Podcasts about tsleil waututh

Kunsang Kyirong's "100 Sunset" follows two young women residing in Parkdale, Toronto. Located in a unique apartment complex, housing a vibrant community of Tibetan immigrants, Kyirong's lens lets us into closeness of communal living, and the pangs of loneliness that perhaps make us observe each other more than we should. In this compelling story, lead character Kunsel finds herself fascinated with others, picking up her camera to spy on her neighbours as she becomes enthralled with their day-to-day. Soon, she meets Passang, quickly challenging her introverted nature, and revealing a curious dynamic.To make this film happen, Kyirong went door-knocking, sourcing cast, and locations to ensure this work put Tibetan lives at the centre, demonstrating how even though we all live close together in modern-day housing, our lives may be vastly different. An incredibly strong feature debut from a Vancouver local, on this episode of the VIFF podcast, we talk with Kyirong about capturing 'complicated women,' on camera, working with non-actors, and platforming immigrant communities.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Read transcriptAbout this episode: Stephen Drover has directed Macbeth before; twenty years ago, the day after it closed, he wanted to do it again. Now, as both adapter and director for Bard on the Beach in Vancouver, he's finally getting that chance. In this rich conversation, Stephen talks about approaching Shakespeare not as a sacred text to be served but as a living collaboration, asking not what the words inherently mean but what meaning is being created in this specific theatre, for this specific audience, right now. The conversation covers the challenge of stripping away cultural baggage around the witches, to building a post-environmental dystopia as the world of the play, to why Stephen leans into the brutal, blood-soaked reality of the play rather than sanitizing it for comfortable consumption. He also reflects on how becoming a parent has changed the way he receives Macbeth's deeply embedded anxieties about children and grief. This episode explores: Approaching Shakespeare as a collaborator rather than a proprietor — and what that means in practice for this production The concentric rings of Stephen's career: actor to director to artistic director to dramaturg How a late diagnosis of autism spectrum disorder and ADHD illuminates why theatre suits his brain so well New play development at the Arts Club and the 'one size fits one' philosophy And much more! Guest:

The success of Igor Bezinović's third feature, "Fiume o Morte!," is something to marvel at. "Fiume o Morte!," is about the Croatian city of Rijeka, following its occupation by Italy. Blending absurdist re-enactments and documented record, portrayed almost entirely by first-time actors, it has been seen around the world—and was even Croatia's submission for the Academy Awards.Yet, despite the specificity of this story, "Fiume o Morte!" resonates universally in a time where an authoritarian regime is present, or has been present, on every single continent, insisting that war is necessary. That war is natural.But Bezinović rejects that. He flips the script and pokes fun at fascism with playful skits, and wit. In this episode of the VIFF Podcast, Programmer and Program Lead, Sonja Baksa sits down with Bezinović to talk about the weight of telling this story, using creativity to resist hegemony, and Bezinović's most memorable moments in cinema.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In Timeea Ahmed's "Khartoum," five exiles of Sudan's capital give voice to their experiences through reenactment, animation, and recollection. A collaborative documentary, headed by five co-directors, each bringing their unique perspectives and real-life experiences to a documentary that is one of one.Ahmed brings us along on the lives of these five protagonists (one being himself), showcasing their lives, dreams, hopes, and stories of love amidst the rubble.  On this episode of the VIFF Podcast, we speak with Ahmed on using documentary film as an archive of life and a testament to what should be remembered in war.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Sara Wylie got her filmmaking start in her late twenties, dipping her toe into documentary through her work as a political organizer after making anti-Stephen Harper comedy videos. Soon, her passion for storytelling developed into a heightened curiosity about how she processes her own life and experiences as someone experiencing complex chronic illness.In this personal inquisition, Wylie fell upon the concept of Crip Time, contemplating how able-bodied versus disabled bodies relate to time. In a capitalist society, we are forced to bend to our clocks to keep up with the rapid pace of life. Crip time offers a new, radical approach worth considering: time should bend to disabled bodies and minds instead.Shot on Super 8 and primarily eco-processed with plant materials by hand, in this episode of the VIFF Podcast, we talk with Wylie about her journey creating her short, Resistance Meditation. She describes it as "a weird little movie" — but Resistance Meditation is a lot more than that. It emphasizes the urgent need to resist capitalism, the demands on our precious time, and how folks with disabled bodies hold the keys to what a meaningful alternative could look like.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Solara Thanh Bình Đặng's ripe follows lead character Lệ, on the cusp of a life-altering decision. At this crossroads, she must consider an arranged marriage that is sure to support her family, but yields a profound uncertainty. Representative of a crossroads many women face, ripe represents the experience of facing a dilemma, symbolized by a durian fruit. In this work, Đặng emphasizes not the decision itself, but the spiritual and psychological journey in moving through it, a nod to her love of magical realism, and employing levity when creating a dramatic narrative.In this episode of the VIFF podcast, Đặng discusses why the durian acts as a catalyst for this story, representative of not only a female's anatomy, but also our ancestral ties to nature and the universe. A short film packed with kaleidoscopic visuals and sound effects, shot entirely on 16 mm, Đặng speaks to the power of the short film form and why using it to experiment is an integral step in every filmmaker's journey.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Nicole Bazuin first encountered Andrea Werhun on the set of a music video she was directing, in search of Go Go Dancers who'd be willing to participate. At first meet, the two developed what Bazuin calls "a creative crush," compelled to work together on several projects since. What resulted from this affinity for each other's art was a self-published​​ book titled "Modern Whore" based on Werhun's experiences as a sex worker in Toronto. But their collaboration didn't end there.With more story to tell, Bazuin and Werhun teamed up once again, bringing their feature film adaptation of their first collaboration to life. "Modern Whore" the movie centres Werhun's story in this hybrid documentary, where she acts as both narrator and the lead, re-enacting ​her journey in a field that society exclusively villainizes or victimizes. On this episode of the VIFF Podcast, we speak with Bazuin (who wrote, directed, and edited the project) on creating a new feminine archetype. Not a femme fatale, but a femme vitale, a woman whose life is sexy, but contains multitudes in self-love and community. A movie that is told through a specific lens, being Andrea Werhun's first-hand accounts in sex work, Bazuin speaks to the beauty of how conversations evolve once the lens is up, getting Sean Baker on board during the height of the "Anora" fandom as Executive Producer, and how cinema has the power to change the conversation.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

