons licenses. The conversation covers topics such as protecting online images, Creative Commons, DMCA takedown notices, self-publishing vs. traditional publishing contracts, collaboration between artists, and the importance of written agreements. Deborah Reid shares insights and advice on copyright law and the challenges faced by creatives. The conversation concludes with a discussion about Deborah's book launch event. Takeaways - Copyright law protects creative works and incentivizes artists to share their work with the public. - Registering a copyright is important for enforcing copyright infringement. - Fair use allows for the use of copyrighted work without permission or payment in certain instances. - AI poses challenges to copyright law, particularly in terms of using existing works to create new content. - Trademarks protect brands and prevent confusion among the public. - Patents protect inventions and methods, but have a limited duration. - Trade secrets rely on keeping valuable information confidential. - Stock image sites and Creative Commons licenses provide tools for legally using images and other content. Technology can be used to protect online images by distorting the pixels, making it difficult to copy. - Creative Commons licenses allow creators to specify how their work can be used and shared. - DMCA takedown notices can be used to remove infringing content from online platforms. - Self-publishing gives authors more control over their work and a larger share of royalties. - Written agreements are essential for collaborations to avoid disputes and ensure clarity. - Understanding copyright law and the rights and responsibilities of creators is crucial for artists and writers. Here is the link to purchase the book: https://store.bookbaby.com/book/copyr... ** Music Tracks by Alex Grohl on Pixabay (Where applicable) ** Feel free to LIKE, SHARE AND COMMENT and SUBSCRIBE. Follow The Contrast Project online: ** https://www.thecontrastproject.tv/ ** https://www.facebook.com/TheContrastProjectJax ** https://www.instagram.com/the_contrast_project/ ** https://www.instagram.com/contrast_podcast_backup/ ** https://www.threads.net/@contrast_podcast_backup ** https://twitter.com/ContrastProjTV ** https://www.youtube.com/@thecontrastproject7242 ** Streaming on all major platforms, including: ** https://podcasters.spotify.com/pod/show/the-contrast-project ** https://spoti.fi/3D4BHdg ** https://apple.co/3PGNSEE ** https://ihr.fm/3riy010 ** https://bit.ly/Contrast_Radio_Public Amazon : https://amzn.to/45UmqsC ** You can help support The Contrast Project Lounge Podcast by visiting: https://ko-fi.com/contrastprojectloungepodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-contrast-project/message Support this podcast: https://podcasters.spotify.com/pod/show/the-contrast-project/support
The April and Derrick series. by Deana Bard. Listen to the ► Podcast at Steamy Stories. It's early evening when April is getting ready to go out for a few hours. Freshly showered and sweet-smelling, she puts on tight pair of jeans that enhance her firm thighs. The center seam separates and molds her two round ass cheeks but also tends to accentuate the lips of her pouting pussy. For a top, she chooses a light-colored silk blouse, sans a bra as usual, with the top three buttons undone to show some cleavage and sheer enough to just make out the darkness of her nipples.To her husband, Derrick, all of this preparation just for a night out with ‘the girls' at one of the local nightclubs seems a bit over the top. But he keeps those thoughts to himself. As she's about to open the door to leave, she looks over her shoulder with a twinkle in her eye and says, “Be showered by the time I get home.” Enamored by her beauty, Derrick steps over to her to give her a goodbye kiss. While doing so, his hand cups one of her breasts. She returns his gesture by putting her arms around him pulling him close. She opens her mouth, sticking her long wet tongue past his parting lips and deep into his hot mouth. The silk covering her soft but firm breast can not hide the erect state of her nipples. She lets out a soft moan when he gives the little brown pebble a pinch. Suddenly she breaks the kiss, takes her arms from around him, and gives her husband a punishing look. Stunned, he asks, “What's the matter, Babe?” “You're always too tired any other time,” she snaps. “So why do you wait until I have people waiting for me? I'm about to be late?” “Hey, my head wants it often,” he says defensively. “I can't help it if my libido and this head…, “pointing to his crotch, “can't keep up with you.” She comes close to him again, grabs the slight bulge forming in the front of his pants, and says, “Well, just make sure that you're clean and ready by the time I get home. Maybe then…” “I think I can manage that,” he says, enjoying this game they sometimes play. “If you only THINK you can manage that then,” she says in mock seriousness, “I might THINK about not coming home until morning.” He's heard that before. It's all part of their game. April smiles a wicked smile and says, “Don't forget, there are all these men who buy us drinks all night. Each hoping that they'll get lucky with us. Maybe I'll just have to let one of them serve my needs.” “My mistake, Madame,” he responds in playful homage. “I promise to be ready to service your every need upon your return, whenever that might be.” “That's more like it.” She says with a gleam in her eye while giving his balls a good squeeze. With a quick peck on the cheek, she turns and goes out the door. Through the front window, he watches as she saunters down the walk to her car. As she is about to get in, she turns towards the house. Looking right at him, she pulls at the opening of her loosely buttoned blouse and flashes a lovely tit at him, then gets in the car and drives away. He sits down to watch the evening news, but he can't keep his mind on what he's watching. His thoughts keep drifting to what April might have in mind when she gets home. Aside from normal, run-of-the-mill sex, from time to time, they had played other games. It could be based on a theme, such as ‘The Seductive College Nympho.' ‘The Barber' (where one of them gets a pubic trim or even a shave). ‘Hot Fudge Sundae' (while helplessly bound and laying naked on a plastic sheet, ice-cold ice cream is scooped onto very select and sensitive spots of the body. This is followed by drizzling hot fudge on his or her naked body. That is only half the fun because the other gets to take their time licking it all up.) They had even dabbled a little bit in 'Water Sports' (they had peed on each other in the shower several times. And when out camping one time, after drinking way too much, they held a pissing contest to see which one could pee the furthest, longest, and hardest. April won on all counts.) Once, after washing his hair, April rinsed the lather from his scalp by pissing on his head. But one form of role-playing they regularly come back to is 'Mistress and Servant.' At any other time, the responsibilities and chores of daily life are shared equally between them. But in the bedroom, something just clicks when they play these “dom” and “sub” roles. Interestingly, after several sessions with Derrick playing The Master to her role of The Servant, it became apparent that the results were never as satisfying as when April played The Master. With April's more expressive imagination, it became only natural for Derick to assume the role of Servant. This arrangement just worked for them both. After about an hour of glancing at the television and checking some porn on his phone, Derrick headed upstairs to take that shower. While the water is getting hot, he is thinking about that pussy of hers. Leaking the honeydew that he loves to lick and lap. When April gets going, the cunt oil flows so heavily that it rolls down her legs and between her ass cheeks. The sweet aroma and taste never fail to get Derrick so excited that he'll lick the entire slice between her legs, including around her dusty rosebud. All of which drives her to greater heights of pleasure and makes those juices flow heavier. He returns his attention to her big pink pussy, licking and sucking harder. Her cunt is opening and closing, and her hips start rocking up and down as if inviting the first hard cock to come along to slide in as far as it can go. She will still beg for more. Getting lathered up, Mr. Happy is rock hard and begging to be grasped firmly for a good stroking. As tempting as that is, Derrick resists the urge, instead making sure to clean every square inch, from head to toe and front to back, before rinsing off. Still dripping wet, his erection bobbing from side to side, he nakedly paces the house. Eventually, he plops himself onto the bed to finish air-drying in the warm summer breeze coming in through the open window. The orange, dusky sky of summer following a sunset gave the bedroom a dim, warm glow. Derrick soon drifted off to sleep dreaming about his sexy wife. His rock-hard cock laying across the flat of his belly – all five inches of it. He dreamed of her full breasts capped with those sensitive nipples that he so loved to suck and nibble on. This always brought on the sweet nectar that then flowed so abundantly from her beautiful pussy. Someday, he is going to get up the nerve to order one of those strap-on dildos he's seen promoted on adult websites. Designed especially to fit over a less than adequate male member. If years of internet porn have taught him anything, it's that he didn't come equipped with the best hardware. But an artificial phallus should make up for those shortcomings. And won't April be surprised when he puts that on! Then he can fuck her like he's never been able to fuck her before. The way a woman's cunt was intended to be fucked! Derrick so desperately wanted to see the blissful expression on his wife's face the first time he slides that lifelike cock into her. Like watching his very own porno movie, he has had visions of what it would look like from various angles. Watching this larger dong gliding in and out of the only pussy he has ever had the pleasure of knowing so intimately. An additional bonus of using a strap-on would be, he'll never again have to worry about cumming too soon. Whether he has an erection or not, the dildo never goes soft. That's when he'll be able fuck her juicy cunt much longer than he ever could otherwise. They will fuck until they can't fuck any longer. But she will want more. She always wants more! His dream soon takes on a life all its own. The cock he sees plowing in and out of April's pussy is suddenly not his own. Nor is it the strap-on dildo. Like an outsider looking in, he is watching his darling wife impatiently, imploringly urging some stranger to fuck her. To fuck her HARD! To fuck her like her husband can't. That remark draws Derrick's attention from his wife's face to the massive cock taking long and steady strokes as it penetrates regions of April's interior that Derrick has never come close to reaching. Derrick is mesmerized by the ability of his wife's cunt to welcome such a massive piece of man-meat without any signs of pain. Only the sounds of extreme pleasure fill the room and Derrick's ears. Strangely, this passion play doesn't stir Derrick from his sleep. Instead, he is entranced by the erotic scene playing out before him as this faceless stranger ravages the love of his life, taking her to all new sexual heights. It is both heart-rending and exciting at the same time. The rhythm of the conjoined lovers increases along with the lustful grunts and moans with the approaching climax. Derrick knows he should try putting a stop to this before she ends up with a belly full of a stranger's baby-batter. But then again, he is just as excited to witness the expression on his wife's face when massive quantities of cum explode into the deepest recesses of her insides. Just as the lovers were reaching a manic crescendo of lust, Derrick felt a tickling sensation on his belly. That's when reality began to drag him from dreamland. Warm lips were suctioning up the puddle of pre-cum that lay on his belly. Derrick cracked open his eyelids. Outside the window, it is now completely dark. Inside, only by the dim light from a lit candle on the headboard of their bed can he make out that April is completely naked, kneeling beside him. April's firm tits hardly dangle or sway. Her heavenly ass floats temptingly in mid-air. Eager to return the favor, Derrick can hardly wait to taste his wife's succulent pussy. Ever so slowly, he slides himself down until he can maneuver her lower end over his head. Bringing his hands around the backs of her legs, his fingertips discover her trimmed but thick bush is matted with moisture. A spontaneous thought flashes through his mind; What if this dampness is the result of his darling wife already having had wild, sweaty, and wanton sex? With a stranger?! It was said in jest. But April had warned of that possibility. Even that possibility could not dissuade him. No matter what, Derrick would not be denied the opportunity to get his tongue into his wife's pussy. Dare he look first for confirming evidence? Or should he just close his eyes, take the deep dive and let the chips fall where they may? His fingertips fought against the sliminess that coated her pussy lips to spread them wide. Only then would the truth be exposed. As it turned out, there was not a single visible trace that April had been with another man. A sense of relief came over Derrick that his wife had remained faithful to him and their wedding vows. Resting his head back down for a moment, Derrick watched as a few rivulets of her honey seeped out of her love hole and rolled down the length of her ever-enlarging pink gash. It rolls down the clit, which is getting longer and harder by the moment. Droplets of sensual oils formed on her clit then drip down into his hungry mouth, which he savors and then swallows. Another thought occurred to him. What if they used a condom? Evidence of any dalliance on April's part wouldn't be visible. There was only one way to be sure. The smell and taste of latex and lube would provide all the evidence needed. Curiosity took over. Raising his head, he inhales deeply, then without waiting for the results of the sniff test, he takes one long lick of her gash. Nothing unusual here. Everything tastes and smells just a perfect as it always had. Reassured in his wife's fidelity, he sticks his tongue out further and deeper into her inflamed crack, circling and lapping faster and faster. Laying on his back always helped to ensure little of her honey would go anywhere but into his mouth. Using his tongue, he tries to dig out more and more of her musky cream. Derrick may enjoy this even more than April does. What Derrick had no way of knowing, that April was having her own incidental thoughts. “If only he could lick and fuck at the same time. Oh, god! What a nasty thought. Having a tongue lapping at my pussy while a cock is plowing my pussy. Now that would be heaven.” As April is having these thoughts, she is busily attending to his throbbing manhood. Teasingly only