Podcasts about hammerstein organization

My guest this week is Ted Chapin whose captivating 2003 book Everything Was Possible: The Birth of the Musical “Follies,” has recently been reissued in a revised and updated edition.  As you may know, this book is based on Ted's first-hand experience as the production assistant on the original Broadway production of the Stephen Sondheim, Hal Prince, & James Goldman landmark musical Follies. Of course, the expression, “I just couldn't put that book down” is a cliché – but in this case, it has been absolutely true – twice! -- both when I read this book when it was originally released, and again just a few weeks ago when I had the great pleasure of diving into it all over again. On last week's episode, Peter Filichia, talked about wanting to be able to go back in time and be a “fly on the wall” to witness the inner workings of legendary musicals as they were being put together. Ted's book allows all of us to do exactly that. This book makes you feel as it you are right there in the thick of it during Follies' rehearsal period in New York, and in Boston during its out-of-town tryout's many trials and tribulations. For 40 years Ted served as the President of The Rodgers & Hammerstein Organization a role that he was personally chosen by the Rodgers and Hammerstein families to take on. On his watch, there were eight Tony Award-winning Best Revivals of musicals in the R&H catalog -- On Your Toes, Carousel, Show Boat, Annie Get Your Gun, South Pacific, The King And I – twice! – and Oklahoma! He also supervised major R&H productions In London, on television, and around the world. And Ted is the co-founder of the acclaimed City Center Encores! series, and he currently serves on the boards of City Center, The Kurt Weil Foundation, and the American Theatre Wing. It is always a delight to speak with him – especially regarding his one-of-a-kind experience of being in the rooms where Follies happened.  Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Across The Margin : The Podcast presents an interview with Peter Kiesewalter, who is the NYC-based composer and producer behind the new multimedia show “The Moth Project,” the GRAMMY nominated and Emmy Award winning East Village Opera Company, and Brooklyn Rundfunk Orkestrata's song for song adaptation of the iconic musical “The Sound of Music” (titled “the Hills Are Alive”) — a project for which he received the much publicized blessing and support of the notoriously protective Rodgers and Hammerstein Organization. His prolific composition and arranging work (Film, TV, Theater, and commissions) balances formal classical and jazz studies with decades worth of experience performing and writing in many popular music idioms. "The Moth Project" is a multi-media production, music album, and book that marries art, science, and an innate connection to the environment. The Moth Project showcases how artists and musicians are stepping into the spotlight, collaborating with scientists to amplify the call of climate change in a captivating manner, filling the gaps where scientific data falls short. At the heart of "The Moth Project" lies two brothers. One, a passionate artist; the other, a dedicated botanist engrossed in our ecosystem. Amidst the 2020 quarantine in upstate New York, they, along with their six children, bonded over evening campfires, insightful dialogues, and the fascinating biodiversity around them. Inspired by the life cycle of the underappreciated moth, they crafted a narrative intertwining moth migrations with the immigration journey of Peter's family. In a world where millions are in constant movement, seeking new beginnings, it emphasizes the resilience of both nature and the human spirit, and highlights the interconnectedness between the two. In this episode host Michael Shields and Peter Kiesewalter discuss how the Moth Project began amid the depths of the pandemic, when Peter and his family left New York City for his family's cottage in Canada where his connection to nature deepened. The converse upon how esteemed botanist Robin Wall Kimmerer, the author behind Braiding Sweetgrass, lent her voice to the project's central piece (entitled “Reciprocity”). They talk about violinist Whitney La Grange's unforgettable contributions to the project, the incredible diversity of moths and the common themes humans share with them, how learning about moth migration had Peter thinking about his family history, and much, much more. Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Ted Chapin who's captivating 2003 book Everything Was Possible: The Birth of the Musical “Follies,” has recently been reissued in a revised and updated edition.  As you may know, this book is based on Ted's first-hand experience as the production assistant on the original Broadway production of the Stephen Sondheim, Hal Prince, & James Goldman landmark musical Follies. Of course, the expression, “I just couldn't put that book down” is a cliché – but in this case, it has been absolutely true – twice! -- both when I read this book when it was originally released, and again just a few weeks ago when I had the great pleasure of diving into it all over again. On last week's episode, Peter Filichia, talked about wanting to be able to go back in time and be a “fly on the wall” to witness the inner workings of legendary musicals as they were being put together. Ted's book allows all of us to do exactly that. This book makes you feel as it you are right there in the thick of it during Follies rehearsal period in New York, and in Boston during its out-of-town tryout's many trials and tribulations. For 40 years Ted served as the President of The Rodgers & Hammerstein Organization a role that he was personally chosen by the Rodgers and Hammerstein families to take on. On his watch there were eight Tony Award winning Best Revivals of musicals in the R&H catalogue -- On Your Toes, Carousel, Show Boat, Annie Get Your Gun, South Pacific, The King And I – twice! – and Oklahoma! He also supervised major R&H productions In London, on television, and around the world. And Ted is the co-founder of the acclaimed City Center Encores! series, and he currently serves on the boards of City Center, The Kurt Weil Foundation, and the American Theatre Wing. It is always a delight to speak with him – especially in regard to his one-of-a-kind experience of being in the rooms where Follies happened.   Learn more about your ad choices. Visit megaphone.fm/adchoices

