Podcasts about alices

De faller genom luckor och snö och trillar genom dolda dörrar. Peter K Andersson funderar över förflyttandets lätthet i 1900-talets äventyrsberättelser. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Att resa i verkligheten lever sällan upp till resor i fantasin. Det som för mig är tilltalande med resor som företas i fiktionen är att de ofta är fria från de bestyr som tenderar att förstöra nöjet och spontaniteten i det verkliga resandet. När Dr Who kliver in i sin TARDIS och reser till vilken plats som helst i historien eller världsrymden, eller varför inte när Alfons och hans pappa lyfter från vardagsrummet i en fantasihelikopter och genast börjar flyga över en djungel – då kringgår de behändigt allt det som präglar resandet för oss andra, från säkerhetskontroller och tunga resväskor till trånga flygplanssäten och transitbussar. I en av mina favoriter bland de böcker som jag brukar läsa för min treåriga dotter, Patrik och flygmaskinen av Ulf Löfgren, bestämmer sig huvudpersonen, en karsk liten pojke, för att bygga en flygmaskin så att han kan hämta hem sin pappa, som är fast på en söderhavsö. Och när han har bestämt sig för att göra det, så gör han det. Han bygger flygmaskinen utan problem – tack vare att den drivs av en dammsugare behöver han inte tänka på bränsle längs vägen – och sen ger han sig av. Han flyger över hav och stora städer, och äter en macka när han känner sig hungrig. Och så efter ett par sidor ser han sin pappa nere på ön där han är strandad. Sen åker de hem. Tänk om det kunde vara så enkelt i verkligheten! Jag tror att det är en ganska ursprunglig mänsklig dröm som den här typen av berättelser ger utlopp för. Att bara kunna ge sig iväg, obunden av vardagen eller nationsgränser. Äventyrslusten finns förstås tydligast i de gamla äventyrsromanerna av Jules Verne eller Robert Louis Stevenson, men där tvingar också den eftergift åt trovärdigheten som barnböckerna är fria från författarna att berätta om förberedelserna inför resan, det årslånga byggandet av den märkliga farkosten. I de berättelser som riktar sig mer explicit mot barn eller ungdomar har ett underbart berättartekniskt grepp blivit etablerat. Det är ett grepp som även letat sig in i vuxenfiktionen. När handlingen kräver en vändpunkt uppenbarar sig någon typ av hål i den fysiska värld som omger huvudpersonen. Det är kaninhålet i Alice i Underlandet, men förflyttat till en igenkännbar verklighet blir det nästan ännu mer egendomligt och tydligt som en portal mellan två dimensioner.Den här typen av vändningar är Tintinberättelserna väldigt bra på. Tintin faller ständigt genom olika dolda falluckor eller hittar lönndörrar på de mest osannolika ställen. I Tintin i Amerika finns en tidig och smått surrealistisk variant när Tintin helt sonika faller igenom en fallucka i trottoaren på en livligt trafikerad gata i Chicago. Hur kunde skurkarna veta att han skulle ställa sig just där? Den här sortens lite oslipade berättarknep ger de tidiga Tintinalbumen en stundtals drömlik atmosfär, men knepet återanvänds i senare album i en form som är mer integrerad i händelseförloppet. I Tintin i Tibet faller både Tintin och kapten Haddock flera gånger ner genom hål i snön, i Solens tempel faller Tintin genom ett vattenfall till en grotta som gömmer sig bakom det, i Plan 714 till Sydney faller Tintin på likartat sätt ner i ett underjordiskt tempel. Tintinalbumen är också fyllda av olika hemliga dörrar och öppningar till oväntade rum. I Enhörningens hemlighet bryter sig Tintin ut ur en fängelsehåla med en murbräcka bara för att hamna i ett väldigt rum fyllt med antikviteter. I Faraos cigarrer håller knarkligans högkvarter till bakom en dold dörr i en palm, och i Blå lotus är ständigt frågan vad som finns bakom det mystiska skynket längst in i opiumhålan.Den här typen av vändpunkter ger ofta Tintinäventyren en labyrintartad karaktär. Den rumsliga orienteringen upphävs och en dörr eller ett hörn kan leda vartsomhelst. Skurkarnas högkvarter befinner sig ofta bakom dörrar eller, som i Tintin hos gerillan, bakom en tvåvägsspegel. Huvudskurken ses ibland sittande framför en tv-skärm varifrån han bekvämt kan iaktta händelseförloppet, utan att det förklaras var han befinner sig. Det är ett fantasifullt grepp som vi förstås också känner igen från James Bond. Om vi skulle räkna upp alla falluckor som han ramlar igenom – ofta medan han går mot en vacker kvinna – skulle vi behöva mer tid på oss. Att det här greppet är så vanligt i två av 1900-talets mest kända serier av äventyrsberättelser är inte konstigt. Både James Bond och Tintin har sina rötter i den populärfiktion från det tidiga 1900-talet som bidrog till att etablera den här typen av dramaturgiska genvägar. Man kan hitta prototyper i Sherlock Holmes och annan 1800-talsfiktion, men det är tydligt att upprinnelsen i själva verket ligger i teaterns värld snarare än det skrivna ordets. Att på ett trovärdigt sätt skriva in en fallucka i en roman är inte lätt, men att använda scengolvets inbyggda fallucka som en oväntad vändning i handlingen är fullt logiskt – och publiken hinner förmodligen inte ens reagera på bristen av trovärdighet. I de melodramer som spelades på de populära teaterscenerna i sent 1800- och tidigt 1900-tal skrevs luckor i golvet gärna in i handlingen – inte sällan som ett sätt för skurkarna att gömma undan sina kidnappningsoffer. I den vanliga mytologiseringen av Chinatown som finns i amerikanska teaterstycken från sekelskiftestiden skildras stadsdelen som byggd ovanpå ett helt system av hemliga tunnlar där allsköns ljusskygga aktiviteter försiggår, en restprodukt av myten om den gula faran som fortfarande dyker upp i filmer emellanåt.Är dessa falluckor och hemliga tunnlar besläktade med äventyrslust och drömmerier? I populärfiktionen används de helst som en antydan om någonting olycksbådande som ligger gömt där man minst anar det. Men i dess överraskningseffekt finns kanske också drömmen om gränsöverskridandet och transcendensen Det skrämmande och okända bär ju som bekant ofta på en samtidig hotfullhet och lockelse. Att plötsligt förflyttas från en plats till en annan genom en osynlig öppning i omgivningen är väl den mest avskalade bilden av längtan bort som man kan tänka sig? Men om det hade skett i verkligheten skulle vi nog knappast reagera med Alices jämnmod. Nej, vi kanske behöver passkontrollerna och köerna och transitbussarna för att inte förflyttningen ska överväldiga oss. Drömmen om det spontana plötsliga resandet kan få vara kvar i böckerna. Men där bör det i alla fall finnas, så att även framtida generationer av barn kan krypa upp i en fåtölj och falla genom hål till oväntade platser.Peter K Anderssonhistoriker

