Podcast appearances and mentions of juan rico

We have experimental songs tonight, underground hip-hop & grime, and quite a lot of jungle & drum’n’bass mixed up with more experimental electronics & noise, sound-art meets contemporary classical, music for Palestine, Lebanon, Iran, Sudan and Congo, and more! LISTEN AGAIN to find the hope in the world; stream on demand at fbi.radio, podcast here. Aphir – Photokeratitis [Bird’s Robe Records/Bandcamp] Naarm’s Becki Whitton is many things: having been a guiding force behind sort-of record label Provenance Collective and mastermind of alternative top 100 for leftfield Australian music, The Wettest 100, professionally she’s a talented sound engineer, mixing & mastering many local pop & indie legends; and of course above all she’s a wonderful songwriter, producer, singer & improviser under the name Aphir. It’s been some time since the last Aphir album of songs with beats & stuff – for some time she’s been creating incredible ambient choral works with live looping & processing, some of which was released on The Halo is Shapeless in 2023. That album was released on Art As Catharsis – a very eclectic label, but best known for postrock & metal. Now Aphir’s new album Avarena is coming in September, and another Eora/Sydney postrock powerhouse, Bird’s Robe Records, is releasing it. I’ve had the pleasure of hearing it already, and it’s full of the kind of experimental electronic pop songs we’ve come to expect from Becki Whitton. Brian Ennals & Blockhead – Let it Burn (like Usher) [Phantom Limb/Bandcamp] Last time I had the pleasure of playing Baltimore rapper Brian Ennals, it was as part of a frankly astonishing opus in collaboration with Infinity Knives last year called A City Drowned in God’s Black Tears, mixing hip-hop with guitars’ acoustic strums & electric riffs, and a male gospel choir. NYC producer Blockhead is known – apart from the endless memes on his Instagram – for his extensive production work with Aesop Rock and more recently billy woods, two genius figures in rap – plus scads of solo work. Ennals more than easily stands in those shoes on *ahem* Boatshoes, the first single of which takes in in jazz loops and weird synths, with often-melodic rapping from Ennals. Keep an eye on this album, due out on July 17th. Basic Rhythm & NyNy – Vibez [Sneaker Social Club/Bandcamp] Basic Rhythm – No Future [Sneaker Social Club/Bandcamp] Anthoney Hart’s Basic Rhythm is generally his take on drum’n’bass, albeit always a little off-centre, rhythms shifted in some way. But his latest for the great bass label Sneaker Social Club is titled 8 Bar Techno. So is it techno? Well… kinda? It definitely starts that way, the title track sporting gun reloads & shots accenting its 4/4 thump. It’s definitely bass music though, and half of it I would suggest is grime – a highlight is NyNy‘s collaboration, “Vibez”, with more of those gun cocks. And then “No Future” has the 4/4 pulse and techno tempo, and that syncopated bassline… With Eklipse the mix empties out for a dubstep/grime feel, and sword slices replacing the guns. Only when the album closes on “Ice Cold” do we get hints at drum’n’bass, and even then what it really is a kind of grime-techno-electro stomp. Excellent. Sourdure – Le Pebre (feat. Lisà Langlois) [Murailles Music/Bandcamp] Ernest Bergez, of experimental electronic duo Kaumwald and various bands in various genres, continues his Sourdure project this year with a new album, Outredore, coming in September. With Sourdure, arcane pagan themes are modernised with electronic processing and synths, with lyrics in the Auvergnat dialect of the regional French language Occitan – which is closer to Catalan than French, and was the traditional language of many troubadors in ages past. As much as it draws on the folk music of central France, there are Arabic melodies flowing through these songs, and electronic pulses and tones. The first single features additional vocals from Lisà Langlois of the band Bòsc and collective La Crue, based also in the Massif Central of France. Jesse Draxler – Traap Number 9 ft. Lord Spikeheart & Hybrid Intuition [RIP ID] LA-based visual artist, filmmaker & musician Jesse Draxler released the first single from his upcoming album/project Tongue of Angels a few weeks ago, featuring hardcore punk/hip-hop duo Ho99o9. Here’s the second one now, with two big names from the Kenyan underground: Martin Kanja aka Lord Spikeheart, who works with heavy electronics and was half of grindcore band Duma, and guitarist/producer/futurist Hybrid Intuition. Draxler is primarily a visual artist as far as I know, but whether this is his music or more curation, it’s good stuff! Artilect – Flames (Featuring Miss Ria) [Weaponist/Bandcamp] One of the most consistently exciting drum’n’bass/jungle producers of the last while is Dylan Blythin aka Artilect, who’s often been associated with the Samurai folks but has always tended to have a junglist’s sense of rhythmic complexity shot through the d’n’b cyberpunk battering ram. And that neon, rain-soaked darkness is present on Reptile, his latest EP on Homemade Weapons‘ Weaponist label – to my ears there’s a lot of Dom & Roland here (high praise). dgoHn – Waiting For [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! Tessares really is vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. But the beats are impeccable & inventive too, of course. Highly