For over twenty years Bruce Pomahac was the Director of Music for The Rodgers and Hammerstein Organization in New York City, where he helmed the restorations and supervised new editions of OKLAHOMA!, CAROUSEL, ALLEGRO, SOUTH PACIFIC, THE KING & I, PIPE DREAM, CINDERELLA, THE SOUND OF MUSIC, ONCE UPON A MATTRESS, ANNIE GET YOUR GUN and many others. He is currently Musical Consultant for Concord Music (Rodgers & Hammerstein, Rodgers & Hart and Kern & Hammerstein), The Irving Berlin Music Company, and the estates of Frederick Loewe and Alan Jay Lerner. In this episode we talk about how he got the gig, what it takes to restore an iconic show and how he kept the music relevant for new generations. We also dive deep into the history of Annie Get Your Gun, which is celebrating its 75th anniversary.  

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: South Pacific Chichester South Pacific streamhttps://www.cft.org.uk/whats-on/event/south-pacific-stream Rodgers & Hammerstein Wikipedia pagehttps://en.wikipedia.org/wiki/Rodgers_and_Hammerstein Rodgers & Hammerstein Organization's South Pacific page:https://rodgersandhammerstein.com/show/south-pacific/ South read more

Liz Callaway(lizcallaway.com)(TW:@LizGoesOn)(IG:@lizgoeson)(YT:@LizCallawayOfficial)(FB:@LizCallawayOfficial) is a Tony nominee and Emmy Award-winning actress, singer and recording artist. She made her Broadway debut in Stephen Sondheim’s Merrily We Roll Along, received a Tony Award nomination for her performance in Baby, and for five years, won acclaim as Grizabella in Cats. She has also starred in the original casts of Miss Saigon, The Three Musketeers, and The Look of Love. Off-Broadway she received a Drama Desk nomination for her performance in The Spitfire Grill (Playwrights Horizons), and also appeared in Brownstone (Roundabout), No Way to Treat a Lady, Marry Me a Little, and Godspell. Other New York appearances include the legendary Follies in Concert at Lincoln Center, A Stephen Sondheim Evening, Fiorello!(Encores!), and Hair in Concert.   Regional and international credits include Dot in Sunday in the Park with George, Eva Peron in Evita, Norma Desmond in Sunset Boulevard, the European premiere of Sondheim on Sondheim at London’s Royal Festival Hall, and most recently, starred in the one-person play “Every Brilliant Thing”. Ms. Callaway has also established a major career as a concert and recording artist.  The award-winning Sibling Revelry(created with sister Ann Hampton Callaway) was presented to great acclaim at the Donmar Warehouse in London. Boom!,a celebration of the music of the 60’s and 70’s, also created with her sister was recorded live at Birdland, and is currently touring performing arts centers around the country. Recently she had the pleasure of singing Chances Are with singing legend Johnny Mathis in Vancouver. She  also co-starred with Jimmy Webb & Paul Williams in their critically acclaimed engagement at Feinstein’s in New York and joined Burt Bacharach, Dionne Warwick, and Stevie Wonder at Hal David’s 90th Birthday Celebration Concert at the Mark Taper Forum in Los Angeles.  Her extensive US symphony work includes appearances at The Kennedy Center, Carnegie Hall, Ravinia, and The Hollywood Bowl. Worldwide, she has performed in China, Australia (with Stephen Schwartz),  New Zealand, Iceland, Estonia, France (Theatre du Chatelet, Paris), Slovenia, South Korea, and Barcelona’s Gran Teatre del Liceu where she premiered a new concert featuring the music of Stephen Sondheim. Liz sang the Academy Award nominated song “Journey to the Past” in the animated feature Anastasia and is also the singing voice of Princess Jasmine in Disney’s Aladdin and the King of Thieves and The Return of Jafar. Other film work includes the singing voice of the title character in The Swan Princess, Lion King 2: Simba’s Pride, Beauty and the Beast, The Brave Little Toaster Goes to Mars and The Rewrite with The Hugh Grant. She received an Emmy Award for hosting Ready to Go, a daily, live children’s program on CBS in Boston.  Other TV credits include In Performance at the White House, Inside the Actor’s Studio: Stephen Sondheim, In Performance at the White House, Christmas with the Boston Pops, The David Letterman Show, and Senior Trip (CBS Movie of the Week). Liz has released six solo albums: Passage of Time, The Beat Goes On, The Story Goes On: Liz Callaway On and Off-Broadway, Anywhere I Wander: Liz Callaway Sings Frank Loesser, Merry and Bright, and her latest CD The Essential Liz Callaway. Liz recently released three singles, “The Morning After” by Oscar-winning songwriter David Shire, “Beautiful City” from Godspell, and a duet of her Oscar-nominated song from Anastasia, “Journey to the Past” with the star of Anastasia on Broadway, Christy Altomare.  Her numerous other recordings include Sibling Revelry, Boom! Live at Birdland. The Maury Yeston Songbook, Dreaming Wide Awake: The Music of Scott Alan, Hair in Concert, and the complete recording of Allegro produced by the Rodgers and Hammerstein Organization. 

