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2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
2 episodes with O Superman
/Summary本期节目是子孙满堂组合怀旧电台的最后一Part，这一期不仅有音乐，三代人还分别谈到了自己的梦想以及人生中的重要抉择，请告诉我们你们喜欢这个电台么？如果还想继续听到DjLilli的狂野切歌，或者对哪个年代、哪一类歌曲情有独钟，请在评论区告诉我们，也许我们会再次点亮你房间里的灯球：）/Timeline00:58 《Fields Of Gold》03:24 《O Superman》05:38 想当女演员的生物学博士09:31 人人都有梦13:10 现在好多了15:55 职业艺术学校18:43 《I Drink Wine》23:58 做选择只有自己有关27:24 善良第一31:31 反ai35:41 《Good Time》/Presented byFIREPOD燃烧学院：操盘《头号玩家》《自作主张》《歪打正着》等千万级头部节目，目前为止总交付超过2400期以上的节目，深受国内外顶级厂牌青睐，曾为爱马仕、香奈尔、普拉达、迪奥、卡地亚、开云集团、劳力士、欧莱雅、欧珑香水、始祖鸟、三叶草、华熙生物、松赞酒店、雷克萨斯、后浪、中信、北京同仁堂、欧倍青、MoveFree益节等品牌定制专属节目，并取得良好反响。欢迎和我们合作，这里是播客世界最低调且最强大的内容创作团队。/Staff主播 | 洪晃、罗叔、小杜制作 | 罗叔 文案 | 罗叔后期 | 莎莎技术 | 劲进/BGM List刘索拉/Contact新浪微博：@洪晃公众号：好生活杂货铺抖音：洪晃HungHuang小红书：洪晃
durée : 00:04:31 - par : Max Dozolme - A l'occasion de son concert donné à la Philharmonie de Paris ce dimanche, Laurie Anderson est à l'honneur dans Maxxi classique avec une plongée dans l'un de ses titres iconiques : la chanson "O Superman" qui, contre toute attente, s'inspire d'un air d'opéra ! Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Die Berliner Künstlerin Fee Aviv Dubois kann bereits einige erfolgreiche Theatermusikproduktionen vorweisen, und ihr Song "Ladybitch" war 2022 nicht nur Teil des Soundtracks des gleichnamigen Films, sondern gab diesem sogar seinen Titel. Ihre neue EP "Decay" vermag aber auch ganz ohne visuelle Unterstützung zu fesseln, um nicht zu sagen: das vielzitierte Kopfkino in Gang zu setzen. Und so ganz nebenbei beantwortet sie auch noch eine von Trent Reznor (Nine Inch Nails) vor vielen Jahren gestellte Frage. "What have I become?" hieß es 1994 im Song "Hurt", im Original von Nine Inch Nails und 2002 durch die eindringliche Version von Johnny Cash quasi in den Heiligenstand erhoben, also etwa: "Was ist nur aus mir geworden?" Diesen bitteren Moment des Bilanzziehens greift Fee Aviv nun in ihrem Stück "I Don't Feel" auf, indem sie kontert: Wieso geworden? "Ich war schon immer so." ("You’re asking what I’ve become – but I have always been this way."). Interessanterweise ist dieses Lied das vielleicht "heiterste" auf ihrer neuen EP "Decay", oder zumindest das gelassenste. Klar, wenn "Verfall" draufsteht, wäre es etwas naiv, rosarotgefärbte Sorglos-Pop-Songs zu erwarten. Leichte Kost ist dies also wirklich nicht, dafür umso lohnendere. Mal mit an Laurie Andersons Großtat "O Superman" erinnernden Stimmverfremdungen und Elektroklängen, mal mit fragilen Gitarren unterlegt; hier in Düsternis schwelgend, dort sich zornig aufbäumend, gelingt der Mittzwanzigerin ihr Vorhaben, "nicht nur ein Soundbild innerer Zerrissenheit, sondern auch eine Auseinandersetzung mit weiblichen Selbstbewusstsein" zu schaffen: "ein Stück zwischen Verletzlichkeit und Widerstand, das bleibt, wenn es verhallt."
Die Berliner Künstlerin Fee Aviv Dubois kann bereits einige erfolgreiche Theatermusikproduktionen vorweisen, und ihr Song "Ladybitch" war 2022 nicht nur Teil des Soundtracks des gleichnamigen Films, sondern gab diesem sogar seinen Titel. Ihre neue EP "Decay" vermag aber auch ganz ohne visuelle Unterstützung zu fesseln, um nicht zu sagen: das vielzitierte Kopfkino in Gang zu setzen. Und so ganz nebenbei beantwortet sie auch noch eine von Trent Reznor (Nine Inch Nails) vor vielen Jahren gestellte Frage. "What have I become?" hieß es 1994 im Song "Hurt", im Original von Nine Inch Nails und 2002 durch die eindringliche Version von Johnny Cash quasi in den Heiligenstand erhoben, also etwa: "Was ist nur aus mir geworden?" Diesen bitteren Moment des Bilanzziehens greift Fee Aviv nun in ihrem Stück "I Don't Feel" auf, indem sie kontert: Wieso geworden? "Ich war schon immer so." ("You’re asking what I’ve become – but I have always been this way."). Interessanterweise ist dieses Lied das vielleicht "heiterste" auf ihrer neuen EP "Decay", oder zumindest das gelassenste. Klar, wenn "Verfall" draufsteht, wäre es etwas naiv, rosarotgefärbte Sorglos-Pop-Songs zu erwarten. Leichte Kost ist dies also wirklich nicht, dafür umso lohnendere. Mal mit an Laurie Andersons Großtat "O Superman" erinnernden Stimmverfremdungen und Elektroklängen, mal mit fragilen Gitarren unterlegt; hier in Düsternis schwelgend, dort sich zornig aufbäumend, gelingt der Mittzwanzigerin ihr Vorhaben, "nicht nur ein Soundbild innerer Zerrissenheit, sondern auch eine Auseinandersetzung mit weiblichen Selbstbewusstsein" zu schaffen: "ein Stück zwischen Verletzlichkeit und Widerstand, das bleibt, wenn es verhallt."