The urge to escape the mundanities of everyday life is hard to ignore. And yet, so many of us remain tethered to our routines, our homes, our comforts.In 1957, Robert Bateman and Bristol Foster resisted that pull. Instead, they packed their belongings into a Land Rover and set off on a 30,000-kilometre journey across Africa, India, Southeast Asia, and Australia—an adventure that would shape the course of their lives.Driven by a shared reverence for the natural world, Bateman—one of Canada's most celebrated wildlife artists—and Foster, a conservation biologist and filmmaker, are the subjects of the celebrated documentary, The Art of Adventure. Drawing from rare and deeply personal archival footage, the film invites us to be fully present in the landscapes we move through.In this episode of the VIFF Podcast, Director Alison Reid reflects on the legacy of Bateman and Foster as Canadian icons, her own career as a stunt performer, and why the spirit of adventure matters—at any age.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In a city plagued by social isolation, Brian Daniel Johnson and Dide Su Bilgin found a story to tell. In their film, A Welcome Distraction, lead character, Ernest, looks for answers amidst grief and heartbreak in this unapologetic portrayal of how disconnected Vancouver can be. Soon, he becomes entangled with a wellness enclave led by a charismatic leader (Adriana Marchand).A true ensemble film, A Welcome Distraction showcases the pursuit of community, as told by a friend group itself. Longtime collaborators, Johnson and Bilgin, met in film school at UBC. Over the years, they cultivated a group of what Bilgin calls "cinematically intertwined" collaborators. Their first feature together depicts the coming-of-age pains they know to be true in a city that challenges them.In this episode of the VIFF Podcast, Johnson and Bilgin talk about their experience finding your friends in film, pushing each other to create work, and how film itself is its own language. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Kent Donguines' journey creating Treasure of the Rice Terraces began in 2016. From idea to development, Donguines' slow and steady process was grounded with one intention: to be in community with his subjects.Treasure of the Rice Terraces follows Donguines' travels back to the Philippines to reconnect with his roots. Discovering the world of Indigenous Kalinga tattoos in Buscalan, he falls upon 108-year-old tattoo artist Apo Whang-Od, marking the beginning of this story. A community that is often exploited by tourists and vloggers day after day, all seeking to be marked by Whang-Od, this film offers a new lens on a precious cultural practice, demonstrating how traditions can survive, evolve, and inspire both local communities and identity worldwide.Donguines joins Director of Programming, Curtis Woloschuk, on the VIFF Podcast to discuss how making art can affirm your identity and empower you to bring these stories home.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