recommended. Mantra, Decibella & Tim Reaper – Force 32 [RuptureLDN/Bandcamp] Force 32 is the third collaboration between three huge forces for the jungle revival in the UK: (DJ) Mantra, who co-founded RuptureLDN with her husband Double O, as club nights and a label (who released this EP); Decibella, herself a busy jungle & drum’n’bass DJ, and Ed Alloh aka Tim Reaper, the hardest working guy in jungle, albeit now on a break from his collaborative releases on Future Retro London. The previous installments can be found on Tim Reaper’s label and on FABRICLIVE, and this may be the best of the lot – just really good jungle as it should be done. Shhau – Bedrock [SFX/Bandcamp] Fresh on Zoë Mc Pherson‘s SFX is an album from Armenian musician & bass music producer Shhau. This is music that moves comfortably between bass music genres and tribal, percussive techno – as such it would be perfectly suited to the YUKU label, but very much fits with Mc Pherson’s aesthetic too. I love the way this is a really solid drum’n’bass tune until it pummels its way into something more techno-y. Bios Contrast & Nilotpal Das – Iron Age Fantasies [Bios Contrast Bandcamp/Universal Broadcast] Bios Contrast & Nilotpal Das, Seraphim, Susu Laroche, BROOD – Escape [Bios Contrast Bandcamp/Universal Broadcast] Bios Contrast & Nilotpal Das is the usual way that Nilotpal Das refers to his music-making, although there are many more variations! He’s an incredibly prolific producer, with new tracks going up on Bandcamp more than weekly – and there’s Bios Contrast and Brahmancore at least to follow. These two tracks are from an honest-to-goodness album that’s even released in a limited CD edition from US distributor Universal Broadcast (with impossibly expensive shipping, natch). Sounds from the S.P.E.A.K.E.R System also extends Das’s love of collaboration, with a whole host of artist joining in. On the second track here we have vocals from French-Egyptian cross-media artist Susu Laroche, and additional production from Seraphim and BROOD. We’re talking crazy glitchy beats, sometimes edging into breakcore or speedcore territory. Brahmancore. KK NULL – Quantum Pulsation X_000005 [KK Null Bandcamp] Kazuyuki Kishino, usually known as KK NULL or Null, is one of the most recognized, long-lasting noise & experimental musicians in Japan. Since the early 1980s he’s made noise rock, hardcore punk and industrial, and collaborated with scads of artists from across the spectrum, but for decades as well he’s made mind-melting electronic music. Even if there are elements of dub, techno or other genres, his music remains sui generis. On his Bandcamp you’ll find a host of different series, albums grouped around particular concepts, this particular recent one being Quantum Pulsation X – and it’s not actually the tenth Quantum Pulsation, but rather an extended riff on an earlier work I guess. The complexity of rhythm and noise reflects the complexity of thought that Null puts into everything he does. A fascinating assault on the senses. Architectural – Psychedelic Dancefloor Visions [Delsin Records/Bandcamp] Better known as Reeko, Spain’s Juan Rico has made thumping minimal techno for many years, and in the last few years branched out into drum’n’bass and 170BPM beats, mainly for Samurai Music. His long-established Architectural alias turned up a couple of years back on R&S Records, and has continued as an outlet for the lighter stuff. Here we have some blissfully head-noddy deep techno. Kirk Barley – Ecstatic [Marionette/Bandcamp] We’ve heard Kirk Barley a lot on this show under his own name and as the Church Andrews half of Church Andrews & Matt Davies. In that pairing, Barley’s sinuous yet precise modular synthesis interacts with Davies’ complex (and precise!) drumming patterns, and it’s interesting hearing on forthcoming album Arc that Barley’s solo synth work retains a lot of that rhythmic quirkiness – although to be fair, Matt Davies appears on a number of tracks, including this one. The oddly-tuned synths and hard-to-pin-down rhythms make for a beautifully strange listening experience. dprk – Blutsuppe [Studio Fabrik/Bandcamp] dprk – Aksak-Turm [Studio Fabrik/Bandcamp] I continue to appreciate the super-weird work of Eora/Sydney experimental trio dprk, made up of Richard Fielding (Loop Orchestra, early Severed Heads), Nick Dan (of noise obscurists xNoBBQx) and Juke Wyat (also recently of Loop Orchestra). Gnomes of Zürich is their ostensibly krautrock excursion, although a lot of the aesthetics of that loose genre have inhabited their mix of psych, noise and synth oddness. The two short vignettes here have a strange affinity with the more de-genred aspects of Mike Paradinas’ µ-Ziq and his one-off collaboration with Jochen Paap aka Speedy J, Slag Boom Van Loon. Lord Tusk – Opposites Attract [do you have peace?/Bandcamp] Dawuna – Anything [do you have peace?