Liz Callaway(lizcallaway.com)(TW:@LizGoesOn)(IG:@lizgoeson)(YT:@LizCallawayOfficial)(FB:@LizCallawayOfficial) is a Tony nominee and Emmy Award-winning actress, singer and recording artist. She made her Broadway debut in Stephen Sondheim’s Merrily We Roll Along, received a Tony Award nomination for her performance in Baby, and for five years, won acclaim as Grizabella in Cats. She has also starred in the original casts of Miss Saigon, The Three Musketeers, and The Look of Love. Off-Broadway she received a Drama Desk nomination for her performance in The Spitfire Grill (Playwrights Horizons), and also appeared in Brownstone (Roundabout), No Way to Treat a Lady, Marry Me a Little, and Godspell. Other New York appearances include the legendary Follies in Concert at Lincoln Center, A Stephen Sondheim Evening, Fiorello!(Encores!), and Hair in Concert.   Regional and international credits include Dot in Sunday in the Park with George, Eva Peron in Evita, Norma Desmond in Sunset Boulevard, the European premiere of Sondheim on Sondheim at London’s Royal Festival Hall, and most recently, starred in the one-person play “Every Brilliant Thing”. Ms. Callaway has also established a major career as a concert and recording artist.  The award-winning Sibling Revelry(created with sister Ann Hampton Callaway) was presented to great acclaim at the Donmar Warehouse in London. Boom!,a celebration of the music of the 60’s and 70’s, also created with her sister was recorded live at Birdland, and is currently touring performing arts centers around the country. Recently she had the pleasure of singing Chances Are with singing legend Johnny Mathis in Vancouver. She  also co-starred with Jimmy Webb & Paul Williams in their critically acclaimed engagement at Feinstein’s in New York and joined Burt Bacharach, Dionne Warwick, and Stevie Wonder at Hal David’s 90th Birthday Celebration Concert at the Mark Taper Forum in Los Angeles.  Her extensive US symphony work includes appearances at The Kennedy Center, Carnegie Hall, Ravinia, and The Hollywood Bowl. Worldwide, she has performed in China, Australia (with Stephen Schwartz),  New Zealand, Iceland, Estonia, France (Theatre du Chatelet, Paris), Slovenia, South Korea, and Barcelona’s Gran Teatre del Liceu where she premiered a new concert featuring the music of Stephen Sondheim. Liz sang the Academy Award nominated song “Journey to the Past” in the animated feature Anastasia and is also the singing voice of Princess Jasmine in Disney’s Aladdin and the King of Thieves and The Return of Jafar. Other film work includes the singing voice of the title character in The Swan Princess, Lion King 2: Simba’s Pride, Beauty and the Beast, The Brave Little Toaster Goes to Mars and The Rewrite with The Hugh Grant. She received an Emmy Award for hosting Ready to Go, a daily, live children’s program on CBS in Boston.  Other TV credits include In Performance at the White House, Inside the Actor’s Studio: Stephen Sondheim, In Performance at the White House, Christmas with the Boston Pops, The David Letterman Show, and Senior Trip (CBS Movie of the Week). Liz has released six solo albums: Passage of Time, The Beat Goes On, The Story Goes On: Liz Callaway On and Off-Broadway, Anywhere I Wander: Liz Callaway Sings Frank Loesser, Merry and Bright, and her latest CD The Essential Liz Callaway. Liz recently released three singles, “The Morning After” by Oscar-winning songwriter David Shire, “Beautiful City” from Godspell, and a duet of her Oscar-nominated song from Anastasia, “Journey to the Past” with the star of Anastasia on Broadway, Christy Altomare.  Her numerous other recordings include Sibling Revelry, Boom! Live at Birdland. The Maury Yeston Songbook, Dreaming Wide Awake: The Music of Scott Alan, Hair in Concert, and the complete recording of Allegro produced by the Rodgers and Hammerstein Organization. 

