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8 episodes with Ken Watanabe
3 episodes with Ken Watanabe
3 episodes with Ken Watanabe
5 episodes with Ken Watanabe
3 episodes with Ken Watanabe
2 episodes with Ken Watanabe
2 episodes with Ken Watanabe
2 episodes with Ken Watanabe
2 episodes with Ken Watanabe
Entering the ring at 6 feet, 165 pounds, the Inceptionist, the prestigest, the teneter - Christopher Nolan! Working to restart the Batman franchise Nolan starts with the 2005 Batman BeginsDirectorChristopher NolanProducerLarry J. Franco, Charles Roven, Emma ThomasScreenwriterDavid S. Goyer, Christopher Nolan, Bob KaneDistributorWarner Bros. PicturesProduction CoDC Comics, Warner Brothers, Syncopy, Di Bonaventura PicturesRatingPG-13 (Some Thematic Elements|Disturbing Images|Intense Action Violence)GenreAction, Fantasy, AdventureOriginal LanguageEnglishRelease Date (Theaters)Jun 15, 2005Budget$150,000,000 (estimated)Gross US & Canada$206,863,479Opening weekend US & Canada$48,745,440Jun 19, 2005Gross worldwide$375,406,308StarringChristian Bale,Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe, Morgan Freeman
Case and Sam are joined by Nic Woolfe to stomp like a kaiju (stomp stomp stomp)! We're digging into the Monster-verse with "Godzilla: King of the Monsters (2019)"! Overview In the podcast discussion titled "Another Pass at Godzilla King of the Monsters," the hosts, alongside guest Nic Woolfe, delve into their personal connections to the Godzilla franchise, reflecting on how nostalgia and earlier influences shaped their appreciation for Kaiju films. They analyze the 2019 film's financial performance, placing it within the context of the MonsterVerse, and offer praise for its visual elements, character portrayals, and emotional depth. The conversation touches on the film's themes, such as the insignificance of personal problems against global threats, and critiques the marketing strategies that may have contributed to its underwhelming box office results. The hosts discuss scientific inaccuracies, potential improvements, and casting alternatives, asserting that while the film has its flaws, it remains enjoyable. They conclude with suggestions for future explorations within the franchise, including their next episode focus on "Highlander 2: The Quickening." Notes Introduction and Personal Connections to Godzilla (00:00 - 10:59) Hosts introduce guest Nic Woolfe for their fifth episode together Discussion of personal connections to Godzilla franchise Nick's love for Kaiju came from Power Rangers, Rugrats' Reptar, and later access to classic Godzilla films The hosts establish they all genuinely enjoy the 2019 Godzilla film Movie cost between 170-200 million but only made 387 million, falling short of the $400 million target MonsterVerse Context and Prior Films (10:59 - 21:41) Discussion of 2014 Godzilla film directed by Gareth Edwards as the MonsterVerse starting point Brief mentions of Kong: Skull Island as part of the MonsterVerse Sam shares her family history with Godzilla, particularly her mother's love for monster movies Case discusses the 80s-90s Godzilla marketing push in Western media MonsterVerse is praised for continuing to improve since the 2014 film ️ Visual Elements and Character Appreciation (21:42 - 32:54) Praise for Ghidorah being portrayed as a hurricane with lightning everywhere it goes Discussion of the elemental nature of the Titans: Ghidorah (wind), Godzilla (water), Rodan (fire), Mothra (earth) Appreciation for the film's use of mythology and inclusion of Mothra's twins Strong praise for the cast including Charles Dance, Bradley Whitford, Ken Watanabe Discussion of the emotional scene where Serizawa sacrifices himself Themes and Human Elements (32:54 - 42:52) Comparison between Godzilla: King of Monsters and other Godzilla films including Shin Godzilla Discussion of the family storyline involving Mark and Emma Russell Analysis of the theme that 'it's bigger than you' - problems being insignificant compared to global threats Appreciation for the resolution provided for human characters Commentary on the film's emotional resonance and how it saved Nick during a difficult time Critical Analysis of Marketing and Casting (42:52 - 52:52) Discussion about why the film didn't perform as well financially as expected Analysis of movie title 'King of the Monsters' being reused from the 1950s Suggestion that 'Rise of the Titans' might have been a better title Critique that the film lacked young, attractive lead characters that might draw wider audiences Observation that the film needed more explanation of the various Titans/monsters Scientific Inaccuracies and Improvement Ideas (52:53 - 01:02:28) Criticism of the 'alpha male' science regarding Titans as outdated Suggestion that more monster battles would have improved the film Discussion of effective scenes showing the scale of monsters compared to humans Praise for Ken Watanabe's sacrifice scene and emotional impact Analysis of how the film's marketing could have better emphasized human perspective shots Marketing Critique and Casting Alternatives (01:02:28 - 01:13:52) Proposal that more monster explanations would have helped broader audience engagement Discussion of how modern trailers often reveal too much compared to effective ones like Independence Day Suggestion that Sally Hawkins' character shouldn't have been killed early Idea that Charles Dance could have played Tom Hiddleston's character from Skull Island Commentary on how the film might have benefited from younger actors in certain roles Final Suggestions and Conclusions (01:13:52 - 01:24:43) Discussion about whether including Kong would have helped the film commercially Suggestion to better explain the costs and benefits of Titans to the ecosystem Proposal for including anti-Titan lobbyists or weapons manufacturers as antagonists Overall conclusion that despite its flaws, the film is still highly enjoyable Guest and host contact information shared Announcement that next episode will cover Highlander 2: The Quickening Action items Unassigned Watch 'Godzilla Minus One' while it's still available on Netflix
In this week's episode of Born to Watch, we're diving deep, like three layers deep, into Christopher Nolan's reality-bending sci-fi thriller with our Inception (2010) Review. The team celebrates three years of podcasting with one of the most mind-twisting films of the 21st century.It's only fitting that a film about dreams, time loops, and subconscious sabotage kicks off our birthday episode. With a cast that includes Leonardo DiCaprio, Tom Hardy, Joseph Gordon-Levitt, and Ken Watanabe, this Nolan original has become a modern classic. But is it as smart as it thinks it is? Does the top fall? And how many times do you really need to watch it to understand what the hell is going on?Whitey, G-Man, and Damo don't just scratch the surface, they go full inception mode, breaking down the film's ambitious plot, its dream architecture, and whether Cobb is actually home with his kids or just lost in another layer.From Dreamscapes to DiCaprioWhitey kicks off with his usual gusto, revealing that he saw Inception solo on opening day, classic cinephile move. He hails it as peak Nolan and DiCaprio's most complex role, while G-Man confesses he just watched the movie in full for the first time this week. Damo, meanwhile, delivers the ultimate snob flex: he's seen it three times and still finds new details with each watch.The team breaks down Dom Cobb's fractured psyche, the emotionally rich (and confusing) relationship with Mal, and how Ariadne (played by Elliot (Ellen) Page) is more than just the new recruit; she's the audience surrogate. There's praise for Joseph Gordon-Levitt's gravity-defying hallway fight and Tom Hardy's cheeky charm as dream-forger Eames. Hardy might just be playing his most “normal” character ever.The Nolan EffectFrom the layered timelines to the rules of the dream world, Nolan's script is pure high-concept storytelling. The boys debate the film's exposition-heavy style, with Damo defending it as necessary and Whitey pointing out how cleverly the rules are integrated into dialogue. G-Man admits that the film almost lost him early on, but it eventually clicked.The group agrees that what sets Inception apart isn't just its ambition, it's the balance between visual spectacle and emotional stakes. Cobb's longing to return to his children grounds the entire story. As Whitey puts it, “Love is the engine of the movie.” And that spinning top at the end? The debate rages, with Damo arguing that the wedding ring, not the top, is Cobb's real totem.Zimmer's Sonic BoomHans Zimmer's iconic score is one of the true stars of the episode and the film. The guys take a detour to relive their recent trip to see Zimmer live, where “Time” was the final encore and “Mombasa” opened the show. Damo drops some deep trivia, including Zimmer's creation of the signature “braaam” sound that became a staple in modern trailers.Zimmer's blend of orchestral grandeur and percussive power is credited with elevating Inception to the next level. It's not just background music, it's narrative glue.Big Ideas, Bigger DebatesThe episode also tackles the meta: could inception be real? Is dream-sharing possible? The crew has fun exploring the logic (and illogic) of the film's concept, concluding that it's a hard "maybe". They also dive into Nolan's place in the pantheon of modern directors, putting him above even some of the biggest names for his commitment to originality.Damo offers a run-through of the best Nolan films, debating whether Inception tops The Dark Knight, Interstellar, and Memento. G-Man drops trivia about the film's production and cast (yes, Pete Postlethwaite was only in it for three minutes), and the whole crew salutes Nolan's ability to deliver blockbuster-level art films.IN THIS EPISODE:Dream physics, logic puzzles, and Joseph Gordon-Levitt in zero-GThe tragic brilliance of Mal and why Cobb's guilt is the real villainTom Hardy: suave or too normal?The mystery of Ariadne's tiny pantsIs this peak Nolan? (Spoiler: probably)Listen now on Spotify, Apple Podcasts, or wherever you get your movie fix.Join the conversation:Does the top fall or spin forever?Is Inception Nolan's best film or just his most ambitious?Who out of the cast would make the best Bond?Drop us a voicemail at BornToWatch.com.au and tell us your dreams—or nightmares—about the movie.#InceptionReview #ChristopherNolan #LeonardoDiCaprio #BornToWatchPodcast #HansZimmer #TomHardy #MoviePodcast #SciFiMovies #MindBendingCinema #DreamWithinADream
Today we review 2016's The Sea of Trees. We follow a man's struggle with the stages of grief as he navigates Aokigahara in Japan.Directed by: Gus Van SantWritten by: Chris SparlingStarring: Matthew McConaughey, Ken Watanabe, and Naomi WattsCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.