sucking on the round head. Artfully swirling her tongue around the tip then across the little lips of the piss hole, swabbing out the steady stream of pre-cum. After a while, changing to long, deep bobs of her head. Devouring the entire shaft. Of course, Derrick's dick is only long enough for just the mushroom to reach and be tightly surrounded by her throat. At the same time, she cups, rolls, and squeezes his ball sack. “I wish…,” April thinks to herself. “I wish I could trade in Derrick's dick for something more substantial. The length is passable. But why does it have to be as skinny as a broomstick?” she laments. “I love him to pieces. But if I could change just one thing, it would be for him to have a thicker cock.” This train of thought is interrupted when she senses that he is getting too worked up, too soon. She doesn't want him cumming yet. And not into her mouth! She has other plans. Releasing his pulsing dick from her lips, she inserts her index finger into her mouth and coats it good with spit. Now, while lightly kissing and licking his dick down to the base, she slowly begins tickling and teasing the puckered rim of his asshole. From between her legs, she hears Derrick softly moan. Slowly, very slowly, she pushes her fingertip past his sphincter. Deeper and deeper. She watches as his dick bobs and throbs, bouncing off his belly as it strains to get larger and harder. With her finger fully planted in his anus, she begins massaging his prostate gland. Doing this causes even heavier and thicker pre-cum to flow out of his swollen erection, which she is all too happy to lick up and swallow. April has never been a fan of having cum in her mouth. But Derrick's pre-cum is the sweetest she's ever tasted. She feels Derrick's hands on her tits as he softly kneads them. She can feel his tongue darting in and out of her pussy, just slightly opening the membranes of her love hole. She knows her juices are flowing, and she contracts her kegel muscles hoping to squeeze out larger quantities into his waiting mouth. But this is torture, for what she really wants right now is a cock. A big, thick cock! And, what the heck, a longer one too. The kind she's seen on her own porn searches. This is not the first time to have these thoughts. But it is the first while in the midst of a sexual romp with her husband. At least once, she'd like to know what it feels like to have that kind of fullness. To get fucked in ways she has never been able to experience with her husband. Something only a much bigger cock could accomplish. But would something that large actually fit? She'd be willing to try. How exciting it would be to feel something that large and meaty pushing against the opening of her pussy. As if making sure it can fit. After all, her cunt has only had a real cock of half the size this faceless lover is packing. The longer April's mind thinks about it, the hornier she is getting. And as horny as she is right now, she's sure she could take it to the hilt! Suddenly it pushes through, and she can feel her soft pink membranes being stretched like never before. With each stroke, the oversized rod goes a little deeper, like a sword, piercing its way into realms thus far never explored. As it does, she senses only the slightest discomfort. But this is instantly followed by intense pleasure. Finally, it is almost all the way in. April has never known such sensations. Then the large shaft is drawn out until only the tip is still parting the lips. The sudden loss of fullness is almost unbearable. Then, suddenly, with one final lunge, the stranger shoves his massive cock is all the way into her hot cunt. Who is fucking who? With each mighty thrust, she rises up to greet it. She is fucking that man-meat with total abandon. With each thrust, she can feel it pushing on her cervix. She is moaning and groaning with delight. It feels as though the cock is getting even harder, and better yet, bigger! Suddenly the cock explodes with lots of cum! It's like white-hot lava filling her insides in ways she has never felt before. There is so much cum; it's pushing its way through her cervix and filling her womb. That did it. April's entire body is overtaken by a rocking orgasm. She is almost screaming with pleasure as she presses her pussy firmly onto her husband's gaping mouth and talented tongue. Spraying and smearing her juices all over his face. As she is regaining her senses, she realizes it was all due to her fantasy. She lies there a few moments longer, relaxes, and thinks, “WOW! That was great. I need to use that fantasy more often.” Rising up and off Derrick's chest, she notices he is still in need of relief. Her dreaming had caused her to ignore her husband's needy dick. Removing herself from Derrick's still attentive mouth, she turns and bends down to give him a kiss on the lips. His face is covered with her juices, thick and sticky from her orgasm. This causes her to momentarily wonder what pussy juice tastes like, first hand, direct from the source. Rather than second hand, either from his lips or off her fingers. This triggers another thought. A very devious idea pops into April's head. She immediately proceeds with a plan. Turning her back to him, she maneuvers herself until she is straddling his waiting hard-on. Holding his erection upright, she lines it up with her vagina, and, as if trying to puncture something deep inside her, she drops down on it with all of her weight. They start rocking together. Derrick loves this position because he can watch his rod going in and out of her dripping pussy. He is so turned on by the sight of this that he must use every bit of control to delay cumming. To assist in delaying the inevitable, he lays still. Letting his wife do all the work. This is a method they had worked out and used many times before. Still, April is being much more assertive than usual. An indication that she is more turned on than she has been in some time. Normally, she would use this position to help prolong their session. However, that doesn't seem to be her objective this time. Once again, she has shoved her index finger deep into Derrick's anus and stroking his prostate gland. At the same time, she is working so hard on his now well-oiled staff. Pumping faster and squeezing harder. Rather than trying to delay his orgasm, she seems to be trying to intensify it. As if she is desperate to feel an excess of hot jizz squirting inside her. And it's working. Unable to hold back any longer, Derrick is rocked by one of the most powerful orgasms he's had in a long time, possibly ever. He can feel big gobs of his cream flowing through his cock and into the confines of April's hungry cunt. And she is milking it out of him for all she's worth. Wringing out his balls and pressing firmly against his prostate while still holding tightly to his cock with the constricted membranes of her cunt. Derrick's heart is pounding. He closes his eyes for a moment to catch his breath and make the room stop spinning. Finally, once April is sure his dick has spit out the last of his semen, she lifts herself off him. Without looking, he is aware when his limping prick being released from her snatch and drops to his stomach. After a moment or two, Derrick groggily reopens his eyes. As he does, he is greeted with her pussy hovering directly over his mouth, white cream oozing from it. The exact scene he had expected to see when April first came home. by DeanaBard for Literotica
The April and Derrick series. by Deana Bard. Listen to the ► Podcast at Steamy Stories. It's early evening when April is getting ready to go out for a few hours. Freshly showered and sweet-smelling, she puts on tight pair of jeans that enhance her firm thighs. The center seam separates and molds her two round ass cheeks but also tends to accentuate the lips of her pouting pussy. For a top, she chooses a light-colored silk blouse, sans a bra as usual, with the top three buttons undone to show some cleavage and sheer enough to just make out the darkness of her nipples.To her husband, Derrick, all of this preparation just for a night out with ‘the girls' at one of the local nightclubs seems a bit over the top. But he keeps those thoughts to himself. As she's about to open the door to leave, she looks over her shoulder with a twinkle in her eye and says, “Be showered by the time I get home.” Enamored by her beauty, Derrick steps over to her to give her a goodbye kiss. While doing so, his hand cups one of her breasts. She returns his gesture by putting her arms around him pulling him close. She opens her mouth, sticking her long wet tongue past his parting lips and deep into his hot mouth. The silk covering her soft but firm breast can not hide the erect state of her nipples. She lets out a soft moan when he gives the little brown pebble a pinch. Suddenly she breaks the kiss, takes her arms from around him, and gives her husband a punishing look. Stunned, he asks, “What's the matter, Babe?” “You're always too tired any other time,” she snaps. “So why do you wait until I have people waiting for me? I'm about to be late?” “Hey, my head wants it often,” he says defensively. “I can't help it if my libido and this head…, “pointing to his crotch, “can't keep up with you.” She comes close to him again, grabs the slight bulge forming in the front of his pants, and says, “Well, just make sure that you're clean and ready by the time I get home. Maybe then…” “I think I can manage that,” he says, enjoying this game they sometimes play. “If you only THINK you can manage that then,” she says in mock seriousness, “I might THINK about not coming home until morning.” He's heard that before. It's all part of their game. April smiles a wicked smile and says, “Don't forget, there are all these men who buy us drinks all night. Each hoping that they'll get lucky with us. Maybe I'll just have to let one of them serve my needs.” “My mistake, Madame,” he responds in playful homage. “I promise to be ready to service your every need upon your return, whenever that might be.” “That's more like it.” She says with a gleam in her eye while giving his balls a good squeeze. With a quick peck on the cheek, she turns and goes out the door. Through the front window, he watches as she saunters down the walk to her car. As she is about to get in, she turns towards the house. Looking right at him, she pulls at the opening of her loosely buttoned blouse and flashes a lovely tit at him, then gets in the car and drives away. He sits down to watch the evening news, but he can't keep his mind on what he's watching. His thoughts keep drifting to what April might have in mind when she gets home. Aside from normal, run-of-the-mill sex, from time to time, they had played other games. It could be based on a theme, such as ‘The Seductive College Nympho.' ‘The Barber' (where one of them gets a pubic trim or even a shave). ‘Hot Fudge Sundae' (while helplessly bound and laying naked on a plastic sheet, ice-cold ice cream is scooped onto very select and sensitive spots of the body. This is followed by drizzling hot fudge on his or her naked body. That is only half the fun because the other gets to take their time licking it all up.) They had even dabbled a little bit in 'Water Sports' (they had peed on each other in the shower several times. And when out camping one time, after drinking way too much, they held a pissing contest to see which one could pee the furthest, longest, and hardest. April won on all counts.) Once, after washing his hair, April rinsed the lather from his scalp by pissing on his head. But one form of role-playing they regularly come back to is 'Mistress and Servant.' At any other time, the responsibilities and chores of daily life are shared equally between them. But in the bedroom, something just clicks when they play these “dom” and “sub” roles. Interestingly, after several sessions with Derrick playing The Master to her role of The Servant, it became apparent that the results were never as satisfying as when April played The Master. With April's more expressive imagination, it became only natural for Derick to assume the role of Servant. This arrangement just worked for them both. After about an hour of glancing at the television and checking some porn on his phone, Derrick headed upstairs to take that shower. While the water is getting hot, he is thinking about that pussy of hers. Leaking the honeydew that he loves to lick and lap. When April gets going, the cunt oil flows so heavily that it rolls down her legs and between her ass cheeks. The sweet aroma and taste never fail to get Derrick so excited that he'll lick the entire slice between her legs, including around her dusty rosebud. All of which drives her to greater heights of pleasure and makes those juices flow heavier. He returns his attention to her big pink pussy, licking and sucking harder. Her cunt is opening and closing, and her hips start rocking up and down as if inviting the first hard cock to come along to slide in as far as it can go. She will still beg for more. Getting lathered up, Mr. Happy is rock hard and begging to be grasped firmly for a good stroking. As tempting as that is, Derrick resists the urge, instead making sure to clean every square inch, from head to toe and front to back, before rinsing off. Still dripping wet, his erection bobbing from side to side, he nakedly paces the house. Eventually, he plops himself onto the bed to finish air-drying in the warm summer breeze coming in through the open window. The orange, dusky sky of summer following a sunset gave the bedroom a dim, warm glow. Derrick soon drifted off to sleep dreaming about his sexy wife. His rock-hard cock laying across the flat of his belly – all five inches of it. He dreamed of her full breasts capped with those sensitive nipples that he so loved to suck and nibble on. This always brought on the sweet nectar that then flowed so abundantly from her beautiful pussy. Someday, he is going to get up the nerve to order one of those strap-on dildos he's seen promoted on adult websites. Designed especially to fit over a less than adequate male member. If years of internet porn have taught him anything, it's that he didn't come equipped with the best hardware. But an artificial phallus should make up for those shortcomings. And won't April be surprised when he puts that on! Then he can fuck her like he's never been able to fuck her before. The way a woman's cunt was intended to be fucked! Derrick so desperately wanted to see the blissful expression on his wife's face the first time he slides that lifelike cock into her. Like watching his very own porno movie, he has had visions of what it would look like from various angles. Watching this larger dong gliding in and out of the only pussy he has ever had the pleasure of knowing so intimately. An additional bonus of using a strap-on would be, he'll never again have to worry about cumming too soon. Whether he has an erection or not, the dildo never goes soft. That's when he'll be able fuck her juicy cunt much longer than he ever could otherwise. They will fuck until they can't fuck any longer. But she will want more. She always wants more! His dream soon takes