Podcasts about satchidananda

 And that we can read in the religious/mystical scriptures.Maybe we need the world as a distraction?No mystic could me explain why sex is not necessary, even we enjoy it…And then comes their answer: Don't enjoy worldly pleasures. So what, should we suffer when we have sex? I think we suffer when we have sex. At the same time, we enjoy it.  Why should we not enjoy our sorrow?Life is sorrow (Buddha) Amen…Life is sorrow was the  Christian trueness until the fall of Constantinople. Still, it is true for all the other Religions.Can we only experience bliss, divine love, God, Satchidananda, Samadhi, Satori when we renounce worldly pleasures?This formula has never worked out … Regardless where I look the people love to suffer and look for reasons to suffer. The Religions deliver that suffering and the people want more… If we suffer, we experience our deep feelings. If we don't have deeper emotions for a long time we long for sorrow…The Religions give people a reason to suffer when they neglect worldly pleasures. And so the sorrow is meaningful instead to suffer just for some worldly pleasures.  In any case, we have to suffer … The world and our worldly desires help us to discover the divine or our true self. If we see the world as an expression of the creator, then the world becomes meaningful.What is inside is outside. What we see outside is always inside even more it starts inside.How can we purify us if we don't know what is inside of ourselves when we suppress our worldly desires/feelings/lust?The world is a reflection of us and helps us to purify us from our negativity.We can enter the spiritual realm when we:1.) Deep relax.2.) Have faith in God or our spiritual teacher.3.) Make the right spiritual exercises at best and not just so….4.) Go in the flow through body exercises.5.) Total exhaust our body through sport, dancing, or spiritual exercises. 6.) Try our best to get rid of our negative suppressed emotions and thoughts.And this has nothing do do with “the world is a distraction”…The spiritual realm is for everybody open!My Video: The world is a distraction https://youtu.be/To783OX7xMAMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/The-world-is-a-distraction.mp3

Send us a textMargabandhu Martarano is an esteemed yoga teacher with over 50 years of experience. He has been at the helm of the Integral Yoga Institute in New Jersey, where he has dedicated his life to spreading the teachings of Integral Yoga. As a direct disciple of Swami Satchidananda, Margabandhu has been influential in teaching yoga and pranayama across diverse environments, including prisons, psychiatric wards, and schools for children with autism. He is also an herbalist, a massage therapist, and has provided guidance in acupressure and reflexology. His holistic approach integrates multiple facets of Eastern wellness and healing practices.Visit Margabandhu on his website: https://iyinj.org/Key Takeaways:Margabandhu emphasizes the powerful healing effects of pranayama, sharing personal stories of recovery and resilience.His teachings are rooted in a comprehensive approach to yoga that embraces postures, breathing, meditation, and diet.He highlights the importance of holistic health, having effectively taught diverse groups, including inmates and autistic children through yoga and pranayama.Margabandhu shares insights into the life and philosophy of Swami Satchidananda and his influence on yoga in the West, particularly during the 1960s.Thanks for listening to this episode. Check out:

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Ian Chainey has been writing Stereogum's The Black Market since 2014. Former editor and associate editor - respectively - of the Invisible Oranges and Last Rites music blogs, his bylines have also spanned several publications over the years. Moreover, he's produced many a podcast and runs two newsletters: Plague Rages and Wolf's Week. MUSIC MENTIONS - Metal Trenches - R.E.M. - New Kids on The Block - “You Got It (The Right Stuff” by New Kids On The Block - “Revolver” by The Beatles - “Tomorrow Never Knows” by The Beatles - Aerosmith - Steely Dan - “Black Cow” by Steely Dan - WBCN Boston - “Mysterious Ways” by U2 - “Losing My Religion” by R.E.M. - All Music Guide - Epitonic - Pearl Jam - Metal Review - Invisible Oranges - Fenriz - Darkthrone - Petethepiratesquid - Parliament - György Ligeti - Jeromes Dream Living in ‘golden ages' (24:20): - Krallice - Encenathrakh - Colin Marston - Weasel Walter - Mick Barr - Paulo Henri Paguntalan - Effluence - Matt Stephans - Anal Stabwound - Trichomoniasis - Hunter Peterson Q&A - The Metal Archives - Pyrrhon - Scarcity - Starkweather - Machine Music - “Orange Crush” by R.E.M. - “Monster” by R.E.M. - Chloroma - Embryonic Devourment - “Keeper of the Shepherd” by Hannah Frances - Al Stewart - Kraftwerk - The Buzzcocks - Sunrise Patriot Motion - Yellow Eyes - Sonic Youth - The Cramps - “Primitive Thrill” by Weegee - Prince - Richard D. James - John Coltrane - Xeno & Oaklander - “Pierced from Within” by Suffocation Discovering music today (28:10): - Bandcamp - Doug Moore - Wyatt Marshall - Jon Rosenthal - Spotify - Rennie Resmini - Ron Ben-Tovin First album ever purchased (33:30): - “Green” by R.E.M. Most recent album purchased (34:25): - “Prime Specimens” by Embryonic Devourment Artists discovered in the past year (35:41): - Hannah Frances - Cosey Mueller - Weegee Desert island discs (38:45): - “Requiem” by György Ligeti - “Free Hand” by Gentle Giant - “Journey in Satchidananda” by Alice Coltrane

108 One Minute Siddha Wisdom: Mastery of Consciousness Life empowerments to master circumstances, body & mind.Discover the ancient secrets to unlocking your spiritual potential and finding inner peace as we guide you on a transformative journey of self-discovery. Embark on an exploration of divine wisdom, where the sacred teachings of Siddha and the insights of Adi Shankara light the path to enlightenment. In this episode, we delve into the powerful practices that connect us to the source, from channeling energy through our chakras to awakening the higher self and harnessing the bliss of Satchidananda.Let your spirit soar as we share strategies to rise above life's tumult, drawing on the timeless wisdom of Ramakrishna Paramahamsa and the profound teachings of Mahatma Gandhi. Our conversation reaches into the depths of consciousness, revealing how karma and dharma intertwine within our lives, and how meditation, mantra, and presence can sculpt a reality filled with harmony and joy. The wisdom imparted by our guests illuminates the power of now and teaches us to embrace each moment as a step towards our grandest potential.As we conclude this soul-stirring session, we invite you to awaken the infinite grace within, to dance with the cosmic energies of karma and Dharma, and to attune your breath to the rhythm of the universe. Experience the joy of transforming from Siddhartha to Buddha, of elevating thought into wisdom, and of manifesting our inner light to its fullest brilliance. Join us as we celebrate life's ultimate masterpiece – the masterpiece of spirit and potential that resides within each one of us.Mastery of Consciousness Siddha teachings- experiential wisdom of life, enlightenment and the journey to fulfill our highest purpose. https://nandhijimasteryofconsciousness.podia.com/

