Podcasts about journey in satchidananda

Musician Michelle Coltrane, daughter of Alice, step-daughter of John, offers backstory on Alice's time growing up in Detroit through Michelle's own growing up time between California, New York, and visits to Detroit. Michelle has proclaimed, 'The Year of Alice Coltrane' here in 2024 (with a centennial celebration of John coming soon as well!). This Alice Coltrane year was bench-marked by a recent release from her archives, The Carnegie Hall Concert, from 1971. Alice Coltrane Turiyasangitananda was at a creative peak when recording this Carnegie show. Backed by two drummers, two bassists, two saxophone/woodwind musicians and two other percussion/utility musicians. Alice helped put this show together as a benefit/tribute to Swami Satchidananda, an Indian guru she first encountered in 1969 while in the depth of grief, after losing her husband, John Coltrane. This show was on the heels of an album where she also honored him, Journey In Satchidananda--released the week before this concert. Alice shared the billing with Laura Nyro and The Rascals--the draw of the evening, whose Felix Cavaliere was a devote follower, as was Nyro. Saxophonist Pharoah Sanders got second billing next to Alice's name, as he was a rising star in the jazz world, sprouting from John Coltrane's stable along side of Alice herself.     An R&B musician herself, Michelle takes us on a journey of her lifetime through her own lens, of times in Detroit, following her mother to concerts, spending time with Swami Satchidananda, dealing with her own career, and how her and step-brothers Ravi and Oran (John Jr. passed in '82) continue to grow and sprout the legacy of both Alice and John Coltrane. This

We were delighted to be joined by harpist Alina Bzhezhinska for our latest Classic Album Sundays Podcast show focussed on Alice Coltrane ‘Journey In Satchidananda'. Alina recently performed the music of Alice Coltrane along with Pharoah Sanders Quartet & Denys Baptiste at London's iconic Barbican Centre so we were able to get her first hand insights on what it's like to perform this amazing music. Read more about your favourite albums here: classicalbumsundays.com

Et vuggende hav af kærlighed, en gave fra det hinsides og en sorg så stor og tung som Finland. I 1971 er Alice Coltrane knust af sorg over tabet af husbonden John Coltrane. Pludselig en dag bliver en harpe leveret til Alices adresse. Den skal vise sig at blive nøglen til bearbejdelsen af sorgen og en helt ny lyd indenfor jazzen. Frederik Korfix fortæller i dagens udsendelse om tilblivelsen af Alice Coltrane pladen "Journey in Satchidananda". Vært: Frederik Korfix. www.dr.dk/p8jazz

In this episode we hear interdisciplinary artist Christine Howard Sandoval in conversation with Cannupa Hanska Luger. Christine breaks down the importance of research within her current practice and how her family have become an integral part of her work as she uncovers deeper relationship to her ancestors' pathways throughout California. She reflects on the complexity of connection, disconnection and reconnection to land that we all face today and how she uses performance, video surveillance documentation and large scale earthen paintings to expand upon these notions of belonging. Christine implores us to examine the future of art and education and to trust our own speed and trajectory as we navigate the artworld, reminding us that culture is not static. More about the artist: Christine Howard Sandoval is an interdisciplinary artist who lives and works in the unceded territories of the Squamish, Tsleil-Waututh, and Musqueam First Nations and is an Assistant Professor of Interdisciplinary Praxis in the Audain Faculty of Art at Emily Carr University (Vancouver, BC). She is an enrolled member of the Chalon Nation in Bakersfield, CA. Howard Sandoval's work has exhibited nationally and internationally including: The Museum of Contemporary Art, University of São Paulo (Brazil), The Contemporary Art Gallery (Vancouver, BC), Oregon Contemporary (Portland, OR), The Museum of Capitalism (Oakland, CA), Designtransfer, Universität der Künste Berlin (Berlin, Germany), El Museo Del Barrio (New York, NY), and Socrates Sculpture Park (Queens, NY). Howard Sandoval's work has been the subject of solo museum exhibitions at the ICA San Diego (2021) and Colorado Springs Fine Arts Center at Colorado College (2019), during which time she was the Mellon Artist in Residence at Colorado College. Howard Sandoval has been awarded numerous residencies including: UBC Okanagan, Indigenous Art Intensive program (Kelowna, BC), ICA San Diego (Encinitas, CA), Santa Fe Art Institute (Santa Fe, NM), Triangle Arts Association (New York, NY). She is represented by parrasch heijnen, Los Angeles. Photo credit: Rachel Topham Photography Featured song: Journey In Satchidananda by Alice Coltrain