From travel bans to the risk of criminalization for her film's subjects, Elöise King had to persevere through many hurdles to get her documentary, The Shadow Scholars, to screen.In The Shadow Scholars, cameras follow Patricia Kingori, the youngest Black woman professor in Oxford's 925-year history, on her compelling global investigation into Kenya's hidden essay mills — an industry where an estimated 40,000 highly educated yet underemployed Kenyans make ends meet by writing academic papers for wealthy Western students. As the film touches on an ethical gray area— facing many assumptions and judgments in the global north— King was determined to suggest a new worldview.In this episode of the VIFF Podcast, we talk with King about the simple pleasure of diving deep into research, how documentaries can open doors to other worlds, and how education can mobilize us to think beyond the systems we live within.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In the 20th Century, painter E.J. Hughes quietly helped reshape the artistic landscape of British Columbia. Each canvas was a place of worship for the artist who was famously too shy to attend his own art exhibitions. Hughes' legacy has left us with many opportunities to bask in the beauty of this province through each brush stroke.Jenn Strom's The Painted Life of E.J. Hughes explores Hughes's life not only as an artist but as a devoted, humble human being. In this episode of the VIFF Podcast, we speak with Strom about her passion for archival work, the importance of being present in the process of artmaking, and how art can help you experience your own environment in a whole new way.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Growing up, Ahmed felt at odds with her Afghan identity. She describes herself as a rebellious child, not understanding the need for a head scarf, often finding herself "irked" by assumptions about her, before she even knew herself. Perceptions about Afghanistan perpetuated by "breaking news" from CNN certainly didn't help. In her latest work, In The Room, Ahmed sets out to change the conversation.Today, Ahmed is proud of her identity. But the journey to this place of embrace was not linear. In In The Room, Ahmed interviews five women who in their own right, have taught her something about herself, and the many complexities, beauties, and struggles Afghan women face on their own unique paths.In this episode of the VIFF Podcast, Ahmed reminds us that in a time where women's rights are under siege, you, with your story in hand, can be an agent of hope.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

This isn't Ryan Sidhoo's first time exploring the relationship between sports and space. Also having directed Truth North (2017) and produced Handle with Care (2021), two titles that rounded the festival circuit time and time again, Sidhoo's next feature introduces us to three friends growing up in Bosnia, all of whom have Olympic aspirations. What could be seen as a trio chasing a fairytale, The Track (2025) follows three young men coming of age as they train in luge on an abandoned track from the 1984 Olympics. A hopeful look at the next generation striving to clear out the rubble from the past, Sidhoo is keen to remind us that this isn't a sports movie, but a coming-of-age story about following a dream in a post-war society.In this episode of the VIFF Podcast, we speak with the filmmaker about how to make an audience root for your subjects, the logistical hoops of taking your film to market, and the power of seeing life through cinema.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Ava Maria Safai describes Foreigner as “bubblegum horror”—a genre that layers a glossy, fun aesthetic over a dark underbelly of pain. Following an Iranian teenager who moves to Canada, dyes her hair blonde, and becomes a demon, Foreigner explores the ache of wanting to belong and how far you're willing to go to be accepted.In this episode of the VIFF Podcast, Safai shares how filmmaking can be brutal in what it teaches you about yourself—much like our formative teenage years. Reminiscent of Mean Girls but with a little more guts and gore, this conversation dives into Safai's process in shaping this 2025 festival favourite.This episode was recorded during the 2025 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

To mark International Human Rights Day, join us for a discussion about human rights and democracy in Africa on these traditional, ancestral, and unceded national homelands of the Coast Salish peoples – specifically the sḵwx̱wú7mesh (Squamish), sel̓íl̓witulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) nations. Become a supporter of this podcast: https://www.spreaker.com/podcast/policy-and-rights--3339563/support.

Mayumi Yoshida is THE multi-hyphenate filmmaker you need to watch. As writer, director, producer, and actor for her debut feature, Akashi, Yoshida's world premiere at VIFF 2025 was met with sold out audiences, celebrating her story tackling themes of identity, class struggle, and artistic aspiration.In this episode of the VIFF Podcast, we sit down with Yoshida to discuss her Japanese heritage, identity as an immigrant, and why existing in the in between can give you the greatest superpower of all. Plus, we dive into what made the celebrated filmmaker fall in love with cinema to begin with, starting with a formative screening of Titanic at the age of 8 in Brussels, Belgium.This episode was recorded during the 2025 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Ari Kinarthy's existence is marked by worry and vigilance around his health, as he struggles with spinal muscular atrophy. Yet he was born with the soul of an artist, becoming a celebrated composer eager to share his story through the power of music. Making him the subject of Jeff Petry and Nathan Drillot's 'Ari's Theme,' Director of Programming at VIFF, Curtis Woloschuk, sits down with Petry to discuss what it takes to build trust with your documentary subject, the importance of centering their story, and how to ensure their art will be remembered. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this special edition of the VIFF Podcast, get a glimpse of what goes on behind-the-scenes when it comes to VIFF programming, and how certain shorts make it to screen at our annual festival. VIFF Shorts Forum programmer Casey Wei and her coordinator, Jaewoo Kang discuss how to find the balance between telling the story, and film as a an art form. The pair also dive into the importance of choosing titles with urgent themes, providing an opportunity for audiences to stay engaged with the topic in order to increase education, and invoke change. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In Santiago Lozano's 'I Saw Three Black Lights,' a wise old shaman embarks on a final journey into the Colombian jungle to settle a spiritual debt and reconnect with his late son. We sit down with the filmmaker to discuss how an immersive, lush setting can almost act as a character itself, the importance of connecting with cast in mind, body, and spirit, and more on this story of honouring the dead, and tradition.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