Die Berliner Künstlerin Fee Aviv Dubois kann bereits einige erfolgreiche Theatermusikproduktionen vorweisen, und ihr Song "Ladybitch" war 2022 nicht nur Teil des Soundtracks des gleichnamigen Films, sondern gab diesem sogar seinen Titel. Ihre neue EP "Decay" vermag aber auch ganz ohne visuelle Unterstützung zu fesseln, um nicht zu sagen: das vielzitierte Kopfkino in Gang zu setzen. Und so ganz nebenbei beantwortet sie auch noch eine von Trent Reznor (Nine Inch Nails) vor vielen Jahren gestellte Frage. "What have I become?" hieß es 1994 im Song "Hurt", im Original von Nine Inch Nails und 2002 durch die eindringliche Version von Johnny Cash quasi in den Heiligenstand erhoben, also etwa: "Was ist nur aus mir geworden?" Diesen bitteren Moment des Bilanzziehens greift Fee Aviv nun in ihrem Stück "I Don't Feel" auf, indem sie kontert: Wieso geworden? "Ich war schon immer so." ("You’re asking what I’ve become – but I have always been this way."). Interessanterweise ist dieses Lied das vielleicht "heiterste" auf ihrer neuen EP "Decay", oder zumindest das gelassenste. Klar, wenn "Verfall" draufsteht, wäre es etwas naiv, rosarotgefärbte Sorglos-Pop-Songs zu erwarten. Leichte Kost ist dies also wirklich nicht, dafür umso lohnendere. Mal mit an Laurie Andersons Großtat "O Superman" erinnernden Stimmverfremdungen und Elektroklängen, mal mit fragilen Gitarren unterlegt; hier in Düsternis schwelgend, dort sich zornig aufbäumend, gelingt der Mittzwanzigerin ihr Vorhaben, "nicht nur ein Soundbild innerer Zerrissenheit, sondern auch eine Auseinandersetzung mit weiblichen Selbstbewusstsein" zu schaffen: "ein Stück zwischen Verletzlichkeit und Widerstand, das bleibt, wenn es verhallt."
Die Berliner Künstlerin Fee Aviv Dubois kann bereits einige erfolgreiche Theatermusikproduktionen vorweisen, und ihr Song "Ladybitch" war 2022 nicht nur Teil des Soundtracks des gleichnamigen Films, sondern gab diesem sogar seinen Titel. Ihre neue EP "Decay" vermag aber auch ganz ohne visuelle Unterstützung zu fesseln, um nicht zu sagen: das vielzitierte Kopfkino in Gang zu setzen. Und so ganz nebenbei beantwortet sie auch noch eine von Trent Reznor (Nine Inch Nails) vor vielen Jahren gestellte Frage. "What have I become?" hieß es 1994 im Song "Hurt", im Original von Nine Inch Nails und 2002 durch die eindringliche Version von Johnny Cash quasi in den Heiligenstand erhoben, also etwa: "Was ist nur aus mir geworden?" Diesen bitteren Moment des Bilanzziehens greift Fee Aviv nun in ihrem Stück "I Don't Feel" auf, indem sie kontert: Wieso geworden? "Ich war schon immer so." ("You’re asking what I’ve become – but I have always been this way."). Interessanterweise ist dieses Lied das vielleicht "heiterste" auf ihrer neuen EP "Decay", oder zumindest das gelassenste. Klar, wenn "Verfall" draufsteht, wäre es etwas naiv, rosarotgefärbte Sorglos-Pop-Songs zu erwarten. Leichte Kost ist dies also wirklich nicht, dafür umso lohnendere. Mal mit an Laurie Andersons Großtat "O Superman" erinnernden Stimmverfremdungen und Elektroklängen, mal mit fragilen Gitarren unterlegt; hier in Düsternis schwelgend, dort sich zornig aufbäumend, gelingt der Mittzwanzigerin ihr Vorhaben, "nicht nur ein Soundbild innerer Zerrissenheit, sondern auch eine Auseinandersetzung mit weiblichen Selbstbewusstsein" zu schaffen: "ein Stück zwischen Verletzlichkeit und Widerstand, das bleibt, wenn es verhallt."
Boarding this week's giddy carousel of news, we ride the following ponies … … the Sliding Doors moment that made a ‘50s star a fortune … Soft Cell's Dave Ball and the art of being the Other One in a pop duo … Bohemian Rhapsody, O Superman, I Feel Fine: records that sounded like nothing before them … what links the Prodigy, Wet Leg, Daft Punk and Donna Summer? … how all bands need a bad patch to make you appreciate the good ones … “the concept album is a good servant but a bad master” … Expensive = Reassuringly valuable? Cheap = Worthless? … a new Taylor Swift album in ‘sweat and vanilla-perfumed orange glitter vinyl', anyone? … and the tricks singers use to disguise the fact that they can't hit the top notes anymore. … plus ‘the Siege and Investiture of Baron von Frankenstein's Castle at Weisseria' by Blue Öyster Cult and birthday guest Phil Hopwood on best and worst concept albums.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Boarding this week's giddy carousel of news, we ride the following ponies … … the Sliding Doors moment that made a ‘50s star a fortune … Soft Cell's Dave Ball and the art of being the Other One in a pop duo … Bohemian Rhapsody, O Superman, I Feel Fine: records that sounded like nothing before them … what links the Prodigy, Wet Leg, Daft Punk and Donna Summer? … how all bands need a bad patch to make you appreciate the good ones … “the concept album is a good servant but a bad master” … Expensive = Reassuringly valuable? Cheap = Worthless? … a new Taylor Swift album in ‘sweat and vanilla-perfumed orange glitter vinyl', anyone? … and the tricks singers use to disguise the fact that they can't hit the top notes anymore. … plus ‘the Siege and Investiture of Baron von Frankenstein's Castle at Weisseria' by Blue Öyster Cult and birthday guest Phil Hopwood on best and worst concept albums.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Boarding this week's giddy carousel of news, we ride the following ponies … … the Sliding Doors moment that made a ‘50s star a fortune … Soft Cell's Dave Ball and the art of being the Other One in a pop duo … Bohemian Rhapsody, O Superman, I Feel Fine: records that sounded like nothing before them … what links the Prodigy, Wet Leg, Daft Punk and Donna Summer? … how all bands need a bad patch to make you appreciate the good ones … “the concept album is a good servant but a bad master” … Expensive = Reassuringly valuable? Cheap = Worthless? … a new Taylor Swift album in ‘sweat and vanilla-perfumed orange glitter vinyl', anyone? … and the tricks singers use to disguise the fact that they can't hit the top notes anymore. … plus ‘the Siege and Investiture of Baron von Frankenstein's Castle at Weisseria' by Blue Öyster Cult and birthday guest Phil Hopwood on best and worst concept albums.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
No episódio de hoje comentamos sobre o novo filme do Superman. Falamos sobre os pontos positivos, o desenvolvimento de personagens e universo e é claro, do que não gostamos do filme. Bora conferir.No momento estamos passando por hiatos devido ao mestrado dos integrantes do podcast. Assim que possível gravamos e postamos para vocês. Não deixem de acompanhar!