Warehouse 13 Fancast Lead Agent Shannon concludes her medical healing journey and Agent Carolyn is all about the family hugs while Janitor SP enjoys a fun sister song duo. This week's crew review and rewatch the Warehouse 13 season 5 third episode "A Faire To Remember." The Agents discuss Renaissance Faires, burnt scones, how many Alices are in broken mirror shards, Dark Vault renovations, the unseen transfer back to Claire, how object neutralization has changed, ask where Joshua was, how not to tranquilize a mean mad hot Myka, all of the artifacts, all of the guest stars, and the creative team. Stay tuned for our next episode - only three Warehouse 13 episodes left! Thank you so much for listening to our coverage of Warehouse 13. Artie's Attic: A Warehouse 13 Fancast will release Sunday nights most weeks. Email: warehouse13fancast@gmail.com X: https://www.x.com/syfygurl X: https://www.x.com/ocean363 Best place to find SP: http://www.GonnaGeek.com/discord All music and sound effect used on this episode were purchased on http://www.pond5.com Find more Artie's Attic content and other shows on the Lone Wolf Podcasts network at: http://www.lonewolfpodcas Support Artie's Attic: A Warehouse 13 Fancast by contributing to their tip jar: https://tips.pinecast.com/jar/arties-attic-warehouse-13-fanc

Please join Alice, an 11 year old girl with a love of books, as she takes you on a journey through the books she has read and all her favorite things.This episode Alice and her Mum discuss the books she has read in March, all 9 of them!Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Please join Alice, an 11 year old girl with a love of books, as she takes you on a journey through the books she has read and all her favorite things.This episode Alice and her Dad discuss what Alice has been watching in February including The US Office and Stand By Me among others.Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Welcome to Stupid Hearts Club. The Entertainment Community for everyone with a creative, open, loving, romantic and gloriously stupid heart!-------------------Hey there my Stupid Hearted angels.Alice Lowe is possibly the most fruitful creative person I know. In fact, when I went to her house, even her actual fruit bowl contained turnips, bananas, peppers, a pomegranate and much much more. I think that image kind of works as a very strong analogy for her output. As the reigning indie queen of UK cinema Alice has already delivered three cult classics with Sightseers, Prevenge and last years Timestalker, and in my opinion she is only just getting going.This chat is part 2 of a recording I did when I visited her near Stroud in my camper van Linda. This weeks chat is more about Alices career and our shared (and differing) experiences as UK writers in and around the world of comedy and the arts.It's a fantastic conversation that any budding or (struggling) creative will benefit from. There is a section of the conversation that is a little compromised by a zip or a button tapping Alices mic that I could not get rid of as it's woven into her words. So sorry about that, but I still think its v listenable, and Alices wisdom and wit will see us all through.EnjoyyyyStupid Hearts Club Forever Baby-------------------If you enjoy what I do and would like to help support all the time and effort I lovingly put into the world of Stupid Hearts Club, which now includes, podcasts, live music events, music collabs and more, then please consider becoming a paid subcriber to my Patreon! You will have immediate access to a well stocked treasure trove of really cool extra podcast bits, and you will be first to know about stuff like merch, news, and forthcoming plans to create an actual membership club, that means you will be able get into all SHC music nights and events for FREE. Every paid sub really helps me keep going, even if it's just to try it out for a month! And all for around £5! BargzEither way. I'm still super happy you are here at all so thank you so much for listening!Oh and if you want to see me on an almost daily basis titting about and being a legend of compassion come and follow stupid hearts club on Instagram, Don't be shy, come and say helloNico xx-------------------Production support from Drew ToynbeeCopyright 2025 Nico Tatarowicz

Welcome to Stupid Hearts Club. The Entertainment Community for everyone with a creative, open, loving, romantic and gloriously stupid heart!-------------------Hey there my Stupid Hearted angels.This is the morning after the last one, in which I failed at being at a carvery near Stroud. Here I wake up and am all pleased with myself for sleeping in me van in a shit car park, before going off for a lovely chat with film-maker and personal hero Alice Lowe.Part 2 of this will drop next week and is chat is a full 90 mins of talk about Alices career, cinema, surviving as a creative and the business of writing what you want to say.Stupid Hearts Club Forever Baby-------------------If you enjoy what I do and would like to help support all the time and effort I lovingly put into the world of Stupid Hearts Club, which now includes, podcasts, live music events, music collabs and more, then please consider becoming a paid subcriber to my Patreon! You will have immediate access to a well stocked treasure trove of really cool extra podcast bits, and you will be first to know about stuff like merch, news, and forthcoming plans to create an actual membership club, that means you will be able get into all SHC music nights and events for FREE. Every paid sub really helps me keep going, even if it's just to try it out for a month! And all for around £5! BargzEither way. I'm still super happy you are here at all so thank you so much for listening!Oh and if you want to see me on an almost daily basis titting about and being a legend of compassion come and follow stupid hearts club on Instagram, Don't be shy, come and say helloNico xx-------------------Production support from Drew ToynbeeCopyright 2025 Nico Tatarowicz