Esta semana, dedicamos una nueva edición de Rebelión Sónica, al importante saxofonista y compositor estadounidense y uno de los principales exponentes del jazz espiritual, Pharoah Sanders. El importante músico falleció el 24 de septiembre pasado a los 81 años de edad. La noticia fue confirmada por su actual sello Luaka Bop. “Estamos devastados de compartir que Pharoah Sanders falleció”, señala la etiqueta en una declaración. “Murió en paz rodeado de familiares y amigos amorosos en Los Ángeles esta mañana. Por siempre y para siempre el más bello ser humano, que en paz descanse”. Lee nuestro obituario en el siguiente enlace. A manera de tributo de su obra y figura, lo escucharemos en tres períodos de su extensa carrera: a principios de los 70, con material de su disco “Thembi” de 1971 y en su colaboración con Alice Coltrane, en el álbum “Journey In Satchidananda” del mismo año; luego en la década 90, con música del LP “Save Our Children” de 1998 y, finalmente, en 2021, con uno de los movimientos del celebrado trabajo “Promises”, en conjunto con el músico inglés Floating Point y la Orquesta Sinfónica de Londres.

The story of Alice Coltrane — an accomplished bebop pianist from Detroit who transcended into something far greater before walking away from public life altogether — is a glimpse into what it means to be truly free. Alice's masterpiece Journey in Satchidananda is a cosmic dance that sparked creation from destruction. And in a time when we're all desperately searching for a spark of meaning and hope, Journey abides abundantly.Follow us on Instagram and Twitter (@tunedig) for more info about the songs that didn't make the episode. Check out more episodes at https://tunedig.com.

Alice Coltrane described the period after her husband John's death as ‘tapas' - a Sanskrit word meaning ‘a painful and austere ordeal'. This avant-garde fusion of modal post-bop jazz and traditional Indian drone music is the process of grief writ large - teaming up with fellow members of her late husband's band including ace drummer Rashied Ali and multiphonic saxophonist extraordinaire Pharoah Sanders. Together they pay tribute to John Coltrane's life with a surprisingly accessible experimental Hindu jazz odyssey that incorporates the harp, the oud and the tanpura named after Alice's spiritual king, Swami Satchidananda. “Journey In Satchidananda” is listed as #446 on Rolling Stone's 2020 list of the 500 Greatest Albums of All Time which means it's time for Liam Withnail and Christopher Macarthur-Boyd to enjoy it. They talk about everything from chocolate covered crisps to Ganesh, as well as Pharoah Sanders' recent collaboration with the electronic musician Floating Points and the London Symphony Orchestra, and the sexual assault allegations made against the titular swami. All that, plus Tattoo Woohoo/Tattoo Boohoo, Secret Posho, Unhinged YouTube Comment of the Week, and much much more. Enjoy!