PIKACHU, I CHOOSE YOU!!! Pokémon: Detective Pikachu Full Reaction Watch Along: https://www.patreon.com/thereelrejects With Justice Smith in the upcoming Now You See Me, Now You Don't, & Ryan Reynolds still hot off the success of Deadpool & Wolverine, Andrew Gordon & John Humphrey give their Detective Pikachu Reaction, Recap, Breakdown, Commentary, Analysis & Spoiler Review! - Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects John Humphrey & Andrew Gordon dive into the live-action Pokémon mystery! Starring Ryan Reynolds as Pikachu (Deadpool, Free Guy), Justice Smith as Tim Goodman (Jurassic World: Fallen Kingdom, All the Bright Places), Kathryn Newton as Lucy Stevens (Ant-Man and the Wasp: Quantumania, Freaky), Bill Nighy as Howard Clifford (Love Actually, Pirates of the Caribbean), and Ken Watanabe as Detective Yoshida (Inception, Godzilla). Iconic Pokémon like Charizard, Mewtwo, Psyduck, Bulbasaur, Mr. Mime, Snorlax, Gengar, Jigglypuff, Ditto, and Greninja all make major appearances. Standout scenes featured in high-view clips include: “Mr. Mime Interrogation,” “Pikachu vs Charizard Fight,” “Pikachu Sings the Pokémon Theme,” “Mewtwo Returns,” and the “Big Reveal Ending.” This reaction covers Easter eggs, game references, and cinematic surprises that made the first-ever live-action Pokémon movie such a nostalgic ride for longtime fans and newcomers alike! Pokémon Movie Franchise includes: Detective Pikachu (2019), Pokémon: The First Movie (1998), Pokémon: The Movie 2000 (1999), Pokémon 3: The Movie (2000), & More Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Clint Eastwood's two-picture project looking the Battle of Iwo Jima reaches its conclusion (as does the 00s for Amblin) with LETTERS FROM IWO JIMA, this time following the perspective of the Japanese soldiers on the island, who employed a unique strategy that took both the Americans and their own country by surprise. To examine these letters, we invite host of All 90s Action All the Time Scott Murphy to dig into what makes this the more successful film of the two, from the figure of Ken Watanabe's General Kuribayashi, to the ensemble cast at large, its strength as an anti-War movie and the inherent surprise that such a feature should come from one Clint Eastwood. It's a film of such stark, searing power, and one that is so good, we had to record our thoughts twice…You can follow Scott's podcast on X @90sAction and can find the show wherever you get your podcasts. Vote for your favourite Amblin movies of the 00s here: https://forms.gle/XHBdU1iit3g4YH9C8 Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.
Oh lawd he comin! America's second crack at Godzilla is a chonky thicc absolute unit, and he's in a surprisingly artful and bleak disaster film from director Gareth Edwards. We talk about the on-the-ground approach to visuals, the military's involvement in the writing process (and some weak themes and characterization as a result), how the MUTOs just want to kiss and did nothing wrong, why the Monsterverse stands out among other cinematic universes, and more. Plus, lots of ranting about Aaron Taylor-Johnson (Bryan Cranston, Ken Watanabe, and Elizabeth Olsen all get shafted for THIS GUY?!)Cover art by: Doug!Part of The Glitterjaw Queer Podcast CollectiveCover Art Gallery | Patreon | DiscordEmail: skreeonkpodcast@gmail.comTheme song: "BIO WARS - Synth Cover" by Kweer KaijuSources include:The Guardian on the military's involvement with HollywoodUS Army's puff pieceGareth Edwards interview with BBC NewsKen Watanabe interview with Sci-Fi NowElizabeth Olsen Interview with NY TimesGodzilla FAQ: All That's Left to Know About the King of the Monsters by Brian SolomonWikizilla
Diane and Sean discuss the king of the monsters, Godzilla. Episode music is, "Godzilla's Victory", by Alexandre Desplat, from the OST.- Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- BlueSky: WhyDoWeOwnThisDVD- IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
British composer Stuart Hancock's most recent work on the animated epic KENSUKE'S KINGDOM Kensuke's Kingdom helps establish the children's book adaptation as one of the year's most sweeping and heartfelt stories. The film is a good old-fashioned adventure rendered in gorgeous hand-drawn 2D animation with a voice cast that includes Sally Hawkins, Cillian Murphy, and Ken Watanabe. The story concerns a boy who is swept overboard during a storm on a worldwide sailing trip with his family and washes ashore on an island in the Pacific Ocean. While there, he realises someone is nearby, aiding him with his survival. The script for the film was by award-winning British scriptwriter Frank Cottrell-Boyce based on the book by celebrated British author Sir Michael Morpurgo, who is most well-known for his book WAR HORSE, also adapted into an acclaimed film by Steven Spielberg. In November 2024, Jason Drury had the pleasure of speaking with Stuart Hancock via Zoom from his home in Leighton Buzzard, England. During the conversation, they discussed his work on KENSUKE'S KINGDOM and the similarities and differences between scoring for commercials and narrative work. You'll also hear numerous selections from KENSUKE'S KINGDOM. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Released in 2010. Directed by Christoper Nolan. Starring Leonardo DiCaprio, Joseph Gordon-Levitt, and Ken Watanabe."Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: “inception”, the implantation of another person's idea into a target's subconscious."Timestamps00:00 - Intro / Initial Review20:20 - Spoiler Territory1:04:38 - Final Scores Anyone?1:09:23 - Next Movie RevealFOLLOW US ON SOCIALSYoutube - @thelitterboxpodInstagram - @thelitterboxpodLetterboxd - thelitterboxpodX (formerly Twitter) - @litterboxpod
Prepare your palate as we serve up a delectable two-courser, diving fork-first into the sumptuous delights of Juzo Itami's Tampopo and Michael Winterbottom's The Trip, two films that explore the art of food and the joy of eating in very different yet equally savory ways. But before we get to the main course, we're sampling a few appetizers with our Blue Plate Special: we stir the pot with the latest update on the Joaquin Phoenix and Todd Haynes behind-the-scenes drama, review new releases Alien: Romulus and Blink Twice, and offer a heartfelt toast in memory of screen legend Gena Rowlands. Finally, we load up our plate and then some with our double feature, exploring how Tampopo's ramen western blends humor with heart, and how The Trip serves up sharp wit alongside mouth-watering culinary-adjacent tours. Bon appétit! As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.