What's the sound of one hand clapping? That's the sound of success. If you want more of it, you have to hear more of This. You have to hear the Silence beyond the world clapping, beyond the desire you hold of hearing the world clapping for you. You have to hear God clapping. He already is. He's always been clapping. You keep bowing.  I Love You I Am You nik  "Don't sing the sadness anymore." - Rumi  "The Divine Mother revealed to me in the Käli temple that it was She who had become everything. She showed me that everything was full of Consciousness. The Image was Consciousness, the altar was Consciousness, the water-vessels were Consciousness, the door-sill was Consciousness, the marble floor was Consciousness -all was Consciousness. "found everything inside the room soaked, as it were, in Bliss-the Bliss of Satchidananda. I saw a wicked man in front of the Kāli temple; but in him also I saw the Power of the Divine Mother vibrating. "That was why I fed a cat with the food that was to be offered to the Divine Mother. I clearly perceived that the Divine Mother Herself had become everything-even the cat. The manager of the temple garden wrote to Mathur Babu saying that I was feeding the cat with the offering intended for the Divine Mother. But Mathur Babu had insight into the state of my mind. He wrote back to the manager: 'Let him do whatever he likes. You must not say anything to him." - Sri Ramakrishna  "Everything is clapping today. Light, sound, motion, all movement." - Hafiz  "Don't sing the sadness anymore. Call out that you have been given both the answer and an understanding of the question." - Hafiz  "If I meet a wolf, he turns into a kind friend. If I am lowered into a well, it becomes a garden. A stony miser comes to me and starts giving his wealth away. Don't offer me money. I have a teacher whose fragrance brings statues to life." -Hafiz "Jesus promised to send to his disciples the Comforter, the Holy Ghost, to speed them on their way to Self-realization. An advanced devotee can hear the sound of Aum in his body and can see its light in his spiritual eye. After he has become acquainted with these two limited manifestations, in the bodily sound and in his spiritual eye, then, by further spreading of his consciousness in Omnipresence, he sees his small spherical eye of light expand into a cosmic sphere whose luminosity conflagrates the whole universe. Similarly, as the devotee listens to Pranava, the holy sound of Aum, he forgets the restrictions of the human body and of space and can feel the Aum of his body vibrating into a perception of his cosmic body. He feels his consciousness vibrating everywhere with the ever expanding Aum sound. In ecstasy he suddenly sees his body as an atom or cell in the cosmic body.All aspiring yogis who would be performers of the inner holy rites of consuming restlessness and delusion in the fire of ecstasy, givers of unconditional devotion to God, and cultivators of true perception through Self-mastery, must begin their progress on the spiritual path by first chanting Aum, and then communing with Aum by hearing this sacred Word-symbol of God present right within the body-temple." - Yogananda   

Sri Swami Satchidananda, Integral Yoga founder, teaches the pronunciation of the Sanskrit slokas used in daily pūjā, a service of devotion at Chidambaram (the Mahasamadhi Shrine of Sri Swamiji). The pūjā is offered to the Sivalingam (according to Tamil Saiva tradition, Sri Swamiji's root tradition). In Sanskrit, Siva means “auspiciousness,” and lingam means “sign” or “symbol.” The Sivalingam symbolizes the Absolute God, the nameless and formless One. The slokas are broken into syllables to help one learn to pronounce each portion and then Sri Swamiji chants the entire line. Find the text here:

Kate Molleson and Kevin Le Gendre dive into the lives and music of John & Alice Coltrane Coltrane is a name you're likely to have heard, even if you know little to nothing about jazz. More than half a century after his death, saxophonist and composer John Coltrane is hailed as a giant of American cultural history, and one of 20th-century music's greatest visionaries. But he's not the only Coltrane. His wife, Alice, was an accomplished keyboardist and harpist who made revolutionary music in her own right, and whose contribution to John's late output has not always been fully recognised. As soulmates and fellow seekers in sound, John and Alice both transcended cultural and genre boundaries, helping to pioneer avant-garde and spiritual jazz. But following John's premature death in 1967, Alice began her solo career and would take forward their journey of creative and religious expansion. This week, Kate Molleson is joined by journalist and broadcaster Kevin Le Gendre to dive into the lives and music of these monumental figures, and explore their contributions to the jazz world and beyond. Music featured: Straight Street (from Coltrane) Blue Train (from Blue Train) Miles Davis/John Coltrane: So What (from Kind of Blue) Giant Steps (from Giant Steps) Syeeda's Song Flute (from Giant Steps) Naima (from Giant Steps) Rodgers/Hart: It's Easy to Remember (from Ballads) Up ‘Gainst the Wall (from Impressions) Rodgers/Hammerstein: My Favorite Things (from My Favorite Things) Blues Minor (from Africa/Brass) India (from Impressions) Alabama (from Live at Birdland 1963) Bessie's Blues (from Crescent) Terry Gibbs: Sherry Bossa Nova (from Plays Terry Gibbs feat. Alice McLeod) Ogunde (from Expression) A Love Supreme, Pts 1 and 2 (from A Love Supreme) Expression (from Expression) Dear Lord (from Transition) Stopover Bombay (from Journey in Satchidananda) The Sun (from Cosmic Music) Lovely Sky Boat (from A Monastic Trio) Ohnedaruth (from A Monastic Trio) Blue Nile (from Ptah the el Daoud) A Love Supreme (from World Galaxy) Journey in Satchidananda (from Journey in Satchidananda) Spiritual Eternal (from Eternity) Sivaya (from Transcendence) Going Home (from Lord of Lords) Krishna Krishna (from Turiya Sings) Translinear Light (from Translinear Light) Rama rama (from The Ecstatic Music of Alice Coltrane Turiyasangitananda) Govinda Jai Jai (from Radha-Krsna Nama Sankirtana) Presented by Kate Molleson Produced by Amelia Parker & Martin Williams for BBC Audio Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for John and Alice Coltrane https://www.bbc.co.uk/programmes/m001s5st And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

✅ Get the Sat Chid Ananda mantra, at a 30% discount - https://mahakatha.co/scapod

ALICE COLTRANE JOURNEY IN SATCHIDANANDA – New York, November 8, 1970 Journey in Satchidananda, Something about John Coltrane Pharoah Sanders (sop,perc) Alice Coltrane (p,harp-1) Tulsi (tamboura) Cecil McBee (b) Rashied Ali (d) Majid Shabazz (bells,tamb) SCHUBERT / UCHIHASHI /KUGEL BLACK HOLES ARE HARD TO FIND – Berlin, Germany, September 3 & 4, 2021 Needle’s eye, […]

Der Begriff „integraler Yoga“ geht auf die Lehren von Swami Sivananda und Sri Aurobindo zurück und wurde von Swami Sivanandas Schüler, Swami Satchidananda, im Westen, insbesondere in den USA, bekannt gemacht. Satchidananda wird oft als „Woodstock Guru“ bezeichnet, weil er damals die Eröffnungsrede des legendären Festivals hielt. Was „Integral Yoga“ ausmacht, weiß Yogalehrerin Heike Farkas, eine direkte Schülerin von Swami Satchidananda. Im Gespräch mit Susanne beschreibt Heike die wichtigsten Grundsätze und Besonderheiten des Integral Yoga und erklärt, wie hier alle verschiedenen Yogawege integriert werden, um Yoga wirklich ganzheitlich leben zu können. Außerdem erzählt Heike, wie sie den großen Yogameister kennengelernt und erlebt hat. Dabei spricht sie auch offen und ehrlich über den Missbrauchsskandal um den Woodstock Guru und teilt unverblümt ihre persönliche Meinung dazu. Zum Schluss verrät sie, warum Swami Satchidanandas Motto „Es gibt nur eine Wahrheit – aber viele Wege“ so eine immense Bedeutung für unsere moderne Gesellschaft hat. https://integralyoga.de/home https://yogaworld.de/

This year, for the first time, Al took part in #MWE — aka Music Writer's Exercise — listening to and writing about a new album every day throughout the month of February. Al discusses 10 of his favorite albums out of the total of 28, explaining why he chose them for the project and what he liked about them.Al mentioned the Sara Lund interview on the Tour Stories podcast, where she discussed Alice Coltrane's Journey in Satchidananda. You can listen to that episode here: https://podcasts.apple.com/us/podcast/the-check-in-with-sara-lund-unwound/id1482193534?i=1000575099615.Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.You, Me and An Album: The Newsletter is free to all subscribers! https://youmealbum.substack.com/If you are interested in supporting this podcast, please check out the show's Patreon site, https://www.patreon.com/youmealbum. Your contributions are greatly appreciated and keep this show going.0:48 A #MWE primer2:06 How Al picked his 28 albumsHighlight albums4:06 Television, Marquee Moon6:54 Tacocat, Lost Time9:17 Tool, Lateralus11:42 Alice Coltrane, Journey in Satchidananda13:19  Horsegirl, Versions of Modern Performance15:31 Obey Robots, One In A Thousand18:38 Quasi, Breaking the Balls of History20:10 Caroline Polachek, Desire, I Want to Turn Into You23:21 The Black Tones, Cobain & Cornbread25:02 Bruce Springsteen, Greetings from Asbury Park, N.J.28:06 Al sums up his #MWE experienceSupport the show