Austin and Nick square off again, as they break down the middle of Amnesiac. Nick, once again, starts the episode by stating that the first song sounds like a demo, while Austin tries to convince Nick that this version of "Morning Bell" is better than the one on Kid A. Along the way, the two discuss the legendary Morrissey Night at Sway in Manhattan, before examining how the lyrics of "Knives Out" were inspired by a British TV show. But the show starts with another round of Name That Alternative Rock Riff. https://www.facebook.com/anyonecanplayguitarpodcast (Like us on Facebook) https://twitter.com/anyonecanplayr1 (Follow us on Twitter) Songs discussed: 6:20 - “I Might Be Wrong” 15:40 - “Knives Out” 36:47 - “Morning Bell/Amnesiac” 42:55 - “Dollars and Cents” https://www.youtube.com/watch?v=mQ3B1gbSZAY (Live version of “I Might Be Wrong”) https://web.archive.org/web/20161217061239/http://pitchfork.com/reviews/albums/6659-amnesiac/ (Original Pitchfork review of Amnesiac) https://www.amazon.com/Everything-its-Right-Place-Analyzing/dp/0190629231 ("Everything in its Right Place: Analyzing Radiohead" by Brad Osborn Ph.D.) https://www.youtube.com/watch?v=f37lC0CSXlQ (“The Headmaster Ritual” by The Smiths) https://bedfordandbowery.com/2015/12/sways-last-dance-another-downtown-mainstay-gone-still/ (Morrissey Night at Sway) https://www.youtube.com/watch?v=2Lpw3yMCWro (“Knives Out” video by Michel Gondry) https://www.youtube.com/watch?v=7sr_62rMeNc (First performance of “Knives Out”) https://www.amazon.com/This-Isnt-Happening-Radioheads-Beginning-ebook/dp/B083J1DTFN/ ("This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century" by Steven Hyden) https://www.reddit.com/r/radiohead/comments/oyk6lt/til_knives_out_lyrics_are_taken_from_a_scene_in/ (Reddit post about "Knives Out" lyrics in Silent Witness) https://www.dailymotion.com/video/x6vzw5r (Silent Witness scene starts at 40:12) https://www.youtube.com/watch?v=m5SyBIoMwsM&list=PLA462AF9E090AA004 ("Tago Mago" by Can) https://www.youtube.com/watch?v=-_CyntV0eqg&t=38s ("Journey In Satchidananda" by Alice Coltrane)

Alice Coltrane spent the mid-Sixties in personal and musical bliss, starting a family with John Coltrane and touring the world as the pianist in his band. Then John died suddenly of liver cancer in 1967. Newly widowed at the age of 29 with four children to care for, she plunged into a lengthy period of despair. Sensing her pain, an old friend introduced her to his guru, Swami Satchidananda. With a new clarity — and a harp that John had commissioned for her before his death — she entered the basement studio of her Long Island home and recorded Journey in Satchidananda. Our episode retraces the entire arc of this remarkable 1971 record: We step into the basement where the album was recorded; speak to several musicians who played on it as well as Alice's daughter, Michelle; hear from musicians it influenced — including Flying Lotus, the grandson of Alice's sister; and hear archival interviews with Alice herself, delving into the remarkable story of a woman who crafted something beautiful and enduring in the time of her deepest pain.New episodes of Rolling Stone's 500 Greatest Albums release every Tuesday, only on Amazon Music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brief history and review of Alice Coltrane's Journey in Satchidananda. --- Support this podcast: https://anchor.fm/therollingreview/support

Impfzentren, Corona-Grenzkontrollen, Neuinfektionen – was können wir diesem Alltag entgegensetzen? Musik zum Abtauchen, zum Entspannen, zum Nachdenken, zum Mitsingen, zum Entdecken, zum Lachen. Redakteure und Redakteurinnen der SWR2 Musik-Redaktion mit ihren ganz persönlichen Musiktipps für diese schwierigen Zeiten. Diesmal empfiehlt Julia Neupert Alice Coltranes Album „Journey in Satchidananda“: Musik, die den Gehörgang dehnt, Synapsen im Hirn neu verschaltet, unbekannten Sounds und Wendungen, das den inneren Bewegungsdrang immer wieder herausfordert. Power-Ear-Training sozusagen.