/Bandcamp] From do you have peace?, the label run by Bristol minimalist bass/trip-hop mavericks Jabu, a highly recommended compilation raising money for on-the-ground organisations in Lebanon, Congo, Palestine, Iran & Sudan. And this is a seriously stacked compilation, ranging from the more ambient side of this scene’s productions to the dub-influenced weirdness of, for instance, Lord Tusk and the minimalist, obscured r’n’b digi-funk of Ian Mugerwa’s Dawuna, who I loved in his early incarnation as Ot to, not to. Helen Svoboda – If [Room40/Bandcamp] Helen Svoboda – Evening Hepuli (feat. Selma Savolainen) [Room40/Bandcamp] Naarm-based Finnish-Australian double bassist is an artist who truly defies categorisation, as you may have noted if you’ve been listening to this show for a while. Adept as a jazz double-bassist, she has also developed many extended techniques on her instrument, and is a master at the melodic use of stopped harmonics (heard in last year’s debut from the TL;DR quartet and 2024’s Anatomical Heart collaboration). Svoboda’s last solo album, 2023’s The Odd River, is a collection of assorted songs, on which Svoboda is joined by many brilliant Australian jazz players, but the music covers folk and classical – and in fact the album is one part of a film work Svoboda made with Angus Kirby (I’m not sure there’s any way to watch it online though). Now the follow-up, Headwater, has been released by the great Room40, showcasing songs & compositions mostly created from Svoboda’s double bass & voice, and co-produced by Tilman Robinson, whose electronics also wrap around many of the works. There are a few collaborators, and notably the voice of acclaimed Finnish singer Selma Savolainen can be found throughout. It’s a stunner. Kalia Vandever – Tough Play [International Anthem/Bandcamp] New York-based trombonist Kalia Vandever plays an instrument that’s a little unusual in jazz as a lead instrument, but is also a talented ensemble player and a great composer & songwriter. Their last solo album, last year’s Another View, was made with a guitar/bass/drums backing band featuring the brilliant Mary Halvorson, but follow-up Mana is entirely performed by themself. There are electronic textures blending with the sound of multi-tracked trombones, and there are also songs, bearing the influence of Vandever’s Hawaiian heritage. There’s something homely about “Tough Play”, with simple piano chords, trombone lurking underneath and Vandever’s clear voice. Just beautiful. Mara – Air Leak feat. Benjamin Woods [Pure Space/Bandcamp] fbi.radio broadcaster, curator, violist, composer, sound-artist Mara Schwerdtfeger returns to the also-fbi-affiliated Pure Space with a two track release. At the time of broadcast the first track was available, based around the single note playable on her great-grandfather’s flute, with additional flautation from Naarm’s Benjamin Woods. The very breathy tones are warming but slightly unsettling, joined at intervals by sub bass pings. Seabuckthorn – Mumbo Jumbo [Lost Tribe Sound/Bandcamp] When we first heard Andy Cartwright’s Seabuckthorn, the project was a showcase for his incredible fingerstyle guitar picking, a brilliant take on American Primitive from an artist based in the UK. There were hints even then of other tendencies bubbling under – shoegazey bowed guitars, field recordings. In the meantime, both under his own name and as Seabuckthorn, Cartwright has taken his art in many different directions, including sound-collage and electronic elements. On this track, we have an arrhythmic collage of percussive sounds which eventually coalesces into a cyclic rhythm, with string drones and a few select notes from Phil Cassel’s double bass (he’s one of two guests on the album, along with Lost Tribe Sound regular William Ryan Fritch). Ben Shemie – I See You Too [Beacon Sound/Bandcamp] Bint Mbareh – one’s own third harmonic on a rusted sewage pipe [Beacon Sound/Bandcamp] Following January’s brilliant compilation Gaza Is The Moral Compass (and it still is), Portland, OR label Beacon Sound offer Flowers Not Bombs, once again featuring artists associated with Montréal’s Constellation label such as cellist Rebecca Foon, Ben Shemie of SUUNS, as well as Lost Tribe Sound’s William Ryan Fritch, cellist/sound-artist Nick Storring, International Anthem & WeJazz-associated percussionist Booker Stardrum – plus Lebanese composer Youmna Saba, Palestinian sound-artist Bint Mbareh, Iranian composer & sound-artist Rouzbeh Shadpey and many more. Shemie’s piece features his high, vocoded voice with beautifully orchestrated strings, while Mbareh’s echoey piano gradually succumbs to sound manipulation, stretching and reversing until its brief piano coda. All profits of this beautiful compilation go to two very worthy on-the-ground organisations: Arab Group for the Protection of Nature and Palestinian Teacher Creativity Center. Félicia Atkinson – Les Yeux IV [VIERNULVIER Records/Bandcamp] Félicia Atkinson – Sans Visage V [VIERNULVIER Records/Bandcamp] I was lucky to perform at the brilliant dunk!festival last year with my band Black Aleph, a festival in Europe’s best-kept secret, the lovely northern-Belgium city of Ghent. Specifically, the festival occurs in a few theatres and venues around an arts centre / platform / community called VIERNULVIER (404), which itself has a phenomenally-curated boutique record label. Having discovered the excellent Antwerp-based musician Youniss through the label earlier this year, I was pleased to see a familiar name in Félicia Atkinson appearing on the label. This album, Sans Visage, was a commissioned by VIERNULVIER for their Videodroom series. It’s spooky music, not particularly redolent of evil but very atmospheric, and simply as sound-art, the maniupated piano and guitar, the organ and voicelike drones and the quite avant-garde harmonies are beautiful, and evoke a soundtrack from years ago, glitchily transmitted from a long-lost archive. Listen again — ~210MB