RMR 0275: Join your hosts Bryan Frye, Dustin Melbardis, and Lizzy Hayness for the Retro Movie Roundtable as they revisit The Last Samurai (2003) [R] Genre: Action, Drama Starring: Tom Cruise, Ken Watanabe, Koyuki, Timothy Spall, Shin Koyamada, Tony Goldwyn, Masato Harada, Shichinosuke Nakamura, Hiroyuki Sanada, Seizo Fukumoto, Billy Connolly, Shun Sugata, Togo Igawa Director: Edward Zwick Recorded on 2024-08-08
We are happy to give our seal of approval for Alien: Romulus. It feels very much like an Alien film- how they used to look and feel. We et much more insight into what the Alien is, it's purpose, and what The Company knows. The question is, where do we go from here? 0:07:20 - Box Office and upcoming releases. 0:11:40 *** What's Streaming ***MAX THE SEA OF TREES, Dir. Gus Van Sant – Matthew McConaughey, Ken Watanabe, Naomi Watts. 2015. ROBOCOP, Dir. Paul Verhoeven – Peter Weller, Nancy Allen, Ronny Cox, Kurtwood Smith, 1987. UNBREAKABLE, Dir. M.Night Shyamalan – Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark, Eamonn Walker, 2000. 0:20:00 - Trailers: GOODRICH- Mila Kunis, Michael Keaton, Andie McDowell, Feature. LONG GONE HEROES – Beau Knapp, Josh Hutcherson, Frank Grillo, Andy Garcia, Melissa Leo, Mekhi Phifer, Feature. THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM – Brian Cox, Miranda Otto, Feature. 0:32:40 - ALIEN: ROMULUS, Dir. Fede Alvarez ( Grayson 7 / Roger 7 / Chris 6.5 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Also hosted by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
Sound the alarms, evacuate the city and brace for impact as the hosts get ready for the king of monsters as they review the blockbuster creature film reboot, Godzilla, starring Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe, Bryan Cranston and directed by Gareth Edwards. The cinematic titan made its monumental return in this new era reboot in which it help kicked off the MonsterVerse cinematic universe. The hosts pair the film with The Godzilla Cocktail. So join the hosts as they get ready for the ultimate showdown between the giant monsters and celebrate this classic icon.Come listen and follow us on Instagram @the.gentlemenpodcast and our website thegentlemenpodcast.com
The Krewe is joined by journalist & author of Tokyo Vice, Jake Adelstein, to dive into the yakuza. How did these organizations gain prominence in Japanese society, and how have the police & government responded over time to their presence? What behind-the-scenes decisions went into the TV adaptation of Jake's thrilling memoir? Find out all this and more in today's episode!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Donate today to Japan Society of New Orleans!Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:47:50)------ Links about Jake Adelstein ------Jake on X/TwitterJapanKenkyu on X/TwitterJake on InstagramJake on FacebookJake's Website: Japan SubcultureTokyo Vice on AmazonThe Last Yakuza on AmazonPre-Order Tokyo Noir on AmazonThe Evaporated: Gone with the Gods (Jake's Podcast)------ JSNO Upcoming Events ------JSNO Event Calendar
País Estados Unidos Dirección Edward Zwick Guion John Logan, Edward Zwick, Marshall Herskovitz Reparto Tom Cruise, Ken Watanabe, Timothy Spall, Billy Connolly Música Hans Zimmer Fotografía John Toll Sinopsis Año 1876. El capitán Nathan Algren es un hombre que sobrevive atormentado por los recuerdos de la Guerra Civil (1861-1865) y de las campañas contra los indios, en las que participó arriesgando su vida. Desde entonces, el mundo ha cambiado radicalmente: el pragmatismo ha reemplazado al valor, el interés personal ha ocupado el lugar del sacrificio, y el sentido del honor ha desaparecido. En un país muy lejano, otro soldado ve también cómo su modo de vida está a punto de desintegrarse. Es Katsumoto, el último líder de un antiguo linaje de guerreros, los venerados samuráis, que dedicaron sus vidas a servir al emperador y a preservar el espíritu de la milenaria cultura japonesa.
Send us a Text Message.BATMAN BEGINSCast aside your Batnipples! As a certain Patrick Bateman lookalike once said, “Well, a guy who dresses up like a bat clearly has issues,” and this week, TGTPTU tackles these issues in Sir Christopher Nolan's entry into the franchise that would define his middle career with BATMAN BEGINS (2005). Former cohost Jack returns from France to talk Bat and comics with a Gen Z take. Meanwhile, Ken, Thomas, and Ryan grapple and claw and melee in difficult to parse action sequences to control the mic and effuse about this first of the three Batman films covered this season of NOLAN VOID.After Insomnia, Sir Nolan's efforts to get his and Jim Carrey's project (a Howard Hughes' late-in-life insanity film) off the ground (or out the hotel penthouse) were stymied by Michael Mann developing The Aviator, a film that would take off with Scorsese as captain. Without a script of his own or film in development, Nolan would meet with the Warner Bros (and maybe their sister Dot) to launch a “reboot” of the Batman franchise with Hollywood's resident comic book aficionado David S. Goyer.Together with production designer Nathan Crowley who'd worked with him on Insomnia for Warner Brothers, Sir Nolan worked to create a realism beyond what had come before in comic book films. In fact, per Nolan, “Everything we did was about being in massive denial that there was such a thing as [a comic book movie].”Casting Christian Bale as Bruce Wayne (Batman takes nearly an hour to appear onscreen) and making use of his split persona from American Psycho, Bale is joined by a series of heavy hitters, including Michael Caine, Liam Neeson, Gary Oldman, Morgan Freeman, Cillian Murphy, Rutger Hauer, pod-fav Ken Watanabe, the estimable Mark Boone Jr (back from Memento), and, perhaps oddly cast and not-to-return to the franchise, Katie Holmes.Exclusive this week! Hear the Batman Baggins summary delivered by Ken but written by our guest director, someone really famous and from New Zealand and whose name rhymes with Jeter Packson, who may have confused Nolan's film with his own take on rebooting the Dark Knight as so many directors took a stab at the reboot post-Schumacher Schumacher Schumacher (hopefully you weren't reading this aloud before a mirror). Also, enjoy this week an experimental sound mix to cover for Thomas's brief absence from the mike as he deals with a dog releasing mind-altering gas.So listen and continue to download and listen through the remainder of Nolan Void, for there will be a Batman in the pairing for all remaining episodes. What, you ask? Will the hosts this season get caught by their very own temporal pincer movement by reviewing The Dark Knight Rises before The Dark Knight? Stay tuned to upcoming and exciting (perhaps, anything's possible, but most at least one of the following four episodes will be moderately amusing) episodes to find out.Now please forgive us. We have to return some videotapes. D-FENS.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias
Brothers J and Eric the Matthew McConaughey, Ken Watanabe, Naomi Watts film Sea of Trees. It's kind of a bummer. But the brothers take some deep early tangents into the Aokigahara forest itself, the Aoki family (Devon, Steve, and Rocky), underground teppanyaki performance artist chefs, and memories of the fast casual chain restaurant Skippers. Technical note: J's audio is pretty bad. It's understandable but not ideal. The conversation will hopefully carry you through. File length 1:01:21 File Size 45.2 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way
Spoiler Warning! Chris and Taylor review season 2 of the crime drama,Tokyo Vice, created by J. T. Rogers and based on the 2009 book of the same title by Jake Adelstein. The story continues with Jake patching things up between Katagiri and himself so they can continue their mutual goal of taking down Tozawa and his clan. The series stars Ansel Elgort, Ken Watanabe, Rachel Keller, Hideaki Itō, Rinko Kikuchi and Ayumi Tanida. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ Twitter: https://twitter.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: Aura: Get a 14-day free trial of Aura for individuals, couples and or their family by going to aura.com/potential --- Send in a voice message: https://podcasters.spotify.com/pod/show/taylor-sokol3/message
This week on the Everything Actioncast, Zach and Chris return to the start of the Monsterverse to discuss Godzilla for its 10th anniversary.Directed by Gareth Edwards, Godzilla kicked off the Monsterverse as a pair of giant kaiju called MUTOs emerge and wreak havoc across the globe. Their appearance also draws the attention of Godzilla, who hunts the MUTOs down as they challenge his role as the alpha predator of the Earth. Aaron Taylor-Johnson is Ford Brody, a Navy EOD soldier who is trying to get home to San Fransisco but keeps getting caught in the battle between the giant monsters. Zach and Chris talk about the lifecycle of MUTOs, the dramatically more serious tone compared to the current Monsterverse entries, the early death of Bryan Cranston, the awesome sense of size and scale, and more. You can watch Godzilla on Max.We want to hear your comments and feedback. Send them all to contact@everythingaction.com. Also, let us know your suggestions for movies for us to discuss.Please subscribe, rate, and review us on Apple Podcasts, Amazon Music, Spotify, or wherever you get podcasts. You can also find the podcast on YouTube.Check us out on Twitter (@evaction), Facebook (www.facebook.com/everything.action), and Instagram (@everything.action).
THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs Our 2010 retrospective has officially begun! And what better way to kick things off than continuing the Academy Award-winning (God, it feels great to say that) Christopher Nolan appreciation with his 2010 Oscar-winning film "Inception" starring Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Elliot Page, Tom Hardy, Cillian Murphy, Tom Berenger & Michael Caine. Joining me for this throwback podcast review are Lauren LaMagna, Josh Parham, Dan Bayer, Nadia Dalimonte & Danilo Castro. What do we think of the film all these years later? Tune in as we discuss the writing, direction, ideas and themes, the ensemble, action sequences, visual effects, and whether or not we believe that Totem toppled in the final shot, plus its awards season run and more in our SPOILER-FILLED review. Thank you for all your support, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices
Joined by travel expert, owner of Lifebridge Inc., & popular YouTuber Ryotaro Sakurai and fellow New Orleanian William Woods, the Krewe explores Miyagi Prefecture and everything it has to offer! From popular spots to secret gems, Ryotaro & Will share their insight into place that are must see, foods that are must eat, and things that are must do! Don't miss out on this fun travel episode!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link to save 20% Off your Entire Order! (00:01:06)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (01:15:10)------ Ryotaro's Links ------Ryotaro's Japan YouTube ChannelLifeBridge Inc.------ Past KOJ Travel Episodes ------Explore Matsue ft. Nicholas McCullough (S4E19)Travel Hiroshima ft. Joy Jarman-Walsh (S4E4)Travel Aomori ft. Kay Allen & Megan DeVille (S3E17)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 2] (S2E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 1] (S2E11)Japan Travel Destination: Hokkaido ft. Kay Allen (S2E7)Navigating Nippon: Where to Go in Japan? ft. Kay Allen of JNTO (S1E11)------ JSNO Upcoming Events ------JSNO Event Calendar2024 Matsue-New Orleans Sister City Exchange Program & Application
Ghosterbusters: Afterlife was such a great installment for the franchise. Ghostbusters: Frozen Empire doesn't quite have the same pizzaz and while enjoyable for hardcore Ghostbusters fans, it leaves a few things to be desired as a whole. 0:06:00 - Box Office and upcoming releases. 0:16:20 *** What's Streaming *** MR. AND MRS. SMITH, Dir Doug Liman – Brad Pitt, Angelina Jolie, Adam Brody, Vince Vaughn, Kerry Washington, Keith David, Michelle Monaghan, Jennifer Morrison, 2005. GOODFELLAS, Dir. Martin Scorsese – Robert Deniro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino, Frank Sivero, 1990. POKEMON: DETECTICE PIKACHU – Dir. Rob Letterman - Ryan Reynolds, Justice Smith, Kathryn Newton, Bill Nighy, Ken Watanabe, 2019. 0:27:15 - Trailers: THE DEAD DON'T HURT – Viggo Mortensen, Vicky Krieps, Garret Dillahunt, Danny Huston, Feature. THE CROW – Bill Skarsgard, Danny Huston, Feature. UNFROSTED – James Marden, Melissa McCarthy, Hugh Grant, Christian Slater, Dan Levy, Amy Schumer, Bill Burr, Max Greenfield, Fred Armisen, Jerry Seinfeld, Jack McBrayer, Jim Gaffigan, Ronny Chieng, Netflix Feature. 0:38:30 - GHOSTBUSTERS: FROZEN EMPIRE, Dir. Gil Kenan ( Grayson 5.5 / Roger 4 / Chris 4 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Guest appearance by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
If you would like to give us feedback on how were doing follow us at: https://discord.gg/cd6sNqvnav https://beacons.ai/senornerdpodcast https://www.instagram.com/senornerdpodcast/ @senornerdpod on Twitter. Inception is a 2010 science fiction action film[4][5][6] written and directed by Christopher Nolan, who also produced the film with Emma Thomas, his wife. The film stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to have his criminal history erased as payment for the implantation of another person's idea into a target's subconscious.[7] The ensemble cast includes Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Elliot Page,[a] Tom Hardy, Cillian Murphy, Tom Berenger, Dileep Rao, and Michael Caine. After the 2002 completion of Insomnia, Nolan presented to Warner Bros. a written 80-page treatment for a horror film envisioning "dream stealers," based on lucid dreaming.[8] Deciding he needed more experience before tackling a production of this magnitude and complexity, Nolan shelved the project and instead worked on 2005's Batman Begins, 2006's The Prestige, and 2008's The Dark Knight.[9] The treatment was revised over six months and was purchased by Warner in February 2009.[10] Inception was filmed in six countries, beginning in Tokyo on June 19 and ending in Canada on November 22.[11] Its official budget was $160 million, split between Warner Bros. and Legendary.[12] Nolan's reputation and success with The Dark Knight helped secure the film's US$100 million in advertising expenditure. Inception's premiere was held in London on July 8, 2010; it was released in both conventional and IMAX theaters beginning on July 16, 2010.[13][14] Inception grossed over $837 million worldwide, becoming the fourth-highest-grossing film of 2010. Considered one of the best films of the 2010s,[15] Inception won four Oscars (Best Cinematography, Best Sound Editing, Best Sound Mixing, Best Visual Effects) and was nominated for four more (Best Picture, Best Original Screenplay, Best Art Direction, Best Original Score) at the 83rd Academy Awards.