p-, and np-, funk. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders 4′45″ Suite Equestria by Moondog on Elpmas 14′26″ Moondog Monologue by Moondog 24′00″ Street Hassle by Lou Reed on Street Hassle 35′05″ New York is Killing Me by Gil Scott-Heron on I'm New Here 42′27″ Space Song by Gil Scott-Heron on Live at The Town and Country Club, 1988 50′12″ Plastic Pattern People by Gil Scott-Heron on Small Talk at 125th and Lenox 52′12″ Revolution Revised by Genaside II on Return of the Redline Evangelist 56′00″ You Make Your Own Heaven and Hell by The Undisputed Truth 58′39″ The Ghetto by Donny Hathaway 66′00″ Whole Lotta Love by Ike and Tina Turner 72′00″ Who Says a Funk Band Can't Play Rock by Funkadelic on One Nation Under a Groove 79′15″ You and Your Folks, Me and My Folks by Funkadelic on Maggot Brain (Westbound) 83′11″ P-funk (Wants To Get Funked Up) by Parliament on Parliament 91′19″ Supernatural Thing (pts 1 & 2) by Ben E King 97′03″ Pony by Annette Peacock on I'm the One 103′34″ Que Sera, Sera (Whatever Will Be, Will Be) by Sly and the Family Stone on The Best Of 110′00″ La Vie En Rose by Grace Jones 116′00″ Jazz (We got) by A Tribe Called Quest on The Low End Theory

p-, and np-, funk. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders (-) 4′45″ Suite Equestria by Moondog on Elpmas (-) 14′26″ Moondog Monologue by Moondog (-) 24′00″ Street Hassle by Lou Reed on Street Hassle (-) 35′05″ New York is Killing Me by Gil Scott-Heron on I'm New Here (-) 42′27″ Space Song by Gil Scott-Heron on Live at The Town and Country Club, 1988 (-) 50′12″ Plastic Pattern People by Gil Scott-Heron on Small Talk at 125th and Lenox (-) 52′12″ Revolution Revised by Genaside II on Return of the Redline Evangelist (-) 56′00″ You Make Your Own Heaven and Hell by The Undisputed Truth (-) 58′39″ The Ghetto by Donny Hathaway (-) 66′00″ Whole Lotta Love by Ike and Tina Turner (-) 72′00″ Who Says a Funk Band Can't Play Rock by Funkadelic on One Nation Under a Groove (-) 79′15″ You and Your Folks, Me and My Folks by Funkadelic on Maggot Brain (Westbound) 83′11″ P-funk (Wants To Get Funked Up) by Parliament on Parliament (-) 91′19″ Supernatural Thing (pts 1 & 2) by Ben E King (-) 97′03″ Pony by Annette Peacock on I'm the One (-) 103′34″ Que Sera, Sera (Whatever Will Be, Will Be) by Sly and the Family Stone on The Best Of (-) 110′00″ La Vie En Rose by Grace Jones (-) 116′00″ Jazz (We got) by A Tribe Called Quest on The Low End Theory (-) Check out the full archives on the website.