Please join Alice, an 11 year old girl with a love of books, as she takes you on a journey through the books she has read and all her favorite things.This episode Alice and her Mum discuss the books she has read in February, including TwilightPlease follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Please join Alice, an 11 year old girl with a love of books, as she takes you on a journey through the books she has read and all her favorite things. This episode Alice and her Dad discuss what Alice has been watching in January 2025. Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Har jobbet enbart blivit ett medel till någonting annat? Eva-Lotta Hultén reflekterar över arbetets oväntade betydelse i ett liv. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Mitt första arbete var som städerska på min pappas kontor sommaren när jag var sexton. Jag tömde papperskorgar, svabbade golv och försökte störa människorna vid skrivborden så lite som möjligt. De flesta var vänliga och flyttade på fötterna så jag skulle komma åt. Ett par gånger fick jag sliriga kommentarer av en man men jag sa inget om dem till min far. Varför gjorde jag inte det? Tänkte jag att det är sånt man får tåla som städerska? Var jag kanske på sätt och vis lika föraktfull som han som fällde de snaskiga kommentarerna?En ung tjej som just gått ut gymnasiet började i arbetslaget samtidigt som jag och jag utgick från att hon liksom jag bara skulle sommarjobba. En dag frågade jag vad hon skulle göra sedan. Hon såg oförstående på mig och sa att hon fått fast jobb. Min språngbräda till en skidresa var hennes alldeles vanliga golv och hon var glad över det och tyckte om att städa. Till skillnad från kontorsmannen hade jag vett på att skämmas över mina ogenomtänkta ord.Efter kontorsstädningen följde en lång rad extrajobb; inom hemtjänst, som hotellstäderska, servitris, vårdbiträde på demensboende, lärarvikarie och telemarketingoperatör. I hemtjänsten fick jag fick gå och handla med gamla damer, konversera åldringar som var övertygade om att Palmemordet skett utanför deras fönster och lämna mat till människor som aldrig gick utanför sina lägenheter. Jag lärde mig om misär, omsorg och åldrande kroppar; om värdighet och ensamhet och hur man tröstar någon som brutit lårbenshalsen och väntat på hjälp på sitt vardagsrumsgolv i ett helt dygn.Men under 90-talet kom neddragningarna. De gamla blev till tidsblock i tajta scheman. Det fanns inte längre utrymme för att baka eller gå och handla med någon. På demensboendet skulle allt mindre personal ta hand om allt mer skröpliga äldre. En natt fick en av mina kollegor ensam hantera att två av åtta åldringar dog.Det sägs ibland att det finns i ett ointresse för arbetarklassen i medie- och kultursfären, men inom litteraturen är ändå arbetartemat levande. Litteraturprofessorn Åsa Arping formulerar i boken ”Att göra klass” en intressant analys av några moderna romaner om tillfälliga jobb i typiska arbetaryrken. I Måns Wadensjös ”Monopolet” tar den högutbildade Alice i väntan på rätt erbjudande jobb på Systembolaget. Arping skriver att det finns något storögt över Alices möte med butiken och skriver: ”Hon noterar fascinerat hur kroppen förändras av arbetet och alltmer börjar likna en fantastisk maskin, en samling kroppsdelar som hon skulle kunna använda till nästan vad som helst.” Det är en alienation som jag kan känna igen från de jobb som jag tyckt varit tråkiga. Som städerska och telefonförsäljare blev jag en automat.I Jack Hildéns ”Vi, vi vaktmästare” vill Eskil spara ihop pengar till en långresa och i Sara Beischers ”Jag ska egentligen inte jobba här”; får den unga Moa som vill bli skådespelare, arbete i hemtjänsten. Åsa Arping konstaterar att karaktärerna i de tre romanerna delar en inledande distans till arbetet men vårdbiträdet Moa går från att betrakta de äldre som lite motbjudande och kollegorna som losers, till att känna stolthet över sitt arbete. Det är detta jag tycker så mycket om med Beischers bok; Moa lär sig se sitt arbete som viktigt. Berättelser om den här typen av erfarenheter filtreras inte sällan genom människor som egentligen vill göra något annat – som att skriva romaner. Äcklet inför jobbet, eller föraktet för dem som leder eller utför det, skiner igenom.Men Åsa Arping hittar också en gemensam lärdom för de tre huvudkaraktärerna: att arbetet är betydligt mer än själva uppgifterna. Det kräver en emotionell investering och en vilja att skapa fungerande relationer: till kunder, omsorgsmottagare och arbetskamrater.Mina vårdjobb är, tillsammans med lärarvikariaten, de som allra starkast gett mig en känsla av mening; någon behövde hjälp och jag hade förmånen att få ge den.Men stämmer det, som Mats Ekdahl hävdar i boken ”Jobbet” att unga människor inte längre ser arbete som en möjlig väg till självförverkligande och lycka? Jag vet inte, men konsumtionsforskaren Katarina Graffman menar att det är fel att prata om dagens unga som en generation Greta; alltså en generation av klimatengagerade samhällsförbättrare, och att vi snarare har en generation Bianca; unga vars drömmar handlar om konsumtion och om att genom entreprenörskap snabbt bli rika. Alltså mål som inte alls handlar om arbetet självt utan om vad det kan ge i form av pengar och status.Sådana drömmar riskerar att leda till många sorters krascher: för miljön med överkonsumtion; för samhället med låg status för viktiga yrken och för individen när orealistiska mål inte kan nås. Att låtsas att alla kan bli vad de vill är att ställa för höga krav på unga människor, menar Mats Ekdahl. Han föreslår att de i stället ska uppmuntras att pröva sig fram och se var de hamnar. Med självinsikt kan de se till att deras begåvning kommer till sin rätt, vilket skänker både en känsla av kompetens och av att bidra till det större system som den mänskliga gemenskapen utgör.Mina extrajobb inom vård och skola fick mig att förstå vad samhället gick ut på och gav mig stolthet och känsla av sammanhang och mening. Till och med det arbete jag tyckte allra sämst om, som telemarketingoperatör med uppdrag att boka in besök av transportsäljare på olika företag, gav mig kunskaper och insikter jag haft glädje av. Till exempel förstod jag hur destruktivt det kan vara för en grupp att försätta människor i tävling mot varandra; och hur själsdödande det är att utföra arbetsuppgifter som man upplever helt saknar värde, både för en själv och ur ett samhällsperspektiv. I valet mellan höga inkomster och sysselsättning som känns viktig har jag efter det jobbet alltid valt det senare och jag önskar att alla hade den möjligheten.Jag gjorde mina jobb som ung och jag tjänade pengarna jag längtade efter men jobben gjorde också mig. Relationer förändrar vår syn på oss själva och på världen; de ger oss nya normer och värderingar. Det var vad som hände mig som ung. Då tänkte jag att det var resorna som jag gjorde för pengarna som skulle ge mig minnen för livet. Jobben var bara ett nödvändigt ont. Det är först i efterhand som det blivit tydligt hur oerhört mycket dessa arbeten format mig och mina senare val i olika sammanhang. Relationerna de erbjöd fick mig att förstå att detta att vara mänsklig är att ha omsorg om varandra. För det är jag ytterst tacksam. Utan dem hade jag delvis blivit en annan och troligen sämre version av mig själv.Eva-Lotta Hulténförfattare och journalist

Every Thanksgiving KISM has a tradition of playing Alice's Restaurant from Arlo Guthrie! The inspiration for the song, Alice Brock just passed away at 83!

Alice wil meer tijd doorbrengen met haar oudere zus Mary. Als ze vermoedt dat Mary van plan is naar Frankrijk te vertrekken, bedenkt Alice een plan om haar te overtuigen om te blijven. Maar zal het... Uitgegeven door Saga Kids Spreker: Nienke Cusell

IS ANYBODY STILL THERE? Please join Alice, an 11 year old girl with a love of books, as she takes you on a journey through the books she has read and all her favorite things. This episode Alice looks back at March, the books she's read, her trip to the cinema and theatre and a new How to Train Your Dragon theme park. Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Episódio 7 (100 anos Osman Lins) - Leitura intertextual  de segmentos de Avalovara e dos romances de Lewis Carroll, Alice nos país das maravilhas e Alice através do espelhos, com fundamentação teórica  sobre o insólito e o fantástico.