"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
"I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."My most formative TV experience having been Six Feet Under, I tend to want to take a rather conservative approach to score, in that if a scene works brilliantly without music, why do you need music? And that score, especially, is usually there to provide an element that you're not getting fully from the dry–when there's no score, we call it dry. So with the dry footage, that was always our philosophy on Six Feet Under: if the scene works just as well without music, we don't need music. And that just runs a little counter to what was, and kind of still is, the prevailing philosophy on television, which is that everything needs music. Like, people won't know what to feel if you don't score it, which I think is a really very insulting underestimation of the intelligence of the audience.And so there's always pressure to put more music in, and our feeling is, no, if we don't need it, we don't need it. Now, that changes, like when we get to Tokyo Vice because of the genre elements of the show. You know, if you have an action sequence, you need music. If you have a really tense, suspenseful moment, it probably needs music.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
"My most formative TV experience having been Six Feet Under, I tend to want to take a rather conservative approach to score, in that if a scene works brilliantly without music, why do you need music? And that score, especially, is usually there to provide an element that you're not getting fully from the dry–when there's no score, we call it dry. So with the dry footage, that was always our philosophy on Six Feet Under: if the scene works just as well without music, we don't need music. And that just runs a little counter to what was, and kind of still is, the prevailing philosophy on television, which is that everything needs music. Like, people won't know what to feel if you don't score it, which I think is a really very insulting underestimation of the intelligence of the audience. And so there's always pressure to put more music in, and our feeling is, no, if we don't need it, we don't need it. Now, that changes, like when we get to Tokyo Vice because of the genre elements of the show. You know, if you have an action sequence, you need music. If you have a really tense, suspenseful moment, it probably needs music.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I was always a film and theater kid. I just was completely starstruck and only wanted to have some kind of contact with showbiz. I didn't really understand in what creative shape that would take. It was when I was trying to work in theater. Stephen Sondheim was a close friend and advisor for the period. I was trying to work in theater, and he really changed how I think about art. And then before I went to do Mishima, I spent 3 years working with Robert Wilson, the great international stage director. Bob is a complete genius, and I adore him. Just being an apprentice to him and being one of his many producers working on his big international projects was a hugely formative and nurturing experience. And then finally Schrader [was an important mentor] because Schrader just sort of said, 'Here, you're going to work in movies. Come with me.'"https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
"I was always a film and theater kid. I just was completely starstruck and only wanted to have some kind of contact with showbiz. I didn't really understand in what creative shape that would take. It was when I was trying to work in theater. Stephen Sondheim was a close friend and advisor for the period. I was trying to work in theater, and he really changed how I think about art. And then before I went to do Mishima, I spent 3 years working with Robert Wilson, the great international stage director. Bob is a complete genius, and I adore him. Just being an apprentice to him and being one of his many producers working on his big international projects was a hugely formative and nurturing experience. And then finally Schrader [was an important mentor] because Schrader just sort of said, 'Here, you're going to work in movies. Come with me.'"Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
It's week 2/4 of our 2023 Retrospective and we're covering the ambitious original sci-fi movie THE CREATOR 0:00 Intro2:12 Show & tell6:42 This week's movieTHE CREATORDIRECTED BY: Gareth EdwardsRELEASED: September 29, 2023STARRING: John David Washington, Gemma Chan, Ken Watanabe, Allison Janney, Madeleine Yuna VoylesBUDGET: $80MBOX OFFICE: $104MESTIMATED LOSS: $50M NEXT EPISODE: Destiny has brought us this lamb chop! We're covering Ridley Scott's utterly bizarre NAPOLEON
Last time we spoke about the failure of diplomacy between the Empires of Russian and Japan as well as the Yellow Peril. The Russians said they would demobilize and pull out of Manchuria, but when the time actually came to do so, they suddenly had a change of heart. Japan felt threated, but extended the hand of diplomacy trying to thwart beginning a war against a great power. Tsar Nicholas II was being egged on by his cousin Kaiser Wilhelm II, who utilized Yellow Peril rhetory to push Russia into a war with Japan. The Russians did not put up a serious effort when it came to diplomacy, basically insulting Japan. Japan could only swallow so much, until she would take violent actions. The entire world was in for quite a shock, because a Sun was about to rise and a Bear was about to tumble. #74 The Russo-Japanese War Part 1: The Surprise attack on Port Arthur Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. On January 13th of 1904, Japan proposed to Russia that she would recognize Russia's sphere of influence over Manchuria if Russia would respect her's over Korea. It was a generous offer to maintain the peace, but Russia counter proposed that Japan respect her sphere of influence over Manchuria, and that Korea was basically open grounds. It was to be frank, an insult. It seemed clear to the Japanese the Russians were not serious about diplomacy, in fact they were biding time to build up their military strength in Asia. In February of 1904, Prime Minister Katsura's cabinet decided for war. You really have to take a step back and look at what a colossal decision that was. Russia was a great power, Japan was considered an emerging regional power. Japan had defeated the Qing dynasty, yes, but in the minds of the great powers, this was nothing more than two lesser nations battling it out. A lot of the attitudes of the day were as you can imagine, racist. The idea of a non white nation going to war against a white nation let alone a great power, was ridiculous. So how did Japan think she was going to defeat a larger empire like Russia? For Japan the prospect of victory would rely on a pre-emptive strike against her fleet anchored at Port Arthur, sound a bit familiar? Yes in many ways you can think of this as a Pearl Harbor prequel. The idea similar to Pearl Harbor was to deliver a surprise attack and then issue the formal declaration of war. In the Pacific the Russian Far East fleet consisted of 7 battleships, 6 cruisers and 13 destroyers at Port Arthur. At Vladivostok there were 4 first class cruisers, with a number of torpedo boats. At Chemulpo in Korea were the protected cruisers Varya and gunboat Koreyetz. A crucial component of the conflict would be commanding the sea ways. Both nations recognized this fact all too well. The Russian far east fleet was constrained from year the round training by being icebound in Vladivostok for 3 months of the year. Her fleet was also a ragtag bunch with different armaments, speed, armor and flexibility. Russia was dependent on foreign built ships, though she was fully capable of building her own. Russia had ships built from Britain, Germany, France and the US. The Russian navy was based on conscription at 7 years with 3 years of reserve. The IJN combined fleet consisted of 6 battleships, 10 cruisers, 40 destroyers and 40 smaller vessels, led by Vice Admiral Heihachiro Togo. The Russian ships were a hotchpotch of differing types, armaments and speeds, with a varied amount of armor protection. The Japanese ships were nearly all British built, uniform and faster. Alcohol excess amongst Russian crews was a serious problem. Baltic crews spent the 6 months of winter ashore because the gulf of Finland froze and because of bureaucratic demand for uniformity. So did the crews of the Black Sea fleet. Thus, Russian sailors spent less time at sea and less time training. The Japanese navy under British instruction spent more time at sea, and trained intensively. Japanese sailors were literate, while most Russian sailors were not. These variables would come out to play when dealing with steam-driven warships, the most technologically advanced weapons of the day. Japan held an advantage over the Russians: an intricate spy network run by Baron Akashi Motojiro. He was sent as a roaming military attache all over Europe and, by 1902, moved to Saint Petersburg, setting up a network using locally-based Japanese merchants, workers and others sympathetic to Japan, making sure to pay more than the Russians did. He gathered valuable information on troop movements and naval development, and began to support Russian extremists such as Litvinoff, Orlovsky and Lenin. It is alleged he recruited the famous spy Sidney Reilly, who went to Manchuria and Port Arthur secretly gathering intelligence and, if it is to be believed, alongside his acquaintance Ho Liang Shung, stole the Port Arthur harbor defense plans and sold it to the IJN. Allegedly, Vice-Admiral Togo was given some false information from Reilly and other spies around Port Arthur about the garrison there being on full alert. This led him to not want to risk his capital ships against a well-prepared enemy. He thus elected to send a destroyer force to surprise-attack Port Arthur. To prepare for the war, the Japanese had troopships prepared in predetermined positions, already loaded with provisions and munitions. Aboard his flagship, Admiral Togo read to his admirals a message from Emperor Meiji before all of them lifted a glass of champagne and gave a few bonzai's. The Japanese press were forced into utmost secrecy, everything possible was concealed. As the combined fleet departed on the morning of February the 7th, they had an agreement, whether at Port Arthur or if the Russian fleet found them first, the Japanese would fire first. The IJN combined fleet made a rendezvous south of Chemulpo around Lindsay island. They were met by the