Laurie Anderson joins us live from NYC's Poster House Museum in conversation with Dr. Zia Mian (Princeton physicist & nuclear policy expert). We explore her iconic 1982 hit “O Superman” and its album Big Science—how it anticipated many of the tensions of the nuclear age and still resonates powerfully in today's disarmament debates. Together, they challenge the logic of deterrence, unpack how nuclear weapons work, and consider how networks—rather than traditional institutions—might better enact change. Also: the rifts within scientific communities, the role of “Big Science,” and more. Bonus content features producer and radio host Elia Einhorn joining to premiere Kronos Quartet's Nobel Prize Committee commissioned rendition of “A Hard Rain's Gonna Fall” featuring Laurie, Willie Nelson and a host of others.
The latest episode of Get Physical Radio comes from Kashovski, who steps into the spotlight following the release of his powerful remix of Roland Clark's anthem ‘I Get Deep'.In this set, the Paris-based artist blends his own recent work—including ‘Bad Man' and ‘Baby' (with Abel Ray)—with a selection of modern classics and deep grooves from the Get Physical catalogue. From the hypnotic tones of Birds of Mind's ‘Just Let Go' and the timeless ‘O Superman' by M.A.N.D.Y. & Booka Shade (SIS Remix), to the driving rhythms of George Morel, Blond:ish, and Cioz, Kashovski builds a journey that feels both familiar and fresh.Balancing his unmistakable sound with the label's legacy, Kashovski delivers a mix full of groove, atmosphere, and club-ready energy.Tracklist:1. Birds of Mind – Just Let Go (feat. Zemira Israel)2. M.A.N.D.Y. & Booka Shade – O Superman (feat. Laurie Anderson) (SIS Remix)3. Yulia Niko – So In Love With You4. George Morel – Let's Groove (Monkey Safari Remix)5. Blond:ish – Eeeyaaa6. Kiko & Dave Davis – Living in Space (feat. Phoebe)7. Roland Clark – I Get Deep (Kashovski Remix)8. Hauswerks & Doorly – Ayahuasca9. Baron & Mel Bundo – Spacer10. Kashovski – Bad Man11. Kashovski & Abel Ray – Baby12. Cioz – Lucky Shot Hosted on Acast. See acast.com/privacy for more information.
O Superman retorna às telonas em uma nova fase da DC no cinema! Neste episódio, compartilhamos nossas impressões sobre o novo filme do Homem de Aço, que chega agora ao lançamento digital, mas ainda pode ser visto em algumas salas de cinema.Falamos sobre o que funcionou, os pontos que dividiram opiniões e como essa nova visão do herói pode redefinir o futuro da DC. E claro, não deixamos de dar uma palinha rápida sobre o novo Quarteto Fantástico, que surge como concorrente direto neste momento tão movimentado para os fãs de super-heróis.Uma conversa cheia de nostalgia, comparações e expectativas para o futuro do Superman no cinema.
O Superman é mais que um herói — é um símbolo em crise num mundo cada vez mais fragmentado. Filho de dois mundos, ele encarna o ideal do bem absoluto em tempos de verdades relativas.Em meio a guerras culturais, disputas ideológicas e desconfiança das instituições, seu poder já não basta: ele precisa justificar sua existência. O “Homem de Aço” carrega agora o peso de ser esperança e ameaça ao mesmo tempo. Ser herói, no século XXI, talvez exija mais humanidade do que força. E para falar sobre o Homem de Aço em nova roupagem, o Papo no Auge! com um super professor e super amigo: Thiago Modenesi, bacharel em direito, licenciado em história e pedagogo, especialista em ensino de história, ciência política, gestão da aprendizagem e moderna educação, mestre e doutor em educação, com pós-doutorado na área, além de editor na Quadriculando. Ouça o episódio 226 do Papo no Auge!Se gosta do nosso trabalho, associe-se ao nosso podcast.Ao se tornar um patrocinador de nosso programa, você nos habilita a conversar com mais professores e pesquisadores mundo afora, levando conhecimento a mais gente.Nos apoie via plataforma Catarse de financiamento coletivo e pelo Mercado Pago.Link para o Catarse: https://www.catarse.me/vamosproaugeLinks para o Mercado Pago:Assinatura de R$ 5,00Assinatura de R$ 10,00Assinatura de R$ 30,00Assinatura de R$ 50,00Assinatura de R$ 100,00
O comentário de Paulo Portas, todas as semanas, no Jornal Nacional da TVISee omnystudio.com/listener for privacy information.