on a life all its own. The cock he sees plowing in and out of April's pussy is suddenly not his own. Nor is it the strap-on dildo. Like an outsider looking in, he is watching his darling wife impatiently, imploringly urging some stranger to fuck her. To fuck her HARD! To fuck her like her husband can't. That remark draws Derrick's attention from his wife's face to the massive cock taking long and steady strokes as it penetrates regions of April's interior that Derrick has never come close to reaching. Derrick is mesmerized by the ability of his wife's cunt to welcome such a massive piece of man-meat without any signs of pain. Only the sounds of extreme pleasure fill the room and Derrick's ears. Strangely, this passion play doesn't stir Derrick from his sleep. Instead, he is entranced by the erotic scene playing out before him as this faceless stranger ravages the love of his life, taking her to all new sexual heights. It is both heart-rending and exciting at the same time. The rhythm of the conjoined lovers increases along with the lustful grunts and moans with the approaching climax. Derrick knows he should try putting a stop to this before she ends up with a belly full of a stranger's baby-batter. But then again, he is just as excited to witness the expression on his wife's face when massive quantities of cum explode into the deepest recesses of her insides. Just as the lovers were reaching a manic crescendo of lust, Derrick felt a tickling sensation on his belly. That's when reality began to drag him from dreamland. Warm lips were suctioning up the puddle of pre-cum that lay on his belly. Derrick cracked open his eyelids. Outside the window, it is now completely dark. Inside, only by the dim light from a lit candle on the headboard of their bed can he make out that April is completely naked, kneeling beside him. April's firm tits hardly dangle or sway. Her heavenly ass floats temptingly in mid-air. Eager to return the favor, Derrick can hardly wait to taste his wife's succulent pussy. Ever so slowly, he slides himself down until he can maneuver her lower end over his head. Bringing his hands around the backs of her legs, his fingertips discover her trimmed but thick bush is matted with moisture. A spontaneous thought flashes through his mind; What if this dampness is the result of his darling wife already having had wild, sweaty, and wanton sex? With a stranger?! It was said in jest. But April had warned of that possibility. Even that possibility could not dissuade him. No matter what, Derrick would not be denied the opportunity to get his tongue into his wife's pussy. Dare he look first for confirming evidence? Or should he just close his eyes, take the deep dive and let the chips fall where they may? His fingertips fought against the sliminess that coated her pussy lips to spread them wide. Only then would the truth be exposed. As it turned out, there was not a single visible trace that April had been with another man. A sense of relief came over Derrick that his wife had remained faithful to him and their wedding vows. Resting his head back down for a moment, Derrick watched as a few rivulets of her honey seeped out of her love hole and rolled down the length of her ever-enlarging pink gash. It rolls down the clit, which is getting longer and harder by the moment. Droplets of sensual oils formed on her clit then drip down into his hungry mouth, which he savors and then swallows. Another thought occurred to him. What if they used a condom? Evidence of any dalliance on April's part wouldn't be visible. There was only one way to be sure. The smell and taste of latex and lube would provide all the evidence needed. Curiosity took over. Raising his head, he inhales deeply, then without waiting for the results of the sniff test, he takes one long lick of her gash. Nothing unusual here. Everything tastes and smells just a perfect as it always had. Reassured in his wife's fidelity, he sticks his tongue out further and deeper into her inflamed crack, circling and lapping faster and faster. Laying on his back always helped to ensure little of her honey would go anywhere but into his mouth. Using his tongue, he tries to dig out more and more of her musky cream. Derrick may enjoy this even more than April does. What Derrick had no way of knowing, that April was having her own incidental thoughts. “If only he could lick and fuck at the same time. Oh, god! What a nasty thought. Having a tongue lapping at my pussy while a cock is plowing my pussy. Now that would be heaven.” As April is having these thoughts, she is busily attending to his throbbing manhood. Teasingly only sucking on the round head. Artfully swirling her tongue around the tip then across the little lips of the piss hole, swabbing out the steady stream of pre-cum. After a while, changing to long, deep bobs of her head. Devouring the entire shaft. Of course, Derrick's dick is only long enough for just the mushroom to reach and be tightly surrounded by her throat. At the same time, she cups, rolls, and squeezes his ball sack. “I wish…,” April thinks to herself. “I wish I could trade in Derrick's dick for something more substantial. The length is passable. But why does it have to be as skinny as a broomstick?” she laments. “I love him to pieces. But if I could change just one thing, it would be for him to have a thicker cock.” This train of thought is interrupted when she senses that he is getting too worked up, too soon. She doesn't want him cumming yet. And not into her mouth! She has other plans. Releasing his pulsing dick from her lips, she inserts her index finger into her mouth and coats it good with spit. Now, while lightly kissing and licking his dick down to the base, she slowly begins tickling and teasing the puckered rim of his asshole. From between her legs, she hears Derrick softly moan. Slowly, very slowly, she pushes her fingertip past his sphincter. Deeper and deeper. She watches as his dick bobs and throbs, bouncing off his belly as it strains to get larger and harder. With her finger fully planted in his anus, she begins massaging his prostate gland. Doing this causes even heavier and thicker pre-cum to flow out of his swollen erection, which she is all too happy to lick up and swallow. April has never been a fan of having cum in her mouth. But Derrick's pre-cum is the sweetest she's ever tasted. She feels Derrick's hands on her tits as he softly kneads them. She can feel his tongue darting in and out of her pussy, just slightly opening the membranes of her love hole. She knows her juices are flowing, and she contracts her kegel muscles hoping to squeeze out larger quantities into his waiting mouth. But this is torture, for what she really wants right now is a cock. A big, thick cock! And, what the heck, a longer one too. The kind she's seen on her own porn searches. This is not the first time to have these thoughts. But it is the first while in the midst of a sexual romp with her husband. At least once, she'd like to know what it feels like to have that kind of fullness. To get fucked in ways she has never been able to experience with her husband. Something only a much bigger cock could accomplish. But would something that large actually fit? She'd be willing to try. How exciting it would be to feel something that large and meaty pushing against the opening of her pussy. As if making sure it can fit. After all, her cunt has only had a real cock of half the size this faceless lover is packing. The longer April's mind thinks about it, the hornier she is getting. And as horny as she is right now, she's sure she could take it to the hilt! Suddenly it pushes through, and she can feel her soft pink membranes being stretched like never before. With each stroke, the oversized rod goes a little deeper, like a sword, piercing its way into realms thus far never explored. As it does, she senses only the slightest discomfort. But this is instantly followed by intense pleasure. Finally, it is almost all the way in. April has never known such sensations. Then the large shaft is drawn out until only the tip is still parting the lips. The sudden loss of fullness is almost unbearable. Then, suddenly, with one final lunge, the stranger shoves his massive cock is all the way into her hot cunt. Who is fucking who? With each mighty thrust, she rises up to greet it. She is fucking that man-meat with total abandon. With each thrust, she can feel it pushing on her cervix. She is moaning and groaning with delight. It feels as though the cock is getting even harder, and better yet, bigger! Suddenly the cock explodes with lots of cum! It's like white-hot lava filling her insides in ways she has never felt before. There is so much cum; it's pushing its way through her cervix and filling her womb. That did it. April's entire body is overtaken by a rocking orgasm. She is almost screaming with pleasure as she presses her pussy firmly onto her husband's gaping mouth and talented tongue. Spraying and smearing her juices all over his face. As she is regaining her senses, she realizes it was all due to her fantasy. She lies there a few moments longer, relaxes, and thinks, “WOW! That was great. I need to use that fantasy more often.” Rising up and off Derrick's chest, she notices he is still in need of relief. Her dreaming had caused her to ignore her husband's needy dick. Removing herself from Derrick's still attentive mouth, she turns and bends down to give him a kiss on the lips. His face is covered with her juices, thick and sticky from her orgasm. This causes her to momentarily wonder what pussy juice tastes like, first hand, direct from the source. Rather than second hand, either from his lips or off her fingers. This triggers another thought. A very devious idea pops into April's head. She immediately proceeds with a plan. Turning her back to him, she maneuvers herself until she is straddling his waiting hard-on. Holding his erection upright, she lines it up with her vagina, and, as if trying to puncture something deep inside her, she drops down on it with all of her weight. They start rocking together. Derrick loves this position because he can watch his rod going in and out of her dripping pussy. He is so turned on by the sight of this that he must use every bit of control to delay cumming. To assist in delaying the inevitable, he lays still. Letting his wife do all the work. This is a method they had worked out and used many times before. Still, April is being much more assertive than usual. An indication that she is more turned on than she has been in some time. Normally, she would use this position to help prolong their session. However, that doesn't seem to be her objective this time. Once again, she has shoved her index finger deep into Derrick's anus and stroking his prostate gland. At the same time, she is working so hard on his now well-oiled staff. Pumping faster and squeezing harder. Rather than trying to delay his orgasm, she seems to be trying to intensify it. As if she is desperate to feel an excess of hot jizz squirting inside her. And it's working. Unable to hold back any longer, Derrick is rocked by one of the most powerful orgasms he's had in a long time, possibly ever. He can feel big gobs of his cream flowing through his cock and into the confines of April's hungry cunt. And she is milking it out of him for all she's worth. Wringing out his balls and pressing firmly against his prostate while still holding tightly to his cock with the constricted membranes of her cunt. Derrick's heart is pounding. He closes his eyes for a moment to catch his breath and make the room stop spinning. Finally, once April is sure his dick has spit out the last of his semen, she lifts herself off him. Without looking, he is aware when his limping prick being released from her snatch and drops to his stomach. After a moment or two, Derrick groggily reopens his eyes. As he does, he is greeted with her pussy hovering directly over his mouth, white cream oozing from it. The exact scene he had expected to see when April first came home. by DeanaBard for Literotica
Grandma Moses started painting seriously at 78. Norman Maclean published his first novel, A River Runs Through It, at 74. Truly, it's never too late to start painting, drawing, writing, making music, dancing—whatever inspires you. The creative payoffs can be huge. But it also presents challenges: you must be willing to learn and be a "beginner" again, take some risks, and be open to critique. Canadian artist Janice Mason Steeves, herself a late bloomer, joins us to talk about her book, Bloom: On Becoming An Artist Later in Life. In it, she shares thoughts and observations from dozens of older artists who describe their creative journeys and explain how art has helped them find their voices, know themselves better, and become more enlightened. Steeves also discusses the idea of “elderhood” – the idea that artists can use their enlightenment to make the world a stronger, kinder, more interconnected place. She manifests the concept of elderhood through her “Workshops in Wild Places” programs that allow her to take fellow artists to beautiful, remote locations around the world to connect to and be inspired by nature. For more information on Janice Mason Steeves, her art, book, and workshops, visit www.janicemasonsteeves.comSupport the show
Dr. Clarissa Castillo-Ramsey brings artfulness together with leadership and helping people grow. She is an organizational psychologist, artist, coach, and author of the book: Painting Your Path: 21 Interviews with Extraordinary Women.
Does the thought of decorating your home like Grandpa's house make you want to break out in hives? In today's episode, I'm sharing the secret behind the home design style: Grandpa Chic. It's a timeless, sophisticated, artfully decorated, vintage inspired comfortable home decor style. Homes that are Grandpa Chic are non-pretentious, inviting, comfortable and layered with warm tones and lots of texture. Quality furnishings that span the generations are a highlight while timelessness trumps the latest trend. Listen to today's episode for the seven elements you can infuse into your space if you want a home that feels a little more chic than plain ol' grandpa's...Grandpa Chic. Learn Your Home Design Style Register for the LIVE, FREE two day training, Back to Basics Bootcamp, where I teach you how to identify your personal design style so you can make confident design decisions, waste less money and time and ultimately create a home that you love coming home to. Back to Basics Bootcamp: https://bit.ly/figandfarmbootcamp // Links mentioned in show: // Email: hello@figandfarmathome.com Website: https://figandfarmathome.com Home Design 101: https://figandfarmathome.com/home-design-101 Instagram: https://www.instagram.com/figandfarm/ Happy styling! xo, dani
Artfully carry a conversation is vital. Equally important is thoughtfully ending it. Based on an article by John Millen storytelling and communication coach. See https://www.johnmillen.com/ For more great insight on professional relationships and business networking visit https://www.networking-rx.com or contact Frank Agin at frankagin@amspirit.com.