Somehow I managed to leave my controller at home. Again. Starting with a few Bristol Sound classics, then a quick detour via some reggae from the Ivory Coast and South Africa, then back home for some strangely House-y oddments. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′41″ Safe From Harm (Perfecto Mix) by Massive Attack on Singles 90-98 [Disc 3] (Wild Bunch) 19′17″ Wandering Star by Portishead on Dummy (-) 19′42″ Ponderosa by Tricky on Maxinquaye (-) 21′50″ Let's Get It On by Reprazent on New Forms (Talkin' Loud) 33′09″ All My Sins by Portishead on Pearl (-) 33′38″ I Love Paris by Alpha Blondy on Jerusalem (Stern Africa) 34′08″ Bloodshed in Africa by Alpha Blondy on Jerusalem (Sterns Africa) 42′19″ Prisoner by Lucky Dube on The Best of Lucky Dube (-) 47′39″ Don't Mean To Be Rude feat. Zaki Ibrahim by Spoek Mathambo on Mshini Wam (-) 52′59″ Sereia by Naty Kid on Radioclit presents: The Sound Of Club Secousse Vol.1 (Secousse) 60′15″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders (-) 70′53″ When Love Feels Like Crying (Original Mix) by Mathew Jonson on Walking On the Hands That Follow Me EP (Techno - ) 74′36″ Massif by Ramjac feat. Mixmaster Morris on Massif (-) 80′26″ Papua New Guinea by The Future Sound of London on Papua New Guinea (-) 87′10″ Grand Central - Part 1 (Deep Into The Bowel Of House) by Terre Thaemlitz, DJ Sprinkles on Midtown 120 Blues (Purchased at Beatport.com) 93′11″ Secrets & Lies by Fort Romeau on Secrets and Lies (-) 108′20″ Good Day Today (Underworld Classic remix) by David Lynch on Good Day Today (-) 116′47″ O Superman feat. Laurie Anderson (Reboot's 20 Cubans Rework) by M.A.N.D.Y. and Booka Shade on Get Physical - 7th Anniversary Compilation (Limited Edition) (Get Physical) Check out the full archives on the website.

"Vi skal ned ad en sti og ind i en park.. og op i et rumfartøj og lande på en planet ude i en skov, nedenunder noget vand... "Værterne har det ok kosmisk med Alice Coltrane's solo-plade fra 1970 – 'Journey in Satchidananda'.