Akashi who had been tasked with surveying the Russian navy's movements in the region. The Akashi reported the Russian naval forces had not departed Port Arthur, everyone sighed with relief. The Russian naval forces outside Port Arthur were the unprotected cruisers Varyag and an old gunboat called the Koreyetz, both at anchor in Chemulpo. Chemulpo was a designated landing spot for the IJA, three troopships carrying 2500 troops detached from the combined fleet escorted by the armored cruisers Asama, Takachiho, Nanussa, unarmored cruisers Suma and Akashi and two torpedo boats. Commanding the small detachment was Rear Admiral Uriu. The Japanese intelligence indicated, alongside the two Russian warships there was numerous warships from other nations. The HMS Talbot, USS Vicksburg, Italy's Elba, Frances Pascal and Japans protected cruiser Chiyoda were anchored there. Chiyoda slipped out of the port to meet up with the incoming Uriu who forwarded the information on the international presence. Uriu worried about the political consequences of attacking the Russians in the harbor next to international warships which was against international law. If they could lure the Russians out of the harbor it would be much better politically. Meanwhile the Russians were in a bit of an awkward state. Many believed hostilities could break out at any moment, but did not have orders to attack first. The commander of the Koreyetz was quite nervous and wanted to receive an update from Port Arthur on the political situation so he departed from the harbor during the early afternoon. Unluckily for the Koreyetz she came across the incoming Japanese. Upon discovering the incoming ships were Japanese, the Koreyetz turned around, but some of her gunners were too trigger happy and fired two ineffectual shots. The Koreyetz fled back to her anchorage beside the Varyag and Russian steamer Sungari. The 3 captains quickly met watching the Japanese warships also anchor within the harbor. Soon they could see the Japanese troopships unloaded troops and provisions around 6pm on February 8th. The Japanese troops went to work occupying the city and by 3am on the 9th, four IJA battalions of the 12th division had unloaded without incident. Rear admiral Uriu sent a letter to the senior Russian commander, Captain Stefanov advising him that hostilities existed between their two nations and that the Russian ships must leave the neutral port of Chemulpo. He also indicated he spoke to the other nationalities captains warning them to stay clear if a fire fight broke out in the harbor. The Russians had until noon to comply, if they stayed at 4pm, Uriu would attack. Captain Stefanov ran over to the HMS Talbot to plead with her British captain to get the international ships to restrain the Japanese or help escort them out to sea. Captain Denis Bagly of the Talbot went out to meet Uriu with a letter signed by the other captains protesting the violation of a neutral port. Bagly had no illusions it was a useless gesture and he bid farewell to Stefanov, advising the man he should try to escape or surrender. Stefanov spoke with his fellow captains and they agreed surrender was not an option. At 11am, outgunned and outnumbered the two Russian warships departed the anchorage in front of numerous spectators. Varyags band played ‘god save the Tsar” as the sailors sang the anthem. They sailed directly at the awaiting Japanese fleet. Upon seeing the Russians come out, the Asama trained her 8 inch guns on the Varyag and at a range of 4 miles opened fire. The new Shimose shells began to hit Varyag and soon Chiyoda added her guns to the duel. Eye witness, reporter Thomas Cowen had this to say of the scene “Her decks were being torn and riven, and men were dashed down in mangled heaps all round each gun, for the guns had no shields to protect their crews. Like the furious windsqualls in the height of a hurricane came the bursting of terrible explosives all the length of the ship, shattering and burning and sweeping away men and pieces of machinery indiscriminately” The Varyag's crew literally ran out of men to carry away the wounded on deck. A shell smashed into the bridge to the left of the captain killing his runner. Another shell hit to the captains right killing his bugler and taking some of the side of his face. Most of Varyags guns were silenced, she took a hit below the waterline and was listing to port. Despite all of this, the able men kept to their duty, trying to maneuver the ship by the propellers after her steering gear had been shot off. With no way to fight the enemy the captain ordered them to return to port and the maneuver left Koreyetz exposed to fire for the first time. Koreyetz could not even fire upon the enemy because her range was too limited and soon the Chiyoda began to fire upon her. Koreyetz captain decided to simply follow the crippled and on fire Varyag. Suddenly the gunfire ceased, the Japanese went back to where they anchored before and the two Russian warships did the same. Varyags superstructures were flattened, two of her four funnels were blown off and her masts as well. The Russian survivors were quickly taken aboard the Talbot, Elba and Pascal. The Russian captains had decided to scuttle the three ships. As the explosives went off, the band aboard the Elba played the Russian anthem. The Japanese sailors all bowed in a salute. Later within Chemulpo some of the Russian sailors would be treated by Japanese medical staff and all were permitted to return to Russia on parole, so that they would not take up arms again during the war. Admiral Togo took the rest of the fleet to another rendezvous point, this time at Elliot island, some 65 miles east of Port Arthur. Togo's fleet was divided into three divisions. The 1st division consisted of the 6 battleships, Asahi, Hatsuse, Shikishima, Yashima, Fuji and Togo's flagship Mikasa. They had an overall speed of 18 knots and a displacement of 12300-15000 tons with broadsides weighing some 4000 lbs. The 2nd division consisted of armored cruisers, the Yagumo, Izumo, Iwate, Azuma and Tokiwa with an average speed of 24 knots. The third division consisted of unarmored cruisers Chitose, Takasago, Yoshino and Kasagi. Additionally 15 destroyers armed with the brand new Whitehead torpedo capable of 30 knots and 20 torpedo boats would take up the role of picquet. Over in Port Arthur's harbor the inner line consisted of 5 Russian battleships, Sevastopol, Petropavlovsk, Peresvyet, Pobieda and Poltava. In the middle line were the battleships Tsarevitch and Retvizan, alongside 3 cruisers. In the southernmost line were 3 other cruisers along with the duty ship Pallada. Patroling outside the harbor were destroyers Rastoropni and Bezstrashni around 20 miles out. The commander of the Russian Far Eastern Fleet was Vice Admiral Oscar Victorovitch Stark. It just so happened on February 8th he had planned a large birthday party for his wife. The guests would include Viceroy and Supreme Commander Admiral Alexeiev, his chief of staff Vice Admiral Witgeft, Starks deputy Rear admiral Uktomski and a plethora of other commanders and their wives. Stark actually suspected the Japanese would attack, most likely utilizing torpedoes in a surprise, but the Viceroy refused to allow him to prepare the fleet for war. None the less Stark ordered his captains to prepare to repel torpedo attacks. He ordered all ships to put out anti-torpedo nets and be prepared for action. However, several ships did not carry out these orders and did not take the situation seriously despite multiple night alarms. Many main battery guns were unloaded, many nets uncast, entire crews lay asleep in hammocks, and the two patrolling destroyers were told not to fire if they saw anything, but instead to report it to the CIC. This was because the Tsar had instructed his far Eastern forces, for political reasons, that if war should occur, Japan must be seen to have started it. Alongside this, the majority of the officer corps would be celebrating on the shore and at a party hosted by Admiral Starck for the birthday of his wife on the deck of his flagship, the Petropavlovsk. The celebrating crowd would in fact mistake explosions as cannon salutes for her birthday party. At 7pm Togo released his destroyers, the 1st, 2nd and 3rd flotillas had orders to proceed to Port Arthur while the 4th and 5th would try to ambush any Russian ships sailing around Dalny. 10 destroyers were enroute to Port Arthur, each warship held crews of around 50 men, armed with two 12 pounder guns, 4 6 pounders and two torpedoes. The 1st Flotilla consisted of the destroyers : Shirakumo, Asashio, Kasumi, Akatsuki; 2nd Flotilla: Inazuma, Oboro, Ikazuchi; 3rd Flotilla: Usugumo, Shinonome, Sazanami. They used stearch lights, went towards Liau-ti-chan, allegedly using stolen plans from Sidney Reilly to navigate through the Russian minefield protecting the harbor. At 10:50pm, the 1st flotilla came across the two Russian destroyers on patrol, the Rastoropni and Bezstrashni. This prompted the 1st squadron to douse their lights, trying to avoid detection and slip past. During the process, the Japanese destroyer Oboro collided with the Ikazuchi, disabling her and blocking the path of the Inazuma. This in turn led the flotillas to become separated and were forced to act independently, with the Inazuma becoming lost and the Oboro limping slowly. 