 And that we can read in the religious/mystical scriptures.Maybe we need the world as a distraction?No mystic could me explain why sex is not necessary, even we enjoy it…And then comes their answer: Don't enjoy worldly pleasures. So what, should we suffer when we have sex? I think we suffer when we have sex. At the same time, we enjoy it.  Why should we not enjoy our sorrow?Life is sorrow (Buddha) Amen…Life is sorrow was the  Christian trueness until the fall of Constantinople. Still, it is true for all the other Religions.Can we only experience bliss, divine love, God, Satchidananda, Samadhi, Satori when we renounce worldly pleasures?This formula has never worked out … Regardless where I look the people love to suffer and look for reasons to suffer. The Religions deliver that suffering and the people want more… If we suffer, we experience our deep feelings. If we don't have deeper emotions for a long time we long for sorrow…The Religions give people a reason to suffer when they neglect worldly pleasures. And so the sorrow is meaningful instead to suffer just for some worldly pleasures.  In any case, we have to suffer … The world and our worldly desires help us to discover the divine or our true self. If we see the world as an expression of the creator, then the world becomes meaningful.What is inside is outside. What we see outside is always inside even more it starts inside.How can we purify us if we don't know what is inside of ourselves when we suppress our worldly desires/feelings/lust?The world is a reflection of us and helps us to purify us from our negativity.We can enter the spiritual realm when we:1.) Deep relax.2.) Have faith in God or our spiritual teacher.3.) Make the right spiritual exercises at best and not just so….4.) Go in the flow through body exercises.5.) Total exhaust our body through sport, dancing, or spiritual exercises. 6.) Try our best to get rid of our negative suppressed emotions and thoughts.And this has nothing do do with “the world is a distraction”…The spiritual realm is for everybody open!My Video: The world is a distraction https://youtu.be/To783OX7xMAMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/The-world-is-a-distraction.mp3

Et vuggende hav af kærlighed, en gave fra det hinsides og en sorg så stor og tung som Finland. I 1971 er Alice Coltrane knust af sorg over tabet af husbonden John Coltrane. Pludselig en dag bliver en harpe leveret til Alices adresse. Den skal vise sig at blive nøglen til bearbejdelsen af sorgen og en helt ny lyd indenfor jazzen. Frederik Korfix fortæller i dagens udsendelse om tilblivelsen af Alice Coltrane pladen "Journey in Satchidananda". Vært: Frederik Korfix. www.dr.dk/p8jazz

In this episode I am joined by Bruce Frantzis, world renowned Taoist master and author of books such as ‘Opening the Energy Gates of your Body' and ‘Taoist Sexual Meditation'. Bruce recalls his turbulent childhood living with a schizophrenic mother, witnessing murders in New York city, and early training in martial arts and meditation. Bruce recounts a lifetime of adventurous travel and powerful encounters with spiritual and energetic masters in Japan, China, and India. Bruce describes his induction into a secret Taoist priesthood, his discipleship under Taoist immortal Liu Hung Cheh, and his training under Dzogchen masters such as Dudjom Rinpoche, Namkhai Norbu, and Lama Wangdor. Bruce also discusses the keys to Taoist meditation, the mechanics of mind-to-mind spiritual transmission, and how to heal mental, emotional, psychic, and karmic traumas. … Video version: https://www.guruviking.com/podcast/ep171-taoist-master-bruce-frantzis Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics Include: 00:00 - Intro 01:02 - Bruce's troubled childhood with his schizophrenic mother 03:10 - Boarding school at 6 and appetite for learning 07:12 - Spontaneous meditation practice as a child and other karmic presages 09:18 - Witnessing violent killings and beginning martial arts 14:13- Participation in the 60s counter culture 17:55 - Facing death at first Zen sesshin 20:03 - The New York scene 23:03 - Intense martial arts training in Japan 26:07 - Shocking meeting with Wang Shujin 30:31 - Adventures travelling in Asia 34:59 - Life changing experiences in India 42:38 - Getting busted in Okinawa 44:32 - Encountering a secret Taoist priesthood and further adventures in America 49:58 - Travelling through Europe 51:47 - Dangerous encounters in the Middle East 54:24 - One year of kundalini practice in a cave in India 58:19 - Surviving hepatitis and travel to Kashmir 01:03:27 - Further studies in East Asia 01:06:02 - Return to the USA 01:06:21 - More Hong Kong anecdotes 01:08:56 - Bagua and challenge matches 01:17:16 - Bruce's observations about meditation after 60 years of practice 01:19:16 - The problem with the Buddhist valorisation of mothers 01:25:05 - Resolving childhood trauma 01:28:33 - Bruce's teacher confronts his attitude 01:30:21 - Meetings with survivors of torture 01:42:45 - Essence of spirituality 01:48:08 - Past life karma with Dudjom Rinpoche 01:53:22 - Mental illness in America and impending environmental catastrophe 01:59:11 - The golden age of the baby boomers 02:02:02 - Medical gigong tuina 02:03:37 - Teaching meditation and exploitative gurus 02:06:06 - Taoist view of the spiritual path 02:10:20 - Taoism vs Buddhism 02:13:21 - Dzogchen studies with Namkhai Norbu and Lama Wangdor 02:17:10 - Realisation of clear light 02:19:47 - Advice for those facing difficult times 02:22:57 - Mind to mind transmission 02:25:08 - Understanding the totality of something 02:25:56 - First attain stability of mind 02:27:33 - Nityananda, Muktananda, and shaktipat 02:29:45 - How to do mind-to-mind transmission 02:38:26 - Potential for abuse in mind-to-mind transmission abilities 02:40:36 - Muktanada, Satchidananda, and sexual repression 02:46:00 - Mental vs emotional vs psychic vs karmic traumas … To find out more about Bruce Frantzis, visit: - https://www.energyarts.com/ … 
For more interviews, videos, and more visit: - www.guruviking.com … Music ‘Deva Dasi' by Steve James

Cresceu a tentar sintonizar a TV2 espanhola – para ver o La Edad de Oro, mesmo que fosse com grão – e a gravar em cassete os programas do John Peel. Naquela altura não lhe passava pela cabeça que viria a fazer rádio: o que a Isilda Sanches queria mesmo fazer era escrever sobre música e espetar o cabelo como a Laurie Anderson. A rádio chegaria mais tarde, mas bem a tempo de a tornar uma voz de referência para muitos melómanos como nós! Quem esteve connosco no domingo passado pôde ouvir em primeira mão estas e outras histórias que a Isilda nos foi contando, pontuadas, claro, por quatro canções cheias de significado. Histórias e canções que podem ouvir ou reouvir a partir de agora, nos sítios do costume.Playlist:"Born Never Asked", Laurie Anderson"Bela Lugosi's Dead", Bauhaus"Overpowered", Róisín Murphy"Journey in Satchidananda", Alice Coltrane