Hello to you listening in Lewes, Delaware!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga.Last week I posted Episode number 997 entitled “Who Here Is (Finally) Ready to Tell Your Origin Story” which prompted my friend and colleague David Marlow, the Ikigai Coach to ask: “What's key to creating an effective origin story versus simply recounting facts?”Great topic for my upcoming free January NewsAudioLetter! (link to subscribe)Meanwhile, if you're telling just the facts you're missing the emotional story. My expertise is showing my clients how to marry content with context to create a memorable story. The content is the facts. The context is the situation in which the facts took place.What's memorable? As I've taught for decades, it's “a heartfelt story artfully told." It invites your listeners to connect their emotions, memories, and experiences in a profoundly human way to the story being told. Connected listeners are engaged listeners. Engaged listeners can recall and take action on your message.Your origin story is the most consequential one you will tell to connect and engage with your audience. Along the way you will gain confidence, clarity and focus as you learn to decisively use the tools common to every human connection experience. Whether you create it as a marketing, branding, About Page, keynoting, idea-pitching, or memory-making tool, I can help you find the words you didn't know you had to give voice to your story that's been waiting to be told: the one that reveals how you got from There to Here. CTA: Email me at info@quartermoonstoryarts.net to learn more. It's time to tell your story!You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe, share a 5-star rating + nice review on your social media or podcast channel of choice, and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out What I Offer,✓ Arrange your free Story Start-up Session,✓ Opt In to my monthly NewsAudioLetter for bonus gift, valuable tips & techniques to enhance your story work, and✓ Stay current with Diane on LinkedIn.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.
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Artfully crafted therapeutic reframes are a wonderful way to rapidly help your clients discard limiting beliefs.
Artist and Interior designer Natalie Papier's show Artfully Designed just aired season two a few weeks ago on Max. I thought this was the perfect time to get to know Natalie a little bit better so you can binge-watch a few episodes with friends and family during the Thanksgiving break. In this episode, we dig into Natalie's career path from artist turned interior designer and her new lighting collection with Mitzi. Also, my One Room Challenge Swiftie Inspired tween room makeover is complete, check out the full reveal here. Shop the convo at angelabelt.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/angela-belt5/support
Our guest on this episode is a graphic designer and marketing professional who studied graphic design and film theory, and went on to becoming a freelance designer, focusing on brand identity and campaign development. We delve into the importance of inspiration and client input in the creative process, and how Brooke strikes a balance between keeping herself sane and keeping clients happy. Learn about... Diversifying income streams: Brooke emphasizes the importance of professionals re-imagining their approach to supplementary income streams. She encourages creatives to explore their hobbies and other passions to find ways to incorporate them into their business or side hustles. Balancing full-time work and side projects: Brooke provides tips for effectively managing side projects while working full-time. These include setting realistic timelines, being proactive with project management, and learning to say no when necessary. Overcoming career challenges: Brooke shares her experience of being hired for one job, but having her priorities change, leading her to take on a completely different role. She emphasizes the importance of adaptability and finding the positive aspects in such situations, as they can provide valuable skills and experiences. Our guest Brooke LeBeau is a creative marketing professional based in Austin, TX and owner of Artfully Creative Studio. Her origins are in graphic design and filmmaking with professional experience in both marketing and fine arts. Brooke has a Bachelor's degree in graphic arts and film production from the University at Buffalo and a Master's degree in fine art from New England College, setting her up as a jill of all trades with a background in branding, digital and print media, websites, events, social media, content design, and consumer products.Brooke is passionate about skills diversification and advocates for professionals reimagining their approach to supplementary income streams. In 2022 Brooke formalized her freelance business and to-date, Artfully has served over 20 clients and delivered hundreds of projects. Artfully focuses on providing a smooth, results-based client experience that turns ideas into a tangible project plan. ~._.*._.~ Take our LISTENER Community Survey!!! HERE Making a Marketer is here to give our guests a platform and to provide oodles of value to YOU, our listener! Check out episode 135! And share if you enjoy our show. Let us know what you think (again, link above!) https://bit.ly/mamITuneNEW ::: This episode is made possible by Powers of Marketing - emPOWERing amazing podcast experiences & online and in person events ::: **ALSO: Our editor Avri makes amazing music! Check out his music on Spotify!**
Welcome back to a new episode of Withywindle, filled with all kinds of delightful nonsense, including all the usual whimsey (and snacks). But this week also features art heists. And Carolyn Leiloglou, who knows a lot about art and, as it turns out, art heists! Happy listening!This episode is brought to you by Waxwing Books. Click here to learn more about their beautiful new picture books.Plus, don't forget to dress up as your favorite character from Aesop's Fables as part of the customs contest sponsored by CiRCE Books! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit withywindle.substack.com
Whisk(e)y Wednesday Nelson's Green Brier w/ Christen Larochelle Aug 2nd 2023 Their story. In 2006, when Andy and Charlie Nelson drove to a small town in Tennessee to see a butcher, what they found was their destiny. In passing, the two mentioned stories they'd heard about their family's whiskey business. The butcher, located on Distillery Road, pointed them to the local historian, who proudly showed them two perfectly preserved bottles of Nelson's Green Brier Tennessee Whiskey produced by their great-great-great grandfather. Time stood still and from that moment on, the brothers have dedicated their lives to resurrecting their ancestor's top-quality whiskey appreciated by aficionados everywhere. Artfully crafted in the heart of Music City, our spirits can be found nationwide. From Nelson's Green Brier Tennessee Whiskey, which uses Charlie and Andy's great-great-great grandfather's original recipe, to our latest expressions of Nelson Brothers Whiskey, their family is continuously growing, always building on the traditions of great American whiskey.
Topics I could talk about endlessly! The more I've developed my communication and boundary setting skills, the higher the quality of relationships I have found myself experiencing - it's a very beautiful thing :) In this episode my love... Understanding the fear behind saying NO Where the “good girl” pattern shows up and impacts our ability to set boundaries Messages from the body The impact of being raised by emotionally unavailable parents Communication tips for speaking up in your relationships Examples of boundaries that create conflict VS connection The difference between suppression anxiety and growth anxiety Artfully balancing advice from others and hearing our own truth Plus more! Here's the link to apply for Reveal & Rise: https://docs.google.com/forms/d/e/1FAIpQLScoAaN_ZVrzL5tqMKDqXhmGKlFScxrJ5fvh7vHQrrVA-V3-iQ/viewform Connect with Gemma here on Instagram (gemmaehanley) or visit gemmahanley.com
The South's original tea maker, Luzianne® brings over 100 years of expertise in perfecting authentic Southern iced tea. Today, they are bringing that same expertise to a unique flavored hot tea experience with the launch of their newest Southern Blends tea line. Artfully combining the taste of classic Southern flavors, Southern Blends is a vibrant way to enjoy tea the way we do down south. The fruit-inspired herbal tea blends include Honeyed Peach, Mint & Rose Blossom and Watermelon & Honey. "In the South, flavor is everything. As we walked down the tea aisle, we noticed that our favorite Southern tastes weren't authentically embodied in the hot tea space. This was a unique opportunity that only Luzianne had the heritage to fill and was the spark behind Luzianne Southern Blends,” said Courtney M. Cola, senior brand manager of beverages marketing at Reily Foods Company. “We poured our passion for tea and our Southern heritage into this product line and can't wait to share it with our tea-loving community.” Luzianne® Southern Blends includes three succulent varieties: 1. Honeyed Peach - Enjoy a slice of pure Southern refreshment with the Honeyed Peach blend featuring succulent peach and fragrant honey. Serve hot or over ice for a sweet afternoon pick-me-up that transforms ordinary moments into something truly memorable. 2. Mint & Rose Blossom - Experience the genteel charm of the Mint & Rose Blossom blend. Made with select green tea leaves blended with botanicals and sweet blackberry leaf, this timeless tea's uplifting flavor pairs fragrant notes of mint and rose with a touch of sophisticated sweetness that invigorates and satisfies. 3. Watermelon & Honey - Enjoy a picnic without ever leaving the porch. The Watermelon & Honey tea is a refreshingly sophisticated, invigoratingly aromatic pick-me-up for those who want to savor the flavor of summer. Smooth yet complex with hints of florals, serve hot or over ice and bring a bit of Southern charm to me-time or teatime. For over a century, Luzianne® Tea has been synonymous with authentic Southern tea and family traditions. This rich history is why Luzianne is the perfect brand to expertly craft these distinctive flavors. Southern Blends tea is intrinsically inspired by the South and blended with all natural ingredients and Rain Forest Alliance Certified green tea leaves, allowing consumers to sip without the guilt. Southern Blends is launching with a new logo for the Luzianne brand, a modern take on a legacy brandmark. Cola added, “Our refreshed logo is just the first step in the brand's journey to reintroduce our Southern heritage story with our long-time fans. Luzianne has a rich history and we're excited to stir up how we engage and connect with tea enthusiasts. We know Luzianne fans are going to love what's to come.” Luzianne® Southern Blends can be found online and will be introduced at your favorite grocers throughout the summer! Follow Luzianne on Instagram and Facebook to stay up to date on all the tea maker's news. For more information about what's brewing, visit https://luzianne.com ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Become an Equus Coach®: https://equuscoach.com/?rfsn=7... ► For $5 in ride credit, download the Lyft app using my referral link: https://www.lyft.com/ici/ASH58... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Twitter: https://twitter.com/1loveAsh ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®
In this episode of the Big Picture Social Emotional Learning Podcast, I share conversation with Elizabeth Peterson, a 3rd grade teacher in the state of New Hampshire. Our conversation started with Elizabeth's deeply considered definition of a term with which we're all familiar: whole child. I wanted to learn her personal perspective, because I feel that how we, as educators, define this term has an impact on how we relate to our students. See if your definition aligns with hers… Other topics we discussed included the need for teachers who are inspired, and the very real fact that inspiration is not a switch that can be flipped on, BUT it CAN be nurtured in ways that are truly meaningful for significant and enriching benefits in the classroom for students and for us, as well. We went on to learn about ways in which Elizabeth has explored ways to grow inspiration that are real, and fun, and truly rewarding on many levels using art, even tho she does not consider herself an artist in the common understanding of that word. Check out Elizabeth's website: www.theinspiredclassroom.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/nini-white/message
In this episode, Mark Baratto sits down with the creators of Artfully Keys, Lance Berry, Sara Pasqueretta, and Chris Anderson. We talk about the Artfully Keys concept, bringing artists together, and trying to fine out #WheresErnesto MORE ON ARTFULLY KEYS Come Be Apart Of The Family! If you are an artist located in the Florida Keys that would like to get your work recognized nationwide without having to learn the tricks of the marketing and SEO trade, send us an email! We welcome all types of first-person art! The best part is its free to showcase your work! Visit our website from more information: https://www.artfullykeys.com/ Instagram: https://www.instagram.com/artfully_keys/ Facebook: https://www.facebook.com/ArtfullyKeys/about
Anatomy of a Breakthrough: How to Get Unstuck When It Matters Most by Adam Alter https://amzn.to/3M0RDlW A groundbreaking guide to breaking free from the thoughts, habits, jobs, relationships, and even business models that prevent us from achieving our full potential. Almost everyone feels stuck in some way. Whether you're muddling through a midlife crisis, wrestling writer's block, trapped in a thankless job, or trying to remedy a fraying friendship, the resulting emotion is usually a mix of anxiety, uncertainty, fear, anger, and numbness. But it doesn't have to be this way. Anatomy of a Breakthrough is the roadmap we all need to escape our inertia and flourish in the face of friction. Adam Alter has spent the past two decades studying how people become stuck and how they free themselves to thrive. Here he reveals the formula he and other researchers have uncovered. The solution rests on a process that he calls a friction audit—a systematic procedure that uncovers why a person or organization is stuck, and then suggests a path to progress. The friction audit states that people and organizations get unstuck when they overcome three sources of friction: HEART (unhelpful emotions); HEAD (unhelpful patterns of thought); and HABIT (unhelpful behaviors). Despite the ubiquity of friction, there are many great “unstickers” hidden in plain sight among us and Alter shines a light on some exceptional stories to share their valuable lessons with us. He tells us about the sub-elite swimmer who unstuck himself twice to win two Olympic gold medals, the actor who faced countless rejections before gaining worldwide fame, the renowned painter who became paralyzed and had to relearn to paint with a brush strapped to his wrist, and Alter's own story of getting unstuck from a college degree that made him deeply unhappy. Artfully weaving together scientific studies, anecdotes, and interviews, Alter teaches us that getting stuck is a feature rather than a glitch on the road to thriving, but with the right tweaks and corrections we can reach even our loftiest targets.