Pt.2 of the PLANTS Guest appearance and this was recorded 2weeks ago, but is finally getting releaseased... we read Alices tarot and it yieldsvery interesting results... lets delve deep into the mystic wonderment which is PLANTS!!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/unresearchedpodcast/message

Please join Alice, a 10 year old girl with a love of books as she takes you on a journey through the books she has read and all her favorite things. This episode Alice looks back at March, the books she's read, her trip to the cinema and theatre and a new How to Train Your Dragon theme park. Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Failures in Kindness, published by silentbob on March 27, 2024 on LessWrong. There's a particular kind of widespread human behavior that is kind on the surface, but upon closer inspection reveals quite the opposite. This post is about four such patterns. Computational Kindness One of the most useful ideas I got out of Algorithms to Live By is that of computational kindness. I was quite surprised to only find a single mention of the term on lesswrong. So now there's two. Computational kindness is the antidote to a common situation: imagine a friend from a different country is visiting and will stay with you for a while. You're exchanging some text messages beforehand in order to figure out how to spend your time together. You want to show your friend the city, and you want to be very accommodating and make sure all their preferences will be met. So you simply ask them: "What do you want to do"? And maybe you add "I'm completely fine with anything!" to ensure you're really introducing no constraints whatsoever and you two can do exactly what your friend desires. People often act like this, and they tend to assume they're doing the other person a favor by being so open and flexible. After all, this way the other person will have to make no trade-offs and can spend their time exactly as they please. The problem with this however is that it's computationally unkind: it offloads all the effort of coming up with ideas and making decisions to the other person. So while it is kind on one level (respecting their object level preferences), it's unkind on another (effort, and respecting their possible meta level preferences about the planning process). And particularly if the friend's preferences about what exactly to do are not that strong, it now gives them a difficult and uncertain task for very little payoff. So what's the computationally kind way of approaching this situation? You could name a (not too long) list of concrete proposals of how you could spend your time. If you know the person really well, you could suggest a full-fledged plan. If you don't know them that well, you could ask a few clarifying questions about their general preferences and then come up with a plan. And on top of this (rather than instead of it) you can make sure to point out that you're open to anything and are happy to change plans in any way. This way, the other person can decide themselves how much cognitive effort to invest. They can just say "yes" to your proposal, or can suggest some adjustments, or even come up with an entirely new plan if they really want to go that far. Responsibility Offloading[1] A somewhat similar pattern to computational kindness is that of offloading responsibility. Imagine Alice and Bob, two friends who are just getting to know each other better, are hanging out at Alice's place. It's getting late, but they're having a fun time. Bob is unsure about whether and when Alice wants him to leave, but he's fine with staying much longer. So he playfully says "By the way - feel free to throw me out any time! I've got tomorrow off, so am flexible, but just let me know when you've had enough of me". Sometimes this is indeed a good move. Particularly when Bob knows that Alice is an assertive person who doesn't shy away from stating her preferences. But there are cases where this puts a big burden on Alice. Imagine Alice is generally rather insecure and indecisive. She now has to feel solely responsible for terminating the hangout. This is now something on her plate that she has to think about and decide, and communicate to Bob eventually in a non-offensive way. There are Alices out there who would be rather stressed out by this, and who would prefer Bob to carry that responsibility, or to have the two of them figure it out together. And there are Bobs out there who have no ide...

Link to original articleWelcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Failures in Kindness, published by silentbob on March 27, 2024 on LessWrong. There's a particular kind of widespread human behavior that is kind on the surface, but upon closer inspection reveals quite the opposite. This post is about four such patterns. Computational Kindness One of the most useful ideas I got out of Algorithms to Live By is that of computational kindness. I was quite surprised to only find a single mention of the term on lesswrong. So now there's two. Computational kindness is the antidote to a common situation: imagine a friend from a different country is visiting and will stay with you for a while. You're exchanging some text messages beforehand in order to figure out how to spend your time together. You want to show your friend the city, and you want to be very accommodating and make sure all their preferences will be met. So you simply ask them: "What do you want to do"? And maybe you add "I'm completely fine with anything!" to ensure you're really introducing no constraints whatsoever and you two can do exactly what your friend desires. People often act like this, and they tend to assume they're doing the other person a favor by being so open and flexible. After all, this way the other person will have to make no trade-offs and can spend their time exactly as they please. The problem with this however is that it's computationally unkind: it offloads all the effort of coming up with ideas and making decisions to the other person. So while it is kind on one level (respecting their object level preferences), it's unkind on another (effort, and respecting their possible meta level preferences about the planning process). And particularly if the friend's preferences about what exactly to do are not that strong, it now gives them a difficult and uncertain task for very little payoff. So what's the computationally kind way of approaching this situation? You could name a (not too long) list of concrete proposals of how you could spend your time. If you know the person really well, you could suggest a full-fledged plan. If you don't know them that well, you could ask a few clarifying questions about their general preferences and then come up with a plan. And on top of this (rather than instead of it) you can make sure to point out that you're open to anything and are happy to change plans in any way. This way, the other person can decide themselves how much cognitive effort to invest. They can just say "yes" to your proposal, or can suggest some adjustments, or even come up with an entirely new plan if they really want to go that far. Responsibility Offloading[1] A somewhat similar pattern to computational kindness is that of offloading responsibility. Imagine Alice and Bob, two friends who are just getting to know each other better, are hanging out at Alice's place. It's getting late, but they're having a fun time. Bob is unsure about whether and when Alice wants him to leave, but he's fine with staying much longer. So he playfully says "By the way - feel free to throw me out any time! I've got tomorrow off, so am flexible, but just let me know when you've had enough of me". Sometimes this is indeed a good move. Particularly when Bob knows that Alice is an assertive person who doesn't shy away from stating her preferences. But there are cases where this puts a big burden on Alice. Imagine Alice is generally rather insecure and indecisive. She now has to feel solely responsible for terminating the hangout. This is now something on her plate that she has to think about and decide, and communicate to Bob eventually in a non-offensive way. There are Alices out there who would be rather stressed out by this, and who would prefer Bob to carry that responsibility, or to have the two of them figure it out together. And there are Bobs out there who have no ide...