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre o curioso ato de assobiar no mundo da música e relembram algumas das melhores composições do gênero. Apoie o nosso podcast: https://bit.ly/3ohnUck Não Paro De Ouvir ➜ Tulipa Ruiz https://bit.ly/3BNMcAD ➜ Deize Tigrona https://bit.ly/3DYx7yS ➜ Pelados https://bit.ly/3SjHbqD ➜ Pedro Cassel https://spoti.fi/3SAlNNp ➜ TSHA https://spoti.fi/3Rw3iZP ➜ Alex G https://bit.ly/3UIEBw0 ➜ Magdalena Bay https://bit.ly/3LKdk8a ➜ Julien Cheng https://spoti.fi/3UACudo ➜ Whitney https://bit.ly/3DvVeVp ➜ Tori https://bit.ly/3Can2xx ➜ Alvvays https://bit.ly/3UCIFOl ➜ Qinhones https://bit.ly/3DXT55g ➜ Dingo https://bit.ly/3dJSlpp ➜ Jamie XX https://bit.ly/3xXrAVk ➜ Floating Points https://bit.ly/3SabXlD ➜ Broken Bells https://bit.ly/3DZlZlu ➜ Luísa e Os Alquimistas https://bit.ly/3dO9qi6 ➜ Beth Orton https://bit.ly/3Sotdnu Você Precisa Ouvir Isso ➜ Wet Leg no KEXP https://bit.ly/3dGEIHP ➜ Last Week Tonight with John Oliver https://bit.ly/3dKaG5T ➜ Björk Podcast https://spoti.fi/3SFZd6h ➜ Persuasão (Netflix) ➜ Chefs Table: Pizza (Netflix) ➜ Pharoah Sanders - Karma (1969) ➜ Pharoah Sanders - Thembi (1971) ➜ Alice Coltrane & Pharoah Sanders - Journey in Satchidananda (1971) ➜ Pharoah Sanders - Black Unity (1972) ➜ Floating Points & Pharoah Sanders - Promises (2021) ➜ You're Next (HBO Max) ➜ Ingressos para o paraíso (Cinemas) ➜ O Perdão (Cinemas) ➜ À Sombra do Medo (Netflix) Contato: contato@vamosfalarsobremusica.com.br

This week we are speaking to Nischala Joy Devi, who is well known and loved for her innovative way of expressing Yoga - from the physical to the subtle for spiritual growth and healing. Her deep love and respect for these teachings shines through as she reinterprets these sacred texts with the goal of empowering each individual reader to find connection, understanding and benefit from this wisdom, for their own personal growth and greater contribution to our world. Nischala has created numerous books and trainings - although in this interview we are focusing on the newly released revised edition of The Secret Power of Yoga: A Woman's Guide to the Heart and Spirit of the Yoga Sutras. This book is widely known and loved as the definitive feminine interpretation of Patanjali's Yoga Sutras, and the new edition is expanded to include all four padas. She has a background in Western Medicine and is known for her work with Dean Ornish's Reversing Heart Disease program and the Commonweal Cancer Help Program, as well as the Yoga of the Heart program that helps yoga teachers and health professionals adapt yogic practices for the special needs of this population. Please be advised, we do discuss Nischala's 25 years of monastic life at the Satchidananda ashram and right at the end of the interview have a deeper discussion of the fall out and her response to the abuse that took place there. Links The Secret Power of Yoga: A Woman's Guide to the Heart and Spirit of the Yoga Sutras - https://www.amazon.com/Secret-Power-Yoga-Revised-Womans/dp/0593235568/ Free Weekly Sutra: https://abundantwellbeing.com/free-weekly-sutra-signup/ Facebook: https://www.facebook.com/NischalaJoyDevi Twitter: https://twitter.com/nischaladevi Nischala's Website - Abundant Wellbeing: https://abundantwellbeing.com/ Offering Tree: https://offeringtree.com/flowartists

The story of Alice Coltrane — an accomplished bebop pianist from Detroit who transcended into something far greater before walking away from public life altogether — is a glimpse into what it means to be truly free. Alice's masterpiece Journey in Satchidananda is a cosmic dance that sparked creation from destruction. And in a time when we're all desperately searching for a spark of meaning and hope, Journey abides abundantly.Follow us on Instagram and Twitter (@tunedig) for more info about the songs that didn't make the episode. Check out more episodes at https://tunedig.com.

Lyrics :Om Shiva Om Shiva Satchidananda Shiva.Shambho Shankara Samba Sada Shiva.Om Shiva Om Shiva Satchidananda Shiva.Shambho Shankara Samba Sada Shiva.Meaning: Lord Shiva is the embodiment of primordial and eternal sound (Om). He is the Truth, Awareness and Bliss. He along with Mother Parvati is eternal, symbolizing auspiciousness.Bhagawan Sri Sathya Sai Baba says,“When you repeat the Name, all the sweetness of the Form and its associated Glory must come to memory and just as your mouth waters when you remember some sweet dish you relish, your mind must "water" when you contemplate it. Choose the Name that captivates your heart. Why run after riches when all the pleasure and satisfaction that riches can offer and even a hundredfold, can be got by dwelling on the Name? The Lord has said that wherever His Name is sung, "thathra thishtaami," there I sit; He establishes Himself there! So, the tongue is enough to win Him, the tongue that speaks the language of the pure mind.”Let us all chant the auspicious name of Shiva through this melodic Sai Bhajan, Om Shiva Om Shiva Satchidananda Shiva

Nothing, Nothingness, Everythingness. Zero to Many and back again. --- Support this podcast: https://anchor.fm/dharmayogashram/support

Alice Coltrane spent the mid-Sixties in personal and musical bliss, starting a family with John Coltrane and touring the world as the pianist in his band. Then John died suddenly of liver cancer in 1967. Newly widowed at the age of 29 with four children to care for, she plunged into a lengthy period of despair. Sensing her pain, an old friend introduced her to his guru, Swami Satchidananda. With a new clarity — and a harp that John had commissioned for her before his death — she entered the basement studio of her Long Island home and recorded Journey in Satchidananda. Our episode retraces the entire arc of this remarkable 1971 record: We step into the basement where the album was recorded; speak to several musicians who played on it as well as Alice's daughter, Michelle; hear from musicians it influenced — including Flying Lotus, the grandson of Alice's sister; and hear archival interviews with Alice herself, delving into the remarkable story of a woman who crafted something beautiful and enduring in the time of her deepest pain.New episodes of Rolling Stone's 500 Greatest Albums release every Tuesday, only on Amazon Music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lyrics:Vishnu Satchidananda Venu Gopala BalaKrishna Rama Govinda Hari Hari (3) Meaning:Sing the various names of Lord Vishnu, namely Rama, Govinda, Hari and the child Krishna holding the flute in His hand, who are all the embodiments of Being, Awareness and Bliss.

Dr. Satchidananda ("Satchin") Panda, is Professor, Regulatory Biology Laboratory, and Rita and Richard Atkinson Chair, at the Salk Institute for Biological Studies, La Jolla, California (https://www.salk.edu/scientist/satchidananda-panda/), where his research focuses on the circadian regulation of behavior, physiology and metabolism in model organisms and in humans. Dr. Panda is also a founding executive member of the Center for Circadian Biology at the University of California, San Diego (https://ccb.ucsd.edu/). With a PhD from The Scripps Research Institute, La Jolla, California, and his postdoctoral research at the Genomics Institute of the Novartis Research Foundation, San Diego, Dr. Panda's laboratory is interested in understanding the molecular mechanisms of this biological clock (or circadian oscillator), which in most organisms coordinates behavior and physiology with the natural light-dark cycle. Among Dr. Panda's discoveries include a blue-light sensing cell type in the retina which entrains our master circadian clock, affects mood, and regulates the production of sleep hormone melatonin, as well as his discovery that maintaining a daily feeding-fasting cycle – popularly known as Time-restricted feeding (TRF) – can prevent and reverse metabolic diseases. Based on a feasibility study in humans, his lab is currently carrying out a smartphone based study (www.mycircadianclock.org) to assess the extent of circadian disruption among adults. Dr. Panda's laboratory uses genetic, genomics and biochemical approaches to identify genes under circadian regulation in different organs and to understand the mechanisms of such regulation. Dr. Panda is also a Pew Biomedical Scholar, a recipient of the Julie Martin Mid-Career Award in Aging Research, is extensively published in the scientific literature, and is also the author of the books: The Circadian Code: Lose Weight, Supercharge Your Energy, and Transform Your Health from Morning to Midnight and The Circadian Diabetes Code: Discover the Right Time to Eat, Sleep, and Exercise to Prevent and Reverse Prediabetes and Diabetes.