Hola mi gente! Welcome to Siempre Pa'lante! Always Forward. I'm your host, Giraldo Luis Alvaré. Gracias for listening. In this episode, our guest is a proud Latina repping Mexico. Her inspiration began at an early age from her abuelita and great-grandfather who were artists in the familia. She embraced her ancestor's love for nature and art by creating in spaces like photography, videography, painting, sculpture, glassblowing and performance arts. She thrives in multiple realities which include tangible creations like wearable art and virtual reality 3D sculptures that can be experienced both in the physical and virtual realms. There's no doubt that arte is in her DNA. Please welcome, VR Sculptor, Performing Artist and Speaker, Creatress Sarai Mora. Gracias for listening. Don't forget to rate, review, follow, subscribe, like and share. Check out my Linktree for more info. Pa'lante! https://linktr.ee/sp.alwaysforward Creatress Sarai Mora VR Sculptor, Performance Artist, Speaker Creatress Art site | Linktree | Instagram | Twitter | Facebook | Youtube | LinkedIn Creatress Art site - https://creatressart.com/ Linktree - https://linktr.ee/creatressart IG - https://www.instagram.com/creatressart/ Twitter - https://twitter.com/creatressart FB - https://www.facebook.com/CreatressArt Youtube - https://www.youtube.com/channel/UCItq0gFKmV7EA8SviuHTx9Q LinkedIn - https://www.linkedin.com/in/sarainataliemora Known Origin - https://knownorigin.io/collections/creatress/live-vr-performances NOTABLE MENTIONS Creatress Sarai, California, Hawaii, Butterflies, Extra Solar Butterfly, Mars, Blockchain, Virtual Reality, VR, NFTs, Border Kindness, Bondad Frontera, Mexico, Mariachi, Woodcarving, Museum School, Ceramics, Pottery Wheel, Community, Empty Bowls, Échale Ganas, Glassblowing, Frida Kahlo, Contemporary Museum, San Diego, Rococo, European, Metaverse, Science Fiction, San Diego State --- Support this podcast: https://podcasters.spotify.com/pod/show/spalwaysforward/support
Imagine building a cathedral with just a hammer and nails. How might theologians today continue to build the grand cathedral where human knowledge meets divine revelation by implementing the tools of psychological science? Experimental psychologist Justin Barrett joins theologian Miroslav Volf for a conversation on how psychology can contribute to theology. This episode is made possible by Blueprint1543.IntroductionTo a man with a hammer, everything looks like a nail. Yep, we've heard that before. But imagine trying to make that work. Imagine, for instance, the visionary builder of a medieval cathedral… building it only with a hammer and nails.And you know there's an analogy coming here. Suppose the cathedral you're trying to build is nothing less than the human inquiry into the nature of the cosmos and the nature of the God who created them—from the dark matter at the edges of the expanding universe, to the recycled space dust that's found its way into the pristine fingernails of a newborn baby.Artfully articulating the nature of reality with nuance and care—saying something true and meaningful about God, people, and thriving in the world we share—the task of theology could be just like that extravagant building project.But imagine if the theologian only had one tool.Experimental psychologist Justin Barrett tells a story like this to make a suggestion to theologians to consider how they might incorporate the tools of science—and psychological science in particular—into the building of their theological cathedral.Justin is long-time researcher in cognitive science of religion. He's author of a number of books, including Why Would Anyone Believe in God? and Born Believers: The Science of Childhood Religion. He just edited the Oxford Handbook of the Cognitive Science of Religion.And in 2019 he co-founded Blueprint1543, an organization that's bringing theologians and scientists together to accelerate better contributions to life's biggest questions.And today we're launching a series of episodes on For the Life of the World that will explore the tools of psychological sciences that might contribute to a deeper and greater theological understanding of the world. By bringing a science-engaged theology to bear on the most pressing matters for how to live lives worthy of our humanity.Throughout the series, we're featuring conversations with psychologists who can offer insightful tools for crafting the cathedral where human knowledge meets divine revelation.About Justin BarrettJustin L. Barrett is an honorary Professor of Theology and the Sciences at St Andrews University School of Divinity. An experimental psychologist by training, he is concerned with the scientific study of religion and its philosophical as well as theological implications. He is the author of a number of books including Why Would Anyone Believe in God?, Born Believers: The Science of Childhood Religion, and Religious Cognition in China: Homo Religiosus and the Dragon.Show NotesBlueprint1543.orgDownload your copy of Justin Barrett's A Psychological Science Primer for Theologians (2022)TheoPsych AcademyNormative vision the good lifePsychology as among the most secular of academic disciplinesPsychology's historical (but non-necessary) anti-religious tendenciesThere are plenty of Christian psychologists who are deliberate in thinking about the integration of Christianity and psychologyComparing instrumental, explanatory psychology and purposes, meaning, and teleology in theologyHow the purposes of our lives—normative visions—how do they then shape psychological inquiryAre questions of the good life matters for science to determine, or are religious and theological perspectives essential to thinking about the purpose and meaning of human life?When can theologians and philosophers be helped by psychological science?Theologians often make use of psychological claims fairly uncritically—how human minds work, how emotions work, how social relationships workMiroslav's book The End of MemoryIs the theologian making descriptive psychological claims?Are you the theologian making normative claims supported by descriptive psychological claims?Are you making claims about what affects texts and rituals and practices have on people?Are you constructing an argument that uses intuition as premises?Experimental philosophy: Are philosophers' intuitions universal?Can there be an “experimental theology”?Being careful about descriptive psychological claims—especially for practical theological questions or lived theologyPsychology needs to do its own inspecting“The science of psychology has a great self-awareness of how we can't trust ourselves. … The entire method is built around, to put it in theological terms, a conviction about total depravity.”Methodological rigor in sciences—checking findings with the communityCultural situatednessE.g., “How well do we know ourselves?”Ludwig Wittgenstein: “The world of a happy man is not the same as the world of a sad man.”“Affective states shape how we perceive the world.”Mary Magdalene's breaking a precious jar or oil on Jesus's feet—the smell is refracted through how Judas and Jesus see the world. Judas finds the smell a terrible waste, and Jesus finds the smell beautiful.“What we perceive in the world around us is set by our expectations.”“Every Christian is a theologian because theology accompanies the life and situatedness of each individual in the world.”Production NotesThis podcast featured cognitive scientist Justin Barrett and theologian Miroslav VolfEdited and Produced by Evan RosaHosted by Evan RosaA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/giveAcknowledgementsThis episode was made possible in part by the generous support of Blueprint 1543. For more information, visit Blueprint1543.org.
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That was my guest today, the incomparable Shobhaa De.Shobhaa is one of the most famous writers in India and her reputation has travelled everywhere, but it behooves me to talk about the realpolitik of Shobhaa De's literature.Let me tell you why Shobhaa De is so significant to English writing in India. Not only was her great success as an author inspiring, but to my mind, the most significant thing I can say about Shobhaa is that she kicked down the doors for generations of women writers who followed her.Uniquely, she gave women a voice. At the risk of reduction, I'll venture that her novels explore the lives and loves of Indian women who embrace their sensuality without apology. Despite, simply living their lives is often a patriarchy-fostered challenge, her protagonists are never sad victims. They follow their dreams rather than fit into society's expectations. At the fount of their sentience, they will not be marginalised.I imagine that such a narrative is even possible only because Shobhaa's prose is an honest prose, without artifice.And funny. But the lightness she brings to this prose often belies the dark realities that she is addressing. While most literature of this genre tends to be disconsolate… even self-pitying— the humour I speak of, in Shobhaa's narratives, is a testament to her skill as a writer.For this reason, I am sure, her writing has been the subject of almost one hundred academic dissertations—of researchers and scholars in universities around the world—studying feminist literature—and I imagine this number is only growing.Recently, Shobhaa launched her latest book titled “Insatiable”, and it is a memoir filled with anecdotes and personal experiences—told interestingly from the perspective of food. Artfully, Shobhaa De crafts a narrative using food as the conduit for descriptions of events in her life that happened around it.In literature, eating and not-eating are always symbolic, and food always means something other than mere food. Food is a fun metaphor in literature. Ernest Hemingway used it as did Shobhaa's favourites, Zelda and Scott Fitzgerald.And now, here she is, joining me from her home in Bombay to talk about her life and literature. ABOUT SHOBHAA DEShobhaa Dé, voted by Reader's Digest as one of 'India's Most Trusted People' and by Daily News and Analysis as one of the '50 Most Powerful Women in India', is a bestselling author and a popular social commentator. Her works, both fiction and non-fiction, have been featured in comparative literature courses at universities in India and abroad. Her writing has been translated into many languages including Hindi, Marathi, French, German, Hungarian, Italian, Korean, Portuguese, Russian, Spanish and Turkish, among others. Shobhaa lives in Mumbai with her family.Buy Insatiable: https://amzn.to/3KKJ2mZWHAT'S THAT WORD?!Co-host Pranati "Pea" Madhav joins Ramjee Chandran in "What's That Word?!", where they discuss the origin of the phrase, "SHIT HIT THE FAN".WANT TO BE ON THE SHOW?Reach us by mail: theliterarycity@explocity.com or simply, tlc@explocity.com.Or here: https://www.facebook.com/groups/theliterarycityOr here: https://www.instagram.com/explocityblr/
Laine and Meg really enjoyed the latest from Joanna Lowell about a hipster who cultivated his aesthetic for the cred and a girl who's never before felt "seen". Except historical. And they're both awesome. And there's a lot of art.