Laurie Anderson is an artist and performer who came to fame in the UK with her 1981 hit O Superman. Her work spans music, film and multimedia projects which interrogate our relationship with technology and tell stories about the world we live in.She was born in Chicago in 1947, the second-oldest of eight children, and started learning the violin when she was five. She studied Art History at Barnard College in New York and took a Masters in Sculpture at Columbia University.In the 1970s she was part of the downtown New York art scene and her friends and contemporaries included Philip Glass, Gordon Matta-Clark and the choreographer and dancer Trisha Brown. One of Laurie's first performance art pieces featured a symphony played by car horns.In 1992 she met Lou Reed, the singer and songwriter who fronted the Velvet Underground. They were together for 21 years until his death in 2013. Laurie is the head of Lou's archive which is at the New York Public Library for the Performing Arts and open to anyone who wants to learn more about his musical adventures.In 2024 Laurie was awarded a Lifetime Achievement award at the Grammys and a Stephen Hawking Medal for Science Communication. DISC ONE: Pony Time - Chubby Checker DISC TWO: Gracias a la vida - Violetta Parra DISC THREE: Tusen Tankar - Triakel DISC FOUR: Part 1 - Philip Glass Ensemble, conducted by Michael Riesman DISC FIVE: Flibberty Jib - Ken Nordine with the Fred Katz Group DISC SIX: Doin' the Things That We Want To - Lou Reed DISC SEVEN: Washington, D.C - The Magnetic Fields DISC EIGHT: Is Chicago, Is Not Chicago – Soul Coughing BOOK CHOICE: Speak, Memory by Vladimir Nabokov LUXURY ITEM: A dog collar CASTAWAY'S FAVOURITE: Gracias a la vida - Violetta Parra Presenter Lauren Laverne Producer Paula McGinley
What a great way to start off the new year! Jumping right in with this excellent mix from friend of the show, Andy McNeill. Andy records as Maple Mountain Sunburst and he released a wonderful album last year - https://maplemountainsunburst.bandcamp.com/album/ecstatic He also did a guest mix for us last year which you can find here - Mixcloud & Low Light Mixes Blog. My favorite discovery in this mix is the third track, "My Dog's Eyes" by Zammuto. I am blown away each time I hear it. One of my favorite track of 2024 is also included in the mix - Andy's own "Pop-a-matic." So good! The rest of the mix a great as well. Here's what Andy says about his latest creation: "Cycles, patterns and joy in repetition. I'll paraphrase redditer Waves_of_awesome who said strongly repetitive music has the ability to transport the listener to a meditative state. “… repeating passages echo like a mantra, almost hypnotizing you”. It's a fundamental yet unpremeditated element in my musical endeavours. A lot of different genres represented here — not really intentionally, I just wanted to include some favourites and influential tracks. But wait where's O Superman? It's Gonna Rain? I guess we'll have to do a part two. I hope you all enjoy the journey." - Andy >>>Links to all the music used in this mix
La repetición está presente desde las ceremonias tribales hasta los viejos salones; se practicaba en la Edad Media y es básica, en forma de loop, en la música electrónica. La repetición hace que los sonidos nos parezcan más familiares: nos vuelve participantes activos._____Has escuchado“24 Loops”. YouTube Vídeo. Publicado por Pierre Jodlowski, 25 de noviembre de 2013 [Pieza para cuatro percusiones y loops]: https://www.youtube.com/watch?v=Xz1fPotRK_8“C. P. E. Bach Clavier-Sonate mit veränderten Reprisen, Allegro”. YouTube Vídeo. Publicado por Yvonne Ritter, 13 de abril de 2020: https://www.youtube.com/watch?v=U79uInZEZOoIt's Gonna Rain (1965) / Steve Reich. Columbia Masterworks (1968)O Superman (1982) / Laurie Anderson. Warner Bros (1982)_____Selección bibliográficaARBO, Alessandro, Perspectives de l'esthétique musicale: entre théorie et histoire. L'Harmattan, 2007*CORNÚ, Adriana, “La repetición en música: un intento de superar las limitaciones de la teoría tradicional”. Revista del Instituto Superior de Música de la Universidad Nacional de Litoral, n.º 6 (1999), pp. 37-55DENNIS, Brian, “Repetitive and Systemic Music”. The Musical Times, vol. 115, n.º 1582 (1974), pp. 1036-1038*DOFFMAN, Mark, Emily Payne y Toby Young (eds.), The Oxford Handbook of Time and Music. Oxford University Press, 2022*FINK, Robert, Repeating Ourselves: American Minimal Music as Cultural Practice. University of California Press, 2005MARGULIS, Elizabeth Hellmuth,“Silences in Music Are Musical Not Silent: An Exploratory Study of Context Effects on the Experience of Musical Pauses”. Music Perception: An Interdisciplinary Journal, vol. 24, n.º 5 (2007), pp. 485-506*—, On Repeat: How Music Plays the Mind. Oxford University Press, 2014—, “Repetition”. En: The Oxford Handbook of Critical Concepts in Music Theory. Editado por Alexander Rehding y Steven Rings. Oxford University Press, 2019*METZER, David, “Modern Silence”. The Journal of Musicology, vol. 23, n.º 3 (2006), pp. 331-374*MIDDLETON, Richard, “‘Play It Again Sam': Some Notes on the Productivity of Repetition in Popular Music”. Popular Music, vol. 3 (1983), pp. 235-270*NACENTA, Lluís, A la escucha de la repetición musical. Tesis doctoral, Universitat Pompeu Fabra, 2014O'BRIEN, Kerry y William Robin. On Minimalism: Documenting a Musical Movement. University of California Press, 2023*PHILIP, Robert, Performing Music in the Age of Recording. Yale University Press, 2004*PHILLIPS, Michele y Matthew Sergeant (eds.), Music and Time: Psychology, Philosophy, Practice. Boydell Press, 2022RAHN, John, “Repetition”. Contemporary Music Review, vol. 7 (1993), pp. 49-57SULLIVAN, Tim, “Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano”. En: Analytical essays on music by women composers: concert music, 1900-1960. Editado por Laurel Parsons. Duke University Press, 2022*WARBURTON, Dan, “A Working Terminology for Minimal Music”. Intégral, vol. 2 (1988), pp. 135-159* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
This month's Get Physical radio show features a mix from renowned German artist and DJ Tom Breu. Tom's musical journey has seen him traversing the globe, settling in Ibiza at 19 and now calling Los Angeles home. He has been a constant presence on the global music scene playing the world's most iconic clubs and festivals and releasing music on crucial labels. This month, he joined the Get Physical family for the latest single ‘Murungu' alongside Peruvian-American artist Sintra. The mix for the show features this super Afro-House melodic fusion, along with a host of other recent gems from the world of Get Physical and Friends. We have tracks from Climbers, Cioz, Chelonis R. Jones and Djuma Soundsystem amongst others as Tom Breu takes us through a highly melodic and dance floor focused selection. The mix closes with a remastered Get Physical Classic as co-founders M.A.N.D.Y and Booka Shade work with Laurie Anderson on the excellent ‘O Superman'. Enjoy!Tracklist:01 Climbers - Equal Responsibility02 Valer den Bit - Kiss 03 Cioz feat. Eleonora - Dancing in the Night (Lucky Shot Extended Mix) 04 Chelonis R. Jones - I Don't Know05 West & Hill, Soulroots, Soul Star - The World Goes Round06 Djuma Soundsystem & Westerby - Koma Kombache07 Tom Breu, Sintra - Murungu 08 Boogie Vice & Deep Aztec - Promises (N-You-Up Dub Extended Mix)09 Minoas Cirillo & Timothée ToussainT - Love Yourself Accept Yourself10 M.A.N.D.Y. vs Booka Shade, Laurie Anderson - O Superman (Remaster) Hosted on Acast. See acast.com/privacy for more information.
Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: The Best of What's Around by Dave Matthews Band (1994)Song 1: L-O-V-E by Nat "King" Cole (1965)Song 2: Join the Gang by David Bowie (1967)Song 3: Man (Opposable Thumb) by The Presidents of the United States of America (1997)Song 4: The Girl in the Yellow Dress by David Gilmour (2015)Song 5: Nice to You by Vulfmon (2023)Song 6: This Year's Love by David Gray (1998)Song 7: O Superman by Laurie Anderson (1981)Song 8: Just As I Am by David Phelps (2004)Song 9: Party Hard by Andrew W.K. (2001)Song 10: Rusty Old American Dream by David Wilcox (1989)
datum: 4 juli 2024 gast: Johan Petit Vlak voor hij gaat optreden in The Joker op reis in Mortsel spreken we Johan in zijn eigen werkruimte over zijn nieuwe voorstelling: O Superman, over grappige voorvallen tijdens optredens en over poëzie.
Laurie Anderson, the Grammy award-winning artist and musician whose career has spanned five decades, discusses her latest work. a song cycle based on the final flight of the aviation pioneer Amelia Earheart. And we hear her reflections on the unexpected chart success of of O Superman back in in 1981.While most of the incoming cabinet are already familiar with their briefs ministers, Lisa Nandy has just been appointed Culture Secretary having not shadowed the role. Lara Carmona of the industry body, Creative UK and Liam Kelly, senior culture writer at the Telegraph discuss some of issues that will be at the top of her in tray from the Arts Council to tax breaks and prioritising arts education.The Oldham Coliseum has been resurrected. After last year's decision to close the building, actor Julie Hesmondhalgh led the campaign to re-open the 128 year old theatre. She's joined by the Council Leader Arooj Shah to discuss the work involved in bringing the Oldham Coliseum back to life .Adelaide Hall sang with Duke Ellington, was a contemporary of Count Basie and Louis Armstrong, a jazz and scat pioneer who broadened out into popular tunes, entertained the troops for ENSA in the second world war and sang on the BBC, living in London for more than half her life. As she is remembered with an English Heritage blue plaque, we talk to her biographer and friend Stephen Bourne.Presenter: Tom Sutcliffe Producer: Ruth Watts
A MELHOR ANIMAÇÃO da DC em 5 Anos está de volta com a aguardada segunda temporada. Será que mantém o charme adorável da primeira leva de episódios? Nos Acompanhe em Nossas Mídias: TWITTER CASTBOX --- Send in a voice message: https://podcasters.spotify.com/pod/show/dreamisland/message
Olá, ouvintes! Nesta edição do Zoneando Podcast Thiago Almeida e Marcelo Delgado encaram a primeira temporada de Minhas Aventuras com o Superman! Ouça o programa e saiba como ainda é possível fazer algo com um personagem tão clássico. Veja como combinar muito bem elementos de anime em animações mais tradicionais. Entenda como é possível contruir uma boa história do Homem de Aço sem se apoiar nos vilões mais conhecidos. E fique empolgado com o futuro do Azulão nesse novo DC Studios. CAMPANHA COZINHAS SOLIDÁRIAS DO MTST PARA O RIO GRANDE DO SUL! Link do Apoia-se: https://apoia.se/enchentesrs Pix: enchentes@apoia.se
The artist, musician and filmmaker Laurie Anderson has been prolific for decades. With a career that's been called uncategorizable, she's worked in performance art, music, film, sculpture and painting. You might recognize her voice best in its computerized form from the 1981 song “O Superman.” Now, Laurie is being awarded an honourary degree by the Nova Scotia College of Art and Design in Halifax. She joins Tom Power for a conversation about her long career, what she sees in the next generation of artists, and her surprising thoughts on AI.
Welcome to Episode 44 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we wrestle with the 2nd album from Yard Act titled 'Where's My Utopia?'. This month we're in the capable hands of Guy who has been a Yard Act fan for some time, choosing their debut album as his Album of the Year in 2022. 66.6% of the team agree with him but 33.3% of the team has found the album more of a struggle.Part 1 | Yard Act | Where's My Utopia?Yard act are an interesting proposition, they are perhaps the most knowingly Northern band since Oasis. They seem to be everywhere and it's tough to find someone who doesn't like them. They are very clearly 'Post Punk' but their definition of what this means has changed somewhat with this album. We ask the standard quesiton, what did you expect and what did you get plus questions about Listen to the album here.Watch some videos here.Buy some stuff here.Buy some tickets to see them live here.Read some stuff here and listen to some pods here and here.Part 2 | Spin It or Bin It | 'Spoken Word'Given the AOTM is Yard Act, we chose to look at our favourite Spoken Word tracks. And 3 of us actually chose a Spoken Word track ... one of us chose something else but let's leave that and let us know if you agree with me that it was not Spoken Word. Our chosen 4 tracks can be found on a play list here. In order to chose a track we each shortlist 4 tracks each, a combined 16 track playlist can be found here.Nolan chose - 'SpottieOttieDopalicious' by Outkast.Guy chose -''The Revolution will not be Televised' by Gil Scott Heron.Joey chose - 'Loosing My Edge' by LCD SoundsystemDavid chose - 'O Superman' by Laurie AndersonSee you on Episode 44! We've been writing the blog for years come and have a look - https://thisisnothappening.net/
Writer/director Jeff Greenstein (Will and Grace, Desperate Housewives, Friends) joins us again this week to unpack an album - and artist - that continues to get him spectacularly high: 'Big Science' by avant-garde titan Laurie Anderson. This weirdly wonderful, surprisingly catchy selection of musical highlights from her eight-hour production United States Live was ahead of its time in 1982, and STILL resonates today. Welcome to the future! Songs discussed in this episode: O Superman - Ilmiliekki Quartet; Mr Blue Sky - Electric Light Orchestra; What Time Is It - Ken Nordine; Title Music from A Clockwork Orange - Wendy Carlos; 3 Dances - John Cage; From The Air, Big Science - Laurie Anderson; This Must Be The Place (Naive Melody) - Talking Heads; Sweaters - Laurie Anderson; America Is Waiting - Brian Eno and David Byrne; Walking & Falling, Born, Never Asked - Laurie Anderson; Four Organs - Steve Reich; O Superman - Booka Shade; O Superman, Ethics Is The Esthetics Of The Few-Ture - Laurie Anderson; O Superman (Live 1997) - David Bowie and Gail Ann Dorsey; Example #22, Let X=X, It Tango, Walk The Dog, 1983... (A Merman I Should Turn to Be) *Jimi Hendrix cover - Laurie Anderson
Laurie Anderson is bucket list. The artist, violinist, and poet has been exploring the world in her unique way for decades. She caught our breath releasing O Superman, and has continued to bring play, humour, and curiosity into all she does.Laurie was also the yin to Lou Reed's yang, as a life and creative partner; putting on concerts for dogs, and most recently feeding her and his writing into a supercomputer to see what AI would spit out, in their voice.That was the catalyst for me asking Laurie to Take 5; and her work in AI as an artist over the past few years explores all the questions we're having today about machine learning. Settle in, this is such a poetic conversation, full of great wisdom and plenty of laughs as well. I loved speaking with Laurie about music, and loved how much she embraced the theme I gave her, of duality. From Marianne Faithfull to Maggie Rogers, this is an extraordinary conversation with an all time great.Marianne Faithful – Falling in Love Again Ornette Coleman – Lonely WomanLou Reed – Magic And Loss (The Summation)Bob Dylan – Don't Think Twice, It's AlrightMaggie Rogers – AlaskaKate Crawford's atlas of sound.