'Cat's Cry' filmmaker Sanja Zivkovic sits down with VIFF Festival Programmer & Program Lead, Sonja Baksa, to talk about her global career spanning all the way from SFU's Burnaby campus to Serbia. 'Cat's Cry' first fell into Zivkovic's lap when the son of famous Serbian filmmaker Goran Paskaljević, Vlad Paskaljević, approached her with the possibility of reviving this moving screenplay following Goran Paskaljević's passing in September 2020. The work, 'Cat's Cry', is the true story of a couple fighting for custody of their granddaughter, who has been diagnosed with a unique condition called cat's cry syndrome. Zivkovic walks us through her approach to balancing male and female perspectives in features, her journey directing for a work she hasn't written herself (a first for the filmmaker), and how experiencing motherhood at the time of the film's conception influenced her approach to character work. Plus, a few words on her guilty pleasure, HBO's 'Sex and the City.'This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

When a mute young man seeks to escape into the wilderness, he quickly realizes he's not suited to survive on his own. To adapt, the young man begins to embody a feline, finding solace in a blind man's home, someone also seeking connection and comfort. Together, the pair forge an unconventional path towards tenderness and intimacy, where the mute young man begins to forget his human identity altogether. Kam Fai Leung's 'Save My Soul' is a unique commentary on the war of loneliness and the feeling that one must change to receive love. Leung joins the VIFF Podcast to talk plot, production, and the Hong Kong indie film scene. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Harvey is a lonely, overweight man who discovers new self-esteem when he submits a photo to Cherub, a gay magazine “For big men and their admirers.” Director Devin Shears talks from his move from shorts to features in this gentle, ambient character study, revealing the healing power of being admired.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Guest: Jason Hall and Shelley Klassen, parents of Lionel Hall Learn more about your ad choices. Visit megaphone.fm/adchoices

In 'Judas Icarus Twists His Wrist,' Director Kerr Holden (she/her) follows BC-based wrestler, Judas Icarus, following his arduous road to recovery after an injury. On the choreography of wrestling, the power of score, and how to emphasize athleticism and physicality on screen, Holden joins VIFF Shorts programmer Casey Wei on the VIFF Podcast talking her filmmaking journey, how to identify a subject, and how metal music simply, rocks. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

To close out Pride Month this week, we're sharing a special best of episode featuring stories about coming out in science!  Part 1: Science educator Charlie Cook experiments with coming out to students. Charlie Cook is a non-binary white settler on ancestral, unceded Musqueam, Squamish, and Tsleil-Waututh territory. They are a museum science interpreter with a BFA in Original Works from Cornish College of the Arts. Part 2: Marine biologist Shayle Matsuda adapts to his new identity as a transgender man while on assignment in the Philippines. Dr. Shayle Matsuda is a Research Biologist at the John G. Shedd Aquarium in Chicago, where he leads the Aquatic Microbial Ecology: Coral Reefs and Urban Freshwater Ecosystems research program. Shayle Matsuda's story originally aired on our podcast in November 2014. See details here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To close out Pride Month this week, we're sharing a special best of episode featuring stories about coming out in science!  Part 1: Science educator Charlie Cook experiments with coming out to students. Charlie Cook is a non-binary white settler on ancestral, unceded Musqueam, Squamish, and Tsleil-Waututh territory. They are a museum science interpreter with a BFA in Original Works from Cornish College of the Arts. Part 2: Marine biologist Shayle Matsuda adapts to his new identity as a transgender man while on assignment in the Philippines. Dr. Shayle Matsuda is a Research Biologist at the John G. Shedd Aquarium in Chicago, where he leads the Aquatic Microbial Ecology: Coral Reefs and Urban Freshwater Ecosystems research program. Shayle Matsuda's story originally aired on our podcast in November 2014. See details here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hot air ballooning has been illegal in São Paulo, Brazil since the 1990's. Intrigued by this underworld of guerilla artists, who risk their lives, and freedom in order to craft and release huge, lavishly decorated paper balloons up to 70 metres in height, Director Sissel Morell Dargis began creating 'Balomania' when she was 19, spending a decade earning the trust of these baloeiros to tell this story. Today, she joins the VIFF Podcast to talk starting from nothing as a filmmaker, how to finance your film, and most importantly, how to earn the trust of your subjects as a documentarian (especially when what they're doing is technically, outlawed). This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Ottawa's moves to fast-track resource projects with Bill C-5 are resurfacing concerns about Indigenous consultation. But what does it actually look like when Indigenous people push back against resource projects and take control of climate stewardship on their land? To find out, we head to the heart of Tsleil-Waututh traditional territory near Vancouver. The work they've done to restore local ecosystems is not only good for the climate, it's also a way to assert their rights. Then, we'll hear from an Anishinaabe expert who says this is just one example of how taking land back can be climate action.