Happy Thanksgiving! Today on the show, we're re-airing highlights from our summer series "Iconic at 50" and looking at, or rather listening to, some iconic albums that turned 50 this year and digging into the political and social context in which they were made and their impact on both music and culture, including: Sean Ono Lennon, musician and son of John Lennon and Yoko Ono, discusses how John Lennon's 1971 song "Imagine" was shaped by its time and has influenced music for generations to come. Andy Beta, music writer whose byline has appeared in The New York Times, Rolling Stone, The Wall Street Journal, Washington Post, NPR and more, discusses how Alice Coltrane's 1971 album "Journey in Satchidananda" was shaped by its time and has influenced music for generations to come. Loren Glass, chair and professor of English at the University of Iowa and author of several books including, most recently, Carole King's Tapestry for Bloomsbury's 33 1/3 series, discusses how Carole King's 1971 album "Tapestry" was shaped by its time and has influenced music for generations to come. Henry Rollins, host at KCRW and former lead vocalist of the hardcore group Black Flag, discusses how Black Sabbath's 1971 album "Master of Reality" was shaped by its time and has influenced music for generations to come. Jon Burlingame, music journalist who writes regularly for Variety, music-and-TV theme expert and host of "For Scores" podcast, discusses how Isaac Hayes's 1971 album "Shaft" was shaped by its time and has influenced music, and culture, for generations to come. Aaron Cohen, author of Move On Up: Chicago Soul Music and Black Cultural Power (University of Chicago Press, 2019) and professor at City Colleges of Chicago, discusses how George Harrison's concert and album "The Concert For Bangladesh" was shaped by its time and has influenced music for generations to come.   These interviews were edited slightly for time, the original versions are available here: Iconic at 50: John Lennon's 'Imagine' (Oct 21, 2021) Iconic at 50: Alice Coltrane's 'Journey in Satchidananda' (Jul 23, 2021) Iconic at 50: Carole King's 'Tapestry' (Aug 6, 2021) Iconic at 50: Black Sabbath's 'Master of Reality' (Jul 16, 2021) Iconic at 50: Isaac Hayes's 'Shaft' (Jul 29, 2021) Iconic at 50: George Harrison's 'The Concert For Bangladesh' (Sep 3, 2021)

Wonder what teachers like Satchidananda and Pattabhi Jois were like to study under? Are you thirsty for authentic perspective on the future of yoga from a truly enlightened teacher? Lea Loncar is an international yoga teacher with a background in psychology, whose existential and philosophical undertones make her one of the most important yoga voices of our generation. Today we dive deep into queries of how yoga is needed moving forward, how yoga has changed since the 80s, how the challenges of modern life enriches the understanding of yoga, and why you shouldn't wait to live your life fully. Connect with Lea at www.samvidyoga.com 1:46 Existential questions and deep thinking 3:35 Most influential famous and unknown yoga influences 3:58 Sachidananda and Pattabhi Jois 5:00 Mystical experiences with Sachidananda and yogis in caves 9:56 Foregoing solitude to be a teacher in the modern world, pursuing enlightenment in India and Asia before samsara 14:04 Raising conscious kids in a digital age, how it informed her perspective, where yoga is needed going forward 15:25 shaping the message for the next generation 18:53 What is most important for the new generation of yoga teachers to be mindful of? 21:03 Why yoga gets better with age 23:10 Kundalini awakening and physical fitness 24:53 Shamans, rituals, integration, spiritual and cultural practices 27:50 Don't postpone your happiness

Die Tiefe meines Wesens - Satchidanandaswarupoham, Nyayas Mit Nyayas, Gleichnissen, fällt es leicht, komplexe Wahrheiten zu verstehen. Nyayas sind daher eine wichtige Methodik im Vedanta. Sukadev stellt die wichtigsten Nyayas vor und hilft dir zu verstehen, dass es ein unendliches Brahman gibt. Identifiziere dich nicht mit dem Scheinbaren, dem Relativen. Erkenne: Du bist das Unsterbliche Selbst. Hinter allem ist die eine unendliche Wirklichkeit. Sukadev stellt dir folgende fünf Nyayas vor: Mrigatrishna Nyaya: Fata Morgana in der Wüste Kanakakundala Nyaya: Gold und Schmuck: Gold überall gleich - manifestiert sich in verschiedenen Schmuckstücken. Topf-Ton Analogie Samudrataranga - Nyaya: Ozean und Wellen Surya Bimba Nyaya: Reflexion der Sonne in Feichen, Flüssen, Pfützen, Wellen - Ghatakasha Nyaya: Topf und Raum Hier findest du: alle 25 Vedanta Nyayas. Der zweite Teil dieses Vedanta Meditation und Jnana Yoga Videos ist wieder eine Meditation, die Meditation über die Tiefe deines Wesens. Dabei ist ein Vakya, ein Satz, charakteristisch: In der Tiefe meines Wesens bin ich Sein, Wissen und Glückseligkeit. Satchidananda Swarupoham. Im letzten Teil dieser Vedanta und Jnana Yoga Lektion stellt Sukadev dir ein sehr machtvolles Werkzeug vor, wie du auch im Alltag das Bewusstsein von Satchidananda immer wieder wachzurufen. Mehr Informationen zu: Satchidananda Nyayas Vedanta Jnana Yoga Yogalehrer Ausbildung Seminare zu Vedanta

Love is the Message returns with series 3! In our last cluster of episodes, Tim Lawrence and Jeremy Gilbert took a deep look at the musical, social and political currents flowing through New York City from the late '60s to around 1975. This time, they're turning their attention outwards, expanding their analysis of this crucial period of time to include South America, the Caribbean, West Africa and parts of Asia. In this opening episode of the series, Tim and Jeremy are exploring American examples of Afro-Psychedelia. They begin by defining the term, alongside its close cousin Afro-Futurism. They then discuss the psychedelic experiences of a number of Black American musicians, and interrogate the often misrepresentative history of Black America's involvement in Acid culture. Taking in great musicians like Sun Ra and Hendrix, Tim and Jeremy talk about how both Ancient Egypt and outer space recur as images of alternative and utopian possibilities, and consider the esteem with which jazz musicians of the time held Indian Classical music. We end the show by thinking about the different yet huge legacies of John and Alice Coltrane as spiritual musical innovators. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They've been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they're inevitably launching a podcast. Produced and edited by Matt Huxley. We are committed to making Love is the Message free to everyone who wants it, but if you have the means, please become a supporter by visiting www.patreon.com/LoveMessagePod for as little as £3 a month so we can stay free. Tune in, Turn on, Get Down! Tracklist: Sun Ra - Space is the Place Robert Johnson - Crossroad Blues Sun Ra - UFO John Coltrane - Om pt.1 Jimi Hendix - Valleys of Neptune Alice Coltrane - Journey in Satchidananda