The hosts of the Nialler9 Podcast (Niall Byrne and Andrea Cleary) in conjunction with The Big Romance present the Listen Closely series of listening parties, a night featuring a focus album from an artist we love on the last Wednesday of the month.To accompany the monthly listening party on Wednesday February 28th – 7.30pm @ The Big Romance, we present a Nialler9 Podcast episode all about this month's chosen album....This month: Laurie Anderson – Big Science (1982)“This is the time/and this is the record of the time.”An album that was ahead of its time upon release, Big Science draws from Anderson's multi-media performance art piece United States I-IV, and presents an experimental avant-garde electronics , art-rock and spoken word prophetic dissection of 80s America that spawned a surprising pop hit with the towering O Superman.Andrea takes the lead on why this album is noteworthy and important.Listen Closely is a chance for the music heads, to appreciate a modern classic album on the Big Romance's warm Toby Hatchett soundsystem with a chat about the record on the night. More info.Big special extra thanks to Georgia Hallion for editing the podcast.* Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord communityListen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS FeedShow notesSongs played on the Nialler9 Podcast Spotify Playlist Laurie Anderson plays music for dogs Marcello Giordani - O Superman (Disco Spacer Mix) Hosted on Acast. See acast.com/privacy for more information.
¿Recuerdas “SOMBRAS TENEBROSAS” y BARNABAS COLLINS, “DR. KILDERE”, “INCEPTION” (LEONARDO DI CAPRIO), “PERRY MASON”,…? ¿Bailaste “LA PITITA” (SONORA MATANCERA), “FUNKYUTOWN”, “BIKINI AMARILLO”, “YOU SHOULD BE DANCING”, “NO ME AMES”, “BAD GIRLS”,…? ¿Cantaste “POR ESTAS CALLES”, “MICHELLE”, “CUANDO CALIENTA EL SOL”, “OJALA QUE LLUEVA CAFÉ”, “NUNCA SABRE”, “LONELY BOY”,…? ¿Leista “TRINITY” (LEON URIS), “BARCO DE TONTOS” (KATHERINE ANN PORTER), O “SUPERMAN”,…? --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support
UMA DAS MELHORES ANIMAÇÕES DE HERÓIS Chegou ao catálogo da HBO MAX com a difícil promessa de reintroduzir o público, a verdadeira e adorável essência do Superman. Felizmente, eles conseguiram. Nos Acompanhe em Nossas Mídias: TWITTER CASTBOX KOO --- Send in a voice message: https://podcasters.spotify.com/pod/show/dreamisland/message
Nesse Papo Quadrinheiro conversamos com o professor e pesquisador Ruben Marcelino sobre uma das mais icônicas fases do Homem de Aço nas mãos de John Byrne. Seria esse Superman um yuppie conservador redpillado? Descubra nesse episódio. Participação: @quadrinheiros Edição: @MarcusSarto Produção: Mythical Lab Artist: Neon by KV https://youtube.com/c/KVmusicprod Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/3WJAIrR Music promoted by Audio Library https://youtu.be/Jo1KD2VxsHg / Sinking by Neutrin05 https://soundcloud.com/neutrin05 Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/3NiPl28 Music promoted by Audio Library https://youtu.be/twBXLPd26EY / Skysurf by Pold https://soundcloud.com/pold-music Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Free Download / Stream: https://bit.ly/3qiqwKX Music promoted by Audio Library https://youtu.be/I8N4sN2kYYg
Legendariska artisten Laurie Anderson ställer ut farfars falska fotografier i Stockholm. Laurie Anderson inledde sin konstnärsbana i New York på 1970-talet, och fick en oväntad megahit med låten O Superman 1980. Sedan dess har det blivit sju studioalbum, otaliga performanceföreställningar, böcker, utställningar och en del tekniska uppfinningar. Själv ser hon sig först och främst som berättare, och det som håller samman hennes enorma och gränsöverskridande produktion är framförallt berättarstilen - och rösten. P1 Kultur träffade Laurie Anderson inför hennes utställning "Looking into a mirror sideways" på Moderna museet i Stockholm.