Ministrada em 28/03/2026 (Jovens)

Reeko, also known as Architectural, started DJing in the late 90s and producing in the early 2000s, and he has released countless timeless records since. He founded the labels Mental Disorder and Evidence and was part of the PoleGroup collective for a decade. Collaborations with Surgeon, Oscar Mulero and Exium, as well as releases on many legendary labels, are part of his discography. His recent explorations on the Drum & Bass label Samurai make it clear that Juan Rico has found new ways to experiment with his sound. Available on SoundCloud & Apple Podcasts. Enjoy!

El colegio Juan Rico y Amat de Elda apostó por este proyecto hace 15 años siendo pionero en la ciudad

On today's show Joan was in Tinley Park, Illinois, for a live broadcast with Southland Friends of Labor. Her guests were: - Tom McGrath, business manager at Insulators Local 17 - Shawn Craven, training director at Insulators Local 17 - Tom Villanova, Southland Friends of Labor board member, retired IBEW Local 134 - Kaitlynd French, Southland Friends of Labor board member, executive board member for St. Joe's Nurses Association/Illinois Nurses Association - Illinois State Representative Harry Benton, 97th District (running for re-election) - Juan Rico, IBEW Local 176, assistant business agent and organizer - Bill Hincks, Sprinkler Fitters Local 281 vice president - Mark Ferry and Al Riley, Southland Friends of Labor board members - Judge John Anderson, candidate for appellate judge - Gary Ciaccio, Southland Friends of Labor board member, Kankakee County Board candidate - Al Whitmon, Southland Friends of Labor board member, Kankakee County Board candidate - Marta Perales, Seafarers International Union, candidate for Kankakee County Board Catch "Joan Esposito: Live, Local and Progressive" weekdays from 2:00 to 5:00 p.m. Central on WCPT (heartlandsignal.com/programs/live-local-progressive).