Filmmaker Emilija Gašić joins VIFF's Vanguard series programmer Sonja Baksa to discuss 78 Days, a found-footage film that won the Vanguard Award at VIFF 2024. Shot on hi-8 tapes in her native Serbia, the film follows three sisters documenting their lives during the NATO bombing of Yugoslavia in 1999. Inspired by her own childhood memories, Gašić's decision to use analog tape lent to the "docufiction" quality of the film.In this conversation, Sonja and Emilija unpack the film's unconventional process and the Vanguard series' focus on "films that are pushing the boundaries of cinema", and how Gašić's journey from Lord of the Rings fan to NYU Tisch grad shaped her voice as a director.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, program manager and senior programmer PoChu AuYeung sits down with acclaimed Canadian animator and filmmaker Ann Marie Fleming to discuss her latest film, Can I Get a Witness?, which screened at VIFF 2024. Set in a near future where citizens are required to exit life at 50 to combat climate change and inequality, the live-action film stars veteran Vancouver actor Sandra Oh, along with newcomers Keira Jang and Joel Oulette. Ann Marie reflects on the emotional and ethical questions at the heart of the story, as well as the film's themes of sustainability, technology reduction, and community care. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Tara chats with author Harman Burns, a Saskatchewan-born trans woman, writer, filmmaker, and sound artist. Her work has been published in Rebelle Zine, Untethered Magazine, and Metatron Press, and her story “Among Strange Machines” was shortlisted for the Far Horizons Award for Short Fiction. Her debut novella, Yellow Barks Spider was published in 2024 by Radiant Press. She currently resides in Vancouver on the unceded, ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. Books and authors mentioned: Little Fish; A Dream of a Woman by Casey Plett Johnny Appleseed by Joshua Whitehead Kai Cheng Thom Ducks, Newburyport by Lucy Ellmann Zulaikha by Niloufar-Lily Soltani Spirals in Time: The Secret Life and Curious Afterlife of Seashells by Helen Scales House of Chains (Malazan Book of the Fallen #4/10) by Steven Erikson https://www.instagram.com/harman.burns/ https://radiantpress.ca/shop/p/yellowbarksspider      