** visit acedoutpodcast.com to see photos and more **“The funk is the stench that you smell after you work really hard.” So says MURGA BOOKER, drummer, percussionist, shaman & card-carrying funkateer. And he would know. After all, from 1980 to ‘85, Booker was deeply embedded in the P-Funk camp, working with George Clinton and everyone else around Disc Ltd. Studios in Detroit. He was snatched up by Rubber Band drummer Frankie “Cash” Waddy and Bootsy Collins himself after they had heard him play the Moroccan clay drums at his pad. They were also impressed by Booker's work with Weather Report, bassist Michael Henderson, and Detroit soul group the Fantastic Four. By then, Muruga had figured out how to make himself indispensable to producers and bandleaders alike. “I saw everybody in Detroit at Motown playing congas and bongos and maybe some timbales.” He explains. “So I went to Israeli and Greek doumbek and Moroccan clay drums… By having those instruments, I was not in any direct competition.” This explains the sounds of albums like the Electric Spanking of War Babies, which you might have noticed has a lot more varied and freaky percussion in the mix than Funkadelic records previous. Muruga's funky hands are also busy on Clinton solo joints such as Computer Games (1982) and You Shouldn't Nuf Bit Fish (1983), the P-Funk AllStars' Urban Dance Floor Guerillas (1983), and the lesser known gem, a Bootsy project called GodMama (1981). But that's not all. Being around George during this period also put Murugua in direct proximity to Sly Stone, whom Booker was able to entice to play bass (!) on his project, Muruga and the Soda Jerks, a quirky, New Wave-sounding version of the P signed and produced by Clinton. But Muruga's contribution to Parliament-Funkadelic was not only musical but also medicinal. He served as the group's masseuse and yoga instructor, teaching Bernie Worrell, George, Sly, et al breathing techniques in between bites of Booker's mother's paprikash. But Muruga's musical journey didn't start with the P — not by a long shot. In fact, as a teenager in 1960, Steve (not yet Muruga) Booker already had a hit. The band was called the Low Rocks and the song was “Blueberry Jam,” a super-sped up reworking of “Blueberry Hill” by Fats Domino. “We were the young garage punks of the era” says Booker, who was recruited directly from the audience when the previous Low Rocks drummer abruptly quit at a house party. The gig wound up lasting only a year, but the band had some exciting opportunities, including backing up Little Stevie Wonder in a battle of the bands. Soon after that, Steve Booker began to see the drums not just as an instrument but also as a theory of life. He basically moved into Detroit's legendary blues and folk club the Chess Mate, where he would eventually become bandleader. There he would play hours-long drum solos every night. But the young Serbian stickman still lacked some key ingredients. One night, after he had finished yet another one of his extended excursions, a Black gentleman approached. “I see what you're trying to do,” he told Booker. But rather then launching into a lecture, the man handed him a cassette tape of Drums of Passion by Nigerian drummer Babatunde Olatunji. And just like that, Booker's life changed. He spent the next two weeks in his mom's living room, eight hours per day, dancing to Drums and seeing how the music made his body move. Things were starting to make sense. “If you do not love Africa or it's people, then you cannot love the blues, or jazz, or rock and roll,” he says. The lessons came in handy when he played support for none other than John Lee Hooker, whom he grew to admire deeply. “I realized that Hooker was not just a blues man, but he was a spiritual ju ju man, a healer,” says Booker. “Also he was a storyteller… That comes from griot. The griot is the storyteller of the tribe.” The pairing of the two went so well they were featured as a double bill, “Hooker & Booker.” Booker also had some of the best jams in his life at The Scene club in New York, where the top musicians of the day would go to let it all hang out musically when they weren't in the studio or on tour. There the Band of Gypsys' Buddy Miles served as a musical lightning rod of sorts. “When you go play the top clubs like The Scene,” Booker explains, “it's top musicians going there, but jamming and intermingling and exchanging with each other… That's the place where a George Clinton or a Sly Stone or a Mitch Mitchell or a Larry Coryell could go. But Buddy Miles… He was creating an atmosphere that drew all of those musicians like bees to honey.” By the late 60's into the 70s, Booker's deep plunges into musical depths had evolved into an intense curiosity and appreciation for spiritual contemplation—even more so than many peers of the era. This phase of his journey truly began on Day 1 of the iconic Woodstock Festival, where he landed in a helicopter to perform with Tim Hardin. It was there that he found himself in the presence of Swami Satchidananda, with whom Booker would live in ashram for two years as a celibate monk. In fact, it was Satchidananda who gave Muruga his name.As a result of such intense studies, Muruga became very adept at tuning in rather than tuning out, and adapting his more avant garde, exploratory tendencies to a centered principle. “A musician has to listen,” he explains. “Then you respond.” But he contends that he reached his highest plateau as a drummer once he mastered the concept of ambience and space, which he defines as: “to play the space as well as the note, and to create ambience with the space within the notes.” This seemingly unlikely marriage of freedom and discipline ultimately leads to Muruga's theory of employing “law and grace” when serving up the Funk. “1-2-3-4 is a law,” he teaches. “On the one is the law… But grace is ‘I'm being in the oneness' while I am playing.” In other words, the law guides you until you are ready to transcend it, to exist in the groove. “You must know this,” he insists. “Otherwise you don't even know funk.” Today, Muruga lives in Ann Arbor and is as jovial and active as ever, an orthodox priest and patented inventor of the Nada drum with a catalog of music that is deep and wide. In this expansive, inspiring and often hilarious interview, Muruga talks about how he used to add wah-wah's and phasers to his cymbals in order to “wake people up” by reenacting the then-ongoing Vietnam War onstage—causing half an audience in the South to give him a standing ovation, and the other half to walk out. Muruga also talks about why the rhythmic concept of “the push and drag” is the essence of life, mistakes drummers tend to make when playing the blues, and why he got scared the first time he heard the drum machine. As if that weren't enough, Muruga also describes being made fun of by Don Rickles for 20 minutes straight, the magic of Sly Stone's recording techniques, why Richie Havens is an “illuminary,” and that time he jammed one-on-one with JIMI HENDRIX on bass.Produced & Hosted by Ace AlanCohosted by Jay Stonew/ Content Produced by Aaron Booker & AndreFoxxeWebsite & Art by 3chardsEngineered by Nick “Waes” Carden at the Blue Room in Oakland, CABut we couldn't have done it without Mawnstr and especially Scott SheppardIntro track “I Can Never Be” from Basic Instructions Before Leaving Earth by the Funkanauts. Go get it wherever music is sold. RIP Brotha P. Rest in Power ROBIN RUSSELL of New Birth(Aug 27, 1952 — Sep 8, 2021) ** visit acedoutpodcast.com to see photos and more **

Quintuplikation & Panchikarana Quintuplikation, Panchikarana, ist eine der Vedanta Analysen, um sich von Identifikation und Verhaftung zu lösen. Quintuplikation ist eine Weise, alles in fünf Prinzipien einzuteilen. Sukadev spricht über die 3 Gunas und über die Panchabhutas, die 5 Elemente. Er zeigt, wie die Analyse der Welterfahrung in 5 Kategorien dir helfen kann, dich auf die Höchste Wahrheit zu besinnen. Im zweiten Teil dieser 18. Lektion, des Vedanta Meditation und Jnana Yoga Kurses besteht aus der Panchikarana Meditation. Sukadev leitet dich dazu an, neutraler Beobachter von allem Wahrnehmbaren zu wesen, die 5 Aspekte des Wahrnehmbaren zu unterscheiden. So gelingt es dir, dich von allem zu lösen, dich zu erfahren als reines Bewusstsein, als Satchidananda. Zum Schluss gibt er dir Anregung für Vedanta Praxis im Alltag: Klassifiziere deine Erfahrungen spielerisch mit einem der verschiedenen Einteilungssysteme, z.B. Vata-Pitta-Kapha, Tattwa-Rajas-Sattwa, Erde-Wasser-Feuer-Luft-Äther. Sei dir bewusst: Es geht um die Nichtidentifikation, über spielerisch-humorvolles Vorgehen. Mehr Informationen zu: 3 Gunas Jnana Yoga Yogalehrer Ausbildung Seminare zu Vedanta

Quintuplikation & Panchikarana Quintuplikation, Panchikarana, ist eine der Vedanta Analysen, um sich von Identifikation und Verhaftung zu lösen. Quintuplikation ist eine Weise, alles in fünf Prinzipien einzuteilen. Sukadev spricht über die 3 Gunas und über die Panchabhutas, die 5 Elemente. Er zeigt, wie die Analyse der Welterfahrung in 5 Kategorien dir helfen kann, dich auf die Höchste Wahrheit zu besinnen. Im zweiten Teil dieser 18. Lektion, des Vedanta Meditation und Jnana Yoga Kurses besteht aus der Panchikarana Meditation. Sukadev leitet dich dazu an, neutraler Beobachter von allem Wahrnehmbaren zu wesen, die 5 Aspekte des Wahrnehmbaren zu unterscheiden. So gelingt es dir, dich von allem zu lösen, dich zu erfahren als reines Bewusstsein, als Satchidananda. Zum Schluss gibt er dir Anregung für Vedanta Praxis im Alltag: Klassifiziere deine Erfahrungen spielerisch mit einem der verschiedenen Einteilungssysteme, z.B. Vata-Pitta-Kapha, Tattwa-Rajas-Sattwa, Erde-Wasser-Feuer-Luft-Äther. Sei dir bewusst: Es geht um die Nichtidentifikation, über spielerisch-humorvolles Vorgehen. Mehr Informationen zu: 3 Gunas Jnana Yoga Yogalehrer Ausbildung Seminare zu Vedanta