20 minutes after midnight, the 1st flotilla arrived, seeing Russian warship searchlights. Approaching closer they saw 3 ranks of ships and then the cruisers Pallada saw the Japanese destroyers, but presumed they were the returning Rastoropni and Bezstrashni. The Rastoropni and Bezstrashni had no radios and were rushing back to try and report the incoming Japanese. At 11:50pm Captain Asai Shojero aboard the Shiragumo gave the attack signal. The four destroyers turned to port and increased their speed to 30 knots before releasing two torpedoes each and turning southwards. The Shiragumo fired the first two torpedoes, followed by two from the Asashio. Because the Pallada was more active, she received more attention than the rest. Pallada was hit amidship, caught fire and began to keel over. Retvizan was hit next at her bow creating a hole large enough for a car to pass through. Tsesarevitch's steering gear was hit. When the explosion of the hit against Pallada was heard many of the Russian ships began firing wildly. The Kasumi fired her two torpedoes, followed by the Akatsuki. Ikazuhi acting alone, came to the scene and fired a single torpedo before fleeing south as well. The 3rd flotilla attracted by the explosions rushed to the scene, finding some lights approaching them, they doused their lights and stopped their engines. It turned out to be the Inazuma who had got lost and requested to join them. They continued finding the Russians ships in a wild disarray. Usugumo was the first to fire, followed by Shinonime and Inazuma before they made their escape south. Meanwhile the Sazanami had been separated from all the others since 11 pm, but had managed to slip past the two russian destroyers around 1:25am and came in to fire a single torpedo before also departing south. The last ship was the damaged Oboro who attempted to repair herself before limping towards the enemy. At 1:45am she fired a torpedo and made her escape. The Russians had been caught completely by surprise. Their skeleton crews aboard the battleships had no idea what was occurring. Many men tumbled out of their bunks awaiting orders, orders that never came. To further explain, when a ship is in action each individual has his own designated tasks, but when an attack comes unexpectedly and a large number of the crew are absent, orders have to be given on the spur of the moment. The explosions were heard by many in the city of Port Arthur, but countless assumed it to be fireworks for celebration. The Russians wild attempts at firing back upon the enemy were useless. The Norvik was the only ship to give chase to the enemy. The torpedo attack killed two officers, 29 sailors and wounded 8 others. Pallada was grounded under the western battery in the harbor; Retvizan was grounded on a ledge near the entrance passage and Tsesarevitch was grounded close to Retvizan. Out of a total of 16 torpedoes launched, only 3 found targets. A major reason for this was luckily due to the few crews who had deployed anti torpedo nets as suggested by Starck. By the way if you would like to see a visual representation of the attack, there is a fantastic Japanese series on the Russo Japanese war called “Saka no Ue no Kumo” narrated by the legendary Ken Watanabe. On my personal channel the pacific war channel one of my most popular episodes is on the Russo-Japanese war, and I used a lot of footage from the series. I will admit I embarrasingly messed up the episode by speeding up the narration somewhat because it was simply too long, but its still ok. By the time this podcast comes out I hope its alright to say, I have been writing a 10 part Russo Japanese War series for Kings and Generals and the animation will look awesome. But back to the story. Starcks staff briefed him on what had occurred and he immediately reported it to the Viceroy in a manner of “i told you so”. Starck most likely hoped the Viceroy would shoulder the blame alongside him, but instead rumors were spread to exaggerate the fact he was having a party for his wife during the event. None the less the two admirals quickly began to plan their next steps as they both assumed the IJN combined fleet was about to come in an attack them. The viceroy sent a message appealing for everyone to stay calm in the city while Starck ordered the fleet to be made ready for sea immeidately. Countless officers and sailors scrambled to get to their ships. Following the attack, at 8am, Togo dispatched Vice Admiral Dewa Shigeto with the four cruisers of the 3rd flottila to investigate Port Arthur and, if possible, lure them out south of Encounter Rock. At 9am, Dewa observed 9 Russian warships getting ready for sea, with 3 aground. The smaller vessels, such as gunboats, torpedo boats and mine planters were outside the harbor looking to be in disarray. Dewa approached within 7500 yards of the harbor, but no one fired upon him. This prompted Dewa to believe the Russians were completely paralyzed. Dewa wireless-messaged Togo that the Russians seemed to be paralyzed, the time was ripe to attack. Togo had wanted to lure the Russians away from Port Arthur's shore batteries, but the report prompted him to order an immediate attack. The Russian formation was quite all over the place. Askold was to the east, Bayan in the center, Novik was far to the west having attempted to chase the enemy, many of the other ships were still at anchor. Togo devised his 3 divisions to form a column coming in one after the other, each ship was to fire starboard. The Japanese approached the harbor at 11:55am. Port Arthur was tossed into pure chaos. Warships moved quickly to jettison inflammable material while coolies in sampans paddled through the jetsam. Captains lept about demanding status reports of their ships while all they could see was dakr smudges on the horizon. At a range of 8500 meters, the Mikasa was the first to fire her guns. After firing her 12inch forward gun, she turned and opened fire with her starboard broadside, the other ships followed in same fashion. The Russian shore batteries erupted firing back on the Japanese causing a duel between the warships 12 inch guns aimed at the shore batteries while their 8 and 6 inch guns targetted the Russia nwarships. The Mikasa took a full 20 minutes to form her pass and was followed by Asahi, Fuji, Yashima, Shikishima and Hatsuse. Asahi targeted a Peresviet type, Fuji & Yashima fired upon cruiser Bayan, Shikishima fired on a ship in the center and Hatsuse dueled the enemy nearest to her. With the exception of Novik, the Russian moved like ants around a nest beneath their fort guns, trying not to make themselves stationary targets. The Novik charged out of the harbor to meet the enemy and received a hell of a mauling for it. The Russian flagship Petropavlosvk flying Starcks flag was battered; Poltava took a hit and cruisers Diana and Askold were severely damaged. The damage was not a one way street however, Mikasa, Shikishima, Fuji, Hatsuse and Iwate took hits. The shore batteries were becoming increasingly effective. When the 2nd and 3rd divisions were making their turn, everything had become like a barrom brawl. Within just 5 minutes of the dueling, Mikasa had taken a 10 inch shell to her starboard side which ricocheted and exploded under her mainmast. Her chief engineer, a staff officer, a paymaster, one midshipman and 3 crew members were wounded, and part of her aft bridge was carried away. The Fuji received a shell through her forward casing, smashing a stack and exploding, killing a turret officer and wounding many. Shikishima then received a hit to her forward stack causing it to explode. By 12:20, Admiral Togo realized that Dewa was incorrect in his assessment - the enemy was not paralyzed - thus he motioned the fleet to withdraw. After just a single run of it, Togo had decided to back out and rendezvous with Uriu at Chemulpo. The departing maneuver exposed Togo's entire fleet to the full brunt of the Russian shore batteries. The Hatsuse, Fuji, Shikishima and Mikasa would take the lionshare of the damage, around 7 hits distributed amongst them. As the fleet made its turning point, the IJN cruisers took several hits. Within the 2nd Division: Azuma fired upon Novik, Iwate fired upon Askold, Iwaki fired upon Askold and then Bayan. As the cruisers turned to port to follow the 1st division Azuma was hit by three shells, one to her battle flag, the other off the water of her starboard quarter exploding, the third to her after turret. Yakumo was hit twice one to her forward main top and midshipman. Novik received many hits and fired torpedoes at Iwate missing. Within the 3rd Division: Chitose (flag of admiral Dewa) fired on center, Takasago fired on Bayan, Kasagi fired upon a Sevastopol type, Takumo fired on nearest enemy ship. Takasago and Chitose then fired on Askold which alone came closer to them, a shell his Askolds second stack, another her forward stack. Chitose then attack Novik and Takasgo attacked Bayan. As they turned to withdraw they received no major hits. The IJN cruisers also launched salvos of torpedoes. The Novik trying to engage them closer evaded the torpedoes, but took several shells below her waterline. The Japanese finally got out of range of the dreaded batteries of Port Arthur, lucky to not have any ships sunk. The casualties were quite balanced for the engagement. The Russians had 150, the Japanese betwene 90 and 130. Neither had any warships sunk, but many were severely damaged. For the Japanese this was not a major issue, their damaged ships returned to Sasebo for immediate repairs, however for the Russians this was a major issue. Port Arthur held limited capabilities, they had only one small dry dock and another incomplete. This meant some of the larger Russian warships could not receive proper repairs, and now they were blockaded. Many 12 inch shells had fallen into the city. The Russo-Chinese bank was hit causing the employees to frantically burn the currency and prepare coins to be transported away. Lumps of coal littered the city grounds like confetti. Many Chinese grabbed their belongings and fled the city aboard steamers. Many buildings were damaged, civilian casualties were light. When the news of the surprise attack reached Tsar Nicholas II he was stunned. He could not believe the Japanese would initiate a warlike actions without formally declaring war first. His advisers had assured him the Japanese had been bluffing and would not dare attack. The first secretary of the British embassy, Cecil Spring Rice went on the record to state the Tsar was left “almost incredulous”. Japan issued their declaration of war 3 hours after the surprise attack. Russia went on a war footing on the 10th and a few days later submitted their official declaration of war after stating to the international community Japans actions were dishonorable. In response Japan referenced the Russian attack on Sweden in 1808, which they did without declaring war first as a justification somewhat for their own actions. The international community were mixed in their favor, but many did sympathize with the Japanese. Notably President Theodore Roosevelt held sympathetic views for the Japanese and the Japanese would take a strong notice to this. Admiral Togo was dissapointed in his lack of success with the surprise torpedo attack. But for now Japan had won command of the sea, the Russian navy was trapped. From Chemulpo, Togo sailed his damaged ships back to Sasebo for repairs, but would go on the record to state “He felt he failed to take the opportunity as Nelson would have done, to deal a blow to the Russian fleet from which they would not recover”. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Admiral Togo had delivered the very first blow of the Russo-Japanese war. His surprise attack upon Port Arthur was a bold and terrific strategy, but had he done enough to give Japan the upper hand in the battles to come?