— In this episode, Alice shares how she became an author and then how she became an author who has supported herself for 13 years! She is also the founder of the successful summer camp, Words on Fire Writing Camp for Teens, which is going into its 13th summer. Alices gives advice for creatives on how to support themselves as they create their art, a consistent income, and setting and sticking to a trajectory with their careers.   Valeria interviews Alice B. McGinty — She is the author of  “The Sea Knows, Feasts and Festivals Around the World: From Lunar New Year to Christmas, A Synagogue Just Like Home, Bathe the Cat, Gandhi: A March to the Sea, and many other titles.” Alice B. McGint delights in igniting imaginations. As the award-winning author of over 50 children's books, she makes fiction and non-fiction accessible, engaging, and fun. Her books include 2022 JLG Selection and Chicago and New York Public Libraries Best Book of 2022, Bathe the Cat; 2021 ALA Notable Book, JLG Selection and Norman A. Sugarman Honor Book, The Water Lady: How Darlene Arviso Helps a Thirsty Navajo Nation; and 2019 JLG Selection, The Girl Who Named Pluto: The Story of Venetia Burney. Alice has successfully supported herself as a writer for the past thirteen years. This summer, she celebrates the 13th year of running Words on Fire Writing Camp for Teens, which she established and leads. Alice is a Regional Adviser Emerita of the Illinois Chapter of the Society of Children's Book Writers and Illustrators, a presenter, writing coach and tutor, book reviewer, freelance writer, mom, and last but not least, a traveler.  To learn more about Alice B. McGinty and her work, please visit: https://www.alicebmcginty.com/ http://www.newsfromthehappyside.com/, and https://wordsonfirecamp.wordpress.com/                    — This podcast is a quest for well-being, a quest for a meaningful life through the exploration of fundamental truths, enlightening ideas, insights on physical, mental, and spiritual health. The inspiration is Love. The aspiration is to awaken new ways of thinking that can lead us to a new way of being, being well. 

Please join Alice, a 10 year old girl with a love of books as she takes you on a journey through the books she has read and all her favorite things. This episode Alice looks back at February, the books she's read, 5 of which have the main character in the title! Also the films and TV series that she's watched. Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture.  Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Please join Alice, a 10 year old girl with a love of books as she takes you on a journey through the books she has read and all her favorite things. This episode Alice looks back at 2023 and gives her round up of the year. Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Jonathan Thomas and his friends, Gorgonzola the horse, and the Man in the Moon are well on their way to Squee bubble to rescue the kidnapped Santa Claus. They have…

Välkommen till en virvelvind av skräck och humor när Patrik, Fredrik och den förunderliga Gustaf från Film Till Fikat ger dig en inblick i "A Nightmare on Elm Street - Dream Child".I detta avsnitt dyker gänget in i den femte delen av Freddy Krueger-sagan och utforskar djupet av denna skrämmande värld. Från Freddys nyfunna ondskefulla knep till karaktärernas underliga val, allt som ger oss den underhållande resa genom mardrömmarnas värld vi suktat efter.Humor, analyser och personliga reflektioner avtäcker filmens olika skräck- och komiska element. Så spänn fast dig för en hisnande diskussion i detta avsnitt av Skräckfilmcirkeln – ett måste för skräckälskare och alla som vill dyka djupt ner i skräckfilmsvärlden!Dagens Film: A Nightmare on Elm Street - The Dream Child (1989)Alice och Dan väntar barn och de har lagt de hemska minnena av Freddy Krueger bakom sig. Men Freddy har andra planer - att utnyttja Alices graviditet till sin egen fördel och tar sig in i barnets drömmar för att återfödas.Besök hemsidan: www.skrackfilmcirkeln.seFacebook: /skrackfilmcirkelnInstagram: @skrackfilmcirkelnTwitter:  @SFC_podcastPatreon: www.patreon.com/skrackfilmcirkelnMerchandise: https://www.streamlabs.com/thepatrikstreamer/merch Become a member at https://plus.acast.com/s/skrackfilmcirkeln. Hosted on Acast. See acast.com/privacy for more information.

In episode 65, we continue our discussion of creating costumes, but this episode focuses more on costumes for rec classes and lower cost options for customizing your costumes!Custom isn't always feasible: Not every dance piece calls for a custom costume due to budget constraints. We begin by discussing the choreographer's vision and create Pinterest boards to capture the desired look and vibe.Mix & Match Magic: For Hip Hop and Tap, we often mix and match streetwear elements, selecting a color scheme and purchasing items to style creatively. Amazon, Urban Outfitters, ASOS, and more are our go-to resources.Crafty Touch: We love crafting sashes, corsages, capes, and other accessories to add a unique touch to basic costumes.Year-End Show (Rec Class) Costumes:Catalog Curation: Limiting the number of costume catalogs used streamlines the process and facilitates exchanges and coordination.Customization: We select pre-made costumes for most themes, but sometimes we can't find the perfect fit. In these cases, we get creative. For instance, for an "Alice in Wonderland" theme, we paired a blue dress from the catalog with custom white aprons, resulting in adorable Alices.Theme-Specific Customization: "Are You Madder than a Hatter?" inspired Mad Hatter costumes with sequin dresses, top hats, and show logo patches. We utilize custom printed patches from THE STUDIO for a personalized touch.Creative Innovation: We apply custom touches to around 5-6 costumes each year, adding unique flair to fit our themes.Recital Hip Hop Costumes:Customization for Teens: Many off-the-shelf teen hip hop costumes don't match our themes, so we order separates like pants from Weissman's and add a custom hoodie or t-shirt featuring theme-specific graphics.Personal Style: We provide accessories like bandanas, hats, and bracelets for teens to add their personal style to their costumes, ensuring a unique look.Thinking Outside the Costume Box: Consider combining costume pieces with blazers, vests, and more to create a tailored look that fits your theme.Final Thoughts:Dive deeper into costume design and think creatively to make your costumes perfectly complement your choreography and themes. While finding the ideal costume may not always be as easy as flipping through a catalog, the extra effort can make all the difference in the final performance.Thanks for tuning in and enjoy the creative costume journey!Let's Get Social!Let's Get Social! Join our FREE Confetti Circle Request to join our private Facebook Group Follow us on Insta, Facebook and Pinterest

Dies ist die erste Feuer und Brot Solo-Folge. Maxi ist weiterhin on Podcast-Parental-Leave. Deshalb hat sich Alice das Mikro geschnappt und ein wenig aus ihren neuen Buch “Identitätskrise” vorgelesen, das am 23.10. erscheint. Es in dieser Folge vor allem um den Anfang. Das Buch startet mit einem Prolog. Alice liest vor und beschreibt, wie dieser Text entstanden ist. Über die Frage, wie viel “Ich” im Text stecken sollte, wie und warum sie persönliche und gleichzeitig gesellschaftliche Analysen verbindet und warum sie es für wichtig hält, die eigene Subjektivität und Motivation im Schreiben transparent zu machen. Alles zum aktuellen Sponsoring und den aktuellen Rabattcodes und Aktionen findest du hier.Shownotes: Alice neues Buch Identitätskrise:https://www.hanser-literaturverlage.de/buch/identitaetskrise/978-3-446-27391-7/Kimberly Foster:https://www.instagram.com/p/CT2NB8ClZ6O/Janelle Hobson - Venus in the Dark: Blackness and Beauty in Popular Culturehttps://www.routledge.com/Venus-in-the-Dark-Blackness-and-Beauty-in-Popular-Culture/Hobson/p/book/9781138237629 Hosted on Acast. See acast.com/privacy for more information.