In this episode of the VIFF Podcast, programmer Alan Franey interviews American filmmaker Connie Field about her documentary feature Democracy Noir, which explores the rise of Viktor Orbán in Hungary and its global implications. The film follows three women—a journalist, a nurse, and a politician—who fight against Orbán's regime, highlighting Orbán's manipulation of democracy to maintain power, including changing the constitution to require a two-thirds parliamentary majority for amendments. Field discusses the parallels between Orbán's tactics and those of other authoritarian leaders (such as Trump) and the broader impact on global democracy. Despite its relevance, distribution challenges persist, particularly in the U.S.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode we are joined by Kevin Huang and Kimberley Wong of hua foundation. The conversation centers on the rise of anti-Asian racism during the COVID-19 pandemic, and highlights urgent concerns around community health, public health orders, and hate crimes. Kevin and Kimberley emphasize the importance of recognizing and addressing diverse experiences and perspectives within Asian communities, and shifting community engagement and resource allocation towards racialized communities. Speakers also discuss the limitations of the model minority myth and the need to build intergenerational relations, while acknowledging the complexities of identity and power dynamics in community work. Resources: hua foundation: https://huafoundation.org/ Asian Community Convener Project: https://huafoundation.org/portfolio/acc/ Anti-Racism and Solidarities Resource Collection: http://solidarities.huafoundation.org The Choi Project: https://huafoundation.org/portfolio/seasonal-choi-guide/ Chinatown Cares Grocery Program: https://huafoundation.org/work/food-systems/chinatown-cares/ Chinatown Food Security Report: https://huafoundation.org/wp-content/uploads/2020/05/Report_VancouverCTFoodSecurity.pdf Reorienting Our Trauma: https://huafoundation.org/portfolio/reorienting-our-trauma/ Bios: Kimberley Wong 黄壯慈 (they/them) Kimberley Wong | 黄壯慈 (they/them) is the Program Manager at hua foundation. In their role, Kimberley designs resources for anti-racism education, builds solidarity across racialized communities, and forges paths to access culturally-appropriate mental health care for youth facing barriers. They served as a Co-Chair of the City of Vancouver's Chinatown municipal advisory committee, were a founding member and Vice President of Chinatown Today, and were an elected member of the OneCity Vancouver Organizing Committee. Their work often mirrors their experiences moving through spaces as a queer, neurodivergent, and fifth generation Cantonese diasporic person, and though they draw on their knowledge from over a decade of navigating precarious work environments in the arts, culture, political, and equity sectors, Kimberley's work is also deepened by their love of being a lifelong crafter, a triathlete, and a descendant whose ancestors have long histories organizing for marginalized populations on unceded Musqueam, Squamish, and Tsleil-Waututh land known colonially as Vancouver. Find them online @KimberleyLW. Kevin Huang 黃儀軒 (he/him) Kevin Huang 黃儀軒 (he/him) is the co-founder and executive director of hua foundation, an organization with the mission of strengthening the capacity among Asian diasporic youth, in solidarity with other communities, to challenge, change, and create systems for a more equitable and just future. His work has ranged from scaling culturally appropriate consumer-based conservation strategies, advancing municipal food policy to address inclusion and racial equity, to providing supports for youth from ethnocultural communities to reclaim their cultural identity on their own terms. Kevin currently serves on committees with Vancity Credit Union, Vancouver Foundation, and Metro Vancouver.

Musqueam filmmaker Faith Sparrow-Crawford joins VIFF short programmer Casey Wei to talk about Uncommon Ground, her haunting sci-fi short set in 2171. They dig into themes of ancestral connection, mental health, and the deep bond between main character Tawny and her aunt. Faith shares how storytelling runs in her family, why the short film format speaks to her, and how she's collaborating with her father on a larger TV series. Plus: a glimpse into her next project exploring Musqueam traditions around grief.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Curtis Woloschuk sits down with Canadian filmmaker Josephine Anderson to talk about her latest documentary Curl Power. Having premiered at VIFF 2024, Curl Power follows five teenage girls chasing curling glory while navigating the emotional terrain of adolescence. Anderson reflects on the challenges of long-term observational filmmaking, the power of trust between subject and filmmaker, and the unexpected mentorship of Olympic champion mothers. Plus, Josephine and Curtis discuss how experimenting with virtual reality can expand creativity and deepen the approach to storytelling.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

There's been a real lack of positive action and response from the arts community to these existential questions that confront us. And I really wonder whether that's not because they're simply bewildered by what's been going on. They're terrified, most of them. A lot of the conversation that goes on that I'm aware of has to do with the precariousness of existence for the artist. There is no there's no solid ground for them to work on when there's no money. So they're afraid to rock the boat, one thing. But they do tend to talk in circles without ever coming to a point of conclusion that allows them to take action.My conversation with writer, dance historian and arts policy consultant Max Wyman who I knew when he was on the board of the Canada Council in the early 2000s. I met with Max on March 18, 2025 at his home in Lions Bay, British Columbia which sits on the unceded traditional territory of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaɬ (Tsleil-Waututh), and xʷməθkwəy̓əm (Musqueam) Nations. Max is the author of numerous books, including The Compassionate Imagination: How the Arts Are Central to a Functioning Democracy, which he will talk about in this episode. He'll also talk about quite a provocative article, published on February 21, 2025 in The Tyee called To Save the Arts, Blow Up the Old Ways, which caught my attention, in part because it reminded of my letter to the arts community about the ecological crisis from October 2024. Both of our postings ask what I think are fair but hard questions – in difficult times - about the future of the arts sector, and of Canadian culture writ large, so it's all very timely. I asked Max to stick his neck out and elaborate upon his vision and actions, which he did with finesse and gusto.Action pointsArtists need to be bolder than they are and take actionThe cultural community in Canada should get behind the notion of a Canadian identity that can be brandished in the face of the attacks that are being leveled at itHelp create and participate in national displays of art at every levelThank about what you have to offer to the publicHelp position arts and culture as central to who we are as a nation, who we are as people, who we are as individuals with a sense of belonging, of being understood and giving a voice.Episode notes generated by Whisper Transcribe AIStory PreviewWhat if Canadian artists held the key to unlocking a stronger national identity and a more compassionate society? Max Wyman challenges the arts community to rise above despair and take bold action, envisioning a vibrant cultural landscape that celebrates unity and shared values.Chapter Summary00:00 The Crisis in the Arts Community01:12 Introducing Max Wyman02:30 The Call for Bold Action04:16 Celebrating Canadian Identity06:02 Reimagining Canadian Culture08:31 The Power of Arts and Empathy10:15 Integrating Arts with Policy Making12:34 Addressing Environmental and Social JusticeFeatured QuotesWe've talked long enough and we need to take action.The arts are a place where you can come together and see things in their complexity and share them without threat.I think the arts and culture are central to who we are as a nation, who we are as people, who we are as individuals.Behind the StoryMax Wyman, a seasoned writer and arts advocate, draws on his extensive experience to address the existential questions facing the Canadian arts community. His conversation highlights the importance of reimagining the sector's role in fostering national pride, social understanding, and a compassionate approach to arts and cultural policymaking in an increasingly polarized world. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' see https://acalmpresence.substack.com. Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads or BlueSky.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on March 26, 2025