On the 337th episode of Piecing It Together, Ryan Luis Rodriguez joins me to talk about The Creator. This sci-fi from Gareth Edwards was heavily touted for its low price tag in an age of bloated blockbusters, but despite rave reviews, it kind of underperformed. Puzzle pieces include the Terminator series, Looper, Platoon and Alita Battle Angel.As always, SPOILER ALERT for The Creator and the movies we discuss!Written by Gareth EdwardsDirected by Gareth EdwardsStarring John David Washington, Allison Janney, Ken Watanabe, Gemma Chan, Madeline Yuna Voyles20th Century Studioshttps://www.20thcenturystudios.com/movies/the-creatorRyan Luis Rodriguez is a podcaster and hosts One Track Mind Podcast and Reels Of Justice.Check out One Track Mind at https://podcasts.apple.com/us/podcast/one-track-mind-with-ryan-luis-rodriguez/id1431611476And Follow Ryan on Twitter @OneTrackMindPodMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music video “Ascending" which you can watch at https://www.youtube.com/watch?v=fypZ3Z8qeT8The song at the end of the episode is "Creation" from my self titled album David Rosen.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!Check out Play Comics Podcast at https://playcomics.com/And most important of all… Keep going to the theater to see new movies!
“I, in my home, right now, have a bat from the movie Batman Begins” - Steve On this week's episode, W❤️M month continues as we chat about Chris Nolan's fabulous comic book adaptation, Batman Begins! Has there been a softer Little Boy Bruce Wayne in cinema? Why couldn't they have put a little more spirit gum on Liam Neeson's goatee at the beginning? How fantastic is Cillian Murphy in this and shouldn't Scarecrow have been a larger character? Does anyone have proof that Pennyworth was a real show and not just a tax shelter? And why can't more studios look to these Nolan films to reassure themselves that it's… okay to recast an actor? Hmm? PLUS: Batman blows his fortune on movie merch! Batman Begins stars Christopher Nolan, Cillian Murphy, Gary Oldman, Katie Holmes, Liam Neeson, Tom Wilkinson, Ken Watanabe, Rutger Hauer, Linus Roache, Mark Boone Junior, Morgan Freeman, Richard Brake, and Sir Michael Caine as Alfred Pennyworth; directed by Christopher Nolan. Be sure to get tickets for the WHM Holiday Extravaganza where we're talking The Santa Clause on 12/7 at White Eagle Hall in Jersey City! Want more WHM? Join our Patreon fam today and instantly unlock hours and hours of exclusive bonus content, including Ad-Free WHM Prime at the $8 level and up! Check out the WHM Merch Store featuring new Polish Decoy, ‘Jack Kirby', and Forrest the Universal Soldier designs!
On this episode, Joe and Drew talk Godzilla 2014! An American sailor's journey to reunite with his family amidst the ancient rivalry between Godzilla and two parasitic monsters known as MUTOs. Directed by: Gareth Edwards Screenplay by: Max Borenstein Story by: David Callaham Based on: Godzilla by Toho Co., Ltd Produced by: Thomas Tull, Jon Jashni, Mary Parent, Brian Rogers Starring: Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston Cinematography: Seamus McGarvey Edited by: Bob Ducsay Music by: Alexandre Desplat Production company: Legendary Pictures Distributed by: Warner Bros. Pictures (Worldwide), Toho (Japan) Release dates: May 8, 2014 (Dolby Theatre), May 16, 2014 (United States) Running time: 123 minutes Country: United States Language: English Budget: $160 million Box office: $529 million Yes, we forgot iTunes reviews... Sorry about that, we're rusty... And, Congrats to Joel! *** Patreon: https://www.patreon.com/godzillapodcast Discord: discord.gg/cFFx4N5
The Creator. Hollywood has continued to double down over the last decade on franchises and the amount of original content has become sparse, yet in 2023, some of the biggest movies of the year were not based on existing movie franchises. In this episode of The 602 Club hosts Matthew Rushing and Christy Morris talk about the new, original sci-fi film from director Gareth Edwards, The Creator. We discuss our anticipation, the world, chapters, personhood, error code, evolution, the cast, the soundtrack and our ratings. Chapters Anticipation (00:02:23) The World (00:05:16) Chapters (00:16:00) Personhood (00:21:37) Error Code (00:27:08) Evolution (00:31:33) John David Washington (00:34:05) Madeleine Yuna Voyles (00:38:11) Gemma Chan (00:39:54) Allison Janney (00:42:37) Ken Watanabe (00:45:13) The Soundtrack (00:47:04) Ratings (00:49:51) Host Matthew Rushing Co-Host Christy Morris Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Social Twitter: @The602Club Instagram: @the602clubtfm
For this week's main podcast review, I am joined by Ema Sasic, Daniel Howat, Isaiah Washington & Will Mavity to discuss the latest film from Gareth Edwards, "The Creator" starring John David Washington, Gemma Chan, Ken Watanabe, Sturgill Simpson, Allison Janney & Madeleine Yuna Voyles. An original sci-fi film made for under $100 million but made to look like it cost a lot more, Edwards and his team have created a film that's turning quite a few heads within the industry, but for all of its fascinating behind-the-scenes production stories, what did we think of the final result? Tune in as we discuss the story, performances, editing, cinematography, sound, visual effects work, and more in our review. Thank you, and enjoy! Check out more on NextBestPicture.com For more about Regal Unlimited - https://regmovies.onelink.me/4207629222/937isfrg New subscribers can use code REGALNBP23 for 10% off of Regal Unlimited for the first 3 months Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture
Director: Gareth Edwards Writers: Gareth Edwards, Chris Weitz Starring: John David Washington, Gemma Chan, Madeleine Yuna Voyles, Ken Watanabe, Sturgill Simpson Runtime: 2 Hour 13 Minutes Synopsis: Against the backdrop of a war between humans and robots with artificial intelligence, a former soldier finds the secret weapon, a robot in the form of a young child. The crew talks about Gareth Edwards' The Creator. Looking past the AI propaganda that this film is (have we learned nothing?), this is a decent enough film that approaches the cusp of greatness. There is the story that Edwards told and then there's the story that's right below the surface that would have made this film great. It's still a beautiful film with an engaging enough story. It's just a bit disappointing it didn't go all the way. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
Director: Gareth Edwards Writers: Gareth Edwards, Chris Weitz Starring: John David Washington, Gemma Chan, Madeleine Yuna Voyles, Ken Watanabe, Sturgill Simpson Runtime: 2 Hour 13 Minutes Synopsis: Against the backdrop of a war between humans and robots with artificial intelligence, a former soldier finds the secret weapon, a robot in the form of a young child. The crew talks about Gareth Edwards' The Creator. Looking past the AI propaganda that this film is (have we learned nothing?), this is a decent enough film that approaches the cusp of greatness. There is the story that Edwards told and then there's the story that's right below the surface that would have made this film great. It's still a beautiful film with an engaging enough story. It's just a bit disappointing it didn't go all the way. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
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