„Muzikos enšteinų“ rubrikoje – trumpa trimito istorija. Kodėl trumpa? Todėl, kad pasakoti apie šį instrumentą pradėti reikėtų nuo 1500 m. pr. Kr. Tokio senumo yra seniausias rastas trimito prototipas. O ir randami šio instrumento protėviai randami visose civilizacijose. Todėl, kad net keletą kartų per Vakarų muzikos istoriją trimitas kisdamas išgyveno savo aukso amžių. Antroje laidos dalyje – „Kelionė Satchidanandoje“. Šiemet sueina 50 metų 1971-aisiais pasirodžiusiam Johno Coltrane‘o našlės Alice albumui „Journey in Satchidananda“, uždavusiam toną visam muzikiniam judėjimui, pavadintam dvasiniu džiazu.Ved. Domantas Razauskas

“The purification of the mind is very necessary. (72)”― Sri S. Satchidananda, The Yoga SutrasI welcome you to enjoy this moment. Every month the "moon" reflects light and shadow.The New Moon has arrived. We are invited to go inward and listen deeply.This information coupled with the observations made about your life shall give you some of the deepest insights about your inner landscape and where you are ready to release (let go), heal, transform and/or nourish your potential. As inspired, take a few minutes...Listen (aka receive) as we enter into the Next Lunar Cycle.The New Moon Arrives(d) today 9.6.21 at 5:52AM PST (-7UTC). A Gateway to stand in unbound TRUST with Self, an OPEN HEART and CLEAR MIND (CLICK HERE)This is a moment to feel the earth under your feet, the effortless guidance within your breath and the freedom within self. As inspired, take a few moments or longer to feel into your free will and deeper purpose to serve the greater good on planet earth.Feel Free to Listen to this in that moment or in your natural flow.Sound: Cosmic Keys + Earth + Water by Suzanne Toro (Produced Dante Marino)Loving from Within: by Suzanne Toro, Anne Heaton, DJ Replay & Jeepney Music.

Drehe deine Aufmerksamkeit hoch. Intensiviere deine Bewusstheit. Sie so achtsam wie irgendmöglich. Das ist eine einfache Weise, deine wahre Natur als Satchidananda zu erfahren - als unendliches Sein, Wissen und Glückseligkeit. Die Gotteserfahrung ist immer im Hier und Jetzt - und verschmilzt dann mit dem Unendlichen und Ewigen. Indem du das Hier und Jetzt -und damit das Unendliche und Ewige - wahrnimmst, nimmst du Gott und damit deine wahre Natur wahr. Und wenn du deine wahre Natur erfahren hast, hast du eine feste Grundlage für tiefempfundene Gelassenheit. Eine Übungsanleitung aus dem Yoga Vidya Gelassenheits-Podcasts. - Ein Repost aus dem Jahr 2013

Drehe deine Aufmerksamkeit hoch. Intensiviere deine Bewusstheit. Sie so achtsam wie irgendmöglich. Das ist eine einfache Weise, deine wahre Natur als Satchidananda zu erfahren - als unendliches Sein, Wissen und Glückseligkeit. Die Gotteserfahrung ist immer im Hier und Jetzt - und verschmilzt dann mit dem Unendlichen und Ewigen. Indem du das Hier und Jetzt -und damit das Unendliche und Ewige - wahrnimmst, nimmst du Gott und damit deine wahre Natur wahr. Und wenn du deine wahre Natur erfahren hast, hast du eine feste Grundlage für tiefempfundene Gelassenheit. Eine Übungsanleitung aus dem Yoga Vidya Gelassenheits-Podcasts. - Ein Repost aus dem Jahr 2013

Three of our favorite segments from the week, in case you missed them. The Future of COVID Variants (First); The $2.1 Billion LaGuardia AirTrain Won't Save You Any Time (Starts at 30:02); Iconic at 50: Alice Coltrane's 'Journey in Satchidananda' (Starts at 47:41) If you don't subscribe to the Brian Lehrer Show on iTunes, you can do that here.     

How can one love everyone on earth? Here is one way: Reflect that God's nature is, as the Indian scriptures declare, Satchidananda—ever-existing, ever-conscious, ever-new Bliss. He, the Creator, gives to each of us the motivation to seek bliss as our true nature, also. The hidden intention behind every act is the soul's need to discover the secret of existence as perfect bliss. The worst criminal seeks to solve that mystery. He seeks it mistakenly, of course; yet he does so unmistakably. Everyone on earth hungers for that fulfillment, though people usually seek it indirectly. Isn't this reason enough to love, and to be compassionate toward, every being on earth?Support the show (https://www.patreon.com/ashanayaswami)

Andy Beta, music writer whose byline has appeared in The New York Times, Rolling Stone, The Wall Street Journal, Washington Post, NPR and more, discusses how Alice Coltrane's 1971 album "Journey in Satchidananda" was shaped by its time and has influenced music for generations to come.

Brief history and review of Alice Coltrane's Journey in Satchidananda. --- Support this podcast: https://anchor.fm/therollingreview/support

Dr. Deb Kern fuses her academic background with ancient wisdom to create relatable and practical teachings that have helped women around the world create health, balance, serenity, and joy in their personal and professional lives. She has observed that when we take actions in our healing and become aware of the patterns that disconnect body & mind, miracles can occur in every area of our lives—and she adores inspiring others to experience these miracles. She has conducted original, groundbreaking academic research that revealed that mind/body integrated forms of exercise reduce anxiety more effectively than conventional ones. She has traveled far and wide—off the beaten path—in search of wisdom traditions, studied herbal medicine while living with indigenous women in the Costa Rican rainforest and learned yoga and Ayurveda while living and studying at Satchidananda ashram in the U.S. and with her teachers in Bali and India. Combining these various studies has helped her evolve practices and tools that help people heal physical and emotional wounds to live the life their soul desires to express.

This episode Ben watches Cheryl Dunye's film "The Watermelon Woman" (1996) and Nadira listens to Alice Coltrane's album "Journey in Satchidananda" (1971).   Artwork by Rebecca Pearson (@redbecca.design) Music by Cedric Hawkeyes  

Suraj speaks with Amirtha Kidambi about her work as a singer, musician, bandleader, and composer in the creative music/avant-garde scene in NYC. Amirtha talks about how her upbringing as a first-generation Indian-American affects her artistic process, how she (and other musicians) arrived at the term “creative music” to describe the music she sings/plays, and how colonization has had an adverse impact on fully experiencing music. Also, FYI, Amirtha is Suraj’s second cousin! For subscribers on podcast apps, see additional show notes and links on the AIAIF website! Link below.Because this week’s episode is a little more “in the weeds” on topics like modern jazz and experimental film, I’ve made a more extensive list of show notes. Amirtha was talking about so much great artistic material — a lot of artists and works that I didn’t know — and I just HAD to include it all in the episode! Show Notes and Links: Amirtha Kidambi’s website — Lots of great videos and links to her work here, HIGHLY RECOMMENDAmirtha’s albums with her band, Elder Ones — “Holy Science” (2019) and “From Untruth” (2018)Amirtha Kidambi & Lea Bertucci’s “End of Softness” (2020)Mary Halverson’s “Code Girl” (2018) — Amirtha is a member of this band!Understanding the concept of Indian “Raag”NY Times obituary of Kadri Gopalnath, Indian alto-saxophonist — There’s a wonderful video of Mr. Gopalnath’s music that is a great introduction to the music Amirtha discusses in the episodeOrnette Coleman’s “Free Jazz” (1961)John Coltrane’s “Impulse! Records” Discography — Every one of the albums is worth listening to, with “A Love Supreme” (1964) and “Duke Ellington and John Coltrane” (1962) being two great starting points, in my opinion. Pitchfork review of Albert Ayler’s “Spiritual Unity” (1964)Lydia Goehr’s “The Imaginary Museum of Musical Works” (1992)NY Times obituary of Fred Ho, Asian-American composer and musician — Another obit that I think is a good jumping-off point for discovering of Mr. Ho’s music.George E. Lewis's book “The AACM and American Experimental Music” (2008) A NY Times article on the AACM at its 50-year anniversary in 2015A guide to the discography of Anthony Braxton, alto-saxophonist and composerA NY Times article on Vijay Iyer and a link to his NEW album “Uneasy” (2021) — Few jazz musicians today excite me as much as Vijay Iyer. Amirtha and I discuss the paradoxes of the word “accessible” when referring to music in the episode, but if you want to hear Iyer sticking to a more recognizable harmonic palate, check out his album “Accelerando” (2012). He does a version of Michael Jackson’s “Human Nature” that is groovy beyond belief.Alice Coltrane’s recording of the “Sai Bhajan,” “Prema Mudhita” and her albums “A Monastic Trio” (1968) and “Journey in Satchidananda” (1971)Website of Ravi Coltrane, Alice and John’s son, a current jazz saxophonistSuneil Sanzgiri’s website — filmmaker that Amirtha collaborated with on two film scoresIndian film director Satyajit Ray’s “Apu Trilogy” in the Criterion Collection, Roger Ebert’s review of the trilogy, and an interview with RayAn article from Vox on Iranian film director Abbas Kiarostami and a link to “Taste of Cherry” (1997) in the Criterion CollectionAn article on Charlie Chaplin filming “Modern Times” (1936)Robert Bresson’s “Pickpocket” (1959) Get on the email list at artinallitsforms.substack.com