In classic 1940s Hollywood, aspiring screenwriter Fiona Cross discovers the pitfalls of writing remakes - including, perhaps, romance with an undying legend of the silver screen. Written and Produced by Julie Hoverson Cast List Fiona Cross - E. Vickery Victor Malacard - Cole Hornaday George - Jerry Bennett Margie - Kristina Yuen Andy - Michael Faigenblum Additional Voices - Rhea Lutton, Julie Hoverson, Reynaud LeBoeuf Music: Gabriel Garcea (gagamusic.eu) (also available on Jamendo) 19 Nocturne Theme: Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson Sound effects found on Soundsnap.com Recorded with the assistance of Ryan Hirst of Neohoodoo Studio Cover Photos: (courtesy of Stock Xchange.com) "What kind of a place is it? Why, it's a movie studio office - can't you tell? Where else would you find... a screenwriter?" _______________________________________________ HOUSEWARMING Cast: [opening credits/Olivia] Fiona Cross, screenwriter George Webber, producer Victor Malacard, actor/director Margie, best friend Mason, butler Andy, a Messenger Instructor voice, on P.A. Landlady OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's a film producer's office, can't you tell? SCENE 1 MUSIC SOUND EFFICIENT TYPING, PHONES IN THE BACKGROUND GEORGE The bad news is -it's really very good. FIONA [excited] Wonderful! [waitaminute] That's the bad news? GEORGE Yup. Because we can't use it. SOUND SHEAF OF PAPERS TOSSED ONTO TABLE. FIONA What? But ...but Mr. Webber, you said it was GEORGE Practically brilliant. I'll even read your next one, and I don't say that often. [pauses, thinks] Ever. But, Miss Cross... you should know by now that writing remakes is a complete waste of time. There's all sorts of issues. We don't want to get sued. FIONA But The House on the Peak was made- GEORGE Twenty-odd years ago. It's still dicey. Whoever owns it could sue us, and after that fiasco at Champion pictures last year... We're taking no chances. We're not Metro-Goldwyn-Mayer, you know. FIONA If ... what if I could make an arrangement with the owner? Would you still be interested? GEORGE [cagey] Well, I said it was good, but I never actually said I was interested. [beat] Come back when you've got a signature. MUSIC BRIDGE SCENE 2 SOUND TINNY PHONOGRAPH MUSIC INSTRUCTOR [off mike throughout] And lift. One. Two. FIONA [puffing slightly throughout] All that work! MARGIE [puffing slightly throughout] Goodness, Fiona, didn't anyone ever tell you never adapt? INSTRUCTOR ...five and six. Arms up! FIONA I guess I figured the studio would handle all that. MARGIE [teasing] Did you just drop off the turnip truck -Oh, sorry, the porkchop truck. INSTRUCTOR ...seven and eight -keep them up! FIONA [teasing back] You just watch it, we Piggottsville girls are tough! [puffs a bit] Now I just have to get up the nerve. MARGIE [sarcastic] Nerve? YOU? I can't imagine! INSTRUCTOR [off] I hear someone talking! FIONA [whispered] Enough nerve to go and talk to Victor Malacard. MUSIC BRIDGE SCENE 3 SOUND CAR DRIVES AWAY. WOODSY NOISES FOOTSTEPS ON GRAVEL. FIONA OK, Fee. Let's see what you've got. Scene: Heroine walks up to big spooky house. She is nervous. Almost trembling -wait, no scratch that. She is resolved, plucky. Much better. SOUND CREAK OF WOOD, BIRD CALL FIONA [slightly spooked] Or not. Come on, Fee. You can DO this. Plucky heroine, for goodness sake. Pluck up. SOUND FOOTSTEPS ON GRAVEL. FIONA What a scene. Artfully disheveled garden. Overgrown and dried out fountain. Huge mansion in exactly the proper state of dilapidation. [tries to laugh] I should be taking notes. SOUND FOOTSTEPS ON WOOD STAIRS FIONA [practicing] Mr. Malacard, I am such a big fan of--No, I'm sure he hears THAT all the- SOUND FOOTSTEPS SLOW DOWN, THEN STOP. FIONA [firm] Mr. Malacard. I have a proposition for--Oh pooh! [ingratiating] Mr. Malacard. How wonderful to finally meet- SOUND DOOR CREAKS OPEN. FIONA [gasp] MASON [spooky and unwelcoming] May I help you? FIONA [muttered] I bet you get a lot of these roles. MASON Hmm? FIONA Sorry. Nothing. I would like to speak to Mr. Malacard. MASON No. SOUND DOOR SLAMS SHUT. FIONA What? Aren't you supposed to say something like [aping his voice] "I'm afraid Mr. Malacard... isn't himself today." [normal voice] and give me a chance to argue with you? [pause] Huh? SOUND TWO FOOTSTEPS ON WOOD, THEN SHE SITS ON THE STAIR WITH A CREAK. FIONA [calling over her shoulder] Very well, then. I'm not leaving. I'll just sit here until the spiderwebs grow up over me and I become part of the set! SOUND BIRDS. FIONA [muttered] Or at least until I get up the nerve to walk back to town. [sigh] Well, it's kind of nice here, anyway. Peaceful. [takes a couple of deep breaths] SOUND FOOTSTEPS ON GRAVEL APPROACH VICTOR [coming on mike] Can I help you? FIONA What? Oh! [noises, as she stands] Mr. Mal--Wait. You can't be--I'm confused. VICTOR [chuckles] I look just like him, don't I? I'm Victor Malacard the lesser. Call me Vic. FIONA Fiona Cross. I'm so pleased! I'm a writer, you see, and-15 VICTOR [cold] So sorry. Father doesn't give interviews. FIONA Oh, no -I'm a screenwriter. I wrote a wonderful script- VICTOR [perturbed] He doesn't act any more, either. FIONA Does he let people finish their sentences? VICTOR [chuckling in spite of himself] All right. Just point to me when it's my cue. FIONA [deep breath] I wrote a new version of The House on the Peak, your father's masterpiece, and I would very much like to get it produced- FIONA --because I spent a lot of time on it, and I know he would be flattered if he could only read it, because, well, the original was brilliant, but most people DO like sound nowadays, and this would bring his work back for more people to see, and if I could just get his permission, I have a studio which is VERY interested. VICTOR [pause] My turn? Then... all right. FIONA All right then, what? VICTOR Let me read it. I'll see if it's all you say it is. FIONA But your father- VICTOR Is old and very ill -one reason I cannot let anyone into the house. I have all the authority necessary. I assume you brought your script? FIONA Oh, yes! SOUND SNAPS OPEN SHOULDERBAG, PULLS OUT SHEAF OF PAPERS. FIONA Really, I'm a much better writer than I must sound like, from the way I talk. I just get really- SOUND A COUPLE OF PAGES FLIP VICTOR Come back in a couple of days. Saturday. FIONA Oh, no! I've heard that one before. It's not so late, I'll wait while you read it. [BEAT] Besides, I need to borrow your phone to call a cab. VICTOR [cold] I'm afraid you're doomed to disappointment on many levels, Miss Cross. I refuse to read on demand, and you cannot come in. FIONA But it's miles to the nearest- VICTOR You'd better start walking. I will see you on Saturday. MUSIC TIME PASSES SCENE 4 SOUND DOOR OPENS. CRACKLE OF WAXED PAPER. VICTOR [warning] I am not going to--[surprised] What is that? FIONA Lunch. You're not going to what? VICTOR You brought - FIONA If there's one thing that Hollywood taught me, it's come prepared for a siege. You're lucky I didn't have time to make pastrami and onion sandwiches, though they work a whole lot better in an office. VICTOR Work... better? FIONA Nothing like the chance you might stink up someone's office to motivate them to give you five minutes. VICTOR [chuckles] FIONA Want some? VICTOR What? Oh, no -I've eaten. FIONA [snort] Hospital food, I bet -all bland and toothless. It's always like that when someone in the house is sick. VICTOR No, [sighs, then, resigned] no -if there's one thing Mason makes certain of, it's that the food is good. FIONA That your butler? Or is he some kind of nurse? VICTOR Some kind... um, something. FIONA [bright, teasing] So, did you read it yet? VICTOR There's hardly been time- FIONA [Sweetly] Then why waste it talking to me? VICTOR [sad] It's not something I get to do very often. Talking. To someone. FIONA Read the script, and I promise I'll come back and talk up a storm. SOUND DISTANT THUNDER VICTOR [sigh, pause] Speaking of storms, it looks like rain. If you need to walk back to town, you'd best get started. FIONA I'm a farm girl. We're built tough. And reasonably waterproof. VICTOR [chuckle ruefully] SOUND DOOR SHUTS. MUSIC TIME PASSES SCENE 5 SOUND CRICKETS, NIGHT SOUNDS, RAIN [a beat] DOOR OPENS VICTOR Tsk. Do you know what time it is? FIONA Judging from the position of the stars, what little I can see of them -my watch says about 9. VICTOR [a beat, then] I read it. FIONA [gasps, then tight] And? VICTOR It's brilliant. FIONA Really? VICTOR Here's your release. My lawyer can validate it in the morning. FIONA Oh! I could kiss you [SHE DOES] VICTOR [shaken] I... Miss Cross...! FIONA Fiona. You know, you really do look like your father. You're lucky. He was really something, back in the day. It's those eyes. VICTOR Yes, I... [with emphasis] He... SOUND CAR APPROACHES, STOPS. VICTOR What? Who the devil--? FIONA My cab. I arranged for it to pick me up at 9. Siege or not, I'm not sleeping on anyone's doorstep but my own. Thanks again! SOUND RUNNING FOOTSTEPS ON GRAVEL. FIONA [off] ...and if you're ever in town...! VICTOR [yelling slightly] Of course...! SOUND CAR DOOR SLAMS SOUND HOUSE DOOR SQUEAKS OPEN. VICTOR [sadly to self] ...not. SOUND SLOW FOOTSTEPS ACROSS THE PORCH. MUSIC SCENE 6 SOUND TENNIS, CROWD, IN BACKGROUND THROUGHOUT. MARGIE So, they loved it. Did you write yourself a part? FIONA What? MARGIE Oh, come on-don't tell me you only aspire to be the pen and not the face? FIONA I just enjoy writing. I'm in complete control of the world. Everyone in my story has to listen to me and do what I say. MARGIE But acting is where the fame is. FIONA Who wants fame? VOICE ON P.A. [filter] Number 33, Court 1 is open. MARGIE Are we getting close? SOUND RUSTLE OF PAPER FIONA Should be next. MARGIE So you're in it for the money? FIONA No... I guess... I'm in it to ... to see it happen. MARGIE [pause] Are you explaining or should I order another drink? FIONA I want to see things from my imagination up there on the screen. I want to create something that people will remember. MARGIE And you don't want to be famous or rich? You're nuts. FIONA Rich would be OK, but famous just means you never get away. That must be why Mr. Malacard lives out in the country -to get away from the craziness. MARGIE Craziness? In Hollywood? Perish the thought! [pause] So, can I have your part? FIONA [laughs] There aren't really any good female roles in the House on the Peak. MARGIE Will I sound hopelessly undereducated if I admit I've never actually seen this fabulous item? FIONA You never--? Where did you grow up, a cave? I mean even in Piggottsville, it showed for three whole nights -and then each year near Halloween. I think the theater proprietress musta had a thing for Malacard. MARGIE Spare me the down home gossip and tell me about this masterpiece. FIONA Well, it's sort of modeled on this story by Edgar Allen Poe- MARGIE Didja have to get permission from him, too? FIONA Shush. He's been dead for -I dunno, a century? Besides, it's not really the same idea, just the tone. See, there's this guy who goes home after his father's death, to see his twin brother who he hasn't seen in years- MARGIE Which one was your mysterious actor? FIONA Oh, Victor Malacard played both brothers. It was groundbreaking at the time -using cutaways and doubles- MARGIE Is this important? FIONA [chuckles] I guess not. But the brother who'd been away was a man of the world, very caught up in business, and the one who stayed was a strange lonely man who talked to himself- MARGIE [sarcastic] In a silent film, no less. FIONA [agreeing] Malacard was a genius. They've got their eye on this new fellow -he was in that film, "Laura"- MARGIE Stick to the point! FIONA Tsk. So it turns out the house is alive, and must have a family member in residence or it will die. But the one who stayed would live forever, barring falling out of a window, which is what'd happened to their father. MARGIE Foul play? FIONA You got it -turns out one of the sons had killed dear old dad to take his place as head of the family, and live forever. MARGIE Was it the creepy one? VOICE ON P.A. [filter] Number 34, court 3 is open. SOUND GLASS PUT DOWN, BAGS SNATCHED UP FIONA I'll tell you whodunnit... but only if you beat me. MUSIC SCENE 7 SOUND CAR DOOR SLAMS. FEET ON GRAVEL. FEET SLOW DOWN. FIONA Oh. Hullo! SOUND CAB DRIVES AWAY VICTOR I heard you coming. FIONA Oh, and here I thought old Igor your butler was a warlock or something. VICTOR Mason is a lot of things, but--[pause] What's that? More scripts? FIONA No, silly. It's a picnic. VICTOR A what--? FIONA Pic. Nic. Food to eat outside so as not to bother those inside whom shall not be named. VICTOR But, you- FIONA I promised I would talk up a storm, didn't I? If Hollywood taught me one thing, it's to keep my promises. VICTOR Well. [bemused, but pleased] Very well, then. SOUND FOOTSTEPS ON GRAVEL. DOOR OPENS [OFF]. MASON [off] Sir? VICTOR [calling] Don't worry, I'll stay where you can see me. MASON [off] Very good, sir. FIONA Wow, he sure keeps you on a short leash. VICTOR [deep with meaning] So true. FIONA Well, this looks good -and see, there's a window right there where your keeper can peep out and make sure nothing improper happens. SOUND BLANKET SPREAD, THINGS BEING TAKEN OUT OF PICNIC BASKET VICTOR [deep sigh] FIONA [sincere] I do understand. My gramma raised me -she was from the old country, very wild Irish, and hospitals would never, never do. So when she took ill at the end, I had to look after her. And the farm. Just the two of us, right up til she passed. VICTOR So being tired of the sticks, you came right out to Hollywood, no training wheels or anything? FIONA Oh, I figure I'll go back someday -not to the farm, but to the country. Being down here -well, down there -is tough -there are so many people everywhere. VICTOR Better than being lonely- FIONA You can be lonely in a crowd just as easy as on a farm, and it's much noisier. The crowd, I mean. VICTOR More material for your writing. FIONA I don't agree. I figure growing up pretty much alone is why I have such a good imagination. Keeping myself