Please join Alice, a 10 year old girl with a love of books as she takes you on a journey through the books she has read and all her favorite things. This episode Alice talks about what she has been doing during the month of August and answers the important question. Jaws, Gremlins 2 and Pokemon the Movie. Which is the best film of that list? Please follow Alice on Instagram at ⁠⁠⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: The Dunbar Playbook: A CRM system for your friends, published by Severin T. Seehrich on August 17, 2023 on LessWrong. Thanks to Dakota Quackenbush from Authentic Bay Area for an earlier version of this tool. So far, the main motivation for my work as a community builder and authentic relating facilitator was meeting my own need for connection. I think that was a mistake. First, it is difficult to harvest the fruits of community while I'm the one responsible for creating and holding the space. Second, this motivation leads to botched incentives that end up serving neither the cause nor me. After all, the subset of broke EAs and hippies I enjoy spending my time with the most are not in too dire need of my services, nor particularly capable of helping me pay my rent. In other words, I've finally given up on trying to poop where I eat. Instead of building a product for my in-group, I now try to anchor my life in my tribe, and use the energy I get there to build products that serve the outside world and pay my rent. Wish me luck. Because my life happens all over the globe and making new friends is more intuitive for me than sustaining long-term relationships, I want to be a bit strategic about building a tribe that keeps me energized. That's where the Dunbar Playbook comes into play. Some theory: Dunbar's Number The Dunbar Playbook is named after Dunbar's Number, the number of people one can maintain personal relationships with. In his earlier research, anthropologist and evolutionary psychologist Robin Dunbar concluded that that's about 150 people. Later, he found that there are actually different circles of friendship. Apparently, people have a handful of very close friends, a couple more best friends, and vastly more loose friends and acquaintances. (Who would have thought.) The Atlantic cites the following layers, with each layer being ~3x the size of the preceding ones: 1.5 people: Intimates5: Close friends15: Best friends50: Good friends150: Friends500: Acquaintances1500: Known names5000: Known faces Of course, these are all just rough approximations. Introverts will invest more energy into fewer people, extraverts less into more. There are probably also cultural differences or something. Introducing the Dunbar Playbook However big or small these circles are for you: It will probably not hurt to be a explicit about who is part of which one. Fine-grained categories make it easier to track where your priorities lie. The process for creating a Dunbar Playbook is simple: Make a list of people you are or want to be friends with. Note down the "is" and "ought" of your relationship, and whichever other information you want to save in the playbook. Here is my playbook in anonymized form: Image 1: An anonymized version of my Playbook. As you see, this boy cares a lot about vibing. On the left, you find a bunch of tiers - inspired by the circles of friendship in the article above. How I named the categories is irrelevant. What's important is that I want to be very intentional about investing into my relationships with the uppermost Alices and Bobs, and for the ones lower on the list, occasional "how are you?"s and a call every couple months is enough. Then, you find the names of my people. The "Is"-column indicates where I'm at with these people (sorted by lowest to highest), and the "Want"-column indicates how close I'd like these relationships to be. The "want"-column is the one I actually auto-sort this list by; the "is"-column just shows discrepancies and how far from my desired state I currently am. The boundaries between the categories are not firm, just very rough sizes of the different circles I think might be good to aim for. Sometimes the boundaries and the number of people I actually want in that tier match.For example, as there's currently nobody who could count a...

Link to original articleWelcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: The Dunbar Playbook: A CRM system for your friends, published by Severin T. Seehrich on August 17, 2023 on LessWrong. Thanks to Dakota Quackenbush from Authentic Bay Area for an earlier version of this tool. So far, the main motivation for my work as a community builder and authentic relating facilitator was meeting my own need for connection. I think that was a mistake. First, it is difficult to harvest the fruits of community while I'm the one responsible for creating and holding the space. Second, this motivation leads to botched incentives that end up serving neither the cause nor me. After all, the subset of broke EAs and hippies I enjoy spending my time with the most are not in too dire need of my services, nor particularly capable of helping me pay my rent. In other words, I've finally given up on trying to poop where I eat. Instead of building a product for my in-group, I now try to anchor my life in my tribe, and use the energy I get there to build products that serve the outside world and pay my rent. Wish me luck. Because my life happens all over the globe and making new friends is more intuitive for me than sustaining long-term relationships, I want to be a bit strategic about building a tribe that keeps me energized. That's where the Dunbar Playbook comes into play. Some theory: Dunbar's Number The Dunbar Playbook is named after Dunbar's Number, the number of people one can maintain personal relationships with. In his earlier research, anthropologist and evolutionary psychologist Robin Dunbar concluded that that's about 150 people. Later, he found that there are actually different circles of friendship. Apparently, people have a handful of very close friends, a couple more best friends, and vastly more loose friends and acquaintances. (Who would have thought.) The Atlantic cites the following layers, with each layer being ~3x the size of the preceding ones: 1.5 people: Intimates5: Close friends15: Best friends50: Good friends150: Friends500: Acquaintances1500: Known names5000: Known faces Of course, these are all just rough approximations. Introverts will invest more energy into fewer people, extraverts less into more. There are probably also cultural differences or something. Introducing the Dunbar Playbook However big or small these circles are for you: It will probably not hurt to be a explicit about who is part of which one. Fine-grained categories make it easier to track where your priorities lie. The process for creating a Dunbar Playbook is simple: Make a list of people you are or want to be friends with. Note down the "is" and "ought" of your relationship, and whichever other information you want to save in the playbook. Here is my playbook in anonymized form: Image 1: An anonymized version of my Playbook. As you see, this boy cares a lot about vibing. On the left, you find a bunch of tiers - inspired by the circles of friendship in the article above. How I named the categories is irrelevant. What's important is that I want to be very intentional about investing into my relationships with the uppermost Alices and Bobs, and for the ones lower on the list, occasional "how are you?"s and a call every couple months is enough. Then, you find the names of my people. The "Is"-column indicates where I'm at with these people (sorted by lowest to highest), and the "Want"-column indicates how close I'd like these relationships to be. The "want"-column is the one I actually auto-sort this list by; the "is"-column just shows discrepancies and how far from my desired state I currently am. The boundaries between the categories are not firm, just very rough sizes of the different circles I think might be good to aim for. Sometimes the boundaries and the number of people I actually want in that tier match.For example, as there's currently nobody who could count a...