Jennifer Tepper is producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation. She is also the Creative and Programming Director at Feinstein's/54 Below, and the author of The Untold Stories of Broadway book series. She is the creator of The Jonathan Larson Project and historian consultant on the upcoming film version of tick, tick...BOOM!  Other credits include projects, shows, and educational initiatives with The National Alliance for Musical Theatre, The Producing Office, The Rodgers & Hammerstein Organization, TEDxBroadway, The Dramatists Guild, Broadway Cares/ Equity Fights AIDS, New York City Center, the Broadway Green Alliance, and New York University. Listen in and hear her talk about: How she made a decision to take the plunge and produce BMC. Her gift of getting people to talk to her, how it got her career started, and how it also led to these terrific books. What her dream job is . . . (I bet she’ll have it at some point!) How she got started with producing and how she encourages other young Producers to get started too. How it has felt not only being one of the youngest Producers on Broadway but also being one of the youngest female Producers on Broadway.   This episode of The Producer’s Perspective Podcast is sponsored by Sunlight Studios. Right in the heart of the Theater District, it doesn’t get more convenient than this. To book a studio today, please visit sunlightstudios.com. Use code DAVENPORT to receive a 5% discount on bookings until April 11.  Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Jamie and Rob sit down with self-proclaimed “theater nerd” Ted Chapin, whose knowledge and love of the theater extends well beyond his over 30 year career at The Rodgers & Hammerstein Organization, the licensing agency, rental library, and music publishing company that oversees the R&H catalogue, and countless others, including Irving Berlin, Lin-Manuel Miranda, and more. We talk about Ted's career at R&H, his favorite of their shows, and, of course, his incredible book, “Everything Was Possible”, an account of his time working on the original production of Follies. This week's music: The King and I ‘s“Finale to Act 1,” Lincoln Center Theater's South Pacific, City Center Encore's production of Pipe Dream “Overture” and “Sweet Thursday,” Liz Callaway singing “The Gentlemen Is A Dope” from Allegro and Alexis Smith singing “Could I Leave You” from Follies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy New-ish Year, listeners, and hello, young lovers! After a few weeks away, shall we tell you what we think of one of the most romantic, epic musicals of all time — Rodgers and Hammerstein's "The King and I"? The 2018 West End production starring Queen Kelli O'Hara and Ken Watanabe is something wonderful — and we adore it so much we decided to start a season on musicals we love, to start off 2019 (and Valentine's) with a happy tune. The Broadway Babies will go over the backstage drama that surrounded this musical from the beginning, how iconic Ruthie Ann Miles' Lady Thiang is, the racial tensions both in and out of the show, etc. etc. etc. Now, come...shall we dance? Film: Amazon