Synopsis On today's date in 1885, the Paris Opera gave the first performance of “Le Cid,” the 11th opera written by the French composer Jules Massenet. “Le Cid” is set in medieval Spain and tells the story of Rodrigo Diaz de Vivar, a legendary hero who defended his country against the Moors. The same story inspired a 1961 movie titled “El Cid,” starring—who else?—Charlton Heston. But back in 1890, the New Orleans Opera introduced Massenet's opera to American audiences and reached New York City in 1897, serving as a vocal showcase for turn-of-the-century superstars of the early Metropolitan Opera. Enrico Caruso made a famous recording of the opera's most famous excerpt—Rodrigo's Act III aria, “O souverain, o juge, o pere,” which translates as “Oh Lord, Oh Judge, Oh Father.” Unlikely as it may seem, this aria inspired a pop hit in 1981, when composer and performance artist Laurie Anderson translated its opening line as “O Superman, O Judge, O Mom and Dad.” As a credit to the French composer, Laurie Anderson‘s “O Superman” is even subtitled For Massenet. Trained as a classical violinist with the Chicago Youth Symphony, Laurie Anderson soon shifted to a variety of electronically-altered fiddles, and one of her albums is titled, appropriately, Life on a String. Music Played in Today's Program Jules Massenet (1842-1912) O souverain, o juge, o pere, from Le Cid Ben Heppner, tenor; Munich Radio Orchestra; Roberto Abbado, conductor. RCA/BMG 62504
"Le Classico" de Sébastien Ministru : "Les Souffrances du jeune Werther" de Goethe. « Werther. Je me souviens de l'avoir lu et relu dans ma première jeunesse pendant l'hiver, dans les âpres montagnes de mon pays, et les impressions que ces lectures ont faites sur moi ne se sont jamais ni effacées ni refroidies. La mélancolie des grandes passions s'est inoculée en moi par ce livre. J'ai touché avec lui au fond de l'abîme humain… Il faut avoir dix âmes pour s'emparer ainsi de celle de tout un siècle. » À ces lignes de Lamartine pourraient s'ajouter d'autres témoignages : très tôt, le livre entre dans la légende, jusqu'au suicide, dit-on, de certains de ses lecteurs. Si à sa parution, en 1774, il établit d'un coup la réputation du jeune Goethe encore presque inconnu, s'il est rapidement traduit en français, c'est sans doute parce que, dans ce roman par lettres dont la forme est depuis longtemps familière au lecteur, la voix même du personnage fait retentir l'intransigeance de la passion, mais c'est surtout que Werther, le premier héros romantique, exprime de manière éclatante la sensibilité aussi bien que le malaise de son temps où l'individu se heurte à la société. Icône de l'avant-garde new-yorkaise des années 70, compositrice d'albums hors-norme et d'au moins un tube planétaire (O Superman), performeuse et plasticienne expérimentale, réalisatrice, inventrice et on en passe : Laurie Anderson débarque à Bozar dans le cadre du festival Ars Musica, pour un feu d'artifice multidisciplinaire. Au programme son installation VR "To the Moon", imaginée avec l'aide de l'expert Hsin-Chien Huang et à voir jusqu'au 8 janvier, la projection de ses deux films Home of the Brave et Heart of a Dog, et deux concerts événements : l'un avec le Brussels Philharmonic pour une création mondiale, All the Animals, l'autre en duo avec le violoncelliste Rubin Kodheli… Ou plutôt en trio, puisque l'Intelligence Artificielle (IA) sera de la partie... Une interview signée Éric Russon ! "Inspiré de faits réels" de Franck Istasse : "Philiadelphia Experiment", film américain de science-fiction réalisé par Stewart Raffill en 1984 et qui s'inspire d'une expérience que les États-Unis auraient réalisée pour rendre leurs navires de guerre invisibles...
Icône de l'avant-garde new-yorkaise des années 70, compositrice d'albums hors-norme et d'au moins un tube planétaire (O Superman), performeuse et plasticienne expérimentale, réalisatrice, inventrice et on en passe : Laurie Anderson débarque à Bozar dans le cadre du festival Ars Musica, pour un feu d'artifice multidisciplinaire. Au programme son installation VR "To the Moon", imaginée avec l'aide de l'expert Hsin-Chien Huang et à voir jusqu'au 8 janvier, la projection de ses deux films Home of the Brave et Heart of a Dog, et deux concerts événements : l'un avec le Brussels Philharmonic pour une création mondiale, All the Animals, l'autre en duo avec le violoncelliste Rubin Kodheli… Ou plutôt en trio, puisque l'Intelligence Artificielle (IA) sera de la partie... Une interview signée Éric Russon !
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Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, focusing particularly on language, technology, and visual imagery. She became more widely known outside the art world when her single "O Superman" reached number two on the UK singles chart in 1981. Her debut album Big Science was released the following year. She also starred in and directed the 1986 concert film Home of the Brave.Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she collaborated with Interval Research to develop an instrument she called a "talking stick," a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds.Support the show
"Hello? This is your mother, are you there? Are you coming home?" Welcome to a discussion of avant-pop artist Laurie Anderson's 1981 7" single "O Superman" b/w "Walk The Dog." Released by 1-10 Records, the record signaled the arrival of a fascinating, one of a kind sound creator. For this episode, your regular hosts Marc and John are joined by Alex Reed, author of Laurie Anderson's Big Science. From her layered vocal abstractions to the dog noises on the B-side, no one sounds like Laurie and this extra-sized talk dives into the ins-and-out of its mystifying creation. About The Spindle: The 7-inch record isn't just a format—it's an art form. On each episode of The Spindle podcast, music writer Marc Masters (Pitchfork, The Wire, Bandcamp) and music historian (and music maker) John Howard dive into a great 7-inch, dissecting its background, impact, and the reasons why it stands out as a small plastic piece of music history. What's your favorite 7″? Call us at 1-877-WASTOIDS and weigh in!
Bem vindos ao novo quadro do Paçoca Cast (10 coisas que você precisa saber) vamos te contar de maneira rápida e divertida 10 curiosidades sobre o mundo geek e nerd.