Please join Alice, a 10 year old girl with a love of books as she takes you on a journey through the books she has read and all her favorite things. This episode Alice talks about what she has been doing during the month of July. Please follow Alice on Instagram at ⁠⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

Please join Alice, a 10 year old girl with a love of books as she takes you on a journey through the books she has read and all her favorite things. This episode Alice talks about her trip to the Barnes Children's Literature Festival Please follow Alice on Instagram at ⁠⁠⁠⁠Alices_magical_library⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠or Twitter ⁠⁠⁠⁠here ⁠⁠⁠⁠ Did you know Alice now has a YouTube Channel? You didn't!?! Well you can find ⁠⁠⁠⁠Alice's Magical Library⁠⁠⁠⁠ on YouTube right ⁠⁠⁠⁠here ⁠⁠⁠⁠ Want to see what Alice is reading? You can find her on Good Reads ⁠⁠⁠⁠here ⁠⁠⁠⁠ Intro Music, Dance Of The Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky. Music promoted by https://www.free-stock-music.com  https://creativecommons.org/publicdomain/zero/1.0/deed.en

The Mad Hatter is one of Batman's oddest major foes. While all of the rogues who have existed since the Golden Age have gone through various permutations, few are as wildly different. Sometimes he is obsessed with hats. Sometimes he is a mind control scientist. Sometimes he is obsessed with Alice In Wonderland and has a creepy obsession with young girls he deems his Alices (super creepy). And we have read very little featuring the character for this show. So, our buddy Josh Weil is back to remedy that. Find out what other classic character debuted in the same story as the Hatter, read some great Greg Rucka and hear Will get apoplectic about a book that competes for the bottom spot on the Big Board. The Scoop of the Century! (Batman V.1 # 49) Unknowing (Detective Comics V.1 # 758-760) Mad (Batman: The Dark Knight Vol. 2 # 16-21) Check out our current ranking list at www.comicsxf.com/batchat-rankings/ Thanks to Geri Nonnewitz for our podcast logo Follow the show on Twitter @BatChatComics and support the show on Patreon at www.patreon.com/batchatwithmattandwill

In this bonus episode, we meet the two Alices who share their later-in-life coming out stories. There's Alice Soper, one of New Zealand's foremost voices on women's rugby. She'd always told herself she was super straight - that is, until her OE to London changed everything she thought she knew. And comedian and writer Alice Snedden, funny, irreverent and in denial about her love life - until she wasn't. Learn more about your ad choices. Visit megaphone.fm/adchoices

曾經和神田沙也加一起組合ALICes的黑崎真音病逝，雖然她這兩年身體很差，沒想到卻這麼快就跟隨著神田而去，實在非常遺憾。主持：傑特、末日幽靈方墨茶館：https://discord.gg/aKtkn9FTdd

No podcast de hoje conversamos sobre Aftersun (2022), o filme de estreia da cineasta Charlotte Wells, protagonizado por Paul Mescal e Frankie Corio, indicado ao Oscar de melhor ator e premiado ano passado com 5 Alices de Ouro e 1 Alice de Prata no nosso Troféu Alice. Abordamos a identificação geracional, a fragmentação de um retrato de memória difusa, a questão da paternagem, passando pelo roteiro, montagem, direção de arte e atuação. O programa é apresentado por Rosana Íris, Camila Vieira e Stephania Amaral. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-182-aftersun Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Rosana Íris, Camila Vieira e e Stephania Amaral Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] Pessoas Normais, de Sally Rooney https://amzn.to/3lqZrCH [LIVRO] Controle, da Natalia Borges Polesso https://amzn.to/3IsgxJH [LIVRO] Os Tais Caquinhos, da Natercia Pontes https://amzn.to/40OWw74 Mencionados: [FILME] Meu Primeiro Amor (My Girl, 1991), dir. Howard Zieff [FILME] Um Lugar Qualquer (Somewhere, 2010), dir. Sofia Coppola [FILME] Tuesday (2015), dir. Charlotte Wells [FILME] As Faces de Toni Erdmann (Toni Erdmann, 2016), dir. Maren Ade [FILME] The Souvenir (2019), dir. Joanna Hogg [FILME] The Souvenir : Part II (2019), dir. Joanna Hogg [FILME] Aftersun (2022), dir. Charlotte Wells [SERIADO] Fleabag (2016-2019), criado por Phoebe Waller-Bridge [SERIADO] Normal People (2020), criado por Sally Rooney, Alice Birch, Mark O'Rowe [LIVRO] Controle, da Natalia Borges Polesso [LIVRO] Os Tais Caquinhos, da Natercia Pontes Relacionados: [PODCAST] Feito por Elas #31 Sofia Coppola https://feitoporelas.com.br/feito-por-elas-31-sofia-coppola/ [PODCAST] Fleabag por Elas https://feitoporelas.com.br/tag/fleabag-por-elas/ [PODCAST] Feito por Elas #178 The Souvenir Part I & Part II https://feitoporelas.com.br/feito-por-elas-178-the-souvenir-part-i-part-ii/

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Vingean Agency, published by Abram Demski on August 24, 2022 on The AI Alignment Forum. I've been involved with several discussions about different notions of agency (and their importance/relationships) lately, especially with the PIBBSS group including myself, Daniel, Josiah, and Ramana; see here. There's one notion of agency (not necessarily "The" notion of agency, but a coherent and significant notion) which vanishes if you examine it too closely. Imagine that Alice is "smarter than Bob in every way" -- that is, Bob believes that Alice knows everything Bob knows, and possibly more. Bob doesn't necessarily agree with Alice's goals, but Bob expects Alice to pursue them effectively. In particular, Bob expects Alice's actions to be at least as effective as the best plan Bob can think of. Because Bob can't predict what Alice will do, the only way Bob can further constrain his expectations is to figure out what's good/bad for Alice's objectives. In some sense this seems like a best-case for Bob modeling Alice as an agent: Bob understands Alice purely by understanding her as a goal-seeking force. I'll call this Vingean agency, since Vinge talked about the difficulty of predicting agents who are smarter than you. and since this usage is consistent with other uses of the term "Vingean" in relation to decision theory. However Vingean agency might seem hard to reconcile with other notions of agency. We typically think of "modeling X as an agent" as involving attribution of beliefs to X, not just goals. Agents have probabilities and utilities. Bob has minimal use for attributing beliefs to Alice, because Bob doesn't think Alice is mistaken about anything -- the best he can do is to use his own beliefs as a proxy, and try to figure out what Alice will do based on that. When I say Vingean agency "disappears when we look at it too closely", I mean that if Bob becomes smarter than Alice (understands more about the world, or has a greater ability to calculate the consequences of his beliefs), Alice's Vingean agency will vanish. We can imagine a spectrum. At one extreme is an Alice who knows everything Bob knows and more, like we've been considering so far. At the other extreme is an Alice whose behavior is so simple that Bob can predict it completely. In between these two extremes are Alices who know some things that Bob doesn't know, while also lacking some information which Bob has. (Arguably, Eliezer's notion of optimization power is one formalization of Vingean agency, while Alex Flint's attraction-basin notion of optimization defines a notion of agency at the opposite extreme of the spectrum, where we know everything about the whole system and can predict its trajectories through time.) I think this spectrum may be important to keep in mind when modeling different notions of agency. Sometimes we analyze agents from a logically omniscient perspective. In representation theorems (such as Savage or Jeffrey-Bolker, or their lesser sibling, VNM) we tend to take on a perspective where we can predict all the decisions of an agent (including hypothetical decisions which the agent will never face in reality). From this omniscient perspective, we then seek to represent the agent's behavior by ascribing it beliefs and real-valued preferences (ie, probabilities and expected utilities). However, this omniscient perspective eliminates Vingean agency from the picture. Thus, we might lose contact with one of the important pieces of the "agent" phenomenon, which can only be understood from a more bounded perspective. On the other hand, if Bob knows Alice wants cheese, then as soon as Alice starts moving in a given direction, Bob might usefully conclude "Alice probably thinks cheese is in that direction". So modeling Alice as having beliefs is certainly not useless for Bob. Still, because Bob ...