It's "Space Week" here on the show and you all picked Starship Troopers from 1997 for us to talk about. this episode offers a deep dive into the adventures of Juan Rico, Dizzy Flores and the rest of the rag tag team of the mobile infinitary and of course the horrible character Carmen (#dizzdeservedbetter) We also bring you facts and several packed listener interactive sections of the show. Not to forget the long awaited return of Meme's to make you mad! The Question is "Would you like to know more?" --- Send in a voice message: https://podcasters.spotify.com/pod/show/yourunpodcast/message

It's "Space Week" here on the show and you all picked Starship Troopers from 1997 for us to talk about. this episode offers a deep dive into the adventures of Juan Rico, Dizzy Flores and the rest of the rag tag team of the mobile infinitary and of course the horrible character Carmen (#dizzdeservedbetter) We also bring you facts and several packed listener interactive sections of the show. Not to forget the long awaited return of Meme's to make you mad! The Question is "Would you like to know more?" --- Send in a voice message: https://podcasters.spotify.com/pod/show/yourunpodcast/message

Quand on vient des sciences dures comme la physique, on ne peut s'empêcher d'avoir un sourire en coin en entendant le mot « économie ». C'est un mauvais travers des physiciens. L'économie est importante. Mais comment ne pas leur donner raison quand on voit certaines prises de positions de certains économistes. Alors j'aimerais adresser cet article à mes amis économistes et pointer du doigt la valeur de leur apport mais aussi certains angles morts dans leur conception du monde. Il y en a un en particulier qui les fait piailler, c'est Jean-Marc Jancovici. Pourquoi ? Car il annonce une décroissance inéluctable alors qu'on ne peut pas prédire la croissance sur plusieurs années. Comment le pourrait-il ? Grâce un modèle économique macro reposant sur l'énergie. Alors ils s'arrachent les cheveux. Comment ? Le PIB serait lié à l'énergie ? On a AUCUN moyen de le savoir. Et si quand bien même ils étaient liés, lequel serait la cause de l'autre ? Un pays avec un PIB n'a-t-il pas besoin de plus d'énergie ? Starship troopers de Robert A. Heinlein peut être vu comme un récit racontant le parcours initiatique par lequel un jeune homme, Juan Rico, sera mené de l'enfance à la pleine maturité via toute une série d'épreuves qui formeront son caractère et le transformeront en homme accompli. À ce titre, on pourrait rattacher cette œuvre à la tradition du bildungsromans (roman de formation ou d'éducation) de la tradition romantique allemande et du mouvement Sturm und drang (Tempête et passion) du XVIIIe siècle. Les bildungsromans visaient à éduquer la jeunesse en lui transmettant un idéal de l'homme accompli à imiter. Ces récits prenaient en général la forme d'un parcours initiatique, à l'issue duquel le héros parvenait à l'âge adulte après une série de tribulations. Tour à tour qualifié de fasciste, de réactionnaire, de conservateur, on a attribué à Heinlein des positions morales et politiques contradictoires. En dépeignant la fédération terrienne sous les traits d'une dictature militaire fascistoïde, l'adaptation du livre au cinéma par Paul Verhoeven en 1997 n'a d'ailleurs pas arrangé l'image que le grand public se fait de son œuvre. Peu connaissent, toutefois, sa proximité intellectuelle avec le libertarianisme. Qui sait, par exemple, que David Friedman a dédié son livre The Machinery of Freedom. Guide to a radical capitalism (« Vers une société sans État » en français) de 1973 à Robert A. Heinlein ? On ne devrait donc pas être surpris de voir notre auteur définir ainsi son allégeance philosophique. RAGE Site : rage-culture.com/ Tipeee: fr.tipeee.com/rage Twitter : twitter.com/RageCultureMag Discord : discord.gg/GXeSJ7XuNS Instagram : www.instagram.com/rage_cult/?hl=fr Telegram : t.me/rage_culture Facebook : www.facebook.com/RageCultureMag