occupied, making up folks to talk to. VICTOR [moving in romantically] And you enjoyed my --my father's film so much that you decided to put words to it? FIONA [slightly breathless] I... I didn't so much write them as sort of translate what he already said. VICTOR [deep and husky] And very well too. FIONA [gasp, deeply important] Before this goes any further, I have to say something. VICTOR [snapping out of it] I--we--of course, we shouldn't- FIONA Since the studio is picking up the cost of lunch, we have to talk business. I hope you don't mind. VICTOR [vastly relieved, deep breath] Of course. Mm, that smells good. No pastrami and onions? FIONA [laughing] No. [serious] See, the studio wants to know if we can add a girl -a romance -to the story. Seems everything just has to have a love interest these days. VICTOR [sharp] A what? FIONA And a happy ending. They don't want- VICTOR No! Under no circumstances! They're not going to ruin my--[through gritted teeth] my... father's vision -with sentimental claptrap. FIONA [teasing] Really? Sentimental claptrap is all the rage nowadays. [change of tone, satisfied] Good. That's what I thought, but they won't listen to me. Business over. VICTOR But you- FIONA Oh, don't get me wrong, I like romance as much as the next girl, but it would weaken the drama. Try a taste of this. VICTOR Um, yes. [takes a bite] That's -mmm, that's delicious. The drama, you say? Have you been writing for very long? FIONA This is my first script. That I've completed, anyway. I've got lots of ideas, but this one just sort of made me finish it. It's a bit of an obsession, I guess. VICTOR You should write more. It was very good. [pause, then throaty] Maybe... romance... next time. FIONA [oblivious] Maybe. I guess it's easier to write what you know, though. VICTOR [still making his move] Really? No romance on the horizon, no beau back home on the farm? FIONA [reacting, almost breathless] No -no one. I've ... never... not really, anyway... Oh. [long indrawn breath, then a teasing whisper] Your butler's watching us. VICTOR [breaks away] Blast! I can't even--! [muttered growl] Look at him. [heavy sigh, then businesslike] This has been very pleasant, Miss Cross, but I must go- SOUND GETS UP, FOOTSTEPS ON GRAVEL, MOVING QUICKLY FIONA Hmph? SOUND BITING A CARROT MUSIC SCENE 8 SOUND BUSY LUNCH COUNTER MARGIE So do you make a habit of scaring off men? FIONA Well -there was this boy back at Jefferson junior high ... No, I'm teasing. I've never had much of a chance to try -guess I'm just a natural. MARGIE And he was circling in for the kill, ready to land a knockout, when- FIONA The ref appeared and he threw in the towel. You don't usually think of grown men as needing a chaperone. MARGIE Maybe he's old fashioned and is trying to look out for your reputation or something. FIONA Old fashioned I would buy. He's got this courtly way about him...just like his father, at least the way he was on the screen. This sort of graceful way of moving that expresses so much. MARGIE And what was he expressing just before the bell rang to call the match? FIONA Well... [blushing] He wasn't afraid -I can say that for sure. MUSIC SCENE 9 SOUND CAR DRIVES AWAY, FEET ON GRAVEL VICTOR You found your way back? FIONA The picnic was to thank you. Now I'm buttering you up in case I want to remake another one of your father's films. VICTOR So what's in the bag this time? Dare I guess? FIONA No, silly. It's a surprise. I figure, not leaving the house much, you don't get to have a lot of fun. VICTOR My... father- FIONA Exactly. So, I figured I'd bring the some to you. VICTOR Fun? FIONA I remembered you had a swimming pool. VICTOR Pool? But--But there's no water- FIONA And swimsuits don't clank. SOUND CLANK OF SOMETHING METAL IN BAG VICTOR Then, what--? FIONA We-e-ell, can we go look at the pool? VICTOR Uh--yes? SOUND FEET ON GRASS FIONA I hope you don't mind my coming up here like this. I'm just so exuberant. Or is that the right word? VICTOR Well, you sound exuberant to me. FIONA Aha, the pool. Oh, good, it's nice and clean. VICTOR Mason sees to the grounds as well as the house. FIONA So, here. SOUND CLANK AS BAG IS SET DOWN, UNTYING OF KNOT VICTOR I--I'm intrigued. What do you have there? FIONA Keep in mind, I'm kind of unsophisticated, here. Another girl might have brought champagne or something. I hope this isn't too disappointing. SOUND METAL CLANK VICTOR I can't even tell what those are -I see metals and wheels, and- FIONA Silly, it's roller skates! MUSIC SCENE 10 MARGIE Roller skates? You had a chance to romance a bigwig, and you took him roller skates? FIONA The pool was perfect -I couldn't resist. MARGIE And the two of you rolled around the bottom of the pool like children? FIONA More or less. Well, mostly me. He was a bit too dignified to give it a fair shake. MARGIE But you didn't roll around like grownups? FIONA What? MARGIE Nothing. MUSIC SCENE 11 SOUND CAR DRIVES AWAY, FEET ON GRAVEL FIONA Hello? [beat, then chuckles] Maybe he didn't see me coming, for once? SOUND FOOTSTEPS IN LEAVES FIONA Hello? How tragic. A perfectly good cab ride wasted. [worried] Maybe his father's not doing well. SOUND DOOR OPENS MASON Miss? FIONA Oh, gosh -sorry! I guess I kind of expected Vic to be around somewhere. He usually is. MASON He's busy. Inside. [ominous] Would you like to come in? FIONA Oh, Vic said it's- MASON It's no problem. Really. FIONA Sure. Thanks a lot. SOUND FOOTSTEPS ON GRAVEL FIONA I can always, go, you know. I don't want to be a bother. MASON No bother. You're quite welcome here. SOUND FOOTSTEPS SLOW A BIT ON THE WOODEN STAIRS FIONA It'll be interesting to see inside. VICTOR [distant] Fiona? Is that you? SOUND RUNNING FEET APPROACH VICTOR [angry, worried] What's going on? Mason? [beat] Fiona? FIONA Just looking for you. Mason said you might be inside. VICTOR [angry hiss] Inside? Get out of here, Fiona. Just go. We'll be talking about this, Mason. SOUND FOOTSTEPS DOWN STAIRS INTO GRAVEL FIONA [puzzled] Victor? VICTOR [whispered] I don't want you going in and... catching anything. Understand? FIONA All right. Um, sorry? VICTOR [cold] Goodbye. [up] Mason! MUSIC SCENE 12 GEORGE [very serious] Thank you for coming in, Miss Cross. We have a bit of a problem. FIONA You couldn't get that actor, Price? GEORGE More serious than that. [heavy pause] Mr. Malacard. FIONA What happened? Is Vic's dad OK? GEORGE Sorry, I meant the son. He rang up yesterday and said, well... said you've been pestering him. FIONA [shocked] ...pestering? GEORGE Yes. He said he'll pull the permission for the film if you bother him again. FIONA [nearly in tears] B-but... I--He never said- GEORGE [fatherly] Just lay off, at least until the film is finished. Once it's in distribution, you can pester him all you want. FIONA Oh! [sobbing] SOUND CHAIR SCRAPE, RUNNING FOOTSTEPS, DOOR BANGS OPEN. MUSIC SCENE 13 SOUND COCKTAIL LOUNGE, MANY ROWDY PEOPLE IN BACKGROUND FIONA [very down] Pestering. That's what he said. Apparently. Vic couldn't even tell me to my face, [breaking down into tears] he had to send it through- MARGIE There, there. [calls] Waiter! Bring another one. [half whispered] A double. FIONA No. I really shouldn't. [moping again] I guess I deserve it -he didn't say I could come back, but... The picnic was NICE. Everything was nice. He was nice. Real nice. I thought. MARGIE They all seem nice -say, you didn't let him ... have his wicked way with you, didja? FIONA What? No! [melting] I mean, he almost kissed me at the picnic, but the butler was watching. MARGIE That's it, then. The butler did it. Probably threatened to quit or something. Good help is a lot harder to find in this town than pretty girls. [lecturing] Most servants are just actors waiting to be discovered -they're just not very good, or they'd be able to act like servants. FIONA [almost a laugh] Hmph. MARGIE That's better. What you need is a night at a dance hall -meet some nice guys, wear yourself out, then you can sleep. I promise, all you'll be worrying about in the morning is your bunions. MUSIC SCENE 14 SOUND PERSISTENT CITY NIGHT NOISES. SOUND PHONE RINGS, OFF [PAUSE] THEN POUNDING ON A DOOR FIONA [waking] Yes? Mm-what? LANDLADY [very annoyed] Phone for you. MUSIC SCENE 15 SOUND CAB PULLS UP, DOOR SLAMS, RUNNING FEET ON GRAVEL FIONA [panting] SOUND FEET RUN UP WOOD STAIRS, POUNDING ON DOOR FIONA Hello? Hello? SOUND DOOR SWINGS OPEN MASON [very calm] Oh, good. Come in. FIONA Mason? What happened? You said it was an emergency? SOUND FOOTSTEPS, DOOR CLOSES, FOOTSTEPS CONTINUE UNDER MASON This way, miss. FIONA [getting more panicky] But, is Vic hurt? Did his father...? What could he --what could he want me here for? MASON Through here. SOUND DOOR OPENS MASON The master will be right in, Miss. SOUND DOOR SLAMS SHUT. FIONA [gasp, then yelling] You could at least turn on a light! [to herself] Which master? Maybe I'll finally- SOUND DOOR OPENS MASON [off] Just through here, sir. SOUND RELUCTANT FOOTSTEPS MASON [off, condescending] I think this will help with your --mood, sir. VICTOR [coming on] I can't think of anything worth getting me up in the middle of the--Fiona? [truly upset] MASON [off, condescending] Now everything will be better. FIONA Oh, Vic, I shouldn't have come. I'm so sorry! Please don't- VICTOR Oh, no! No! FIONA But Mason called me. He said- VICTOR Mason! That filthy--!! SOUND DOOR SLAM CUTS HIM OFF FIONA What is it? VICTOR We must get you out of here! SOUND RUNNING FEET, POUNDING ON WINDOWS, TRYING TO GET THEM TO OPEN FIONA I don't understand, Vic? VICTOR Blast it Fiona, help me. FIONA No. I want to know what's going on. VICTOR Is this one of those things Hollywood taught you? Take a bad situation and make it worse? FIONA No. Oh, here [grunt as she helps try and push] I wasn't going to ... to not help. I'm just confused. VICTOR [grunt, then angry noise] No use, they're sealed. FIONA They are glass. There must be a chair or something- VICTOR It's never that easy -trust me. This way. Come on. SOUND RUNNING FEET, SLAM AGAINST CLOSED DOOR BOTH are getting BREATHLESS FIONA Locked! VICTOR Maybe down here! SOUND MORE RUNNING FOOTSTEPS FIONA Don't you know your own house? VICTOR [harsh laugh] Don't slow down. SOUND RUNNING, SCRAMBLE, RATTLE OF LOCKED DOOR FIONA Victor, wait! VICTOR No! I will NOT let him get you! SOUND POUNDING ON DOOR, BUT SLOWER VICTOR [sobs] I won't let IT! FIONA Victor. Breathe, Victor! VICTOR I'm so sorry, Fiona. I don't understand why it brought you here. FIONA It? Oh! [dawning] Um, I guess everyone agreed the story needed a bit of romance. VICTOR What? FIONA Your house. It's just like the film -or close to it -isn't it? VICTOR How could you think--How could you know? FIONA I told you I have a good imagination. VICTOR But you- FIONA And you're the one and only Victor Malacard. VICTOR You're mad! I would have to be- FIONA Almost 60. I looked it up. And you don't look a day over 35. Coincidentally, the age you were when you went into seclusion. You look like him, move like him -even the way your lips move when you talk -not even father and son can be THAT much alike. VICTOR It's... the house. FIONA And Mason? VICTOR Mason's not a... person. Just part of it. The house. He... speaks for it. FIONA And watches over you. VICTOR Keeps me prisoner, you mean. [sadly] And now, you too. Fiona, I am so dreadfully- FIONA Shh. [calling] Mason? I want to talk to you -whatever you are. MASON [deep, on filter] Yes miss? VICTOR [yelling] You let her go, you wretch! FIONA Shh. Victor. It'll be fine. VICTOR No...! FIONA Yes. [SOUND -brief kiss] If there's one thing I learned in Hollywood, it's there's always room for negotiation. [calling, sweetly] Mason? MUSIC, fades into- SCENE 15 MUSIC 1960S BUBBLEGUM POP ON A TINNY RADIO, DISTANT, WITH BIRDS AND OUTDOOR NOISES. SOUND MOTORCYCLE APPROACHES, STOPS FIONA [coming on] Ah! Over here, Bobby! Oh! I was expecting- ANDY Sorry! I'm Andy -Bobby retired. FIONA [chuckles] It's so hard to keep track. Well, then, Andy. Do you have my packages? SOUND LOADING UP WITH PACKAGES AS HE SPEAKS ANDY Yup, packages from Woolworth's and Mays, a big bundle of magazines, and here's one from the studio -a film canister -gee do you have your own theater? That's way out there, man, I mean ma'am. FIONA [chuckles] Just leave everything on the porch. The butler will see that it all gets inside in one piece. And here's my latest screenplay -hardly a fair trade, but an easier trip, eh? Get it to George -no, wait... I mean Harold, don't I? Harold Mills is in production these days, right? SOUND SCRIPT CHANGES HANDS ANDY Umm... [working up to say something] So you're Fiona Cross Malacard? The one who wrote Trapped by Love? That was a groovy flick, even if it is kind of ancient. FIONA Well, thank you, Andy. [chuckles] I guess. ANDY But you don't look--I mean, you're really much--oh, criminee. I mean to say- FIONA You're trying not to say I must be older than I look? ANDY Uh-huh. FIONA I'll take the compliment. I put it down to clean country air, good healthy food... VICTOR [way off] Fiona? Was that the deliveries? FIONA ...and a wonderful husband. ANDY Having servants don't hurt neither, eh? FIONA [ironic] No -no, it don't. MUSIC TO END
Zoë Neubig '23 creates personal works of art that circumvent the elitist mentalities often found in the art world. Her work also focuses on the experiences of growing up as a woman in today's society, and her exploration of art history is helping new generations of artists and historians bring difficult topics to light. We'll also talk about overcoming imposter syndrome, and about embracing new opportunities wherever and whenever they present themselves. Featured Majors: Studio Art, Art Therapy, Art History Featured Organizations and Internship: Miami University Art Museum, College of Creative Arts Student Advisory Council
Dr. Nicole L. Arkadie - You Matter Too!! Mental Wellness Monday’s
It's important to have a healthy relationship with yourself. Art is a great way to tap into your creative side, while also addressing your mental wellness needs. Guest speaker Tiffany Todd of Honey Avocado shared her amazing story.