On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, The Universe in a Grain of Sand. Levinson, who is a former theoretical particle physicist as well as a producer on films such as Mystic Pizza and Teen Wolf, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley's Pacific Film Archive.The Universe in a Grain of Sand premiered at the 2024 Vancouver International Film Festival and explores the potential of quantum computing to solve complex problems, honing in on Levinson's view of AI as an extension of human creativity that could also bridge the gap between technology and our understanding of the universe.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, Inedia. The film, which premiered at VIFF 2024, follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods. Curtis and Liz discuss the director's deep attachment to the writing of Inedia, casting and directing, and how to maintain intuition on a larger production.This episode was recorded during the the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, Seven Veils, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera Salome. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.This episode was recorded during the 2023 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature Preface to a History, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature Village Keeper, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.Chapman shares her desire to capture "lived-in" moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk interviews filmmaker Yuqi Kang about her documentary 7 Beats Per Minute, which explores the world of free diving and the connection between humanity and nature.Kang shares how a YouTube clip sparked her own free diving journey and led her to meet Jessea Lu, a prominent Chinese free diver who became the subject of her film. She reflects on the challenges of underwater cinematography, from unpredictable weather to capturing authentic moments beneath the surface, and the importance of adapting to nature's elements.Kang also discusses her transition from documentary to narrative filmmaking and how Vancouver's cultural and creative environment has influenced her work.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode of Below the Radar, our host Am Johal is joined by Damla Tamer, a visual artist and sessional lecturer at UBC whose work explores the affective conditions of labour under late capitalism, and the evolution of forms of civil protest within the contemporary political history of Turkey. Damla is also a founding member of the Art Mamas artist collective, which aims to create support networks for artist caregivers, while critically exploring the place of motherhood and care work within the dominant culture of art production. Am and Damla discusses her recent exhibition at Access gallery, which explored the aftermath of the Gezi protests in Turkey through textile works, her work with housing co-ops in False Creek South, and why she thinks it's ok for students to express love for a work of art. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/258-damla-tamer.html Resources: Art Mamas CBC Article: https://www.cbc.ca/arts/exhibitionists/art-mamas-meet-the-vancouver-collective-that-creates-community-for-mothers-in-the-arts-1.5129578 Art Mamas | Access Gallery: https://accessgallery.ca/programming/artmamas art/mamas: Intermedial Conversations on Art, Motherhood and Caregiving https://criticalmediartstudio.iat.sfu.ca/artmamas/?page_id=291&fbclid=PAAaYDby0LbG_w1ZkyIsEjU61ZIV3FfuBCa25TBFHLHuMn9XUUmJqpUro5pPU UBC Profile: https://ahva.ubc.ca/profile/damla-tamer/ Bio: Damla Tamer (born in Istanbul, Turkey) is a visual artist and educator living on the unceded Musqueam, Squamish and Tsleil-Waututh territories. Her practice engages with the intersections of textile crafts and contemporary studio practices, with a special focus on weaving. Her work is heavily invested in searching for a new ethics of temporality through the relationships between aesthetics and politics. Her most recent work focuses on tracing the rise of neoliberal authoritarianism in Turkey and its relation to global movements, the evolution of forms of civil protest and resistance, and the capacities and limits of language and representation in locating oneself in a world that is rife with shifts. She does social-collaborative work as part of various artist collectives and co-operatives. She is a founding member of the artist mothers collective A.M. (Art Mamas) and has organized extensive public programming and co-published a book on motherhood, caregiving and social reproduction in relation to art and labour at large. She teaches at The University of British Columbia, Simon Fraser University, and Emily Carr University of Art+Design. Cite this episode: Chicago Style Johal, Am. “Art Mamas — with Damla Tamer.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 17, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html. Tags: SFU, SFU's Vancity Office of Community Engagement, Simon Fraser University, Am Johal, Below the Radar, Damla Tamer, Art Mamas, Gezi, Vancouver Podcast