The Bazaar goes down a rabbit hole tonight with a Wonderland inspired show.....and there's a wealth going on underground with Alices, Jabberwockies, Rabbits (White) Caterpillars, Walruses, Carpenters, a Christopher Lee, a dear dear Johnny, a Strummer (Joe), some cha cha cha and much more! Komme nie zu spätt. Sei pünktlich! Be seeing you PLAYLIST Let's Go - Pony The Routers  A Public Execution - Mouse and the Traps  Kommienezuspadt - Tom Waits  White Rabbit - The Great Society  In a Hole - The Jesus and Mary Chain  Holes - Mercury Rev  Underground - The Upsetters  Oily Way -  Gong  The Caterpillar - The Cure  You're A Good Man Albert Brown (Curse You Red Barrel) - The Dukes Of Stratosphear  Janie Jones - The Clash  Straight to Hell –- The Clash  Baby! You Oughta Think It Over - Bobby Womack  I Am The Walrus - The Beatles  If I Were a Carpenter - Bert Jansch  Banging in the Nails - The Tiger Lillies  Phantasmagoria in Two - Tim Buckley  Cat Black (The Wizard's Hat) - T. Rex  Lucifer Sam - Pink Floyd  Lewis Carroll: You Are Old, Father William - Christopher Lee  Tea For Two - Della Reese  I Went To A Marvellous Party - Noel Coward  No. 1 Party Anthem - Arctic Monkeys  Red Light - Siouxsie and the Banshees  Heads Will Roll -Yeah Yeah Yeahs  Heads Will Roll - Echo & the Bunnymen  Ivo - Cocteau Twins  25 O'Clock  - The Dukes Of Stratosphear  Alice -Tom Waits  

Urban Dictionary has been a vital source to decrypting modern slang for 20 years. With definitions for FOMO, Yeet and Recession Date, it's helped Lindsey and Sepideh understand the complexities of our generation's trauma - even providing its own unique brand of emotional damage (see: unique sex positions).  Chase these two Alices as they fall down this dirty, and sometimes disgusting, rabbit hole. Follow us: Instagram @twosaltybroads Twitter Two Salty Broads Podcast TikTok twosaltybroads Follow our One Salty Researcher for hints on upcoming episodes.

Episode 88 - FM Girl - Personal (Gabriel) Jesus Hello everyone and welcome to another episode of your weekly football manager podcast. On this episode, we chat to one of the most unique content creators in the FM Community, its a returning guest, the one and only, FM Girl. If you're not familiar with Alices work, then what have you been doing with your time? She is the creator of the wonderful 433 Football Manager web comic that is promoted on her Twitter and Reddit. In addition, Alice is an accomplished streamer and regular on the PVP circuit. We would love for you to follow FM Girl, her details are as follows: http://www.twitter.com/FM_Girl433 http://www.twitch.tv/FM_Girl433 Join our Discord community https://discord.gg/RuwVWsSfe6 Hosted By: Tony Jameson and Rich Owens Produced By: Tony Jameson Find Us On Twitch! twitch.tv/tonyjamesonfm twitch.tv/richowensfm Our Patreon patreon.com/FMTPod Follow us on Twitter twitter.com/FMTPod Search FMTPod on YouTube

Long time Milan Indians basketball Basketball Coach Randy Combs joins us to discuss.. his career in coaching, the 1981 Vincennes Lincoln State Championship, Coach Gunner Wyman, Wabash, Trans Am Pontiacs, and fishing! Look for another episode soon, we just barely touched the iceberg on his life and career in basketball! --- Send in a voice message: https://anchor.fm/ktna/message

Charlie and Michael return to the stomping grounds of The Gray Man of Pawley's Island to discuss the tragic romance of Alice Flagg and her lumberman beau--and other Alices Flagg who came after her! And don't forget to sign up for AC Monthly, our email newsletter with additional background information and sneak peaks of future episodes! Links! Arcane Carolinas in IndyWeek Follow us! AC Monthly Arcane Carolinas on Patreon Arcane Carolinas on Facebook Arcane Carolinas on Instagram Contact us! arcanecarolinas@gmail.com

I dagens lektion av I Coopers Klass gästas B.L. och Heidenhammer av gästföreläsaren John Carlsson (Eternal Autumn/Eternal Darkness/Korp/Plutonium). Trion lägger Alices andra soloplatta "Alice Cooper Goes to Hell" under lupp och studerar dess innehåll. Låt stå!

Chicago Healer, Alice Perez, and I zoomed it out this month and WELL, WELCOME TO A HEART WARMING AND HONEST CONVERSATION all to do with fear. She is a fellow entrepreneur dedicated to helping the world heal through various spiritual and grounding methods. Between her crystal intention bracelets, her Reiki sessions, and her sound bowl meditations- this human will ensure that you have a more connected journey during this life. Listen in on our conversation all about: her favorite vacation a moment of deep fear upon riding a horse the freedom that comes from conquering your fears where she built her community and how that allowed her to be the fullest version of herself the importance of community giving people a seat at the table imposter syndrome and how it ties to fear her tools to overcoming fear when it comes to her business acknowledging where fear has stopped us and moving past that F.E.A.R- and what this acronym means HOW she helped ME (Brenda) remember my truth when I was spiraling recently LOL Connect with her. Support her business. Allow her energy to help you in whatever way/shape/form it can help you! We love you and thank you Alice. @Alices.crystal.palace @alicebutwithacamera --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mindfulnesswbrenda/message Support this podcast: https://anchor.fm/mindfulnesswbrenda/support

This week Alices welcomes Steve Earle to discuss Martin Luther King Jr., patron saint of racemen, racewomen, reverends, and voters.