It's probably just as well that when I received the audio file of this week's show the bit at the beginning about having a cup of medicinal mushrooms to drink (chaga), was missing. Of course this was a source of much hilarity to Ross Allen, and nuff jokes abounded in the studio about Cosmic Jam/mushrooms/magic/hippies, which begs the question, am I? A hippy, that is... well I do drink medicinal mushrooms, am more or less vegan, love a bit of yoga/chi gong/meditation, however I don't wear tie-dye, smoke weed, or say "cosmic" much except in the context of the show. Hippies, if such a concept or subcultural group makes any sense in this day and age doubtless do come in many guises, and who's to say what kind of music they should like? In my experience a lot of those who ostensibly advocate the modern version of the "hippy" credo have pretty awful taste in music...psi-trance? Dodgy ambience with clichéd beats? It may be "cosmic", but it also lacks the soul and expansiveness that I search for in life and music. So what do I mean by cosmic? I've always thought of it as referencing Clinton's "Cosmic Slop"and the whole sic-fi, space obsessed vein that runs through music from Sun Ra to Earth Wind And Fire etc, that and the idea that the radio/airwaves/ether is a much more metaphysical space than the dance-floor, a space where music should necessarily and logically be more expansive. However my tastes also have a more terrestrial bent, I don't just spiral off into galactic reveries, at least not all the time! I very much doubt that I'm the best judge of my radio shows, after all they're not really for me. Having said that if I'm not pleasing myself the whole thing would be a fairly pointless exercise, after all the time that I've been in the game, I'd like to declare that I'm not really "in the game"; I'm just doing my thing, and I hope in doing so it reaches a few sympathetic ears and touches the odd soul. All I can say is that for whatever reasons, this particular Cosmic Jam pleased me more than most, maybe it's the balance of the tunes, the way I felt, the fact that I'd noticed the first stirrings of Spring that day, who knows? What I do know is that it kicks off with a cosmic nugget from Joe Claussell and Stefan Prescott's Spiritual Life which was undoubtedly one of my favourite labels during a period when I took much more interest in house music than I dip these days. The "Kuniyuki" remix of Slam Mode's "Pacifica" is certainly something of latter day hippy anthem, suitably expansive and a nice way to set up the show. Staying with newness for the first sequence there's more from The Rebirth, Rhonda Thomas, Native Dancer, and Ben Cox Band, all providing reasons to be cheerful and optimistic about the state of new music. Which is not something I'm feeling when I try to get with the latest crop electronic artists, but it's not for me to shout "emperor's new clothes".... The point I was trying to make about Mark Murphy's interpretation of Michel Colombier and Paul Williams "We Could Be Flying", (Williams also penned the words to We've Only Just Begun, so one might surmise he was something of an optimist!). The tune, which I've always loved, can certainly sound bombastic in the wrong hands, but Murphy brings such fluidity and looseness to proceedings he avoids those traps, and by underplaying the message he possibly nails the quintessential version. Another vocal gem follows, the album produced by (Jamaican born) Esmond Edwards, a man whose career is not often celebrated but whose credentials would rank him way up there amongst the greatest, is by Gloria Lynne, a vocalist who's career again had an enormous span and range, this version of "Out Of This World" is funky, fun, soulful and impeccably arranged. Following glorious Gloria, more lush female vocals from Flora Purim who at this time in the mid eighties was sounding beyond wonderful, her innate Brazilian swing and sweetness embellished by a seasoned huskiness. "Jogral" was written by the incredible José Neto, a Hendrix-like guitar genius who featured heavily in Airto and Flora's bands around this period. I saw Neto perform alongside Airto and Flora with the band Fourth World several times, and his playing never ceased to amaze and inspire. Grupo Afro Cuba Havana, a progressive Cuban outfit licenced to a European label, come with the fusion tinged but authentically lovely "Maria", Kahil El Zabaar I say plenty about on the show, and the Bill English tune "7th Ave Bill" is the kind of Jazz that needs little in the way of explanation, proper. The second hour kicks off with the Detroit Escalator Company's "Twilight Finding", a collaboration between DEC's Neil Ollivierra and Ayro, which may have been DEC's last release (2006), which is sad because Neil Ollivierra made some sumptuously gorgeous music under the DEC moniker. Matthew Halsall never fails to establish a great atmosphere on his recordings, they are conceptually almost flawless, and his treatment of Alice Coltrane's "Journey In Satchidananda" weighs in with the acoustic bass wringing every last drop of heaviness from that timeless line, and follows through with some beautiful flute work, and trumpet from the man himself. Independent and beautifully odd jazz follows in the shape of Jerry Granelli's "Aslan", bass-line heavy once again, as is Lani Hall's version of Lesley Duncan's "Love Song". Keeping the bass but getting supremely analogue synth (you don't get any better than T.O.N.T.O) Malcolm Cecil produced some of Gil Scott Heron's best work bringing his brand of sonic expertise into play, and the combination of that mellifluous synth bass and Gil's redoubtably upbeat "Better Days Ahead" is truly lovely. Last half hour veers between Latin tinged soulfulness and plain funkiness, the rare, the overlooked, the new and old all forming a fitting finale to a show which floated my boat. I hope it doesn't sink yours!! Peace, love, and medicinal mushrooms.. P.x 1. Slam Mode - Pacifica (Kuniyuki Takahashi remix) 2. Native Dancer - Until Frida Speaks 3. Rhonda Thomas - Oh Yay 4. Ben Cox Band - Either Or 5. The Rebirth - Halfway 6. Mark Murphy - We Could Be Flying 7. Gloria Lynne - Out Of this World 8. Flora Purim & Airto - Jogral 9. Grupo Afro Cubana Havana - Maria 10. Kahil El Zabaar Quartet - What It Is 11. Bill English - 7th Ave Bill 12. Detroit Escalator Company - Twilight Finding 13. Matthew Halsall's Gondwana Orchestra - Journey In Satchidanada 14. Jerry Granelli -Aslan 15. Lani Hall - Love Song 16. Gil Scott-Heron - Better Days Ahead 17. Mario Castro Neves - Subtle Chemistry 18. Ondrea Duverney - You What It's Like 19. Pacific Eardrum - Man Of Mystery 20. Boris Gardner - Ghetto Funk 21. Chocolate Milk - Spread A Little Love 22. Bobby Humphrey - Sunset Burgundy 23. The Rebirth - Caterpillar 24. Foreign Exchange - Take Off The Blues (live)