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.The second and final episode, “Eulogies,” is based on fictional writing from the class. Students imagine and eulogize something that could be harmed by the climate emergency, and then imagine a speculative future in which action was taken to mitigate that harm.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 2: Eulogies02:15 – Clione by Annika Ord12:49 –The Abundance Will Be Forever by Judith Burr24:03 – A Eulogy for Wolves by Niki33:33 – Return of the Hidden Worlds by Sadie Rittman44:59 — Eulogy for the Bees by Rhonda Thygesen

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.This first episode, “Climate Feelings,” is a collection of students' non-fiction essays and reflections on their personal realities of living with and researching the climate crisis. The first episode opens with an introductory conversation between Naomi Klein and series producer Judee Burr that contextualizes how this class was structured and the writings it evoked.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 1: Climate Feelings2:38 — Introduction by Judee Burr and Naomi Klein19:05 — Connection to Jericho Willows by Ali Tafreshi22:27 — Connection to the Water by Foster Salpeter27:06 — Connection to Family and Land by Sara Savino31:01 — Scientists and Feelings by Annika Ord36:00 — Biking away from the Smoke by Ruth Moore39:32 — Climate Sensitivity on the Bus by Nina Robertson43:13 — Grief and Climate Change Economics by Felix Giroux46:36 — The Age of Sanctuary by Melissa Plisic52:04 — Age of Tehom by Maggie O'Donnell

Kate Horsman is a breathwork expert who has been integral to Dr. Mindy's healing journey. Kate's trauma-focused breathwork approach aids in releasing stored traumas, which is particularly beneficial for women navigating perimenopause and menopause. In this episode, Kate and Dr. Mindy discuss the transformative impact of breathwork on healing, emphasizing cellular-level trauma release in contrast to other techniques. Kate shares her healing journey and the importance of relational healthcare in fostering deep healing spaces. The conversation delves into various breathwork practices, highlighting the role of breathwork in emotional detox and trauma processing for holistic healing experiences. To view full show notes, more information on our guests, resources mentioned in the episode, discount codes, transcripts, and more, visit https://drmindypelz.com/ep229 Kate Horsman is a Nature-based Holistic Therapist and Breathwork Therapist. This field merges her education and work as a Professional Counsellor, Therapeutic Breathwork Facilitator and Mindfulness leader in Vancouver, BC Canada, the sacred and ancestral lands of the Squamish, Tsleil-Waututh and Musqueam Nations. Her education is dimensional, including multiple modalities to approach healing work. Her schooling has brought her to Professional Counselling (VCCT), Mindfulness-Based Stress Reduction (MBSR) and Nutrition (CSNN), and Plant-based science (eCornell), melding the bridge betw Check out our fasting membership at resetacademy.drmindypelz.com. Please note our medical disclaimer.

On today's episode of Asked and Answered by Soul, Jennifer Urezzio and Tien Neo Eamas explore the big ideas of binary identity, cultural awareness, and the importance of releasing the ego attachment to judgment and the need to be right so that our Souls can access and stand in freedom and create a new dimension of awareness.  Join us here today as Jennifer and Tien share that it's time for us to be fully responsible for our part in what's happening in our world, and do the work to share wisdom, shine light and spread joy while having fun ourselves. When we consciously choose to be more interested in creation, generating light, and being joyful, that's when we are able to truly shift and impact others.About Tien Neo Eamas Tien is the 1st Asian transman to come out in Vancouver BC 2002 and his experience of racism, gender and trans hatred, family violence and more has been the training ground for him to shine finally and for him to share his purpose my Soul Purpose - Transcending Gender, so that we can Connect Soul to Soul. Tien is Singapore-born, of Chinese and Indigenous Southeast Asian blood, now living in Vancouver BC, the indigenous land of the Musqueam, Squamish, and Tsleil-Waututh people. Tien Gender Guide, an artist, performer, and a spiritual teacher. The Asked and Answered by Soul podcast is dedicated to helping you understand that your Soul is the answer. If you want to learn more about your soul's answers and purpose, access your free guide at www.themythsofpurpose.com. And, you can purchase our God magnet at https://jurezzio.etsy.com/listing/1623450013/refrigerator-magnet-borg-of-goodness. Learn more about your ad choices. Visit megaphone.fm/adchoices