Starship troopers de Robert A. Heinlein peut être vu comme un récit racontant le parcours initiatique par lequel un jeune homme, Juan Rico, sera mené de l'enfance à la pleine maturité via toute une série d'épreuves qui formeront son caractère et le transformeront en homme accompli. À ce titre, on pourrait rattacher cette œuvre à la tradition du bildungsromans (roman de formation ou d'éducation) de la tradition romantique allemande et du mouvement Sturm und drang (Tempête et passion) du XVIIIe siècle. Les bildungsromans visaient à éduquer la jeunesse en lui transmettant un idéal de l'homme accompli à imiter. Ces récits prenaient en général la forme d'un parcours initiatique, à l'issue duquel le héros parvenait à l'âge adulte après une série de tribulations. Tour à tour qualifié de fasciste, de réactionnaire, de conservateur, on a attribué à Heinlein des positions morales et politiques contradictoires. En dépeignant la fédération terrienne sous les traits d'une dictature militaire fascistoïde, l'adaptation du livre au cinéma par Paul Verhoeven en 1997 n'a d'ailleurs pas arrangé l'image que le grand public se fait de son œuvre. Peu connaissent, toutefois, sa proximité intellectuelle avec le libertarianisme. Qui sait, par exemple, que David Friedman a dédié son livre The Machinery of Freedom. Guide to a radical capitalism (« Vers une société sans État » en français) de 1973 à Robert A. Heinlein ? On ne devrait donc pas être surpris de voir notre auteur définir ainsi son allégeance philosophique. RAGE Site : rage-culture.com/ Tipeee: fr.tipeee.com/rage Twitter : twitter.com/RageCultureMag Discord : discord.gg/GXeSJ7XuNS Instagram : www.instagram.com/rage_cult/?hl=fr Telegram : t.me/rage_culture Facebook : www.facebook.com/RageCultureMag

Starship Troopers er den arketypiske Military Scifi bog. Vi følger Juan Rico's karriere i det mobile infanteri i rumkrigen mod Arachniderne, hvor mænd er mænd, og en god bug er en død bug. Indlægget Ep. 101: Robert A. Heinlein, Starship Troopers blev først udgivet på SCIFI SNAK.

Hablamos de renovación de luminaria en Elda, del III Plan de Igualdad entre hombres y mujeres o de obras para mejorar la accesibilidad al colegio Juan Rico y Amat

En este podcast Leo Romeu, corresponsal internacional de ATOMcast entrevista al Juan Rico, Head of Business Development IoT de TEKA Group. O post Profesión: Diseñador 13 – Entrevista Juan Rico (TEKA Group) apareceu primeiro em ATOM studios.

As part of Orbcast feature, Juan Rico contributed a 1-hour long mix featuring only Architectural material. In his own words, "the mix is a selection of my own tracks, especially from the latest digital compilation Reprises, two tracks from my new EP on my label that will be released in July, and I also used others; like the EP on R&S or the Barbershop on the Non Series. I certainly had a lot of fun with this mix." Read the feature: https://www.orbmag.com/features/between-art-and-reality-architectural/ @architectural-1

Juan Rico holds a degree in Telecommunication Degree (2006) and a Master degree in Communication in Mobile Networks and ICT (2009), he started his career as a researcher at the Network Planning and Mobile Communication Laboratory at the University of Cantabria working on M2M and wireless communication. He has been working on M2M, and IoT projects applied to many different domains from avalanche rescue (awarded by European Space Agency) to Smart Cities (awarded by Eureka as best Smart City project in 2014). Last years he acted as head of the energy sector in Atos working on the integration of heterogeneous systems to improve overall energy management, and recently he joined Teka Group as Head of IoT to develop a smart home strategy for the home appliance manufacturer. He is the co-author of several book chapters and written more than 20 papers published in international journals.