Ever feel like you're the peace-keeper at Christmas? Or just ‘going through the motions' but it doesn't feel right? In this episode we give you your power back so you can move beyond the ‘good descendent' and into the ancestor your children need. In this episode we discuss: ⁃ ‘Keeping the peace' assumes a win:lose ⁃ Minimising your own needs and desires in service to someone outside of you ⁃ Peacekeeping is an act of performance rather than authenticity ⁃ ‘Hot' authenticity vs grounded authenticity ⁃ Asking for what you really want ⁃ Having hard conversations ⁃ Artfully creating a win:win where everyone's needs are met ⁃ Letting your inner child know they're still loveable when you choose something different to your family to originTo explore feminine embodiment, intimacy and relationship in Honey Club with Julie, visit https://julietenner.love/To explore conscious parenting and inspiring motherhood in Reimagining Motherhood with Bridget, visit https://www.bridgetwood.life/
Host Chaz Wolfe brings on Brian Ouellette, a 7+ figure king in the client referral industry. A retired financial advisor, Brian uses his passion for helping retired pro athletes achieve a stable financial future into a trifecta of businesses. Brian is the Founder at Ask My Advisor, Pro Athlete Direct, and Shoewallet Active Gear, LLC. Brian has been using his experience to coach financial advisors for the last 12 years. In this episode, Chaz and Brian discuss the 80/20 rule, removing friction to avoid losing momentum in business relationships, and the status play of artfully acquiring referrals. Tune in now to learn from Brian's years of experience so you can grow your business to 7 figures and beyond! During this episode, you will learn about;[01:50] Intro to Brian and his business[03:17] Why Brian continues to push[06:15] How Brian moved into entrepreneurship[16:17] A good decision Brian made[21:14] Brian's thoughts on SaaS[23:52] A bad decision Brian made[26:48] If Brian could track one metric, what would it be?[32:38] Brian's book recommendation[34:04] What would Brian tell his younger self?[35:52] How to connect with Brian[37:42] How to connect with Chaz and info on the GTK 90 day intensiveNotable Quotes“We're so focused in getting new clients every which way. We rarely go the opposite way and focus on our best clients and develop those relationships.” - Brian Ouellette“A lot of those pivotal single moments happen in challenging times.” - Brian Ouellette“Your best center influence are the people that are writing checks to you and paying you a fee, paying the commissions, using you and staying with you, being loyal to you.” - Brian Ouellette“Back and forth is a business killer.” - Brian Ouellette“When we find a way to eliminate a step that somebody has to use, it is gold.” - Brian Ouellette“Simplify. Make it crystal clear. Make it black and white so it's easy to implement.” - Brian Oullette“The reality here is ‘simplify' because it can be trained.” - Chaz Wolfe (Host)“Each time we eliminate a layer, we open up possibilities.” - Brian Ouellette“Growth is expensive.” - Chaz Wolfe (Host)“Don't beat yourself up so bad over the little things.” - Brian OuelletteBooks and Resources Recommended:Think and Grow Rich by Napoleon Hillhttps://www.amazon.com/Think-Grow-Rich-Napoleon-Hill/dp/1515406830/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1668737714&sr=1-1Let's Connect!Brian Ouellette:Website: https://askmyadvisor.co/LinkedIn: https://www.linkedin.com/in/sbrianouellette/Facebook: https://www.face book.com/sbrianouelletteChaz Wolfe (Host): Website: https://www.chazwolfe.com/gathering-the-kings.htmlFacebook: https://www.facebook.com/chazwolfe/Instagram:
As an art curator, Todd Levin is in that unique position where his attention to detail and the research that goes into what he does for a living, plays into his role when it comes to collecting. A collector of many things, from art, to watches, to rare jazz records, and architecture, Todd hasn't necessarily taken the typical approach to some of these. For example, Todd has always appreciated watches, but after reconnecting with watches once his Dad passed away, Todd went right for the big boys. No, not Patek, Rolex, or Audemars Piguet, but George Daniels and Philippe Dufour. That may not mean a lot to some of you, but for us watch nerds, that's BIG TIME. How about his new (but old) Frank Lloyd Wright house that has no 90 degree angles? Todd does things with a purpose and doesn't make any rash decisions, which we absolutely love. It's a side of collecting you don't see often. He isn't hoarding, or necessarily amassing, but artfully collecting with finesse. Take some notes. Here you go, Todd Levin for Collectors Gene Radio.Talking Watches w/ Todd Levin - https://www.hodinkee.com/articles/talking-watches-with-todd-levin
#323. Get free daily Anti-Drift Texts Click Here (once you click the link, press “send” to text the keyword to me to get the daily texts) (These texts will also notify you of upcoming Masterclasses) Follow Dominick on Instagram: @DominickQ Join the Facebook Group for Men: https://www.facebook.com/groups/TheGreatManWithin __________________________ Madelyn Moon's Book: Artist of Love Madelyn's First Episode on The Great Man Within Podcast: 5 Ways Men Lose Credibility with Women Follow Madelyn on Instagram: @MadelynMoon Art is the practice of taking the mundane happenings of life and turning it into theater. Seinfeld and Curb Your Enthusiasm are two great examples of this – two shows famously about nothing (the trivialities of life), yet turned into art that makes us laugh and relate. In long term relationships, there are no shortage of mundane moments…infuriating moments…and all the other moments in between that can be dismissed as forgettable or necessary evils you have to endure. Our guest today, Madelyn Moon, encourages us to take these relationship moments and make art out of them – just like Larry David would – to bring more life, play and heat into your relationship. Fellas, this might be a good episode to invite your ladies to listen along with you. Who is Madelyn Moon? Madelyn is a guide for women seeking to discover, claim and own all of her inherently wild and artistic sides so that she can express her true self in all areas of life, especially her love life Madelyn is the author of Artist of Love, The Modern Woman's Guidebook to Unleashing Her Creativity, Deepening Her Relationships and Becoming the Leading Actor in Her Own Life Madelyn has been on the show before with one of our most popular episodes of all time, 5 Ways Men Lose Credibility with Women In this Episode: What it means to “create art” out of the mundane and frustrating moments in relationships How a man who knows how to create art out of these moments becomes a more trustworthy man How an artful physical touch can calm your woman's nervous system in a heated moment How lack of defining a shared purpose for your relationship…leads to a relationship who's default purpose is merely “staying together” 4 ways to create art in your relationship
Welcome to Infendo Radio 657! On this weeks show we talk a bit more about the previous weeks Nintendo Direct, then we talk about the games we have been playing in Change the System segment.
Artfully Teaching the Science of Reading by Chase Young, David Paige, and Timothy Rasinski is a next step for educators steeped in the science. When we understand reading research and science, we can add art and creativity to the learning space. What does it mean to teach artfully? How can we creatively approach teaching aligned to science? These questions answered (and more) in this book talk. Resources Dr. Becky at Good Inside on InstagramConnect with us!Facebook and join our Facebook Group Twitter Instagram Visit our website to subscribe to our newsletter. Helping teachers learn about science of reading, knowledge building, and high quality curriculum.
In today's episode I will be looking primarily at one single case study, Basquiat's Defacement - The Untold Story, brought to the Guggenheim Museum in 2019 by curator, author and activist Chaedria LaBouvier. The purpose of this episode is to examine the ways that black artists engage with issues of injustice (specifically as it relates to racist police violence) be voice their opposition of it. You can find Chaedria on Instagram. You can also read up on the exhibition as well as the racism she spoke of while working with the Guggenheim in an article published by Essence. From today's episode I ask two things of you. 1) That you sign the petition for Brittney Griner's release back to home. And if you would like to learn more about the details of this story you can read this article or check out this video by CNN and another by Fox News. 2) My second call to action is to join me in 40 days of prayer over the injustices and radicalized violence that continues to plague our country. Thank you guys for tuning in and I can't wait to rejoin you all in the next season! Instagram Website --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Debra has lived an incredibly full and inspiring life with no plan of stopping anytime soon. From moving to Europe, dropping out of school, marrying an Italian prince and hitchhiking across Africa all by the time she was sixteen, Debra has always embraced the unknown and said “yes” to all of what life has thrown at her. We speak about her love of integrating art and architecture, and the beauty of bringing something of ourselves to new experiences as opposed to requiring an experience to give something to us. We touch on the importance of embracing our individual uniqueness, the beauty of being a citizen within a community, and why elderhood is underrated.Songs featured: “Confidently Lost” by Sabrina Claudio and “Against the Wind” by VictoryHow to support the show:Rate, review and subscribe to the podcast on iTunes!Visit my website - AnyaKaats.com & Find me on Instagram Get full access to A Millennial's Guide to Saving the World at anyakaats.substack.com/subscribe
I am definitely feeling the spring vibes this weekend. The sun has been bright. Chris and I dug into our list of garden projects. And we headed out for a little nature adventure at a new to us spot (I'll share a bit more about this trip in the coming weeks). Today I want to share with you a fresh podcast episode. It is a conversation with my colleague Tara Preston. She is a new age feminine leader who I recently interviewed on the topic of the sacred feminine and the akashic records. Oh my . . . this is a rich conversation. Tara has much to share. The conversation left me feeling inspired. I truly hope it does the same for you. Here are a couple things you can expect in this episode: The journey to embody authentic beauty. Stepping into a life of purpose. Artfully allowing self expression and work to evolve by moving through cycles of transformation. How Tara navigates being a mother, her soul led life, and business. Designing a life and business that drops you into your power. The importance of believing in your creations. What the Akashic Records are and how they support the healing and transformational journey. Join me for this week's episode of Meet Me in Sacred Space Learn more about Tara Preston, New Paradigm Feminine Leadership, Prosperity, and Business Mentor here: https://tarapreston.com/ Receive Tara's FREE GIFT: the 21 Day Heart Centered Akashic Journalling Practise today: www.akashicwomenschool.com/akashicjournal Learn more about Lori and Join the Community at https://loriaandrus.com Sink in deeper by joining the Sanctuary Membership Circle. Sign up here: https://loriaandrus.com/sanctuary
Rebroadcast - Tara Jacobsen of Marketing Artfully Connect with me on
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