“Você disse que dessa vez seria diferente, mas continua fazendo as mesmas merdas.” No podcast de hoje, vamos conhecer mais sobre essa série original que estreou na Amazon Prime Video e virou febre no mundo todo, contando uma história de vingança entre superpoderosos e pessoas comuns e recheadas de ódio! Consagrados, peguem suas HQs, a pipoca, não fiquem no meio fio da calçada e simbora embarcar nessa nova aventura! Sim meus queridos, hoje é dia de “O Superman na vida real seria assim! – The Boys”, aqui no All-in Cast! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/all-incast/message Support this podcast: https://anchor.fm/all-incast/support
This week, Shane Harris talks with pioneering multi-media artist Laurie Anderson. A retrospective of her work, called “The Weather,” is currently showing at the Hirshhorn Museum in Washington, DC. Several of Anderson's works explore themes of security, terrorism, and surveillance. Her piece “Habeas Corpus” is a monumental scale video and sculpture installation about Mohammed el Gharani, who was imprisoned in Guantanamo Bay for seven years. Anderson talks about her life in New York during the pandemic, her creative influences, and the surprising ways that her storytelling intersects with national security. For instance, her biggest musical hit, “O Superman,” was inspired by the Iran hostage crisis. Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Cara Shillenn of Goat Rodeo, with engineering assistance from Ian Enright. Podcast theme by David Priess, featuring music created using Groovepad.Among the works mentioned in this episode are:Laurie Anderson: https://laurieanderson.com/ “The Weather” at The Hirshhorn: https://hirshhorn.si.edu/exhibitions/laurie-anderson-the-weather/ “Habeus Corpus”: https://laurieanderson.com/?portfolio=habeas-corpus Anderson's Norton Lectures: https://laurieanderson.com/2021/12/16/norton-lectures-spending-the-war-without-you/ “O Superman”: https://www.youtube.com/watch?v=Vkfpi2H8tOE Thao & The Get Down Stay Down's "Phenom": https://www.youtube.com/watch?v=DGwQZrDNLO8 Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Neste episódio do Gibi Nosso De Cada Dia, eu e Andrei Sorren selecionamos algumas histórias para se conhecer melhor o Superman. Dê o play, e venha conhecer algumas histórias que mostram a essência do maior herói de todos os tempos! ✔️Siga o Gibi Nosso De Cada Dia No no Instagram: https://www.instagram.com/gibinossopodcast/ ✔️Siga Léo Palmieri no Instagram: https://www.instagram.com/leopalmierigibi ✔️Siga Léo Palmieri no Twitter: https://twitter.com/LeoPalmieriGibi
O Superman, um dos mais influentes super-heróis da cultura pop, esteve em alta nos últimos tempos por diferentes motivos, e um deles já foi centro de um dos episódios anteriores. Outro é o fato da DC Comics ter anunciado uma mudança em seu lema. O "estilo de vida americano" da frase do personagem foi deixado de lado, mas será que isso já não deveria ter acontecido bem antes? Como um fenômeno de grande influência, o dito estilo de vida americano moldou, por muito tempo, a imagem ideal do que era ser uma pessoa bem-sucedida e admirável. Nos tempos atuais, no entanto, essa figura padronizada parece não fazer mais sentido. Hoje, estaremos conversando sobre como a mídia vendeu uma imagem irreal do que é ter sucesso devido a esse conceito e como a sociedade, ao longo de anos, foi guiada por esse discurso.
Nos quadrinhos, os nerdolas se rasgam por causa da revelação de que Jonathan Kent é bissexual. Na image, Saga está de volta, assim como Arrowsmith e Astro City. Em cinema e série, temos o suposto nome de Aranhaverso 2 e a série do Gavião Arqueiro vai estrear com dois episódios logo de cara! Nos games, Dragon Age 4 só sairá paras as gerações mais atuais.
It's another of our summer friends and family episodes. This week on the “I Already Told You That” music podcast, we get into the music, inventions, art and work of the prolific Laurie Anderson with our dear friend Andy Runkle. Andy along with Melissa try to show Bryan why her work is so great and worth at least 4 hrs of your time…As always listen to the mixes linked below. Laurie Anderson Mixes- YouTubeMusicMix Spotify mix Smithsonian Laurie Anderson Blown Away
This week Stuart and Elizabeth are set to beguile you with stories about arguably the oddest pop record to ever make the charts - Laurie Anderson's 'O Superman' - and one of the most influential though little-known figures in British music, Ken Colyer. In between times they're arguing about just how hard it is to get to Tennessee and where exactly 'Sprech' and 'Gesang' go their separate ways. Only on Notable, surely. See acast.com/privacy for privacy and opt-out information.
Mejora tu actitud ante los retos de la vida, simplemente cambiando la postura de tu cuerpo. Apoyado en las investigaciones de la Dra. Amy Cuddy y Las Posturas de Poder.
I was playing some Boards of Canada recently & came across the song "In a Beautiful Place Out in the Country." I love the use of the vocoder in that tune. Being a sci-fi geek & an electronic music dork, it makes sense that I would like songs with vocoders. So I set out to find enough vocoder tunes for a mix. The result is "Vox Electronix". The vocoder is is an analysis/synthesis system, developed in the 1930's, that dramatically reduces the amount of information needed to store speech, from a complete recording to a series of numbers. Because much info was lost in the encoding & decoding process, the voice ended up sounding "dehumanized" or robot-like. Eventually changes were made by people like Wendy Carlos & Robert Moog, that made the vocoder a musical device, used most prominently by artists like Kraftwerk. The vocoder is used in many of the tracks in this mix, but I'm not exactly sure which ones are vocoder & which ones are auto-tune and which ones are just clever vocal manipulation. So don't everyone go crazy saying "hey that's not a flippin' vocoder!" I was just going for a certain sound, a certain feel. It was cool discovering tunes I'd either never heard of or forgotten about. Thanks to Judd at the Hypnos forum for recommending the tune by Tonto's Expanding Head Band & for reminding me about the track from the U2/Eno collaboration, Passengers. Also thanks to False mirror on the Hypnos forum for the heads up on the Robert Rich song. That's one of those that I think is some form of auto-tune versus a vocoder. The mix opens with a cool bit of audio which was recorded at Bell Labs in 1936. This was a fun mix to put together, discovering new tunes & revisiting old favorites(O Superman). I hope you enjoy it as much as I did. T R A C K L I S T : 00:00 Bell Labs 1936 - Voice of Power 00:23 Tonto's Expanding Head Band - Riversong 03:33 Brian Eno - And then so clear 08:15 Boards of Canada - In a beautiful place out in the country 12:30 Air - le soleil est pres de moi 16:30 Apples in Stereo - Vocoder ba ba 16:45 Bjork - Possible Maybe(Lucy mix) 19:30 Passengers - A different kind of blue 21:10 Robert Rich - Premonition of circular clouds 28:25 Laurie Anderson - O Superman 35:40 Ricardo Villalobos - Easy Lee 39:45 Trans Am - Futureworld 42:33 Air - Sexy Boy 47:30 Peter Baumann - This This Day 51:54 Apples in Stereo - Hello Lola 52:10 Black Moth Super Rainbow - Twins of Myself 55:15 Holger Czukay - Ode to Perfume 59:15 Brian Eno - Bottomliners 03:04 end
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