Video | BroadwayHD Cast recording: iTunes | Spotify Music:  "Getting to Know You," performed by Kelli O'Hara "A Puzzlement," by Ken Watanabe "Hello, Young Lovers," by Kelli O'Hara "Shall I Tell You What I Think of You," by Kelli O'Hara "Something Wonderful," by Ruthie Ann Miles "Shall We Dance," by Kelli O'Hara, Ken Watanabe, conducted by Ted Sperling "Finale Ultimo," conducted by Ted Sperling Music by Richard Rodgers and lyrics by Oscar Hammerstein II; copyright owned by the Rodgers and Hammerstein Organization. Album distributed by Universal Music Classics, a division of UMG Recordings Inc. Show Notes: A discussion of race in The King and I when it was staged in Australia in 2014, referring to both the movie and the 1991 production that moved to Broadway. A portrait of the OG Anna in the OG ballgown, Gertrude MFin' Lawrence The King and I animated trailer … with tigers and dragons and Julie Andrews-lite Anna, oh my! Lincoln Center Theatre’s LincTix discount program for 21-35-year-olds, where tickets are like half off! Get ready for "Disobedience," (2017) starring Anna and Lady Thiang. It's a 'ship. Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast

Sean Flahaven is the founding worldwide CEO of The Musical Company, a joint venture between Concord Music, now the fifth largest music company in the world, and The Really Useful Group, Andrew Lloyd Webber’s landmark production company. TMC handles theatrical licensing, music publishing, and cast recordings for theatre writers and producers—the first time such services have been combined. He supervised Warner’s worldwide theatrical producing and licensing, print/digital sheet music, and orchestral rental. He has had the privilege of working with Stephen Sondheim for 20 years. He has been a producer on 25 albums, 9 of which were nominated for Grammy Awards, including the Grammy-winning, triple-Platinum, chart-topping smash hit, Hamilton. He has produced or managed over 100 shows, concerts, workshops, and readings for landmark institutions on and off-Broadway and was General Manager and Director of Music and Marketing for Theatrical Rights Worldwide and a music editor for Music Theatre International and the Rodgers & Hammerstein Organization.  Sean sat down and chatted with me about how he found his way from trombone player to CEO, as well as . . .  How working in politics helped him start a conversation with Stephen Sondheim. Why he felt an MFA was important to his future career. What all musical theater writers, from the big stars, to the unknowns, have in common. The challenge behind producing cast albums and what can be done about it. Why getting your show licensed is essential and tips on how to make it happen.   Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Ted Chapin has had a front row seat to Broadway history! From interning on Follies to running the Rodgers & Hammerstein Organization, a position he's held for over thirty years, Ted pulls back the curtain on his celebrated career and reveals all! Also, Ted talks about new productions of Oklahoma and Do I Hear a Waltz, as well as revealing some secrets from South Pacific and Cinderella. 