Description Producer Andrew joins Joe to talk about Juan Rico from Robert Heinlein’s novel Starship Troopers. Topics of discussion include the historical significance of the novel, how it is driven by theme rather than character or plot, and how successful … Continue reading →

GLOBALSMOKEPOSSE .FM IS A PLAYLIST OF THE BEST SONGS FROM RAP CONGLOMERATE GLOBALSMOKEPOSSE. FEATURING: LORD ALPHA, JAY FREDO, JUAN RICO, RICH4LYFE NARD, STEALTHMOBBMUNEY, ALI DA GOD, YOUNG$TONY AND SKITZ TrackList: 1 - Lord Alpha - Zyclon (Prod. STEALTHMOBBMUNEY) 2. Rich4Lyfe Nard - Haitian Boy 3. SKITZ X Lord Alpha - Tic-Tock 4. Lord Alpha x Rich4Lyfe Nard - 2Seater 5. Lord Alpha x Ali Da God - KILL ALL HUMANS! 6. STEALTHMOBBMUNEY - MURCIÉLAGO 7. Jay Fredo - Da Weekend 8. Juan Rico x Lord Alpha - Nun To Us 9. Lord Alpha - Money On My Mind 10. Ali Da God x Lord Alpha - Free Smoke 11. Jay Fredo - Whisper 12. Young$tony - AfterShock 13. Young$tony x SKITZ - Watch List 14. Lord Alpha x Jay Fredo - Cashout 15. Rich4Lyfe Nard - It Is What It Is 16. Lord Alpha - Run Up Dem Bands (Prod. STEALTHMOBBMUNEY) CONTACT US IG: @lxrdvlpha @904.fredo @rich4lyfenard @stealthmobbmuney @tokeythegamier_ @904_yung_ali @skitznation14 @popout.glockout Lord Alpha, Jay Fredo, Young$tony, SKITZ and Juan Rico are from Jacksonville FL, STEALTHMOBBMUNEY is from Chicago, Ali Da God is from Ohio and Rich4Lyfe Nard is From Georgia. We Took A Year Of Work and Put It All Together, This is Talent Coming Together From Across States to Make A Move. We're Taking Over. GLOBALSMOKEPOSSE X RICH4LYFE X STEALTHMOBBMUNEYWORLD X BENJiTRiBE X SKITZNation X KeyonWorld.

Oscar interviews Juan Rico on the original The Happy Oscar Show before it becoming We the Switch.

Ahead of his performance at Parallel Festival, Spanish-native Architectural, Juan Rico, flexes a seamless and powerful set for Monument 134. View the track list and full story at https://mnmt.no/podcast/architectural-parallel-festival/ Review of Parallel 2016: https://mnmt.no/festivals/parallel-festival-review/

Suspense Radio One on One in partnered with Partners in Crime Tours.net presents Rebecca Jean Downey and her book "Devil Eye". When the U.S. Marshal wants to stop a sale of firearms to Mexico, he asks controlled remote viewer, Penny Larkin, to track down New Mexico gun runner, Juan Rico. Penny heads off to Columbus, New Mexico and winds up stranded on the Interstate during a dust storm. She is forced to use her gun to hold off a gang trying to high-jack her car. A man winds up dead and New Mexico State Trooper Johnny Trejo arrests Penny for the murder. When Penny's boyfriend, El Paso County Sheriff Leo Tellez, comes to rescue Penny from the clutches of the law, he brings Adriana,the beautiful twin sister of Leo's dead wife. Penny is desperate to get out of jail to defend her relationship with Leo, but when she finally clears her name, she has to keep her word to the Marshal, and find Juan Rico first. While Penny is gone, Adriana lures Leo into a romantic encounter. On the trail of Rico, Penny is kidnaped and dragged into Mexico by gun traffickers, along with their guns. This means certain death for Penny in a country where thousands of women have gone missing. It will be up to Penny to find a way to escape the gun runners and get back to the U.S., because no one knows she's missing. Does Penny escape the clutches of the gun traffickers? Read the Devil Eye and find out!

March 4, 1990 I was nearly killed in the line of duty. Chapter one is where I tell you the story of Juan Rico and how he nearly murdered me. Have you ever been beaten to death? Well, you'd be dead if you were. I was nearly there and had to make a life and death decision to fight with all my energy or be killed. What were my options? Back in 1990 there was no pepper-spray, no Taser, no impact weapon or baton. Just your hands and gun. I chose not to shoot and kill my assailant. Instead I gave it one more try and lucked out! The knee strike to the face did it and I was able to take the suspect into custody before passing out from blood loss and exhaustion onto of my would-be-killer. As I look back I was lucky to make it out of my rookie years alive. Available in paperback, Kindle, and Audiobook formats from~ Amazon.com, Barnesandnoble.com, iTunes.com, Audible.com. www.Roberttodd.com Always Fight and Never Quit!