Daniel Levin shares a recent shift in perspective that’s left him seeking to be a “mailman” delivering love to everyone he encounters, and discusses nothing less than love itself in this great conversation with Avi Gordon.Daniel walked away from an opportunity to run a billion dollar business, to hitchhike around the world to find happiness and inner peace. He studied in a seminary five years and left one day before becoming a Rabbi and he has lived as a Monk in a monastery for 10 years. As Director of Business Development, he grew Hay House from $3,000,000 a year in sales to $100,000,000 a year in revenue.Daniel is rare blend of businessman and mystic. He is the author of The Mosaic, a life changing fable that invites people to listen to those others do not hear and to see the situations in their life differently. Quotes from the Interview:* Someone decided to give you a gift, not because you deserved it. It’s just love. That’s what love does: it loves for no reason. And for every reason.* The healing to our problems is in the spaces between the words that we tell our problems in. It’s just that easy.* If God were to pick a form to look like he would look like Satchidananda.* Each piece (p-i-e-c-e) needs to have it’s own peace (p-e-a-c-e). And when you bring the peace of each piece together you create a resounding peace. It’s called the mosaic.Links:Website (with link to schedule a free 30-minute call with Daniel): https://danielbrucelevin.com/Mosaic book or audiobook (Amazon): https://www.amazon.com/Mosaic-Daniel-Bruce-Levin/dp/1947637452The Mosaic website: https://themosaiconline.com/#home See acast.com/privacy for privacy and opt-out information.

Ein Beitrag zum Sanskritwort: Satchidananda Sachchidananda Hier findest du: Sanskrit Wörterbuch Seminare zum Thema Sanskrit Seminare mit Sukadev Seminarübersicht Yoga Vidya YouTube Live Kanal Online Seminare Video Seminare Yoga Vidya kostenlose App Yoga Vidya Newsletter Yoga Vidya Online Shop Schon ein kleiner Beitrag kann viel bewegen... Spende an Yoga Vidya e.V.!

Ein Beitrag zum Sanskritwort: Satchidananda Hier findest du: Sanskrit Wörterbuch Seminare zum Thema Sanskrit Seminare mit Sukadev Seminarübersicht Yoga Vidya YouTube Live Kanal Online Seminare Video Seminare Yoga Vidya kostenlose App Yoga Vidya Newsletter Yoga Vidya Online Shop Schon ein kleiner Beitrag kann viel bewegen... Spende an Yoga Vidya e.V.!

We have a big helping of album anniversaries this time around! Such as: John Coltrane—Ascension, Alice Coltrane—Journey in Satchidananda, David Byrne/Brian Eno—My Life in the Bush of Ghosts, Rush—Moving Pictures, J Dilla—Donuts, Tim Hecker—Ravedeath 1972. Enjoy! Albums of the Week: Scott: The Weeknd—Beauty Behind the Madness JimJam: Florence + the Machine—Lungs

What do famous Indian Yogis say Yoga is? Insights from Iyengar, Yogananda, Satchidananda, and more. Original Music by John Baldwin. Guest track "Naked" by Anoushka Shankar. Follow along at www.justbetours.com/yogaminutes

This week Mike and J.B. get back in the saddle with Rolling Stone's list of 'The 500 Greatest Albums of All Time', and are joined by very special guest Justin Handel, phoning in from Brooklyn, NY. Albums covered this week include 450) Paul and Linda McCartney, 'Ram', 449) The White Stripes, 'Elephant', 448) Otis Redding, 'Dictionary of Soul', 447) Bad Bunny, 'X 100pre', and 446) Alice Coltrane, 'Journey in Satchidananda'. As always, engage with the show via email at thislistsucks@gmail.com, and follow on Facebook/Instagram for updates and extra content. Cheers! --- Send in a voice message: https://anchor.fm/thislistsucks/message

Wer bin ich? Diese Frage begleitet dich in dieser 47-minütigen Hatha Yogastunde. Sukadev, Gründer und Leiter von Yoga Vidya, führt dich durch die klassischen Hatha Yoga und leitet dich dazu an, die Jnana Yoga Prinzipien erfahrbar zu machen. Du gehst in dieser Hatha Yogastunde durch die Vedanta Schritte: Beobachte bewusst - löse dich vom Beobachteten (Neti Neti) - frage dich: wer bin ich, der ich beobachte (Vichara) - erfahre dich als unendliches Bewusstsein, ewig frei, Atma, Satchidananda. Du übst: Kapalabhati, Wechselatmung, Surya Namaskar (Sonnengebet), Shirshasana (Kopfstand), Sarvangasana (Schulterstand), Halasana (Pflug), Matsyasana (Fisch), Paschimotthanasana (Vorwärtsbeuge), Bhujangasana (Kobra), Dhanurasana (Bogen), Ardha Matsyendrasana, Shavasana (Tiefenentspannung). Löse dich von der Identifikation mit Körper, Prana, Emotionen, Gedanken. Am Ende bleibe noch eine Weile ruhig sitzen in der Meditation. Löse dich von der Identifikation mit Körper, Prana, Emotionen, Gedanken. Erfahre: Ich bin Satchidananda, reines Bewusstsein. Yogastunden als Video unter http://y-v.de/yoga-stunden Yoga Vidya ist Europas größter Yoga Ashram und Seminarzentrum für Seminare rund um Yoga und Meditation. Hier lernst du Yoga, Ayurveda, Energiearbeit und vieles mehr. Schaue gerne in die neuen Online Seminare und Seminare im Ashram vorbei. Schon ein kleiner Beitrag kann viel bewegen. Wir sind sehr auf deine Spenden angewiesen. Unterstütze uns gerne monatlich oder einmalig. Spende an Yoga Vidya e.V.! »

What makes music essential? That's the question we've been trying to answer these last 6 months in our Essential Jazz and Blues projects. On this episode, we write another chapter as we dive into the jazz-fusion of the early 70s and come full-circle with a blues-rock legend. ALSO! – we recap all the must-listens albums […]

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. Edris Cooper-Anifowoshe, Brava Theatre presents: Robert Ohara in two events 2. Ben Lear, dir. They Call Us Monsters 3. Destiny Muhammad at SFJAZZ celebrating Alice Coltrane's Journey to Satchidananda, 10 years after her ascension.  4. Jon Else, author, True South: Henry Hampton and Eyes on the Prize, the landmark TV series that reframed the Civil Rights Movement