Ted Chapin was chosen by the Rodgers and Hammerstein families to run their office.  He expanded it into the Rodgers & Hammerstein Organization, which is responsible for management of the copyrights created by Richard Rodgers and/or Oscar Hammerstein II. On his watch, there have been new major productions of their musicals on Broadway (seven Tony Awards for Best Revival so far), in London, and around the world. In addition, he brought in the representation of other extraordinary musical artists including Irving Berlin.  In addition to revivals, he has encouraged new Broadway productions, among them Irving Berlin’s White Christmas, State Fair, A Grand Night for Singing, and Holiday Inn as well as major television productions such as The Sound of Music Live! on NBC. I was thrilled when Ted accepted my invite to appear on my podcast, because I knew he’d drop some wisdom bombs for all of us to learn from, and boy did he.  Tune in and listen to Ted talk about all things theater, R&H and more, including . . . His secret trick to pronouncing Hammerstein the correct way (and hear me get it right, then wrong, then right again . . . oh boy). What happens when the copyrights on the R&H classics expire? Would Oklahoma! be a hit if it were produced today? What the @#&$ is the Tony Administration Committee and what does it do anyway? How he decides what can be done and can’t be done in new R&H productions (and hear how he almost had to shut one down – and why it was a tougher decision than you’d think). Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathleen Marshall: On February 9, 2004, Tony Award winning choreographer and director Kathleen Marshall sat down for a One-on-One Conversation with Ted Chapin, President and Executive Director of the Rodgers and Hammerstein Organization, at the Beckett Theatre. The discussion traced her meteoric rise from Broadway gypsy, to assisting her brother Rob Marshall on Kiss of the Spiderwoman, to winning a Tony award for her choreography for the Broadway revival of Wonderful Town. The following is a recording of this wonderful conversation. Originally recorded - February 9, 2004. Running Time - 1:35:02 ©2004 SDCF

Where are Broadway's biggest talents? Downstage Center. The latest sits down with Tony Award winner ("Avenue Q", "The Book of Mormon") Bobby Lopez. The composer and lyricist talks to Ted Chapin (American Theatre Wing Chairman of the Board and President and Executive Director of The Rodgers and Hammerstein Organization) about his inspiration, the Sondheim influence, finding the comedy, and, of course, "The Book of Mormon", from its inceptions to its "I Believe" ode to "The Sound of Music."

Where are Broadway's biggest talents? Downstage Center. The latest sits down with Tony Award winner ("Avenue Q", "The Book of Mormon") Bobby Lopez. The composer and lyricist talks to Ted Chapin (American Theatre Wing Chairman of the Board and President and Executive Director of The Rodgers and Hammerstein Organization) about his inspiration, the Sondheim influence, finding the comedy, and, of course, "The Book of Mormon", from its inceptions to its "I Believe" ode to "The Sound of Music."

On February 9, 2004, Tony Award winning choreographer and director Kathleen Marshall sat down for a One-on-One Conversation with Ted Chapin, President and Executive Director of the Rodgers and Hammerstein Organization, at the Beckett Theatre. The discussion traced her meteoric rise from Broadway gypsy, to assisting her brother Rob Marshall on "Kiss of the Spiderwoman", to winning a Tony award for her choreography for the Broadway revival of "Wonderful Town". The following is a recording of this wonderful conversation.

Ted Chapin wears two hats during this interview, one as he discusses his position as head of the Rodgers & Hammerstein Organization, explaining his role in both promoting and defending the work of the great songwriting team, the other as he talks about how his college project as a production assistant afforded him backstage access to the original production of "Follies", which 30 years later formed the basis for his book "Everything Was Possible". Original air date - July 30, 2004.

Ted Chapin wears two hats during this interview, one as he discusses his position as head of the Rodgers & Hammerstein Organization, explaining his role in both promoting and defending the work of the great songwriting team, the other as he talks about how his college project as a production assistant afforded him backstage access to the original production of "Follies", which 30 years later formed the basis for his book "Everything Was Possible". Original air date - July 30, 2004.